Podcast appearances and mentions of Jane Austen

Have you ever pondered, 'but, what would Jane Austen wear?' Join us for this week's Dressed Classic episode from have all the answers for you in this episode, as Dr. Hilary Davidson joins us to talk about her two books: Dress in the Age of Jane Austen and Jane Austen's Wardrobe. Her new book, A Guide to Regency Dress , was released in late 2025. Check it out! Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠classes⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ Our ⁠⁠⁠⁠⁠bookshelf⁠⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠⁠⁠AirWave Media⁠⁠⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel A. Olivas, the grandson of Mexican immigrants, is a fiction writer, poet, playwright, book critic, and attorney. In this episode, Jacke talks to Daniel about his lifelong devotion to literature and its ability to humanize the targets of anti-immigration sentiment. In the interview, Daniel recounts how his interest in literature led to his novel inspired by Mary Shelley, Chicano Frankenstein, and his play inspired by Samuel Beckett, Waiting for Godínez: A Tragicomedy in Two Acts. PLUS Jane Austen expert Janet Todd (Living with Jane Austen) stops by to discuss her choice for the last book she will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're discussing Barbara Pym's second novel, Excellent Women, published in 1952. Pym wrote mid-century comedies of manners and experienced some success in the first decade of her career and then struggled to publish new novels. Excellent Women certainly has a Miss Bates style heroine, but uniquely has a romance-style happy ending, if you agree that the match Mildred Lathbury makes has the potential for happiness. Barbara Pym was not a romance novelist and most of her works focus on a generation of gentlewomen just young enough to feel the loss of a vast number of potential marriage partners from World War II, but old enough (and backwards looking enough) that they aren't able to parlay new social and gender class mobility into rewarding professions. They, like Miss Bates, exist in, if not a genteel poverty, a genteel bourgeois existence. They may be the daughters of vicars, but have little hope of getting the vicar to marry them. Pym is writing at the same time as authors like Barbara Cartland and Victoria Holt, cited as precedents for a lot of genre romance fiction we read today. And if Jane Austen is another grand precedent of romance fiction, Pym is at least a cousin.Support us on our Patreon!Visit our website for transcripts and show notes: reformedrakes.comFollow us on social media:Twitter: @reformedrakesInstagram: @reformedrakesBluesky: @reformedrakesBeth's SubstackChels' SubstackEmma's SubstackThank you for listening!

This show has been flagged as Clean by the host. This series is dedicated to exploring little-known—and occasionally useful—trinkets lurking in the dusty corners of UNIX-like operating systems. Imagine, if you will, a Jane Austen novel about three sisters. The first is well-known and celebrated by everyone; the second, while slightly smarter and more capable, is significantly less popular; and the third languishes in near-total isolation and obscurity. These three sisters live on any UNIX-like system, and their names are grep , egrep , and fgrep . We will assume you are already familiar with grep — egrep works pretty much the same, except she handles e xtended regular expression syntax. (When writing shell scripts intended to be portable, be careful to call egrep if your expression uses + , ? , | , or braces as metacharacters. Some versions of GNU grep make no distinction between basic and extended regular expressions, so you may be surprised when your script works on one system but not another.) But our subject for today is poor, unnoticed fgrep . While the plainest sister of the three, she really doesn't deserve to be ignored. The "f" in her name stands either for f ixed-string or f ast, depending on who you ask. She does not handle regular expressions at all; the pattern she is given is taken literally. This is a great advantage when what you are searching for contains characters having special meaning in a regular expression. Suppose you have a directory full of PHP scripts and want to find references to an array element called $tokens[0] . You can try grep (note that the single quotes are necessary to prevent the shell from interpreting $tokens as a shell variable): $ grep '$tokens[0]' *.php But there is no output. The reason is that the brackets have special significance to grep ; [0] is interpreted as a character class containing only 0. Therefore, this command looks for the string $tokens0 , which is not what we want. We would have to escape the brackets with backslashes to get the correct match (some implementations may require you to escape the dollar sign also): $ grep '$tokens[0]' *.php parser.php: $outside[] = $tokens[0]; Instead of fooling with all that escaping (which might get tedious if our pattern contains many special characters), we can just use fgrep instead: $ fgrep '$tokens[0]' *.php parser.php: $outside[] = $tokens[0]; One place where fgrep can be particularly handy is when searching through log files for IP addresses. With ordinary grep , the pattern 43.2.1.0 would match 43.221.0.123, 43.2.110.123, and a bunch of other IP addresses you're not interested in because the dot metacharacter will match any character. To make sure you only matched a literal dot you'd have to escape each one with a backslash or, better yet, use fgrep . But what about the claim that fgrep is fast? On GNU systems, there is usually one single binary that changes its behavior depending on whether it is called as grep , egrep , or fgrep . (Actually, this is in line with the POSIX standard 1 , which deprecates egrep and fgrep in favor of a single grep command taking the -E option for using extended regular expressions and the -F option for doing fixed-string searches.) In testing, we found that when specifying a single pattern on the command line, fgrep wasn't really any faster than grep . However, when using the -f option to specify a file containing a list of a couple dozen patterns, fgrep could consistently produce a 20% time savings. On systems where grep and fgrep are different binaries, there can potentially be a more dramatic difference in speed and even memory usage. In our hypothetical Austen novel, the neglected sister would probably be driven to a bad end, to be only spoken of afterward in hushed whispers. Don't let that happen! Whenever you need to search for a string, but don't require the power of regular expressions, get into the habit of calling on fgrep . She can be very helpful and deserves more attention than she gets. You'll save yourself the trouble of worrying about metacharacters and maybe some running time as well. References: Grep specification https://pubs.opengroup.org/onlinepubs/009695399/utilities/grep.html#tag_04_63_18 This article was originally written in June 2010. The podcast episode was recorded in February 2026. Provide feedback on this episode.

Elinor has learned the truth about Edward Ferrars and Lucy Steele's engagement, and her mind is full of thoughts as she carefully considers and processes the news. She is sure that Edward's affection for her is real, but she also believes the veracity of Lucy's claims. Elinor has been asked to keep the news a secret, so she does, even from her own mother and sisters; she trusts herself to handler her emotions more than they could anyway. Ultimately she resolves on confronting Lucy, so that she can learn more about Lucy's motives, and the opportunity soon presents itself. As Elinor makes her way through her emotions, let her journey take you on your way into another night of peaceful sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Hi friends! This week we're reading The Unlikely Pursuit of Mary Bennet by Lindz McLeod! We're talking about regency era queer flagging, which Jane Austen adaptation is the our favorite one and much much more! Theme by Man with Roses Book Description Below: After procuring several fervent assurances that his wife would apologize sincerely and deeply for his absence from Rosings that evening, Mr Collins reluctantly died." Thus begins THE UNLIKELY PURSUIT OF MARY BENNET, a sapphic romance between recently widowed Charlotte Lucas and grown-up scientist Mary Bennet. You'll laugh, you'll cry, you'll wonder at the sheer sturdiness of a well-built pianoforte.

Jennie Nash launches a brand-new Hot Seat Coaching series on the podcast—real, on-air coaching sessions where listeners get to hear a story develop in real time.In the first episode, Jennie brings #amwriting podcast producer Andrew Parrella out from behind the microphone as he begins work on his first novel. Fresh off completing the Blueprint challenge, Andrew shares his gothic horror premise: a Dracula-inspired story set in 1920s London, where Abriana Harker—the daughter of Mina Harker—faces a string of mysterious deaths unfolding against the backdrop of the suffrage movement.Jennie and Andrew pressure-test the blueprint together, refining the novel's central point, exploring how Van Helsing's legacy shapes the world of the story, and identifying ways to strengthen Abriana's role so the plot is driven by her choices. Andrew leaves with clear next steps—and this is just the beginning: he'll return in future episodes as Jennie continues coaching him through the process of developing the novel.You can connect with Andrew via his website AndrewParrella.com#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash and you're listening to the hashtag am Writing podcast. The place where we help writers of all kinds play big in your writing life. Love the process, and stick with it long enough to finish what matters most. Hi, I'm Jenny Nash and you're listening to the hashtag am Writing podcast.This is something new. It's a hot seat coaching episode where we're gonna work through a real challenge in real time with a real writer. And today. I'm joined by a really special guest. His name is Andrew Perella, and he has been the producer of this podcast for many, many years and is stepping out from behind the microphone to write his first novel.Andrew participated in the Winter Blueprint challenge that we recently completed. Which is to say he answered all 14 of the blueprint questions during our challenge and, and produced a [00:01:00] finished blueprint. And so I wanted to get on with him and talk about what do we do next? How do we go from there to the next thing?And he agreed to do that to help show our listeners how it goes. And I'm so excited about it because. He just did incredible work and also has so much work to go, so hopefully we're gonna get to, we're gonna get to follow Andrew as he does this for a few episodes and bring you along on the journey. So welcome Andrew from Behind the Microphone.Andrew: So much work to go. Thank you, Jenny. I'm really excited to be here.Jennie: So Andrew is, has a long career in public radio and is a producer of podcast for many people and is a storytelling guy, you know, as well as a sound guy. So this is, this is a big move. I feel like this is a right big move for you for sure, for deciding.This is the time to embrace the fact that you wanna do this thing. Does it [00:02:00] feel like that to you?Andrew: It, it feels like a right big move for me that I'm kind of prioritizing now this writing project for me. I'm prioritizing my project, um, over, over, uh, the projects of others whom, whom I help with projects.Yeah. So this is a big, big a right big moment for me.Jennie: It is totally a riping moment and. You're in the hot seat personal coaching, which I, I really appreciate you being willing to do So, um, where we stand today is, as I said, you, you finished the blueprint, you did all the work, you did the thing. So I'm just curious to sort of check in.How do you feel? Do you feel like that's an accomplishment? Do you feel some momentum? Like, what, where are you feeling, what are you feeling? Um,Andrew: I, I feel like it is a, a really big accomplishment because as we were working through the blueprint, I was getting feedback, uh, from you and KJ Dium about, uh, about, uh, how I was, how I was creating my [00:03:00] blueprint.It got me, it forced me to think about the book in some very real terms, in ways that I hadn't yet, and in ways that, you know, I had been kind of thinking about the book in more abstract notions. Um, and like this was putting pen to paper, uh, on so many things to think about, you know, beyond the, beyond the simple plot structure.Um, and I realized as I was going through this. How much I hadn't yet considered, and I think this helped to show me where the holes in my story were. Um. And he, even, even as I've finished, quote unquote, finished the blueprint, it's like I finished one inter iteration of it and like already the story has changed since I first started work on the blueprint.And so already I know I gotta go back and start reiterating on, on, on this, uh, uh, as we go along here.Jennie: Yeah. I mean, and that's the point, right? Yeah. Is the whole point is this is a tool that reveals. [00:04:00] What's working and what's not working? Is this what I want? Does this reflect my vision? And you get to, to play with that wet clay of the idea.So that's really what what we're doing. But the reason that I thought you'd be such a good candidate for coaching live in this way is your story. It really hangs together in so many ways. It's so great in so many ways and it, it would be easy to feel like, oh, I'm, I'm not that far. I got this. I could, I could start right?I can start writing. Yeah. But I hope, I hope what we're gonna show is, is really pushing yourself to answer core questions is gonna just make it so much stronger.Andrew: Absolutely.Jennie: So, um, all that being said, do you. What do you think the best way to share what you're writing with our listeners is? Do you think reading your book jacket copy feels good or do you wanna just say it out [00:05:00] loud?Andrew: Um, I feel like the book jacket copy, I. Um, that I, that I wrote doesn't quite, doesn't quite capture, I think in many ways what I think the book is going to be so Well,Jennie: and we're gonna actually getAndrew: to that. So I, and we're gonna get to that, I think. Yeah.Jennie: So why don't you just, just share what, what it is.Andrew: So, uh, the premise of the book is this happens, uh.Uh, the, the novel, it happens 20 years after the events of, uh, Bram Stoker's Dracula. Um, and so. It involves some of the same characters, and then it also involves the next generation of these characters. So these, those characters children. Um, the, uh, our protagonist is a Abriana Harker, who is the daughter of Mina Harker, who was, um, kind of the female, uh, lead in, in, in Dracula.And she was, she was bitten by Dracula in, in the original novel. [00:06:00] Um, and she is, uh, someone who is defended, um. Uh, by her, uh, by her friends and, and counterparts in, in that story, Abriana is her daughter. And Abriana is now facing a similar challenge. There are bodies that are turning up around her circle and uh, they appear to have similar injuries that Dracula's victims had 20 years ago, and some people recognize that and are.Going to begin trying to unravel the mystery. And this is all set against the backdrop of the universal suffrage movement, which is also happening in, uh, you know, 1920s London, where, where the novel is, novel is set. And so in broad strokes, that is, that is the, the, the primary premise of the book.Jennie: So the genre is horror.Gothic and I, I did some, some digging. I'm not a big reader of horror, so I did some digging into the genre to make sure that that was right. Because there [00:07:00] there's also thriller elements. There's mystery elements. Mm-hmm. There's, you know, there's other elements and it is, I always liked to, to test. Is this right?Is this right? Could it be tweaked? Could it be better? And it feels, it feels like there's really no question about the genre. Right. Do you feel thatAndrew: I, I feel that, I feel definitely, definitely feel that. And I think I, I, like gothic is, is, is a genre that I really enjoy and I want to develop some of those gothic themes in the story a little bit more than I have so far.But yes, I think gothic and, and horror is very much where, where this, where this book lives. Yeah.Jennie: Yeah. And that is something I wanna talk about for sure when we get to the inside outline. But I wanna start with, um, the second question of the blueprint is what's your point? And I know this is something you've struggled with a little bit.Yeah. Um, but so the current point that you have here is. I feel like maybe this came from me. So, [00:08:00] uh, I, it's, you can't change the world without upsetting people. The more you want to change, the more people you upset, and that's fine, but it, but it doesn't, it does, it doesn't feel like it captures. There's a real moral, philosophical debate at the center of your story.Right.Andrew: Yeah, absolutely. I think, you know, the, the characters are certainly, uh, in the midst of a paradigm shift, you know, there's the, there, the, the world order is changing as, uh, as suffrage is, is being opened to more and more people. Um, and times a world order like that changes. There are people who are for it and there are a lot of people who are against it.And so I think that's. That's an element in, in play here in the, in the novel. And that, and that's something that I wanted to explore. And obviously there are parallels in current times as well for, uh, for this, for this sort of change. So I think that's, I think that's, that's certainly, that's certainly part of, uh, of, of [00:09:00] the story.Yeah.Jennie: So I was, when I, when I review a blueprint, and for anybody who's, who's got one all on the page and, and you, you like it and it feels pretty good. The step is to, to really pressure test everything. So I, I read through the whole thing. I love looking at a blueprint. A blueprint as a whole rather than piece by piece.And in this particular case, it's like this. Yeah. This point feels bloodless, which is something we definitely don't want in this story. So I went back to your why and your why is really powerful and really personal and really political. Um, it's, it's fiery, it's articulate, like there's so much about your why that I.You can see my comments on the page. Mm-hmm. Not the listener, but Andrew can Right where I was going. Great. Yes. Very powerful. Awesome. You know, it's just, it's excellent. And you had some lines in there [00:10:00] about the, the monster in this story is not the vampire, but a man who is refusing to change with the times basically.And. That felt to me, given everything else you're saying about the parallels between this, the milieu of this story and the milieu we live in right now, the, the fraught. Climate, political climate. Cultural climate that felt more potent as a point. And I, I wondered what you thought about that.Andrew: Yeah, I mean, I think that that is as mu that is as much a part of the, the premise as I've conceived it, as, as anything else that I've, I've said, um, you know, the, the, the.Spoiler alert, the the murders aren't being committed by, by the vampire, uh, or vampires. Uh, the murders are being committed by an old white dude who is not [00:11:00] happy with how the politics are shifting under his feet and how the world is changing around him, um, and is trying to, at all costs, prevent that from happening, even sacrificing a bit of his own humanity in, in the process.And so I think that is. Is is something that certainly resonates, but I think it yeah. Is, as you say, there's a passion, there's a blood there that in in, in the why that didn't quite make it to my point. Um,Jennie: yeah, yeah, yeah. So I would suggest for the next iteration mm-hmm. To, to really push that point and.It's gonna keep changing, it's gonna keep, um, you know, getting refined as you go. But I think it's important to move it forward as you keep writing. So the, um, yeah, something that's, that's fiery and that's, um, about, ‘cause that's a, that's a, you're flipping an important trope in a. In a [00:12:00] classic novel, right?Mm-hmm. That it, it's not the vampire. So like, why that? Why, why are we flipping out? What is that showing us? What is the point of, of doing that in the story? That, so I would really play with that. Um, does that make sense? Mm-hmm.Andrew: Yes, it does. Okay. Yes, it does.Jennie: Okay, so the next thing I wanna talk about is your super, your super simple story.Mm-hmm. And. What's interesting about the super simple story is, I mean, I love everybody always. Here's me say this, who's listened to me for very long, but I love a constraint on in creativity. And this, trying to get this story in a really short space often reveals something. And what it, when it was revealing to me is, so you've got, you've got a abriana, she wants to, uh, become a doctor.Because of her mother's, [00:13:00] her mother died in childbirth with her. Um, so that's the, that's the storyline. You've got the murders that are happening and, and then you've got the universal suffragette movement, this political debate that's going on. So there's these three threads and. Even in the super simple story, it was feeling a little bit like they're disconnected.I don't think they're disconnected in your mind. I think they're disconnected on the page.Andrew: Okay.Jennie: So I wanted to just ask you to articulate that a little bit more. ‘cause you hint in the um, book jacket copy later, AA has things in common with Finn halting who's. Her uncle, the Vampire Hunter. Are you comfortable sharing what those are?Andrew: Yeah.Jennie: What those commonalities are?Andrew: Yeah, I think, I think, [00:14:00] um, uh, Abraham Von Helsing is, is a character from the original novel, um, and he helps guide the team to, uh, uh, find, track down and destroy Dracula. Um. In the world of my novel, his understanding of vampires changes as he's, as he continues to do research on them.And so he's discovered, he's discovered more about them. That will spell out a little bit more in the, uh, in the novel, but. First and foremost, and one of the, one of the primary roles he plays in the, in, in the original novel is a, as a doctor. And that's one thing that Abriana really admires about him. He becomes a bit of a, a, um, a surrogate.Parent to her with her mother dying and her, uh, her father's grief, turning into a little bit of emotional distance from, uh, from Abriana. And so von uh, van Helsing kind of fills that gap and so she associates her. I think her desire [00:15:00] to become a doctor stems from both her birth, you know, ultimately killing her mother, but also because, and, and, and wanting to prevent that from happening to other women, but also because she's seen, you know, van Helsing.Perform his, his service as a doctor. He, she's seen it in action and what it can do and wants to, and wants to, wants to emulate that. And so, and, and I think one of the, one of the things that, that I get excited about is incorporating a little bit of like historic realism into, into the novel as well. And there was in, uh, the 1920s a, a medi, the London School of Medicine for women.Um, it had it, it had been. Open for a, a decade or so. It was still a fairly new school at the time. And so that there was an, uh, a real place that she would've been able to go and get an education is something that, uh, is something that I'm, I'm excited to have part of, part of the novel and like that school wouldn't have been possible if it was not for the Women's Liberation [00:16:00] Movement, which resulted obviously in the universal.In the universal suffrage movement. And so all of that I feel, kind of ties, ties together in a way that I haven't explained very well in my super simple copy, super simple story explanation there.Jennie: So, so that's what I'm trying to get at is Adrianna is not just some random young woman. No, I mean she's, she's very clearly descended from.A, a particular, uh, family who's had a particular thing happen and you know, there several generations. So have you designed her as a protagonist using those elements of the family yet, or, or is it more kind of just convenient that she's there? Does that make sense?Andrew: I think so, [00:17:00] and I think it's probably somewhere in the middle.I think I like the idea of tying her into these characters that who have an existing history, and it then gives her a little bit of, a little bit of, uh, gravitas for the listener when they, when they start digging in that maybe they, maybe they, maybe they have read Dracula, are familiar with those characters and so, okay, this is the next, this is the next generation.But yeah, I mean, I think Abriana reflects. A lot of other things that, that aren't in, that aren't represented in the original novel. Um,Jennie: I guess what I, I guess what I'm saying is it feels, one of my concerns is it feels as if you could write this story about Adriana and not have her beat from this family.She could, she could be kind of. Anyone Gotcha. In this [00:18:00] situation? Gotcha. Does that, am I, am I missing, am I missing that? What would make, you know, let's just, um, I know there's, there's several women in the novel who have, have important roles. So I'm gonna pick a name that's not them. Let's say that, uh, there's a young woman, Catherine, you know, not connected to, um.Ben Helsing not connected to her mother, not connected to that whole thing. And same time period, same motivation. She wants to be a doctor. Maybe she had someone in her family die, and that's her motivation. You know, like suffrages, like that whole story could still play out with Catherine. Uh, am I wrong? I want you to prove me wrong.Andrew: So like, yes, it could, I feel like, I feel like one of the things I like about tying in Van Helsing is it, it presents a red herring, um, in the sense that it's like, oh, we all think. [00:19:00] That we're gonna find out vampires are responsible for all of these deaths. Um, like, I don't know, like, and I, and I can kind of slow burn the, you know, the reveal of vampires in general and, and, and how they end up not actually being the antagonists in this By, by which is So by borrowing, by borrowing his name and sharing his glory a little bit.Yeah.Jennie: Right. But back to Catherine, our, our mm-hmm. Mythical protagonist.Andrew: Yeah.Jennie: Same thing could happen there. Everybody thinks, oh, the vampires are back. Um, Catherine, you know, they, they keep happening around her. She's gotta figure it out. You know what I mean? So,Andrew: well, so, soJennie: isAndrew: Yeah,Jennie: no, go ahead.Andrew: The question, the question I, I think that I've been grappling a bit with too is do we exist in a world where.Is, does the novel, does the world of the novel, a place where people [00:20:00] have recognized the efforts of Van Helsing and that vampires exist? Is that, is that common knowledge in this world, or is all of that still unknown to folks?Jennie: Okay, this. Is the piece that I've been missing.Andrew: Okay.Jennie: That's exactly the piece that I've been missing.That's totally it. That, so here, this is world building. If anybody's writing anything with magic, fantasy, sci-fi, even just straight up history, and maybe it's a retelling or a re um, imagining, you often know those, those questions for sure. And especially for where for. My understanding, I, I'm, like I said, I'm not a horror reader, but I do know a little bit about Dracula, but the, it was a, a sort of science versus, um, like science played a big role in that.What [00:21:00] can we know? Mm-hmm. What can we prove? What is, what is unknowable?Andrew: Mm-hmm.Jennie: Those sorts of things. Absolutely. So that, you've gotta know that here. Mm-hmm. Has it been proved? Is it. Accepted knowledge. Is Van Helsing a hero who's locked away in his lab continuing to, you know, with funding and whatever to research his thing?Or is he some. You know, recluse who was shamed in the public eye and people think he's crazy, like that's gonna color everything. Mm-hmm. Okay. And that's gonna be, that's gonna then be the answer I'm looking for. Like, why Adriana as our protagonist and not Catherine. Right. So she's gonna have that, you imagine her going to medical school with.Those two different stories behind her, how different it's [00:22:00] gonna be when she shows up in the classroom and people know, you know, or when they know who she is.Andrew: Right? Yeah.Jennie: So there, there's a real, the reveal to the reveal to the reader about her connection and who she is and then her, her reveal to the society she lives in about.Who she is and you know, the meaning she makes from all that you know, and did, no matter what you decide about Van Helsing, she then you have to all just also decide about her. Does she agree with the prevailing wisdom? If everybody thinks he's a hero, does she think he, he is too? Or does she think he's kind of whacked and then, um, learns otherwise or, you know, like the or, or the other wayAndrew: around?Jennie: Yeah. Or the other way around. Yeah. Yeah. Right. So yeah, this is the piece that's missing is I feel like you have, and this is what I felt the second I heard you talk about your story. I'm like, oh, this could be so [00:23:00] good. Like, this is so potent, but you're like, you're missing it. You're just, it's like it's, it's like it's not landing as as solid as it should, and I think this is why.Right. I had not been able to figure it out, but. And you have, so I gotta make sure I understand the character. So a Adriana's dad is the brother of Van Helsing.Andrew: Uh, they're not related in the original, in the original novel. They're, they're, uh, they're just friends. Okay. Okay. But they're, but they're clo Okay.They're, they're close friends. And because Van Helsing ultimately saved both of their lives, uh, he is kind of a, a, a surrogate uncle. So, uncle, uncle in quotation marks. Yeah,Jennie: yeah, yeah. Uncle is Is an honorific.Andrew: An honorific, exactly. Yeah, yeah, yeah. Okay. Yep.Jennie: That confused me. Okay. So I thought that there was a direct lineage there.Andrew: Right.Jennie: But there's not No,Andrew: no genetic link. Yeah, yeah, yeah. [00:24:00]Jennie: But a link through. Her mother a link to Van Healthing Through the mother.Andrew: Yes.Jennie: Um, and, and what happened to her. So, okay. Yeah. We have to understand his role, who he is, what he's doing in the world, what people think of him. Mm-hmm. Um, and also this is important for.Just the environment of your story, because we've got this division, political division around the suffragette movement. Is there, is there o, are there other, um, like, I wanna say mood, like what's the mood of the place where she's, this story's taking place? Is it, you know, a creeping sense of doom on many levels?Uh, is the do the vampire, like, is the fact, oh, maybe the vampires are [00:25:00] back. Does that make sense for the times? Um, like you and I are talking right now in 2026, um, during very extreme political upheaval and also during the time when there's this been this kidnapping of this prominent. Um, media personalities, family member that hasn't been solved.And there's this sense like, well of course this is happening now. Like this, you know, is there a weird, are we gonna have a, um, famous serial killer? Story unfolding in our time. Right. Like, that's what I keep thinking, right? Like there's a sense of, of course these things are going to start happening now ‘cause things are, feel so unstable and unsettled.Andrew: Yeah.Jennie: Is that what's going on there? [00:26:00]Andrew: I mean, I think potentially yes. I, I've, because yeah, I feel like this, it, it, it, it was an unsettled moment politically. And also a little bit medically as they as like the medical establishment is transitioning from miasma theory to germ theory. And that was kind of late, late, uh, 19th century, early 20th century.But like there's, there's kind of been a, a paradigm shift there. So I think, I feel like yeah, there does wanna be, as you were saying, kind of like this constant, creepy. Creepy feeling. Yeah. I'm like, I'm like to lean into the gothic, like I thought, like, I really want that to pervade every, every chapter, every page.I want that kind of like creeping sensation that that doom is around the corner. Um, that, thatJennie: Right. And doom for many sources. Right. Because I think that that's kind of one of your points.Andrew: Mm-hmm.Jennie: Is well, what I'm going back to what [00:27:00] the point, point was. The point we're kind of, um. Leaning toward is people who review, refuse to evolve.When the world demands, it can become monsters. So the world is evolving in many different ways and probably getting the opportunity for a lot of different people to have to evolve in a lot of different ways. It's not just one way. It's not just like, oh, get on this bus, or you're missing. Get on, you know, what's the metaphor?Like you'll miss the boat if you don't get on the boat. But it feels like there's all kinds of boats one, one might miss here, right? Um, I think so. And so that's that. Yeah. Okay, so, so in terms of what to do next, I think your, your homework here is you've gotta get to know Van Haling. Yeah. And the, and the world a little bit better.So I would do some character [00:28:00] development work on, on him and what the world thinks of him and what a Brianna's stepping into the, the light by. Insisting on going to medical school does to Van Haling. Does it delight him? Does it challenge him? Does it, um, you know, what does he think of that? I think that's important.Andrew: Yeah.Jennie: Um, to know too.Andrew: Yeah.Jennie: Um,Andrew: a couple, a couple of things that are occurring to me. I think I had taken for granted the reader's knowledge of the events of Dracula, and I don't think I can do that. I think I need to. To develop these characters for my own, as you're saying, I, I gotta, I have to develop Van Van Hels, the Van Helsing character.I have to develop him for, for my own purposes for this novel. Um, which makes a lot of sense.Jennie: Well, that's actually a really good question. You defined your ideal reader in a way that I thought was. [00:29:00] Completely delightful. Like she was so fleshed out. She felt like a, a full on character and I was like, oh, I know that.I know that woman. I loved it. It was great. But an important piece you missed in that is you said that she enjoys books about. London, the city and maybe some horror and gothic, but what is her relationship to Dracula, your ideal reader? You need to know that.Andrew: Yeah. Yeah.Jennie: My, you know, this is what's funny sometimes about being a book coach is I always say that the, the writers, the god of their own story, I can't possibly know everything that the writer knows about what they're writing about, what they've read, what they've thought, how they've lived, any of it.And, and in this particular case, I don't read. I don't read horror. I, I, I could barely tell you the, the bear outlines of Dracula if, if press, [00:30:00] um, I mean, I know the, you know, cartoon, the cartoon version. I, I, I could tell you a little more about Frankenstein only because I, against my will, watched the recent, um.Retelling.Andrew: Oh yeah. I haven't actually seen that yet.Jennie: So I say against my will because I was like, oh my gosh, this is too much for me. But um, you need to know if, so here's a perfect, let me finish my sentence. You need to know if your reader is a fan, is a reader, is a immersed in the gothic world, is gonna know all these things.Know all the tropes and know all the connections or not. And the, um, perfect example of that is, remember that book, um, pride and Prejudice and Zombies?Andrew: Yes.Jennie: So that appeal to people who love Jane Austen.Outro: Mm-hmm.Jennie: Like, you're probably not gonna read that book if you're not a Jane Austen [00:31:00] fan, but if you are a Jane Austen fan, you're, you cannot wait to get your hands on that.And. Also probably if you're a zombie horror fan, you know, you would delight in that even if you didn't understand the depths of the Jane Austen piece. But that book spoke to such a very particular audience that turned out to be a massive audience. Right, right. So, yeah,Andrew: yeah, yeah.Jennie: You know, I think you need to make a decision.Are you writing for someone like me who's, who's like, I don't know, like I think when I first read it, I was like. Who's Ben Sing? And you're like, he's the famous guy from the thing, right? So are you writing for someone like me or does your, a avatar, your ideal reader hear, you know, does she watch the movie?Does she, does she read the books? Does she gobble that stuff up?Andrew: Right? Yeah.Jennie: What, what is your instinct right now?Andrew: Singling out one or the other is going to, is going to change [00:32:00] how I write the book. Um. What is my instinct? Uh, I dunno. When I think about the character that I, that the character of the reader that I fleshed out in the blueprint, um,Jennie: yeah,Andrew: I don't think she necessarily would have read Dracula.She might be familiar with the story, but she might not have, um, uh, have read, uh, Dracula itself.Jennie: Okay. So yeah, let's get to, let's get really clear on that. Mm-hmm. Because it's gonna really change. And for those listening. The ideal reader. Oftentimes people think it's just a throwaway part of the blueprint because they kind of can just picture, you know, generally who their reader is.I mean, first of all, no part of the blueprint is the throwaway. Uh, something really important can come from any one of these. So really go back to your ideal reader. And think about them in relationship to their story. ‘cause this [00:33:00] conversation reveals how drastically you would change the writing of this book, depending on your ideal reader's relationship to the, to Dracula.Andrew: Yeah.Jennie: And, and there's no right answer. Either answer's. Great. Right. So, um, so that's, I just put that on the list of, of things too, um, that you're gonna be thinking about. Um. So once you get that, so yeah, the understanding of of Van Healthy's re reputation in the universe right now is going to be the way that you bring your reader up to speed a little bit.Right? Like famous Vampire Hunter still doing his thing or, or. Famous vampire hunter, you know, shamed and, uh, not doing his thing. Um, that's, those are gonna tie [00:34:00] together,Andrew: right? Yeah, yeah, yeah.Jennie: And cement down the world that we're coming into, um, more.Andrew: Absolutely. No, I can, I can see how that will change things.Yeah.Jennie: Okay. So, um. We're not gonna have time to dig, to dig into this yet, but I just wanna touch on it so that, um, when you're doing this work, you can be thinking about, um, thinking about this piece, but the, um, there's a cause and effect trajectory that's obviously what the inside outline is. And at some really key places in yours, you miss an opportunity to to tie in.So we always want our protagonist to have agency to be making the [00:35:00] decisions that cause things to get worse or cause them to be in a worse position or, um, and, and there's several places in your inside outline where. Things just sort of happen, which is the plot, and then she sort of happens to be there.But if you understand better these parts of her and her connection to this, uh, the not her uncle now, uh, her, this guy, uh, and her connection to what's happened with her mother and those things, then we wanna use that to push the story. To push the, so the plot has to serve the story. So the things that happen are gonna push your character in ways they don't wanna be pushed to make decisions that are gonna then push them further and, and they're gonna get deeper and deeper each time.And [00:36:00] you have a murder mystery. So each murder, we wanna feel more and more as if. She is boxing herself in by what she does. By what she thinks. By what she believes, by what she wants. And the, the CLO is gonna squeeze her to the point where she asks to make a, a big decision, you know, comes, that's the climax, comes to that like, will I, in this case, um, confront.Uh, both the murderer and her father is kind of where it all ends, so,Andrew: yeah. Yeah.Jennie: You know, it's not gonna be just like, and now we arrive at a place where she confronts the people. It's gotta be like. Gut wrenching along the way. Right,Andrew: right.Jennie: So, um, there's a lot to say there, and I made some comments on the outline, which, which you'll see [00:37:00] sort of my thoughts and thinking there, but I actually think that this conversation we've had is gonna be the solution because the, the big question I had was, is it coincidental that Adriana is.These murders are sort of following her around and people think that it, she might be responsible. Is that coincidental or is there something real there? Yeah. Do you know the answer or not?Andrew: I, I, I'm, I've been thinking about that and I think there are ways that it's not entirely coincidental. I mean, obviously she's not causing the murders, but I think, I think yes, I think there are things that she does that prompts these.That prompts these women to become targets of the murderer.Jennie: That's what I hoped you were gonna say. Yeah, because that's what's gonna, that's like, it's, I think this was on the page and maybe you didn't realize it, but. [00:38:00] Being friends with Adriana is a little dangerous,right?Andrew: Yes. Yes. I think that could be, that could definitely be part of the part, part of the, part of the theme there. Yeah.Jennie: So that, that shouldn't, that shouldn't be coincidental. Well, and this is what's so, so great about the blueprint and showing it to a critique partner or a writing group or an editor or a book coach, is.Somebody else can say, do you see that you're doing this thing that's actually really cool? Or do you, do you see that you're not doing this? Like it's things are just revealed. So,Andrew: yeah. Yeah, yeah. Absolutely.Jennie: So let's just wrap this up. Your next iteration, you're gonna work on sharpening your point. You're gonna work on sharpening the super simple story so that the Dracula connection is clear.Dracula connection to your [00:39:00] protagonist is, is more clear and you're gonna under in order to do that. You're gonna understand then Helsing, the world that we live in and what his relationship of that world is 20 years after Dracula. What, what is happening with him? What is happening with the world? And and that's gonna help inform the connection between your.Protagonist in these things. And then I think you already answered the ideal reader, but just make sure that you're comfortable with that, that she's not a super fan. This is not a insider. Um, folks who know and love and read Dracula, it's, it's more someone like me. He was a little clueless. And then if you have time to dig into.How that all plays out in the cause and effect of the inside outline. That's, that's where I would go. [00:40:00] So it's, um, I had an agent, my first agent, way back in the day, used to say, run it through the typewriter one more time because we were actually writing on typewriter. Yeah. Right. Back in the day. And, uh, that's kind of what I feel, you know, with these ideas in mind, like, run it all through one more time and let, let it all flow through One more time.Um, and we'll see where it goes.Andrew: Excellent. No, this sounds good. This is, this is some good homework. I'm looking forward to, to digging into this now.Jennie: I know. I can't wait to see too, and I hope our listeners have enjoyed, uh, going along on this conversation and gotten some inspiration for what, how to pressure test your own, uh, blueprint.And if you're not doing the blueprint. Uh, also fine, but pressure test what you're writing. Uh, this is just a tool for doing that, but there's this kind of questioning and making sure that things are not [00:41:00] assumed. That's, that's the key, right? It's that you, you sort of make these assumptions, but we have to articulate them and pin them down so that we can use them to make a much better story.Well, thank you Andrew. Really thank you for being willing to, uh, expose yourself in this way. Come out from behind the mic, uh, share your journey. It's not easy to do that, and I appreciate it.Andrew: Well, it's, it's fun. Thank you for pushing me outside my comfort zone. Uh, I've really enjoyed this.Jennie: I have too. So, uh, for our list.Thanks for joining in. Now let's get back to work.Outro: The hashtag am writing podcast is produced by Andrew Perilla. Our intro music aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone [00:42:00] deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

In this episode, Meg shares five beautiful life lessons she learned from watching Jane Austen films. From slow mornings and long walks to thoughtful conversation and simple rituals, these timeless habits can help you romanticize your life, create more beauty in your days, and build a life you no longer feel the need to escape.

It's Sleep Awareness Week! In honor of this special week dedicated to promoting the connection between sleep, health, and well-being, we're releasing a bonus episode featuring an full-length Jane Austen classic. This extended episode brings us back to the Bennets, as we revisit the first six chapters of Pride and Prejudice. It's pure comfort, and the extra length is perfect to help you fully relax and fall into deep and restorative slumber. Sweet dreams! -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Viscount Kaiser und Duchess Mahrenholtz lassen bitten … zu einem Jane Austen Special. In einem Meer von Austen-Accessoires und -Neuerscheinungen geht es um die Frage: Wie erreicht die Autorin auch nach 250 Jahren immer wieder neue Generationen von Leserinnen? Was steckt hinter dem Phänomen Jane Austen? Daniel und Katharina stellen gelungene Neuausgaben und Biografien vor, befragen das Austen-Orakel und testen Spiele, die einen ganz anderen Zugang zum Universum der englischen Autorin schaffen. Und Gast Andrea Ott erzählt, welchen Herausforderungen sie sich beim Übersetzen eines Meisterwerks wie „Stolz und Vorurteil“ stellen muss. Das alles natürlich bei Gurkensandwiches, Scones und schwarzem Tee.Alle Infos zum Podcast:https://ndr.de/eatreadsleepMail gern an:eatreadsleep@ndr.deAlle Lesekreise:https://ndr.de/eatreadsleep-lesekreiseUnseren Newsletter gibt es hier:https://ndr.de/eatreadsleep-newsletterPodcast-Tipps:You're dead to me, Folge über Jane Austen: https://www.bbc.com/audio/play/p0mggjsrAlles in Butter: https://1.ard.de/alles-in-butter Die Bücher der Folge:(00:07:12) Tea Time im Garten mit Jane Austen: Rezepte & Zitate, Thorbecke (Literarische Vorspeise) (00:11:50) Ian Mortimer: Im Rausch des Vergnügens, übersetzt von Karin Schuler, Piper (Tipp von Katharina und Daniel) (00:17:27) Janine Barchas und Isabel Greenberg: Jane Austen. Ihr Leben als Graphic Novel, übersetzt von Eva Bonné, Penguin (Tipp von Daniel)(00:21:48) Gill Hornby: Miss Austen, Argon (Tipp von Katharina)(00:32:15) Jane Austen: Stolz und Vorurteil, übersetzt von Andrea Ott, Manesse ODER übersetzt von Karin von Schwab, Coppenrath Austens Romane als Graphic Novel (Tipp von Daniel): (01:05:07) Claudia Kühn und Tara Spruit: Stolz und Vorurteil und : Emma, Graphix Loewe (01:06:18) Anna Opel und Stella Langecker: Verstand und Gefühl, Knesebeck (00:41:56) Jane Austens sechs Romane im Schuber, Anaconda Stolz & Vorurteil mal anders: (00:59:48) Seth Graham Smith: Stolz und Vorurteil und Zombies, übersetzt von Carolin Müller, Heyne, nur noch antiquarisch (Tipp von Daniel) (01:02:36) Jo Baker: Im Hause Longbourne, übersetzt von Anne Rademacher, Penguin (Tipp von Katharina) Jane Austen als Detektivin: (01:04:13) Jessica Bull: Die glücklose Hutmacherin, übersetzt von Susanne Wallbaum, Knaur (Tipp von Katharina) Jugendbuch: (01:10:19) Kira Licht: A Spark of Time - Ein Date mit Mr Darcy, one, ab 14 (Tipp von Katharina)Ausgelost für die Bestseller-Challenge der nächsten Folge: „Mathilde und Marie“ von Torsten Woywod Spiele etc.:Escape Game: Story Hunters: Stolz & Vorurteil und viele Geheimnisse, Coppenrath Jane Austen Bingo, Jane Austen Spiel und Jane Austen Puzzle, Laurence King Verlag Jane Austen Zitate zum Umblättern (englisch und deutsch), Groh Das Jane Austen Orakel, Groh Kennst du Jane Austen? Quiz, Groh Die Welt der Jane Austen, Quiz, Coppenrath

Actor James McAvoy who has starred in everything from Shameless to X Men talks about turning director for his debut feature, California Schemin'. The film, which is billed as being "based on a true lie", tells the story of two young rappers from Dundee who pretended to be American in order to be taken seriously by the record industry - and ended up touring with Eminem in the 2000s. BBC One's new Sunday evening drama series The Other Bennet Sister tells the story of Pride and Prejudice through the eyes of Mary Bennet, often regarded as less remarkable than her sisters Jane and Elizabeth in Jane Austen's classic novel. Screenwriter Sarah Quintrell speaks about adapting Janice Hadlow's bestselling book which offers a new perspective on the much-loved book and stars Bridgerton's Ella Bruccoleri in the lead role, as well as Ruth Jones as  mother Mrs Bennet, with Richard E Grant as Mr Bennet. And 800 years on from his death, we are joined by art historian Joost Joustra and Franciscan Friar Brother Samuel to consider the cultural legacy of St Francis of Assisi. Presenter: Kirsty Wark Producer: Mark Crossan

Librarians in Ashland and Coos Bay recommend books by women authors, including Jane Austen, Ada Limón and Jeannine A. Cook, for Women's History Month.

Welcome back to Poppin' In! This week, we're discussing the backlash over Timothée Chalamet's recent comments that offended both the opera and ballet communities (4:30) and Jessie Buckley's recent comments that offended cat lovers everywhere (22:56). Were also talking recent casting announcements that have us excited, including Daisy Edgar Jones in “Tomorrow, and Tomorrow, and Tomorrow” and Aimee Lou Wood in the new “Jayne Eyre” adaptation (31:24). We also review the Oscar-nominated short “Jane Austen's Period Drama” (42:39). Plus, we talk about the sensational Punch the monkey finally being accepted by his peers (48:09). We also review “How to Get to Heaven from Belfast” (55:17) and Sarah J. Maas' Call Her Daddy interview (1:02:20). We're also announcing this year's Poppies nominations! (1:16:38)

Sense and Sensibility by Jane Austen chapter 45, narrated by Isaac BirchallSubscribe on YT or Join the Book Club and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Elanor is very shocked after her meeting with Willoughby, but still feels some compassion for him after his confession and apology. When she goes upstairs, she finds Marianne awake and feels fearful of betraying herself to her sister. In 30 minutes, she hears the carriage of Colonel Brandon and runs downstairs to greet and calm her mother's nerves. She embraced her child, and as soon as she was recovered, went to see Marianne. She was overjoyed but tried to stay calm for her daughter's sake. Elanor tries to go to sleep, but Willoughby is in her thoughts. She doubts if, after telling Marianne of all that passed, if Marianne would ever be able to feel happy. The following day, when they finally got some time alone, Mrs. Dashwood tells Elanor that Colonel Brandon confessed his love for Marianne to her. The mother is overjoyed with this news, and Elanor is not surprised by the remarks. He confessed seemingly without thinking and claims that the Colonel said that he loved her from first sight. Elanor says that she highly values the Colonel and would look on this attachment as a blessing on the family, which satisfies her mother greatly. Mrs. Dashwood also dismisses the age gap, saying that his person is exactly the time that would make Marianne happy. SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

It's no secret that we are fans of Jane Austen, completist author aspirations, and reading projects of all stripes. So when Tzipi Turner's guest submission landed in our What Should I Read Next? inbox, we could not wait to invite her on and talk about her project to become a Jane Austen completist herself. Tzipi lives in Phoenix, Arizona, where she works as the director of special education for a local school district and is a new grandmother. Tzipi decided to mark Jane Austen's recent 250th birthday by finally making progress towards, or maybe even actually reaching, her goal to complete all of Austen's works. But Tzipi's identified her tendency to get distracted by shiny new releases, which has inspired her to consider a book-flight kind of approach to help her kindle some enthusiasm for reading the remaining Austen titles on her list. Tzipi imagines pairing each Austen classic with a contemporary book, but what should those modern picks be? Tzipi isn't sure about that, but she and Anne will talk about it today. Find the list of titles discussed and leave your recommendations for Tzipi on our show notes page at whatshouldireadnextpodcast.com/517. This week we are also celebrating the sixth anniversary of Anne's book, Don't Overthink It. Since its release in 2020, new readers continue to find their way to it and find it interesting and helpful when they do. If you have not yet picked up Don't Overthink It, we would love to invite you now to add it to your 2026 reading list. Find out more and get your copy of Don't Overthink It wherever you like to buy your books. We're also having a little sale in honor of the book's sixth anniversary, and that discount is reflected in our shop. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest for this episode is the brilliant comedian Cariad Lloyd! We talk about her award-winning podcast, Griefcast, and why she decided to stop making it after seven years. We discuss helping a friend through grief - is it ever too late to offer support? What's the best way to handle tricky times like Mother's Day? And why is death sometimes so bloody funny? Cariad shares what it was like to have a baby four days into the first lockdown, and why she's moved into writing children's books. We talk about her fantastic picture book, Where Did She Go?, and festive adventure Lydia Marmalade and the Christmas Wish. They're both out now. There's also some chat about Austentatious, the Jane Austen improv show Cariad appears in. And Helen tells us a thing about audiobooks that blows our minds. As always we finish with Scummy Mummy Confessions - this time involving an unrelaxing bath, a feral child, and Ellie's husband's worst birthday ever. For more from Cariad visit cariadlloyd.com and follow her on Instagram @cariadlloyd. Dates and tickets for Austentatious are available via austentatiousimpro.com.We are now on tour! See you soon Kent, Manchester, Newbury, Cambridge, Stratford and South Norwood! Then we're visiting all sorts of venues all over the country right up till 2027. Yes, INCLUDING NORWICH! Visit scummymummies.com for dates and tickets. WE HAVE A SHOP! Visit scummymummiesshop.com for our ace t-shirts, mugs, and sweatshirts. FREE UK DELIVERY! We're on X, Instagram, and Facebook @scummymummies. If you like the podcast, please rate, review and subscribe. Thank you for listening! Hosted on Acast. See acast.com/privacy for more information.

"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories.  Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Ever since the novel was invented, women have used it as a platform for sharing ideas about sexual consent. In this episode, Jacke talks to Dr. Zoë McGee about her new book Courting Disaster: Reading Between the Lines in the Regency Novel, which compares classic novels by Jane Austen, Frances Burney, and others with historic court records to show that today's arguments about consent are not a new phenomenon. PLUS Jacke reads a letter from Chekhov in which he describes the experience of watching a disastrous performance of his first play, Ivanov. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

She is a thinker and doer who takes on difficult problems, whether it's maternal care in India or a dangerous ideological cult. Janhavi Nilekani joins Amit Varma in episode 439 of The Seen and the Unseen to chat about her work in healthcare -- and her gender-critical thinking. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Janhavi Nilekani on Instagram, Twitter, Substack and Aastrika. 2. Aastrika Foundation. 3. Aastrika Midwifery Centre. 4. Janhavi Nilekani's Substack. 5. Janhavi Nilekani on Maternal Healthcare and Evidence-Based Decision-Making -- The Ideas of India podcast by Shruti Rajagopalan. 6. Understanding Indian Healthcare — Episode 225 of The Seen and the Unseen (w Karthik Muralidharan). 7. Essays at the Intersection of Environmental and Development Economics -- Janhavi Nilekani. 8. Rohini Nilekani Pays It Forward — Episode 317 of The Seen and the Unseen. 9. Natasha Badhwar Lives the Examined Life — Episode 301 of The Seen and the Unseen. 10. Trans: When Ideology Meets Reality -- Helen Joyce. 11. Yuganta -- Irawati Karve. 12. Maxims for Thinking Analytically: The wisdom of legendary Harvard Professor Richard Zeckhauser -- Dan Levy. 13. The Skeptical Environmentalist -- Bjorn Lomborg. 14. The Practice of Medicine — Episode 229 of The Seen and the Unseen (w Lancelot Pinto). 15. Informed Consent is Meaningless if the Information is False and the Consent is Coerced -- Janhavi Nilekani. 16. Beyond too little, too late and too much, too soon -- Suellen Miller et al. 17. What These Labels Mean -- Episode 107 of Everything is Everything. 18. The Positive Birth Book -- Milli Hill. 19. The Word is Woman -- Milli Hill's Substack. 20. The Cass Report. 21. Inclusivity In Healthcare Should Not Be Valued Above Our Paramount Mandate: First, Do No Harm -- Janhavi Nilekani. 22. Understanding the Sex Binary -- Colin Wright. 23. Irreversible Damage -- Abigail Shrier. 24. The Famous Five and Kuch Kuch Hota Hai. 25. Sense and Sensibility -- Jane Austen. 26. The Grand Sophy -- Georgette Heyer. 27. Ilona Andrews on Amazon. 28. The Liaden series by Sharon Lee and Steve Miller. 29. Lupa. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma runs a course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Compassion' by Simahina.

Looking for your next great read? From cozy romances to powerful historical fiction, we're sharing the books we can't stop thinking about. Spring always feels like a season of fresh starts—and sometimes that includes refreshing what we're reading. In this episode of Chasing Brighter, Jessica and Kelly dive into the books that have been keeping them company lately, from page-turning thrillers and heartwarming romance to powerful historical fiction and thought-provoking nonfiction. They share their favorite recent reads, the books currently on their nightstands, and the unexpected places they're finding their next great story—from used bookstore treasures to the Libby library app and Goodreads recommendations. Along the way, the conversation explores why reading can feel like such a grounding ritual, how different formats (audiobooks vs. physical books) shape the experience, and why sometimes the best books aren't the newest bestsellers. If you're looking for your next book club pick, a cozy bedtime read, or something deeper that sparks reflection, this episode is packed with ideas. And yes… you may leave with a much longer reading list. Inside This Conversation  

Marianne can't stand the Steeles, so it's up to Elinor to manage them. It's a task she soon regrets, for on an afternoon walk with Lucy Steele, Elinor learns something that shakes her to her core. It turns out that Lucy Steele has been secretly engaged for the past four years, to none other than Edward Ferrars. At first, Elinor cannot possibly believe it, but Lucy has all the evidence to prove it conveniently at hand. All that Elinor can do now is think, and be wretched. Elinor's world may be turned upside-down, but her story is here to soothe yours, and help you relax into a night of gentle and restorative sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Sense and Sensibility by Jane Austen chapter 44, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Elanor instantly tries to flee from him, but he orders her to listen. He says that he has business with Elanor, and in her shock to this answer, allows him to speak. He asks if Marianne is really going to be okay, stating that he heard from one of the servants that she is better. Elanor, because of his attitude, thinks that he is drunk. He says that he had a pint at Marlborough; he rode from London that day. He says that he has come to tell his story, and hopes that by telling it, both she, and Marianne will forgive him. He starts his story by saying that he had no intention of having Marianne fall for him. He only wished to spend his time in Barton in a more pleasant way. He says that since his youth he had expensive habits and friends, and that he accumulated a lot of debt. Because of this, he was determined to marry someone of extreme wealth. This is why he did not attach himself to Marianne at first, but he claims that as time went on, he did fall for Marianne. But he could not marry her, as she had no wealth… He calls himself a fool. He says that he had determined to tell Marianne about his affection, but Mrs. Smith had found out about Willoughby's connection with Colonel Brandon's ward, and because of this threatened to cut him off unless he married the girl. As she had no money, he couldn't do it, and thus, had to leave Barton for London. He seems to deeply regret having hurt Marianne too much and even goes on to claim that she was the first girl that he ever loved. He continues his story by saying that he believed it would be easy for him to get with Miss Grey, his current wife, and that it nonetheless caused him a huge amount of pain to see break off with Marianne. He then goes on to talk about Marianne's letters. He says that he was deeply pained by the letters and knowing that Marianne was in town was like lightening. He would have loved to have seen her, but he knew that his attachment to the girl would have ruined his plans to marry rich to escape from his debts. He tried all that he could to avoid the Dashwood's but eventually they were brought together by Sir Middleton… After this encounter, Miss Grey suspected that Marianne was the girl who truly had his heart, and when the final letter came to him, and she saw her name on the note, she read the note aloud. She forced Willoughby to write his letter to Marianne, to give back her notes, and her lock of hair. He goes on to say that his marriage to Miss Grey is not a loving one, it purely one of convenience and finance… He is a very pitiful figure, and Elanor forgives him for his terrible behaviour. He finishes by saying that the worst day of his life will be when he hears of Marianne's marriage and then leaves then house.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Harriet is on a new mission, to collect a book of riddles and charades from all her friends in Highbury. Emma has the perfect person in mind to aid Harriet's quest: Mr. Elton, of course. And once he is asked, he certainly delivers. There can be no doubt that the charade he offers is one of love, and Emma is delighted at his budding affection for Harriet. Everything is falling into place just as she planned. As it does, let the latest familiar Friday Favorite help you fall into a night of sweet and restful sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Jane Austen. Autora de clássicos imortais como Orgulho e Preconceito e Razão e Sensibilidade. Ela é considerada uma precursora do romance moderno, principalmente porque foi uma das primeiras autoras a utilizar o discurso indireto livre. Sua escrita mudou para sempre a literatura mundial. Essa é a nossa história de hoje. Se você gostou deixe seu like, faça seu comentário, compartilhe essa biografia com mais pessoas. Vamos incentivar a cultura em nosso pais. Encontro voces na próxima história. Até lá! (Tania Barros)- Contato: e-mail - taniabarros339@gmail.com

"Jane Austen's Period Drama" is a 2024 English-language short comedy film written and directed by Julia Aks and Steve Pinder. The film is a satire on Jane Austen's "Pride and Prejudice." The film had its world premiere at the 39th Santa Barbara International Film Festival and has been nominated for the Best Live Action Short Film at the 98th Academy Awards. Julia Aks and Steve Pinder were both kind enough to spend some time speaking with us about their experience and work on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on YouTube and is up for your consideration for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

"Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion." —Pride and PrejudiceJane Austen often wove needlework and other domestic crafts into her novels in thoughtful and meaningful ways. In this episode, Professor Jennie Batchelor joins us to discuss Austen's own skill with a needle and explore how she used such “women's work” to reveal her characters' strengths and flaws, illuminate their social and power dynamics (think Mrs. Norris and Fanny Price), and reflect their thoughts and feelings.Jennie Batchelor is a professor of 18th-century and Romantic studies and Head of English and Related Literature at the University of York. She was also the inaugural Postdoctoral Fellow in Women's Writing (1660-1830) at Chawton House Library and the University of Southampton. She has published widely on women writers of the eighteenth and nineteenth centuries, on early magazines, and on women's work, dress, and craft. In 2020, she published Jane Austen Embroidery with Alison Larkin, which includes 15 stitching projects based on 18th-century patterns. For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep33*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Sign up for the Chicago CWT Listener Meetup. Henry Oliver is the preeminent literary critic for non-literary nerds. His Substack, The Common Reader, has thousands of subscribers drawn in by Henry's conviction that great literature is where ideas "walk and talk amongst the mess of the real world" in a way no other discipline can match. Tyler, who has called Henry's book Second Act "one of the very best books written on talent," sat down with him to compare readings of Measure for Measure and range across English literature more broadly. Tyler and Henry trade rival readings of the play, debate whether Isabella secretly seduces Angelo, argue over whether the Duke's proposal is closer to liberation or enslavement, trace the play's connections to The Merchant of Venice and The Rape of Lucrece, assess the parallels to James I, weigh whether it's a Girardian play (Oliver: emphatically not), and parse exactly what Isabella means when she says "I did yield to him," before turning to the best way to consume Shakespeare, what Jane Austen took from Adam Smith, why Swift may be the most practically intelligent writer in English, how advertising really works and why most of it doesn't, which works in English literature are under- and overrated, what makes someone a late bloomer, whether fiction will deal seriously with religion again, whether Ayn Rand's villains are more relevant now than ever, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded January 12th, 2026. This episode was made possible through the support of the John Templeton Foundation. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Henry on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:01:40 - What Shakespeare is really saying in Measure for Measure 00:29:17 - The best way to consume Shakespeare 00:32:26 - Jane Austen, Adam Smith, and Jonathan Swift 00:39:29 - Advertising that works 00:44:37 - Things that are under- and overrated in literature 00:51:24 - Late bloomers 00:58:36 - Outro  Image Credit: Sam Alburger

Drift off with calm bedtime reading about Jane Austen to help you sleep through insomnia. This calm bedtime reading session invites sleep and offers relief from insomnia as you gently unwind with her story. Tonight, we explore the life and literary legacy of one of England's most beloved novelists, discovering the world behind Pride and Prejudice and Sense and Sensibility in a slow, peaceful way. You will learn about her early years, her writing process, and the quiet determination that shaped her timeless works, all while listening to Benjamin's steady, soothing cadence. There is no whispering, just calm, fact filled reading designed to ease stress, soften anxiety, and support those facing sleeplessness. Let this gentle educational journey quiet your thoughts, slow your breathing, and carry you toward rest. Press play, get comfortable, and allow yourself to drift off. Happy sleeping! Read with permission from Jane Austen, Wikipedia (https://en.wikipedia.org/wiki/Jane_Austen), licensed under CC BY-SA 4.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sense and Sensibility by Jane Austen chapter 43, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Marianne got up the next morning as usual, but as the day progressed, she started shivering and got sicker, and sicker. The Colonel felt alarmed by Marianne's state, but Elanor dismissed it. Eventually a doctor is called, and he states that Marianne will be better in a few days, and that her infection is minor. At the word of infection, Mrs. Palmer leaves with her baby to stay with some relations, where Mr. Palmer is to join her in a few days. Mrs Jennings says that she will stay however, to help nurse Marianne, and while the Colonel wishes at first to leave, he is persuaded to stay by the stern woman. Marianne laments that they are again forced to stay more time from home. Marianne is no better on the following day, but she seems not to be any worse. On the third day, the doctor declares that Marianne is getting better, and Elanor rejoiced in the fact that he letters to her mother were light-hearted. At the end of the day however, Marianne falls seemingly more ill than before and Elanor decides to sit up with her sister all night. Marianne gets more and more disturbed and soon calls out in her fever for her mother and claims that she mustn't go by London. Elanor tries to sooth her sister but checks her pulse and it is not good news. She runs down to the drawing room where she finds the Colonel and tells him what has happened. He offers to ride all night to collect Mrs. Dashwood, and in the time, it takes for Elanor to write a short message to her, his horses are ready, and he sets off. The doctor eventually comes and in spite of Marianne's state, he declares that she will be better. Several hours go by and Marianne is still sick. A heavy storm has begun, and through the storm Elanor believes that she can hear the sound of a Carriage. She runs downstairs, and though it seems to early for the Colonel to be back, she feels nearly assured that it is him, but when she opens the door she sees for the first time in months, Willoughby… SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

The Palmers may have left, but the parade of visitors at Barton Park never ends. On a visit to Exeter, the Middletons find themselves getting acquainted with two young ladies who just happen to be their distant cousins, Miss Anne and Miss Lucy Steele. The Steele sisters are soon at Barton, and Sir John is eager to introduce them to the Dashwood sisters. But the two sets of sisters do not get on nearly as well as Sir John would like - Elinor finds Anne crass, and Lucy cunning. But she is intrigued by the Steeles' suggestion that they are acquainted with Edward Ferrars, though information about the relationship remains elusive. As the Dashwoods make another new connection, let them connect you with another night of warm and peaceful slumber.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Sense and Sensibility by Jane Austen chapter 42, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:It is noted by Elanor that everyone in their entourage seems to believe that a union between her and the Colonel is a certainty. Marianne finds it difficult to leave the city even though she wanted nothing but to leave for the past 6 weeks, but finally, the Dashwoods leave London and after two days' travel, they arrive at the Palmer residence in Sommerset. Cleveland is a modern built house, and while it has no park, there are plenty of wooded areas which enchant Marianne, and before she has spent 5 minutes at the house, she heads into the garden. She intends to spend almost every hour of every day in the garden, but this plan is sadly ruined by a very heavy and settled rain. The following day, Mr. Palmer and Colonel Brandon join the women at the house by dinner and supply the Elanor and Marianne with some discourse that doesn't revolve around Charlotte's child. The Colonel tells Elanor about Edward, and she finds Mr. Palmer a very pleasant companion, in spite of his elevated ego. The Colonel, while he mainly converses with Elanor, has his eyes on Marianne. After a few days, Marianne catches a very bad cold.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

ntro: Jesus-y sayings, studies in Revelation, Brian's sermon series in Revelation.12:15: Recap from JR's first arena mix in San Antonio with Terri Clark.20:00: Molly recaps her substitute teaching on Monday and all the first graders fall apart about death.22:30: Molly finishes Sense and Sensibility and loves how great Jane Austen writes.29:53: Olympics, paedo-president's day rant.33:22: Hormonal birth control and its correlation to anxiety disorders.34:56: Johnny Gaudreau's kids and Olympic moments.38:00: Molly's amusement with Sam "Moose" Morse and terrible ski racing culture.43:52: Olympian Caesar Salad rater.44:40: Molly's etomologies of the week: tempura and semitic languages48:43: Lack of sleep and picking up kid woes.53:02: Show Close______________________________CanavoxPique Tea - Referral Link (it's super-delicious and healthy)Wealthfront Referral LinkMolly's preferred Stone Heating PadIncogni (data removal and internet anonymizer) Get full access to Too Busy to Flush at www.toobusytoflush.com/subscribe

Mr. Knightley has called at Hartfield, and he has news that he's sure will excite Emma. Her little friend Harriet is about to be proposed to by Mr. Robert Martin. But Emma has one better, for she informs him that Harriet has already refused Mr. Martin's proposal. What follows is a vigorous disagreement between the two over the merits of Harriet marrying Mr. Martin. Though the sparring feels playful to Emma at first, she's left uneasy by Mr. Knightley's disapproval of her interference. But she distracts herself with thoughts of Mr. Elton and her confidence that he is well on his way to falling in love with Harriet instead. Our latest Friday Favorites brings us two protagonists who are evenly matched in wit, though perhaps not in maturity. As Emma and Mr. Knightley have it out, let them take you into another night of restful sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Der gigantische Hype um die queere, gerade in Deutschland angelaufene Eishockey-Serie „Heated Rivalry“ bringt aktuell auch einen kleinen Verlag im thüringischen Steinbach-Hallenberg zum Beben. Jan und Daniel haben die Verlegerin Jeannette Bauroth zu Gast. Sie kommt kaum hinterher, die riesige Nachfrage nach Rachels Reids Buch zu bedienen – es war die Serienvorlage. Bei eat.READ.sleep erzählt Bauroth, wie sie zu den Printrechten an dem Buch kam, warum sie Bücher veröffentlichen will, die andere Verlage für Regal-Hüter halten und was Literatur wirklich sexy macht.Alle Infos zum Podcast: https://ndr.de/eatreadsleep Mail gern an: eatreadsleep@ndr.de Alle Lesekreise: https://ndr.de/eatreadsleep-lesekreise Unseren Newsletter gibt es hier: https://ndr.de/eatreadsleep-newsletter Podcast-Tipp: Telephobiahttps://1.ard.de/telephobia4 Tipp zu 100 Jahren Siegfried Lenz:https://www.ndr.de/kultur/buch/100-Jahre-Siegfried-Lenz-Kritischer-aber-humorvoller-Geist,lenz432.htmlDie Bücher der Folge: (00:04:37) Liz Moore: „Der andere Arthur“, übersetzt von Cornelius Hartz, C.H. Beck (Bestseller-Challenge) (00:16:31) Kristof Magnusson: „Die Reise ans Ende der Geschichte“, Klett-Cotta (Literarische Vorspeise)(00:24:20) Nefeli Kavouras: „Gelb, auch ein schöner Gedanke“, Kiepenheuer & Witsch (Tipp von Jan)(00:29:39) Rachel Reid: „Heated Rivalry“, übersetzt von Martha Sonnenburg, Second Chances Verlag (Buch zum Interview)(00:54:17) Siegfried Lenz: „So zärtlich war Suleyken“, Fischer (All Time Favourite) In der nächsten Folge gibt es keine Bestseller-Challenge, weil es nur um Jane Austen gehen wird. Aber lest gern mit: Jane Austen: „Stolz und Vorurteil“, übersetzt von Andrea Ott, Manesse (Platz 4 der Independent Bestsellerliste)Unser Gast in dieser Folge: Jeannette BaurothRezept für Negroni:https://www.ndr.de/kultur/buch/eatreadsleep-158-agenten-cocktail-und-spice-on-ice,ersfolge-138.htmleat.READ.sleep. ist der Bücherpodcast, der das Lesen feiert. Jan Ehlert, Daniel Kaiser und Katharina Mahrenholtz diskutieren über Bestseller, stellen aktuelle Romane vor und präsentieren die All Time Favorites der Community. Egal ob Krimis, Klassiker, Fantasy, Science Fiction, Kinder- und Jugendbücher, Urlaubsbücher, Gesellschafts- und Familienromane - hier hat jedes Buch seinen Platz. Und auch kulinarisch (literarische Vorspeise!) wird etwas geboten und beim Quiz am Ende können alle ihr Buch-Wissen testen und Fun Facts für den nächsten Smalltalk mitnehmen.

Ernest Hemingway (1899-1961) was one of the most famous American writers of the twentieth century. His plain, economical prose style--inspired by journalism and the King James Bible, with an assist from the Cezannes he viewed in Gertrude Stein's apartment--became a hallmark of modernism and changed the course of American literature. In this episode, Jacke and Mike take a look at an author and novel, The Sun Also Rises (1927), they've been reading and discussing for decades. Want more Hemingway? We took a new look at an old argument in Episode 47 Hemingway vs Fitzgerald. Love everything about the Lost Generation? Spend some time with the coiner of the phrase in Episode 127 Gertrude Stein. Rather be tramping through Europe? Try Episode 157 Travel Books (with Mike Palindrome). [The bulk of this episode was originally released on October 3, 2018. It has been unavailable for several years.] Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

More Than Enough by Anna Quindlen is tender novel of self-exploration which reminds us it's never too late to discover something new about yourself. Anna joins us to talk about friendship, teachers, Jane Austen, motherhood, chosen family and more with guest host Brenda Allison. This episode of Poured Over was hosted by Brenda Allison and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): More Than Enough by Anna Quindlen Jane Eyre by Charlotte Brontë Wide Sargasso Sea by Jean Rhys Miller's Valley by Anna Quindlen Black and Blue by Anna Quindlen Strangers: A Memoir of Marriage by Belle Burden  

Questions? Comments? Text Us!In Episode 272 of God: An Autobiography, The Podcast, Jerry Martin and Scott Langdon ask a deceptively simple question: What is experience?Is it just a stream of sensations passing through us — or is it the unfolding of meaning across a lifetime? When we look back at our lives, do we merely remember events, or do we discover layers of significance we couldn't see before?Drawing from Scott's recent What's Your Spiritual Story episode and Jerry's Radically Personal series, the conversation turns to the radical uniqueness of every human life. No one has ever been duplicated. Every consciousness is singular. What might it mean, then, to say: “You are the experience God is having”?Through reflections on theater, personal memory, Jane Austen's Emma, the play Proof, and the philosophical idea of “thisness” (haecceitas), Jerry and Scott explore whether awareness itself is the meeting point between the human and the divine.Experience changes us. Meaning deepens. And perhaps consciousness is not merely personal — but participatory in something far greater.As you listen, consider your own experience. Where has meaning deepened for you? And what might it reveal about the divine presence within your life?Related Episodes:270. Recovering the Depth of Experience in a Flattened World- Radically Personal271. What's Your Spiritual Story: Scott's Journey from Certainty to LoveOther Series:The podcast began with the Dramatic Adaptation of the book and now has several series:The Life Wisdom Project – Spiritual insights on living a wiser, more meaningful life.From God to Jerry to You – Divine messages and breakthroughs for seekers.Two Philosophers Wrestle With God – A dialogue on God, truth, and reason.Jerry & Abigail: An Intimate Dialogue – Love, faith, and divine presence in partnership.What's Your Spiritual Story – Real stories of people changed by encounters with God.What's On Our Mind – Reflections from Jerry and Scott on recent episodes.What's On Your Mind – Listener questions, divine answers, and open dialogue. Stay ConnectedShare: questions@godanautobiography.comGet the books: God: An Autobiography, Radically PersonalShare Your Story | Site | Facebook | Instagram | Twitter | YouTube

This week's episode is a crossover we've been manifesting forever: Katy welcomes Ann Foster of the Vulgar History podcast for a messy, delightful deep dive into the Regency era—and one of its biggest villains: George IV. Ann brings the tea from her new book, Rebel of the Regency, as we unpack Regency vibes vs. reality, the absolute chaos of royal relationships, and why Caroline of Brunswick became such a lightning rod for public sympathy. If you love historical mess, flawed royals, and women who refuse to behave, this one's for you. Make sure you're subscribed to our Patreon for a giveaway of her book!

One of our hosts had a panic attack this morning when the first teaser trailer for Netflix's upcoming adaptation of Jane Austen's Pride and Prejudice dropped. Here’s everything you need to know.Plus, the documentary Reality Check: Inside America's Next Top Model dropped last week and quickly became one of the most talked-about shows in the world. Now the judges and contestants featured in the doco have given follow-up interviews about what happened behind the scenes while filming this tell-all, and it’s not looking good for Tyra Banks. From the reason why she was never supposed to appear in the documentary to what her fellow judges are saying about her now, the controversy around this show is far from over.And Australia’s most famous radio duo have been in the headlines this week thanks to a very vulnerable on-air disagreement. Here’s why we are sure this is not a publicity stunt. Listen to our recent Brutally Honest Review of the Next Top Model documentary on Apple or Spotify. Listen to our (epic) Brutally Honest Review of Wuthering Heights on Apple or Spotify. THE END BITSLove binge-watching TV? The Spill has launched our Watch Party podcast - spoiler-filled episode deep dives into the shows everyone’s talking about. Find the feed on Apple or Spotify.Support independent women's mediaFollow us on TikTok, Instagram and Facebook. And subscribe to our Youtube channel.Read all the latest entertainment news on Mamamia... here.Discover more Mamamia Podcasts here.Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP!CREDITSHosts: Laura Brodnik & Tina ProvisExecutive Producer: Monisha IswaranAudio Producer: Tegan SadlerBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Sense and Sensibility by Jane Austen chapter 41, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :D⁠https://ko-fi.com/theessentialreads⁠⁠https://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/join⁠Summary:Edward, after seeing the Colonel, told the good news to Lucy, and she says that she has never seen him happier. After a few days, Elanor feels that she needs to visit Mrs. John Dashwood and see how she is fairing after the news. Both Marianne and Mrs. Jennings are against this, but she nonetheless goes. She is greeted by her brother, and he is very glad to see her. They talk about Colonel Brandon's offer to Edward, and John asks if it is really true. Elanor confirms that it is true, and states that the Colonel only wanted to do something right by Edward after all of negativity from his family. John goes on to say that Mrs. Ferrars knows nothing about the news and suggests that it must be kept from her until the marriage takes place. Elanor is confused by this as she believes her to be a hateful woman, one who has cast her son off forever. John corrects her, and says that no matter what happens, Mrs. Ferrars will never forget that Edward is her son. Then in a whisper, John adds that he heard that whatever objections existed towards a connection between Elanor and Edward, they would be a far preferable match that that of Edward and Lucy. After a little time, they are joined by Robert Ferrars, and soon, John goes to search for his wife. He goes on to ask about Edward's new job and goes to laugh about it. He can't imagine anything funnier. He goes on to say that in a conversation with his mother, he said that he would never forgive nor see Edward again if he were to marry this woman. Elanor asks he had ever seen Lucy, and he says he has but only once, and he very much dislikes her. After this Mrs. Dashwood joins them and goes to say how grateful she is for Elanor and her sister, and wishes that she saw more of them. She also seems genuinely shocked when she hears how soon they are to leave London.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

When you visit a new city, one of your first stops might be a museum. It turns out that public art galleries are largely an 18th-century invention. In London in 1789, publisher John Boydell helped shape that new cultural experience with an ambitious project in Pall Mall: a gallery devoted entirely to scenes from Shakespeare. Boydell commissioned leading British artists to paint pivotal moments from the plays, then sold engraved reproductions for museum-goers to take home with them. The gallery quickly became a sensation and was visited by everyone who was anyone, from Jane Austen to the Prince of Wales. It also played a powerful role in transforming William Shakespeare from a popular playwright into a national icon. The venture ultimately failed due to the economic turmoil of the Napoleonic Wars, and the many life-size paintings were cut into smaller canvases and all sold at auction. Yet its influence endured, shaping exhibition culture, influencing a British school of art, and inspiring the visual mythology of The Joining us to explore the rise and fall of the Boydell Shakespeare Gallery are Rosie Dias, Professor of Art History at the University of Warwick, and Michael Dobson, Director of the Shakespeare Institute at the University of Birmingham. From the Shakespeare Unlimited podcast. Published February 23, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had technical help from Mike Rucinski of Boutique Recording in Great Malvern, and Voice Trax West in Studio City, California. Our web producer is Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services were provided by Clean Cuts at Three Seas, Inc.

Welcome to Episode 254! We are so excited to welcome Tiya Miles to the podcast to discuss her most recent book, NIGHT FLYER: Harriet Tubman and the Faith Dreams of a Free People. Don't miss our conversation, which immediately follows our regular segments. [Should we put in a time stamp?] Chris has finished FRANKENSTEIN by Mary Shelley, and Emily is #currentlyreading the novel, so we talk about it, but not too much, since we will discuss it in depth on Episode 255 after our March 1st Zoom conversation with listeners. We still have some spots available–if you'd like to join in, send us an email (hello@bookcougars.com). Other books we are currently reading include IN THE SHADOW OF YOUNG GIRLS IN FLOWER: In Search of Lost Time, Volume 2 by Marcel Proust, THE RESERVATION by Rebecca Kauffman, and RUSS & DAUGHTERS: 100 Years of Appetizing by Niki Russ Federman and Josh Russ Tupper. Our BiblioAdventures have primarily been of the Couch variety: Chris watched a Jane Austen-inspired romance called SENSE, SENSIBILITY, & SNOWMEN, and Emily watched the second event in the Aspen Winter Words series featuring Mitzi Rapkin in conversation with Lily King about her new novel, HEART THE LOVER. We did run into a delightful Little Free Library after a delicious dinner at Fair Haven Oyster Co. along the banks of the Quinnipiac River, and we sing the praises of a #LFL we both often visit in Stony Creek, CT. NEW BOOKSTORE ALERT! If you're in Chicago, Partners in Crime Bookshop just celebrated their grand opening. Let us know about it if you check it out, or tag us (#bookcougars) if you post photos of your visit. Okay, we'll stop writing now so you can start listening. We hope you enjoy this episode as much as we enjoyed recording it! Happy Reading! Show notes for the episode can be found here: https://www.bookcougars.com/blog-1/2026/episode254

Steve Pinder and Julia Acks join us to chat about the Oscar Nominated Short 'Jane Austen's Period Drama.' This episode is perfect for anyone who has ever wondered how to get into the industry and create a film that stands out or anyone who has ever been curious about the history of women's health and periods. Steve and Julia answer: how to create an Oscar-nominated short film, how to create comedy that stands out, what it's like to be Oscar-nominated, and how to campaign for the win. We also chat about the history of period devices and what it was like to have your period in the 1800s, fighting menstruation stigmas, and why it's important to communicate about women's health. We nibble on watching movies in person, the creation of the C-section, hysteria, Punch the Monkey, public restrooms, and more. You can watch their film here: https://www.youtube.com/watch?v=dxpjzOLVRR0&t=3s

Pride and Prejudice by Jane Austen is a sharp, witty exploration of love, class, and social expectation in Regency-era England, centered on the spirited Elizabeth Bennet and the enigmatic Mr. Darcy. As misunderstandings and first impressions give way to self-awareness, the novel reveals how pride and prejudice can obscure, and ultimately illuminate, the path to happiness.Alexandra Potter always dreamed of becoming a writer. After graduating from the University of Liverpool with a degree in English Literature, she moved to London, where she worked for various magazines. A brief detour—sparked by redundancy—led her to travel to Sydney, where she secured a position at Vogue. It was during this time that a chance article about novelists under the age of thirty inspired her to finally take the leap and try her hand at writing a novel.Her latest book, So I Met This Guy, is out now, and she will be embarking on a book tour in both the US and the UK Tickets Here!Nothing pairs more with English sensibility than a cuppa tea, which Alex and I both enjoyed during our conversation across the pond!In This EpisodeBrontë ParsonageLizzy Bennett Diaries - web seriesMe and Mr. Darcy by Alexandra PotterChawton HousePride and Prejudice BBCPride and Prejudice (2005)Bridget Jones Diary by Helen Fielding

For thousands of years, writers from ancient China to contemporary meme-makers have demonstrated the power of the short, witty, philosophical phrases known as aphorisms. In this episode, Jacke talks to James Geary (The World in a Phrase: A Brief History of the Aphorism) about his decades-long effort to collect, catalogue, and celebrate the oldest written art form on the planet. PLUS author Paul Chrystal (Miracula: Weird and Wonderful Stories of Ancient Greece and Rome) stops by to discuss his choice for the last book he will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're joined by pianist Jeneba Kanneh-Mason to explore Jane Austen's creativity beyond the written word and through music. We talk about Jeneba's recent project Jane Austen's Piano EP (Available on Spotify and Apple Music now) and her extraordinary experience playing the Clementi pianoforte at Jane Austen's House, reading directly from Austen's own sheet music. Together, we unpack the role of music in Austen's novels, not merely as social decoration, but as a vital form of expression and emotional release. Consider music as a language Austen spoke fluently and something that's been captured by many adaptations over the years with some outstanding scores like the 2005 Pride and Prejudice. The conversation also draws surprising and delightful connections between Austen's writing and the music of Wolfgang Amadeus Mozart, particularly the way her novels move like concertos: balanced, playful, and emotionally precise.I hope you enjoy this new reflection on an art form that was as special to Austen as writing itself, even if it was practised for personal pleasure and shared most often with those closest to her.She Played and Sang: Jane Austen and Music by Gillian Dooley I mention this book in the episode, and it's one I thoroughly enjoyed and used while preparing for this discussion. It's full of fascinating insights into Jane Austen's relationship with music, some of which were completely new to me, alongside striking analysis of how music appears throughout her novels. I'd really recommend this read if you enjoyed the episode or if you're a lover of music.Ways to support the podcast, and yourself through things I use and love: Tembo - Saving for a house? I know that for many of us, saving to buy our own home can feel like a far-off dream. For the past few years, though, I've been using the Tembo app to help me save for my first home, and it's made the process feel easier, more consistent, and genuinely enjoyable because I can see real progress month by month. The app also offers helpful advice and guidance on recent policy changes, along with recommendations for mortgage brokers, pricing, and interest rates. If you're saving too, I really recommend giving Tembo a try. And if you sign up using my link, you'll get a joining bonus.Wilsons Pet Food (Hoggle's recommendation) Wilsons are offering 20% off when you use my code: whattheausten at checkout

It's a truth universally acknowledged. For this month's book club, we dig into issues of class, gentrification, prejudice, sisterhood, coming of age, family, home and love with Ibi Zoboi's 2019 novel Pride: A Pride and Prejudice Remix. Anney and Samantha share their different takes based on their differing familiarities with Jane Austen's work in this classic episode.See omnystudio.com/listener for privacy information.

Enjoy this classic story written by English author Jane Austen, read to you by Tim. Practise your listening and learn 13 uses of the word ‘tell' in around 6 minutes.And if you have a good level of English, but you feel anxious when you speak, try our new podcast and video series, where we speak to experts about the fears that come with speaking a foreign language: ✔️ https://www.bbc.co.uk/learningenglish/english/features/beating_speaking_anxietyDon't forget to subscribe to our newsletter, where your favourite presenters will send you an email with their weekly tips for you to improve your English: ✔️ https://www.bbc.co.uk/learningenglish/newslettersIf you enjoy improving your English with podcasts, try some of our others: ✔️ 6 Minute English ✔️ Learning English from the News ✔️ Learning English Conversations

Jacke kicks off the episode with an analysis of T.S. Eliot's underappreciated poem of urban alienation, "Preludes." Then scholar and translator Kate Deimling (The Story of the Marquis de Cressy by Marie-Jeanne Riccoboni) tells Jacke about an eighteenth-century Frenchwoman who was a bestseller in her day, but whose best novels have been unavailable in English for more than 200 years (until now!). Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

As fans of the novel know, Frankenstein began with a flash of insight during an ill-fated holiday near Geneva in the summer of 1816, when the young woman then known as Mary Godwin contributed the modern-day Promethean tale to the ghost stories being shared by married lover Percy Shelley and their friends Lord Byron and John Polidori. A few months later, the nineteen-year-old Mary (who would eventually become Mary Shelley) arrived in Bath, hiding from London's gossipmongers and determined to work on her burgeoning novel. The next four months proved to be an incredible mix of chaos and creation for Mary and the people closest to her. In this episode, Jacke talks to poet and biographer Fiona Sampson (In Search of Mary Shelley: The Girl who Wrote Frankenstein) about the new book Mary Shelley in Bath, which documents the short yet influential time that Mary Shelley spent in the historic literary city. PLUS D.G. Rampton, Australia's Queen of the Regency Romance, stops by to discuss her choice for the last book she will ever read. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing ⁠⁠jackewilsonauthor@gmail.com⁠⁠ or ⁠⁠masahiko@johnshorstravel.com⁠⁠, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Act now - sign-up closes March 1! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices