Podcast appearances and mentions of Christina Rossetti

This might be rated PG-13+ please see my note below*In 1862 Christina Rosetti wrote the narrative poem Goblin Market. It was initially illustrated by her brother--one of the three leaders/founders of the Pre-Raphaelite Brotherhood, Dante Gabriel Rossetti and later it was illustrated by one of our illustrators from the Midnight Mother Goose story, illustrator, Arthur Rackham. (Note Christina had been working with a program helping women in what sounded like a  rehabilitation program, when she wrote this poem.)I read this poem while outside, with aspen trees quaking in the breeze, occasional far off cars and neighborhood dogs... pastoral, but stretching it with more of a city-mouse kind of sense? Music for this episode is Beethoven's Pastoral Symphony used under fair use from the Internet Archive. *NOTE--For Listener Awareness: Christina was kind of walking along a fence if the Goblin Market is appropriate for all ages. From Wikipedia: "It tells the story of sisters Laura and Lizzie, who are tempted with fruit by goblin merchants.[1] In a letter to her publisher, Rossetti claimed that the poem, which is interpreted frequently as having features of remarkably sexual imagery, was not meant for children. However, in public Rossetti often stated that it was intended for children, and went on to write many children's poems." So, which is it?Source: https://en.wikipedia.org/wiki/Goblin_Market The drawing for this episode is by Dante Gabriel Rossetti, for the Goblin Market by Christina Rossetti.

Send us Fan MailIn this episode we offer a palate cleanser of Poetry & Essays, and we have some choices that will surprise you!  Plus we share a Book in Hand about someone you may never have heard of before.  Prepare to be delighted!Featured Books:The Best Dog in the World: Essay on Love Edited by Alice Hoffman(LH)Poems to See By: A Comic Artist Interprets Great Poetry by Julian Peters (LH)Color by Christina Rossetti and Laetitia Devernay (LH)Goldfinches by Mary Oliver, art by Melissa Sweet (LP)Mary Oliver: Holding On To Wonder by Erin Frankel (LP)Woods & Words: The Story of Poet Mary Oliver by Sara Holly Ackerman (LP)Where the Heart Should Be by Sarah Crossan (LP)Book in Hand:Jella Lepman and Her Library of Dreams: The Woman Who Rescued a Generation of Children and Founded the World's Largest Children's Library by Katherine Paterson (LP)Books Mentioned in This Episode:Devotions by Mary OliverBridge to Terabithia by Katherine PatersonThe Great Gilly Hopkins by Katherine PatersonJacob Have I Loved by Katherine PatersonAdditional Books That Go Along with Our Stack:Dog Songs by Mary OliverOne Big Open Sky by Lisa Cline - Ransome (novel in verse)Inside Out and Back Again by Thanhha Lai (novel in verse)Love That Dog by Sharon Creech (novel in verse)Ways to contact us:Join us on Patreon for extra content: https://www.patreon.com/c/BookBumblePodcastFollow us on Instagram - @thebookbumbleFacebook:  Book BumbleOur website:  https://thebookbumble.buzzsprout.comEmail:  bookbumblepodcast@gmail.comSupport the showPlease rate and review us, subscribe, follow us on Insta, and join our Team Patreon!  It won't be the same without you!

“There is no time like Spring that passes by,/Now newly born, and now/Hastening to die.” Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Audio Transcript Today. And I’m going to be preaching a message from the Bible in order that we would hear God speak to us. So the passage that we’re going to be studying is First Thessalonians. So if you have a Bible, go ahead and open up to the Burke, the book of first Thessalonians. It’s like right in the middle of the New Testament. So there’s Ephesians, Philippians, Colossians, and there’s first and second Philistines, Thessalonians. And if you don’t have a Bible, there should be some blue Bibles in, around on the chairs. You can grab one of those and open up. Because I’m just going to be reading through this passage verse by verse as I preach through it. So first Thessalonians, chapter 5. I’ll be reading verses 1 through 11. Here’s what the word of the Lord has for us today. Says now, concerning the times and the seasons, brothers, you have no need to have anything written to you. For you yourselves are fully aware that the day of the Lord will come like a thief in the night. While people are saying there is peace and security, then sudden destruction will come upon them as labor pains come upon a pregnant woman. And they will not escape. But you are not in darkness, brothers, for that day to surprise you like a thief. For you are all children of light, children of the day. And we are not of the night or of the darkness. So then let us not sleep as others do, but let us keep awake and be sober. For those who sleep, sleep at night, and those who get drunk are drunk at night. But since we belong to the day, let us be sober, having put on the breastplate of faith and love and for a helmet. The hope of salvation for God has not destined us for wrath, but to obtain salvation through our Lord Jesus Christ, who died for us, so that whether we are awake or asleep, we might live with him. Therefore, encourage one another and build one another up just as you are doing. Please pray with me and we’ll get started. God, thank you that you speak through your word, even through the folly of man like me. God, I pray. Please keep me from error and help. Help me to speak what you have for us this morning. And I pray, Lord, that you would give each person here a heart to receive your word and ears to hear what you are saying. And so God meet with us here as we look at your word and study it together. In Jesus name we all pray. Amen. Okay, so before I jump into this passage, on the day of the Lord, I’M going to read to you two different poems that are written in the 1800s concerning the return of Christ. And each of these are from two different perspectives of when Christ returns. So just listen to these poems. This first one is called the Advent by Christina Rossetti. It says, watchmen, what of the night? The stars are dim and the morning is at hand and we must watch for him. Watchman, what of the night? The night is long Wait till the day star arise with shout and song. Where are the lamps? They are trimmed and burning bright. Where is the bridegroom? He cometh in the night. Is there a cry? Yes, there is a sudden cry the bridegroom is at hand, his hour is nigh the bridegroom comes, he comes to claim his own. The winter is quite past and the flowers are blown the time of singing birds is come at last the night is wearing out and the day is past. It’s the first poem. Here’s the second poem. That’s called the Food. Foolish Virgins by Alfred Tennyson. Here’s what it Late, late, so late and dark the night and chill Late, late, so late but we can enter still Too late, too late, ye cannot enter now, no light had we for that we do repent and learning this the pride groom should Surely we’ll relent Too late, too late, ye cannot enter now no light so late and dark and chill the night O let us in, that we may find the light. Too late, too late, ye cannot enter now have we not heard? The bridegroom is so sweet O let us in. Though late to kiss his feet no, no, too late, ye cannot enter now now both of these poems speak of the sobering event that is the day of the Lord. Some will be found awake in the light with their lamps burning bright, but others will be found asleep in the dark. And these poems reflect the somber reality of the parable of the Ten virgins that Jesus. Jesus teaches concerning his coming. And it also reflects what our passage is speaking about today. And when the Son of Man comes, what will he find? Which will you be? When the Lord returns and when we have to give an account for our souls, will you be sober and awake in the light, or will you be drunk and asleep in the dark? My hope is that studying this passage this morning will give you the answer as we study this passage. So that being said, look with me at First Thessalonians, and before I do that, I’m going to give you a little bit of context concerning this passage. So First Thessalonians was written to the new believers in Thessalonica, only a few months after Paul and Timothy had to leave due to persecution. The church at Thessalonica was very young and they were without any leaders. And therefore Paul wrote this letter to encourage the Thessalonian church, to remind them that sanctification in the midst of persecution was God’s will for their lives. And he desired to clear up any confusion about the Lord’s second coming. So about a month ago, I preached on 1 Thessalonians 4, 4 verses 13 through 18, concerning the state of those who die in the Lord, and about Jesus’s second coming, when he will bring his people to himself. The Thessalonian believers at the time were confused about what was happening when a believer died and if they would experience the Lord’s second coming or not. And so in our last passage, Paul affirmed the Thessalonians that, yes, God will bring with him those who have fallen asleep, and those who are alive will not precede those who have fallen asleep at the coming of Christ. Rather, the Lord himself will descend with a shout and with a sound of the trumpet. The dead in Christ will be raised first, and then those who are alive will be caught up together with them to always be with the Lord. And so, after clearing up this confusion, Paul now has more to say in chapter five concerning the day of the Lord. And so, before I get into this, I’m just going to mention that some Christians view this passage as a separate event from the gathering of God’s people that is talked about in chapter four, which is known as the Rapture. And so those that view this as two separate events, this is called dispensational premillennialism. And other Christians view the gathering of God’s people in chapter four. And then what we’re about to read here in chapter five as the same event. And this view would be called historical premillennialism. Or there’s also other views that take these two events to be the same one. And so all of these views, both of these arguments that are made from historical premillennialism and dispensational premillennialism, they both have reliable theologians that back behind them with strong biblical arguments. I personally tend to think that this is the same event when Christ returns, based on what Paul describes in 2nd Thessalonians chapter 2. But I also find myself going back and forth at times. So regardless of your eschatological view, your end time view on this, the main point is that Jesus will return on the day of The Lord, which is what our passage is looking at here. So look with me at verses one through two. God’s word says now concerning the times and the seasons, brothers, which side note, brothers here is referring to brothers and sisters in Christ at Thessalonica. Brothers and sisters, you have no need to have anything written to you, for you yourselves are fully aware that the day of the Lord will come like a thief in the night. The day of the Lord mentioned here is referring to the great day of God’s judgment upon all mankind. And this will be after the tribulation, when all the earth will be judged and God will melt the elements of the earth in his wrath in order to wipe it clean of all of its evil and make all things new. Second Peter 3:10 says this. But the day of the Lord will come like a thief, and on that day the heavens will pass away with a loud noise and the elements will burn and be dissolved, and the earth and the works on it will be disclosed for the wicked and the ungodly. This will be a terrifying day, for God is holy and he is a consuming fire against all unrighteousness. But for the righteous who have faith in Christ, the day of the Lord will come with rejoicing and praise to God as justice is established on the earth once and forevermore. And so concerning the times and seasons, that our passage begins with the day of the Lord, Paul says he has nothing more to write to these Thessalonians about this. And this is likely because Paul already taught the Thessalonians that no one knows the times or the seasons when the day of the Lord will occur. Not even the Son of God knows. Only the Father knows when Christ will return and when finality will come to the earth. And so Paul had also taught the Thessalonians that when the day of the Lord comes, it would be like a thief in the night. And so these are chilling words meant to wake up everybody who hears them. And so Jesus himself said that he would come like a thief in the night in the Gospels. And so Matthew 24:40,44 says this. Then two men will be in the field, one will be taken and one left. Two women will be grinding at the mill, one will be taken and one left. Therefore stay awake, for you do not know on the day that the Lord is coming. But know this, that if the master of the house had known in what part of the night the thief was coming, he would have stayed awake and would not have let his house be broken into. Therefore you also must be ready for The Son of man is coming at an hour that you do not expect. So Jesus compares his second coming to that of a thief breaking into a home in the middle of the night. When a person least excited, and this is how the majority of the world will experience the second coming of Christ. It will be sudden and completely unexpected and it will leave each person empty handed before the judgment seat of God. And just as the poem I read to you at the end, there will be a sober reflection that it is too late to now enter in to God’s kingdom with Christ when He comes. And so verse three gives us more insight onto this saying. While people are saying there is peace and security, then sudden destruction will come upon them as labor pains upon a pregnant woman and they will not escape. Here we learn that there will be a false sense of peace and security before the day of the Lord’s coming. And this sense of peace and security, it will not come from the Lord, but it will be found in the world through one’s possessions or through a trust in the government, or trust in a world leader. It will be a misplaced peace and security. And Jesus taught that just as people were eating and drinking and marrying in the days of Noah, on the day when the flood came and swept them away, so will be when the Christ returns on the night the thief arrives. The world’s false sense of peace and security will not be able to keep them from the hour that their souls must give account to the living God. Our passage says sudden destruction will come upon them as labor pains. Just as labor is inevitable once labor has begun, so the sudden judgment of God will inevitably come upon the earth and there will be no escape. These words are terrifying to hear. Just as the words in the poem that I read a couple weeks ago. We had a major storm that rolled through in the area with warnings of severe hail and multiple destructive tornadoes that could roll through the area. And at one point as this storm was going over all of Dane county and all throughout the Midwest, in the middle of the dark clouds and the continuous booming thunder which I think many of you here experienced, there was sirens that began to sound in the middle of the storm and echo across the Madison area, warning that a tornado has been sighted and to seek shelter immediately. Immediately. These verses and others like it that we’re reading here, it’s like the sound of tornado sirens. They are warning all who will listen that impending destruction is coming like a thief in the night, and if one is not prepared and ready for his coming, there will be no escape which is Deeply chilling and sober words in this passage. But to take a shift from this heaviness, we get to verse four. In verse four, we get to some very much so needed Good news. Verse 4 says, but you believers in Thessalonica, you are not in darkness, brothers, for that day to surprise you like a thief, for you are all children of the light, children of the day. We’re not of the night or of the darkness. So here Paul brings some much needed clarification. The day of the Lord is not going to surprise believers as it will surprise the rest of the world. And this is because the Thessalonian brothers and sisters are not in darkness, but instead they are children of the light. Now, what exactly is Paul saying here? 2Nd Corinthians 4, 6, I think gives us a pretty clear understanding of what Paul is saying. And here’s what it says. For God, who said, let light shine out of darkness, he has shown in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ. So what Paul is saying is the same God who said, let there be light has now brought light into man through faith in him, and Jesus himself is the light of the world. When a person places their faith in Jesus, the light of Christ is made manifest within them as God gives them a new heart and new desires to follow God’s word. Through faith, God’s people become children of the light that they may walk in good works, that the Holy Spirit enables them to do, works that reflect Christ and bring spiritual light upon the earth. And in contrast, the world is described as living in darkness, and this represents spiritual darkness. As people live in rebellion against God and unable to walk in godliness and unable to understand the truth of God’s word. In the darkness, the world rejects God and seeks pleasure without him by living for their passions of the flesh, which results in sin and death. But children of the light, they do not live this way because they have seen Christ and they have come to the knowledge that Jesus is the Lord. And they devote their lives to following Christ and from putting away darkness and putting away sin. Sin hides itself in the dark, but righteousness shines brightly in the light of day. God’s people are not of the night or of the darkness any longer. They have turned from darkness and now live in Christ’s glorious light. And because God’s people live in the light, they know Christ and they know Jesus is going to return. Therefore, God’s children will not be surprised or caught off guard when Christ arrives. They will be ready with lamps burning in the night, and they’ll be ready to meet their groom and be brought to his side. Those living in darkness, they ignore the warnings and do not expect or desire the day of the Lord to come, which is why it surprises them. But God’s people, they hear the tornado sirens and they turn to Jesus for shelter by the grace of God. So children of the light live in the day where they expect their Savior to return, and their hearts long for his coming to make all things new, where darkness and sin will rule no longer. And so, that being said, my first application from this passage for believers here is, live as children of the light. If you have faith in Christ, the light switch, the spiritual light switch in your life has been flipped on. No longer do you live in darkness where sin is your master, Jesus is your master, Jesus is your guide in this day. His Word is a lamp to your feet that you may walk in a different way from how the world walks and stumbles in darkness. Because you are children of the light, you’re gonna look different. And that is actually okay. Jesus wants us to live differently and to shine our light bright so that others may see our good works and glorify our God who is in heaven. The time for dwelling in darkness is over for the believer, and the time for living for Christ in the light has just now begun. So, so, fellow brothers and sisters in Christ, just like the Thessalonians, live as children of the light, for you no longer live in darkness. You are free to walk in the light of Christ and good works that glorify him. Moving on to verse 6, it says so then 6 and 7 says so then let us not sleep as others do, but let us keep awake and sober. For those who sleep, they sleep at night, and those who get drunk, get drunk at night. And so if anybody here is already starting to fall asleep a little bit, this is to you, go ahead and wake up, be sober. Don’t let my sermon put you to sleep. No. So Paul here, he’s like, further emphasizing the difference between believers who are children of the light and then non believers who are living in darkness. Paul says that those who are living in the dark spend their time sleeping at night and getting drunk at night. What’s important here is that Paul isn’t talking about what physical sleeping and drunkenness does. He’s actually using these as metaphors to communicate that unbelievers are spiritually asleep and drunk. And as they live in darkness, so those living in the darkness without God and without the light of Christ, spend their time spiritually asleep at the wheel. Sleep and drunkenness are both states where reality is distorted and one is not able to fully understand what is going on around them. Unbelievers are oblivious to spiritual truth that is found in God’s word through faith in Christ. They have no awareness of what God’s will is for their lives or any true understanding of that Jesus is going to return and demand an account for their soul. Instead, they live in sin and drown out God’s truth through being intoxicated with what the world has to offer. But Paul, as already pointed out, that’s not who we are referring to. Believers. We are not of the night or spiritually asleep at the wheel. Rather, God’s people are alive and are awake. Therefore, let us not hit snooze on the things of God and sleep spiritually as others do, but let us keep awake and be sober. Highlight underline Circle this in your Bibles because I think this is the most important application in our passage today. Keep awake and be sober Because God’s people are children of the day and understand the will of God and they understand the will of God and that Jesus is going to demand an account for the way that we live. So we must keep spiritually awake and remain spiritually sober. As I said before, the day of the Lord being related to a thief in the night is meant to sound the alarm in our minds and nudge God’s people to stay awake and to be alert. Time and history is moving towards one end and that is the day of the Lord. Today, if you find yourself distracted by things of the world or just like kind of living on autopilot going from day to day, then hear the word of the Lord to you this morning. Keep awake and be sober. God has work for you to do today to honor him and to point others to Christ so that they may turn from darkness into light. Be aware of God’s will for your life and be ready for Christ to return so that when he does, you may hear him say these good words that are well done, my good and faithful servant. And when I say understand God’s will, I mean his revealed will through His Word applied to each day. So what Christ asks us to do and the ways he calls us to love one another and to love God. If the day of the Lord changes nothing about how you live day by day, you may be spiritually asleep at the wheel and drunk on the world. While I was working at a collegiate ministry in New Mexico called the Christian Challenge, back when I was a young Buck. Shortly after I’d graduated, there was a staff meeting where I was working at this collegiate ministry, and we had to make some big decisions on where we were going to send college students on summer mission trips with our partner missionaries. And one of the partner missionaries actually got kicked out of the country only months before the trips are going to happen. And so, as this happened, there were some other providential opportunities that had presented themselves, but were certainly a large pivot from what the ministry had originally planned for. And so in the middle of our meeting, the director named David, who was sort of a mentor to me, he said something that I will not forget. He said, what is God doing through all this? He didn’t say it out of anger or out of doubt, but he said it in, like, curiosity and in wonder, like, what is it that the Lord is doing among us? In this unforeseen pivot is the Lord closing one door, one partnership, and now opening another to proclaim the Gospel to another nation? And as David asked these questions to all of us in our staff meeting, it kind of just like snapped me out of my narrow focus where I was just thinking, how do we fix this? Where do we send students? But David, he was thinking, what is the will of God in this circumstance? And what is it that God is doing today in my life? What is it the Lord is doing here that we may keep in step with him and his plans so that he would be glorified? Therefore, just as David was awake and sober of the situation, we too should keep awake and be sober and pondering, what is it that the Lord is doing in my life today? For the Lord is among us, and he is preparing to come on that great and mighty day. Do we perceive it or are we asleep? Moving on to verse eight, it says, but since we belong to the day, let us be sober, having put on the breastplate of faith and love and for a helmet, the hope of salvation. Here Paul gives some practical applications for us on how God’s people are to remain sober before the day of the Lord. They do this by putting on the breastplate of faith and love and the helmet that is the hope of salvation. Here Paul attaches these virtues to pieces of armor similar to the armor of God that’s found in the book of Ephesians. And so faith and love are to be central to a believer’s life, like a breastplate and hope of salvation protects one’s mind from fears or doubts, knowing for certain that they are saved in Christ. And so Paul communicates that these pieces of armor keep a believer soberly aware of God’s will and his truth in their lives. These three virtues are mentioned together in other letters as vital virtues that work together in one’s life as they walk with Christ. For one’s faith angers oneself to Christ, bringing salvation and sanctification that results in good works. One’s love grows their affection for God and for their neighbor to fulfill the greatest commandment. And one’s hope of salvation spurs them on towards what lies ahead, knowing salvation is guaranteed through the finished work of Christ on the cross. Each of these virtues are a gift from God, and each of them keep a believer soberly fixed on Christ and on his return. So moving to verses 9 through 10, God’s word gives us an incredible truth to end on. So verse nine look with me in your Bibles it says, for God has not destined us for wrath, but to obtain salvation through our Lord Jesus Christ who died for us, so that whether we are awake or asleep, we might live with Him. Now, talking about God’s wrath is generally an uncomfortable topic. Therefore, the day of the Lord is not an easy day to process, and this passage is not easy to process. For the day of the Lord is when God’s wrath is poured out on all ungodliness and wickedness on the earth. But throughout this passage, Paul again and again affirms God’s people that the day of the Lord will be different. For those who have found in Christ, the day of the Lord won’t surprise them like a thief in the night. You are not children of darkness or of the night. You are not asleep or drunk on the world. You are alive, awake and sober. Children of the light. Why? Verse answer gives us why. For God has not destined his children of wrath. Sorry, his children of the light for wrath, but he has destined us for salvation through Jesus Christ who died for us and now is alive. This is such a sweet assurance to hold onto. It is a verse that you could memorize and really meditate on day by day because its promise is so sweet to God’s people. And it is my last application from this passage Christian remember, you are not destined for wrath, but for salvation through your Lord Jesus Christ. Even when life is difficult or you’re enduring something that is really heavy or difficult in your life. Hear God tell you this morning I have not destined you for wrath, but for salvation in Jesus Christ. For God’s people who believe in Jesus as their Lord and Savior, judgment and wrath are not what God has in store. Instead, a beautiful inheritance awaits God’s people, forgiveness of sin, new hearts that beat for God, new lives that are restored and made whole, a new glorified body, joy in the presence of Christ, peace that endures, love that never fails, and eternal life with God and with his people that will never end. That, Christian, is what you are destined for through faith in Christ. Verse 10 also affirms what Paul had previously said in chapter 4, that those who are asleep, which Paul is now no longer talking about, the same sleep as those in darkness, but those who have died with faith in Christ, those who have died and are now asleep as believers, they are also destined for salvation. This means that whether you are awake with faith in Christ or asleep from death with faith in Christ, you will live with Christ in His presence. Death cannot change what God has done for his people. Whether awake or asleep, you are destined to live with Christ in the end when he returns. And if you’re here and you know you are walking in darkness apart from God, then I have some really, really good news for you. All people are born into this world, living in darkness, asleep to the things of God and drunk on the distractions and pleasures of the world. All of us here in this room begin this way. We are separated from God and deserving God’s just wrath that deals with evil, evil that is within us. Yet a light has dawned on the earth in the form of a man. And this man was God himself. He performed many signs and wonders in fulfillment of the scriptures. And he lived a perfect life without sin and with his pure and righteous life. This God man willingly love. He laid down his life for you and for me on the cross. He endured the wrath of God so that all who believe in him by faith could be brought from darkness into light. He bore our sins. He paid our penalties on the cross so that man could be reunited with a holy God and become children of of the light. This God man, this is Jesus the Christ who has died for us. And if anyone, including today, anyone here, turns away from their sin and believes in Jesus as the Lord of their life for the forgiveness of their sins, they will be forgiven and new life will begin in the the light. That’s what happened to the Thessalonian believers when they turned from idols to serve the living God. And it can happen for you if you will believe. For God so loved the world that he gave his only Son that whoever believes in him shall not perish but have eternal life. For God did not send His Son into the world to condemn the world, but in order that the world might be saved through him. Our passage then ends on verse 11 that says, Therefore encourage one another and build one another up just as you are doing so. My final encouragement to you from this passage is the exact same thing. Red Village Church Continue to encourage one another here that the day of the Lord is coming near and keep encouraging one another to stay awake and to be sober. Keep building one another up through faith and love and hope that is found in the salvation we have in Christ. Remind one another that God has not destined us for wrath, but for salvation in Christ. Keep sharing the gospel, keep gathering as the family of God at church. Keep reading your Bible and keep praying to the Lord about all things. Live as children of the light together that God’s kindness and love may be put on display so that many who put their faith in him may be ready for the day of the Lord when he returns. That being said, please pray with me, Lord, this passage is sobering and thinking about your coming. And yet there is great hope that is found in Christ through your finished work on the cross, offering forgiveness and a place of shelter from the wrath that we poured out on the great day of the Lord. And so I pray for everyone here. God, help us to be ready to be awake, to be sober. Help us Lord, to continue in doing the things you call us to for your will and for your glory. And God, if any here do not know you, I pray that today would be the day that they would turn from their sin and put their faith in Jesus as their only hope of salvation and as a means of new life to walk in your marvelous light. And God, I pray, be glorified with the rest of our time as we gather here this morning. In Jesus name we all pray. Amen. The post The Day of the Lord – 1 Thessalonians 5: 1-11 appeared first on Red Village Church.

Dr. Steven Hardy breaks down Christina Rossetti's poem, "Good Friday"—providing writing for us to reflect on during Holy Week.

Merriam-Webster's Word of the Day for March 27, 2026 is: dross • DRAHSS • noun Something referred to as "dross" is of low value or quality. Dross may also be used as a technical term to refer to unwanted material that is removed from a mineral to make it better. // He's a skilled editor who has a talent for turning literary dross into gold. See the entry > Examples: "Hollywood optimists argue that AI's greatest weakness will be originality. After all, viewers already complain of being deluged with formulaic, low-budget dross churned out by streaming platforms because an algorithm deems it popular." — Tom Leonard, The Scottish Daily Mail, 23 Feb. 2026 Did you know? Dross has been a part of the English language since Anglo-Saxon times. It comes from the Old English word drōs, meaning "dregs," those solid materials that fall to the bottom of a container full of a liquid such as coffee or wine. While dross today is used to refer to anything of low value or quality, its earliest use is technical: dross is a metallurgy term referring to solid scum that forms on the surface of a metal when it is molten or melting—remove the dross to improve the metal. The metallurgical sense of the word is often hinted at in its general use, with dross set in contrast to gold, as when 19th century British poet Christina Rossetti wrote "Besides, those days were golden days, / Whilst these are days of dross."

Nick celebrates International Women's Day with music and poetry from Taylor Swift, Beyonce, Emily and Anne Bronte, Elizabeth Barrett Browning, Carol Anne Duffey, Christina Rossetti and others.  www.BohemianBritain.com  

Nick Hennegan's 'Literary London' radio show on Resonance 104.4fm, celebrates International Women's Day. With music and poetry from Taylor Swift, Beyonce, Emily and Anne Bronte, Elizabeth Barrett Browning, Carol Anne Duffey, Christina Rossetti and others.  www.BohemianBritain.com

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

At the beginning of the year Sally looks at what conversion and turning back to Christ to anchor ourselves in these uncertain times. She looks at the poetry of GK Chesterton, Christina Rossetti, George Herbert and an anonymous poem from her own anthology 100 Catholic Poems. Sally Read is a British poet based near Rome, Italy. A convert to Catholicism she has written a memoir about her journey, The Mary Pages. Her publications are available through Word of Fire. www.sallyread.net.JUST LIFE is a human formation programme brought to you by Radio Maria, airing on Monday, Tuesday and Thursday at 10am and rebroadcast the same day at 10pm, as well as Saturday 11am and Sunday 00.30am. If you enjoyed this programme, please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side. ⁠www.radiomariaengland.uk⁠

The devotional analyzes "In the Bleak Midwinter" (1872 poem set to music in 1906) by Christina Rossetti, praising it as a profound expression of Christ's humility and the mystery of the Incarnation. The teaching focused on three main Scriptural and theological connections: Humility and Righteousness (Micah 6:8): Jesus' birth in a lowly condition (manger, poor parents) is the ultimate demonstration of God walking "humbly." By leaving heaven to come to earth, Christ began his mission to perfectly embody justice and kindness, ultimately earning the righteousness required of us. God's Immensity and Condescension (1 Kings 8:27): The line "Our God, heaven cannot hold him, nor earth sustain" is a direct reference to Solomon's prayer, acknowledging God's infinite nature. The astonishing truth of the Incarnation is that this immense, uncontainable God chose to humble himself and take on a true human nature as a tiny, vulnerable baby. The Gift of the Heart (Matthew 2:11): While the Wise Men offered physical treasures (gold, frankincense, and myrrh), the poem concludes by asking what we can give. The final line, "Yet what I can I give him: Give my heart," emphasizes that the most valuable gift Christ desires from us is our total devotion and affection.

Christina Rosetti's “The Goblin Market” (reprised) The Lesbian Historic Motif Podcast - Episode 328 with Heather Rose Jones This is an analysis and recitation of the poem “The Goblin Market” by Christina Rossetti, with special attention to its homoerotic themes. A transcript of this podcast is available here. Links to the Lesbian Historic Motif Project Online Website: http://alpennia.com/lhmp Blog: http://alpennia.com/blog RSS: http://alpennia.com/blog/feed/ Twitter: @LesbianMotif Discord: Contact Heather for an invitation to the Alpennia/LHMP Discord server The Lesbian Historic Motif Project Patreon Links to Heather Online Website: http://alpennia.com Email: Heather Rose Jones Mastodon: @heatherrosejones@Wandering.Shop Bluesky: @heatherrosejones Facebook: Heather Rose Jones (author page)

Send us a textDescription: An immersive reading of "Hollow-Sounding and Mysterious" by Christina Rossetti with reflection on Grave's disease, hyperthyroidism, and hopelessness.Website:https://anauscultation.wordpress.comWork: "Hollow-Sounding and Mysterious"by Christina RossettiThere's no replyingTo the Wind's sighing,Telling, foretelling,Dying, undying,Dwindling and swelling,Complaining, droning,Whistling and moaning,Ever beginning,Ending, repeating,Hinting and dinning,Lagging and fleeting—We've no replyingLiving or dyingTo the Wind's sighing.What are you telling,Variable Wind-tone?What would be teaching,O sinking, swelling,Desolate Wind-moan?Ever for everTeaching and preaching,Never, ah neverMaking us wiser—The earliest riserCatches no meaning,The last who hearkensGarners no gleaningOf wisdom's treasure,While the world darkens :—Living or dying,In pain, in pleasure,We've no replyingTo wordless flyingWind's sighing.References:A Pageant and Other Poems (1881) https://books.google.com/books?id=9Sk-AAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false  Arseneau M, Terrell E. “Our Self-Undoing”: Christina Rossetti's Literary and Somatic Expressions of Graves' Disease. Humanities. 2019; 8(1):57. https://doi.org/10.3390/h8010057https://www.thyroid.org/about-american-thyroid-association/history/clark-t-sawin-history-resource-center/thyroid-history-timeline/ 

In the spring of 2022, Jacke dropped everything to plummet into one of the strangest poems he had ever read, "Goblin Market" by Christina Rossetti (1830-1894). The result was a two-part episode that never quite found its home. In this special Halloween episode, we've combined the best parts of both of those episodes to bring you the full story of an idiosyncratic Victorian poet and her bizarre tale of two sisters seduced by the fruits being sold by a pack of river goblins. Enjoy! Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠ at ⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠or ⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on The Literary Life podcast Angelina Stanford and Thomas Banks continue their two-part series on Christina Rossetti's narrative poem “Goblin Market.” They begin discussing this poem by connecting it with the larger conversation on art and the literary tradition, pointing out the flaws of modern ways of reading. Angelina emphasizes the importance of understanding this poem, as well as other classic works of fantasy, in terms of the fairy world and how symbolism and allegory work in fairy tales. After these preliminary thoughts, they go into more detail about this poem, including the obvious picture of the Fall, the vampire imagery, other Scriptural allusions, and the false versus the true Eucharist. Join us back here next week for our Dracula series reboot and more examples of how to read well! And for the full show notes for this week's episode, please visit https://theliterary.life/295.  Visit the HouseofHumaneLetters.com to sign up for all the upcoming and past mini-classes and webinars taught by Angelina, Thomas, and their colleagues! We are excited to announce this coming year's annual Literary Life Online Conference, happening January 23-30, 2026, “The Letter Killeth, but the Spirit Quickeneth: Reading Like a Human”. Our speakers will be Dr. Jason Baxter, Jenn Rogers, Dr. Anne Phillips, and, of course, Angelina Stanford and Thomas Banks.

Welcome back to The Literary Life Podcast! This week we begin a brief, two-episode series covering Christina Rossetti's narrative poem "Goblin Market." Our hosts, Angelina Stanford and Thomas Banks, look at the life and family background of Christina Rossetti, highlighting her devout Christian faith as key to understanding her poetry. Thomas shares the dates for the Victorian and Pre-Raphaelite periods in terms of art and literature. Angelina asks what the form of this poem is as we approach this together, and she and Thomas propose a few connections and preliminary ideas they have about "Goblin Market" before we dive into the full text. Join us next week as they walk through the poem together and further discuss how to read this work as well as so much more! Visit the HouseofHumaneLetters.com to sign up for all the upcoming and past mini-classes and webinars taught by Angelina, Thomas, and their colleagues! We are excited to announce this coming year's annual Literary Life Online Conference, happening January 23-30, 2026, "The Letter Killeth, but the Spirit Quickeneth: Reading Like a Human". Our speakers will be Dr. Jason Baxter, Jenn Rogers, Dr. Anne Phillips, and, of course, Angelina Stanford and Thomas Banks. And to view the full show notes for this episode, please visit https://theliterary.life/294. 

Episode: 2809 Laurence Housman designs an edition of Christina Rossetti's poem Goblin Market.  Today, Goblins, sisterly love, and a masterpiece of book design.

What does feel like to live helplessly in a world that is coming undone? If you're alive in 2025, you are probably very familiar with this feeling - and if you'd been alive in the age of Victorian literature, you might have felt that way too. In this episode, Jacke talks to author Nathan K. Hensley about his book Action without Hope: Victorian Literature after Climate Collapse, which studies how authors like George Eliot, Emily Brontë, H.G. Wells, Lewis Carroll, and Christina Rossetti used aesthetic strategies to deal with the anxiety and despair of ongoing climate disaster. What did they face? How did they cope? And can we learn from their examples? PLUS Jacke dives into some news from Italian museums, where people have been "losing their brains." What's going on with them? AND two Dickens experts, Stephen Browning and Simon Thomas, co-authors of The Real Charles Dickens, stop by to discuss their choice for the last book will they ever read. Will they choose something by Dickens? Note: The "My Last Book" conversation in this episode was recorded before the untimely passing of Stephen Browning. He was a wonderful guest, and we at the History of Literature Podcast are very grateful to have had the chance to speak with him. Our deepest sympathies are with his friends, family, and loved ones. May he rest in peace. Special Announcement: The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠John Shors Travel⁠. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠historyofliterature.com⁠. Or visit the ⁠History of Literature Podcast Tour itinerary⁠ at ⁠John Shors Travel⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠gabrielruizbernal.com ⁠. Help support the show at ⁠patreon.com/literature ⁠or ⁠historyofliterature.com/donate ⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠thepodglomerate.com/historyofliterature ⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textI'm speaking today with M. A. McLaughlin, author of The Lost Dresses of Italy listed in the Textile Arts category on Art In Fiction.View the video on YouTube: https://youtu.be/rDe_rXrLC2kOverview of the story of The Lost Dresses of Italy as a dual time novel taking place in 1947 and 1864 and inspired by a three-week trip to Italy taken by Victorian poet Christina RossettiPoetry of Christina Rossetti and why it has enduredChristina's sonnet sequence Monna Innominata as inspiration for the plotCombining a costume history and design with the story of Christina's time in ItalyReasons for setting the modern story in post-war VeronaResearching costume design and preservationThe role of pre-Raphaelite Dante Gabriel Rossetti in the novelSome of the challenges of fictionalizing real peopleWhat is it about the Romantics and Victorians that Marty is attracted to?Reading from The Lost Dresses of ItalyThings that Marty learned from writing her novel - the complicated nature of Italy's participation in World War II and its aftermath.Read more about M. A. McLaughlin on her website: https://martyambrose.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2300+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

A huge congratulations on behalf of the Pre-Raphaelite Society and the Podcast team to Dr Ester Diaz Morillo on the completion of her viva! In this episode, Karl chats to Ester about her graduation, research journey and some of the amazing musical and visual adaptions compiled in the process.    For more information and to subscribe to the Pre-Raphaelite Society, please visit www.pre-raphaelitesociety.org    All donations towards the maintenance of this podcast are gratefully received: https://gofund.me/60a58f68 

Elizabeth Barrett (1806-1861) was one of the most prolific and accomplished poets of the Victorian age, an inspiration to Emily Dickinson, Oscar Wilde, Edgar Allan Poe, and countless others. And yet, her life was full of cloistered misery, as her father insisted that she should never marry. And then, the clouds lifted, and a letter arrived. It was from the poet Robert Browning (1812-1889), admiring her from afar, declaring his love. How did these two poets find each other? What kind of life did they share afterwards? And what dark secrets had led to her father's restrictions…and how might that have affected his daughter's poetry? Host Jacke Wilson takes a look at the story of the Brownings. This episode originally ran as episode 95 on May 29, 2017. It is presented here without commercial interruption. Additional listening: 415 "Goblin Market" by Christina Rossetti 130 The Poet and the Painter - The Great Love Affair of Anna Akhmatova and Amedeo Modigliani 138 Why Poetry? (with Matthew Zapruder) Music Credits: “Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA). “Monkeys Spinning Monkeys” and “Piano Between” by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leitura Bíblica Do Dia: 2 SAMUEL 15:13-14, 23-26 Plano De Leitura Anual: 1 SAMUEL 25–26; LUCAS 12:32-59  Já fez seu devocional hoje? Aproveite e marque um amigo para fazer junto com você! Confira:  Christina Rossetti, poetisa e autora de textos devocionais, descobriu que nada lhe vinha facilmente. Ela sofreu de depressão e várias outras doenças ao longo da vida e suportou três noivados rompidos. Mais tarde, morreu de câncer. Davi surgiu como um guerreiro triunfante na consciência nacional de Israel. No entanto, ao longo de sua vida, ele enfrentou dificuldades. No fim de seu reinado, seu próprio filho, o seu conselheiro de confiança e grande parte do país, voltou-se contra ele (2 SAMUEL 15:1-12). Nessa condição, Davi levou os sacerdotes Abiatar e Zadoque e a arca sagrada de Deus com ele e fugiu de Jerusalém (vv.14,24). Depois que Abiatar ofereceu sacrifícios a Deus, Davi disse aos sacerdotes: “Leve a arca de Deus de volta para a cidade. Se for da vontade do Senhor, ele me trará de volta para ver novamente a arca e o santuário” (v.25). Apesar da incerteza, Davi disse: “se ele não se agradar mais de mim, que faça comigo o que lhe parecer melhor” (v.26). Ele sabia que podia confiar em Deus. Christina Rossetti também confiava em Deus, e sua vida terminou em esperança. A estrada pode realmente acabar morro acima, mas leva ao nosso Pai celestial, que espera por nós de braços abertos.  Por: TIM GUSTAFSON 

Daily QuoteThe world has enough for everyone's need, but not everyone's greed. (Mohandas Karamchand Gandhi)Poem of the DaySpringChristina RossettiBeauty of WordsMaking PicturesD.H. Lawrence

Hosts: Rich Budd with special guest Maureen Budd In today's episode, we talk about Res Life. We hear a reflection on the seventh beatitude, “Blessed are the Peacemakers.” And we hear a poem by Christina Rossetti, “A Better Resurrection.”

Daily QuoteKnow the true value of time; snatch, seize, and enjoy every moment of it. No idleness, no laziness, no procrastination: never put off till tomorrow what you can do today. (Lord Chesterfield)Poem of the DaySpringChristina RossettiBeauty of WordsMaking PicturesD.H. Lawrence

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland. Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland. Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In his new book, Nathan K. Hensley describes a mood or a vibe or an intuitive response to the contemporary moment when one feels powerless in the face of collapsing societal systems. Given the entrenched nature of the present crisis, with compulsory happiness being marketed by the culture industry, how does one work within systems from which no true escape is possible? In order to uncover a prehistory of this feeling, he goes back to the nineteenth century - to artists like J.M.W. Turner and writers like Emily Bronte and Christina Rossetti who were thinking about what it means to inhabit a world omnivorously captured by capital. Nathan K. Hensley is the author of Forms of Empire: The Poetics of Victorian Sovereignty (Oxford, 2016), and co-editor, with Philip Steer, of Ecological Form: System and Aesthetics in the Age of Empire (Fordham, 2018). With Devin Garofalo, he is currently coediting a collection of essays that's forthcoming from Northwestern UP, The Barbara Johnson Collective. His new book is Action without Hope: Victorian Literature after Climate Collapse, forthcoming from Chicago UP in April 2025. He was born in Fresno, California and lives in Silver Spring, Maryland. Image: J.M.W. Turner, The Burning of the Houses of Lords and Commons, 1834-35. Public Domain. Original at the Philadelphia Museum of Art. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Isaiah 6:1-13; Psalm 138; Luke 5:1-11“What are heavy? sea-sand and sorrow. What are brief? today and tomorrow.What are frail? spring blossoms and youth. What are deep? the ocean and truth.” Christina Rossetti

Subscriber-only episodeSend us a textThis week's episode was born out of Amy's recent visit to London's Highgate Cemetery, where fortuitous timing (or, perhaps, the graveside spirit of Christina Rossetti?) revealed a bit of juicy family drama. Find out why the tragic death (and later exhumation) of a pre-Raphaelite muse left another family member begging to not be buried next to her in the Rossetti family plot!Mentioned in this episode:Christina RossettiElizabeth SiddalDante Gabriel RossettiGabriele RossettiHighgate Cemetery“Ophelia” by John Everett MillaisLost Ladies of Lit Episode No. 220 on Christina RossettiPoetry by Elizabeth SiddalThe Well of Loneliness by Radclyffe HallBeryl BainbridgeHer Fearful Symmetry by Audrey NiffeneggerLincoln in the Bardo by George Saunders“When Did Cemeteries Become Tourist Attractions and Hot-Date Spots?” by Matthew Kronsberg for The Wall Street JournalFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Today's poem is Echo by Christina Rossetti. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Today's poem calls back to a deceased beloved, to return to this side of existence, to traverse the layers of time — an incantation that wishes to reunite us with the bliss we once knew.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Because food is so often featured in fairy tales and fantasy stories, in this classic episode we offer up a dramatic reading of Christina Rossetti's 'Goblin Market', along with commentary and special guests Robert Lamb & Joe McCormick. Come buy, y'all, come buy.See omnystudio.com/listener for privacy information.

Another chance to hear a Cunningcast Christmas treat: Tony reading his favourite poem ‘Goblin Market' by Christina Rossetti. He's discussing the context and history of Rossetti's iconic work with Madeleine Callaghan, Senior Lecturer in Romantic Literature at the University of Sheffield. In his electrifying reading, Tony captures all the magic and strangeness of ‘Goblin Market', set in a fairy-tale world where a fraught encounter takes place between the two sisters Laura and Lizzie and a band of sinister goblin merchants who tempt Laura with their ‘forbidden fruits'. Can Lizzie save her sister from the evil Goblin's temptations? Hosted by Sir Tony Robinson X | Instagram With Madeleine Callaghan, Senior Lecturer in Romantic Literature at the University of Sheffield. Author of ‘Shelley's Living Artistry: Letters, Poems, Plays' (2017) and ‘The Poet-Hero in the Work of Byron and Shelley' (2019) published by Anthem Press. ‘Eternity in British Romantic Poetry' (Liverpool University Press), June 2022. www.sheffield.ac.uk/english/people/academic-staff/madeleine-callaghan Credits: Series Producer: Melissa FitzGerald X @melissafitzg Executive Producer: Dominic de Terville Cover Art: The Brightside A Zinc Media Group production Follow: X @cunningcastpod Instagram @cunningcastpod If you enjoyed my podcast, please leave us a rating or review. Thank you, Love Tony x Hosted on Acast. See acast.com/privacy for more information.

Today's poem–known to many as the musical setting, “In the Bleak Midwinter”–contemplates unprecedented act of loves in the darkest days of the year. Happy reading. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Subscriber-only episodeSend us a textForget your troubles, get cozy, grab a cup of tea and curl up to this week's “storytime” bonus episode as Amy reads the third tale from Christina Rossetti's Speaking Likenesses. Follow Rossetti's indefatigable heroine, Maggie, who trudges wearily through a snowy forest at Christmas-time, encountering along the way strange children who attempt to lead her astray.For episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Send us a textCharmed by her friend Lewis Carroll's children's book Alice's Adventures in Wonderland, Victorian poet Christina Rossetti followed suit nearly a decade later with her own children's book — one that alludes to the “Alice” tale while also offering a more clear-eyed view of girls' duties, even in topsy-turvy dream worlds. Ayana Christie, Chief Product Officer of Bond & Grace, joins us for a discussion this week on Rossetti's 1874 work Speaking Likenesses and helps us draw comparisons with Carroll's seminal tale.Mentioned in this episode:Speaking Likenesses by Christina RossettiBond & Grace edition of Alice's Adventures in Wonderland by Lewis CarrollBond & Grace edtiion of The Secret Garden by Frances Hodgson BurnettBond & Grace edition of Frankenstein by Mary ShelleyChristina Rossetti“Goblin Market” by Christina RossettiGabriele RossettiDante Gabriel RossettiThe Rosetti family photographic portrait by Lewis CarrollChristina Rossetti: A Writer's Life by Jan MarshLewis Carroll (a.k.a. Charles Dodgson)The Liddell sistersThe real-life Alice in WonderlandThe Princess Bride film“Be Our Guest” number from Beauty & the BeastSupport the showFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

This week, Stauney and Sadie dive into the uncredited women who played pivotal roles during one of the biggest boys' clubs in art history: the Pre-Raphaelite Brotherhood. We'll introduce you to trailblazers like Julia Margaret Cameron, Christina Rossetti, Evelyn De Morgan, Elizabeth Siddal, Marie Spartali Stillman, and Eleanor Fortescue-Brickdale, whose influence on the movement and beyond is undeniable. Though often overshadowed by their male counterparts, these women were the true powerhouses behind the Pre-Raphaelite vision, shaping the art world in ways the "bros" could never have done alone. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Stauney and Sadie dive into the uncredited women who played pivotal roles during one of the biggest boys' clubs in art history: the Pre-Raphaelite Brotherhood. We'll introduce you to trailblazers like Julia Margaret Cameron, Christina Rossetti, Evelyn De Morgan, Elizabeth Siddal, Marie Spartali Stillman, and Eleanor Fortescue-Brickdale, whose influence on the movement and beyond is undeniable. Though often overshadowed by their male counterparts, these women were the true powerhouses behind the Pre-Raphaelite vision, shaping the art world in ways the "bros" could never have done alone. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

‘Goblin Market' was the title poem of Christina Rossetti's first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem's most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman'. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women' were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market' in Victorian society.Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-marketThis episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJkFind more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundationSubscribe to Close Readings:In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;In other podcast apps here: https://lrb.me/ppsignupRead more in the LRB:Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sidJacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defacedJohn Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness Hosted on Acast. See acast.com/privacy for more information.

An enormous welcome back for The Pre-Raphaelite Society's poet-in-residence Sarah Doyle for a selection of charming Pre-Raphaelite poetry based around the Summer season. Expect hot, heavy imagery and fragrant floral blooms from Dante and Christina Rossetti, William Morris and A.C. Swinburne as well as one of Sarah's own excellent compositions.    For more information and to subscribe to the Pre-Raphaelite Society, please visit www.pre-raphaelitesociety.org    All donations towards the maintenance of this podcast are gratefully received: https://gofund.me/60a58f68 

The Poetry of Christina Rossetti || Part 1 Hosted on Acast. See acast.com/privacy for more information.

(Disclosure: Some of the links in this post are affiliate links. This means if you click on the link and purchase the item, we will receive an affiliate commission at no extra cost to you) A is for Alien Little Golden Book (July 9, 2024) The not-gory adventures of Ripley and her cat Jonesy. Even little Chestburster makes an appearance. It's an ABC book. https://amzn.to/3zXQ58L Benji Zeb Is a Ravenous Werewolf, by Deke Moulton (Tundra Books, July 2, 2024) Benji is being bullied at school, but he's actually a werewolf. His family runs a wolf sanctuary as cover. https://amzn.to/4cfBRhe Boo the Library Ghost, by Becky Paige (Dolphin Books, July 16, 2024) The library is Poppy's favorite place to go, but it's currently haunted by a ghost named Boo. Poppy thinks she knows why Boo is acting out – he can't read! She determines to help him.  https://amzn.to/3SuQ0zU The Creepening of Dogwood House, by Eden Royce (Walden Pond Press, July 30, 2024) A Southern gothic book for the middle grade readers. Hoodoo and a creepy house. https://amzn.to/4ftZSDK The Cryptid Club #4: You Don't Know Jackalope, by Michael Brumm (HarperAlley, July 9, 2024) Graphic novel; grades 1-5. https://amzn.to/3AgdVg3 Disney Tim Burton's The Nightmare Before Christmas: Welcome to Halloween Town! By Autumn B. Heath (Studio Fun International, July 9, 2024) An interactive lift-the-flap pop-up book tour of Halloweentown. https://amzn.to/4d17iNb The Ghostkeeper, by Johanna Taylor (GP Putnam, July 23, 2024) A gothic graphic novel for grades 7-9. Dorian, who can see ghosts, helps the spirits try to recover the Key to Deaths Door that has been stolen, so that they can move on. https://amzn.to/3LOkWaC Ghostly, Ghastly Tales: Frights to Tell at Night, by Anastasia Garcia (Gibbs Smith, July 30, 2024) Spooky short stories for grades 3-7. https://amzn.to/3WNYrJm The Ghosts of Nameless Island, by Carly Anne West (Andrews McMeel, July 23, 2024) Gus can see ghosts and helps them “move on.” His dad goes missing and his mom moves them to Nameless Island to help renovate a house called Rotham Manor. https://amzn.to/3LOkF7K Griselda Snook's Spectacular Books, by Barry Timms (July 2, 2024) Griselda runs a Halloween themed bookstore that caters to Halloween characters. Can Henry find the right book for him? https://amzn.to/3SxExQ5 Guess Who? Boo to You! By Katie Woolley (Nosy Crow, July 2, 2024) A lift-the-flap picture book where characters take turns “booing” at each other's houses. https://amzn.to/4dn5w95 A Halloween Mystery: Scooby Doo and Friends Little Golden Book (July 2, 2024) Daphne and Velma try to figure out who sabotaged the haunted house. https://amzn.to/3yoEOxV How to Be a Ghost – A LEGO Little Golden Book (July 2, 2024) Another Halloween spooky book for little ones. https://amzn.to/4c6FR3i How do Dinosaurs Say Trick or Treat? By Jane Yolen (Scholastic Press, July 2, 2024) A rhyming book about the mischief a dinosaur might get into on Halloween. https://amzn.to/3A23AEx I Am Sally and I Am Jack (Nightmare Before Christmas) Little Golden Books (July 2, 2024) Of course Sally's book is mostly about a love story and Jack's book is full of adventure and Christmastown and Santa. I Am Santa doesn't come out until September, sheesh. https://amzn.to/4drCNjx https://amzn.to/3Wo5gQl I Am Wednesday (Addams) Little Golden Book (July 2, 2024) The entire plot of the first season of the Netflix show, in just a few cute pages. And yes, she does the Wednesday Dance! https://amzn.to/3SrGL3q I Got the Spooky Spirit, by Connie Schofield-Morrison (Bloomsbury, July 23, 2024) A picture book with carving pumpkins, leaves crunching underfoot, and a ghostly dance party. https://amzn.to/46vnMut Into the Goblin Market, by Vikki VanSickle (Tundra Books, July 30, 2024) Preschool to grade 3. A picture book based on Christina Rossetti's famous poem. https://amzn.to/3STAUV1 It Came from the Trees, by Ally Russell (Delacorte Press, July 30, 2024) A Bigfoot retelling in which a girl and her scout troop leave the safety of their camp to search for their missing friend Reese.  https://amzn.to/4dobUgh Kill the Beast, by Serena Valentino (Disney Villains Book 11) (Disney Hyperion, July 30) Gaston wants very badly to be the hero who kills the Beast in this Beauty and the Beast reimagining. https://amzn.to/3SpEtBJ The LEGO Halloween Games Book: Ideas for 50 Games, Challenges, Puzzles, and Activities (DK Books, July 2, 2024) https://amzn.to/4d66rLa Little Ghost Makes a Friend, by Maggie Edkins Willis (Simon & Schuster, July 16, 2024) Adorable picture book about a shy ghost who wants to make friends with the new neighbor girl next door, so he invites her over to a Halloween party. What should he wear so she'll want to be friends with him? https://amzn.to/4fsVV26 The Little Green Witch, by Linda Blackmoor (Caledonia Forest, July 22, 2024) A little witch named Wren has a talent for herbal medicine, lives in the forest and conjures spells in her kitchen. https://amzn.to/4fjpxPw Markless, by C.G. Malburi (Levine Querido, July 23, 2024) A dark fantasy for grades 7-12, featuring a society where a mark on your palm determines your magic and your worth in the society. https://amzn.to/3Ag7OZ9 Meesh the Bad Demon #2: The Secret of the Fang, by Michelle Lam (July 23, 2024) Meesh banded together with a fairy princess to save the underworld. Now an evil force wants to destroy all fox-kind. Can it be stopped? It's a graphic novel. https://amzn.to/3YJV1bZ Millie Fleur's Poison Garden, by Christy Mandin (Orchard Books, July 2, 2024) For ages preschool to grade 3. Millie comes to town and finds their gardens boring, so plants things like Fanged Fairymoss and Sneezing Stickyweed. The townsfolk call her garden poison. But some come around. The message is to be yourself, even if you're weird. https://amzn.to/4dfWdb6 Mind Over Monsters, by Betsy Uhrig (Margaret McElderry, July 16, 2024) Monsters are invading Cranberry Bog Middle School! https://amzn.to/4doEazd The Night Librarian, by Christopher Lincoln (Dial Books, July 30, 2024) Twins Page and Turner investigate a world they never knew existed, and it has something to do with their dad's copy of Bram Stoker's Dracula and characters missing from the pages of books. Middle grade series. https://amzn.to/3LKQnTa The Old Willis Place, by Mary Downing Hahn (Clarion Books, July 16, 2024) A ghost story graphic novel with a creepy house. https://amzn.to/3LLkr0Y Prunella, by Beth Ferry (Simon & Schuster, July 16, 2024) Prunella is born with a purple thumb instead of a green one like her parents. She prefers corpse flowers to carnations and poison ivy to petunias. Her creepy garden scares all the other kids away, until one day a peculiar weed takes hold in her garden.. https://amzn.to/3SuRAC2 The Quacken, by Justin Colon (Simon and Schuster, July 16, 2024) A monstrous duck terrorizes Cucumonga Campground. https://amzn.to/3Swi99E Stranger Things Inside, Outside, Upside Down Funko Pop Little Golden Book (July 9, 2024) Funko pop versions of Eleven, Dustin, Max, Erica, Lucas, etc. have adventures. https://amzn.to/3yiC8C2 Supernatural: An Official Spooky Picture Book, by Micol Ostow (Running Press Kids, July 16, 2024) Sam and Dean Winchester go check out the haunted Waverly Hills Boarding House after reading about it in their dad's journal. Preschool to grade 3. https://amzn.to/4dfwbVg The Tale of the Twisted Toymaker (Are You Afraid of the Dark Volume 2) by Danielle Valentine (July 23, 2024) About a twisted doll who wants something from you. Ms. Mabel's Doll Emporium can make a doll that looks just like you. But when Layla stashes the doll in her closet, she hears creepy whispering coming from it at night. https://amzn.to/3Ae5Ok5 Trick or Treat on Scary Street, by Lance Bass from Nsync (Union Square Kids, July 23, 2024) Thirteen trick-or-treaters wander down Scary Street on Halloween. https://amzn.to/3WI3wTo Trunk or Treat, by Chris Ayala-Cronos (Clarion, July 16, 2024) A picture book for kids preschool to grade 3 about the community trunk-or-treat tradition. https://amzn.to/4ftEpL8 The Twisted Tower of Endless Torment #2 (The Horrible Bag Series), by Rob Renzetti (Penguin Workshop, July 23, 2024) Middle-grade horror series about a horrible bag and the spine chilling world hidden within. Action packed. https://amzn.to/4c5tC79 ¡Vamos! Let's Celebrate Halloween and Día de los Muertos: A Halloween and Day of the Dead Celebration, by Raul the Third (Versify, July 16, 2024) Little Lobos celebrates both holidays in a festive manner. Preschool to grade 3. https://amzn.to/3A1H5zI Welcome to Scare School (1) (Scare School Diaries), by Jarrett Lerner (Aladdin Publishing, July 16, 2024) A chapter book about Bash, a ghost who isn't good at “ghost stuff” so he has to go to ghost school. Wolfgang in the Meadow, by Lenny Wen (Clarion Books, July 16, 2024) A ghost loves being in the meadow, hugging trees, stargazing etc, but also wants to become the Great Spirit of the Dark Castle and haunt it. Yet that would mean leaving his beloved meadow. https://amzn.to/4c9n4EH @darksideofthelibrary  

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! VII Esta noche, nos adentramos en un tema fascinante y enigmático: el mundo de los dobles y la bilocación. Fenómenos que han cautivado la imaginación humana durante siglos, desafiando nuestra comprensión de la realidad y abriendo las puertas a un universo de posibilidades extraordinarias. Comenzaremos nuestro viaje explorando las experiencias de algunos escritores célebres que tuvieron vivencias relacionadas con sus dobles. Figuras como Edgar Allan Poe, Fyodor Dostoievski y Mark Twain. La idea de que podemos tener un "doble", una especie de reflejo o duplicado de nosotros mismos, ha inspirado innumerables historias, mitos y leyendas. Desde el Doppelgänger de la mitología alemana hasta la figura del "otro yo" que existe en algún lugar del planeta… tal vez en otro país. En algunos países, esto es presagio de muerte. Y no falta razón, por algunas crónicas que se han contado… cuando esto ha ocurrido… al parecer, los testigos, al poco tiempo, han fallecido. Existen diversas teorías sobre la bilocación. Algunos la interpretan como un fenómeno espiritual o religioso, mientras que otros la exploran desde un enfoque científico, buscando explicaciones en la física cuántica o la parapsicología. Y aunque algunos de los más famosos involucran a figuras religiosas como San Alfonso María de Liguori o Santa Teresa de Ávila, hoy vamos a ver que no siempre ha sido así. Algunos lo explican con "viajes astrales". El Padre Pío de Pietrelcina, el famoso y controvertido monje capuchino, es solo uno de esos ejemplos. Uno de los casos más famosos es la historia es el de Emélie Sagée. Autores como Plauto, Hoffmann, Robert Louis Stevenson, Nathaniel Hawthorne, Hans Christian Andersen, Edgar Allan Poe, Fyodor Dostoievski, Christina Rossetti, Alfred de Musset, William Butler Yeats, Johann Wolfgang von Goethe, entre muchos otros, han plasmado en sus obras el motivo del doppelgänger, ese doble fantasmal. Un personaje físico idéntico al protagonista, como en "El extraño caso del Dr. Jekyll y Mr. Hyde" de Stevenson. Un reflejo en el espejo que cobra vida propia, como en "El retrato de Dorian Gray" de Oscar Wilde. Una presencia fantasmal que atormenta al protagonista, como en "William Wilson" de Edgar Allan Poe. Un símbolo de la conciencia dividida o de la locura, como en "El doble" de Fyodor Dostoievski. Figuras como Johann Wolfgang von Goethe, Lord Byron, Percy Bysshe Shelley, Fyodor Dostoievski A põe, una de estas experiencias, lo llevó a escribir un poema titulado "Ulalume", donde describe la visión de una mujer similar a su fallecida prometida. "William Wilson": En este relato, un hombre se encuentra con su doppelgänger, quien representa su lado oscuro y lo conduce a la destrucción. "El sistema del doctor Tarr y el profesor Feather": Esta historia explora la locura y la dualidad del ser humano a través de un experimento que involucra la división de la personalidad. "El pozo y el péndulo": En este relato de terror gótico, el protagonista se enfrenta a sus propios demonios internos en un ambiente claustrofóbico y opresivo. Personajes famosos que tuvieron casos similares son: Lord Byron, Maupassant, Anton Chejov, Percy B. Shelley, esposo de Mary Shelley, El poeta John Donne, San Francisco de Asís, San Martín de Porres, el Padre Pío. Pero si hay un caso excepcional, es el de Sor María de Ágreda, vida que inspiraría la obra de Javier Sierra, La Dama Azul. El Padre Eduardo Rodríguez. Viajaremos también al Tíbet para saber como se forma y qué son los Tulpas y lo que le pasó a Alexandra David-Neel . Para los chamanes, el sueño no es un mero estado de descanso, sino un portal hacia un universo paralelo donde reside su doble, un ser energético que refleja su esencia más profunda. A este proceso de acceso consciente al mundo onírico lo denominan “ensoñación". Otros famosos fueron: Caspar David Friedrich, el célebre pintor romántico alemán. Van Gogh. Mary Todd Lincoln, la esposa del presidente Lincoln. Catalina la Grande, la emperatriz de Rusia. Humberto I, rey de Italia. Sir Walter Scott: Novelista, poeta e historiador escocés. Alexandre Dumas: Escritor francés. Hans Christian Andersen: Escritor danés. Abraham Lincoln: Presidente estadounidense. Nicolás Gogol: Escritor ruso. Emma Hardinge Britten… escritora, y médium inglesa. Giuseppe Garibaldi: General y político italiano. Franz Liszt: Compositor y pianista húngaro. Oscar Wilde: Dramaturgo, novelista y poeta irlandés. Thomas Edison: Inventor estadounidense. Marie Curie: Física y química polaco-naturalizada francesa. Albert Einstein: Físico. HAZTE MECENAS, no dejes que La Biblioteca, cierre Nunca sus Puertas… GRATITUD ESPECIAL: Siempre a los MECENAS. Sin ustedes… esto no tendría sentido. SUSCRIBETE AL CANAL DE TELEGRAM: https://t.me/LaLamadaDeLaLuna PUEDES VER ALGUNOS VIDEOS DE LLDLL: https://www.youtube.com/channel/UCEOtdbbriLqUfBtjs_wtEHw Suscríbete al Canal Youtube y a Ivoox. Sigamos sumando en LLDLL, SUSCRIBETE en IVOOX y comparte. Y si deseas escuchar todos los programas en cerrados y sin anuncios… Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 9, 2024. www.poets.org

Today's poem from Christina Rossetti is not about high school or college, but it might still be about graduation. Happy reading! Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Jake and Phil are joined by the novelist and chronicler of post-secular religious movements, Tara Isabella Burton, to discuss J.R.R. Tolkien's 1939 essay “On Fairy-Stories” and Christina Rossetti's 1862 poem, "Goblin Market." The manifesto: https://ieas-szeged.hu/downtherabbithole/wp-content/uploads/2020/02/Tolkien-On-Fairy-Stories.pdf The Art: https://www.poetryfoundation.org/poems/44996/goblin-market Tara's new novel, Here In Avalon: https://www.simonandschuster.com/books/Here-in-Avalon/Tara-Isabella-Burton/9781982170097

Join Cassandra on a journey to the mysterious Goblin Market on this edition of Unpleasant Dreams! This classic was written by Christina Rossetti and released in 1862. Thank you for listening and please share the show your friends!

Poet Christina Rossetti was born in 1830, the youngest child in an extraordinarily gifted family. Her father, the Italian poet and political exile Gabriele Rossetti, immigrated to England in 1824 and established a career as a Dante scholar and teacher of Italian in London. He married the half-English, half-Italian Frances Polidori in 1826, and they had four children in quick succession: Maria Francesca in 1827, Gabriel Charles Dante (famous under the name Dante Gabriel but always called Gabriel by family members) in 1828, William Michael in 1829, and Christina Georgina on 5 December 1830. In 1831 Gabriele Rossetti was appointed to the chair of Italian at the newly opened King's College. The children received their earliest education, and Maria and Christina all of theirs, from their mother, who had been trained as a governess and was committed to cultivating intellectual excellence in her family. Certainly this ambition was satisfied: Maria was the author of a respected study of Dante, as well as books on religious instruction and Italian grammar and translation; Dante Gabriel distinguished himself as one of the foremost poets and painters of his era; and William was a prolific art and literary critic, editor, and memoirist of the Pre-Raphaelite movement. Christina became one of the Victorian age's finest poets. She was the author of numerous books of poetry, including Goblin Market and other Poems (1862), The Prince's Progress (1866), A Pageant (1881), and The Face of the Deep (1882).Rossetti's poetry has never disappeared from view. Critical interest in Rossetti's poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of this commentary focuses on gender issues in her poetry and on Rossetti as a woman poet. In Rossetti's lifetime opinion was divided over whether she or Elizabeth Barrett Browning was the greatest female poet of the era; in any case, after Browning's death in 1861 readers and critics saw Rossetti as the older poet's rightful successor. The two poets achieved different kinds of excellence, as is evident in Dante Gabriel Rossetti‘s comment on his sister, quoted by William Sharp in The Atlantic Monthly (June 1895): “She is the finest woman-poet since Mrs. Browning, by a long way; and in artless art, if not in intellectual impulse, is greatly Mrs. Browning's superior.” Readers have generally considered Rossetti's poetry less intellectual, less political, and less varied than Browning's; conversely, they have acknowledged Rossetti as having the greater lyric gift, with her poetry displaying a perfection of diction, tone, and form under the guise of utter simplicity.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

The queens have a mind of winter in this showcase of iconically cold poems. Ice, ice, baby!Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Read "Those Winter Sundays" or listen to Robert Hayden read it here. Read more about A Ballad of Remembrance. Read Robert Frost's poem "Birches." Frost reads it (audio only) here (~3 minutes). You can read "More" by Marie Howe here. Watch a sock puppet read Timothy Liu's poem "Winter" -- because like why not? Poetry is for puppets, too, girl. Or read the text of it here. Read Jennifer Chang's "The World." Here is Christina Rossetti's "In the Bleak Midwinter."Read "Paul Revere's Ride" here. 

Thank you for giving to support this ministry. You can go here to find out more. It's the third Saturday of Advent in the Church Calendar. December 23, 2023 Our general order and lectionary comes from the Book of Common Prayer Daily Office. We'll sing “In the Bleak Midwinter” by Christina Rossetti and Gustav Holst with a prayer of confession. We'll read Psalm 55 followed by the Gloria Patri. Our Scripture lesson is Matthew 25:31-46. We'll say the Apostles' Creed, the Lord's Prayer, and the Collect of the Day followed by a time of spontaneous, prompted prayer. If you have a prayer request please submit it here. Sign up here for the email list. Morning Prayer and Worship is a production of Steady Stream Ministries, a 501(c)(3) non profit organization.  Join our Facebook group here! Photo by Anastasia  Shuraeva. Third Sunday of Advent - Stir up your power, O Lord, and with great might come among us; and, because we are sorely hindered by our sins, let your bountiful grace and mercy speedily help and deliver us; through Jesus Christ our Lord, to whom, with you and the Holy Spirit, be honor and glory, now and for ever. Amen. --- Send in a voice message: https://podcasters.spotify.com/pod/show/prayerandworship/message