Podcasts about les belles soeurs

Nos invitées feront partie de la distribution Les Belles-Soeurs symphonique, du 30 juillet au 2 août à la Place des Arts de Montréal et les 28-29-30 août au Grand Théâtre de Québec. Entrevue avec Luce Dufault, chanteuse et Lunou Zucchini, chanteuse, comédienne, co-animatrice de Belle et Bum.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Luce Dufault et Lunou Zucchini feront partie de Les Belles-Soeurs symphonique cet été | Avoir un chat est-il bon pour la santé ? | Le procès de Gilbert Rozon mis sur pause | Une famille conteste le résultat à l’école de leur enfant devant la Cour supérieure Dans cet épisode intégral du 11 février, en entrevue : Luce Dufault, chanteuse Lunou Zucchini, chanteuse, comédienne, co-animatrice de Belle et Bum Caroline Kilsdonk, médecin vétérinaire et bioéthicienneMe François-David Bernier, analyste judiciaire. Une production QUB Mars 2025Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Les Belles-Soeurs symphoniques. Entrevue avec Lorraine Pintal, metteure en scène et France Castel, actrice interprète de Rhéauna Bibeau.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

La pièce de théâtre Les Belles Soeurs est adaptée en film et la bande-annonce est sortie. Discussion avec Stéphanie Villeneuve, personnalité QUBPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

De la tête au coeur est l'album que Suzie Villeneuve lancera le vendredi 10 mai 2024 | L'avortement, un débat encore sensible en 2024 | La pièce de théâtre Les Belles Soeurs est adaptée en film et la bande-annonce est sortie | L'épreuve ministérielle de lecture de fin d'année a été échouée par plus du quart des élèves de 4e année en juin 2023   Dans cet épisode intégral du 9 mai, en entrevue :    Entrevue avec Suzie Villeneuve, chanteuse québécoise   Une production QUB Mai 2024Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Welcome back to the 163rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 163rd episode we bring you a very special review round up episode where we get back to our roots as we reflect on the Stratford Festival's 2023 season. Join Jill, Mackenzie, and Ryan, as they unpack all of their thoughts about what they found to be the eight most memorable shows of the season! TIMESTAMP NAVIGATOR: [00:00:00] – Intro [00:05:29] – Much Ado About Nothing [00:14:59] – Casey and Diana [00:23:52] – Spamalot [00:29:20] – Richard II [00:42:59] – Wedding Band [00:54:53] – Les Belles-Soeurs [01:05:17] – Grand Magic [1:20:59] – Frankenstein Revived [01:41:15] – Sign Off If you missed Casey and Diana at the festival, you're in luck; there are two other ways that you can still catch it! It's coming soon to Soulpepper's 2024 season, running from January 23 until February 11: https://www.soulpepper.ca/performances/caseyanddiana The pro-shot is available for viewing on Stratfest@Home (subscription needed): https://stratford.vhx.tv/casey-and-diana Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat  Apple Podcasts: https://apple.co/3aYbBeN  Spotify: https://spoti.fi/3sAbjAu  Jillian Robinson – Instagram: @jillian.robinson96  Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre  If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Irene gabs away with the amazing Sarah Rodgers, live from her current Directing contract in North Carolina!  Sarah has an incredible career all over Canada and the US!  She is a multi nominated and award winning Actress, Director as well as a Coach and adjunct Professor and she currently holds the legendary position of the Artistic Director for United Players of Vancouver Theatre Company.  She received her BFA (Acting) and MFA (Directing) from The University of British Columbia. Sarah has performed on every stage in BC and she is one of Canadas top in-demand Directors often Directing back to back Seasons at many of our local Theatre companies including Theatre Under the Stars, The Arts Club Theatre Company, United Players, Western Canada Theatre, Firehall Arts Centre , Pacific Theatre, Studio 58, Gateway Theatre and most recently she Directed "The Little Mermaid" for the Opera House in North Carolina! Sarah's Directing resume could truly FILL a phone book!! She has made an impact off the stage and on the stage dominating in such shows as "Angels in America", "Les Belles-Soeurs", "Thoroughly Modern Millie",  "To Avenge"  and so many more! Not to mention her scene stealing moments in her Film and Television roles! She is an Artist a Mother a beautiful person inside and out and you are one of the lucky ones if you get to work with her or watch her work. She is a Wonder Woman as she continues to mentor and lead the Theatre industry encouraging veteran artists and emerging artists to work together through United Players.  Thank you Sarah for all you do for the Arts!! To BOOK Sarah Rodgers for her incredible Directing and Acting skills please contact her Agent Josh Drebit at Kirk Talent Agency.  To learn more about Sarah and follow her on her Social Media platforms please visit her on Facebook and Instagram!! To audition or become involved with Sarah and United Players of Vancouver, please visit their website www.unitedplayers.com.  Join me in celebrating my friend, Sarah Rodgers!!#ilo_artistseries

Entrevue avec Michel Tremblay, dramaturge, romancier et scénariste québécois : le metteur en scène et réalisateur québécois, André Brassard, est décédé à l'âge de 76 ans. Ils avaient, ensemble, réalisé la pièce « Les belles sœurs ». Chronique de Steve E. Fortin, chroniqueur et blogueur au Journal de Montréal Journal de Québec : selon des données récentes, la cote de popularité de Will Smith a chuté auprès du public, après sa fameuse gifle des Oscars. La rencontre Nantel-Durocher avec Guy Nantel : on revient sur « la clique du Plateau » qui s'acharne sur Guy Nantel, Richard Martineau et Sophie Durocher. On parle également de la fameuse campagne d'affichage au cégep de Valleyfield. Entrevue avec Anne-Marie Ménard, professionnelle en sexologie : elle nous parle de son nouveau livre « Au lit avec Anne-Marie : la sexualité féminine sans tabous, pour plus de plaisir !» Une production QUB Radio Octobre 2022Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Nous sommes le 3 septembre 1968. Les amateurs-trices de spectacles de la région de Montréal se trouvent devant un dilemme. Ils et elles peuvent assister à l'Osstidcho ou à la première mouture des Belles-Sœurs de Michel Tremblay, les deux œuvres étant présentées en même temps. Lequel de ces spectacles marquants seriez-vous allé voir si vous aviez eu ce choix ?

Nicola grew up in Manchester, England. She became a professional actor at 14 when she performed in The Little Matchgirl with Roger Daltrey (the Who). She started touring with musical theatre companies at 17, performing in Chess, The Sound of Music and Lloyd Webber's production of Aspects of Love. Nicola's big break came at 21 when she was picked to play the role of Lola in the West End production of Barry Manilow's Copacabana. It changed her life. She moved to London and never looked back.She first visited Canada in 1996 when she was asked to join Cirque du Soleil's production of Saltimbanco. After the tour, she returned to the UK to continue her stage career, performing roles in musicals such as Fame, Taboo and the Leader of the Pack. She was a finalist in series 3 of The X Factor with the group The Unconventionals. Shortly after she was asked to to re-create her role in Saltimbanco on a world Arena tour in 2007. This time she met her future husband and they toured with the show for another 5 years together!In 2012 Nicola immigrated to Quebec, Canada and was soon cast as Trish in Kinky Boots playing at the Royal Alexandra Theatre, Toronto. Since then she's been cultivating her career in her new country, performing at the famous Charlottetown Festival for 3 seasons, The Segal Centre – Montreal, St Lawrence Centre – Toronto and Theatre Calgary in productions such as Bend it Like Beckham, Mamma Mia!, Les Belles Soeurs, Bittergirls and Anne of Green Gables as well as returning to work for Cirque on their resident show, Joyà, in Riviera Maya, Mexico.Nicola is looking forward to getting back to rehearsals after the pandemic. She was about to perform the role of Mrs Wilkinson in Billy Elliot at the Neptune Theatre, Halifax. A bucket list role for her!“Here's to the light at the end of the tunnel. Sending all my love to everyone globally during this crazy time”

Cette semaine, Clotilde Seille reçoit Michel Tremblay et Mario Girard afin de parler du lancement du livre Les Belles-Soeurs, l’oeuvre qui a tout changé, qui aura lieu au Salon du Livre de Montréal. Animation et recherche : Clotilde SeilleMise en ondes: Maurice BolducChronique: Claudia Larochelle Livres audio pour tout le monde (Format Mp3 ou en… Cet article Les Belles-Soeurs est apparu en premier sur Canal M, la radio de Vues et Voix.

Cette semaine au podcast on parle improvisation, on parle théâtre, mais surtout on parle d'elle, Valérie Dionne! Animatrice vedette à la station Plaisir 94,1fm, sa voix est connu de tous les gens de Sept-Îles. Beaucoup ont aussi eu la chance de la voir briller sur les planches dans le rôle de Germaine Lauzon de la pièce culte Les Belles Soeurs de Michel Tremblay. Elle est aussi réputée pour être une redoutable joueuse d'improvisation dans la ligue septilienne, la LIS. Pour tout ça et pour plus encore, cette semaine à Chez Kek'un, on entre dans la vie de la talentueuse Valérie Dionne, ça faique ct'un go!nbsp;

Watch the video of this episode. What does it mean to be live? Can a hologram be considered performance? Is going to the theatre a private or communal act? And should performing artists embrace and incorporate technological change—or should they resist, and build an oasis from social media and screen time? What on earth is going on with live performance in the digital age? Listen to the first-ever recording of the podcast with a live audience! The panel, moderated by Ben, features Colleen Renihan, Craig Walker and Michael Wheeler of the Dan School of Drama and Music. About the Panel Colleen Renihan Colleen Renihan was delighted to join the Dan School of Drama and Music faculty as a Queen's National Scholar in 2016. She earned a B. Mus. in Vocal Performance from the University of Manitoba, an Artist Diploma in Opera Performance from the Vancouver Academy of Music, and an MA and PhD in Musicology at the University of Toronto in 2011 with generous funding support from the Social Sciences and Humanities Research Council of Canada. Her dissertation Sounding the Past was a finalist for the Society for American Music’s Housewright Dissertation Award. Dr. Renihan’s research considers aspects of opera and operatic culture from a postmodern perspective. Inherently interdisciplinary in nature, it explores cultural politics, popular culture, performance theory, temporality, memory theory, opera’s interactions with media (specifically film), and opera’s potential for intervention in current debates in the philosophy of history. Her work has been published in a variety of edited collections and journals, including, most recently, twentieth century music, The Journal of the Society for American Music, and Music, Sound, and the Moving Image. Forthcoming publications include an invited chapter on Benjamin Britten’s coronation opera Gloriana to an edited collection for Boydell & Brewer, and a chapter on affective listening in Harry Somers’s Louis Riel for Wilfrid Laurier Press. Two current book projects explore the historiographical dimensions of American postwar opera, and innovation in Canadian opera and music theatre 1970-2010. Dr. Renihan has presented her research at academic conferences in Canada, the United States, and Europe, including chapter and national meetings of the American Musicological Society, and in 2010, she participated in the Society for Music Theory’s graduate student workshop on ‘Music and Narrative’ with Michael Klein. She was a founding member of Operatics (a working group for the interdisciplinary study of opera) at the University of Toronto, a founding member of IPMC (Interdisciplinary Perspectives on Music in Canada), and has been involved with several research and writing projects at the Canadian Music Centre. Learn more about Colleen. Craig Walker is Director of the Dan School of Drama and Music and Professor of Drama, and is also cross-appointed to the Departments of English and Cultural Studies. Dr. Walker earned his Ph.D. at the University of Toronto, where he had taken his earlier degrees in English. He has taught courses in most subjects in Queen's Drama at one time or another. As a director, for the Queen’s Drama, Dr. Walker has directed the world premiere of Orbit, a play about the daughters of Galileo by Jennifer Wise (2014), a double-bill of Michel Tremblay’s Counter Service and Nina Shengold’s Lives of the Great Waitresses (2012), Thornton Wilder’s Our Town (2010), his own adaptation of Bertolt Brecht’s Drums In the Night (2008), John Lazarus’ Meltdown (2005), Michel Tremblay’s Les Belles Soeurs (2003), Thornton Wilder’s The Skin of Our Teeth (2000), his own translation of Odon von Horvath’s Judgement Day (1999), Richard Rose and D.D. Kugler’s adaptation of Timothy Findley’s Not Wanted on the Voyage (1997), the medieval morality play Everyman (1996) and Elmer Rice’s The Adding Machine (1993). From 1997 to 2007, Dr. Walker was Artistic Director of Theatre Kingston, during which time the company produced 54 plays, 36 of which were Canadian, including 18 world premieres. On the academic side (see profile on academia.edu), Dr. Walker's most recent publication is "Canadian Drama and the Nationalist Impulse" in The Oxford Handbook to Canadian Literature. He is the author of The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition and co-editor (with Jennifer Wise of the University of Victoria) of The Broadview Anthology of Drama: Plays from the Western Theatre, Volumes I and II and The Broadview Anthology of Drama, Concise Edition. He was Book Review Editor for Modern Drama for two years, from 1998 to 2000. In 2009, he was appointed as a Corresponding Scholar at the Shaw Festival. He is a Fellow of the Royal Society of Canada. Learn more about Craig. Michael Wheeler is Artistic Director of SpiderWebShow Performance, an online performance company working at a national scale. His previous position was as Executive Director of Generator, a mentoring, teaching, and innovation incubator that empowers independent artists, producers and leaders in Toronto. He has co-curated The Freefall Festival with The Theatre Centre and HATCH emerging artist projects with Harbourfront Centre. In 2017, he will co-curate the first Festival of Live Digital Art (foldA) at The Isabel Bader Centre for the Performing Arts. As Founding Artistic Director of Praxis Theatre and a theatre director, he has produced and created numerous independent works including Rifles (2 Dora nominations), the World Premiere of Jesus Chrysler by Tara Beagan presented in association with Theatre Passe Muraille, a National Tour of the SummerWorks Award-winning G20 drama You Should Have Stayed Home, and Jesse Brown’s Canadaland World Tour of Canada. Much of Michael’s work has intertwined with online tools, as editor and publisher of websites like PraxisTheatre.com (Winner Best Blog Post & Best Arts and Culture Blog: Canadian Blog Awards), DepartmentOfCulture.ca, AfricaTrilogy.ca, WreckingBall.ca and most recently SpiderWebShow.ca. He holds a BA (distinction) from McGill University and a Masters of Fine Arts from The American Repertory/Moscow Art Theatre Institute for Advanced Theatre Training at Harvard University. Learn more about Michael.

Sarah Rodgers and Melissa Oei gush about being in Ruby Slippers production of Michel Tremblay's classic play, and Kim Senklip Harvey previews the largest powwow on the West Coast. Your middle-aged, sis-male anglo-settler host gets schooled.

L'historien Yves Gingras répond à la question: Était-ce mieux avant ?, L'histoire du printemps de Prague avec l'historien André Champagne, la création de la pièce Les Belles-Soeurs de Michel Tremblay et des succès musicaux de 1968. Animation : Joël Le Bigot

La pièce de Michel Tremblay, qui deviendra un classique de notre théâtre, prend l'affiche au Théâtre du Rideau Vert le 28 août 1968. Si le choix du joual en choque certains à l'époque, il fait pourtant partie de la genèse de la pièce, à tel point que l'on peut dire que les Belles-soeurs sont nées de cette volonté de Michel Tremblay d'écrire une pièce mettant en scène des personnages issus d'un milieu populaire, et parlant la langue de ce milieu populaire sur scène. Invité : Michel Tremblay

In this final Points of View of the 2015/16 season, Artistic Director Jillian Keiley hosts a discussion with two special guests, Belles Soeurs Producer Allan Sandler and Joël Beddows, Outgoing Director, Department of Theatre, University of Ottawa / Incoming Artistic Director, Théâtre français de Toronto, about the impact of Michel Tremblay's Les Belles-Soeurs on the development of Quebec theatre, and the creation of this English-language musical production. Belles Soeurs: The Musical is now clearly a musical in the Broadway sense. The jokes remain hilarious. The result is a highly entertaining show. No musical lover should miss this historic production.”– Montreal Gazette