Podcasts about Neutral Milk Hotel

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Today you will hear my conversation with Forest, who joins me to discuss her upcoming album 'Swan Dive,' the doomed romance of swan folklore, and growing up idolizing Neutral Milk Hotel's 'In The Aeroplane Over The Sea.' ✨ MORE ABOUT FOREST ✨Siena Forest (known mononymously as Forst) is a singer-songwriter putting out ethereal part emo, part shoegaze, part industrial barn-burners that live in the space between confrontation and vulnerability. Her new album Swan Dive is out everywhere on September 25th, and her new single "Anchor," is out now. ✨ KEEP UP TO DATE WITH FOREST ✨Web: Instagram: instagram.com/forestband__/TikTok: tiktok.com/@forestband_Youtube: youtube.com/channel/UCKcJbN8QYFFZ7HEeiy-KKiASpotify: open.spotify.com/artist/4yhFkgZya8FbiBkJU7t5j6Apple Music: music.apple.com/us/artist/forest/1610776306✨ CONNECT WITH IZZY ✨Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://agrrrlstwosoundcents.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/agrrrlstwosoundcents/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/grrrlsoundcents⁠⁠⁠⁠⁠

Inspired by Pitchfork, Jay presents a question. What's your perfect 10 album? The guys discuss their picks. Jay chose Paul's Boutique by the Beastie Boys, Nick went with In the Aeroplane Over the Sea by Neutral Milk Hotel, and Greg landed on his first perfect 10 album, Nevermind by Nirvana. You can check out the 240 artists that responded over on Pitchfork: https://pitchfork.com/features/240-artists-on-their-perfect-10-albums/Song: Beastie Boys - “Shake Your Rump”It's News with Nick! Apparently it was news to Nick that in 2009, when Thom Yorke was assembling a band to perform songs from his solo record Eraser, he enlisted Flea of the Red Hot Chili Peppers to play bass! In more recent news, the Kennedy Center retains it's original name and independent music platform Nina Protocol is shutting down in July.Song: Flea - “Traffic Lights (feat Thom Yorke)”Friend of the show, Nate Kalwicki, was recently awarded a mortgage free home by the amazing folks at A Soldier's Journey Home. An Afghanistan veteran, Nate lost his right leg in an ambush and met Greg while recuperating at Walter Reed Hospital. Listeners may remember that he's now the guitarist for The Resilient. The band got to perform at the celebration and Greg gives us a play-by-play on “Tales From the Concert.”Song: Aphex Twin - “Window Licker”

In episodes 21 and 22 of the Pop Apocalypse, host Matt Dillon welcomes musician and mathematician Robert Schneider. Schneider is the lead singer of the psychedelic pop band The Apples in Stereo, a producer for bands including Neutral Milk Hotel and Olivia Tremor Control, and currently serves as an Assistant Professor of Mathematical Sciences at Michigan Technological University. In part one, we discuss Robert's religious upbringing in the American South before exploring the mystical dimensions of The Elephant 6 Recording Co. We touch on the Church of the Subgenius, meditative practices, Krishna Consciousness, church camps, Surrealism, and Sun Ra's Arkestra, then take a deep dive into how the Beach Boys served as the spiritual and artistic north star for Elephant 6. Robert Schneider bio Robert Schneider is a musician, producer, and mathematician. He co-founded The Elephant 6 Recording Co. in the early 1990s, a collective of independent musicians and artists. Schneider is the lead singer and songwriter for The Apples in Stereo, a psychedelic pop band that has recorded seven studio albums. As a producer, Robert recorded and mixed some of the most celebrated albums of the 1990s, including Neutral Milk Hotel's In the Aeroplane Over the Sea and Olivia Tremor Control's Dusk at Cubist Castle. He completed his PhD in Mathematics at Emory University in 2018, specializing in number theory and combinatorics. Robert is now Assistant Professor of Mathematical Sciences at Michigan Technological University, where he helps run the Mathematics and Music Lab.

Two-headed pod. John F, Gavin, and Justin are talking about Neutral Milk Hotel.Learn Em and Love Em People.Please consider pledging to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you wanna play ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sign up⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Listen to the⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist

This week, we are heading back into the weird and wonderful world of the Elephant 6 collective - this time to talk about E6 obscurities. Yes, "obscurity" is relative. To the casual music fan, perhaps it's all obscure. We take it to mean that we don't need another episode to extol the virtues of Neutral Milk Hotel's In The Aeroplane, Over The Sea, Olivia Tremor Control's Dusk At Cubist Castle, or The Apples In Stereo's Tone Soul Evolution. Either way, we aim to uncover some of the lesser known gems in the consistently consistent E6 catalogue. Outside of the four founding members - Robert Schneider, Jeff Mangum, Will Cullen Hart, and Bill Doss - there is arguably no bigger name in the E6 universe than Elf Power and their songwriter/guitarist/vocalist Andrew Rieger.  Elf Power is responsible for some of the finest psych-pop and indie rock records since 1995...but we're actually NOT here today to celebrate the release of a new Elf Power album, but rather roughly five minutes of some of the most surprising music to come out in 2025. Leap Through Poisoned Air is a from the vaults collaboration EP between the late, great Will Cullen Hart, who we lost in 2024, and Andrew Rieger, and released on Rieger and keyboardist Laura Carter's label Orange Twin.  Thanks to Mike Turner from Crashing Through Publicity for the introduction and coordination! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Reelin' In The Years... The Featured Five Theme is songs used as background music during the Local On The 8s Segment on The Weather Channel... Music from a band that's named after the psychological concept of Primal Therapy... What band is comprised of members from Wilco, Soul Asylum, The Jayhawks, and others?... What is an Albert Flasher and what does it have to do with radio broadcasting?... A rarity by R.E.M. that was nearly used in the film, Batman Returns... New music from Robert Plant, Robin Trower, and Vance Joy... Deep cuts from Hot Tuna, Alejandro Escovedo, JD McPherson, The Record Company, The Doobie Brothers, Neutral Milk Hotel, Fleetwood Mac, Tears For Fears, and much more! For more info on the show, visit reelinwithryan.com

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to the U.S. Postal Service, Between Boston & New York, the spillover from digital life, the national anthem at sports events, The Flintstones theme song, Neutral Milk Hotel, vocal fry … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. MUSIC FEATURED (in order): Blame It On The Moon – Cory Wong, Magic City Hippies When A Good Man Cries – CMAT Dans les Rues de Québec – Emilie-Claire Barlow Sweet Love – Stephen Sanchez In the Aeroplane Over The Sea – Neutral Milk Hotel CUT FOR TIME Firefly – John Pizzarelli I Was Not A Nazi Polka – The Mitchell Trio The Telephone Call – Kraftwerk Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

On this episode, Marc talks with Josh Bloom, author of "The Apples In Stereo," published in December of 2025. It's all about the Denver band The Apples in Stereo, who began in the early 90s and were part of the Elephant 6 Collective alongside Neutral Milk Hotel, Olivia Tremor Control, of Montreal, and more. Josh has known members of the band for decades, particularly their main leader Robert Schneider, and his book is a mixture of informational bio and first-person narrative, written in a conversational, often humorous tone. As he writes, "Because Robert and I have a history as on-off-on again friends, I can speak from personal experience to complete a picture of him as the more emotionally complex person, and therefore, songwriter, recording artist, and producer I know him to be."You can buy Josh's book here.We hope you enjoy Marc's conversation with Josh Bloom!

A festive stateside visit beckons this week as Tom and his able assistant Mark Murphy (off Crocodile God) chat with The Brokedowns about their latest record (out now on Red Scare) Let's Tip The Landlord.We chat about famous punk houses, a terrible slipping over incident, health gurus, the International Criminal Court and much more.Tom's on one about audiobooks, Mark reveals his Christmas party plans and a previous guest from the North East thinks something is a fookin disgrace.Music this time comes from: Blink 182, Ugly Criers, Neutral Milk Hotel, The Clash and Pot Valiant.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Feel Good Inc. by Gorillaz (2005)Song 1: Always by Erasure (1994)Song 2: Paper Mache Dream Balloon by King Gizzard & the Lizard Wizard (2015)Song 3: 5:15 by The Who (1973)Song 4: Dream About You by Stevie B. (1995)Song 5: Still Bummed by Nouns (2013)Song 6: 8:15 by The Guess Who (1970)Song 7: Step Into a World (Rapture's Delight) by KRS-One (1997)Song 8: Little Birds by Neutral Milk Hotel (1998/2011)Song 9: 11:15 by Tag (1991)Song 10: They Reminisce Over You (T.R.O.Y.) by Pete Rock & C.L. Smooth (1992)

Michael Schur is the creative force behind some of the most beloved comedies of the past two decades: The Good Place, Parks and Rec, Brooklyn Nine-Nine, and most recently, A Man On The Inside, starring Ted Danson. If Mike's face looks familiar, it might be from his scene-stealing performance as Mose Schrute on The Office, on which Mike was also a writer. Mike's shows have a distinctive signature: they don't just make you laugh – they make you think about morality and what it means to be human. Along the way, they might just make you cry. In this episode, Mike charts the songs and milestones that turned him into the writer he is today – from the Neutral Milk Hotel album that taught him to wear his heart on his sleeve, to the fender bender that sparked an existential crisis that would become The Good Place, to the Taylor Swift song that pulled him out of a creative rut during the pandemic. It's a conversation about how art teaches us to feel, and how those feelings become the stories we tell. Here are his songs. “Weird Al” Yankovic, “Eat It” The Beatles, “A Day in the Life” Indigo Girls, “Kid Fears” Neutral Milk Hotel, “Ghost” Derek and the Dominos, “Key to the Highway” Arvo Pärt, “Spiegel im Spiegel” Taylor Swift, “gold rush”

Podcast #761 goes prix fixe with Boyracer, Neutral Milk Hotel, The Mountain Goats, Squint, Toledo Panic, Killer Hearts, & Lafayette.

-Noticias Variadas de juegos, anime, peliculas, etc.-Disco Recomendado: Airplane Over The Sea de Neutral Milk Hotel

fWotD Episode 3087: Neutral Milk Hotel Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 17 October 2025, is Neutral Milk Hotel.Neutral Milk Hotel was an American band formed by Jeff Mangum in Ruston, Louisiana, in the late 1980s. They were active until 1998, and then from 2013 to 2015. The band's music featured a deliberately low-quality sound, influenced by indie rock and psychedelic folk. Mangum wrote surreal and opaque lyrics that covered a wide range of topics, including love, spirituality, nostalgia, sex, and loneliness. He and the other band members played a variety of instruments, including non-traditional instruments like the singing saw and uilleann pipes.Neutral Milk Hotel began as one of Mangum's home recording projects. After graduating high school, Mangum lived as a vagabond and sporadically released music. In 1996, he worked with childhood friend Robert Schneider to record the album On Avery Island, which received modest reviews and sold around 5,000 copies. Mangum recruited musicians Julian Koster, Jeremy Barnes, and Scott Spillane for the band's second album, In the Aeroplane Over the Sea. Its 1998 release received mostly positive, but not laudatory reviews.While on tour, the band's popularity grew through Internet exposure. This negatively affected Mangum, whose mental health began to deteriorate; he did not want to continue touring and Neutral Milk Hotel went on hiatus shortly after. During their hiatus, Neutral Milk Hotel gained a cult following and the critical standing of In the Aeroplane Over the Sea rose tremendously. Several music outlets such as Pitchfork and Blender called In the Aeroplane Over the Sea a landmark album for indie rock and one of the greatest albums of the 1990s. Many indie rock groups such as Arcade Fire and the Decemberists were influenced by Neutral Milk Hotel's eclectic music and earnest lyrics. Neutral Milk Hotel reunited in 2013 and undertook a reunion tour before another hiatus in 2015.This recording reflects the Wikipedia text as of 00:38 UTC on Friday, 17 October 2025.For the full current version of the article, see Neutral Milk Hotel on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ayanda.

Chris DeVille wrote the book on the indie rock boom (Such Great Heights: The Complete Cultural History of the Indie Rock Explosion), but before he became a self-confessed "indie snob" he was a willing listener of Christian rock. In this conversation we discuss the influence of Pitchfork on musical tastes and how specific signifiers could have an outsized impact on critical coverage in the blog era. Artists discussed include 4Him, Stavesacre, Sufjan Stevens, Pedro The Lion, Cameron Winter, Neutral Milk Hotel and, of course, Carman. ---Register for Theology Beer Camp with our promo code RTDR for $75 off.Do you have a Christian rock story to tell? Want to respond to this episode? Leave us a message at (629) 777-6336.If Rock That Doesn't Roll is important to you, support us on Patreon. https://www.patreon.com/rtdr (join via the website, not the iOS app for a 30% discount)Or make a one-time donation: https://coff.ee/rtdrIf you can't afford a donation, please tell five friends about the show.You can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

The definitive history of twenty-first-century indie rock-from Iron & Wine and Death Cab for Cutie to Phoebe Bridgers and St. Vincent-and how the genre shifted the musical landscape and shaped a generationMaybe you caught a few exhilarating seconds of "Teen Age Riot" on a nearby college radio station while scanning the FM dial in your parents' car. Maybe your friend invited you to a shabby local rock club and you ended up having a religious experience with Neutral Milk Hotel. Perhaps you were scandalized and tantalized upon sneaking Liz Phair's Exile in Guyville from an older sibling's CD collection, or you vowed to download every Radiohead song you could find on LimeWire because they were the favorite band of the guy you had a major crush on.However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever. DeVille covers the gamut of bands-like Arcade Fire, TV On The Radio, LCD Soundsystem, Haim, Pavement, and Bon Iver-and in the vein of Chuck Klosterman's The Nineties, touches on staggering pop culture moments, like finding your new favorite band on MySpace and the life-changing O.C. soundtrack.Nerdy, fun, and a time machine for millennials, Such Great Heights is about how subculture becomes pop culture, how capitalism consumes what's "cool," who gets to define what's hip and why, and how an "underground" genre shaped our lives.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

The definitive history of twenty-first-century indie rock-from Iron & Wine and Death Cab for Cutie to Phoebe Bridgers and St. Vincent-and how the genre shifted the musical landscape and shaped a generationMaybe you caught a few exhilarating seconds of "Teen Age Riot" on a nearby college radio station while scanning the FM dial in your parents' car. Maybe your friend invited you to a shabby local rock club and you ended up having a religious experience with Neutral Milk Hotel. Perhaps you were scandalized and tantalized upon sneaking Liz Phair's Exile in Guyville from an older sibling's CD collection, or you vowed to download every Radiohead song you could find on LimeWire because they were the favorite band of the guy you had a major crush on.However you found your way into indie rock, once you were a listener, it felt like being part of a secret club of people who had discovered something special, something secret, something superior. In Such Great Heights, music journalist Chris DeVille brilliantly captures this cultural moment, from the early aughts and the height of indie rock, until the 2010s as streaming upends the industry and changes music forever. DeVille covers the gamut of bands-like Arcade Fire, TV On The Radio, LCD Soundsystem, Haim, Pavement, and Bon Iver-and in the vein of Chuck Klosterman's The Nineties, touches on staggering pop culture moments, like finding your new favorite band on MySpace and the life-changing O.C. soundtrack.Nerdy, fun, and a time machine for millennials, Such Great Heights is about how subculture becomes pop culture, how capitalism consumes what's "cool," who gets to define what's hip and why, and how an "underground" genre shaped our lives.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In the 2022 documentary The Elephant 6 Recording Co., they waste no time in addressing a very valid question: What exactly is Elephant 6? Is it a record label? (Yes, but not always.) Is it a collective of likeminded visionaries? (Yes.) Is the epicenter of E6 Athens, GA? Denver? Ruston, LA? (Yes. Yes. Yes.) It started with four high school friends in Ruston, Louisiana - Robert Schneider, Jeff Mangum, Will Cullen Hart, and Bill Doss - who shared a love of home recording and '60s psych pop and needed an imaginary label for their self-circulated tapes. Soon, the foursome of friends would form the three seminal bands of the collective - Schneider would relocate to Denver and put together the Apples in Stereo, with the other three heading to Athens. Hart and Doss would become the driving force behind Olivia Tremor Control and Mangum would establish his primary focus Neutral Milk Hotel. From there, it's a long and winding family tree with a lineage of interconnected bands sharing members in common and/or an aesthetic. For more than 30 years, E6 has represented a trademark of quality for lovers of intelligent, imaginative, blissful, beautifully strange pop music. According to the E6 website, there are a mere 51 bands who can lay claim to being an "official" part of the collective, and we are fortunate to have one of them joining us for this discussion of some of our favorite E6 songs. The Rishis are centered around the married duo of songwriters/vocalists Ranjan Avasthi and Sofie Lute, with keyboardist Marcel Sletten also joining us. Their transcendent self-titled second album (out now on Cloud Recordings) features the band's stunning combination of rootsy folk-pop, cosmic washes of hazy psychedelia, and the mystical power of Indian music. They bring the same energy and positivity that their music possesses to O3L. Word up! Dedicated to the memory of Bill Doss (1968-2012) and Will Cullen Hart (1971-2024). Learn more about your ad choices. Visit megaphone.fm/adchoices

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (1:40). The Six Singles segment starts at (5:46). This episode covers the following albums: Sparklehorse - Good Morning Spider (40:44), Lauryn Hill - The Miseducation of Lauryn Hill (59:33), Manu Chao - Clandestino (1:27:26), and Neutral Milk Hotel - In The Aeroplane Over The Sea (1:45:00).Check out our YouTube page here: http://www.youtube.com/@combingthestacks1470Check out the Combing the Stacks Letterboxd list here: https://boxd.it/bS98c

Show Notes:I'm excited to cap off the month of April with an episode featuring Patrick Barb, the author of The Night of the Witch Hunter. We talked about how he got into writing horror literature, the terrible (his words!) horror movies that he loves to watch, and how his book of horror essays based on the songs of the band Neutral Milk Hotel came together and more! Patrick's Socials: Website: https://patrickbarb.com/Buy The Night of the Witch Hunter: https://shop.shortwavepublishing.com/products/night-of-the-witch-hunter-killer-vhs-series-6-paperback Patrick's Bluesky: https://bsky.app/profile/patrickbarb.bsky.social Who's There? Socials:Bluesky: https://bsky.app/profile/whostherepc.bsky.social Instagram: https://www.instagram.com/whostherepcEmail: whostherepc@gmail.com Website: https://www.whostherepodcast.com Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup

The podcast episode features Jesse Rifkin, the owner of Walk on the Wildside Tours NYC, a music history walking tour company in New York City, and the author of the book 'This Must Be the Place: Music, Community, and Vanishing Spaces in New York City.' Rifkin shares his background, including his consultancy roles as a pop music historian and his 12 years as a touring musician. They discuss his first concert experience, watching Bob Dylan with Ani DiFranco as the opening act at the Filene Center in Vienna, Virginia, and the interesting intersections his life has had with notable music historians like Alan Lomax.Rifkin recounts his experience attending a unique U2 concert at the Apollo Theater in Harlem, highlighting how seeing a globally famous band in an intimate venue was a surreal and memorable experience. He emphasizes the different dimensions of enjoying massive arena shows versus small, underground music scenes. He talks about his favorite bands, particularly Akron Family and other experimental groups, often performing at DIY venues like Silent Barn and emphasizing how these experiences felt more personal and impactful.The conversation shifts to Jesse's walking tours, which often focus on the punk and post-punk scenes in NYC, featuring iconic sites like CBGB. He discusses the importance of understanding the human and local context behind legendary music and bands, offering a more tangible and relatable connection to this history. His tours aim to demystify the grandiosity of famous musicians by highlighting their humble beginnings in intimate settings.Finally, Jesse talks about his book and its evolution from his extensive tours and Instagram presence, which caught the attention of his editor in 2019. He details the content of the book, which spans 60 years of music history, categorizing different NYC music scenes, and offers practical insights into creating community-driven music venues. Jesse's mission is to show that music and performance spaces can be accessible and transformative, urging people to see the possibility within DIY approaches to music and community building.BANDS: Akron Family, Bad Brains, Beastie Boys, Blondie, Bob Dylan, Castanets, The Cure, Elephant 6 Recording Company, Grateful Dead, Lynyrd Skynard, Neutral Milk Hotel, New York Dolls, Olivia Tremor Control, Patti Smith, Ramones, Sonic Youth, Talking Heads, U2, Velvet Underground, Wooden Wand and the Vanishing Voice, Woods.VENUES: 171A, Apollo Theater, Bowery Ballroom, CBGB, Death by Audio, Jelly NYC, Silent Barn, Tonic, Uncle Paulie's, Wolf Trap. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Esta semana, en Islas de Robinson, caemos en territorio psicodélico de los 90, con la gente del colectivo Elephant 6 como hilo conductor. Suenan: ELF POWER - "THE SEPARATING FAULT" ("WHEN THE RED KING COMES", 1997)/ NEUTRAL MILK HOTEL - "WHERE YOU'LL FIND ME" ("ON AVERY ISLAND", 1996) / THE OLIVIA TREMOR CONTROL - "CAN YOU COME DOWN WITH US?" ("DUSK AT THE CUBIST CASTLE", 1996) / THE ORANGE ALABASTER MUSHROOM - "ANOTHER DAY" ("THE PSYCHEDELIC BEDROOM E.P.", 1996) / GUIDED BY VOICES - "TO REMAKE THE YOUNG FLYER" ("UNDER THE BUSHES, UNDER THE STARS", 1996) / THE BEVIS FROND - "BOOK" ("NORTH CIRCULAR", 1997) / LILYS - "CAN'T MAKE YOUR LIFE BETTER" ("BETTER CAN'T MAKE YOUR LIFE BETTER", 1996)/ PAVEMENT - "TRANSPORT IS ARRANGED" ("BRIGHTEN THE CORNERS", 1997) /HELIUM - "SUNDAY" ("NO GUITARS", 1997) / THE FLAMING LIPS - "BRAINVILLE" ("CLOUDS TASTE METALLIC", 1995) / ORGONE BOX - "ANAESTHESIA" ("CONFECTIONERY" / "THE ORGONE BOX", 1996) / COTTON MATHER - "AURORA BORI ALICE" ("KONTIKI", 1997) / THE MINDERS - "HOORAY FOR TUESDAY" ("HOORAY FOR TUESDAY", 1998) / THE APPLES IN STEREO - "BENEFITS OF LYING (WITH YOUR FRIEND)" ("HER WALLPAPER REVERIE", 1999) / CIRCULATORY SYSTEM - "A PEAK" - ("CIRCULATORY SYSTEM", 2001)Escuchar audio

This week on RITY... Our mini theme is What Time Is It?... Also, music from an English band who got their big break after David Gilmour overheard them playing a wedding... Someone actually wrote a song about the food at Howard Johnson's!?!?... A rarity from the band, Lynard Skynard. Yes, I spelled that correctly... Plus deep tracks from Neutral Milk Hotel, Unicorn, Dog's Eye View, The Cure, and much more! For more info on the show, visit reelinwithryan.com

Elf Power is an indie rock band from Athens, Georgia, known for its blend of psychedelic, folk, and dreamy rock sounds. They got started in the mid-90s and quickly became part of the “Elephant 6 Collective,” a group of bands like Neutral Milk Hotel and The Apples in Stereo who created unique, experimental music.I had sold a lot of Elf Power's music in the record stores I worked. I had not listened to them in quite some time. I had forgotten how their music is often dreamy and mysterious, full of quirky lyrics and catchy tunes. Seeing them several times now since I began this podcast has opened up a new and more educated listening for me. Their songs explore themes like nature, dreams, and the surreal, and their albums are like journeys into different worlds.With frontman Andrew Rieger's distinct voice and poetic lyrics, Elf Power has a sound that's both gentle and powerful. Being able to talk to Andrew of Elf Power was not only a history lesson beginning with Andrew's recording solo 4 track cassettes, to recording in studios with some of the top producers in the industry. This resulted in their discography capturing a mix of haunting melodies, thought-provoking lyrics, and a musical style that's earthy yet otherworldly. I was so happy to see them live, and I am still rekindling my love of this band. This talk with Andrew was perfect as I listened to some of Andrew's thoughts that creeped into the side of quirky meets surreal. I hope you have a great auditory experience listening to Andrew Rieger.Show AthCastMusic (©): The Music of Athens Georgia, Now and Then.SEASON: 3 Episode 34Length: 39:23PUBLISHED:Updated Weekly on ThursdayEngineer: Kayla DoverIntern: Kati Putman (UGA Music School)Recorded at Tweed Recording Audio Production Schoolhttps://tweedrecording.comCONTACT FOR ATHCASTMUSIC:marlene@athcastmusic.cominstagram: AthCastMusicFaceBook: https://www.facebook.com/profile.php?id=61550294283019INSTAGRAM: ELFPOWERBANDFACEBOOK: https:/facebook.com/elfpowerWebsite: elfpower.comBAND CAMP: bit.ly/4flHImAOR https://elfpower,bandcamp.com

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Bob Nastanovich, Rebecca Clay Cole from Pavement is here to discuss her Elephant 6 Recording Co. community, Pavement's influence on it, and the recent and painful losses they've endured, the rise of Neutral Milk Hotel, how she got into playing music and embraces "sideman" roles, the beginning and end of her supergroup Wild Flag and Stephen Malkmus' quiet role in that, joining Pavement and her thoughts about the various aspects of the forthcoming film Pavements, which she is in, current projects like Clay Cole, future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #910: The Hard QuartetEp. #839: Mary TimonyEp. #756: QuasiEp. #678: Mark IboldEp. #677: PavementEp. #392: Stephen MalkmusEp. #373: Pavement's Bob Nastanovich and Steve WestEp. #165: Bob Nastanovich of Silver JewsEp. #74: Stephen MalkmusSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

To kick off our SIXTH SEASON of the podcast, Kelly Finnigan talks about his soulful new album A Lover Was Born (out Oct 18 on the Colemine Records label) in a conversation recorded live last summer during RSD Summer Camp at the fabulous Hotel Monteleone in New Orleans. Last year we featured the excellent documentary The Elephant 6 Recording Company, and as we run up to the RSD Black Friday* release of the lovingly curated official soundtrack album (from ORG Music) on November 29, we asked the film's director C.B. Stockfleth and producer Rob Hatch-Miller to talk about it.  *Record Store Day Black Friday is November 29th.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

What's your most loved and least favorite song on Guided By Voices' 492nd album Bee Thousand?! Adam overcame his fear of assigning a 20 song record because he felt we needed to do more indie classics. Fun to hear his three co-hosts' take on a challenging 1994 lo-fi listen that was once named by Amazon music writers as the #1 indie album of all-time. We get a surprise Zoom visit from longtime 91X program director Garett Michaels (check out an extra ten minutes of his golden throat soon on Youtube) and remote opinions from Jon Wurster (Superchunk/Mountain Goats/Best Show) and Scott McCaughey (Young Fresh Fellows).  Request episode results before the end credits! Listen at WeWillRankYouPod.com, Apple, Spotify and your local Thighland podcast shoppe.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . Jon Auer, Awful Bliss, The Baseball Project, Bee Thousand, Big Fan of the Pigpen, British singing voice, Buzzards and Dreadful Crows, Cobra Verde, Dayton, Demons Are Real, drinking, Echos Myron, epicly long live shows, Ester's Day, ever-changing band lineups, ex post facto, Jason Falkner, farewells, Kevin Fennell, FM 94/9, four track, GBV, Ben Gibbard, Gold Star for Robot Boy, The Goldheart Mountaintop Queen Directory, Guided By Voices, Hardcore UFO's, Tim Heidecker, Her Psychology Today, Hot Freaks, I Am a Scientist, I Am A Tree, Kicker of Elves, lofi recording, Matador Records, Scott McCaughey, Garrett Michaels, Mincer Ray, the Minus 5, mouse ears, the National, necklace of 50 eyes, Neutral Milk Hotel, 1994, 91X, no hitter, nondairy creamer, Ohio, out of tune guitars, Peep-Hole, Bob Pollard, popular mechanics, the Posies, production manager, prolific, Queen of Cans and Jars, rapeseed, reunions, rock moves, Rookie Card, short songs, Sloan, Smothered in Hugs, the Soft Rock Renegades, Tobin Sprout, Superchunk, Suzanne & The Summerz, the Textbook Committee, Tractor Rape Chain, wayward miners, Jon Wurster, years spent teaching, You're Not an Airplane, Yours to Keep US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com NEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

What a beautiful face we have found in this place.. it's the face of a tambourine! We're entering the Year Of Discovery on a strong note and talking about In The Aeroplane Over The Sea, the second and final album by the mysterious and eclectic Neutral Milk Hotel. This cult classic record is a sonic journey through Jeff Mangum's haunted carnival of lucid dreams and WWII imagery, with a little bit (lotta bit?) of Anne Frank sprinkled throughout. We'll explore goopy, disjointed lyrics, innovative distortion techniques, singing saws, and more as we head back to Holland, 1945. The Mixtaper is teaching us about donkey cheese and expensive chess in another installment of Foxtrot Oscar Sierra! From those red lips to the Two-Headed Boy, we hit it all this week! How strange it is to be anything at all, and this album might just be even stranger.Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro3:36 About Neutral Milk Hotel8:23 About In The Aeroplane Over The Sea19:51 Fact Or Spin22:35 They Have An Unreleased Song27:03 He Has An Expensive Favorite Cheese34:40 He Can Play A Weird Instrument37:50 He Did A Photoshoot With An Expensive Item46:09 Album Art51:46 King Of Carrot Flowers Pt. 155:54 King Of Carrot Flowers Pts. 2 & 359:47 In The Aeroplane Over The Sea1:07:52 Two-Headed Boy1:10:14 The Fool1:11:20 Holland, 19451:14:08 Communist Daughter1:15:14 Oh Comely1:17:33 Ghost1:19:48 [untitled]1:20:56 Two-Headed Boy Pt. 21:24:29 Final Spin Hosted on Acast. See acast.com/privacy for more information.

"A Master Class In Songwriting" Jad Fair is probably best known as one half of Half Japanese. Formed with his brother David in 1974, the Maryland by way of Michigan outift remain one of the more curious entires into the pantheon of rock and roll. Their songs are jagged and battered mini-anthems about broken hearts, monsters and...broken hearts and monsters. As Jad Fair once said, their songs are either love songs or monster songs. And there are a lot of songs. For example: the band's sophomore effort was a triple album, some records have 45 songs all under two minutes. Some of the tracks are barely one...Half Japanese have quite a discography, including classics like Music To Strip By, Charmed Life and The Band Who Would Be King. Over the course of their idiosyncratic, non-traditional career, they've counted the Velvet Underground's Moe Tucker as a member, put out albums on Penn Jillette's record label, opened for NIrvana, and collaborated with Daniel Johnston, Kramer, Steve Fisk, Thurston Moore, Fred Frith Teenage Fanclub, Yo La Tengo, The Pastels, Jason Willett and John Zorn, and were chosen by Neutral Milk Hotel's Jeff Magnum to play the All Tomorrow's Parties festival that he was curating. Half Japanese are underground heroes, who broke every rule of modern music and then broke the rules they broke. They remain a dynamic, artistic and powerful creative endeavor. As for Jad Fair, he's done anything but slow down. Aside from putting out a handful of solo albums, as a visual artist Fair's artwork has yielded several books and museum shows across the world. His papercut style is singular and charming, but also rife with a simple complexity. It's really staggering stuff. Also staggering: his new album 100 Songs (A Master Class In Songwriting). It consists of, you guessed it: 100 songs. Impressed? Well, his other new album Film Music has 150. Filled with swerving low-fi bliss, there's not a false note to be found on these records. But of course there isn't: it's Jad Fair. And Jad Fair operates from a cosmos of creative impulse. And that impulse is as pure and driving as it gets. www.jadfair.net (http://www.jadfair.net) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

In our first full episode of our final season, we sat down with our friend, Will Hines (actor, comedian, podcaster "Screw It, We Are Just Going To Talk About The Beatles"), to talk about Jeff Mangum, Elephant Six, Neutral Milk Hotel and their 1998 album, In The Aeroplane Over The Sea.

Cody, Nate and Zack gather for an arts review, discussing the following: Neutral Milk Hotel, esp. The King of Carrot Flowers The Lion, the Witch and the Wardrobe in Turkish Kings Kaleidoscope by Kings Kaleidoscope We also mention Zack's article on the Forefront blog, "Jesus etc."

For this episode of Songs of Our Lives, I invite The Body's Lee Buford on the show. First, we get the other perspective on Dis Fig & The Body's “Orchards of a Futile Heaven.” This record just absolutely rips. Then, things go off with the Jason Molina's crushing music, Neutral Milk Hotel's being too ubiquitous, music that's so vapid it rocks, Peter Gabriel's wild romantic lines, the brutality and awesomeness of “Cop Killer,” Willie Nelson bringing a sadness to someone else's song that is devastating, the undeniable nature of Dead Prez, our mutual Roman Empire, and more!Listen to all of Lee's picks HEREDis Fig & The Body “Orchards of a Futile Heaven”The Body on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

Friend of the pod Grace Robins-Somerville joins us for a discussion about Neutral Milk Hotel. We go in on the band's music, their legacy, Elephant Six, canonical indie-rock, and more. 

Cover Vs Original Playlist. This episode was recorded live in our discord. It's always a blast you should totally join and come hang with us. Robert Becker vocalist for the band Fauxtrot joined us for this episode be sure to check out their new album "Lost in translation" out everywhere. We reviewed a playlist of covers vs originals. Let us know your favorite cover songs in the comments. We have a ⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠ now so come hang out with us and for those who want to support the show go check out our ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠ we have some awesome perks and it'll help us out a lot. Links for both of those are in our LinkTree and on all of our socials. Make sure to follow us on all socials to keep up with interviews and playlists ⁠⁠⁠⁠⁠⁠⁠@VIPlaylistpod⁠⁠⁠⁠⁠⁠⁠ and we have a YouTube now so go subscribe to us!! Special thanks to ⁠⁠⁠⁠⁠⁠⁠Ghostshaft⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Boo Lay⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Keanu DiCaprio⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠FBD Media ⁠⁠⁠⁠⁠⁠⁠for making that amazing tune you hear at the end of the episode. Go check out their socials and jam some of their tunes on Spotify. Artists on the Cover Vs Original Playlist are Say Anything, ODB, The Devil Wears Prada, Big Tymers, Orgy, New Order, The Secret Handshake, Skee-lo, Of Mice & Men, Jamie Foxx, Marilyn Manson, Eurythmics, Tom Cardy, Flight of the conchords, Hot Mulligan, Taking Back Sunday, Death Cab For Cutie, Neutral Milk Hotel, Noah Reid, Tina Turner, Bilmuri, Miley Cyrus, My Chemical Romance, Queen, He is legend, Third Eye Blind, I See Stars, The Outfield, Five Finger Death Punch, LL Cool J, Rob Zombie, The Beatles, The Avalanche Diaries, Christina Aguilera, Confide, and The Postal Service. --- Send in a voice message: https://podcasters.spotify.com/pod/show/viplaylistpod/message

North Carolina-based label Merge Records, inarguably one of America's most influential and prolific purveyors of indie-rock, is on the cusp of turning 35 -- a landmark that co-founders Laura Ballance and Mac McCaughan likely couldn't fathom when they started the label in 1989. Then, Merge was simply a DIY avenue to release tunes by their scrappy quartet Superchunk. But along the way, as the band's jangly but caffeinated power-pop caught on with an international audience, Merge evolved from a modest method of putting out music by Mac and Laura's friends into the beloved home of cult acts like Neutral Milk Hotel, Spoon, The Magnetic Fields and countless others, eventually becoming the first indie label to garner an Album of the Year Grammy, for Arcade Fire's 'The Suburbs' in 2011. On this week's show, Mac reflects on Merge's early years, the label's new vinyl-centric web series Digging For Something, as well as Superchunk's latest compilation of singles, demos and other oddities dropping this week, titled 'Misfits & Mistakes.' Visit mergerecords.com to shop for your favorite releases, and follow @macsuperchunk or @mergerecords on Instagram.

Manager of The Apples in stereo, Daniel Efram returns to Soundtrack Your Life to talk to Nicole and Ryan about Chad Stockfleth's recently released and extremely well received Elephant 6 Movie, which Daniel was involved with as an executive producer.While the film doesn't technically have a soundtrack, we talk about many of the great artists that make up the Elephant 6 Recording Company such as The Apples in stereo, Neutral Milk Hotel, Olivia Tremor Control, The Music Tapes, Elf Power and more! Daniel also shines a light on the many great folks who helped put this amazing documentary together.Daniel was previously a guest on our Grosse Pointe Blank episode where we also talked about The Steve Keene Artbook that Daniel curated.For More Information about The Elephant 6 Movie / Daniel Efram:Website: https://www.elephant6movie.com/IG: https://instagram.com/danieleframTwitter: https://x.com/elephant6movieIf you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!

Welcome to Marinade Moments. I am your host Jason Earle and this is the show where I tell stories from a life well attended. I've been fortunate to take in a ton of cool events in my life. This is the space where we bond over the beauty of live music. On this episode I am going to tell the tale of seeing Neutral Milk Hotel at the Ponte Vedra Concert Hall on May 7, 2015. Support The Marinade on Patreon: https://www.patreon.com/marinadepodcast More information about the Elephant 6 Documentary: https://www.elephant6movie.com/ The Marinade Website: https://www.elephant6movie.com/ Liste to In the Aeroplane Over the Sea by Neutral Milk Hotel: https://tidal.com/browse/album/37265686  

After two music book episodes, RSD Goes To The Movies, pointing our lens at two rock documentaries, each told from inside two different psychedelically-incinded music scenes.  Robert Schneider of The Apples in Stereo is here with Rob Hatch-Miller (Other Music) to discuss C.B. Stockfleth's film, The Elephant 6 Recording Co., but first, director Roddy Bogawa talks about the film he made with the late Storm Thorgerson (of Hipgnosis) called Have You Got It Yet? The Story of Syd Barrett and Pink Floyd.  Plus the return of RSD co-founder Carrie Colliton, back in Raleigh, NC, after running the RSD Summer Camp in New Orleans. Go to RecordStoreDay.com for the latest information about RSD. Written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Sponsored by Dogfish Head Craft Brewery, Tito's Handmade Vodka, and Crosley turntables.  This episode is dedicated to the late Jerry Moss (1935-2023), who passed away on August 15 at the age of 88. Moss was the co-founder, with friend of the show Herb Alpert, of A&M Records. Please subscribe to our podcast, and by all means tell your friends about us, we love organic, word of mouth promotion.  

Fifty listener questions taking the form of “What is the ___ of video games?” are defeated by the full panel of the Insert Credit Show. Hosted by Alex Jaffe, with Frank Cifaldi, Tim Rogers, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Questions this week: Vanilla Bean asks: What is the Aphex Twin to Radiohead to Coldplay of video games? (07:32) John H: What is the Studio Trigger of video games? (08:46) Danimal: Who (or what) is the Wednesday Campanella of video games? (10:14) Henry: What is the Action Comics #1 competition of video games? (11:42) Tomarrow: What is the meat and potatoes of video games? (12:49) Kiko b: What is the peanut butter and jelly on white bread of video games? (13:42) Ian: what's the everything bagel of video games? (14:52) Gaagaagiins: What is the 2 in 1 shampoo and conditioner of video games? (15:37) Chris B: What is the “walking by a store on a hot day that has the front doors wide open with the AC blasting and you catch a sudden blast of freezing air” of video games? (16:52) Justin: What's the “Live Free or Die Hard” of video games? (18:24) BrillPickle asks: What's the Normcore of video games? (20:10) BrillPickle asks: What's the healthgoth of video games? (21:09) Spencer: what is the “going to the movies but spending the whole time on your phone” of video games? (22:08) Cwumble Fletkh: Who is the Oedipus of video games? (23:08) Fighting fudon: What is the “I've had too much coffee and now I feel like death” of video games? (23:58) JackOakLeaf: What is the Marlon Brando as Don Corleone in The Godfather of video games? (25:24) Jimi: Who are the Jerry, Elaine, George, and Kramer of video game characters? (26:21) Jomch: What is the Frasier of videogames? (26:39) Dillson: What is the Hatsune Miku Guitar Synthesizer Stompbox of video games? (28:00) kory: What is the Jaws 19 from Back to the Future Part II of video games? (28:34) Anonymous: What is the finding an onion ring in your fries of video games? (29:12) Classic Anonymous: What is the Understanding Comics by Scott McCloud of video games? (31:22) U G: What is the Mark Z Danielewski's House of Leaves of video games? (32:29) Shlooter McGavin: What is the “reading a magazine back to front” of video games? (33:26) gordon “matty” freeman: What is the “vinyl just sounds better, dude” of video games? (34:31) Insert Credit Quick Break: Patreon listeners, please check your info because Patreon screwed up (34:57) Maybesheforgot: What is the O Brother Where Art Thou of video games? (35:37) Jeff Mangum: Who or what is the Neutral Milk Hotel of video games? (36:43) Skeletoncounter: What is the Wes Craven's New Nightmare of video games? (38:16) Gaagaagiins asks: What is the comparison between the theatrical and extended cuts of the Lord of the Rings trilogy? (40:52) LeFish: What is the finding out Santa isn't real of video games? (42:42) Anonymous: What is the going back in time to kill baby Hitler of video games? (44:09) Charlie: Who, or what game, is the first Mark Twain of video games? (45:28) Arvid: What's the “built like a brick outhouse” of video games? (46:05) Buy Gebord: What is the Society of the Spectacle of video games? (47:20) Marxseny: What is the “It's not a phase, mom” of video games? (48:19) Barclay: What is The Illuminatus! Trilogy of video games? (49:20) Crumbling Kwelfis: who is the jean-luc godard of video games? (50:29) Dustin: What is the high school reunion of video games? (51:31) Cole: What is the Nissan Sileighty of video games? (52:43) La_cuna: What or who is the Ricky Jay of video games? (53:35) Kyle: What is the Mission Impossible of video games? (55:32) Torbjorn: Who is the Søren Kierkegaard of video games? (56:42) Antho: What's the Canadian tuxedo of video games? (57:40) ana: What is the cinéma-vérité of video games? (59:06) Snowtire: what is the Star Citizen of video games? (01:00:08) Smander Jettz: Who is the Ezra Miller of video games? (01:01:03) Brayden Bunker: What is the aeropress of video games? (01:02:53) Samf Sankey: who is the Jim Varney of video games? (01:05:47) Swift Justice: What is the BABYMETAL of video games? (01:07:03) nate: what is the 4'33 of video games? (01:09:06) Recommendations and Outro (01:09:27) Discuss this episode in the Insert Credit Forums A SMALL SELECTION OF THINGS REFERENCED: Super Mario series Super Mario Bros - Star The Stars and Stripes Forever Turkey in the Straw What's The Buzz Koji Kondo Django Reinhardt Limehouse Blues The Entertainer (rag) 1812 Overture La Marseillaise Happy Birthday to You Aphex Twin Radiohead Coldplay Bayonetta Devil May Cry series Ninja Gaiden series Final Fantasy XVI Dragon's Dogma Kingdom Hearts: Chain of Memories SNL “Dear Sister” Parody Studio Trigger WayForward Gainax Wednesday Campanella Castlevania series Final Fantasy XIV Online Bonk's Revenge Action Comics 1 StarTropics EarthBound Call of Duty series Angry Birds Destiny Yakuza / Ryū ga Gotoku series Sonic Mania Days Gone Assassin's Creed series Resident Evil series Raw Danger! Die Hard (film series) Normcore Roblox Health Goth Bullet Witch P.N.03 Rez Indiana Jones Oedipus David Cage Men in Black (1997) MadWorld JSRF: Jet Set Radio Future Shenmue Skies of Arcadia Marlon Brando The Godfather (1972) God of War Seinfeld Frasier Cheers Virtua Fighter Banjo-Kazooie Diddy Kong Racing Donkey Kong Country Liquid Television MIKU STOMP Undertale Groove Coaster series Back to the Future Part II (1989) PlayStation 9 Halo: Combat Evolved Understanding Comics A Grammar of Gameplay House of Leaves What Remains of Edith Finch Doki Doki Literature Club! Yesterday's Enterprise Christopher McDonald Tasha Yar Grand Theft Auto series O Brother, Where Art Thou? (2000) Raising Arizona (1987) Brütal Legend Guitar Hero Neutral Milk Hotel Final Fantasy IX Wes Craven's New Nightmare (1994) Bubsy series Broken Age Monkey Island series Mad Max: Fury Road (2015) Fable series Blaster Master series A Nightmare on Elm Street (1984) Bloodstained: Ritual of the Night Lord of the rings extended edition Shin Megami Tensei: Persona 3 FES Shin Megami Tensei: Persona 3 - Portable Santa Claus Tool-assisted speedrun Castle Wolfenstein series FarmVille Cyberpunk 2077 Mark Twain Octopath Traveler The Society of the Spectacle The Righteous Gemstones Succession The Illuminatus! Trilogy Xenogears / Xenosaga universe Jean-Luc Godard Spacehunter: Adventures in the Forbidden Zone (1983) Game Freak François Truffaut Super Smash Brothers series F-Zero Nissan 180SX Initial D Ridge Racer 6 Ricky Jay Mission: Impossible Mission: Impossible Søren Kierkegaard Michael Brough Cinéma vérité The Stanley Parable Among Us Star Citizen Star Ocean Baldur's Gate III Ezra Miller Reginald VelJohnson Family Matters AeroPress Aero the Acro-Bat Mulholland Drive (2001) Jim Varney Ernest P. Worrell Paul Reubens Nintendogs Babymetal BioShock 4′33″ What's Inside the Box? Super Mario Clouds Recommendations: Frank: Listen to episode 300 Tim: Ricky Jay and His 52 Assistants Brandon: Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), Trader Joes Rice Cracker Medley Jaffe: Sandman Mystery Theatre This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, Apple Podcasts, Google Podcasts, Spotify, and more!

Fifty listener questions taking the form of “What is the ___ of video games?” are defeated by the full panel of the Insert Credit Show. Hosted by Alex Jaffe, with Frank Cifaldi, Tim Rogers, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Questions this week: Vanilla Bean asks: What is the Aphex Twin to Radiohead to Coldplay of video games? (07:32) John H: What is the Studio Trigger of video games? (08:46) Danimal: Who (or what) is the Wednesday Campanella of video games? (10:14) Henry: What is the Action Comics #1 competition of video games? (11:42) Tomarrow: What is the meat and potatoes of video games? (12:49) Kiko b: What is the peanut butter and jelly on white bread of video games? (13:42) Ian: what's the everything bagel of video games? (14:52) Gaagaagiins: What is the 2 in 1 shampoo and conditioner of video games? (15:37) Chris B: What is the “walking by a store on a hot day that has the front doors wide open with the AC blasting and you catch a sudden blast of freezing air” of video games? (16:52) Justin: What's the “Live Free or Die Hard” of video games? (18:24) BrillPickle asks: What's the Normcore of video games? (20:10) BrillPickle asks: What's the healthgoth of video games? (21:09) Spencer: what is the “going to the movies but spending the whole time on your phone” of video games? (22:08) Cwumble Fletkh: Who is the Oedipus of video games? (23:08) Fighting fudon: What is the “I've had too much coffee and now I feel like death” of video games? (23:58) JackOakLeaf: What is the Marlon Brando as Don Corleone in The Godfather of video games? (25:24) Jimi: Who are the Jerry, Elaine, George, and Kramer of video game characters? (26:21) Jomch: What is the Frasier of videogames? (26:39) Dillson: What is the Hatsune Miku Guitar Synthesizer Stompbox of video games? (28:00) kory: What is the Jaws 19 from Back to the Future Part II of video games? (28:34) Anonymous: What is the finding an onion ring in your fries of video games? (29:12) Classic Anonymous: What is the Understanding Comics by Scott McCloud of video games? (31:22) U G: What is the Mark Z Danielewski's House of Leaves of video games? (32:29) Shlooter McGavin: What is the “reading a magazine back to front” of video games? (33:26) gordon “matty” freeman: What is the “vinyl just sounds better, dude” of video games? (34:31) Insert Credit Quick Break: Patreon listeners, please check your info because Patreon screwed up (34:57) Maybesheforgot: What is the O Brother Where Art Thou of video games? (35:37) Jeff Mangum: Who or what is the Neutral Milk Hotel of video games? (36:43) Skeletoncounter: What is the Wes Craven's New Nightmare of video games? (38:16) Gaagaagiins asks: What is the comparison between the theatrical and extended cuts of the Lord of the Rings trilogy? (40:52) LeFish: What is the finding out Santa isn't real of video games? (42:42) Anonymous: What is the going back in time to kill baby Hitler of video games? (44:09) Charlie: Who, or what game, is the first Mark Twain of video games? (45:28) Arvid: What's the “built like a brick outhouse” of video games? (46:05) Buy Gebord: What is the Society of the Spectacle of video games? (47:20) Marxseny: What is the “It's not a phase, mom” of video games? (48:19) Barclay: What is The Illuminatus! Trilogy of video games? (49:20) Crumbling Kwelfis: who is the jean-luc godard of video games? (50:29) Dustin: What is the high school reunion of video games? (51:31) Cole: What is the Nissan Sileighty of video games? (52:43) La_cuna: What or who is the Ricky Jay of video games? (53:35) Kyle: What is the Mission Impossible of video games? (55:32) Torbjorn: Who is the Søren Kierkegaard of video games? (56:42) Antho: What's the Canadian tuxedo of video games? (57:40) ana: What is the cinéma-vérité of video games? (59:06) Snowtire: what is the Star Citizen of video games? (01:00:08) Smander Jettz: Who is the Ezra Miller of video games? (01:01:03) Brayden Bunker: What is the aeropress of video games? (01:02:53) Samf Sankey: who is the Jim Varney of video games? (01:05:47) Swift Justice: What is the BABYMETAL of video games? (01:07:03) nate: what is the 4'33 of video games? (01:09:06) Recommendations and Outro (01:09:27) Discuss this episode in the Insert Credit Forums A SMALL SELECTION OF THINGS REFERENCED: Super Mario series Super Mario Bros - Star The Stars and Stripes Forever Turkey in the Straw What's The Buzz Koji Kondo Django Reinhardt Limehouse Blues The Entertainer (rag) 1812 Overture La Marseillaise Happy Birthday to You Aphex Twin Radiohead Coldplay Bayonetta Devil May Cry series Ninja Gaiden series Final Fantasy XVI Dragon's Dogma Kingdom Hearts: Chain of Memories SNL “Dear Sister” Parody Studio Trigger WayForward Gainax Wednesday Campanella Castlevania series Final Fantasy XIV Online Bonk's Revenge Action Comics 1 StarTropics EarthBound Call of Duty series Angry Birds Destiny Yakuza / Ryū ga Gotoku series Sonic Mania Days Gone Assassin's Creed series Resident Evil series Raw Danger! Die Hard (film series) Normcore Roblox Health Goth Bullet Witch P.N.03 Rez Indiana Jones Oedipus David Cage Men in Black (1997) MadWorld JSRF: Jet Set Radio Future Shenmue Skies of Arcadia Marlon Brando The Godfather (1972) God of War Seinfeld Frasier Cheers Virtua Fighter Banjo-Kazooie Diddy Kong Racing Donkey Kong Country Liquid Television MIKU STOMP Undertale Groove Coaster series Back to the Future Part II (1989) PlayStation 9 Halo: Combat Evolved Understanding Comics A Grammar of Gameplay House of Leaves What Remains of Edith Finch Doki Doki Literature Club! Yesterday's Enterprise Christopher McDonald Tasha Yar Grand Theft Auto series O Brother, Where Art Thou? (2000) Raising Arizona (1987) Brütal Legend Guitar Hero Neutral Milk Hotel Final Fantasy IX Wes Craven's New Nightmare (1994) Bubsy series Broken Age Monkey Island series Mad Max: Fury Road (2015) Fable series Blaster Master series A Nightmare on Elm Street (1984) Bloodstained: Ritual of the Night Lord of the rings extended edition Shin Megami Tensei: Persona 3 FES Shin Megami Tensei: Persona 3 - Portable Santa Claus Tool-assisted speedrun Castle Wolfenstein series FarmVille Cyberpunk 2077 Mark Twain Octopath Traveler The Society of the Spectacle The Righteous Gemstones Succession The Illuminatus! Trilogy Xenogears / Xenosaga universe Jean-Luc Godard Spacehunter: Adventures in the Forbidden Zone (1983) Game Freak François Truffaut Super Smash Brothers series F-Zero Nissan 180SX Initial D Ridge Racer 6 Ricky Jay Mission: Impossible Mission: Impossible Søren Kierkegaard Michael Brough Cinéma vérité The Stanley Parable Among Us Star Citizen Star Ocean Baldur's Gate III Ezra Miller Reginald VelJohnson Family Matters AeroPress Aero the Acro-Bat Mulholland Drive (2001) Jim Varney Ernest P. Worrell Paul Reubens Nintendogs Babymetal BioShock 4′33″ What's Inside the Box? Super Mario Clouds Recommendations: Frank: Listen to episode 300 Tim: Ricky Jay and His 52 Assistants Brandon: Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), Trader Joes Rice Cracker Medley Jaffe: Sandman Mystery Theatre This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, Apple Podcasts, Google Podcasts, Spotify, and more!

On today's episode, I talk to musician Heather Trost. Originally from Albuquerque, NM, Heather really started taking music seriously in college, often touring whenever she wasn't in class. In the early 2000s, she met her now husband, Neutral Milk Hotel drummer Jeremy Barnes and joined his fledgling project A Hawk and A Hacksaw, making it a duo. Since that time, they have released six albums, the latest of which is Forest Bathing in 2018. As a solo musician, Heather has released four albums, and her latest Desert Flowers, was released late last year on Ba Da Bing Records, and it's great! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

On April 14, 2018, at Jackpot! Recording Studio, I interviewed Robert Schneider in front of a live audience. Afterwards, he did a short solo set, and then The Minders played – a band both of us had recorded albums for and are friends with. Robert and I first met in 1996, when I interviewed him and The Apples In Stereo for Tape Op #2. Alongside some classic Apples and The Minders albums and other projects he's in, he recorded and produced records for Neutral Milk Hotel [#11] and The Olivia Tremor Control [#17] and co-founded The Elephant 6 Recording Co. (See the wonderful The Elephant 6 Recording Co. documentary that we are both in). Now, with his recently attained Doctorate in mathematics, we sat down in front of a live audience to chat again! Check out the podcast of this conversation as well!

The King welcomes Alexandra Hudson, creator of the new series "Storytelling and the Human Condition" for Wondrium (formerly known as The Great Courses). Alexandra is an author, an award-winning journalist, and an adjunct faculty member at the Indiana University Lilly Family School of Philanthropy. She is the founder of Civic Renaissance, an intellectual community and newsletter dedicated to personal and cultural renewal, You can pre-order her upcoming book, The Soul of Civility: Timeless Principles to Heal Society and Ourselves, which will be published in October. Then Jon wraps up the news of the week, including Ukraine one year on, the House GOP's field hearing on the border, Subscribe to the King of Stuff Spotify playlist featuring picks from the show. This week, Jon's song of the week is “Engine” by Neutral Milk Hotel. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As part of our 25th anniversary album series, Silver Liner Notes, we look at the legacy of Neutral Milk Hotel's seminal indie rock album, In the Aeroplane Over the Sea. To discuss its legacy, we're joined by Lance Bangs and Rob Hatch-Miller, producer and executive producer of the documentary "The Elephant 6 Recording Co." about the collective from which the band emerged. Bangs was also a friend of the band and recorded a live album for them in 1997, which is included in the new box set, The Collected Works of Neutral Milk Hotel, out February 24.

The holidays are here, meaning it's not only time to tune out holiday music in every store but it's also time to chill out, lay on your couch, and binge watch movies. This week on Indiecast, hosts Steven Hyden and Ian Cohen share their recommendations for the best music documentaries to check out (or to put on in the background while decorating your Christmas tree). Plus, they look back on iconic record label The Elephant 6, which was a home for bands like Neutral Milk Hotel and The Olivia Tremor Control.In terms of banter this week, Indiecast talks Twitter's still-uncertain future and how difficult it would be to hash out trends if the platform shut down completely. They also imagine kind of music they'd play if they had a college radio show (hint: it'd be pretty similar to Indiecast).The Recommendation Corner this week has Ian shouting out Drowse's Wane Into It, which is a mix of slowcore-country combined with Mount Eerie. Steven shouts out Weyes Blood's latest album And In The Darkness Hearts Aglow.New episodes of Indiecast drop every Friday. Listen to Episode 116 here or below and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Earlier this year, a major pop culture prediction was made: 2022 is the year indie sleaze returns. Think smudged makeup, disco pants, an odd obsession with cheap beer, and, of course, Meet Me In The Bathroom-era indie rock. So, it's only right that the period's most respectable band, Yeah Yeah Yeahs, are also making their comeback. On this week's Indiecast episode, hosts Steven Hyden and Ian Cohen review the band's comeback album Cool It Down (44:41). Plus, they share their thoughts on Wilco's absolutely massive box set (32:36) and plug Steven's just-released book, Long Road: Pearl Jam And The Soundtrack Of A Generation (20:06).The most talked-about music news story this week was fueled by Pitchfork's massive listicle where they rounded up the 250 best songs of the '90s (1:37). Like any major retrospective music list, the choices outraged some, particularly those who noted that Céline Dion made an appearance over Neutral Milk Hotel.In this week's Recommendation Corner (54:53), Ian notes the return of screamo legends City Of Caterpillar. Meanwhile, Steven tells listeners to check out 2nd Grade's new album, Easy Listening.New episodes of Indiecast drop every Friday. Listen to Episode 107 here or below and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and Twitter for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Grab your banjo and put on your seatbelts because today Rob Lowe and Alan Yang are watching S3E14 of Parks and Recreation! In "Road Trip" Chris sends Leslie and Ben on a trip to the capital while Tom's new game creates tension between April and Andy. In this episode you'll hear why the rare bonding moment between Ann and April was important, Mike Schur's love of Neutral Milk Hotel and hate for hot fruit, how RoLo's Banjo improv came to be, and why creating a mix CD is a true artform. All of this and a subtle lesson in mainland Mandarin! Got a question for the Pawnee Town Hall or do you eat Cheez-its with raisins? Send us an email: ParksandRecollectionTownHall@gmail.com Or leave a 30-Second voicemail at: (310) 893-6992 Leslie still harbors strong romantic feelings for Ben, but cannot date him due to Chris Traeger's strict policy against workplace dating. Just as Ann suggests to Leslie that she should avoid being alone with Ben, Chris asks Leslie and Ben to drive to Indianapolis to pitch Pawnee as the next host of the Indiana Little League Baseball tournament. Leslie and Ann devise numerous boring conversation topics for the trip to prevent it from becoming romantic. After an awkward drive to Indianapolis, Leslie and Ben speak before the Little League Commission, which seems reluctant to choose Pawnee for the tournament. Ben delivers a heartfelt speech about the town, but also appears to be secretly speaking about his feelings for Leslie. Meanwhile, Tom asks Andy, April, Jerry and Donna to participate in a new game show called Know Ya Boo, that he is hoping to pitch to networks; he admits that it is a rip-off of The Newlywed Game. It quickly becomes clear that Jerry and Donna know much more about each other than the recently married Andy and April. When April reveals her favorite band is Neutral Milk Hotel and not Andy's band Mouse Rat, Andy angrily leaves the game. April and Andy have a big fight which causes him to quit his music. April seeks advice from Ann because, although she dislikes her, Ann previously dated Andy for several years. Ann tells April she has to be supportive of Andy no matter how she feels. The next day, April brings the other members of Mouse Rat to city hall and surprises Andy by singing one of his songs. A thrilled Andy reconciles with April. In a separate C Story, a young girl named Lauren (Alyssa Shafer) asks to interview Ron for her school's field trip assignment to city hall. Ron initially resists, but soon espouses his libertarian beliefs to her. He illustrates the concept of taxes by eating 40 percent of Lauren's lunch, to compare his actions to those of the government. She eagerly accepts his anti-government views. The next day, Lauren's furious mother reveals her daughter's assignment was "Why Government Matters", and that Lauren simply wrote "It doesn't". Ron apologizes, and later tells Lauren she should keep her views on government to herself until she gets older. Ben's speech clearly impresses both the judges and Leslie, and Pawnee is ultimately selected for the tournament. Leslie reluctantly accepts Ben's invitation to a celebratory dinner that night, where Ben brings up his feelings for her. She slips away to call Ann for advice, and Ann urges Leslie to act on her feelings. Just as Leslie decides to do so, she is surprised to find Chris has arrived at the dinner to congratulate the two personally. He insists they sleep at his home in Indianapolis, ruining their night. The next day, Leslie and Ben run into each other alone and Ben reveals Chris is out for the day. Ben then immediately kisses her, to which Leslie reciprocates, leaving her simultaneously delighted and nervous about their future.

Elephant 6 was more than a record label, it was an artistic movement that included the bands Neutral Milk Hotel, Apples in Stereo and Olivia Tremor Control among many others. Hosts Jim DeRogatis and Greg Kot talk with Adam Clair about his book on Elephant 6, "Endless Endless." Plus Jim and Greg also review new albums by Jack White and Sharon Van Etten. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:The Apples in Stereo, "Seems So ," Tone Soul Evolution, spinART, 1997Jack White, "Taking Me Back," Fear Of The Dawn, Third Man, 2022Jack White, "What's The Trick?," Fear Of The Dawn, Third Man, 2022Jack White, "Hi-De-Ho (feat. Q-Tip)," Fear Of The Dawn, Third Man, 2022Jack White, "Shedding My Velvet," Fear Of The Dawn, Third Man, 2022Sharon Van Etten, "I'll Try," We've Been Going About This All Wrong, Jagjaguwar, 2022Sharon Van Etten, "Anything," We've Been Going About This All Wrong, Jagjaguwar, 2022Sharon Van Etten, "Darkness Fades," We've Been Going About This All Wrong, Jagjaguwar, 2022Sharon Van Etten, "Far Away," We've Been Going About This All Wrong, Jagjaguwar, 2022Sharon Van Etten, "Headspace," We've Been Going About This All Wrong, Jagjaguwar, 2022Sharon Van Etten, "Come Back," We've Been Going About This All Wrong, Jagjaguwar, 2022Neutral Milk Hotel, "Two Headed Boy," In The Aeroplane Over The Sea, Merge, 1998Olivia Tremor Control, "Define A Transparent Dream," Music from the Unrealized Film Script: Dusk at Cubist Castle, Elephant 6, 1996Neutral Milk Hotel, "Holland, 1945," In The Aeroplane Over The Sea, Merge, 1998The Music Tapes, "Saw Pingpong and Orchestra," Music Tapes for Clouds and Tornadoes, Merge, 2008Neutral Milk Hotel, "Engine (Live)," Engine (Live), N/A, N/ACirculatory System, "Yesterday's World," Circulatory System, Cloud, 2001