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This playlist is 73% vinyl friendly. Not bad. From 2016, the TechDas Air Force One Premium turntable might well have been aimed initially at the present user of said plane, if features like vacuum clamping, pneumatic bearings, the Disc suction system and an impressive Wow & Flutter ratio of 0.03% (WRMS) were his or her thing and depending on the spec required it retailed at between $140,000 and $152,000. You read that right. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. Lyric of Playlist 151 Nearly as good as captured cinematically. A busy day in the life of Joni. 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Sunrise (Writing Session Recording) – Low-Life, Definitive Edition box set – Warner Music – 2023 Yep, slower than the version most will know – either from the album or when played live, or indeed the equally vocal-less ‘Rough Mix’ take the band generously gave me for the Discreet Campaigns v/artist cassette that kickstarted the short-lived Rorschach Testing label – but it’s another where you’re practically hearing the band getting to grips with a rhythm and/or the shell of a song. My money’s on Hooky being the one who suggested the tempo should be taken up a notch or two. 04.48 THE WAKE – The Calendar (demo) – Unreleased – 1983 Onwards to become The Torn Calendar but here it was one of three tracks demo’d (along with ‘Places’ {pre Send Them Away} and Rise and Shine) on a TEAC 4-track reel to reel the band borrowed from me. They certainly made far better use of it than I ever did. The written lyrics given to Bedford’s Katie Possum at some point, along with her review in the local paper of the band’s second gig at Winkles… and that’s Stephen, my dog, Flanagan and Mac at my house the day before said gig. 08.10 A CERTAIN RATIO – And Then She Smiles – Force, LP – Factory – 1986 It’ll be no surprise to those that know me that I’m a bigger fan of the ‘tougher’ earlier ACR but here Jez Kerr’s voice is so sublime over a more ‘reflective’ sound. 11.59 THE OUBLIETTE – That’s Enough – Stream only – 2026 This is a complete first! Here – by complete accident – sits the first ever AI generated track to feature on 41 Rooms! And who knows re the video? It’s not an area I intend actively searching out, so expect them very infrequently but The Oubliette’s Youtube channel has a bucket load of tracks if you fancy your ’80s indie and darkwave-sounding tunes on the ‘artificial’ side. 15.18 LOVELAND (feat RACHEL McFARLANE) – Let the Music (Lift You Up) (Full On Vocal Radio Edit) – 12″ – Big Beat – 1994 ‘The Full On Vocal Mix, with its pounding piano and hackneyed lyrics, is undeniably old-fashioned and is about as cheesy as a lorry-load of Wotsits. But it comes with a guarantee to create absolute mayhem on all but the most elite of dancefloors. For those DJs who are more concerned about their own credibility than their audience’s enjoyment levels, there is also a much cooler garage-style remix from Olympic’s Bottom Dollar crew plus some deep and funky dubs‘. – Andy Beevers, Record Mirror (Music Week), 5.3.94 There are times when storming vocals, ‘less than critical’ lyrics and hands in the air are all you need… and this Big Beat belter had me smiling back then. 18.30 MARCO BENEVENTO – Houdini – Glera, LP – Big Crown Records – 2026 A bit of a broken beat and summery, Latin thing going on here, like someone taking a late ’60s Sergio Mendes vocal snippet on a wild ride. 20.59 MIDNIGHTROBA – Day’s Gon’ Come – Raise A Symphony, 2LP – Sonder – 2026 Roba El-Assawy has been heard far too infrequently since her days fronting Attica Blues. 22.42 THE ISLEY BROTHERS (feat RONALD ISLEY and ANGELA WINBUSH) – Float On (Bad Boy Remix) (Instrumental edit) * – Floatin’ On Your Love, 12″ – 4th & Broadway – 1996 I cut out all the ‘bump and grind’ lurrrv thang lyrics, as it was the beats, bv’s and ad libs stuff on this mix that made me buy the 12″ in the first place. Oh, and Ronald Isley could always sound like he was just itching to break into Summer Breeze any second. No bad thing. 24.31 HONEY DIJON (feat. JACOB LUSK) – Satisfied – The Nightlife, download only – Someothershit -2026 On first listen I briefly thought that Anohni (previously of Antony and the Johnsons) was on board here sounding soul sexy but it’s ‘competitor in American Idol’ (Season 10, apparently), Jacob Lusk quivering and sailing high on Ms Dijon’s production. African beat vibes sparkling all the way. 28.32 THE YOUNG DISCIPLES – Apparently Nothin’ – 12″ – Talkin’ Loud – 1991 Early in the Gilles Peterson and Norman Jay’ label catalogue and one hell of a funky strut. The wonderful Straight No Chaser mag was always a must read, even if a lot of the sounds and artists passed me by. I could still find tunes I’d never happen on anywhere else, unless I’d stood all day in London Soho’s Mr Bongo’s shop (or the likes) back in the day. 32.55 RÓISÍN MURPHY – If We’re In Love – 12″ – Echo – 2005 Strut Part 2! Between her Moloko days and solo career the Arklow, Ireland girl is a regular of sorts at 41 Rooms. Not sure about that sleeve cover, though. 37.20 CAN – I Want More – 7″ – Virgin – 1976 ‘German experimental electronic artist makes the UK’s Top 30 singles chart’ shock, horror probe. 40.34 FINITRIBE – Catch The Whistle – Promo 12″ only – Finiflex – 1993 First heard by me as a Tommy Vance-spoken ‘One FM exclusive’ on the Beeb’s lead radio station, though my mixtape forever played it slower than intended. Still rather it a tad pitched down. Squelchy sounding snares were often the order of them days. 46.14 ZIN MIYAKEZAWA – A Sanctuary Of Twilight Filled With Tranquility * – Classical Music, Vol. 108- Instrumental BGM – Download only – Audiostock – 2025 BGM = Background music, but ‘Incidental’ sounds so much classier, don’t you think? I’m slightly doubting whether Zin Miyakezawa is a real human but either way A Sanctuary… brings to mind Richard Harvey’s Elegy (the theme from TV’s 1983 Shroud For A Nightingale) and to a certain degree, parts of Harry’s Theme – Terminus (Silent Witness, S10, E10), and as all three have now made it to 41 Rooms you’ll instantly remember them all, I’m sure. You’re welcome, though a proper musician would tell me where exactly I’m right or wrong on all that. 48.39 ROBIN TROWER – Bluebird – Robin Trower, 12″ EP – Chrysalis – 1977 With a lot more guitar here than is usually found on 41 Rooms, for me with any Robin Trower I heard back in the day it was always Jimmy Dewar’s vocals that I took to. 54.07 KELELA – Idea 1 – Download only – Warp – 2026 A wash of a sound from the decade-long Warp label artist. 57.23 CALLERS – Young People – Life Of Love, LP – Western Vinyl – 2010 Dark Folk, I reckon. When Sara Lucas’ vocal gets earthy and ‘gutteral’ and let’s loose. It’s a switch that used to get me with Liz Fraser, though her ‘switch’ sounded more polarised. 01.01.01 THIS MORTAL COIL – Strength Of Strings – Filigree & Shadow, 2LP – 4AD – 1986 The first of two times vocalist Dominic Appleton fronted TMC, and I have to admit that I got the title wrong on the show. So, without time to correct it you got no title and I’d have better gotten away with it (or sounded less vague?) if there hadn’t been twenty five TMC tracks on the release, all with different personnel involved. Sod’s Law. 01.05.11 DRY CLEANING – Sliced By A Fingernail – Download only – 4AD – 2026 And from the 4AD label in 1986… to their 2026 output and I’d be slight wary of anybody saying ‘Happy birthday’ in this tone to me. 01.09.10 GNAG OF FOUR – He’d Send In The Army – Solid Gold, LP – EMI – 1981 Always saying it like they saw it. 01.12.56 YOUNG MARBLE GIANTS – Cakewalking – Final Day, 7″ – Rough Trade – 1980 In a most understated manner they sort of made a statement when they appeared on BBC 2’s Something Else in late ’80. 01.15.42 OSCAR FARRELL – Tripping Up In A Rush – I’ve Already Called, 12″ EP – dh2 – 2025 I might have to keep an eye and ear on this chap. 01.18.40 CABARET VOLTAIRE – Sleepwalking (John Peel session track, 1984) – Radiation (BBC Recordings 84-86), LP – Get Back – 2001 Having earlier been Cakewalking, now we’re Sleepwalking. All part of the service. Though actually released three years earlier (but only on CD) the above Get Back-label vinyl release has been followed up in 2026 by a bootleg version. The people dictate… and I’ll be with them catching the very last CV gigs ever, near the end of the year. 01.24.03 GIFT – Pinkhouse Secret Rave (Redux) – Download only – Self-released – 2026 A track from their 2022 debut album, Momentary Presence given a 2026 rework/remix, sorry ‘Redux’ and according to Discogs there are at least 33 acts called Gift! In this day and age – what with both the clamber for attention and the availability of info out there – you’d think… 01.28.16 GANZHEIT – Bolt It Down (Why Work?) * – Summer Of ’84 (demo cassette only) – Self-released – 1984 Out of Bedford. Clattering and driving punk electronic stuff. From the same time-frame, this one reminding a bit of Portion Control, a band who’d played the town earlier in the year above. 01.34.21 SUPER EXTRA BONUS PARTY (feat SORCA McGRATH) – Some Dark Forces – LovesVinyl Issue 02, v/artist 12″ – LovesVinyl – 2019 Ex-Ships vocalist sails over a Running Up The Hill-like drum pattern. 01.38.30 TRACEY THORN – Easy – Out Of The Woods, LP – Virgin – 2007 On the quieter side, One of the ‘signature’ voices, 01.41.49 BETH HIRSCH – Miner’s Son (Aquatic Mix) – 10″ – Artefact – 1997 Bang Bang’s mix sets Beth back a bit in the mix but if lesser known than Ms Thorn above, it’s yet another signature voice. 01.46.43 JONI MITCHELL – Song For Sharon – Hejira, LP – Asylum – 1976 Epic storytelling in a single song. 01.54.46 WAR (feat JOSE FELICIANO) – East L.A. – Peace Sign, 2LP – Avenue – 1994 This show had to be totally put together on the fly, between daily meet ups with friends back in Bedford and London, but the weather was brill right through and the piecing together ended up in the Leytonstone sunshine… even though that’s nowhere near East L.A. There’s a longer, more up front vocals version of the song where Jose also takes on the verses and given my JF leanings I could have placed that one here, but I actually like him ‘countering’ to War vocalist, Lonnie Jordan. Everything about Jose’s vocal when he first drops in here is why I first loved the man back in the late 60’s/early ’70s. I once reminded Jose of the track’s two versions and also (importantly) why I liked this one more… and maybe understandably he seemed a bit disappointed. Show 152 will be here June 7. Dec x The post Post Punk Plus Podcast Playlist 151 – Original upload 3.5.26 appeared first on 41Rooms.
Recorded from the show floor at AXPONA 2026, eCoustics Editor in-Chief Ian White shares a straightforward take on what he saw and heard across the show. This episode covers the systems and brands that delivered, including QUAD, ATC, DeVore Fidelity, Advance Paris, Focal, Michell, Unison Research, TEAC, Amphion, and Dynaudio, along with a look at rooms and products that were less convincing. It is an honest assessment of what worked in real listening conditions, what felt overpriced, and how the gap between performance and cost continues to shape the high-end audio market.Sponsor: Please check out the latest SVS subwoofers, speakers and more at svsound.com.Panel:Ian White, eCoustics Editor-in-ChiefMitch Anderson, Co-Host & eCoustics Podcast ProducerBrian Mitchell, Co-Host & eCoustics Founder & CEOCredits:Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.comVoice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.comProduction by Mitch Anderson, Black Circle Studios. https://blackcircleradio.com#ecoustics #axpona2026
Steve Kilbey, the long-time lead singer, bassist & lead songwriter for The Church has had a career that spans half a century. As he has just taken the band around Australia on their The Singles Tour and prepare to hit the US with it this summer, we checked in with our entertaining friend for the first time since ep 200 of The Ugly American Werewolf in London Rock Podcast. Though we start out as we do with all First Concert Memories episodes - by reliving a special moment in our guest's live that revolved around a live rock show - we veered to take a holistic look at his career rather than rehashing a night from long ago. Steve saw The Easybeats - Australia's answer to The Beatles - in short pants at age 11 and had to fight off teenage girls for drum sticks and from there he knew playing music live was something he could and would do. Steve regales us with stories of growing up in Oz, importing UK & US rock magazines so he'd be ahead of the curve and how his father, a musician that moved his family from the UK in search of a better life, was a huge supporter of his once he found his passion. Kilbey also talks about being disappointed in seeing his favorite bands live (T. Rex, Roxy Music did not give fantastic live performances when he saw them) and how that affects his approach to live music today. He navigated the cover and blues bands to find his sound and testifies that learning how to use a 4 track TEAC recorder gave him the confidence not to back down to the engineers and producers once he started to work in studios. He also is a bit regretful of how he treated his bandmates in the early days when it came to playing on his songs. However, he and The Church would figure a way to work together and produce some of the best guitar music of the 80s and beyond. The band in its current configuration seem to be humming on all cylinders and are ready to take on the USA again. We found Steve to be honest, reflective, and funny. Not necessarily regretful but aware of who he is and how he has gotten to where he is. In 6 years, this was instantly one of our very favorite conversations with a man who has written thousands of songs and isn't stopping anytime soon. Check out US tour dates for The Church: thechurchband.com Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILRocks Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Steve Kilbey, the long-time lead singer, bassist & lead songwriter for The Church has had a career that spans half a century. As he has just taken the band around Australia on their The Singles Tour and prepare to hit the US with it this summer, we checked in with our entertaining friend for the first time since ep 200 of The Ugly American Werewolf in London Rock Podcast. Though we start out as we do with all First Concert Memories episodes - by reliving a special moment in our guest's live that revolved around a live rock show - we veered to take a holistic look at his career rather than rehashing a night from long ago. Steve saw The Easybeats - Australia's answer to The Beatles - in short pants at age 11 and had to fight off teenage girls for drum sticks and from there he knew playing music live was something he could and would do. Steve regales us with stories of growing up in Oz, importing UK & US rock magazines so he'd be ahead of the curve and how his father, a musician that moved his family from the UK in search of a better life, was a huge supporter of his once he found his passion. Kilbey also talks about being disappointed in seeing his favorite bands live (T. Rex, Roxy Music did not give fantastic live performances when he saw them) and how that affects his approach to live music today. He navigated the cover and blues bands to find his sound and testifies that learning how to use a 4 track TEAC recorder gave him the confidence not to back down to the engineers and producers once he started to work in studios. He also is a bit regretful of how he treated his bandmates in the early days when it came to playing on his songs. However, he and The Church would figure a way to work together and produce some of the best guitar music of the 80s and beyond. The band in its current configuration seem to be humming on all cylinders and are ready to take on the USA again. We found Steve to be honest, reflective, and funny. Not necessarily regretful but aware of who he is and how he has gotten to where he is. In 6 years, this was instantly one of our very favorite conversations with a man who has written thousands of songs and isn't stopping anytime soon. Check out US tour dates for The Church: thechurchband.com Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use code UGLY to save 10% off one ENTIRE ORDER! bit.ly/UAWILRocks Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
Receive a fresh (often overlooked) perspective on the judgment side of Jesus Christ's ministry.
"I was inspired by the beauty in the percussive sound of the bamboo, and how it contrasts with harsher rustling of the wind and rain. I decided to use the recording as the only sound source: everything you hear in the piece is the original recording, manipulated. "Most of the piece was improvised by running and looping the 5 minute recording of the bamboo forest through my Eurorack modular synthesizer. I tried to focus on making my own storm around the knocks of the bamboo. The other elements in the piece come from running the sample through the filterbanks, granular algorithms, and distortions in Composer's Desktop Project. "I recorded and mixed the piece on a Tascam Model 12, and then mastered with a (sort of crappy) Behringer Tube Composer, a homemade plate reverb, and a Teac 1/4" tape machine." Kyoto bamboo soundscape reimagined by Josh Yazbeck.
La economía del Reino Unido crece un tímido 0,1% en el tercer trimestre frente al trimestre anterior. Un dato que no ayuda al revuelo político interno que cuestiona el liderazgo del primer ministro Keir Starmer. Los economistas esperaban un crecimiento del 0,2% en el periodo julio-septiembre, tras una expansión del 0,3% en el segundo trimestre. Este jueves han presentado resultados la firma de lujo Burberry, Deutsche Telecom, Merck, Siemens y la italiana Generali, entre otros. Entrevistaremos a Joaquín García, experto en hipotecas de Wypo, para que nos resuelva las dudas que plantea la reciente sentencia del TEAC sobre el derecho a seguir aplicando la deducción por inversión en vivienda habitual inlcuso cuando la hipoteca se cancela tras vender la casa. Los temas de la actualidad, a debate en la Tertulia de Cierre de Mercados con José Ramón Pin, profesor emérito del IESE, y Pedro Fernández, profesor y abogado.
Una reciente sentencia del Tribunal Económico-Administrativo Central (TEAC) cambia la fiscalidad de la deducción por vivienda habitual. Hasta ahora, solo se podían deducir las cuotas pagadas antes de vender la casa, pero el TEAC permite ahora incluir el pago final de la hipoteca con el dinero obtenido de la venta. Esto beneficia a quienes compraron su vivienda antes de 2013 y la vendieron entre 2021 y 2024, que pueden presentar declaración rectificativa para reclamar lo no deducido. Según Miguel García Corral, el ahorro puede superar los 1.000 euros por persona, y es fundamental acompañar la solicitud con documentación que acredite la venta y cancelación del préstamo.
Dieter comenta con Juan R. Rallo la marcha del presidente del TEAC, y la necesidad de las políticas de Sánchez para que la gente llegue a fin de mes.
En este vídeo analizamos el importante pronunciamiento del TEAC que confirma que la exención por reinversión en vivienda habitual es un derecho del contribuyente. Explicamos cómo rectificar declaraciones, qué ejercicios pueden revisarse, y repasamos casos concretos donde aún puede aplicarse la exención: olvidos, rupturas de pareja, reinversiones con hipoteca, viviendas arrendadas o usadas parcialmente. También abordamos supuestos más complejos donde aplicar la exención es difícil, como residencias en precario o sin cumplir el plazo mínimo de tres años. Tenemos con nosotros a José María Salcedo, abogado especializado en la interposición de todo tipo de recursos frente a Hacienda y socio director de SALCEDO TAX LITIGATION (https://www.josemariasalcedo.com/) ✅¿Necesitas un PSI (Personal Shopper Inmobiliario) para acompañarte a invertir en bienes raíces en la Com.Madrid?: magnatesladrillo@gmail.com ✅Si vas en serio «La Biblia del Magnate del Ladrillo» está AQUÍ ✅
It's hard to believe (at the time of this recording) that it's April, and hopefully we all survived tax day and are able to get out and enjoy some of the beautiful Spring foliage that's popping up all over. On this Spring day, I've invited Lawrence Payne to join me as my guest. He is an award-winning copywriter, editor, voice actor and composer, who has worked with some of the world's most progressive companies such as Yamaha Digital Musical Instruments, Yamaha Audio, Teac, Hitachi and Brother. Many of them in his capacity as a senior copywriter at Intermart Advertising/Tokyo. He's received awards for his creative work featured in prestigious national and regional competitions and he has a reputation for excellence in technical documentation and communications. Lawrence has over 32 years of professional experience covering subjects ranging from music, cultural history, philosophy, religion, robotics, telecom and travel. Lawrence has contributed widely to consumer and trade publications, including the graphic-design journal How. As a knowledgeable musician and critic, he has written for Guitar Player magazine, served as associate editor at Music Connection magazine and studied with the Latin guitar virtuoso Jorge Strunz. He produces the YouTube channel Deep Space Theater, which features his own musical compositions. Among his recent literary efforts are the books of a Zen Buddhist abbot whose influence is spread throughout Asia to the Americas and Europe. However, with all of the aforementioned projects, the one title that's missing from Lawrence Payne's accomplishments, is as LinkedIn's Chief Cheerleader and Encourager! On any given day, you can find Lawrence reposting, commenting and encouraging others on their accomplishments. It's that kind of generosity and kindness that has brought us together to have a conversation. You may contact or follow Lawrence via the following: Business email Address(s): writerhead@msn.com, blueworldeditors@gmail.com LinkedIn profile: https://www.linkedin.com/in/lawrence-payne-b64a532/ Music: https://www.youtube.com/channel/UCdbzKL0rxVV5MXm0fWaLJLg Music for media: https://desertviewrecordsllc.disco.ac/cat/325091309/artists/9749899 Blog: https://medium.com/@blueworldeditors Newsletter: https://www.linkedin.com/pulse/creative-drive-lawrence-payne If you enjoyed this episode, make sure to follow 19 Stories wherever you listen to your favorite podcasts. It would be greatly appreciated if you gave a nice review and shared this episode well :-) To give feedback or a story idea: 19stories@soundsatchelstudios.com To listen to my demos: https://www.cherylholling.com/ To contact me via VO work or to host your podcast, I can be reached at: cheryl@cherylholling.com Follow me on Instagram: @cherylhollingvo Theme Song Credit: 'Together' by For King & Country "We got it together" insert: Barry White Proverbs 23:18 "Surely there is a future, and your Hope will not be cut off."
Home Theater News Review Podcast Season 3, Episode 3 links and notes:Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community!00:01 Intro01:34 Time Machine Segment05:56 Start News Lightning Round with Nvidia06:32 Netflix Integration with Apple TV? 07:04 Premium Audio Company dropped by ProSource07:53 Warfendale Aston Heritage08:27 Sennheiser introduces HD 505 Headphone08:58 Apple TV expands to Android 09:27 Burmester 232 Integrated Amplifier09:58 TAD introduces the ME1TX10:40 TEAC AP-507 stereo power amplifier11:47 McIntosh DS200 Streaming DAC12:41 Bang & Olufsen Beosound 2 Gradient Collection13:29 ISE 2025 Recap15:54 News Feature: Panasonic TV to be sold?19:54 News Feature: Flordia International Audio Show22:49 Check in with Michael Scott Disc Reviews23:52 New to Disc this Week25:34 Kaleidescape Content Update26:34 Disc Sales Numbers28:56 Disc Charts30:16 Movie/TV Stream Charts32:04 Disc and Gear Deals*DISC DEALS on AMAZON* -Wicked 4K: https://amzn.to/41mKsfB-Fury 4K: https://amzn.to/3QrNCIW-Atomic Blonde 4K: https://amzn.to/4b9wyAE*Gear Deal of the Week*-Polk MagniFi Mini AX Sound Bar: https://amzn.to/41nT1XNEpisode Round-UpOn this week's edition of the Home Theater News Review Podcast, we're loaded up with industry stories. We have a dozen or so quick-hit headline stories in our lightning news section, touching base on stories out of Apple, Netflix, McIntosh, Bang and Olufsen, TEAC, and Warfendale, just to name a few. And then we talk a bit more in-depth about news out of Panasonic's TV division and the upcoming Florida International Audio expo.Of course, we have our time machine segment, disc news, buying tips, and more. Thanks for listening!*Forum Links*-For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/-For the latest news, including stories covered in this episode:https://www.avnirvana.com/forums/av-industry-news.6/
Clint takes us into a future utopia called the 1990's, playing some of his favorite songs from the era and answering questions from patrons and listeners on Instagram and X about a whole range of topics including:motivation to make music professionallyDallas Maverickswhat makes 90's music specialDavid GilmourClint's hi-fi audio gearwhich past Metallica show Clint would attend if he couldadvice on writingthoughts on Morphine2025 Morgan Wade tour infothoughts on modern music masteringthe Oasis reunionfavorite Pink Floyd albumsM72 2025Ethan leaving the podcastproduct endorsementsFuture MUYP and MUYP Radio episodes Check out the NAD 3050 HERE.Check out the Orbit U-Turn HERE.Check out the Teac AD-850 HERE.Check out Decibel Vibe HERE.Check out Petru HERE.Check out the Teac 3340 HERE. If you think Metal Up Your Podcast has value, please consider taking a brief moment to leave a positive review and subscribe on iTunes here:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077You can further support the show by becoming a patron. All patrons of Metal Up Your Podcast at the $5 level receive volumes 1-4 of our Cover Our World Blackened EP's for free. Additionally, patrons are invited to come on the show to talk about any past Metallica show they've been to and are given access to ask our guests like Ray Burton, Halestorm, Michael Wagener, Jay Weinberg of Slipknot and members of Metallica's crew their very own questions. Be a part of what makes Metal Up Your Podcast special by becoming a PATRON here:http://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server:https://discord.gg/nBUSwR8tPurchase/Stream Lunar Satan:https://distrokid.com/hyperfollow/lunarsatan/lunar-satanPurchase/Stream VAMPIRE:https://distrokid.com/hyperfollow/clintwells/vampirePurchase/Stream our Cover Our World Blackened Volumes and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow us on all social media platforms.Write in at:metalupyourpodcastshow@gmail.com
「ティアック “Reference 500”、銘機の系譜。最新USB-DAC／ヘッドホンアンプ「UD-507」の音質的到達に驚愕！」 TEAC（ティアック）より、“500番シリーズ”の最新モデルとなるUSB-DAC＆プリアンプ＆ヘッドホンアンプ、「UD-507」が登場した。オーディオ評論家の角田郁雄氏とともに、「UD-501」から「UD-503」「UD-505」、そして「UD-507」の4モデルを改めて聴き返し、その進化の過程を探ってみよう。
This is an audio version of a presentation I deliver at Hi-Fi shows and to interest groups. It covers:ApplicationReels sizesTrack layoutTape speedsReversable machines EqNew or used machinesA transcription can be found as a blog on the Reel Resilience website.https://www.reelresilience.co.uk/post/press-play-episode-28-buying-a-reel-to-reelSupport the show
Ok wow, what an episode for you here. Hope you're not easily spooked!! Anyway, Dan is in Europe, so in lieu of the normal format we will be listening to voice messages dispatched from Dan himself during his travels to Guitar Summit in Germany. A few very special guests are featured! Andy is joined by our first returning guest, Jeremy SH Griffith. Jeremy talked about a TEAC reel-to-reel on a previous episode, but he's learned some new things about it since then. Jeremy has such good stories. God I hate writing these, Dan please come back.Shouts out to Dave Mantel for some sick RX on Jeremy's recording.Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @oldbloodnoise, @andyothling, @danfromdsfLeave us a voicemail at 505-633-4647!
Reece Beard is a final-year student at Salford University in the UK. I thought he would make a great interview as to why GenX, Millenials and Gen Zeds are going back to the analogue tape format.You can also hear why it's good that a machine doesn't record sometimes and how I trashed an MRL alignment tape. Support the Show.
“Lived Through That” is the companion podcast to my book where I look at influential musicians of the 80s and 90s and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in that book, as well as other artists I love and admire. The stories they tell are open, honest, and inspiring. This week, I am excited to bring you Steve Kilbey, vocalist and founding member of the Australian band The Church. He also wrote their iconic hit, “Under The Milky Way.” His career is long and storied and we talk about a few of his pivotal moments – TEAC audio machines, heroin addiction, agism, and finding excellence in your work. You can find what Steve's up to on his web site here or on The Church's web site here. Learn more about your ad choices. Visit megaphone.fm/adchoices
Nuria Nicolau, socia de Cuatrecasas especialista en Litigación Tributaria, y Juan José Ruíz, socio especialista en Derecho de Sociedades y M&A, conversan con Idoya Fernández, socia y directora del área de Conocimiento e Innovación de la Firma, sobre las novedades más relevantes en la retribución de administradores de sociedades de capital, con especial atención en la última jurisprudencia fiscal del Tribunal Supremo en esta materia.La retribución de los administradores sociales es un tema clásico en el derecho de sociedades, con importantes repercusiones fiscales y laborales. Recientemente la Sala Tercera del Tribunal Supremo se ha pronunciado en varias sentencias relevantes sobre la deducibilidad de los gastos relativos a la retribución de los administradores. Nuestros expertos analizan las principales conclusiones de esta jurisprudencia y los criterios que deben cumplir las retribuciones satisfechas a los administradores para que sean fiscalmente deducibles. Apuntan también cuál será previsiblemente la actuación de la Administración tributaria en relación con esta materia, así como las cuestiones que todavía podrían no estar zanjadas. A continuación, exponen las tendencias en el ámbito mercantil y las principales cuestiones que han sido objeto de controversia recientemente entre las que destaca la interpretación del requisito legal de la proporcionalidad de las cantidades satisfechas como retribución a los administradores de la sociedad.‘Retribución de administradores: hablan los expertos' es el vigésimo episodio de ‘Tendencias legales', la serie de podcasts de Cuatrecasas con los que la Firma busca, de forma diferente e innovadora, aportar su visión y experiencia al debate jurídico en España. Una invitación a reflexionar sobre las tendencias y novedades jurídicas de mayor actualidad y repercusión económica a través de un diálogo abierto entre nuestros expertos.Hosted by Ausha. See ausha.co/privacy-policy for more information.
Stāsta Rakstniecības un mūzikas muzeja audio/video krājuma glabātājs Juris Lubējs Daudzas no "Bellaccord" skaņuplatēm gājušas bojā Otrā pasaules kara laikā. Kad 30. gadu beigās, tuvojoties karam, trūka izejmateriālu jaunu skaņuplašu ražošanai, cilvēkus aicināja nodot vecās skaņuplates. Arī pēc kara šīs plates oficiāli tika uzskatītas kā buržuāziskās Latvijas paliekas. Tomēr atsevišķi kolekcionāri tās rūpīgi vākuši un vēlāk nodevuši jau tagadējās republikas valsts muzejiem, bibliotēkām un arhīviem. Joprojām cilvēki arī savos māju arhīvos uziet šīs plates, bet diemžēl lielākā daļa no tām ir sliktā stāvoklī. Un nav jau brīnums. Pirmkārt jau apstākļi, kuros tās atradušās visus šos gandrīz 100 gadus! Putekļi būtu mazākā bēda. Vislielāko skādi tām nodarījuši tā laika atskaņotāji – slavenie gramofoni un patafoni. Tos importēja no Anglijas, Vācijas, Dānijas, bet bija arī pašmāju ražojumi. Lai izvilinātu no platēm skaņu, tika izmantotas tērauda adatas. Tās ražoja a/s "Planēta", H. Rudzīša "Bellaccord Electro", J. Viestura Mūzikas instrumentu darbnīca. Bija pieejamas ārzemju firmu "His Master's Voice", "Herold", "Victor" atskaņotāji un adatas. Jāpiemin, ka bija pieejamas arī koka adatas, kas mazāk bojāja ierakstu, taču tās bija dārgākas un līdz ar to mazāk populāras. Visdārgākās bija izgatavotas no volframa sakausējuma – tās skaitījās "mūžīgās". Metāla adata, kas līdzinājās naglai, uzmontēta uz smagas, robustas atskaņotāja galvas, gūlās uz skaņuplates, un, skrāpējot skaņas rievu, pārvērta to dzirdamā skaņā. Tajā laikā retajam bija elektriskais atskaņotājs jeb elektrofons. Visbiežāk tauta lietoja šos smagos mehāniskos gramofonus ar milzīgu tauri vai pārnēsājamos patafonus – koferos. Kamēr šī plate bija jauna, mazlietota, skaņa visiem par prieku bija tīra un spēcīga. Tomēr jau pēc kādas desmitās spēlēšanas reizes tā kļuva aizvien neskaidrāka un čērkstošāka. It sevišķi bija cietis skaņuplates sākums, mēģinot trāpīt ar adatu uz dziesmas sākumu. Līdzīgi bija cietušas skaņdarba beigas, kad skaņuplate, aizmirsta uz atskaņotāja, turpināja griezties. Vēl jāņem vērā, ka tajā laikā šellaka 25 cm skaņuplates viena puse ("Bellaccord" bija divas puses) skanēja tikai trīs minūtes, un retāk sastopamās 30 cm plates – piecas minūtes, jo ieraksta ātrums bija liels – 78 apgriezieni minūtē. Līdz ar to plates tika bieži cilātas, mainītas un, protams, krita. Vētrainās ballēs bieži tika aplietas ar dažādiem dzērieniem. Rezultātā mantojumā esam saņēmuši tādas, kādas tās ir – ar visādiem defektiem: plīsumiem, robiem, netīrumiem. (..) Runājot par atskaņotājiem: ja kādam saglabājies kāds elektrofons, piemēram, RRR ražotais "Akords" vai radiolas "Simfonija" , "Rigonda" ar radiolampu silto skanējumu, un tajā vēl darbojas plašu atskaņotājs ar pjezo galviņu, varat būt laimīgi! Ir iespējams iegādāties arī jaunus plašu atskaņotājus par demokrātiskām cenām. Der visi atskaņotāji, kas aprīkoti ar 78. ātrumu. Ar atsperi uzvelkamos patafonus un gramofonus gan neieteiktu izmantot. Lielā mērā pateicoties dīdžejiem, mūsdienās ražo arī profesionālus atskaņotājus, kuriem bez esošajiem mūsdienu 33. un 45. ātruma ir arī 78. ātrums. Šādus atskaņotājus ražo firma "Audiotechnica", "TEAC", "Technics" un citas firmas. Šādus atskaņotājus jau droši var izmantot seno skaņuplašu digitalizēšanai, tikai jāievēro, ka šie atskaņotāji pamatos ir orientēti uz vinila stereo skaņuplatēm un tie jāaprīko ar mono galviņu, kurai ir arī atbilstoša adatiņa, jo vecajās platēs ieraksts ir tikai vienā kanālā. Bet pat izmantojot šādus dārgus atskaņotājus, jārēķinās ar to, ka skaņa nebūs tāda, kāda tā ir mūsdienu skaņuplatēm. Lielā mērā to nosaka materiāls, no kā izgatavoja šellaka plates. Šellakam pievienoja dabīgā šīfera pulveri, lai platēm palielinātu izturību un tās izturētu akustiskā gramofona smago roku. Diemžēl tieši šīfera daļiņas (un nevis šellaks) rada skaņuplašu šņākoņu, kuru mūsdienu aparatūra itin labi pastiprina. Lai to novērstu, tiek izmantoti speciāli skaņas filtri. Lai vēl precīzāk restaurētu tā laika skanējumu, tiek izmantoti atbilstoši skaņas izlīdzināšanas priekšpastiprinātāji. Pie rievas iegriešanas skaņuplates matricā zemākās skaņas tiek mākslīgi pavājinātas, lai rieva uz plates neaizņem pārāk platu vietu. Atskaņojot tiek lietots pretējs process – zemās skaņas tiek vairāk pastiprinātas. 1952. gadā tika izstrādāts vienots standarts, ko ieviesa "Amerikas Ierakstu industrijas asociācija" jeb RIAA, pēc kura, veicot skaņas korekciju, vadās līdz pat mūsu dienām. Pirms Otrā pasaules pasaules kara nebija vienota standarta: katra skaņuplašu firma, piemēram, "Odeon", "Parlophon", "Zonophone", "Gramophone", "Vox" pielietoja savu, arī "Bellaccord". Rakstniecības un mūzikas muzejā jau ilgus gadus tiek veikta vēsturisko skaņuplašu, tai skaitā arī "Bellaccord", digitalizācija un restaurācija. Tehnoloģijas nemitīgi uzlabojas un tas dod iespēju šo darbu veikt daudz efektīvāk un labāk nekā iepriekš.
In part 2 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also in the tape they record and play.Support the show
Keep up with Jeremy's work on Instagram: @jeremy_sh_griffithBuy Old Blood pedals: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @oldbloodnoise, @andyothling, @danfromdsf
Tonight at 8:30 pm CST, on the Flyover Conservatives show we are tackling the most important things going on RIGHT NOW from a Conservative Christian perspective! TO WATCH ALL FLYOVER CONSERVATIVES SHOWS -https://flyover.live/media/series/qhfzzzr/the-flyover-conservatives-showTO WATCH ALL FLYOVER CONTENT: www.theflyoverapp.comMoises EstevesWEBSITE: www.cefonline.com/Dr. Stella ImmanuelWEBSITE: www.drstellamd.comFOR A 5% DISCOUNT, use promo code FLYOVER at checkoutSPONSORS FOR TODAY'S VIDEO► ReAwaken America- text the word EVENTS to 40509(Message and data rates may apply. Terms/privacy: 40509-info.com)► Kirk Elliott PHD - http://FlyoverGold.com ► My Pillow - https://MyPillow.com/Flyover► Z-Stack - https://flyoverhealth.com ► Dr. Jason Dean (BraveTV) - https://parakiller.com ► Patriot Mobile - www.patriotmobile.com/flyoverWant to help spread the Wake Up • Speak Up • Show Up -https://shop.flyoverconservatives.com/-------------------------------------------Follow our Social Media so we can be best friends
In part 1 of this two-part podcast we talk to Dan Labrie owner of Myriad Magnetic.Dan has been involved in professional analogue recording technology since 2010. He began his career replacing switches and capacitors on an Amek console at a recording studio in Detroit. As a result of working for analogue tape pioneer Mike Spitz, who owned ATR Services and the tape manufacturer ATR Magnetics, he has gained valuable experience in, not just the machines, but also in the tape they record and play.Support the show
Piano Mastery: Talks with Master Pianists and Teachers
The resurgence of reel-to-reel, whilst great, has brought with it a few myths and misnomers and, shall we say, less than best practice in using them. In part 2 of this 3 part mini-series on supporting reel-to-reel, Iain Betson of Reel Resilience discusses with his guests, Rob Brinkworth and Gary Hedge, about looking after the audio format we love. Support the show
This episode is for you! It's time to come out the closet.Are you hiding behind a mask that doesn't represent the real you?Are you truly being your authentic self? Could this be blocking you from manifesting your desires and having TRUE happiness?Let's talk about it. Tune in!Thanks for listening!Rejys Cowan is a spiritual life coach, yoga teacher, entrepreneur, and the host of Spiritual Sh*t You Need To Know Podcast.Join the Spiritual Shit Podcast Mastermind!Join me and my spiritual community in my Spiritual Shit Mastermind Group. Here, you'll get to connect with me and our like minded tribe, get access to bonus episodes and content, as well as exclusive events and trainings.Learn more here: https://patreon.com/spiritualshitpodcast********************************Let's connect!Send me a DM on Instagram @spiritualshitpodcast or @yogawithrejys or email me at rejys@yogawithrejys.com******************************Leave us a Podcast Review!Ratings and reviews of the podcast are greatly appreciated and mean a lot to us as they help with getting the message out to those need it. Please rate, share, and Subscribe to the podcast on Apple Podcasts or your favorite app for the latest updates!❤️XOXO,Rejys- Your Spiritual HomegirlSupport the show
In the 1960s to 1980s, when tape recorders were in regular use, there were many people to fix them. Half a century down the line, the number who now do this has reduced for many reasons. So who's going to keep these recorders running for the next generation to enjoy? In part 1, of this two-part podcast, Iain Betson of Reel Resilience is in conversation with Rob Brinkworth and Gary Hedge, two UK based people who do just that. We talk "Guinea pigs", Fostex reliability and why a hit making studio of the 1980s hated their Studer A800! Support the show
Oral Arguments for the Court of Appeals for the Seventh Circuit
Ariadna Baro v. Lake County Federation of Teac
Hi There! XX here. Happy Labor Day! We know you've got the day off, so sit back and enjoy two of our favorite Casey Commentaries.Thank you to all of those who work hard to keep this country moving.God Bless, The Sean Casey Team
În acest episod vorbesc despre antipatia dintre Tudor Vladimirescu și Alexandru Ipsilanti eteristul și despre deteriorarea principiilor revoluționare, direct proporțional cu personalitatea liderului ei. În cele din urmă, otomanii, eteriștii, boierii și chiar pandurii simt miros de sânge, iar soarta lui Tudor este una tragică.Support the show
► Pregúntame en directo: https://evitalacrisis.com/directo ►
Jeff Epler recently contributed code to FluxEngine making it possible to write Apple II disks using a FluxEngine-compatible floppy interface, such as the prototype Adafruit Floppy board. In this demo, jepler uses a standard PC 5.25" floppy drive (TEAC model FD-55GFR) connected with the Adafruit Floppy board to write a floppy disk with a classic educational game downloaded from archive.org: Number Munchers. Previously we've demonstrated how using the Adafruit Floppy interface you can read and write disks for PC and Commodore 64, and also read disks for Mac including crunchy old 400kB and 800kB floppies, which PCs have traditionally been unable to read. Want to try your hand at Number Munchers and prove that you know what a prime number is? You don't need an Apple II, just play it in an emulator: https://archive.org/details/MECC_A170_v10_4amCrack Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Adafruit on Instagram: https://www.instagram.com/adafruit Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------
Lean in and hear what God has for you today as we hear a powerful message from Debbie Tran; on the life transformation of Zacchaeus.
Lean in and hear what God has for you today as we hear a powerful message from Debbie Tran; on the life transformation of Zacchaeus.
Lean in and hear what God has for you today as we hear a powerful message from Debbie Tran; on the life transformation of Zacchaeus.
Lean in and hear what God has for you today as we hear a powerful message from Debbie Tran; on the life transformation of Zacchaeus.
Dr. Troy Podell is an expert in adolescent education and online education leadership, and is currently serving Downingtown Area School District as the Coordinator of Career Readiness. During this episode, we analyze the role of the teacher, how it is changing, and identify key skills that will be invaluable over the next 10 years.
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