Podcasts about kingsley tufts award

Summary: Romeo Oriogun, Assistant Professor of Creative Writing at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss poetry, migration, and the role of African literature in global literary discourse.Romeo Oriogun is an Assistant Professor of Creative Writing at Florida Atlantic University and explores themes of migration, queerness, and survival in his poetry and nonfiction.A Iowa Writers' Workshop graduate, Oriogun is the author of Sacrament of Bodies, Nomad, and The Gathering of Bastards. He has received the Nigeria Prize for Literature, the Alice Fay Di Castagnola Prize, the Nebraska  Book Award for Poetry, and was a finalist for the Kingsley Tufts Award and the National Book Critics Circle Award for Poetry. 

Summary: Romeo Oriogun, Assistant Professor of Creative Writing at Florida Atlantic University, joins Dean Michael Horswell in our latest edition of In Conversation. They discuss poetry, migration, and the role of African literature in global literary discourse.Romeo Oriogun is an Assistant Professor of Creative Writing at Florida Atlantic University and explores themes of migration, queerness, and survival in his poetry and nonfiction.A Iowa Writers' Workshop graduate, Oriogun is the author of Sacrament of Bodies, Nomad, and The Gathering of Bastards. He has received the Nigeria Prize for Literature, the Alice Fay Di Castagnola Prize, the Nebraska  Book Award for Poetry, and was a finalist for the Kingsley Tufts Award and the National Book Critics Circle Award for Poetry. 

U.S. Poet Laureate and fellow meditator Ada Limón joins me today on Our Mindful Nature to chat about her Signature Project, 'You Are Here, Poetry in Parks.' Y'all this was a dream conversation for me - full of presence, hope and truth. Full of poetry and beauty even as we discuss climate crisis and environmental activism. Together, we delve into the origins of ‘You Are Here: Poetry in Parks', its deep connections between nature and poetry, and its aim to foster mindfulness and presence. Ada shares thoughts on the power of small actions amid climate crises, the inclusivity of the project's installations in national parks, and the importance of everyday nature. We also talk about the power of realizing that You. Are. Here. “'You Are Here: Poetry in the Parks' aims to deepen our connection to nature through poetry,” said Limón. “I believe the way we respond to this crucial moment on our planet could define humanity forever. In conceiving of my signature project, I wanted something that could both praise our sacred and natural wonders and also speak the complex truths of this urgent time. Above all, this project is about rising to this moment with hope, the kind of hope that will echo outwards for years to come.”   At the end, as a mini practice, Ada reads her stunning poem Sanctuary.Ada Limón is the twenty-fourth US Poet Laureate and the author of The Hurting Kind, as well as five other collections of poems. These include The Carrying, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award, and Bright Dead Things, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. Limón is a recipient of a Guggenheim Fellowship, and her work has appeared in the New Yorker, the New York Times, and American Poetry Review, among others. Born and raised in California, she now lives in Lexington, Kentucky.Learn more about You Are Here: Poetry in Parks: https://www.nps.gov/orgs/1207/3-6-24-poetry-in-parks.htmFind Ada's book You Are Here; Poetry in the Natural World here: https://milkweed.org/book/you-are-hereThe Methow people were the first people to hear the sounds of Methow Valley, Washington that are included in today's episode. Thank you to Nick McMahan for today's nature field recordings, sound design, and editing; and thank you to Brianna Nielsen for production and editing support. Find them at:nickmcmahan.cominstagram.com/brianna_podcastproSign up for my newsletter at https://merylarnett.substack.com/ to receive free mini meditations each week, creative musings, and more.Watch on YouTube, Make a donation, or learn more about my free offerings and live classes by visiting merylarnett.cominstagram.com/merylarnettyoutube.com/@ourmindfulnature

Carl Phillips is the author of 17 books of poetry, most recently Scattered Snows, to the North and Then the War: And Selected Poems 2007-2020, which won the 2023 Pulitzer Prize. His other honors include the 2021 Jackson Prize, the Aiken Taylor Award for Modern American Poetry, the Kingsley Tufts Award, a Lambda Literary Award, the PEN/USA Award for Poetry, and fellowships from the Guggenheim Foundation, the Library of Congress, the American Academy of Arts and Letters, and the Academy of American Poets. Phillips has also written three prose books, most recently My Trade is Mystery: Seven Meditations from a Life in Writing; and he has translated the Philoctetes of Sophocles. He lives on Cape Cod, in Massachusetts. We talked about how he puts a collection together, vulnerability and guardedness, To the Lighthouse, relationships, darkness, truth and revelation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alan Shapiro has published many books of poetry and prose, including Reel to Reel, finalist for the Pulitzer Prize, Night of the Republic, finalist for both the National Book Award and the International Griffin Prize, The Dead Alive and Busy, winner of the Kingsley Tufts Award, and Mixed Company, winner of the LA Times Book Prize. His new books of poetry, Proceed to Check Out, and By and By, were published in 2022 and 2023 respectively. He now lives in New England. Find Proceed to Checkout here: https://press.uchicago.edu/ucp/books/book/chicago/P/bo130500563.html Find By and By here: https://waywiser-press.com/product/by-and-by/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write an ode to something that doesn't conform to typical ode topics and begins with an epigraph. Next Week's Prompt: Write a poem set in a place you've always dreamed of going to but never have. Allude to all the basic senses. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

A central duality appears in the work of Henri Cole: the revelation of emotional truths in concert with a “symphony of language” — often accompanied by arresting similes. We are excited to offer this conversation between Pádraig and Henri, recorded during the 2022 Dodge Poetry Festival in Newark, New Jersey. Together, they discuss the role of animals in Henri's work, the pleasure of aesthetics in poetry, and writing as a form of revenge against forgetting.Henri Cole was born in Fukuoka, Japan and raised in Virginia. He has published many collections of poetry and received numerous awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Ambassador Book Award, the Lenore Marshall Award, and the Medal in Poetry from the American Academy of Arts and Letters. His most recent books are a memoir, Orphic Paris (New York Review Books, 2018), Blizzard (Farrar, Straus and Giroux, 2020), and Gravity and Center: Selected Sonnets, 1994-2022 (Farrar, Straus and Giroux, 2023). From 2010 to 2014, he was poetry editor of The New Republic. He teaches at Claremont McKenna College and lives in Boston.Find the transcript for this show at onbeing.org.

Born in the Mekong Delta, Hoa Nguyen was raised and educated in the United States and has lived in Canada since 2011. Hoa has had the privilege to work and teach all over the United States and Canada and is the author of several books including As Long As Trees Last, Red Juice: Poems 1998-2008, and Violet Energy Ingots which received a 2017 Griffin Prize nomination. Her fifth book of poems, A Thousand Times You Lose Your Treasure was named a finalist for a Kingsley Tufts Award, National Book Award and the Governor General's Literary Award and has garnered additional support from The Poetry Foundation, Library Journal, and the Los Angeles Review of Books. Her writing has been promoted by such outlets as Granta, PEN American Center, CBC Books, Boston Review, The Best Canadian Poetry series, Poetry, The Walrus, and Pleiades. In 2019, she was nominated for a Neustadt International Prize for Literature, a prestigious international literary award often compared with the Nobel Prize in Literature. Read more about Hao here. You can follow Hoa on Twitter, here, on Instagram, here, and on Facebook, here. As always, we would love to hear from you. Have you tried sending me a message on the Eh Poetry Podcast page yet? Either way, we would like to reward you for checking out these episode notes with a special limited time coupon for 15% off your next purchase of Mary's Brigadeiro's amazing chocolate, simply use the code "ehpoetrypodcast" on the checkout page of your order. If you are a poet in Canada and are interested in hearing your poem on Eh Poetry, please feel free to send me an email: jason.e.coombs[at]gmail[dot]com Eh Poetry Podcast Music by ComaStudio from Pixabay --- Send in a voice message: https://anchor.fm/ehpoetrypodcast/message

In this episode of Open Form, Mychal talks to Ada Limón (The Hurting Kind) about the 1983 film Flashdance, directed by Adrian Lyne and starring Jennifer Beals, Michael Nouri, and Lilia Skala. Ada Limón is the author of The Hurting Kind, as well as five other collections of poems. These include, most recently, The Carrying, which won the National Book Critics Circle Award and was named a finalist for the PEN/Jean Stein Book Award, and Bright Dead Things, which was named a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. Limón is a recipient of a Guggenheim Fellowship, and her work has appeared in the New Yorker, the New York Times, and American Poetry Review, among others. She is the new host of American Public Media's weekday poetry podcast The Slowdown. Born and raised in California, she now lives in Lexington, Kentucky. Learn more about your ad choices. Visit megaphone.fm/adchoices

James challenges Aaron to a game of Linda, Linda, Lynda, and we revisit Mark Doty's poem "Homo Will Not Inherit," and we delve into the poetry-world homophobia that Doty's poem critiques.Buy books by authors we've mentioned at Loyalty Bookstore!Linda GreggLinda Gregg was born on Sept. 9, 1942 (Virgo); she died on March 20, 2019.  Her books includeAll of It Singing: New and Selected Poems (2008); In the Middle Distance (2006); Things and Flesh (1999), finalist for the Kingsley Tufts Award for Poetry; Chosen by the Lion (1995); Sacraments of Desire (1992); Alma (1985); and Too Bright to See (1981).Read "The Lamb" here.Linda Gregerson was born August 5, 1950 (Leo). She is the author of several collections of poetry, including Prodigal: New and Selected Poems, 1976–2014, The Selvage (2012), Waterborne (2002), and The Woman Who Died in Her Sleep (1996). As well as a writer, Gregerson is a Renaissance scholar, a classically trained actor, and a devotee of the sciences.You can read the poem James references here.Lynda Hull was born on Dec. 5, 1954 (Sagittarius). Her collections include Ghost Money (1986),  Star Ledger (1991), and The Only World: Poems, published posthumously in 1995 and finalist for the National Book Critics Circle Award in Poetry. In 2006, Graywolf Press published her Collected Poems, edited by David Wojahn.You can read the poem in the game here.Read "Homo Will Not Inherit" from Mark Doty's book Atlantis (1995) here.In a review of Mark Doty's Source, Logan writes:"[Mark Doty is] a poet with a gift for description, a taste for winsome subjects, an addiction to images of light (less now than in earlier books), and a narcissism all his own.[...]If you hug every tree on the lot, if you love everything you see (Doty could make a garbage can a thing of beauty), isn't it hard to tell one thing from another? You're just the sum of your gincrack, greeting-card sentimentality.[...]Doty's so busy preening, he falls victim to hilarious verbal blunders.[...]If you hired [Doty] to design your house, it would end up looking like Versailles on a quarter acre, with gushing baroque fountains (concrete, not marble) and interiors by Liberace. Such cheap profusion, such indulgent excess, is no better than cloying conceit. You get a hint of Doty's deeper wounds, of compromised fragility and sad vulnerability, then he lights up his lines like Vegas and tries to sell you tickets to the floor show."--the text of the review was published in the New Criterion in December 2002, and then reprinted in a chapter titled "Verse Chronicle: The Real Language of Men" in Logan's book The Undiscovered Country: Poetry in the Age of Tin (Columbia University Press, 2005). 

Friends, lovers, bilches—this episode wraps up our pandemic season of The Poet Salon, and what an episode it is! After chopping it up with Amaud Jamaul Johnson on smoke, speakers, and silences, he brought us Linda Gregg's "The Poet Goes About Her Business." If this is your first encounter with the poem, we're excited for you but also very jealous. Born and raised in Compton, California, educated at Howard University and Cornell University, AMAUD JAMAUL JOHNSON is the author of three poetry collections, Red Summer, Darktown Follies, and Imperial Liquor (Pitt Poetry Series, 2020). A former Wallace Stegner Fellow in Poetry at Stanford, MacDowell Fellow, and Cave Canem Fellow, his honors include the Hurston/Wright Legacy Award, the Dorset Prize, and a Pushcart Prize. His work has appeared in Best American Poetry, American Poetry Review, The New York Times Magazine, Kenyon Review, Callaloo, Narrative Magazine, Crazyhorse, Indiana Review, The Southern Review, Harvard Review and elsewhere. His most recent collection was a finalist for the 2021 National Book Critics Circle Award and the 2021 UNT Rilke Prize. LINDA GREGG was born in New York and raised in Marin County, California. She earned both a BA and an MA from San Francisco State University. Gregg published many several collections of poetry, including All of It Singing: New and Selected Poems (2008), a Los Angeles Times Favorite Book of 2008 and winner of the Poetry Society of America's William Carlos Williams Award; In the Middle Distance (2006); Things and Flesh (1999), finalist for the Kingsley Tufts Award for Poetry; Chosen by the Lion (1995); Sacraments of Desire (1992); Alma (1985); and Too Bright to See (1981). Gregg's lyrical poetry is often admired for its ability to discuss grief, desire, and longing with electrifying craftsmanship and poise.   

We're alive! Our hair is grown out. We brought you flowers. We missed you. For each of the next few weeks, we'll release both episodes with each of our guests. Today, we've got for you the inimitable Carl Phillips, with whom we discussed syntax, abstracts, and the brassiest of tacks. Enjoy! CARL PHILLIPS is the author of fourteen books of poetry, most recently Pale Colors in a Tall Field (Farrar, Straus and Giroux, 2020). He has won the Kingsley Tufts Award and been a finalist for the National Book Award. He currently teaches at Washington University in St. Louis. ITALIAN MARGARITA IN A SILVER-RIMMED BUFFALO HORN GOBLET: Tequila, amaretto, lemon, and lime over ice.

Frenz, as promised, here is Carl Phillips' reading our first-ever haiku on The Poet Salon, Kobayashi Issa's "[The world of dew]" or "On the Death of a Child."  CARL PHILLIPS is the author of fourteen books of poetry, most recently Pale Colors in a Tall Field (Farrar, Straus and Giroux, 2020). He has won the Kingsley Tufts Award and been a finalist for the National Book Award. He currently teaches at Washington University in St. Louis. Japanese poet KOBAYASHI ISSA, also known as Kobayashi Yataro and Kobayashi Nobuyuki, was born in Kashiwabara, Shinanao province. He eventually took the pen name Issa, which means “cup of tea” or, according to poet Robert Hass, “a single bubble in steeping tea.” Issa's haiku are as attentive to the small creatures of the world—mosquitoes, bats, cats—as they are tinged with sorrow and an awareness of the nuances of human behavior. In addition to haiku, Issa wrote pieces that intertwined prose and poetry, including Journal of My Father's Last Days and The Year of My Life.  

Henri Cole was born in Fukuoka, Japan, in 1956. He has published over half a dozen collections of poetry, including Touch, Pierce the Skin, and Blizzard; a memoir, Orphic Paris; and has received many awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, the Lenore Marshall Poetry Prize, and the Award of Merit Medal in Poetry from the American Academy of Arts and Letters. He teaches at Claremont McKenna College. Twitter: @ColeHenri Audio recorded by Naoe Suzuki. "Embers" previously appeared in the poetry collection Blackbird and Wolf. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for our series is from Excursions Op. 20, Movement 1, by Samuel Barber, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by a generous donation from the Friends of the Deerfield Public Library. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. 

On February 9, 2021 the Lannan Center presented a Crowdcast webinar featuring Shane McCrae and Vievee Francis. Introductions by Lannan Fellows Joshua Kim and Renny Simone. Moderated by Carolyn Forché.Shane McCrae is the author of seven books of poetry, including Sometimes I Never Suffered (Farrar, Straus and Giroux, 2020); In the Language of My Captor (Wesleyan University Press, 2017), which was a finalist for the National Book Award and the Los Angeles Times Book Prize; and The Animal Too Big to Kill (Persea Books, 2015), winner of the 2014 Lexi Rudnitsky/Editor’s Choice Award. He is the recipient of a Whiting Writers’ Award and a National Endowment for the Arts Fellowship. He teaches at Columbia University and lives in New York City.Vievee Francis was born in West Texas. She earned an MFA from the University of Michigan in 2009, and she received a Rona Jaffe Award the same year. She is the author of Forest Primeval (TriQuarterly Books, 2015), winner of the 2017 Kingsley Tufts Award; Horse in the Dark (Northwestern University Press, 2012), winner of the Cave Canem Northwestern University Press Poetry Prize; and Blue-Tail Fly (Wayne State University Press, 2006). The poet Adrian Matejka describes her poems as “revelations—of memory, of dust, of the cotton and marginalia strung together to make a history.” The recipient of fellowships from Cave Canem and the Kresge Foundation, Francis currently serves as an editor for Callaloo and teaches English and creative writing at Dartmouth College in Hanover, New Hampshire.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

Welcome back, lovelies! Last week, Rick Barot blew our minds with his thoughts on how poetry connects to everything from Spanish paintings to runway models. This week, Rick reads us the poem "Given to Rust" by Vievee Francis, and we delight in how this poem invites us to think about lineation, survival, authorial intent v creation, and Emily Dickinson.  RICK BAROT was born in the Philippines, grew up in the San Francisco Bay Area, and attended Wesleyan University and The Writers' Workshop at the University of Iowa. He has published three books of poetry with Sarabande Books: The Darker Fall (2002); Want (2008); and Chord (2015), which was a finalist for the LA Times Book Prize and received the 2016 UNT Rilke Prize, the PEN Open Book Award, and the Publishing Triangle's Thom Gunn Award. Barot is the poetry editor of New England Review. He lives in Tacoma, Washington and teaches at Pacific Lutheran University. He is also the director of The Rainier Writing Workshop, the low-residency MFA in Creative Writing at PLU. His fourth book of poems, The Galleons, will be published by Milkweed Editions in Spring 2020. VIEVEE FRANCIS is the author of Forest Primeval (TriQuarterly Books, 2015), winner of the 2017 Kingsley Tufts Award; Horse in the Dark (Northwestern University Press, 2012), winner of the Cave Canem Northwestern University Press Poetry Prize; and Blue-Tail Fly (Wayne State University Press, 2006). The recipient of fellowships from Cave Canem and the Kresge Foundation, Francis currently serves as an editor for Callaloo and teaches English and creative writing at Dartmouth College. REFERENCES: "Give to Rust" by Vievee Francis (Academy of American Poets Poem-a-Day), enjambment, "Crumbling is not an instance act, or 1010" by Emily Dickinson

Former U.S. poet laureate Robert Pinsky joined poet Monica Youn to share recent work and exchange ideas, along with moderator Elizabeth Bradfield, local poet and naturalist on June 9, 2018 in the Hawthorne Barn. Robert Pinsky‘s recent book is At the Foundling Hospital, nominated for the Nation Book Critics Award in poetry. As Poet Laureate of the United States (1997-2000), he founded the Favorite Poem Project, featuring the videos at www.favoritepoem.org. His best-selling translation The Inferno of Dante received the Los Angeles Times Book Award and the Harold Morton Landon translation prize. His other awards include the Lenore Marshall Prize, the Korean Manhae Prize, the Italian Premio Capri and a Lifetime Achievement Award from the Pen American Center. He performs with pianist Laurence Hobgood on CDs PoemJazz and House Hour, from Circumstantial Productions. Monica Youn is the author of Blackacre (Graywolf Press 2016), which was shortlisted for the National Book Critics Circle Award and the Kingsley Tufts Award, longlisted for the National Book Award, and named one of the best poetry books of 2016 by the New York Times, the Washington Post, the New Yorker, the Paris Review, and BuzzFeed. Her previous book Ignatz(Four Way Books 2010) was a finalist for the National Book Award. A former lawyer, she currently teaches at Princeton University and in the Sarah Lawrence and Columbia University MFA programs. Elizabeth Bradfield is the author of the poetry collections Once Removed, Approaching Ice, Interpretive Work and the forthcoming Toward Antarctica. Her poems and essays have appeared in The New Yorker, West Branch, Orion and her awards include a Stegner Fellowship and the Audre Lorde Prize. Founder and editor-in-chief of Broadsided Press, she lives on Cape Cod, works as a naturalist locally as well as on ships around the globe, and teaches creative writing at Brandeis University.

Tom Sleigh attended the California Institute of the Arts and Evergreen State College, and earned an MA from Johns Hopkins University. Sleigh is the author of several books of poetry; his most recent collections include Army Cats (Graywolf Press, 2011), winner of the John Updike Award from the American Academy of Arts and Letters, and Space Walk (Houghton Mifflin, 2007), winner of the Kingsley Tufts Award. His latest book, Station Zed, was published by Graywolf Press in 2015. He has also published a translation of Euripides’s Herakles and a book of essays, Interview With a Ghost (Graywolf Press, 2006). Widely anthologized, his poems and prose have appeared in The New Yorker, Virginia Quarterly Review, Poetry, American Poetry Review, Yale Review, Threepenny, The Village Voice, and other literary magazines, as well as The Best of the Best American Poetry (Scribner, 2013), The Best American Poetry, The Best American Travel Writing, and The Pushcart Anthology.

In this podcast our Programme Manager, Jennifer Williams, talks to Robert Wrigley about his new collection and first book to be published in the UK, The Church of Omnivorous Light: Selected Poems (Bloodaxe Books, 2013). They also touch on narrative in poetry, the infinite capacity of poetry to talk about love and wild horses on the southern plains of Idaho. Robert was at the SPL in November 2013 for a reading with John Burnside. From Bloodaxe (http://www.bloodaxebooks.com/personpage.asp?author=Robert+Wrigley) - His first book to be published in the UK, The Church of Omnivorous Light: Selected Poems (Bloodaxe Books, 2013), draws on several collections published in the US, including Beautiful Country (2010);Earthly Meditations: New and Selected Poems (2006); Lives of the Animals (2003), winner of the Poets Prize; Reign of Snakes (1999), winner of the Kingsley Tufts Award; and In the Bank of Beautiful Sins(1995), winner of the San Francisco Poetry Center Book Award and finalist for the Lenore Marshall Award from the Academy of American Poets. Wrigley has also won the J. Howard and Barbara M.J. Wood Prize, Poetry magazine’s Frederick Bock Prize, the Poetry Society of America’s Celia B. Wagner Award, Poetry Northwest’s Theodore Roethke Award, and six Pushcart Prizes. Read more about Robert: http://www.poetryfoundation.org/bio/robert-wrigley Music by James Iremonger: www.jamesiremonger.co.uk

Linda Gregerson discusses her new book of poems, The Selvage, and her calling as a poet and professor of Renaissance literature in conversation with Forum Director David Thorburn and members of the audience. A 2007 National Book Award finalist and a recent Guggenheim Fellow, Linda Gregerson is the Caroline Walker Bynum Distinguished University Professor of English Language and Literature at the University of Michigan, where she teaches creative writing and Renaissance literature. She is the author of four books of poetry and two books of criticism. Gregerson’s poems have appeared in The New Yorker, The Atlantic Monthly, Poetry, Granta, The Paris Review, The Kenyon Review, The Best American Poetry, and many other journals and anthologies. Among her honors and awards are an American Academy of Arts and Letters Award in Literature, the Kingsley Tufts Award, four Pushcart Prizes, grants and fellowships from the Guggenheim, Rockefeller, Mellon, and Bogliasco Foundations, the National Endowment for the Arts, the Institute for Advanced Study, the Poetry Society of America, and the National Humanities Center.

Distinguished Writers Series: Nikky Finney and Tom Sleigh Tuesday, April 10, 2012, 4:30PM Newhouse Center for the Humanities, Wellesley College Nikky Finney was born in South Carolina, within listening distance of the sea. A child of activists, she came of age during the civil rights and Black Arts Movements. At Talladega College, nurtured by Hale Woodruff's Amistad murals, Finney began to understand the powerful synergy between art and history. Finney has authored four books of poetry: Head Off & Split (2011); The World Is Round (2003); Rice (1995); and On Wings Made of Gauze (1985). Professor of English and creative writing at the University of Kentucky, Finney also authored Heartwood (1997) edited The Ringing Ear: Black Poets Lean South (2007), and co-founded the Affrilachian Poets. Finney's fourth book of poetry, Head Off & Split was awarded the 2011 National Book Award for poetry. Tom Sleigh's books include After One, winner of the Houghton Mifflin New Poetry Prize; Waking, a finalist for the Lamont Poetry Prize and the William Carlos Williams Award; The Chain, finalist for Lenore Marshall Prize; The Dreamhouse, finalist for the Los Angeles Times Book Award; Far Side of the Earth, an Honor Book Award from the Massachusetts Society for the Book; Bula Matari/Smasher of Rocks; a translation of Euripides' Herakles; a book of essays, Interview With a Ghost; and Space Walk, winner of the $100,000 2008 Kingsley Tufts Award. He has also received the Shelley Prize from the Poetry Society of America, the John Updike Award and an Academy Award from the American Academy of Arts and Letters, an Individual Writer's Award from the Lila Wallace Fund, and grants from the Guggenheim Foundation and the National Endowment for the Arts. He publishes in the New Yorker, American Poetry Review, Atlantic Monthly, Poetry, and elsewhere, as well as The Best American Poetry and The Best American Travel Writing anthologies His new book, Army Cats, was published this spring from Graywolf Press. This fall he was the Anna Maria Kellen Fellow at the American Academy in Berlin. He teaches in the MFA Program at Hunter College and lives in Brooklyn.

Linda Gregerson was the seventeenth poet in the Raymond Danowski Poetry Library Reading Series and read in 2012. A 2007 National Book Award finalist and recent Guggenheim Fellow, Linda Gergerson is the Caroline Walker Bynum Distinguished University Professor of English Language and Literature at the University of Michigan, where she teaches creative writing and Renaissance literature. She is the author of five books of poetry—most recently The Selvage (2012)—two books of criticism, and the co-editor of one collection of scholarly essays. Among her honors and awards are an American Academy of Arts and Letters Award in Literature, the Kingsley Tufts Award, four Pushcart Prizes, grants and fellowships from the Guggenheim, Rockefeller, Mellon, and Bogliasco Foundations, the National Endowment for the Arts, the Institute for Advanced Study, the Poetry Society of America, and the National Humanities Center.

Fairchild, winner of the Kingsley Tufts Award, and Paschen, winner of the Nicholas Roerich Prize, read poems that celebrate how the humble -- the work of a machine shop, the duties of a home -- is exalted by attention and care, just as their poems are distinguished by thoughtfulness, gratitude, and a deep concern for the well-made phrase.

This episode features Alan Shapiro reading from and discussing his collection Tantalus in Love, recently released in paperback. A work full of life, jealousy, lust, and romantic abandon, Tantalus in Love reinvents myth and symbol in lyrical portraits of astounding resonance. The collection begins with the sorrow of a disintegrating marriage, with its anger and suspicion, its hurt and rage, but moves on to celebrate the resilience of love after loss and the awakening glory of an amorous middle age. Alan Shapiro is the author of eight acclaimed books of poetry. He has received the Kingsley Tufts Award and the Los Angeles Times prize for poetry, among other honors. His memoir, The Last Happy Occasion, was a finalist for the National Book Critics Circle Award. He teaches at the University of North Carolina, Chapel Hill.

This episode features Alan Shapiro reading from and discussing his collection Tantalus in Love, recently released in paperback. A work full of life, jealousy, lust, and romantic abandon, Tantalus in Love reinvents myth and symbol in lyrical portraits of astounding resonance. The collection begins with the sorrow of a disintegrating marriage, with its anger and suspicion, its hurt and rage, but moves on to celebrate the resilience of love after loss and the awakening glory of an amorous middle age. Alan Shapiro is the author of eight acclaimed books of poetry. He has received the Kingsley Tufts Award and the Los Angeles Times prize for poetry, among other honors. His memoir, The Last Happy Occasion, was a finalist for the National Book Critics Circle Award. He teaches at the University of North Carolina, Chapel Hill.