Podcast appearances and mentions of Jane Austen

In 1945, the Nobel Committee awarded its prize for literature to Gabriela Mistral (1889-1957) "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world." Born in a rural Andean valley and abandoned by her free-spirited father at the age of three, Mistral struggled for the right to be a teacher - and then went on to help reform the Chilean educational system to improve the lives of women and the impoverished. After experiencing heartbreak and several tragedies, her poetry collection Desolación ("Desolation" or "Despair") (1922) made her one of Latin America's most revered writers. In this episode, Jacke looks at the life and works of this remarkable poet, whose constant search for truths in nature and humanity informed a body of work that continues to delight and inspire. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Esta semana, Majo se sumergió en el universo de Emma de Jane Austen para ver y analizar todas las adaptaciones al cine y la televisión. Desde las versiones clásicas de época hasta las reinterpretaciones modernas como Clueless, descubrimos cuál es la más fiel al libro, la mejor ambientación, la Emma más encantadora y la producción con mejor fotografía.Además, debatimos junto a nuestra comunidad en redes quién es el mejor Mr. Knightley, la Harriet Smith más entrañable, el Frank Churchill más convincente y la Jane Fairfax más elegante.Un episodio lleno de análisis, nostalgia y amor por Austen.

In honor of Jane Austen's 250th birthday, we teamed up with Hot and Bothered and blended our formats for a special crossover episode covering the 2007 fanfic Becoming Jane! Topics discussed include why it's so hard to write dialogue for writers, the 2007 of it all, Anne Hathaway's terrible British accent, what this movie believes about love, the movie's lack of Austen's genius, digging your own potatoes, and Austen in popular culture. Glossary of People, Places, and Things: Penelope, Atonement, The Last King of Scotland, Joe Wright, Shakespeare in Love, Les MisIf you loved hearing us chat with Vanessa, check out Hot and Bothered at hotandbotheredrompod.com and follow them on Instagram at @therompod.Next Episode: Mansfield Park Chapters 1 - 2Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

Sense and Sensibility by Jane Austen chapter 3, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSummary:Fanny's brother, Edward Ferrars, visits Norland and stays for several weeks. During this time he forms a strong attachment to Elinor Dashwood. Edward is the eldest son of a now deceased rich man, and his fate now depends on his mother's will. He is described as shy and not particularly handsome, but with an open and affectionate heart. His mother and sister want him to earn prestige, but Edward is a simple man, who wants only for domestic comfort.SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Paul Marden heads to the AVEA conference in front of a LIVE audience to find out why gift shops are such an important part of the attraction mix. Joining him is Jennifer Kennedy, Retail Consultant, JK Consulting and Michael Dolan, MD of Shamrock Gift Company. They discuss why your gift shop is an integral part of your brand and why it needs to be just as good as the experience you have on offer. This coinsides with the launch of our brand new playbook: ‘The Retail Ready Guide To Going Beyond The Gift Shop', where you can find out exactly how to improve your online offering to take your ecommerce to the next level. Download your FREE copy here:  https://pages.crowdconvert.co.uk/skip-the-queue-playbookBut that's not all. Paul walks the conference floor and speaks to:Susanne Reid, CEO of Christchurch Cathedral Dublin, on how they are celebrating their millennium anniversary - 1000 years!Charles Coyle, Managing Director, Emerald Park, on how they are bringing AI integrations to enhance their booking processesRay Dempsey, General Manager of The Old Jamerson Distillery on how they offering more accessible touring optionsIt's a mega episode and one you'll not want to miss. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references:  Jennifer Kennedy — Founder, JK Consultinghttps://jkconsultingnyc.com/https://www.linkedin.com/in/jennifer-kennedy-aba75712/Michael Dolan — Managing Director, Shamrock Gift Companyhttps://www.shamrockgiftcompany.com/Catherine Toolan — Managing Director, Guinness Storehouse & Global Head of Brand Homes, Diageohttp://diageo.comhttps://www.linkedin.com/in/catherinetoolan/Máirín Walsh — Operations Manager, Waterford Museumhttps://www.waterfordtreasures.com/Dean Kelly — Photography & Visitor Experience Specialist https://www.wearephotoexperience.com/https://www.linkedin.com/in/dean-kelly-1259a316/Charles Coyle — Managing Director, Emerald Parkhttps://www.emeraldpark.ieSusanne Reid — CEO, Christ Church Cathedral Dublinhttp://www.christchurchcathedral.iehttps://www.linkedin.com/in/susannereid/Ray Dempsey — General Manager, Jameson Distilleryhttps://www.jamesonwhiskey.com/en-ie/visit-our-distilleries/jameson-bow-street-distillery-tour/https://www.linkedin.com/in/ray-dempsey-37a8665a/ Transcription: Paul Marden: Welcome to Skip the Queue, the podcast that tells the stories behind the world's best attractions and the amazing people that work in them. In today's episode, I'm at the AVEA 2025 conference in Waterford, Ireland, and we're talking about gift shop best practices. With Jennifer Kennedy from JK Consulting, a tourism and retail consultancy. And Jennifer led retail at Guinness Storehouse for more years than she would care to mention, I think. And we're also here with Michael Dolan, MD of Shamrock Gift Company, who has brought along the most amazing array of gift shop merchandise, which I'm sure we'll get into talking a little something about later on. And I've also got an amazing live audience. Say hello, everybody.Everyone: Hello.Paul Marden: There we go. So we always start with icebreaker that I don't prepare the two of you. Now this is probably a very unfair question for the pair of you, actually. What's the quirkiest souvenir you've ever bought? I can think of those little, the ones that you get in Spain are the little pooping santas.Jennifer  Kennedy: I have a thing for Christmas decorations when I go on travel, so for me, there always tends to be something around having a little decoration on my tree every year. That if I've had one or two holidays or I've been away, that has some little thing that comes back that ends up on the tree of Christmas. I have a lovely little lemon from Amalfi that's a Christmas decoration, and so you know, so a little kind of quirky things like that.Paul Marden: Michael, what about you? Michael  Dolan: One of our designers who will remain nameless? She has a thing about poo. So everyone brings her back to some poo relation. Paul Marden: Sadly, there's quite a lot of that around at the moment, isn't there? That's a bit disappointing. First question then, what's the point of a gift shop? If I put that in a more eloquent way, why are gift shops such an important part of the attraction mix?Jennifer  Kennedy: Okay, it was from my point of view, the gift shop in an attraction or a destination is the ultimate touch point that the brand has to leave a lasting memory when visitors go away. So for me, they're intrinsically important in the complete 360 of how your brand shows up— as a destination or an attraction. And without a really good gift shop and really good product to take away from it, you're letting your brand down. And it's an integral piece that people can share. From a marketing point of view, every piece of your own product that's been developed, that's taken away to any part of the world can sit in someone's kitchen. It can be in multiple forms. It can be a fridge magnet. It could be a tea towel. It could be anything. But it's a connection to your brand and the home that they visited when they chose to be wherever they're visiting. So for me, I'm very passionate about the fact that your gift shop should be as good as everything else your experience has to offer. So that's my view on it. Michael  Dolan: Sometimes it's neglected when people create a new visitor attraction. They don't put enough time into the retail element. I think that's changing, and a very good example of that would be Game of Thrones in Banbridge. We worked with them for two years developing the range, but also the shop. So the shop reflects the... I actually think the shop is the best part of the whole experience. But the shop reflects the actual whole experience.  Jennifer  Kennedy: The teaming.Michael  Dolan: The teaming. So you have banners throughout the shop, the music, the lighting, it looks like a dungeon. All the display stands have swords in them, reflecting the theme of the entrance.Jennifer  Kennedy: Yeah, it's a good example of how a brand like that has incorporated the full essence and theme of why they exist into their physical retail space.Paul Marden: They definitely loosened a few pounds out of my pocket. Michael  Dolan: Another good example is Titanic Belfast. So they spent 80 million on that visitor attraction, which was opened in 2012, but they forgot about the shop. So the architect who designed the building designed the shop that looked like something out of the Tate Gallery. Yeah, and we went and said, 'This shop is not functional; it won't work for our type of product.' They said, 'We don't have anything in the budget to redevelop the shop.' So we paid a Dublin architect to redesign the shop. So the shop you have today, that design was paid for by Shamrock Gift Company. And if you've been in the shop, it's all brass, wood, ropes. So it's an integral part of the overall experience. But unfortunately... you can miss the shop on the way out.Paul Marden: Yeah, it is very easy to walk out the building and not engage in the shop itself. It's a bit like a dessert for a meal, isn't it? The meal's not complete if you've not had a dessert. And I think the gift shop experience is a little bit like that. The trip to the experience isn't finished.  If you haven't exited through the gate. Michael  Dolan: But it's the lasting memories that people bring back to the office in New York, put the mug on the table to remind people of when they're in Belfast or Dublin to go to. You know, storehouse or Titanic. So those last impressions are indelibly, you know, set.Paul Marden: So we've already said the positioning of the shop then is super important, how it feels, but product is super important, isn't it? What product you fill into the shop is a make or break experience? How do you go about curating the right product? Michael  Dolan: Most important is authenticity. You know, it has to be relevant to the visitor attraction. So it's not a question of just banging out a few key rings and magnets. So I brought you along some samples there. So we're doing two new ranges, one for Titanic and one for the Royal Yacht Britannia, and they're totally different. But reflect the personality of each attraction.Paul Marden: Absolutely.Michael  Dolan: I mean, a good example, we worked together or collaborated together on many, many projects in Guinness. But we also worked in St. Patrick's Cathedral.Jennifer  Kennedy: Yeah.Michael  Dolan: You were the consultant.Jennifer  Kennedy: Yeah, yeah. So I suppose, again, from the product point of view. Yeah, if you can root product in why the experience exists. So in that example, a cathedral is a great example of how you can create really great product by utilising. Well, the main reason people are there is because this amazing building exists and the historic elements of it. So I suppose to make it real, some examples of products that connected with the audience in that environment are things like a little stone coaster. But the stone coaster is a replica of the floor you're standing on. So I suppose the other balance in attractions is realistic price points and realistic products. So there's no point in creating a range of products that's outside the price point of what your visitors are prepared to pay. So it's that fine balance of creating product that connects with them, which is, I'm using the cathedral as an example because you've got architraves, you've got stained glass windows, you've got stunning tiles. So all the elements of the fabric of that building. Can be utilised to create really beautiful products, but castles, you know, cathedrals, all of those sorts of spaces.Jennifer  Kennedy: When we start talking about product, always we go to, 'why are we here?' And also the storytelling elements. There's some beautiful stories that can, I can give you another really great example of a product that was created for another cathedral, which was... So in cathedral spaces, there's all these stunning doors that run the whole way through, like they're spectacular; they're like pieces of art in their own right. And every one of them has a very unique ornate key that unlocks each door. So one of the products that did one of the cathedrals was we wanted to create a ring of brass keys with replicas of all the keys in the cathedral. But as we were progressing, we forgot at the start— it was like we forgot to tell them to scale them down. They weren't the same size as all the keys in the cathedral. So it was a very intrinsically specific gift to this particular cathedral. And it's been used ever since as kind of the special gift they give to people who come to visit from all over the world. They get quite emotional about this particular gift because it's like this is the actual replica of all the keys to all the doors in the cathedral.Jennifer  Kennedy: So it's a product that's completely born. It can never be replicated anywhere else. And it's completely unique to that particular space. And I think that's the power of, for me, that's what authenticity feels and looks like in these environments. It has to be connected to the fabric of why you exist.Paul Marden: Yeah, so I was at Big Pit in Wales six months ago, I think it was. Museums Wales are redeveloping all of their gift shops and they are going through exactly that process that you're talking about, but bringing it back to the place itself because all, I think, it's six of their museums, the gift shops had much the same set of product. They described it as, you know, you were just walking into a generic Welsh gift shop with the dressed lady.Jennifer  Kennedy: And it's hard— like it really takes an awful lot of work— like it doesn't just happen, like you really have to put a lot of thought and planning into what our product should and could look like. And then, when you've aligned on with the team of people managing and running these businesses, that this is the direction you want to take, then it's the operational element of it. It's about sourcing, MOQs, and price, and all of that stuff that comes into it. Minimum order quantities.Michael  Dolan: That's where we come in. So, you know, we met Jennifer in St. Patrick's and we met Liz then, we met the Dean. So we really sat around and talked about what were the most important elements in the cathedral that we wanted to celebrate in product.Michael  Dolan: And St. Patrick obviously was the obvious number one element. Then they have a harp stained glass window. And then they have a shamrock version of that as well. So they were the three elements that we hit on. You know, it took a year to put those three ranges together. So we would have started out with our concept drawings, which we presented to the team in St. Patrick's. They would have approved them. Then we would have talked to them about the size of the range and what products we were looking at. So then we would have done the artwork for those separate ranges, brought them back in to get them approved, go to sampling, bring the samples back in, then sit down and talk about pricing, minimum order quantities, delivery times.Michael  Dolan: So the sample, you know, so that all goes out to order and then it arrives in about four or five months later into our warehouse. So we carry all the risk. We design everything, we source it, make sure that it's safely made, all the tests are confirmed that the products are good. In conformity with all EU legislation. It'll be in our warehouse and then it's called off the weekly basis. So we carry, we do everything.  So one stop shop. Paul Marden: So the traction isn't even sitting on stock that they've invested in. We know what we're doing and we're quite happy to carry the risk. So one of the things we were talking about just before we started the episode was the challenges of sourcing locally. It's really important, isn't it? But it can be challenging to do that.Jennifer  Kennedy: It can. And, you know, but I would say in recent years, there's a lot more creators and makers have come to the fore after COVID. So in kind of more... Specifically, kind of artisan kind of product types. So things like candles are a great example where, you know, now you can find great candle makers all over Ireland with, you know, small minimum quantity requirements. And also they can bespoke or tailor it to your brand. So if you're a museum or if you're a, again, whatever the nature of your brand is, a national store or whatever, you can have a small batch made. Which lets you have something that has provenance. And here it's Irish made, it's Irish owned. And then there's some, you know, it just it gives you an opportunity.Jennifer  Kennedy: Unfortunately, we're never going to be in a position where we can source everything we want in Ireland. It just isn't realistic. And commercially, it's not viable. As much as you can, you should try and connect with the makers and creators that they are available and see if small batches are available. And they're beautiful to have within your gift store, but they also have to be the balance of other commercial products that will have to be sourced outside of Ireland will also have to play a significant role as well.Máirín Walsh: I think there needs to be a good price point as well. Like, you know, we find that in our museum, that, you know, if something is above 20, 25 euro, the customer has to kind of really think about purchasing it, where if it's 20 euro or under, you know, it's...Michael  Dolan: More of an input item, yeah.Máirín Walsh: Yes, exactly, yeah.Paul Marden: And so when it's over that price point, that's when you need to be sourcing locally again. Máirín Walsh: It's a harder sell. You're kind of maybe explaining a bit more to them and trying to get them to purchase it. You know, they have to think about it.Jennifer  Kennedy: But it's also good for the storytelling elements as well because it helps you engage. So I've often found as well that even train the teams and the customer service. It's actually a lovely space to have, to be able to use it as part of storytelling that we have this locally made or it's made in Cork or wherever it's coming from, that it's Irish made.Máirín Walsh: We have, what have we got? We've kind of got scarves and that and we have local— we had candles a few years ago actually. I think they were made or... up the country or whatever. But anyway, it was at Reginald's Tower and there were different kinds of candles of different attractions around and they really connected with your audience.Michael  Dolan: So 20% of our turnover would be food and all that is made in Ireland. Virtually all of that is sourced locally here in Ireland. And that's a very important part of our overall product portfolio and growing as well.Paul Marden: Is it important to serve different audiences with the right product? So I'm thinking... Making sure that there's pocket money items in there for kids, because often when they come to a museum or attraction, it's their first time they ever get to spend their own money on a transaction. Yeah, that would be their first memory of shopping. So giving them what they need, but at the same time having that 25 euro and over price point. To have a real set piece item is?Jennifer  Kennedy: I would say that's very specific to the brand. Paul Marden: Really? Jennifer  Kennedy: Yes, because some brands can't actually sell products or shouldn't be selling products to children. Paul Marden: Really? I'm looking at the Guinness items at the end of the table.Jennifer  Kennedy: So it depends on the brand. So obviously, in many of the destinations around Ireland, some of them are quite heavily family-oriented. And absolutely in those environments where you've got gardens, playgrounds or theme parks. Absolutely. You have to have that range of product that's very much tailored to young families and children. In other environments, not necessarily. But you still need to have a range that appeals to the masses. Because you will have visitors from all walks of life and with all perspectives. So it's more about having something. I'm going to keep bringing it back to it. It's specific to why this brand is here. And if you can create product within a fair price point, and Mairin is absolutely right. The balance of how much your products cost to the consumer will make or break how your retail performs. And in most destinations, what you're actually aiming to do is basket size. You want them to go away with three, four, five products from you, not necessarily one.Jennifer  Kennedy: Because if you think about it, that's more beneficial for the brand. I mean, most people are buying for gifting purposes. They're bringing things back to multiple people. So, if I'm able to pick up a nice candle and it's eight or 10 euros, well, I might buy three of them if it's a beautiful candle in a nice package. Whereas, if I went in and the only option available to me was a 35-euro candle, I probably might buy that, but I'm only buying one product. And I'm only giving that to either myself or one other person. Whereas, if you can create a range that's a good price, but it's also appealing and very connected to why they came to visit you in the first place, then that's a much more powerful, for the brand point of view, that's a much more... Powerful purchasing options are available to have a basket size that's growing.Michael  Dolan: We worked together in the National Stud in Kildare, so we did a great kids range of stationery, which worked really well. We've just done a new range for the GAA museum, all stationery-related, because they get a lot of kids. Again, we would have collaborated on that.Jennifer  Kennedy: And actually, the natural studs are a really nice example as well, because from even a textile point of view, you can lean into equine as the, so you can do beautiful products with ponies and horses. Yeah. You know, so again, some brands make it very, it's easy to see the path that you can take with product. And then others are, you know, you have to think harder. It's a little bit more challenging. So, and particularly for cultural and heritage sites, then that really has to be grounded in what are the collections, what is on offer in these sites, in these museums, in these heritage sites, and really start to unravel the stories that you can turn into product.Paul Marden: But a product isn't enough, is it?Jennifer  Kennedy: Absolutely not.Paul Marden: Set making, merchandising, storytelling, they all engage the customer, don't they?Jennifer  Kennedy: 100%.Paul Marden: Where have you seen that being done well in Ireland?Michael  Dolan: Get a store is the preeminent example, I would think. I mean, it's a stunning shop. Have you met Catherine too? Paul Marden: No, not yet. Lovely to meet you, Catherine.  Michael  Dolan: Catherine is in charge of getting the stories. Paul Marden: Okay. Any other examples that aren't, maybe, sat at the table? Game of Thrones is a really good example and Titanic.Michael  Dolan: Game of Thrones.  I think Titanic's good. The new shop in Trinity College is very strong, I think. So it's a temporary digital exhibition while they're revamping the library. They've done an excellent job in creating a wonderful new shop, even on a temporary basis.Jennifer  Kennedy: I would say Crowe Park as well. The GAA museum there has undergone a full refurbishment and it's very tailored towards their audience. So they're very, it's high volume, very specific to their... And the look and feel is very much in keeping with the nature of the reason why people go to Crowe Park. I would say the Irish National Asteroid as well. And Colmar Abbey, Cliffs of Moher. We've got some really great offers all over the island of Ireland.Paul Marden: Yeah, absolutely. I was at W5 recently in Belfast and I think that is a brilliant example of what a Science Centre gift shop could be like. Because often there will be the kind of generic stuff that you'll see in any attraction— a notebook with rubber and a pencil— but they also had lots of, there were lots of science-led toys and engineering-led toys, so they had... big Lego section. It was like going into a proper toy shop. It was just a really impressive gift shop that you could imagine engaging a kid.Catherine Toolan: And if I could come in there for an example outside of Ireland, you've got the House of Lego in Billund. I don't know if anybody has been there, but they've got a customised range, which is only available. Really? Yes, and it's so special. They've got a really unique building, so the Lego set is in the shape of the building. They've got their original dock. But the retail store in that space, it's very geared towards children as Lego is, but also imagination play. So they've done a brilliant job on looking at, you know, the texture of their product, the colour of their product. And whilst it's usually geared to children, it's also geared to adult lovers of Lego. So it's beautiful. Huge tech as well. They've incredible RFID wristbands, which you get from your ticket at the beginning of the experience. So all of your photo ops and everything you can download from the RFID wristband. Very cool.Jennifer  Kennedy: Actually, I would say it's probably from a tech point of view, one of the best attractions I've been to in recent years. Like, it's phenomenal. I remember going there the year it opened first because it was fascinating. I have two boys who are absolutely Lego nuts. And I just— we went to the home of LEGO in Billund when it opened that year and I just was blown away. I had never experienced, and I go to experiences everywhere, but I've never, from a tech point of view and a brand engagement perspective, understood the nature, the type of product that they deliver. For me, it's, like I said, I tell everyone to go to Billund. Paul Marden: Really? We've got such amazing jobs, haven't we? However, as you're both talking, I'm thinking you're a bit like me. You don't get to go and enjoy the experience for the experience's own sake because you're looking at what everybody's doing.Jennifer  Kennedy: But can I actually just add to that? There's another one in the Swarovski Crystal in Austria.Paul Marden: Really?Jennifer  Kennedy: That is phenomenal. And in terms of their retail space, it's like, I like a bit of sparkle, so I'm not going to lie. It was like walking into heaven. And their retail offering there is world-class in that store. And the whole brand experience from start to finish, which is what you're always trying to achieve. It's the full 360 of full immersion. You're literally standing inside a giant crystal. It's like being in a dream. Right. A crystal, sparkly dream from start to finish. And then, every year, they partner and collaborate with whoever— designers, musicians, whoever's iconic or, you know, very... present in that year or whatever. And they do these wonderful collaborations and partnerships with artists, designers, you name it.Paul Marden: Sorry, Catherine, there you go.Catherine Toolan: Thank you very much. It's on my list of places to go, but I do know the team there and what they're also doing is looking at the premiumization. So they close their retail store for high net worth individuals to come in and buy unique and special pieces. You know, they use their core experience for the daytime. And we all talk about the challenges. I know, Tom, you talk about this, you know, how do you scale up visitor experience when you're at capacity and still make sure you've a brilliant net promoter score and that the experience of the customer is fantastic. So that is about sweating the acid and you know it's that good, better, best. You know they have something for everybody but they have that halo effect as well.  So it's really cool.Paul Marden: Wow. Thank you. I'm a bit of a geek. I love a bit of technology. What do you think technology is doing to the gift shop experience? Are there new technologies that are coming along that are going to fundamentally change the way the gift shop experience works?Jennifer  Kennedy: I think that's rooted in the overall experience. So I don't think it's a separate piece. I think there's loads of things out there now where you can, you know, virtual mirrors have been around for years and all these other really interesting. The whole gamification piece, if you're in an amazing experience and you're getting prompts and things to move an offer today, but so that's that's been around for quite some time. I'm not sure that it's been fully utilised yet across the board, especially in I would say there's a way to go in how it influences the stores in Ireland in attractions at the moment. There'll be only a handful who I'd say are using technology, mainly digital screens, is what I'm experiencing and seeing generally. And then, if there is a big attraction, some sort of prompts throughout that and how you're communicating digitally through the whole experience to get people back into the retail space. Paul Marden: Yeah, I can imagine using tech to be able to prompt somebody at the quiet times of the gift shop. Michael  Dolan: Yeah, also Guinness now you can order a pint glass with your own message on it in advance. It's ready for you when you finish your tour. You go to a locker and you just open the locker and you walk out with your glass. Catherine Toolan: Could I just say, though, that you just don't open a locker like it's actually lockers? There's a lot of customisation to the lockers because the idea came from the original Parcel Motel. So the locker is actually you key in a code and then when you open the customised locker, there's a Guinness quote inside it and your personalised glass is inside it. And the amount of customers and guests that we get to say, could we lock the door again? We want to actually open it and have that. whole experience so you know that's where I think in you know and one of the questions that would be really interesting to talk about is you know, what about self-scanning and you know, the idea of checkouts that are not having the human connection. Is that a thing that will work when you've got real experiences? I don't know. But we know that the personalisation of the engraved glasses and how we've custom designed the lockers— not to just be set of lockers— has made that difference. So they're very unique, they're colourful, they're very Guinnessified. And of course, the little personal quote that you get when you open the locker from our archives, make that a retail experience that's elevated. Paul Marden: Wow.Jennifer  Kennedy: But I would also say to your point on that, that the actual, the real magic is also in the people, in the destinations, because it's not like gift shops and destinations and experiences. They're not like high street and they shouldn't be. It should be a very different experience that people are having when they've paid to come and participate with you in your destination. So I actually think technology inevitably plays a role and it's a support and it will create lovely quirks and unusual little elements throughout the years.Paul Marden: I think personalisation is great.  Jennifer  Kennedy: And personalisation, absolutely. But the actual, like I would be quite against the idea of automating checkout and payouts in gift shops, in destinations, because for me... That takes away the whole essence of the final touch point is actually whoever's talked to you when you did that transaction and whoever said goodbye or asked how your experience was or did you enjoy yourself? So those you can't you can't replace that with without a human personal touch. So for me, that's intrinsically important, that it has to be retained, that the personal touch is always there for the goodbye.Dean Kelly: I'm very happy that you brought up the human touch. I'm a photo company, I do pictures. And all the time when we're talking to operators, they're like, 'Can we make it self-serve? Can we get rid of the staffing costs?' I'm like, 'I'm a photographer. Photographers take pictures of people. We need each other to engage, react, and put the groups together. No, we don't want the staff costs. But I'm like, it's not about the staff costs. It's about the customer's experience. So all day long, our challenge is, more so in the UK now, because we operate in the UK, and everybody over there is very, we don't want the staff.' And I think, if you lose the staff engagement, especially taking a picture, you lose the memory and you lose the moment. And photographers have a really good job to do, a very interesting job, is where to capture people together. And if you lose that person— touch point of getting the togetherness— You just have people touching the screen, which they might as well be on their phone.Paul Marden: And the photo won't look as good, will it? Anybody could take a photo, but it takes a photographer to make people look like they're engaged and happy and in the moment.Dean Kelly: Yeah, exactly, and a couple of other points that you mentioned— with the brand, personalisation, gamification, all that kind of cool, juicy stuff, all the retail stuff, people going home with the memory, the moment, all that stuff's cool, but nobody mentioned photos until Cashin, you mentioned photos. We've had a long conversation with photos for a long time, and we'll probably be still chatting for another long time as well. But photography is a super, super retail revenue stream. But it's not about the revenue, it's about the moment and the magic. Jennifer  Kennedy: Yeah, you're capturing the magic. Dean Kelly: Capturing it. And fair enough that what you guys do at Shamrock is very interesting because you talk to the operators. You kind of go, 'What gifts are going to work for your visitors?' And you turn that into a product. And that's exactly what we do with all the experiences. We take pictures.Dean Kelly: But what's your demographic saying? What's your price points? What's your brand? What's your message? And let's turn that into a personalised souvenir, put the people in the brand, and let them take it home and engage with it.Paul Marden: So... I think one of the most important things is how you blend the gift shop with the rest of the experience. You were giving a good example of exiting through the gift shop. It's a very important thing, isn't it? But if you put it in the wrong place, you don't get that. How do you blend the gift shop into the experience?Jennifer  Kennedy: Well, I would say I wouldn't call it a blend. For me, the retail element of the brand should be a wow. Like it should be as invaluable, as important as everything else. So my perspective would be get eyes on your retail offering sooner rather than later. Not necessarily that they will participate there and then.Jennifer  Kennedy: The visual and the impact it has on seeing a wow— this looks like an amazing space. This looks like with all these products, but it's also— I was always chasing the wow. I want you to go, wow, this looks amazing. Because, to me, that's when you've engaged someone that they're not leaving until they've gotten in there. It is important that people can potentially move through it at the end. And, you know, it depends on the building. It depends on the structure. You know, a lot of these things are taken out of your hands. You've got to work with what you've got. Jennifer  Kennedy: But you have to work with what you've got, not just to blend it, to make it stand out as exceptional. Because that's actually where the magic really starts. And it doesn't matter what brand that is. The aim should always be that your retail offering is exceptional from every touch point. And it shouldn't be obvious that we've spent millions in creating this wonderful experience. And now you're being shoehorned into the poor relation that was forgotten a little bit and now has ten years later looks a bit ramshackle. And we're trying to figure out why we don't get what we should out of it.Michael  Dolan: And it has to be an integral part of the whole experience.Jennifer  Kennedy: Yeah, and I think for new experiences that are in planning stages, I've seen that more and more in recent years. Now, where I was being called to retrofix or rip out things going, this doesn't work, I'm like, okay, well, we have to retro do this. Now, when people are doing new builds or new investments into new spaces, I'm getting those calls at the planning stages where it's like, we've allocated this amount of space to retail. Do you think that's enough? And I don't think I've ever said yes, ever. At every single turn, I'm like... No, it's not enough. And, you know, what's your anticipated football? Oh, that's the numbers start to play a role in it. But it's not just about that. It's about the future proofing. It's like what happens in five years, 10 years, 15? Because I've been very lucky to work in buildings where it's not easy to figure out where you're going to go next. And particularly heritage sites and cultural heritage. Like I can't go in and knock a hole in the crypt in Christchurch Cathedral. But I need a bigger retail space there.Jennifer  Kennedy: The earlier you start to put retail as a central commercial revenue stream in your business, the more eyes you have on it from the get-go, the more likely it is that it will be successful. Not now, not in five years, not in ten years, but that you're building blocks for this, what can become. Like it should be one of your strongest revenue streams after ticket sales because that's what it can become. But you have to go at it as this is going to be amazing.Catherine Toolan: I think it's important that it's not a hard sell and that's in your face. And, you know, that's where, when you think about the consumer journey, we always think about the behavioural science of the beginning, the middle, and the end. And people remember three things. You know, there's lots of other touch points. But if retail is a really hard sell throughout the experience, I don't think the net promoter score of your overall experience will, you know, come out, especially if you're, you know, and we're not a children's destination. An over 25 adult destination at the Guinness Storehouse and at our alcohol brand homes. But what's really important is that it's authentic, it's really good, and it's highly merchandised, and that it's unique. I think that uniqueness is it— something that you can get that you can't get anywhere else. You know, how do you actually, one of the things that we would have done if we had it again, we would be able to make our retail store available to the domestic audience, to the public without buying a ticket. So, you know, you've got that opportunity if your brand is the right brand that you can have walk-in off the high street, for example.Catherine Toolan: So, you know, there's so many other things that you can think about because that's an extension of your revenue opportunity where you don't have to come in to do the whole experience. And that is a way to connect the domestic audience, which is something I know a lot of the members of the Association, AVEA are trying to do. You know, how do we engage and connect and get repeat visits and and retail is a big opportunity to do that, especially at gifting season.Paul Marden: Yeah, yeah, sustainability is increasingly important to the narrative of the whole retail experience, isn't it? How do you make sure that we're not going about just selling plastic tat that nobody's going to look after?Michael  Dolan: We've made this a core value for Shamrock Gift Company, so we've engaged with a company called Clearstream Solutions, the same company that Guinness Store has. have worked with them. So it's a long-term partnership. So they've measured our carbon footprint from 2019 to 2023. So we've set ourselves the ambitious target of being carbon neutral by 2030.Michael  Dolan: So just some of the elements that we've engaged in. So we put 700 solar panels on our roof as of last summer. All our deliveries in Dublin are done with electric vans, which we've recently purchased. All the lights in the building now are LED. Motion-sensored as well. All the cars are electric or that we've purchased recently, and we've got a gas boiler. So we've also now our shipments from China we're looking at biodiesel. So that's fully sustainable. And we also, where we can't use biodiesel, we're doing carbon offsetting as well.Paul Marden: So a lot of work being done in terms of the cost of CO2 of the transport that you're doing. What about the product itself? How do you make sure that the product itself is inherently something that people are going to treasure and is not a throwaway item?Michael  Dolan: We're using more sustainable materials, so a lot more stone, a lot more wood. Paul Marden: Oh, really? Michael  Dolan: Yeah. Also, it begins with great design. Yeah. So, you know, and obviously working with our retail partners, make sure that the goods are very well designed, very well manufactured. So we're working with some wonderful, well, best in class manufacturers around the world. Absolutely.Jennifer  Kennedy: I think as well, if... you can, and it's becoming easier to do, if you can collaborate with some creators and makers that are actually within your location.Jennifer  Kennedy: Within Ireland, there's a lot more of that happening, which means sourcing is closer to home. But you also have this other economy that's like the underbelly of the craft makers market in Ireland, which is fabulous, which needs to be brought to the fore. So collaborations with brands can also form a very integral part of product development that's close to home and connected to people who are here—people who are actually creating product in Ireland.Paul Marden: This is just instinct, not knowledge at all. But I would imagine that when you're dealing with those local crafters and makers, that they are inherently more sustainable because they're creating things local to you. It's not just the distance that's...Jennifer  Kennedy: Absolutely, but in any instances that I'm aware of that I've been involved with, anyway, even the materials and their mythology, yeah, is all grounded in sustainability and which is fabulous to see. Like, there's more and there's more and more coming all the time.Michael  Dolan: We've got rid of 3 million bags a year. Key rings, mags used to be individually bagged. And now there are 12 key rings in a bag that's biodegradable. That alone is 2 million bags.Paul Marden: It's amazing, isn't it? When you look at something as innocuous as the bag itself that it's packaged in before it's shipped out. You can engineer out of the supply chain quite a lot of unnecessary packaging Michael  Dolan: And likewise, then for the retailer, they don't have to dispose of all that packaging. So it's a lot easier and cleaner to put the product on the shelf. Yes.Paul Marden: Something close to my heart, online retail. Have you seen examples where Irish attractions have extended their gift shop experience online, particularly well?Jennifer  Kennedy: For instance, there are a few examples, but what I was thinking more about on that particular thought was around the nature of the brand again and the product that, in my experience, the brands that can do that successfully tend to have something on offer that's very nostalgic or collectible. Or memorabilia and I think there are some examples in the UK potentially that are where they can be successful online because they have a brand or a product that people are collecting.Paul Marden: Yeah, so one of my clients is Jane Austen House, only about two miles away from where I live. And it blew me away the importance of their online shop to them. They're tiny. I mean, it is a little cottage in the middle of Hampshire, but they have an international audience for their gift shop. And it's because they've got this really, really committed audience of Jane Austen fans who want to buy something from the house. Then everybody talks about the Tank Museum in Dorset.Paul Marden: Who make a fortune selling fluffy tank slippers and all you could possibly imagine memorabilia related to tanks. Because again, it's that collection of highly curated products and this really, really committed audience of people worldwide. Catherine Toolan: The Tank were here last year presenting at the AVEA conference and it was such an incredible story about their success and, you know, how they went from a very small museum with a lot of support from government to COVID to having an incredible retail store, which is now driving their commercial success.Paul Marden: Yeah, absolutely. Nick has done a load of work. Yeah, that leads me nicely onto a note. So listeners, for a long time, Skip the Queue has been totally focused on the podcast. But today we have launched our first playbook. Which is hopefully the first of many. But the playbook that we're launching today is all about how attractions can focus on best practice for gift shop e-commerce. So we work with partners, Rubber Cheese, Navigate, and Stephen Spencer Associates. So Steve and his team has helped us to contribute to some sections to the guide around, how do you curate your product? How do you identify who the audience is? How do you create that collection? The team at Rubber Cheese talk about the mechanics of how do you put it online and then our friends at Navigate help you to figure out what the best way is to get bums on seats. So it was a crackpot idea of mine six months ago to put it together, and it is now huge.Paul Marden: It's packed full of advice, and that's gone live today. So you can go over to skipthequeue.fm and click on the Playbooks link there to go and download that. Thank you. So, Jennifer, Michael, it has been absolutely wonderful to talk to both of you. Thank you to my audience. You've also been fabulous. Well done. And what a packed episode that was. I get the feeling you two quite enjoy gift shops and retailing. You could talk quite a lot about it.Jennifer  Kennedy: I mean, I love it.  Paul Marden: That didn't come over at all. Jennifer  Kennedy: Well, I just think it's such a lovely way of connecting with people and keeping a connection, particularly from a brand point of view. It should be the icing on the cake, you know?Paul Marden: You're not just a market store salesperson, are you?Jennifer  Kennedy: And I thoroughly believe that the most successful ones are because the experiences that they're a part of sow the seeds. They plant the love, the emotion, the energy. All you're really doing is making sure that that magic stays with people when they go away. The brand experience is the piece that's actually got them there in the first place. Paul Marden: Now let's go over to the conference floor to hear from some Irish operators and suppliers.Charles  Coyle: I'm Charles Coyle. I'm the managing director of Emerald Park. We're Ireland's only theme park and zoo. We opened in November 2010, which shows you how naive and foolish we were that we opened a visitor attraction in the middle of winter. Fortunately, we survived it.Paul Marden: But you wouldn't open a visitor attraction in the middle of summer, so give yourself a little bit of a run-up to it. It's not a bad idea.Charles  Coyle: Well, that's true, actually. You know what? I'll say that from now on, that we had the genius to open in the winter. We're open 15 years now, and we have grown from very small, humble aspirations of maybe getting 150,000 people a year to we welcomed 810,000 last year. And we'll probably be in and around the same this year as well.  Paul Marden: Wowzers, that is really impressive. So we are here on the floor. We've already heard some really interesting talks. We've been talking about AI in the most recent one. What can we expect to happen for you in the season coming in?Charles  Coyle: Well, we are hopefully going to be integrating a lot of AI. There's possibly putting in a new booking system and things like that. A lot of that will have AI dynamic pricing, which has got a bad rap recently, but it has been done for years and years in hotels.Paul Marden: Human nature, if you ask people, should I be punished for travelling during the summer holidays and visiting in a park? No, that sounds terrible. Should I be rewarded for visiting during a quiet period? Oh, yes! Yes, I should definitely. It's all about perspective, isn't it? Very much so. And it is how much you don't want to price gouge people. You've got to be really careful. But I do think dynamic pricing has its place.Charles  Coyle: Oh, absolutely. I mean, a perfect example of it is right now, our top price is not going to go any higher, but it'll just be our lower price will be there more constantly, you know, and we'll... Be encouraging people to come in on the Tuesdays and Wednesdays, as you said, rewarding people for coming in at times in which we're not that busy and they're probably going to have a better day as a result.Susanne Reid: Hi, Suzanne Reid here. I'm the CEO at Christchurch Cathedral, Dublin. What are you here to get out of the conference? First and foremost, the conference is a great opportunity every year to... catch up with people that you may only see once a year from all corners of the country and it's also an opportunity to find out what's new and trending within tourism. We've just come from a really energising session on AI and also a very thought-provoking session on crisis management and the dangers of solar panels.Paul Marden: Yes, absolutely. Yeah, the story of We the Curious is definitely an interesting one. So we've just come off the back of the summer season. So how was that for you?Susanne Reid:Summer season started slower than we would have liked this year in 2025, but the two big American football matches were very strong for us in Dublin. Dublin had a reasonable season, I would say, and we're very pleased so far on the 13th of the month at how October is playing out. So hoping for a very strong finish to the year. So coming up to Christmas at Christchurch, we'll have a number of cathedral events. So typically our carol concerts, they tend to sell out throughout the season. Then we have our normal pattern of services and things as well.Paul Marden: I think it's really important, isn't it? You have to think back to this being a place of worship. Yes, it is a visitor attraction. Yes, that's an aside, isn't it? And the reason it is a place of worship.Susanne Reid: I think that's obviously back to what our earlier speaker was talking about today. That's our charitable purpose, the promotion of religion, Christianity. However, you know, Christchurch is one of the most visited attractions in the city.Susanne Reid: Primarily, people do come because it will be there a thousand years in 2028. So there is, you know, the stones speak really. And, you know, one of the sessions I've really benefited from this morning was around accessible tourism. And certainly that's a journey we're on at the cathedral because, you know, a medieval building never designed for access, really. Paul Marden: No, not hugely. Susanne Reid: Not at all. So that's part of our programming and our thinking and our commitment to the city and to those that come to it from our local communities. But also from further afield, that they can come and enjoy the splendour of this sacred space.Paul Marden: I've been thinking long and hard, and been interviewing people, especially people like We The Curious, where they're coming into their 25th anniversary. They were a Millennium Project. I hadn't even thought about interviewing an attraction that was a thousand years old. A genuine millennium project.Susanne Reid: Yeah, so we're working towards that, Paul. And, you know, obviously there's a committee in-house thinking of how we might celebrate that. One of the things that, you know, I know others may have seen elsewhere, but... We've commissioned a Lego builder to build a Lego model of the cathedral. There will obviously be some beautiful music commissioned to surround the celebration of a thousand years of Christchurch at the heart of the city. There'll be a conference. We're also commissioning a new audio tour called the ACE Tour, Adults, Children and Everyone, which will read the cathedral for people who have no sense of what they're looking at when they maybe see a baptismal font, for example. You know, we're really excited about this and we're hoping the city will be celebratory mood with us in 2028.Paul Marden: Well, maybe you can bring me back and I'll come and do an episode and focus on your thousand year anniversary.Susanne Reid: You'd be so welcome.Paul Marden: Oh, wonderful. Thank you, Suzanne.Paul Marden: I am back on the floor. We have wrapped up day one. And I am here with Ray Dempsey from Jameson Distillery. Ray, what's it been like today?Ray  Dempsey: Paul, it's been a great day. I have to say, I always loved the AVEA conference. It brings in such great insights into our industry and into our sector. And it's hosted here in Waterford, a city that I'm a native of. And, you know, seeing it through the eyes of a tourist is just amazing, actually, because normally I fly through here. And I don't have the chance to kind of stop and think, but the overall development of Waterford and the presentation from the Waterford County Council was really, really good. It's fantastic. They have a plan. A plan that really is driving tourism. Waterford, as a tourist destination, whereas before, you passed through Waterford. It was Waterford Crystal's stop and that was it. But they have put so much into the restoration of buildings, the introduction of lovely artisan products, very complimentary to people coming to here, whether it is for a day, a weekend, or a week. Fantastic.Paul Marden: What is it? We're in the middle of October and it's a bit grey and drizzly out there. But let's be fair, the town has been packed. The town has been packed.With coaches outside, so my hotel this morning full of tourists.Ray  Dempsey: Amazing, yeah it's a great hub, a great hub, and they've done so much with the city to enable that, and you see, as you pass down the keys, you know that new bridge there to enable extra traffic coming straight into the heart of the city, it's fantastic. We're all learning from it, and hopefully, bring it all back to our own hometowns.Paul Marden: I think it's been really interesting. We were talking earlier on, before I got the microphone out, saying how it's been a real mixed bag this year across the island of Ireland, hasn't it? So some people really, really busy, some people rubbish year.Ray  Dempsey: Yeah, I mean, I feel privileged the fact that, you know, we haven't seen that in Dublin. So, you know, there's a it's been a very strong year, a little bit after a little bit of a bumpy start in January, February. But, like, for the rest of the year onwards, it's been fantastic. It's been back to back festivals and lots of things, lots of reasons why people come to Dublin. And, of course, with the introduction of the NFL. That's new to us this year. And hopefully, we'll see it for a number of years to come. But they're great builders for organic growth for our visitor numbers. So I'm happy to say that I'm seeing a growth in both revenue and in visitor numbers in the Jameson Distillery. So I'm happy to see that. Now, naturally, I'm going to have to work harder to make sure it happens next year and the year after. But I'm happy to say that the tourism product in Dublin has definitely improved. And Dublin-based visitor attractions are doing well. Paul Marden: Exciting plans for summer 26? Ray  Dempsey: Yes, every year is exciting, Paul. And every year brings a challenge and everything else. But I'm delighted to say that our focus for 2026 really is on building inclusion. So we're looking at language tours.Ray  Dempsey: We're looking at tours for... you know, margins in society. And I think it's a really interesting way for us to be able to embrace accessibility to our story. And also, we have increased our experience repertoire to engage more high-end experiences, not private experiences. More demand for those. Okay. So we're delighted to say that we have the product in order to be able to do that. So that's exciting for us, you know, to be building into 2026. Great. Paul Marden: Thank you so much for joining us. I am the only thing standing in the way of you and a drink at the cocktail reception later on. So I think we should call it quits. Ray  Dempsey: And for sure. Paul Marden: If you enjoyed today's episode, then please like and comment in your podcast app. It really does help others to find us. Today's episode was written by me, Paul Marden, with help from Emily Burrows from Plaster. It was edited by Steve Folland and produced by Wenalyn Dionaldo. See you next week. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Before we dive into our Wedding Industrial Complex mini-series, we're spending some time with the woman who popularized the marriage plot – Jane Austen. In honor of Austen's 250th birthday, we're dropping a joint episode with our friends at Pod and Prejudice all about Becoming Jane. Vanessa, Molly, and Becca blend formats to bring you the ultimate movie deep-dive. What does this movie believe about love? What was the best line? Why did they insist on getting the facts of Austen's life SO WRONG? We finish the episode by calling Julia Argy to talk about our upcoming Jane Austen class, which launches tomorrow at notsorryworks.com.---Hot and Bothered is a Not Sorry ProductionFind us at our website | Follow us on InstagramIf we give you butterflies, consider supporting us on Patreon! On Patreon we have more great romance content including a bonus close scene analysis with Vanessa and Daniel. Hosted on Acast. See acast.com/privacy for more information.

This week we close out the emotional mini-series Miss Austen. Rude relatives, and difficult love stories abound, just like in any Jane Austen novel.Re-uploaded due to technical difficulties.

Disclosure: We are part of the Amazon Affiliate/LTK Creator programs. We will receive a small commission at no cost if you purchase a book. This post may contain links to purchase books.Ever wondered what Jane Austen would write if she lived online? Nikki Payne reimagines romance for our era—where identity, love, and culture collide.In this episode, Laura chats with romance author Nikki Payne, a cultural anthropologist and writer of Pride and Protest, Sex, Lies and Sensibility, and The Princess and the PI. They dive into why Nikki reimagines Austen's classics through a modern, intersectional lens, how online personas shape our identities, and what makes “weird fic” and “out-of-pocket women” so irresistible. Plus, Nikki shares her must-read recommendations across romance, mystery, and literary fiction.

I hope this quote from Jane Austen helps you become more tender towards others.   Join the FREE Facebook group for The Michael Brian Show at https://www.facebook.com/groups/themichaelbrianshow   Follow Mike on Facebook Instagram & Twitter

In this episode, Jacke talks to author David Denby about his new book, Eminent Jews: Bernstein, Brooks, Friedan, Mailer, a group biography (loosely inspired by Lytton Strachey's Eminent Victorians) that describes how four larger-than-life figures upended the restrained culture of their forebears and changed American life. PLUS in honor of War and Peace, which lands at #13 on the list of the Greatest Books of All Time, Jacke takes a look at an early essay by Virginia Woolf that explains what made Tolstoy's works so great. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christy and Carol Award–winning author Joanne Bischof DeWitt writes romantic fiction that tugs at the reader's heartstrings. Her historical romance The Lady and the Lionheart received an extraordinary 5 Star TOP PICK! from Romantic Times Book Reviews and was the very first independently published novel to win a Christy Award. It has also recently taken to the stage. As a longtime Jane Austen fan, Joanne is often making popcorn with her mom so they can rewatch their favorite adaptions, and as a new wife, she celebrates God's own redemptive love stories. Joanne thanks the Lord daily for bringing along her very own hero who's a perfect balance between Colonel Brandon and Mr. Darcy. Together, they're a blended family and the grateful parents of six teens and young adults, making them huge advocates for conversations, laughter, and large dinner tables. You can find her at joannebischofdewitt.com, YouTube: The Story Stitcher, Instagram: @joannebischofdewitt. Find The Heart of Bennet Hollow.My birthday treat for you this week---> Push a Pencil: 40 Prompts to Develop Your Creative Writing for just $2 https://www.curios.com/collections/0x9f6b15366c6f7cf051031cdc481f84f49e279167NYC Midnight story challenges: https://www.nycmidnight.com/ProWritingAid Novel November: https://prowritingaid.com/novel-novemberSign up for my writers' newsletter to learn more about the craft of writing, know when my workshops are and be the first to get exclusive information on my writing retreats. https://katcaldwell.com/writers-newsletterWant more information on my books, author swaps, short stories and what I'm reading? Sign up for my readers' newsletter. https://storylectory.katcaldwell.com/signup You can always ask me writing questions on instagram @author_katcaldwell

The panel discusses chapters 35–49, with special attention to the rational development of Elizabeth's appreciation of Mr. Darcy, and to Jane Austen's reformist, but not revolutionary, attitude to the social mores and expectations of Regency-era England.Continue reading

Anne and Captain Wentworth have declared their love for each other, and who can be in doubt of what followed? The two are to be married, and the friends and family around them all react to the news in their own characteristic ways. But all that matters to Anne is that she is happy at last; warm, content, and secure in her new role as a sailor's wife. As Anne Elliot and Captain Frederick Wentworth's story finally comes to a close, let it help you bring your own day to a close, and move into a night of warm and blissful sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Earsay is hosted by Ed Helms and Kal Penn as they dive into the world’s biggest audiobooks. This week, they deep dive into Audible’s immersive, full-cast adaptation of Jane Austen’s Pride and Prejudice. Ed is joined by Jennie Garth (90210, I Choose Me podcast) to explore the audiobook’s lush sound design and standout performances from Marisa Abela, Harris Dickinson, Bill Nighy, and Glenn Close. Together, they unpack the enduring appeal of Austen’s classic romance, draw surprising connections between Elizabeth Bennet’s fierce independence and Garth’s iconic “I choose me” moment from 90210 and so much more. Whether you're an audiobook aficionado or just getting started, this is the book club your ears have been waiting for. Listen to Earsay: The Audible and iHeart Audiobook Club every other Thursday. See omnystudio.com/listener for privacy information.

Earsay is hosted by Ed Helms and Kal Penn as they dive into the world’s biggest audiobooks. This week, they deep dive into Audible’s immersive, full-cast adaptation of Jane Austen’s Pride and Prejudice. Ed is joined by Jennie Garth (90210, I Choose Me podcast) to explore the audiobook’s lush sound design and standout performances from Marisa Abela, Harris Dickinson, Bill Nighy, and Glenn Close. Together, they unpack the enduring appeal of Austen’s classic romance, draw surprising connections between Elizabeth Bennet’s fierce independence and Garth’s iconic “I choose me” moment from 90210 and so much more. Whether you're an audiobook aficionado or just getting started, this is the book club your ears have been waiting for. Listen to Earsay: The Audible and iHeart Audiobook Club every other Thursday. See omnystudio.com/listener for privacy information.

It's that time of year again, spooky season!

Sense and Sensibility by Jane Austen chapter 2, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSummary:Mr. John Dashwood plans to keep his promise to his deceased uncle and treat his female relatives with generosity. His wife, Fanny, however, is a narrow-minded and selfish woman and she convinces him to leave them only 5 thousand pounds apiece. Fanny moves into Norland Park immediately after the passing of Mr. Henry Dashwood and becomes mistress of the estate, forcing John's stepmother Mrs. Dashwood and half-sisters Elinor, Marianne, and Margaret to the status of “visitor.”SEO stuff I don't want to do. Jane Austin's timeless classic Sense and Sensibility follows the story of two girls, Elinor and Marianne Dashwood, and their endeavors in love, marriage, and societal expectations. Love is not easy however, and Elinor finds her sense tested by her charming brother-in-law, while Marianne's sensibility brings her nothing but heartbreak.

Welcome to Books We've Loved, a new limited series from Book of The Day. Every episode, we will dig into some of our favorite books, to make the case for picking up a book from the past. Hosted by Book of the Day's Andrew Limbong and Code Switch's B.A. Parker, they will be your guides through these timeless stories. Bringing on NPR voices and book nerds far and wide, they will discuss titles by authors like Anthony Bourdain, James Baldwin, and Jane Austen, and asking their guests questions like — why can't they get this book out of their head? How did this book shift a paradigm, shake the culture, or change their life? And, most importantly, why should you read it now? To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We're diving into the 1995 classic Clueless to see if Amy Heckerling's teen comedy holds up 30 years later. From its iconic fashion to the jokes that went way over our heads as kids, we're breaking down why this movie is more than just a 90s time capsule.On this episode of So Many Sequels, the guys discuss how Clueless cleverly adapted Jane Austen's Emma for a Beverly Hills High School setting , Amy Heckerling's under-appreciated career as a mainstream female director in the 80s and 90s , and the on-set accidents that made the movie even better. Plus, we debate whether the central romance is charming or just plain creepy. Timestamps:00:00 - Welcome to Female Directors Month! 01:31 - How Did 'Clueless' Do at the Box Office? 03:54 - Why We're Talking About 'Clueless' 05:30 - The Under-Praised Director: Amy Heckerling 09:23 - Did 'Clueless' Set a New Standard for Teen Movies? 10:30 - The Aerosmith Music Video That Got Alicia Silverstone Cast 13:20 - How Jane Austen's 'Emma' Inspired the Story 15:04 - Is 'Clueless' a Parody of 90s Kids? 16:18 - The Hilarious Story Behind the "Haitians" Joke 23:12 - Adult Jokes We All Missed ("Herbal Refreshment") 27:34 - The Awkward Ex-Stepbrother Romance 30:20 - Cher's Journey of Self-Reflection 34:57 - Iconic Fashion, Lines, & Lasting Legacy 35:53 - Final Ratings & Reviews 37:33 - The Letterboxd Game: Who Won This Week?somanysequels.com

Greg Jenner is joined in Regency England by historian Dr Lucy Worsley and actor Sally Phillips to learn all about the life and works of literary legend Jane Austen on the 250th anniversary of her birth in December 1775. It is a truth universally acknowledged that Austen is one of England's best-loved authors, and the creator of such indelible characters as Elizabeth Bennet, Mr Darcy, Emma Woodhouse and Elinor and Marianne Dashwood. Whether you have read one of her six books – Pride and Prejudice, Sense and Sensibility, Persuasion, Emma, Northanger Abbey and Mansfield Park – or seen one of the many adaptations, most of us have some experience with Austen. But her life story and how it influenced her writing is perhaps less well-known. This episode explores her early life as the daughter of a rural clergyman, takes a peek inside the books a teenage Jane was reading, and delves into her romantic and familial relationships to see what shaped Austen into the formidable literary talent she was. And it asks a key question: was Jane Austen, who wrote such wonderful women characters, a feminist? If you're a fan of iconic authors, Regency romances and women succeeding in a man's world, you'll love our episode on Jane Austen. If you want more incredible women authors with Dr Lucy Worsley, check out our episode on Agatha Christie. For more from Sally Phillips, listen to our episode on Fairy Tales. And for more Regency romance, there's our episode on Georgian Courtship. You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Clara Chamberlain and Charlotte Emily Edgeshaw Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: Philip Sellars

Mr. Bennet and Mr. Gardiner are both in London, doing their best to uncover where Lydia and Wickham may be hiding. No one knows of any of Wickham's friends or relations - all they have been able to uncover is lots and lots of gambling debts. A letter from Mr. Collins offers nothing more than his unhelpful opinions, and eventually Mr. Bennet makes his way home, leaving the Gardiners to continue the search. This week's Friday Favorites is exhausting business, so let the story help you beat your own exhaustion by falling into another night of peaceful and relaxing sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Join Ed Helms and Kal Penn as they dive into the world’s biggest audiobooks. Earsay kicks off with a deep dive into Audible’s immersive, full-cast adaptation of Jane Austen’s Pride and Prejudice. Host Ed Helms is joined by Jennie Garth (90210, I Choose Me podcast) to explore the audiobook’s lush sound design and standout performances from Marisa Abela, Harris Dickinson, Bill Nighy, and Glenn Close. Together, they unpack the enduring appeal of Austen’s classic romance, draw surprising connections between Elizabeth Bennet’s fierce independence and Garth’s iconic “I choose me” moment from 90210 and so much more. Whether you're an audiobook aficionado or just getting started, this is the book club your ears have been waiting for. Listen to Earsay: The Audible and iHeart Audiobook Club starting Thursday, October 9th. New episodes drop every other week!See omnystudio.com/listener for privacy information.

Thanks to his invention of Europe's first typographic printing method, and his pioneering work on the first printed Bible, the fifteenth-century German inventor Johannes Gutenberg has a fame and reputation that continues to this day. In 1997, Time magazine credited him with the most important innovation of the past one thousand years. However, due to scant and vague documentation, Gutenberg's actual life and career have been clouded in myth and speculation. In this episode, Jacke talks to scholar Eric Marshall White about his new book, Johannes Gutenberg: A Biography in Books, which seeks to correct the record by analyzing Gutenberg and the books that remain his lasting monument. PLUS HOL pays tribute to Lolita, Vladimir Nabokov's beautifully told tale of a dark and ugly obsession (and #14 on the list of the Greatest Books of All Time), by repeating excerpts from three previous interviews, in which Jenny Minton Quigley, Jim Shepard, and Joshua Ferris talk about Nabokov and his highly controversial novel. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, RHS Senior Plant Pathologist Dr Jassy Drakulic shares her passion for the mysterious world of fungi, revealing the hidden lives of their fruiting bodies and the ingenious ways they spread their spores. At RHS Garden Rosemoor, horticulturist Alex Paines takes us behind the scenes to explore the art of shaping formal hedges and offers expert tips for keeping them looking their best. And finally, Fiona Davison, RHS Head of Libraries and Exhibitions, delves into the gardens and landscapes that inspired the pages of Jane Austen's beloved novels. Host: Guy Barter Contributors: Dr Jassy Drakulic, Alex Paines, Fiona Davison Links: RHS Fungi For Gardeners book RHS Garden Rosemoor Chawton House

Sense and Sensibility by Jane Austen chapter 1, narrated by Isaac BirchallSubscribe on YT or Join the Book Club on Patreon and support me as an independent creator :Dhttps://ko-fi.com/theessentialreadshttps://www.youtube.com/channel/UCfOFfvo05ElM96CmfsGsu3g/joinSummary:Old Mr Dashwood, is the owner of a large estate in Sussex called Norland Park. after the death of his sister, Mr Dashwood invites his nephew, Mr Henry Dashwood, to live with him. The younger Dashwood, brings his son, John Dashwood, from a previous marriage, with him, as well as his three daughters from his current marriage. John Dashwood is grown, and has a 4 year old child, Harry. When old Mr Dashwood soon passes away, he leaves his estate to John and the little Harry. Now however, John's father, Henry is left with no means to support his three daughters, and his wife. He too, dies a year later, and only leaves 10,000 pounds to his family. Right before his passing, he makes his son John promise to care for his stepmother and three half-sisters.

What does it mean to be a man? It's a timeless question that's been answered in different ways across the ages. For the ancient Romans, the word for manliness was virtus — the root of our word virtue. To be a man meant living a life of virtuous excellence.Waller Newell takes up that same definition in his book The Code of Man, first published twenty years ago and now released in a new edition. Today on the show, Waller, a professor of political science, argues that we need to recover an older vision of manhood rooted in the traditions of Western antiquity. He shares the five paths that, in his view, form the classical code of manliness and how they can continue to be lived out today.Resources Related to the PodcastWaller's previous appearance on the AoM podcast: Episode #104 — The Code of Man With Waller NewellAoM Article: What Is Manliness?AoM series on the origins and nature of manhoodAoM Podcast #1,028: The 5 Marks of a ManAoM Podcast #926: The 5 Shifts of ManhoodAoM Article: Got Thumos?AoM Article: What Is a Man? The Allegory of the ChariotAoM Podcast #871: Jane Austen for DudesSunday Firesides: Climb the Ladder of LoveConnect With Waller NewellWaller's websiteWaller's faculty pageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What a delight to talk with Audrey Bellezza and Emily Harding about their newest twist on an Austen novel, Anne of Avenue A, which will hit the shelves on October 28th!Topics discussed include flashbacks, Jane Austen's fanfic of her own life, romanticizing New York in the fall, miscommunication, dead moms in Austen, living in a 16-unit walk-up in NYC, which characters were easiest/hardest to adapt, and what part of the book Audrey and Emily are most excited to share.Glossary of People, Places, and Things: Persuasion (1971), The Jane Austen Centre, The Morgan Library, Nikki Payne, Ladies in Waiting, Thelma and Louise, Superbad, Heat, The Bounty Hunter, When Harry Met Sally, BalthazarFollow Audrey and Emily on Instagram at @audrey.and.emily. Preorder Anne of Avenue A here!Next Episode: Becoming JaneTeepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

This week we are starting the Masterpiece/BBC mini series about some of Jane Austen's nearest and dearest. We cover the first two episodes this week.

In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Emily Brontë only published one full-length book before dying at the tragically young age of 30. But that book, Wuthering Heights, which tells the story of obsessive and vengeful love on the rugged moors of Yorkshire, is still considered one of the pinnacles of English literature, landing at #15 on the list of Greatest Books of All Time. In this episode, Jacke takes a deep look into Emily Brontë's classic "bad boy" novel, with assistance from Virginia Woolf, Elizabeth Hardwick, Joyce Carol Oates, Anne Tyler, Alice Hoffman, Charlotte Brontë, and others. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a preview of a brand-new audiobook from the Noiser Podcast Network. Join Dame Julie Andrews as she reads Jane Austen's most famous novel, Pride and Prejudice.   Step into a world of humour, heartbreak, scandal and romance - all set in the rural landscapes of 19th-century England. You'll meet Elizabeth Bennet, the quick-witted heroine of the story, described by Austen herself to be “as delightful a creature as ever appeared in print.” Elizabeth will butt heads with Mr Darcy - a rich, handsome but prickly bachelor, with a mysterious past…   Search ‘Jane Austen Stories' in your podcast app and hit follow for more episodes - available now. Or listen at noiser.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Three actors, one enigmatic play, and surprising insights into collaboration, craft, and curiosity What can three actors teach you about memory, silence, and creativity? In this episode of Your Creative Mind, I sit down with Jaqui Shiel, Mark Cosby, and Lori Kee, three accomplished performers who brought Harold Pinter's Old Times to life in a Zoom performance in Karen Kohlhaas' directing class that I took. You'll hear how they build layered characters, balance artistic work with everyday demands, and use pauses and presence to create powerful moments on stage and in life. Their stories offer practical strategies you can apply to your own communication, whether you're leading a team, teaching a class, or crafting your next project. If you want fresh insight into acting craft, collaboration, and the artistry of silence, this conversation will spark new ideas and confidence in your own creative journey. The actors in this project were: Jaqui Shiel as Kate, Mark Cosby as Deeley, and Lori Kee as Anna. See below for their information. If you're a producer or a casting director, book them for shows. They are tremendous at their art and craft. See the production on YouTube.   Jaqui Shiel Jaqui Shiel is an actor, singer and writer. Born and raised in South Africa to Irish parents- she trained as an actor in S.Africa at the TUT School of Drama and in the UK at the Liverpool Institute for Performing Arts.    After a varied theatre career in London playing roles in, amongst other things, The Libertine, Rainshark, Mary Zimmerman's The Arabian Nights, Playboy of the Western World, and A Month in the Country, Jaqui moved to NYC where she has been seen in Elektra at the Baryshnikov Arts Centre and in industry readings for new plays including Craig Lucas's play Change Agent as Jackie Kennedy.   As a writer, Jaqui was the 2023 winner of the Red Bull Theatre short play festival- where her play “Taboo is the Thing” had a one night off-Broadway reading produced by Red Bull. She continues to enjoy the challenge and thrill of playwriting and is currently mentored by Lucy Thurber.  https://www.jaquishiel.com/  https://www.instagram.com/jaquishiel/   Lori Kee Award winning Actress. Upcoming: shooting 2 films-- Everything's Fine Now and  Salting. Favorite roles: Tracey in Sweat by Lynn Nottage, Wife in Wife to the Headless Horsemanby Don Nigro, Woman in Neil Labute's Falling in Like, Emma in Pterodactyls by Nicky Silver, Lola in Lola Lies to Corky. & Linda in According to the Chorus both by Arlene Hutton, Sandwich in Hungry by Matt Crowley, Seagull in Sisters Grimm: Pointy the Starfish by Bricken Sparacino, Saint Birgitta in the TV series Parable, also the beloved authoress Jane Austen in the web series The Jane Games and Susie in Days of Our Lives.. Member: Nylon Fusion, SAG/AFTRA, AEA, SDC.   www.lorikee.com https://www.instagram.com/thelorikee/   Mark Cosby Mark Cosby has performed in over 40 plays in New York City, Los Angeles, and his hometown of Atlanta, which he returned to just last year to be closer to his family and where this Halloween you can catch him in “Wolfman” with the experimental movement theatre company Havoc. Mark's first exposure to Pinter was in a shoestring production of The Lover, put up over summer break with fellow actors of the Atlantic Theater Company Acting School in 2002, where he also first met teacher, Karen Kohlhaas, who shepherded our “Old Times” project.   https://www.instagram.com/markccosby/     Connect with Izolda Get exclusive content and bonus podcast episodes when you join my Patreon. Website: https://IzoldaT.com BlueSky: https://bsky.app/profile/izoldat.bsky.social. Book Your Discovery Call: https://calendly.com/izoldat/discovery-call New Play Exchange: https://newplayexchange.org/users/90481/izolda-trakhtenberg Submit a Play to the Your Creative Table Read Podcast Series https://crossroads.consulting/  This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!**   Listen on These Channels Apple Podcasts | Spotify | Stitcher | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic | **Affiliate Link     Some of the topics in this episode touched on suicide. If you need help, please contact the Suicide Hotline: Call 988, or go to: https://988lifeline.org/ 

Such a letter as Captain Wentworth's is not soon to be recovered from. But Anne is trying her best, and with a little effort, she finds herself walking together with Captain Wentworth as he escorts her back to Camden Place. At last, eight years of resentments, misunderstandings, and broken hearts are cleared away, and the two lovers are finally free to declare their true feelings to one another. Settle in and snuggle up under your covers as Anne and Captain Wentworth affirm their love, and let the warmth of their affection comfort you as you drift into an evening of soft and gentle sleep.-----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

Jane Austen's words and books are well known. But what do we know of Jane herself - what she was like, and what she believed? What did she think of society and class, ethics, literature, romance, and faith?(00:00) - - Jane behind the text (05:51) - - Jane's world (10:35) - - Jane the novelist (19:31) - - The author and the characters (34:24) - - Romance, satire, or something else? (41:35) - - Jane's 'undeceptions' (44:27) - - Jane and the church (53:43) - - Ethics and virtues (58:40) - - Five Minute Jesus (01:03:24) - - Silence on slavery (01:09:19) - - Jane's legacy CREDITS Undeceptions is hosted by John Dickson, produced by Kaley Payne and directed by Mark Hadley. Alasdair Belling is a writer-researcher.Siobhan McGuiness is our online librarian. Lyndie Leviston remains John's wonderful assistant.  Santino Dimarco is Chief Finance and Operations Consultant. Editing by Richard Hamwi.Special thanks to our series sponsor Zondervan for making this Undeception possible. Undeceptions is the flagship podcast of Undeceptions.com - letting the truth out.

This week on the penultimate episode of this season'sPeanuts and Popcorn, both the Cubs and Tigers win their respective wild card series, as both Tom and I squeal with delight. In Popcorn, we have two excellent movies to break down. We begin with a Gurinder Chadra-directedmusical interpretation of the Jane Austen novel, Bride & Prejudice, we then turn to Tom's selection, a French film noir classic directed by Louie Malle from 1958, Elevator to the Gallows. Next Show's Films:Leo's Pick: The Killing of a Chinese Bookie (1976)Tom's Pick:  Black Orpheus (1959)

Tonight, we shall read the next part to Persuasion, the last novel fully completed by Jane Austen, and published in 1817. The story concerns Anne Elliot, an Englishwoman whose family moves in order to lower their expenses, by renting their home to an Admiral and his wife.In the last episode, Anne visits her old school friend Mrs. Smith in Westgate-buildings. Though Mrs. Smith lives in poverty and poor health, she is cheerful, resourceful, and glad for Anne's company. As their conversation turns to acquaintances, Mrs. Smith seems unusually hesitant when Mr. Elliot's name arises. At first, she holds back, saying little. But upon realizing how closely Anne is now connected to Mr. Elliot, she finally decides it is her duty as a friend to speak. We will pick up at this point in their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth and the Gardiners make their way back to Longbourn, where they are quickly brought into the Bennet family fold and learn how everyone's been holding up since learning of Lydia's flight from Brighton. Jane has been holding down the fort, while Mrs. Bennet has confined herself to her room and is convinced that Mr. Bennet and Mr. Wickham will fight in a duel. Meanwhile, Kitty is subdued after the loss of her favorite sister, and Mary offers Elizabeth the balm of sisterly consolation and a reminder about the nature of women's virtue. Elizabeth is grateful to be back at home to support her family, despite the circumstances. As she settles into the comfort of her own home, let this week's Friday Favorites help you settle into the comfort of a night of restful and relaxing sleep. -----Welcome to the Jane Austen Bedtime Stories podcast! Each episode is a section of a classic Jane Austen novel, read in soothing tones and set to calming music to help you fall asleep.With everything that is going on in the world, we find comfort in the familiar. For so many of us, Jane Austen's works are like a warm hug. So snuggle up under the covers and let the comforting words of Jane Austen lull you into sleep.-----Show your appreciation for the pod! Support the podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bedtimestoriespodcast.net/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -----Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/janeaustenbedtimepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-----Music ["Reverie"] by Scott Buckley - released under CC-BY 4.0. – www.scottbuckley.com.au

This is a preview of a brand-new audiobook from the Noiser Podcast Network. Join Dame Julie Andrews as she reads Jane Austen's most famous novel, Pride and Prejudice. Step into a world of humour, heartbreak, scandal and romance - all set in the rural landscapes of 19th-century England. You'll meet Elizabeth Bennet, the quick-witted heroine of the story, described by Austen herself to be “as delightful a creature as ever appeared in print.” Elizabeth will butt heads with Mr Darcy - a rich, handsome but prickly bachelor, with a mysterious past… Search ‘Jane Austen Stories' in your podcast app and hit follow for more episodes - available now. Or listen at noiser.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's October! Jacke kicks off his favorite month with a classic tale of horror, "The Monkey's Paw" by W.W. Jacobs. Perhaps you know the general contours of the paradigmatic "be careful what you wish for" story from the Simpsons or another popularization - but just how scary was the original story? And who was W.W. Jacobs? Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bath bun. Bobbinet. Poor basket. Vanity-bait. These are just a few of the words the Oxford English Dictionary credits Jane Austen with using for the first time in print—and almost all are words related to domestic and everyday life. In this episode, we sit down with scholar Charlotte Brewer to explore the Dictionary's 19th-century origins, its reliance on volunteer readers, its ongoing digital evolution, and the literary biases that shaped whose words were recorded. A must-listen for word nerds! Charlotte Brewer is Emerita Fellow in English at Hertford College, Oxford. She began her career as a medievalist, subsequently turning to the history of the English language and in particular its record in the Oxford English Dictionary. Her publications include studies of Jane Austen and Shakespeare in the OED, and she is currently working on the Murray Scriptorium, a co-edited edition of the letters of James Murray, the first chief editor of the OED.For a transcript and show notes, visit https://jasna.org/austen/podcast/ep28/.*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

This is a preview of a brand-new audiobook from the Noiser Podcast Network. Join Dame Julie Andrews as she reads Jane Austen's most famous novel, Pride and Prejudice. Step into a world of humour, heartbreak, scandal and romance - all set in the rural landscapes of 19th-century England. You'll meet Elizabeth Bennet, the quick-witted heroine of the story, described by Austen herself to be “as delightful a creature as ever appeared in print.” Elizabeth will butt heads with Mr Darcy - a rich, handsome but prickly bachelor, with a mysterious past… Search ‘Jane Austen Stories' in your podcast app and hit follow for more episodes - available now. Or listen at noiser.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Culture, Society, Drama, Fiction, History - NOISER

In Episode 207, Sarah chats with author Regina Black about her newest novel, August Lane. A second-chance romance about two people healing from trauma, August Lane is set in Arcadia, Arkansas, with themes of family, generational scars, and a unique thread of Black country music. Regina also talks about how she got into writing Romance on top of her job as a law school administrator, how long she's been writing, and what spurred her on to seeking publication. Plus, Regina shares some of her top book recommendations! This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Books by Regina Black: The Art of Scandal and August Lane A brief, spoiler-free overview of August Lane.  How long Regina has been writing and what moved her to seeking publication. Her unique journey to finding an agent What exactly does it mean to have a likable character? The way Regina uses and leans into typical romance tropes. Her decision to step away from social media to write like “no one's watching.” A bit about the novel she's working on. Regina talks about how a lot of writers become lawyers rather than the reverse. Regina's Book Recommendations [34:41] Two OLD Books She Loves The Space Between Worlds (The Space Between Worlds, 1) by Micaiah Johnson (2020) | Amazon | Bookshop.org [34:57] Indigo by Beverly Jenkins (1996) | Amazon | Bookshop.org  [36:54]   Two NEW Books She Loves The Princess and the P.I. by Nikki Payne (2025) | Amazon | Bookshop.org[38:59] Black in Blues:How a Color Tells the Story of My People by Imani Perry (2025) | Amazon | Bookshop.org [41:03] Other Books Mentioned South to America by Imani Perry (2022) [41:14]  One Book She DIDN'T Love Pride and Prejudice by Jane Austen (1813) | Amazon | Bookshop.org [42:41] Other Books Mentioned Persuasion by Jane Austen (1817) [44:54]  One NEW RELEASE She's Excited About Where the Wild Flowers Grow by Terah Shelton Harris (February 17, 2026) | Amazon | Bookshop.org [46:36] Books From the Discussion Seven Days in June by Tia Williams (2021) [7:34]

We are Traci and Ellie, two bookish friends who read in any spare minute that we have.  This week, we are starting a new series: Author Spotlight!  This week, we are talking all about the legend, Jane Austen. To shop the books listed in this episode, visit our shop at bookshop.org.   Care to join us on Patreon with even more content?  We would love to have you join us at From the Bookstacks of Literally Reading! Sense and Sensibility by Jane Austen Pride and Prejudice by Jane Austen Mansfield Park by Jane Austen  Emma by Jane Austen  Northanger Abbey by Jane Austen  Persuasion by Jane Austen   

¡Ya hemos dado con la solución! Estaba más cerca de lo esperado. Con Francesc Miralles hablamos de Jane Austen, lo cual nos sirve para hablar del cine que ha adaptado a la autora. Además, Maddalen Omaetxebarria nos trae la contra del momento: el look de Rosalía en París. 

durée : 00:03:52 - Le Regard culturel - par : Lucile Commeaux - Le succès des romans de l'écrivain anglaise née il y a 250 ans ne se dément pas, largement poussé par des productions télévisées britanniques toujours aussi populaires. Dernière en date, "Miss Austen", minisérie biographique sortie sur Arte.

Jane Austen had six brothers, but her older brother Henry was her favorite. Kind and witty, Henry has long been appreciated by Austen fans for his devotion to Jane and his championing of her novels. But Henry was a fascinating figure in his own right, capering through risky financial schemes and marrying an enigmatic French countess before ending his days as a hard-working curate. Highly successful at times and nearly bankrupt at others, Henry's colorful and turbulent life helps us better understand Jane's life and works. In this episode, Jacke talks to author Christopher Herbert about his new book, Jane Austen's Favourite Brother, Henry, which tells the illuminating and inspiring story of a special sibling relationship. PLUS Jacke shares a letter from a 22-year-old Australian reading his way through Europe. AND author Nicholas Jenkins (The Island: War and Belonging in Auden's England) discusses his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Rugby World Cup has been the culmination of a stellar summer of women's sport and a second huge win for an England women's side. And there's lots to celebrate for the other home nations too. The final broke records across the board - it was the most watched women's rugby match ever on UK television and had a record-breaking number of spectators in the stadium too. Nuala McGovern is joined by Maggie Alphonsi, who was part of the England squad that won the 2014 Women's Rugby World Cup in France, Deborah Griffin, organiser of the first Women's Rugby World Cup back in 1991, now the first female President of the Rugby Football Union, and Sarah Massey, Managing Director of the tournament. Many of us will remember the multi-award winning Tracey Ullman from her TV shows A Kick up the Eighties, Three of a Kind, as well as The Tracey Ullman Show, which was a hit on both sides of the Atlantic. Tracey joins Nuala to discuss her latest role in the film Steve, in which she plays the deputy head in a last chance reform school for troubled teenage boys. Janet Skinner fell victim to the Post Office Horizon IT scandal, and was temporarily paralysed after the stress of her ordeal. She was wrongly convicted of false accounting in 2007 and sentenced to nine months in prison after the faulty software said £59,000 had gone missing from her branch account in Hull. Janet has now received an offer of full financial redress, which is 15% of her compensation claim. Janet shares her story and her reaction to that offer with Nuala. As people across the country celebrate the 250th anniversary of the birth of Jane Austen, a new retelling of her book Emma is currently on at the Rose Theatre in Kingston upon Thames. It swaps drawing room duets for dance floor fillers and this Emma Woodhouse is fresh from failing at Oxford University and back in her Essex hometown for the summer, along with her closest friend Harriet, a total dating disaster. It's been written by Ava Pickett who tells Nuala about her modern retake of this Austen classic.Presenter: Nuala McGovern Producer: Andrea Kidd

“It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.”So opens Jane Austen's Regency-era romantic comedy “Pride and Prejudice,” which for centuries has delighted readers with its story of the five Bennet sisters and their efforts to marry well. While the novel moves nimbly among all of the family members and their various entanglements, its particular focus remains on the feisty second-eldest daughter, Elizabeth, and her vexed chemistry with the wealthy, arrogant, gorgeous Mr. Darcy. Their sharp wit, verbal jousting and mutual misunderstandings form the core of what might be considered the first enemies-to-lovers plot in modern literature.On this week's episode, the Book Club host MJ Franklin discusses “Pride and Prejudice” with his colleagues Jennifer Harlan, Emily Eakin and Gregory Cowles, and Austen in general with The Times's Sarah Lyall. Other books and authors mentioned in this discussion:“Pride, Prejudice and Other Flavors,” by Sonali Dev“Book Lovers,” by Emily Henry“The Marriage Plot,” by Jeffrey Eugenides“Washington Square,” by Henry James“Such a Fun Age,” by Kiley Reid Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

For most people, home represents comfort, safety, maybe family. It's the place where you can be yourself — and where you keep all your stuff. For the wealthy, the right home can mean status, reputation, and legacy, especially in the UK. For hundreds of years, the traditional English manor was more than simply a big house staffed with servants. It was a grand home situated on farmland owned by the family. In addition to being a showpiece, it was a responsibility. The US equivalent is a Gilded Age mansion, minus the need to worry about the welfare of tenants. Those 20th-century robber barons could simply count their money and throw lavish dinner parties. And in Europe, the history and luxurious accommodations come in the form of palaces, chateaux, castles, palazzos, and other opulent estates. In this episode, we explore the house -as-character in books by iconic authors, including Jane Austen, the Brontë sisters, Nancy Mitford, and a gaggle of Gothic writers. We also delve into the real secrets of the Winchester Mystery House and meet the various ghosts haunting British country piles. Then we recommend many books we love set in notable manor homes, including: The Original by Nell Stevens The Little Stranger by Sarah Waters The Cherry Robbers by Sarai Walker — and the audiobook The Murder of Roger Ackroyd by Agatha Christie Wakenhyrst by Michelle Paver — and the audiobook For more on the books we recommend, plus the other cool stuff we talk about, visit show notes. Sign up for our free Substack to connect with us and other lovely readers who are curious about the world. Transcript of Manor House: The Fall of the House of… Almost Everyone, Really Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Strong Sense of Place is an audience-funded endeavor, and we need your support to continue making this show. Get all the info you need right here. Thank you! Parts of the Strong Sense of Place podcast are produced in udio. Some effects are provided by soundly. Learn more about your ad choices. Visit megaphone.fm/adchoices