Podcasts about Soulpepper

Blurb: Husein and I talk about shared traditions, taking faith seriously but being open and curious to all cultures and not eating at Ramadan, writing a pilot together about South Asians, Canada's Thanksgiving, India's holidays, his father not trusting his career until Husein showed up in a suit and my father punching up the jokes my dates told. Bio: Actor and storyteller Husein Madhavji, has taken on diverse roles throughout his career most notably playing Dr. Shahir Hamza for 5 seasons in the hospital drama Saving Hope, on stage starring in the Soulpepper production of Yasmina Reza's 'Art' in Toronto, and the world premiere of Tarragon Theatre's acclaimed play “Behind The Moon”. He was also in the Emmy award winning seasons of Schitt's Creek and Daniel Tiger. He can be currently be seen in the Netflix film Donkeyhead, the Disney+ animated series Mira, Royal Detective and on Star Trek: Strange New Worlds on Paramount+, and on Bell Media's lighthearted drama “The Spencer Sisters”.  As a writer his short film “The Time Traveller” that he developed with director RT, won best short film at the Canadian Film Fest and a received a best foreign film nomination at the San Francisco Black Film Festival. And Husein's pilots “Desi Family” and “Huse Right” both placed at the Launchpad Screenwriting Competition in the US. Prior to his acting career, Husein was a TV presenter where he hosted a daily national entertainment show in Canada, interviewing some of the most famous and celebrated faces in the world. 

Weyni Mengesha is an award-winning Canadian theatre maker and the artistic director of Toronto's Soulpepper Theatre Company. Five years ago, she reworked Tennessee Williams's historic play “A Streetcar Named Desire,” which was a resounding hit for Canadian theatre. Now, Soulpepper has remounted the production. Weyni joins Tom to talk about the changes she made to “A Streetcar Named Desire,” its legacy, and why it still matters today.

Welcome back to the 163rd episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 163rd episode we bring you a very special review round up episode where we get back to our roots as we reflect on the Stratford Festival's 2023 season. Join Jill, Mackenzie, and Ryan, as they unpack all of their thoughts about what they found to be the eight most memorable shows of the season! TIMESTAMP NAVIGATOR: [00:00:00] – Intro [00:05:29] – Much Ado About Nothing [00:14:59] – Casey and Diana [00:23:52] – Spamalot [00:29:20] – Richard II [00:42:59] – Wedding Band [00:54:53] – Les Belles-Soeurs [01:05:17] – Grand Magic [1:20:59] – Frankenstein Revived [01:41:15] – Sign Off If you missed Casey and Diana at the festival, you're in luck; there are two other ways that you can still catch it! It's coming soon to Soulpepper's 2024 season, running from January 23 until February 11: https://www.soulpepper.ca/performances/caseyanddiana The pro-shot is available for viewing on Stratfest@Home (subscription needed): https://stratford.vhx.tv/casey-and-diana Follow our panelists: Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat  Apple Podcasts: https://apple.co/3aYbBeN  Spotify: https://spoti.fi/3sAbjAu  Jillian Robinson – Instagram: @jillian.robinson96  Ryan Borochovitz – Instagram: @ryanborochovitz [just this once!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre  If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

In this episode, Phil Rickaby talks with the outstanding Deborah Drakeford and unpacking the Canadian premiere of Joanna Murray-Smith's "Rockabye." From the first costume fitting that sets the stage for character metamorphosis to the electric anticipation of performing an original rock anthem, this episode is a tribute to the craft. The camaraderie within the Actors Repertory Company, nurtured by director Rob Kempson is palpable as Deborah recounts the collective effort in breathing life into "Rockabye." This is a toast to the ensemble's magic and her own evolution as resident artist and co-artistic producer with ARC. The conversation also turns to the resilience of actors amid the pandemic, sharing her own tussle with COVID-19 that brought unexpected twists to a production in Sudbury. The episode wraps with a heartwarming glimpse into the enduring marriage Deborah and her husband Oliver Dennis, as they juggle the scales of professional ambition with the weight of family life. Their story is a masterclass in harmony, a dance of mutual support and understanding that keeps the show going, long after the applause fades. Bio Deborah Drakeford is a proud member of ARC, having been a Resident Artist for the past 18 years. Deb assumed the role of Co-Artistic Producer of ARC in July 2020. She has performed in many ARC shows, including A Kind of Alaska, The City, Bea, Moment, Pomona, Human Animals, Oil, Gloria, Martyr and upcoming, Rockabye. Deb has been lucky enough to work across Canada from BC to PEI. Other fun credits include Redbone Coonhound (Tarragon Theatre), Doubt (BNE Productions), Shirley Valentine (Thousand Islands Playhouse and Capitol Theatre), The Penelopiad and The Importance of Being Earnest (Grand Theatre), Portia's Julius Caesar (Shakespeare in the Ruff), Innocence Lost, Great Expectations, Waiting for the Parade and A Christmas Carol (among others) (Soulpepper), Hedda Noir (Theatre Northwest) Rabbit Hole, Same Time Last Year and The Curious Incident of the Dog in the Nighttime (Sudbury Theatre Centre). Deb has been Dora nominated 11 times (individual and ensemble). She has also done tv, film, and voice, most recently appearing in HBO's Station Eleven and recording the audiobook The Stone Diaries by Carol Shields. Deb holds a BEd and teaches for YPT, Soulpepper and for the TDSB. She makes her home in Toronto with her lovely husband, actor Oliver Dennis, and their two amazing kids, Charlotte and Philip. arcstage.com Instagram: @arcstage

Ever wondered about the hidden journey a joke takes before it lands with roaring laughter? Join us, as we, together with our exceptional guest liza paul, peel back the curtain on the world of Canadian comedy - an art form celebrated as a societal equalizer yet struggling against underfunding. We delve into the grit and dedication it takes for a comedian to craft a joke, ensuring it not only elicits a laugh but resonates with audiences far and wide. Thriving in the world of performing arts is no easy feat, a truth we uncover as we draw intriguing parallels between the theatre and stand-up comedy. Liza enlightens us about the ephemeral nature of these arts, and the fascinating process comedians undertake – rehearsing, refining, and reworking a joke until it achieves its full comedic potential. This process mirrors the artistry in theatre, where resources are meticulously combined to create something truly captivating. We also discuss Liza's inspiring journey from Associate Producer at Soulpepper, to the Curator and Manager at Theatre Centre Cafe Bar to an Associate Artistic Director at the Theatre Centre, underscoring the significance of creating inviting spaces and adapting creatively during challenging times like the current pandemic. We also highlight the upcoming Comedy is Art Festival at The Theatre Centre. So, come along on this riveting journey that takes you behind the scenes - into the heart and soul of art, laughter, and authentic human connection. Bio liza paul is a storyteller, comedian, curator and producer who loves laughter, life, music, family, stories, all things bashment, impromptu dancehall-flavoured a cappella street jams, and pum-related non sequiturs. she has trained at the second city (improv conservatory + 2017 bob curry fellowship program) and is the co-creator of pomme is french for apple (best of fringe 2012, toronto), which has also played in winnipeg, edinburgh, and new york city. She has worked with Soulpepper theatre company, anitafrika! dub theatre, bCurrent theatre, and the watah theatre, and is Associate Artistic Director at The Theatre Centre. Comedy is Art tickets: https://theatrecentre.org/event/comedy-is-art-2023/ Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Join us on this rich and provocative journey as we unravel the intricacies of the Toronto theatre scene with Joshua Chong, a seasoned reporter and performing arts critic from the Toronto Star. Our dialogue takes us into the heart of Toronto's performing arts world, uncovering how initiatives like ticket deals and special offers are opening doors for diverse audiences. We look at the struggles and triumphs of prominent companies like the Canadian Stage, Soulpepper, National Ballet, and Mirvish in their quest to broaden their appeal and make theatre more accessible. In this episode we talk about the challenges theatres faced during the pandemic, the decline in subscription audiences, and the pressing need to attract diverse viewers. With the rise in streaming services, we also discuss how to keep theatre relevant and make it a habit for people. We explore the risks and rewards of programming daring works and the need for the stage to reflect the diversity of the audience. Listen in for an enriching discussion on the future of theatre subscriptions, audience engagement, and a whole lot more! Bio Joshua Chong is a Toronto-based general assignment reporter and performing arts critic with the Toronto Star. His work can also be seen in the Globe and Mail, The Whole Note Magazine, The Dance Current, Intermission Magazine and Opera Canada Magazine. Joshua has earned two Youth Journalism International Awards for his criticism and a John H. McDonald Award for his investigative journalism. Too white, too old, too well-to-do: why Toronto theatre companies need to appeal to broader audiences https://www.thestar.com/entertainment/stage/too-white-too-old-too-well-to-do-why-toronto-theatre-companies-need-to-appeal/article_dee3ddf9-79d5-5b0b-86c1-0017de63b6e3.html Twitter: @joshualdwchong Phil's thoughts on the article: https://philrickaby.substack.com/p/toronto-star-too-white-too-old-too Support Stageworthy Donate: tips.pinecast.com/jar/stageworthy

Welcome back to the 147th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 147th episode we have a new artist interview. This particular conversation was hosted by our Associate Producer Jillian Robinson and features actor Dan Mousseau, fresh off of his Dora win for Crow's Theatre/Howland Company's production of PRODIGAL by Paolo Santalucia, and soon to be treading the boards in Soulpepper's production of WILDWOMAN by Kat Sandler. Together they discuss the power of supportive casts, the practice of curiosity, and the pledge to keep fighting the fight. Come see Dan in Soulpepper's production of WILDWOMAN, running from October 5th to October 29th at the Young Centre for the Performing Arts (50 Tank House Ln, Toronto, ON). Tickets can be purchased from the following link: https://www.soulpepper.ca/performances/wildwoman Follow Dan – Instagram & TikTok: @mandousseau Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre  If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Kenton Blythe is a Canadian actor, singer, musician and writer based in Toronto, ON.  Kenton is most recognizable for his appearance with his wife Lise Cormier on season 2 of Canada's Got Talent. Together they performed a song Kenton wrote about the Permian Period. ​ Kenton's professional stage career began after graduating from Randolph College for the Performing Arts, when he joined the international revival tour of Evil Dead: The Musical, produced by Starvox Entertainment & Jeffrey Latimier Entertainment. This critically acclaimed revival featured members of the original cast.  Following the tour he became a company member of The Shaw Festival, performing in the musical Cabaret, and the play Juno and the Payock.  He is currently developing a musical for the 2023 Toronto Fringe Festival called Curious K Explores the Paleozoic.  The musical features material he and his wife performed on Canada's Got Talent.  Lise Cormier is a Toronto-based Jewish and Acadian bilingual actor, voice actor, singer, dancer, and creator who hails from Halifax, where she performed with RAZZMATAZZ FOR KIDS, at Neptune Theatre, as well as in multiple movies of the week.      She is a two time Dora Award nominee for her performances in TALE OF A T-SHIRT with Fixt Point, as well as in ZINSPIRÉS 3D with Théâtre français de Toronto.  She  performed in the Dora-nominated THE BARBER OF SEVILLE at Soulpepper, in the award-winning CBC radio drama BACKBENCHER, in Netflix's THE UMBRELLA  ACADEMY, and on Season 2 of Canada's Got Talent as KENTON AND LISE. CURIOUS K EXPLORES THE PALEOZOIC - When these best friends' very friendship is on the rocks, a class trip to the museum finds Emma and Olivia in a hidden room with a ... robot that sings songs about the Paleozoic Era – the very topic of their homework! But can they work together to finish their assignment and get back to their class – in time? https://www.kentonblythe.com/curious-k  

Are you worried that you don't belong in just one single creative community because the way that you want to make art is in multiple directions?  Go ahead and pursue your passions, whatever that looks like! In this week's episode, Actor/Writer Vanessa Smythe will encourage us to follow whatever creative currents flow within us. She reminds us to honour the whispers of our creativity and worry less about the perception of other people. In this episode: The challenges that Vanessa had to overcome while she was pregnant while working as well as the unexpected gifts and learning that have informed her artist through her pregnancy.  The importance of having role models in your life who are courageous enough to share with you how they overcame the norms. Having multiple skillsets as an artist allows you to live a sustainable life and pursue various creative projects. The habits that Vanessa adds in her daily routine to guide her thoughts, focus and energy.   A little about Vanessa: Vanessa Smythe is a Canadian actor and writer, best known for playing Michio in The Expanse. When she's not in space, she can be seen on Hudson & Rex, Mrs. America, Designated Survivor, and Murdoch Mysteries. Her original live show, In Case We Disappear, has played to sold-out houses internationally, and was named one of the best free shows at the Edinburgh Fringe. Ever the dreamer, Vanessa is one of the creators of the Nostalgic 90s Video Store Experience, The Tape Escape – “Outside the March's latest site-specific marvel” – (NOW). She is also a poet, collaborating with Olympic Gold Medalist Simon Whitfield on a poem for The Canadian Sport Awards. Vanessa has worked with CanStage, Soulpepper, Company Theatre, Crow's, Starvox, fu-GEN, Howland, and YPT. In her free time, she offers writing workshops for people of all ages. But you're most likely to catch her shouldering her nephews, or writing a long-winded birthday message for someone she loves. Upcoming: Vanessa appears in The Amityville Curse, and the film Littlemouth, starring Isabelle Fuhrman and Dennis Quaid. She's also slated to perform her newest solo show, “Tell You A Story” at the end of April with Talk is Free Theatre.  Follow Vanessa! Twitter: @vsmythe Instagram: @vanessasmythe Get tickets to Vanessa's Solo Show! Tell You A Story

Multi-instrumentalist Colleen Allen is a versatile and expressive performer based in Toronto, Canada. In this conversation, we talked about her perspectives on evaluating priorities, rising to new challenges, collaboration, teaching improvisation, and the physical challenges of playing so many different instruments. Colleen's candid warmth and love of music really shine through in this wide-ranging conversation. Please help me keep this podcast going: https://ko-fi.com/leahroseman  Video and Transcript: https://www.leahroseman.com/episodes/colleen-allen photo: Jean-François Gratton  clip of Manteca playing "Mind Monday" used with permission, writer/composer Doug Wilde and Matt Zimbel album available: https://mantecamusic.bandcamp.com/album/monday-night-at-the-mensa-disco  Timestamps: (00:00) Intro (01:34) women in jazz, role models and mentors (11:38) Gloucester high school (13:26) the challenges of learning music (17:18) teaching improvisation (22:07) Women's Blues Revue, Toronto Blues Society (25:38) learning different instruments, ergonomics and keeping fit (31:19) alto sax “If I Were a Bell” by Miles Davis (34:02) playing in big bands, playing different instruments in Manteca (35:40) clip of band Manteca playing “Mind Monday” writer/composer Doug Wilde and Matt Zimbel (37:19) Accordion, working with actors, different ways of memorizing music (44:07) stage fright, dealing with nerves, challenge state, breathwork (47:52) writing arrangements, Toronto Sax Quartet, Molly Johnson (53:19) life on tour (54:43) Jazz scene in Toronto (56:09) Cirque du Soleil Pomp Duck and Circumstance (01:01:02) solo albums Flashlight and Colleen Allen, Marc Jordan, process of recording (01:06:49) evolution of vibrato in jazz (01:08:33) pandemic, livestreams, Syncspace, Adrian Cho (01:12:40) stopping teaching, assessing priorities (01:15:33) jazz flute demo, Moe Koffman, Manteca Offspring project, Jake Koffman (01:18:50) Oliver Schroer (01:21:44) Soulpepper theatre, learning leadership (01:23:49) student days, how things are evolving in a positive way, the life of a musician --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

Show notes below:   Talking Shit with Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com    © 2022 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links: PTC (Playwrights Theatre Centre): https://www.playwrightstheatre.com/ PTC's Block D Program:  https://www.playwrightstheatre.com/programs/block-d/ Universal Limited: https://www.universallimited.ca   About Joanna: Joanna Garfinkel is the Dramaturg, Creative Engagement at Playwrights Theatre Centre and co-founder, with Yoshie Bancroft, of Universal Limited. Joanna's focus is in collaborative approaches to new play development, multidisciplinary, and site-specific work; upcoming projects include dramaturgy with ZeeZee Theatre/VACT on My Little Tomato, and the Queer & Trans playwriting unit; UL's development on To the Sea; PTC Associates Kamila Sediego's Engkanto and José Teodoro's Binary Star. She is also working on ongoing dance collaborations, including TCP's Pants. She is the co-creator, with Yoshie Bancroft, of JAPANESE PROBLEM, a site-responsive piece about the Japanese Canadian Incarceration, which has been performed site-specifically in Vancouver, at Soulpepper in Toronto, and in several locations in between. Joanna is struck by the systemic inequities that repeat in Canada, and to troubling those patterns through performance. Other notable credits include Berlin: The Last Cabaret at PuSh 2020, and the multi-award-winning Poly Queer Love Ballad, which toured to Theatre Passe Murailles in 2019. She has been nominated for three Jessie awards, winning one (Critics Choice for Innovation); was awarded the Pure Research grant from Nightswimming Theatre (Toronto), and has received the Sydney Risk award for directing. She moved to Vancouver to get her MFA in directing at UBC, and her focus since has been primarily in new play development, multidisciplinary, and site-specific work. She has trained with Anne Bogart and the SITI Company in New York. About Tara:  Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.

Aaron Jan is a Hamilton-born playwright, director, dramaturg. and educator. He has worked as a creator with Factory Theatre, UpintheAir Theatre, Soulpepper, York University, Boca Del Lupo, fu-GEN Asian Canadian Theatre, Theatre Passe Muraille, the Musical Stage Company, Canadian Stage, Theatre Erindale, Sheridan College and most recently as a guest director at the Creative School at Toronto Metropolitan University. A member of the critically acclaimed Silk Bath Collective, Aaron is the 2019 winner of the Ken McDougall directing award, the 2021 inaugural co-winner of Highland Arts Theatre's Rita Joe playwriting award, a 2021 Johanna Protege Award, the 2022 winner of the Urjo Kareda Award and a co-recipient of The Musical Stage Company's Aubrey and Marla Dan Fund for New Musicals. Alongside Karen Ancheta, Aaron is a co-founder of Porch Light Theatre (currently a company in residence at Theatre Aquarius), and is dedicated to making his hometown a place where professional theatre artists can make new work and be compensated fairly for it. http://aaronchihojan.wixsite.com/home Twitter: @afatchineseboy Instagram: @afatchineseboy Porch Light Theatre https://www.industrypresents.com/porchlight-theatre Tickets to House Key Project: https://boxoffice.hamiltonfringe.ca/event/866:605/ Support Stageworthy Tip Jar: tips.pinecast.com/jar/stageworthy

Our guest this week is Chinese-Canadian actor, writer - RONG FU! Rong was born in Qin-an, China and was raised in Toronto, Canada.  She knew at a young age that she wanted to be an actor and started her classical training in theatre at Earl Haig, an arts high school in Toronto and then went on to graduate from York University's Acting Conservatory in 2012.   Rong's theatrical debut was in the critically acclaimed production of THE CRUCIBLE at Soulpepper in Toronto.  She has since performed on stages across Canada in amazing productions including the Shaw Festival's STAGE KISS and THE ORCHARD AFTER CHEKHOV in Niagara-on-the Lake, Vertigo Theatre's SHERLOCK HOLMES and THE RAVEN'S CURSE in Calgary, Toronto Tarragon Theatre's THE MILLENNIAL MALCONTENT, and Roseneath Theatre's Dora Nominated THE MONEY TREE in Toronto. You may recognize Rong on the small screen in shows such as: CBC and NBC's PRETTY HARD CASES, CBC and Netflix's WORKIN' MOMS, CBS's AMERICAN GOTHIC, ABC's ROOKIE BLUE, CTV's CARTER, and The CW's BEAUTY AND THE BEAST. Most recently, on Paramount+'s STAR TREK: STRANGE NEW WORLDS, and Lionsgate and BuzzFeed Studios' MY FAKE BOYFRIEND. Rong plays the romantic lead Avery in CBC Gem's original HELLO (AGAIN), a k-drama inspired rom-com created by Simu Liu and Nathalie Younglai, that recently won BEST DRAMA PILOT in the DIGITAL SHORTS SERIES in SeriesFest in Denver, Colorado. MAY FLOWERS, ASIANS IN THE SIXTH is a short film that Rong wrote and it premiered on CBC: CANADA REFLECTIONS in 2020.  She is a founding member of a community collective of Asian artists in film and television called ASIANS IN THE SIXTH as a Facebook group.  In 2021, she curated a program of various free industry workshops to uplift and support fellow Asian artists, including workshops about The Business Side of Acting and another workshop on Authenticity and Wellbeing. Twitter: @rongideas Instagram: @rongideas Website:  https://www.officialrongfu.com/ HELLO (AGAIN) @watchhelloagain #watchhelloagain @cbcgem Watch: https://gem.cbc.ca/media/hello-again/s01 Podcast Team Head Producer and Editor: Winnie Wong @wonder_wong Editor:  Shayne Stolz @shaynestolz Graphic: Vicki Brier @brier2019 To listen to the podcast: https://linktr.ee/firecrackerdept  Subscribe to our newsletter at https://www.firecrackerdepartment.com and follow us @firecrackerdept!

A comedy infused with Bollywood elements, An IMM-Permanent Resident is a hilarious take on the mundane and tiresome bureaucracy of the Canadian Immigration process, as experienced by playwrights and real-life couple, Himanshu and Neha. The play explores the irreverent journey to obtain Neha's PR status, including the couple's trials and tribulations as they put their hopes and dreams on pause (indefinitely). Through wit and creative banter, this fast-paced roller coaster transports us between Mumbai and Toronto, as Neha and Himanshu navigate the immigration system and ask themselves – is love worth it all? www.nautankibazaar.ca Tickets: whynot.theatre/work/immpermanentresident Himanshu Sitlani is a thespian, originally hailing from Mumbai. Foraying his way into theatre as an actor, he progressed on to other creative aspects and worked as a Stage Manager and Producer over the years with QTP and Akvarious. He co-founded Le Chayim Theatre Productions in Mumbai in 2006 where he eventually made his directorial debut in 2013. Since immigrating to Toronto Canada, Himanshu's been immersed in supporting the creative arts, working as Patron Services Manager at Factory Theatre, while penning down his ideas towards his goal of creating a bridge between creative artists in Canada and India eventually co-founding Nautanki Bazaar in 2019. In 2021, he wrote and performed in the virtual show “Stories of a Dish' that was presented at the Mississauga Multilingual Fringe Festival, The Edinburgh Fringe, The Little Lion Theatre Festival in London UK, The Tata Literature Live Festival in Mumbai India and the Next Stage Theatre Festival in Toronto. Twitter: @himy316 Instagram: @himanshu.sitlani Neha Poduval is a trained actor, with several feathers in her creative hat, having performed in various theatre plays, corporate films and TV shows across India. A post-graduate in Acting from the reputed Film and Television Institute of India, she continued her association with the performing arts since moving to Canada. In January 2021, she launched her YouTube Cooking Channel “Mustard Tempered Dreams” where she shares her love for food with easy to make Indian and global vegetarian recipes. Neha is also a certified Yoga Teacher and has been teaching Yoga across various studios, community and senior centres in Toronto. Instagram: @mustard_tempered_dreams Miquelon Rodriguez is a sound designer, composer, radio play mixer & editor, digital content creator, actor, and an emerging arts leader based in T'karonto. He was the Apprentice Artistic Director at Factory Theatre from 2017-2019, under the mentorship of Nina Lee Aquino, and co-curated Pan-Asian works over two seasons at Soulpepper through the Tiger Bamboo Festival and the Shen Development Series. He is an Artistic Leadership Resident with the National Theatre School of Canada and has worked with a multitude of artists and companies across Turtle Island. Twitch: www.twitch.tv/troysteel Twitter: @djtronix Instagram: @troysteel Support Stageworthy Patreon: patreon.com/stageworthypod Tip Jar: tips.pinecast.com/jar/stageworthy

Vanessa can currently be seen rocking it as Belter Michio in the hit Amazon show The Expanse! And she kindly joins us to can't about working on the show and everything in between! Don't forget to also check out the video interview on our YouTube channel and hit that important subscribe button to support the show. Keep safe and stay super. Vanessa Smythe is a Canadian actor and writer, perhaps best known for playing Michio in The Expanse. When she's not in space, she can be seen on Hudson & Rex, Mrs. America, Designated Survivor, and Murdoch Mysteries. Her original live show, In Case We Disappear, has played to sold-out houses internationally, and was named one of the best free shows at the Edinburgh Fringe. Ever the dreamer, Vanessa is one of the creators of the Nostalgic 90s Video Store Experience, The Tape Escape - “Outside the March's latest site-specific marvel” – (NOW). She is also a poet, recently collaborating with Olympic Gold Medalist Simon Whitfield on a poem for The Canadian Sport Awards. Vanessa has worked with CanStage, Soulpepper, Company Theatre, Crow's, Starvox, fu-GEN, Howland, and YPT. In her free time,

'The Green Sessions was invented because this small group of people got together and decided we wanted to do something that created impact. I'm really interested in new and more opportunities for us to collaborate as a sector and putting people into focus and a place of knowledge on this agenda'Emma Stenning, former Executive Director, SoulPepper theatre companyComplete excerptThe Green Sessions was invented because this small group of people got together and decided we wanted to do something that created impact and we put really a fairly modest amount of money behind it, and a huge amount of hours of time and passion. I'm so, so proud of the impact. For me, there's a big lesson, which is, you know, small group of committed people can really make a difference. I think on this agenda that is really, really encouraging for all of us and that has been very, very inspiring for me. On the, on the flip side, I think what I sent at the green sessions is actually the power that we hold as a community and actually the feeling that our sector is in dialogue about this most, most urgent issue is very, very uplifting and very powerful. I'm just really interested in new and more opportunities for us to collaborate as a sector and putting people into focus and a place of knowledge on this agenda, because that really was a starting hypothesis, which is that our sector needs literacy and confidence in order to step forward with impact and that was our mission. We have scratched the surface of that but I'm very proud of the contribution that we've made and I've very encouraged to do more.Emma Stenning, e71 green sessions debrief, october 1, 2021 *END NOTES FOR ALL EPISODESHere is a link for more information on season 5. Please note that, in parallel with the production of the conscient podcast and it's francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' which are 'short, practical essays for those frightened by the ecological crisis'. To subscribe (free of charge) see https://acalmpresence.substack.com. You'll also find a podcast version of each a calm presence posting on Substack or one your favorite podcast player.Also. please note that a complete transcript of conscient podcast and balado conscient episodes from season 1 to 4 is available on the web version of this site (not available on podcast apps) here: https://conscient-podcast.simplecast.com/episodes.Your feedback is always welcome at claude@conscient.ca and/or on conscient podcast social media: Facebook, X, Instagram or Linkedin. I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on April 2, 2024

In a world where consumers are moving their banking transactions online and leaving branches as remnants of the past, how does one bank differentiate themselves from the other? According to Maja Neable, Chief Marketing Officer (CMO), Banking at BMO Financial Group, it is a combination of what consumers think about as a perceived convenience, and the distinctiveness that a bank can create to try and convince consumers that they are really different. The balance for automation and self-service, along with the need for timely advice, is something that banks are trying to figure out. The young Generation Z client believes that they will probably never set foot in a branch, though as their financial needs evolve and they mature in their financial journey, they often realize the need to ask for and get human advice. Therefore, for those value-adding conversations, banks like BMO need to figure out why people should choose to stay with them, and it is mostly a result of being able to simply provide the right advice and truly help them. As we know, many things happen in life and we often need help. That help may not happen physically in the branch. Consumers can choose to talk to somebody on the phone, through video chat or perhaps even text chat. There is a lot of assistance and advice that can be delivered through digital channels. Listen in as Maja and I discuss these and other topics around the future of banks.  Maja Neable is well recognized as an innovative, action-oriented marketing leader with strong digital background. Prior to her current role, Maja was VP Digital Marketing at BMO and prior to BMO, Maja held successively more senior roles across the US, Canada, and Europe in a variety of industries, including technology (Microsoft and Expedia) and telecommunications (Rogers and Telenor).  Maja is a mathematician who loves creativity, and this combination of left & right brain is what has guided her career. Her 20+ years of experience include digital marketing, design & product development, business & brand strategy and sales & service leadership. Maja sits on the Board of Soulpepper theatre and is Vice-Chair of the Board at Skills for Change. She holds B Math degree from the University of Waterloo, and an MBA from IMD, Switzerland. She lives in Toronto with her husband and two sons, and enjoys skiing, running, and reading.

Siobhan Richardson is an internationally-recognized Fight Director, an Intimacy Director (a pioneer voice in this specialty across Canada), and an award-winning actor/fighter/singer/dancer. Her teaching career has spanned Canada, USA and Europe, including international events such as the Paddy Crean International Art of the Sword Workshop, Fight Directors Canada's National Workshops, and the Nordic Stage Fight Society's Summer Workshops, and four separate teaching tours including Sweden, Norway, Estonia, England, Ireland, Scotland, Finland, Germany and France. She’s been both a student and a teacher online for over a decade. Siobhan’s work has been seen on some of Canada’s most well-recognized stages (The Canadian Opera Company, National Arts Centre, The Shaw Festival, The Stratford Festival, Factory Theatre and Soulpepper, to name a few), as well as around the world through online performance and education. In all her work, Siobhan is dedicated to the growth and development of the art form, the artists and our workplaces in order to support a vibrant and healthy artistic community. Passionately curious, Siobhan continues to pursue her own training, and is continually experimenting, drawing from arts and science for the betterment of our performances, rehearsal practices and the spaces we work in. Practices that foster joyful workspaces for vulnerable and creative work has been a particular focus of the last several years.   www.SiobhanRichardson.com Instagram: @fighteractress YouTube: www.youtube.com/actorsr Facebook: https://www.facebook.com/SiobhanRichardsonFighterActress/ Nicole Winchester is a storyteller, a narrative designer for live-action and tabletop roleplaying, and an ‘international larper of mystery.’ A co-founder of Fair Escape Studios where she produced two sold-out immersive evenings of vampire intrigue, she has written for Green Ronin Publishing, Pseudonym Productions, John Wick Presents, the Toronto Star, and more. Currently studying Social Work at York University, Nicole’s latest work is “Heather was right: The real curse in The Blair Witch Project is the mediocre white dude,” an essay in Transgressive Horror launching today, April 27th, on Kickstarter. www.nicolewinchester.com Twitter: @noizangel Instagram: @noizangel Fair Escape Studios: fairescapestudios.com Transgressive Horror by Ghost Show Press https://www.kickstarter.com/projects/ghostshowpress/transgressive-horror Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

How do you juggle multiple skillsets? How do you keep your skills sharp? Joining the conversation on Cue To Cue this week is Performer/Fight Director/Intimacy Professional Siobhan Richardson who advises us to always reassess and rebalance on what makes us happy, not what other people think you should be.  Are you suffocating because you're selecting what you should show the world? Are you being the fullest version of yourself? Release yourself from those shackles! You can be more than one thing at a time and still find fulfillment. You can enjoy and thrive in the diversity of your passions! In this episode: How breaking the shackles from the expectations of others allowed her to thrive in different forms of art and creativity How ballet triggered her journey in movements arts to discovering stage combat and scenes of intimacy The importance of points and pathways in embodying the required movements for scenes of violence The impact of communication in knowing if someone is in trauma response versus being uncomfortable with scenes of intimacy A little about Siobhan: Siobhan Richardson is an award-winning actor/fighter/singer/dancer, Fight Director and Instructor, and Intimacy Director and is a pioneer voice in the Canadian Theatre Industry regarding Intimacy in Performance.  She is the preferred Fight Director and Instructor for a number of theatre companies, actors and directors, and a certified Fight Director with Fight Directors Canada. Stage combat teaching has, likewise, taken her across Canada, the USA and Europe. She has taught at international events such as the “Paddy Crean International Art of the Sword Workshop”, “The World Stage Combat Certification and Teacher’s Conference”, “Fight Directors Canada's National Workshops”, and the “Nordic Stage Fight Society's Summer Workshops”. In 2009, she received a “Chalmers Arts Fellowship Award” from the Ontario Arts Council, which allowed her to travel to Washington (DC), England and Sweden to study with some of the world's foremost Fight Directors: Brad Waller, Jonathan Howell, Tim Klotz and Peppe Östensson. She has completed three separate teaching tours of Europe which included Sweden, Norway, Estonia, England, Ireland, Scotland, Finland, Germany and France. Siobhan's approach to teaching stage combat draws parallels to the actor’s process in order to connect fight technique to the characters objectives, obstacles and tactics. From a physical perspective, her classes examine structure and biomechanics to prevent injury, while expanding physical vocabulary. She had been teaching Intimacy extensively across Canada for the 2.5 years before Pandemic, travelling from Vancouver to Halifax to teach this work, in professional and amateur settings, and in educational institutions. She has also shared these techniques across the United States and in Europe. She is the first certified Intimacy Director in Canada (Intimacy Directors International), was the first ACTRA “Intimacy Coordinator” contract and the first Intimacy Coordinator contract at Ubisoft. Her work as a fight director and/or intimacy director has appeared at The Shaw Festival, the National Arts Centre Indigenous Theatre and English Theatre, The Stratford Festival, Native Earth Performing Arts, Tarragon Theatre, Factory Theatre, Soulpepper, Canadian Musical Theatre Projects, The Grand Theatre (London, ON), Harold Green Jewish Theatre Company, Young Peoples’ Theatre, Starvox Entertainment, and Coal Mine Theatre, to name a few. Meanwhile, she continues to perform as an actor/fighter/singer/dancer, most recently Faking It (#canadaperforms, NAC), The Penelopiad (Grand Theatre, London, ON) and A (musical) Midsummer Night’s Dream (Driftwood Theatre). When at home, she and her partner, Matt Richardson, teach stage combat (private lessons, workshops for actors, and workshops in schools). In the 2013-2014 school year, Burning Mountain was on the Ontario Arts Council’s “Artists in Education” roster, a program that subsidizes professional artists in high schools. In 2011, they won the Stage Combat Competition at CombatCon (Las Vegas), and later shot their scene “Trespasser” for film. Always infusing Joyfulness and Curiosity into the work, Siobhan is dedicated to the growth and development of the art forms, the artists and the workplaces. She builds upon current practices, inspired by historical sources, drawing upon a variety of styles and approaches, infused with some science and developing ideas. Her approach to teaching movement arts draws parallels to the actor’s process in order to connect movement technique to the characters objectives, obstacles and tactics. From a physical perspective, her classes examine structure and biomechanics to prevent injury, while expanding physical vocabulary. She endeavors to foster and support a vibrant and healthy artistic community, and to help performers around the world connect more through their bodies to continually grow as storytellers and joyful co-workers. Follow Siobhan! Instagram: @fighteractress Twitter:@fighteractress Facebook: Fighter Actress Facebook: Siobhan Richardson Fighter Actress

“Soy una receta antigua que perdió el origen.”   Bienvenidos al Studio Serie: experimentaciones de narrativas de audio creadas por algunos de los artistas de teatro más interesantes de nuestra comunidad TransAmericana en Canadá. En este episodio podrás escuchar un trabajo en proceso, seguido por una breve charla del artista sobre su proceso creativo. Esta presentación también está disponible en Inglés.   Compartir una comida es un gesto de amor íntimo e inmediato. Reina es un ritual de actuación que se esfuerza por crear esta misma atmósfera. Invoca y celebra la feminidad personal y la indigeneidad a través de una colección de recuerdos, historias, recetas y partituras físicas en conversación con percusión afro-venezolana en vivo y en voz de la artista musical Y Josephine. Y arepas.   Augusto Bitter es un intérprete, escritor, facilitador y productor artístico ganador del premio Dora basado en Toronto. Actualmente es artista residente en Aluna Theatre y ha tenido residencias artísticas en Canadian Stage, Theatre Passe Muraille y hub14. Augusto ha entrenado en el Teatro delle Radici (Suiza), Manifesto Poetico (París), el National Voice Intensive de Canadá, el Laboratorio de Interpretación de Aluna Theatre y la Universidad de Toronto. Augusto trabaja con jóvenes en programas de educación de Soulpepper y Story Planet. Actualmente está desarrollando—Reina— con la artista musical Y Josephine, y su cortometraje cannibal será parte del Festival de Cine Queer de Toronto 2021. www.augustobitter.com   Y Josephine es una venezolana-canadiense, ciudadana del mundo, cuya contagiosa pasión por la percusión la ha impulsado a viajar por todas partes compartiendo sus épicos sonidos de fusión del Sur. Impulsada por la música potente, relajante y vibrante que ayudó a crear, es una de las fundadoras de Baobá, un trío formado por las mejores percusionistas de Toronto que llevan los ritmos tradicionales al siguiente nivel. Fortalecida por la musicalidad natural que fluye de los cuerpos sudamericanos, ese trío y, a veces, cuarteto, con la compañera de Jamphitheatre-er Anita Graciano junto a Mari Palhares y Carla Dias, representan un equilibrio ideal de voz, melodía e instrumentación que le da nueva vida a y trascienden las tradiciones venezolanas, colombianas y brasileñas. También es parte de Amao Kuda Et les Bois crue, descrita por Now Magazine como una "tentadora combinación de afro soul de folk, roots, desert blues y música continental africana". Y actualmente está trabajando con Victoria Mata en Cacao: A Venezuelan Lament y con Augusto Bitter en Reina (ambos híbridos de danza y teatro).   El desarrollo de la creación de REINA ha sido apoyado por Cristina Castrillo y Bruna Gusberti del Teatro delle Radici, Claren Grosz, b current performing arts, Canadian Stage y Aluna Theatre.   Esta grabación ha sido producida por Aluna Theatre en nuestro estudio en Toronto. Escrita, actuada y dirigida por Augusto Bitter. Música y composición por Y Josephine Ingeniero de Sonido, Steph Raposo Edición y diseño de sonido, Miquelon Rodriguez con asistente, Lucia Linares Jefa de producción, Mónica Garrido  Coordinación de guión, Camila Diaz-Varela    Todos los episodios de Radio Aluna Teatro son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de  Toronto Arts Council, Ontario Arts Council, Canada Council for the Arts, Department of Canadian Heritage, Metcalf Foundation y TD Bank. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint.  Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.

“I’m an ancient recipe that has lost its origin.”   Welcome to the Studio Series: experiments in audio storytelling from some of the most exciting theatre artists from our TransAmerican community in Canada. First you’ll hear a work in process, then a short talk by the artist on their creative process. This presentation is also available in Spanish.    Sharing a meal is an intimate and immediate gesture of love. Reina is a performance ritual that strives to create this same atmosphere. It invokes and celebrates personal femininity and Indigeneity through a collection of memories, stories, recipes, and physical scores in conversation with live afro-venezuelan percussion and vocals by musician Y Josephine. And arepas.   Augusto Bitter is a Dora Award-winning performer, writer, facilitator, and artistic producer based in Toronto. He is a Resident Artist at Aluna Theatre and has been in-residence at Canadian Stage, Theatre Passe Muraille, and hub14. He has trained with Teatro delle Radici (Switzerland), Manifesto Poetico (Paris), Canada's National Voice Intensive, Aluna Theatre's Interpretation Lab, and the University of Toronto. Augusto is also a youth educator with Soulpepper and Story Planet. He is developing a new piece—Reina—with musician Y Josephine, and his short film cannibal will be a part of Toronto Queer Film Festival 2021. www.augustobitter.com   Y Josephine is a Venezuelan-Canadian, and a citizen of the world, whose contagious passion for percussion has propelled her to travel far and wide sharing her epic fusion sounds of the South. Driven by the potent, soothing, and vibrant music she’s helped to create, she is one of the founders of Baobá, a trio formed by Toronto’s top female percussionists taking traditional beats to the next level. Empowered by the natural musicality that flows from South American bodies, that trio-and-sometimes-quartet, featuring fellow Jamphitheatre-er Anita Graciano alongside Mari Palhares and Carla Dias, represents an ideal balance of voice, melody, and instrumentation bringing new life to, and transcending, Venezuelan, Colombian, and Brazilian traditions. She also is part of the Amao Kuda Et les Bois crue, described by Now Magazine as a "tantalizing afro soul combo of folk, roots, desert blues and African continental music". Y is working with Victoria Mata on Cacao: A Venezuelan Lament and with Augusto Bitter on Reina (both dance-theatre hybrids).    Reina’s development has been supported by Cristina Castrillo and Bruna Gusberti at Teatro delle Radici, Claren Grosz, b current performing arts, Canadian Stage, and Aluna Theatre.    This recording was produced by Aluna Theatre at our studio in Toronto.   Written, performed, and directed by Augusto Bitter Music written and performed by Y Josephine  Sound Engineer, Steph Raposo  Editing and sound design by Miquelon Rodriguez, assisted by Lucia Linares  Head of Production, Monica Garrido  Script co-ordination, Camila Diaz-Varela    All Radio Aluna Theatre episodes are in Spanglish, English, or Spanish. New episodes of Radio Aluna Theatre are released on Wednesdays. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Toronto Arts Council, The Ontario Arts Council, the Canada Council for the Arts, the Department of Canadian Heritage, the Metcalf Foundation, and TD Bank.   Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook.  

JERRY CICCORITTI (DIRECTOR)A founder of the Buddies In Bad Times Theatre Company and long one of Canada's most prolific and influential film and television directors, Jerry Ciccoritti is known for both his innovative and dynamic visual style, as well as being one of Canada's best actor's directors. His features have been invited to festivals throughout the world and, in television, his work has earned ten Gemini Awards and two Canadian Screen Awards.He has won six Directors Guild of Canada Awards and received a Genie Awards nomination for Best Adapted Screenplay in a Feature Film.LESLIE HOPELeslie Hope was 16 when she starred in Ups and Downs her first feature with the great Canadian filmmaker, Paul Almond. Bit by the bug, she left high-school and landed in Los Angeles to star in John Cassavetes' Love Streams, in a role he had written for her. At 19 she wrote and directed her first short film The Luncheon and later Siren Moon, a shout-out to the early black and white silent films she loved. Leslie directed her first television movie, the charming A Very Merry Daughter of the Bride, followed quickly by the highly- rated My Neighbor's Secret for TF-1. The Merry In-Laws, an oddball Christmas comedy starring George Wendt and Shelley Long won its nightly ratings and Christmas on the Bayou starring Ed Asner, Hilarie Burton, Tyler Hilton and Randy Travis garnered the highest ratings for Lifetime holiday movie since 2011 and was an official selection of the Southern Screen Film Festival in Louisiana. What I See When I Close My Eyes, her documentary which follows the street kids of Cambodia, won several awards and was the official selection of over 30 film festivals. What I See When I Close My Eyes was invited to screen as part of the 10th anniversary of "V-Day" (an event which celebrates women and children, and which supports an end to violence against both), alongside even supporters like Oprah Winfrey, Eve Ensler, Ellen DeGeneres and Salma Hayek. Eyes also screened at the Amerian Visionalry Arts Museum as part of their year-long exhibition "The Art of Story Telling". Hope was honoured to have the Kent Film Festival name “The Hope Award for Outstanding Work in Documentary Filmmaking” after her and her work. Eyes sold to Moviola, The Short Film Channel.Leslie's episodic work includes Lost in Space, The Order and Ghost Wars for Netflix, Snow Piercer for TNT. Additional work includes ABC's Emergence and Law&Order: SVU for NBC. She has directed several episodes of the period procedural The Murdoch Mysteries, Aftermath for Halfire Entertainment/SyFy, Frankie Drake for the CBC, and Van Helsing for Nomadic Pictures. With Jon Eskenas, she served as Executive Producer on The Bling Ring for Dick Clark Productions. Leslie wrote and directed the hilarious, award-winning short GAYKEITH, and created its accompanying web campaign. GAYKEITH became a viral internet hit and was picked up for distribution by Tricon Films.Leslie produced the feature film Lie Exposed, directed by Jerry Ciccoritti, based on Jeff Kober's play Pornography. Lie Exposed was recently sold to Mongrel Media for theatrical distribution and Crave for Canadian broadcast, as well as Indican Pictures for US theatrical and international distribution. Leslie also directed and executive produced the short film Buried Treasure, which won the Rome International Film Festival as Best Narrative Short.She is attached to direct the J-Horror feature, Blood Wish, the comedy thriller mash up Ding Dong Ditch and the psychological thriller, Snow Man, based on best-selling author Carolyn Chute's acclaimed novel. Leslie will direct the pilot for X-treme Medicine, a docu-reality series she co-created.For the theater, Leslie directed and co-created with Roberto Campanella F-Lying: A Fellini Cabaret for SoulPepper and ProArte Danza as part of The Global Cabaret Festival. Previous directing work includes development of new works for the stage and a re-examination of the classics for The Wilton Project - a theatre company she founded and ran for 10 years as Artistic Director with Charlie Stratton.LIE EXPOSED Synopsis: Melanie (Leslie Hope) has a good, solid life, but when she's diagnosed with cancer, her world spirals out of control. Instead of confronting her disease, she leaves her husband (Bruce Greenwood) and heads out for a bender in Los Angeles to search for the meaning of life. During her trip, she meets a mysterious, erotic photographer (Jeff Kober), and agrees to throw caution to the wind and pose for his latest project. Their interaction presents dangerous opportunities, revealed in a surprising art show that ignites passionate, provocative emotions and incendiary repercussions for her life, and those of her friends and family.ON DEMAND DETAILSRelease Date: November 10, 2020Available Platforms: Apple TV, Google Play, Prime Video, FandangoNOW and morehttps://www.amazon.com/gp/product/B08MX2QCS5/ref=pv_ag_gcf?cmp=rt_where_to_watchRun Time: 90 MinutesLeslie Hope W: https://lesliehope.ca/T: https://twitter.com/lesliehopeF: https://www.facebook.com/LeslieHopeOfficial/Jerry CiccorittiW: https://www.jerryciccoritti.com/biography.htmlF: https://www.facebook.com/jerry.ciccoritti?fref=tsYT: https://www.youtube.com/user/TheCiccorittiLike to have a ASC cinematographer as a mentor?Have you thought of upgrading your cinematography game? Would you like to have an ASC Cinematographer mentor you for free? Join veteran cinematographer Suki Medencevic, A.S.C. (Disney, Pixar, FX Networks, Netflix, American Horror Story). He teaches you how to create beautiful images using three lighting techniques he has mastered on film sets over his 30+ years in the film industry. Each technique uses basic, low-cost lighting equipment so that anyone can achieve beautiful visuals no matter your projects's budget.Learn film lighting from an ASC cinematographer. If you want to take your cinematography to the next level, this free training will get you there. These videos are available for a limited time, so sign up for instant access. CLICK HERE TO REGISTERhttps://www.ifhacademy.com/a/28632/aLFBXkpNIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: https://www.kweli.tv/programs/the-people-of-brixtonDamien Swaby Social Media Links:Instagram https://www.instagram.com/filmmaker_damien_swaby/Twitterhttps://twitter.com/DamienSwaby?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5EauthorWebsite filmmakingconversations.comIf you enjoy listening to Filmmaking Conversations with Damien Swaby, I would love a coffee. Podcasting is thirsty work https://ko-fi.com/damienswaby​

Cool Toronto stories: Black foodie week; books about 'funky-looking' Parkdale; volunteering at a friend's Korean resto; COC & Soulpepper fall seasons.

Aaron Jan is a Hamilton born and Toronto-based director, playwright, dramaturg and community builder. Aaron has worked as a creator with the Stratford Festival, Factory Theatre, Tarragon, Native Earth Performing Arts, Fu-GEN Asian Canadian Theatre, Canadian Stage, Theatre Aquarius and Hart House. With his company, SILK BATH COLLECTIVE, Aaron has sold out critically acclaimed tri-lingual plays at the Next Stage Theatre Festival and Soulpepper. Aaron is the 2019 winner of the Ken MacDougall Directing Award and is a co-founder of Porch Light Theatre, a company dedicated to paying and training the next generation of Hamiltonian theatre artists. A highly sought after teaching artist and collaborator, Aaron is a graduate of Generator's Artist Producer Training Program and is dedicated to making his hometown a place where professional artists can make new work and be compensated fairly for it. https://aaronchihojan.wixsite.com/home Twitter: @afatchineseboy Instagram: @afatchineseboy Support Stageworthy: https://tips.pinecast.com/jar/stageworthy

“Love is what raised me, and that’s what influences the things that I create.” - this week’s guest, multi disciplinary artist and evolving spirit isi bhakomen! isi bhakomen is an Afro-Latinx poet, playwright, photographer, filmmaker based in Toronto. They are currently entering their final year studying acting at the National Theatre School of Canada, and have developed work withTIFF’s next wave festival, Tarragon’s Young Playwright’s Unit and Soulpepper’s City Youth Academy.  In this episode we talked about isi’s connection with different artistic mediums, the importance of Afro-Latinx representation in art and media, their journey in theatre and arts training, the effects of history and family on their art, and how Victoria Santa Cruz saved their life. Show Notes The Insomniac Film Festival  Paula Wing, theatre artist whom isi connected with at the Soulpepper’s City Youth Academy  U For Change program in Regent Park   Isi’s new poem Somewhere over the Rainbow will be part of Soulpepper’s Queer Youth Cabaret on Thursday June 25 (come watch!)  Tarragon Playwrights Unit, where isi developed their play BOOM Jennifer Villaverde TIFF Next Wave Festival  AGO Youth Council  National Theatre School of Canada, or NTS isi’s letter on twitter, about an experience they had as a student at NTS Angélique by Lorena Gale, a play in which isi played the titular character in their first year at NTS ahdri zhina mandiela  d’bi.young anitafrika Paprika Festival  Miquelon Rodriguez  Nina Lee Aquino Beatriz Pizano Victoria Santa Cruz, and her famous poem Me Gritaron Negra Chavela Vargas Augusto Bitter’s solo show Chicho Isi’s ongoing photo project X  Lido Pimienta Princess Nokia   Celia Green’s solo show Wah Wah Wah Donna Michelle St. Bernard  "El amor es lo que me crió, y eso es lo que influye en las cosas que creo." – ¡Esta semana tenemos como invitadx artista con múltiples talentos y de espíritu en evolución, isi bhakomen! isi bhakomen es poeta, dramaturgx, fotógrafx y cineasta Afro-Latinx con sede en Toronto. Actualmente está por empezar su último año en el programa de actuación en la Escuela Nacional de Teatro de Canadá, y ha trabajado con el festival TIFF Next Wave, la unidad de escritores jóvenes de Tarragon Theatre y el programa City Youth Academy de Soulpepper Theatre. En este episodio, hablamos sobre su trayectoria en el teatro y su formación artística, la importancia de la representación Afro-Latinx en el arte y los medios, los efectos de su familia reflejados en su arte, y cómo Victoria Santa Cruz le salvó la vida. Bibliografía: Insomniac Film Festival, festival de cine  Paula Wing, artista de teatro con la cual isi conecto a traves de Soulpepper’s City Youth Academy U For Change programa en Regent Park   nuevo poema de isi Somewhere over the Rainbow que sera parte de Soulpepper’s Queer Youth Cabaret este Jueves 25 de Junio Tarragon Playwrights Unit, unidad de escritores donde isi desarrolló su obra de teatro BOOM Jennifer Villaverde TIFF Next Wave Festival, festival de cine para jovenes AGO Youth Council, o Consejo Juvenil de la Galería de Arte de Ontario. Escuela Nacional de Teatro de Canadá o NTS Carta de isi en twitter, donde habla de una experiencia que vivió como estudiante en NTS Angélique de Lorena Gale, obra de teatro en la que isi interpretó al personaje titular en su primer año en NTS ahdri zhina mandiela  d’bi.young anitafrika Paprika Festival, festival de teatro para jovenes Miquelon Rodriguez  Nina Lee Aquino Beatriz Pizano Victoria Santa Cruz, y su famoso poema Me Gritaron Negra  Chavela Vargas solo show de Augusto Bitter, Chicho X , proyecto fotográfico en curso de isi Lido Pimienta Princess Nokia   solo show de Celia Green, Wah Wah Wah Donna Michelle St. Bernard   All Merendiando episodes are in Spanglish. New episodes of Radio Aluna Theatre are released every Wednesday. Follow and subscribe to this podcast on iTunes, Google Play, and wherever else you get your podcasts. Radio Aluna Teatro is produced by Aluna Theatre with support from the Metcalf Foundation, The Laidlaw Foundation, The Canada Council for the Arts, and The Ontario Arts Council. Aluna Theatre is Beatriz Pizano & Trevor Schwellnus, with Sue Balint & Gia Nahmens; Radio Aluna Theatre is produced by Camila Diaz-Varela and Monica Garrido. For more about Aluna Theatre, visit us at alunatheatre.ca, follow @alunatheatre on twitter or instagram, or ‘like’ us on facebook. Todos los episodios de Merendiando son en Inglés, Español y Spanglish. Nuevos episodios de Radio Aluna Teatro cada Miércoles. Síguenos y suscríbete a este podcast en iTunes, Google Play, y donde sea que escuches tus podcasts. Radio Aluna Teatro es una producción de Aluna Theatre con el apoyo de Metcalf Foundation, Laidlaw Foundation, Canada Council for the Arts, y Ontario Arts Council. Aluna Theatre es Beatriz Pizano & Trevor Schwellnus, con Sue Balint & Gia Nahmens. Radio Aluna Theatre es producido por Camila Díaz-Varela y Mónica Garrido. Para más información sobre Aluna Theatre, visita nuestra página alunatheatre.ca, síguenos en twitter @alunatheatre o en instagram, o haz click en “me gusta” en facebook.  

Mark visits Soulpepper Theatre Company for a fascinating conversation with Artistic Director, Weyni Mengesha. Weyni shares her stories of her Royal Ethiopian history, her early exposure to racism and bullying growing up in Vancouver and Scarborough, and what compelled her early on to give voice to those who were not being heard. She also offers insight into the creation of "Da Kink in My Hair" and "Kim's Convenience", two productions that would cement her status as a director to watch. And Weyni previews her first full season of programming while recounting the decisions that went into returning to Soulpepper Theatre as Artistic Director during a tumultuous and uncertain time for the long-running organization. This episode is brought to you by Crow's Theatre (www.crowstheatre.com) & RedEye Media (www.redeyemedia.ca)

Mark Wigmore has repackaged, reimagined and remixed the first season of Art at the End of the World episodes for this special set of encore presentations! Theatre, film & television actress Karen Robinson talks to Mark about growing up in Jamaica, learning the craft after her move to Alberta, and thriving with institutions like Canadian Stage, Soulpepper, The Stratford Festival. Karen also reflects on who tells stories and how we tell them on stage and screen. Plus, plenty of chat about her portrayal of "Ronnie" alongside co-stars Eugene & Dan Levy and Catherine O'Hara on the television phenomenon, Schitt's Creek! This episode is brought to you by Crow's Theatre (www.crowstheatre.com) & RedEye Media (www.redeyemedia.ca)

Helen Knight is a Calgary-based actor and creator, and was last seen in Toronto when she joined Soulpepper theater as Mary Tudor in their remount of The Virgin Trial this past January. As an actor, Helen has worked with Alberta Theater Projects (The Virgin Trial, The Last Wife – Winner of the Betty Mitchellaward for best supporting actress), Lunchbox Theatre, Downstage Theatre, Ghost River Theatre, and many other independent companies. Lindsey is passionate about women’s stories and feats of theatre magic.Recent projects include She Kills Monsters (University of Lethbridge), Legoland (Urban Curvz Theatre), FUGLY (The Janes), and The Hudson Bay Epic and River: A Puppet Myth (Mudfoot Theatre).Instagram: helenight02

Tanisha Taitt is a director, actor, playwright, educator, activist and accidental essayist who has worked with companies including Obsidian, Nightwood, NAC, Workman Arts, Buddies in Bad Times, and Soulpepper, and spent three seasons as a Resident Artist-Educator with Young People’s Theatre. She was Artistic Mentor for the Paprika Festival Creators’ Unit and Program Director for The Musical Stage Company’s youth training initiative One Song Glory, and since 2013 has been a Dramatic Arts mentor with the Toronto District School Board. Also a singer/songsmith for over 30 years, Tanisha is a recipient of the Canadian Music Publishers Association Songwriters Award for outstanding achievement in songwriting, and is currently writing two musical theatrical works.For a decade, Tanisha was an artist and director with the award-winning Children’s Peace Theatre, an organization that uses the arts to teach children and youth about the creation of peace through justice. As a longtime anti-VAW activist, Tanisha spent seven years as Producer of V-Day Toronto/One Billion Rising Canada — part of the global movement to end violence against women and girls, during which time she directed 11 of its productions. Known by her peers for her fierce commitment to inclusion and racial/cultural representation in the performing arts, she is also an anti-oppression educator and facilitator who has written over 30 essays about race, power and equity both within and outside of the theatre industry.Twitter: @t_taittwww.cahoots.ca Twitter: @cahootstheatre Instagram: cahootstheatre

This week, we are joined by the Slaight Family Director of Music at Soulpepper Theatre Company, Mike Ross. Ahead of the premiere of his latest concert 'The Promised Land: Steinbeck Through Song' (July 12th-27th, 2019 at Soulpepper), we discuss his artistic process and begin to crack the code of how to put 'bums in seats'. Get your tickets at: https://soulpepper.ca/ Supplemental Music: America - Mike Ross, Raha Javanfar, Divine Brown Subscribe to the Tap Love Tour Podcast on Soundcloud and itunes: https://soundcloud.com/the-tap-love-tour itunes.apple.com/ca/podcast/the-t…d1051033674?mt=2 Subscribe to the Tap Love Tour Youtube Channel here: https://www.youtube.com/channel/UCsSfLevc4PJTChTNkmf5GVw?view_as=subscriber

Today's guest is acclaimed Canadian actress Cara Gee of The Expanse -once it was on Syfy and now it's all Amazon Prime, baby! Nick and Cara freewheel through topics that include: -Canadian treatment of its indigenous people -Racially insensitive auditioning -Nick being uncomfortable with performative online activism -Their 'movie kissing' in Sundowners -Her summer theatrical stint at Soulpepper theatre in Sam Shephard's Fool For Love. -Getting to know Harrison Ford during her upcoming role in Call Of The Wild. Watch The Expanse on Syfy, Sundowners on Amazon Prime in the US & UK and the CBC Gem App in Canada. Follow Cara at twitter.com/carageeeee and get tickets for Fool For Love at https://t.co/Aww5bMgkQl Subscribing to NFW really helps, rating and reviewing helps even more! If you want to go the extra mile, you can support at www.ko-fi.com/nickflanagan or www.patreon.com/nickflanagan Write the podcast at weaklypodcast@gmail.com Check Nick's upcoming standup appearances at www.theflans.com

It’s Episode Four – “Rosellen” This is the second of four interviews I was able to conduct during rehearsals – and I was really lucky to be able to chat with Kelli Fox! Kelli is an actor/director with more than 30 years experience on stages across Canada, and in the U.S., including 13 seasons with the Shaw Festival, and 3 seasons with the Stratford Festival. From fall of 2017 to the spring of 2018 she served as Artistic Associate at Globe Theatre in Regina. Kelli has been recognized with a Jessie award (Keely & Du, Arts Club/Canstage), a Dora nomination (Top Girls, Soulpepper), a Capitol Critics Circle award (A Room of One's Own, Shaw tour), a Toronto Critic's Circle award (Penelopiad, Nightwood Theatre), as well as sharing a Dora with the Penelopiad ensemble. Kelli is currently directing Cakewalk at the Blyth Festival Theatre – which opens this Thursday, June 26th! So Happy Opening Week! Our chat was a really cool exploration of what it’s like to work with Judith Thompson, her career as a director and her first fringe show in Vancouver – there may be some singing involved…. It was also her birthday! Have a listen!   What I learned about Producing this week: There's a really cool website called Generator - "Generator is a mentoring, teaching, and innovation incubator that expands the skills, tools, and competencies of independent artists, producers and leaders. From intensive programs to workshops, Generator is transforming the role of the artist producer one artist at a time. Also by Generator: ArtistProducerResource.com" From checklists to grants, this is a great first stop on a producing journey! 

Bob Logan and Face2Face host David Peck talk about the new play Copenhagen, complementarity, futurism, science for peace, wisdom over knowledge and having lunch with Neils Bohr.Find out more about Copenhagen and purchase tickets here. Synopsis Two tiny particles colliding can cause a nuclear reaction. It is 1941, nations race to perfect The Bomb, and two scientists meet in occupied Denmark for a conversation that will change the course of history. Copenhagen is a story of language, spoken and unspoken, and heard and unheard. An individual speaks to not only connect to another person, but to know where they stand in their relationship to reality; to experiment and test the boundaries of where they end and where the universe begins. In the language of quantum physics, we divide an atom into smaller and smaller pieces to get to its core – the sub-atomic world. Michael Frayn (Noises Off, Democracy) invites us to bear witness to the ultimate ethical impasse. Biography Bob is the physics Consultant for the Soulppeer production of Copenhagen and is Prof. Emeritus - Dept. of Physics & the School of the Environment and a Fellow of St. Michael’s College at the University of Toronto. He is also the Chief Scientist of the sLab at OCAD Univ. He taught the Poetry of Physics and Physics of Poetry course at U of T. He once had lunch with Niels Bohr when he was a student at MIT and collaborated and co-authored a book with Marshal McLuhan.He was also active in the business world operating a computer training company 1982-2000 and a web development company from 1994 to 2000 through which he did extensive consulting in knowledge management. He was active in politics from1974 to date. He has served as an advisor to PM Pierre Eliot Trudeau, policy chair of the Ontario wing of the federal Liberal Party and an advisor to various federal cabinet ministers. He is also an author or editor of 12 books and many articles in refereed journals. He is currently engaged in consulting in the electricity sector as an associate of Elenchus Consulting. He continues to teach The Poetry of Physics at the U. of Toronto where he is Prof. Emeritus. In June 2011, he was presented with the Walter J. Ong Award for Career Achievement in Scholarship by the Media Ecology Association.Photo Credit: Daniel Malavasi Image Copyright: Daniel Malavasi and Soulpepper theatre. Used with permission. Music Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Married to a spouse who works for the foreign service, American born Alexander, has lived in London, Berlin and currently in Toronto. He made his Toronto stage debut in HANGMAN at Storefront Theatre. Last summer he performed at the Toronto Fringe Festival in LETTERS TO ANNEBELLE as well as the Summer Works Festival in THE NAILS and was most recently seen in the world premiere of FOR BOTH RESTING AND BREEDING for Talk Is Free Theatre in Barrie. And A GIRL LIVES ALONE another Summer Works project.His solo play, THROW PITCHFORK, premiered off-Broadway at the New York Theatre Workshop and ran regionally at the Kitchen Theatre Company in Ithaca, NY, and won a Special Honors Award at the Thespis International Monodrama Festival in Kiel, Germany.He has worked often at the Kitchen Theatre Company appearing in OPUS, BROKE-OLOGY, AFTER ASHLEY, THE WHIPPING MAN and SUNSET BABY.His international stage credits include ON THE WATERFRONT directed by Steven Berkoff, which played London`s West End, the Edinburgh Festival and the Hong Kong Arts Festival.He played the role of Ross in the Actors Repertory Theatre Luxembourg’s inaugural production of Edward Albee s, THE GOAT or WHO IS SLYVIA? in Luxembourg City, Luxembourg.His play SCHWARZ GEMACHT* was produced in spring of 2014 at the English Theatre of Berlin, in Berlin Germany and brought back for a 2nd run in 2015.His training includes the Stella Adler Studio, and the Meisner technique with Richard Pinter.Alexander is appearing in Theatre Mischief's A Girl Lives Alone, starting August 11 at the 2018 Summerworks Festival.He will also be appearing in Soulpepper's fall production of The Royale by Marco Ramirez directed Guillermo Verdecchia.*Now retitled CHWARZ GEMACHT (or) How Klaus Found His Blackness

Lorne Honickman, Global News Radio Legal Expert – BTZLAW.ca

Adaptor Rosamund Small and director Peter Pasyk talk about the inspiration behind Pulitzer Prize-winner Edith Wharton's pioneering novella: Sisters. Ann and Evelina have created a little corner for themselves in New York at the turn of the century. When a handsome clockmaker comes to call, the powerful bonds of sisterhood are put to the test. The play shows us hidden heroism in everyday life. JOIN THE CONVERSATION USING #spSisters For more information, visit: Soulpepper.ca

Actor Sarah Afful and director Katrina Darychuk talk about the adaptation of Virginia Woolf's timeless masterpiece: Orlando. How many lifetimes does it take to find love? Destined to never age, Orlando's fantastical journey crosses continents, centuries, and genders to find true happiness. Join us for the inaugural Soulpepper Book Club! Pick up a copy of Virginia Woolf's Orlando, read along, and participate in online discussions using #SoulpepperBookClub – then gather post-show for an exclusive artist-led discussion with other book-lovers on July 6, July 8 or July 10! JOIN THE CONVERSATION USING #spOrlando For more information, visit: Soulpepper.ca Drone in D by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200044 Artist: http://incompetech.com/

Actress and singer Alana Bridgewater and director Mumbi Tindyebwa Otu talk about Ma Rainey's Black Bottom, one of the ten-play Pittsburgh Cycle by August Wilson that chronicles the twentieth century African American experience and deals with issues of race, art, religion and the historic exploitation of black recording artists by white producers. For more information, visit: Soulpepper.ca

Actor Gregory Prest and director Tanja Jacobs reveal the funny and smart construction of La Bête, a play about a theatre troupe trying to get rid of a new and annoying guest. La Bête, by David Hirson, is playing at the Soulpepper Theatre Company in Toronto, Ontario. For more information, visit: Soulpepper.ca

Mumbi Tindyebwa Otu has been running her own theatre company for a few years, doing a lot of new work and creating new stories with people from her community. The opportunity of working with Soulpepper gave her a chance to look into the classics of drama.

In this extended interview, the playwright of Innocence Lost: A Play about Steve Truscott talks about what fascinates her in the true crime story that rocked the country for decades and scarred a generation forever. Innocence Lost: A Play about Steve Truscott, by Bev Cooper, is playing at the Soulpepper Theatre Company in Toronto, Ontario. For more information, visit: Soulpepper.ca

One of Canada's most in-demand directors, Jackie Maxwell collaborates with Soulpepper for the first time on Innocence Lost: A Play about Steven Truscott. In this extended interview, she talks about this true-crime story, and her approach to bringing it to life on stage for today. Innocence Lost: A Play about Steve Truscott, by Bev Cooper, is playing at the Soulpepper Theatre Company in Toronto, Ontario. For more information, visit: Soulpepper.ca

Lynn and Steve discuss an unconventional Hamlet (Tarragon), a female Lear (Groundlings), Edward Albee's A Delicate Balance (Soulpepper), and new play Calpurnia (Nightwood/Sulong). Hosted and produced by Tom McGee More info on the shows: Hamlet: www.tarragontheatre.com/show/hamlet/ Lear: leartoronto.com/ A Delicate Balance: soulpepper.ca/performances/a-delicate-balance/4088 Calpurnia: www.nightwoodtheatre.net/index.php/wh…on/calpurnia

Firecrackers, It’s been a big week for the Toronto theatre community. For those of you that don’t know, Albert Schultz, who was the AD at one of the countries largest theatre companies, Soulpepper, was accused of sexual harassment in the theatre. Four amazingly bold, brave women; Diana Bentley, Patricia Fagan, Kristin Booth, and Hannah Miller came forward with their stories. It’s been an intense, heart breaking time and I have searched with what to say about the whole thing.  I decided to leave this note for the Firecracker Department members and not to have a guest this week. Instead, I want to make YOU my guest. Get YOUR voice out there. Send me your emails, voice files, tweets with what advice you would give your younger self, If you want to leave your name and where you’re from you can, but you don’t have to! firecrackerdepartment@gmail.com.  I know your words will ring so loud with our community that our hearts will get stirred into action. With love, Naomi

Solange and Laurent hide in the woods to live a forbidden love and need to fight wolves and the weather after an accident. Adapted by Soulpepper Resident Artist Guillermo Verdecchia from a XIX Century French story. Featuring Alice Snaden as Solange, Christef Desir as Laurent, Derek Boyes as Papa, Leah Cherniak as Maman, Dan Mousseau as Dr. Leclerc and Marcel Stewart as Four Fingers. Special thanks to Liesl Low, Samantha Semczyszyn and Chris Scholey. Solange was produced, directed and sound edited by Gregory J. Sinclair. The Soulpepper Family Festival is made possible by CIBC. Thanks as well to the Government of Ontario. Soulpepper audio programs are generously supported by Richard Wernham and Julia West.

In a little cabin in the woods, an old woman is waiting for her husband to return with wood for the fire. When an unusual cold wind begin to blow, she is visited by animals trying to escape the weather. Winter Feast was written by Soulpepper Academy playwright Sina Gilani. Featuring Ghazal Azarbad as The Old Woman, Marcel Stewart as The Old Man, Alice Snaden as The Nightingale, Nicole Power as The French Hen, Christef Dezir as The Milk Cow, Dan Mousseau as The Baby Wolf, James Smith as The Wind, and Leah Cherniak as The Narrator. Winter Feast was produced, directed and sound edited by Gregory J. Sinclair. The Soulpepper Family Festival is made possible by CIBC. Thanks as well to the Government of Ontario. Soulpepper audio programs are generously supported by Richard Wernham and Julia West.

At bath time one night, Lionel and his Auntie receive unexpected news. It appears that, unbeknownst to them, Lionel is also the King of the Kingdom of Tin-Tin-Tin-Tin-Tin, and that his coronation is mere days away. When a winter-breathing dragon plunges his new kingdom into a permanent deep freeze, Lionel must attempt to rescue Tin-Tin-Tin-Tin-Tin from its icy fate. Adapted from Edith Nesbit's short story by Soulpepper Academy playwright Rosamund Small. Featuring Nicole Power as Lionel, Raquel Duffy as Auntie, Dan Mousseau as the Prime Minister, Marcel Stewart as Doug and Christef Desir as the Dragon, joined by Derek Boyes, Ghazal Azarbad, Alice Snaden and James Smith in a variety of roles. Special thanks to Liesl Low, Samantha Semczyszyn and Chris Scholey. The Book of Beasts was recorded, directed, produced and sound edited by Gregory J. Sinclair. The Soulpepper Family Festival is made possible by CIBC. Thanks as well to the Government of Ontario. Soulpepper audio programs are generously supported by Richard Wernham and Julia West through the Wernham-West Soulpepper Audio Project.

When a wild snow storm surrounds the family homestead, will Santa still find his way? Christmas in the Territory, a reimagined new holiday tale from Soulpepper Resident Artist Paula Wing, was adapted from the beloved novel Little House on the Prairie by Laura Ingalls Wilder. Featuring Ghazal Azarbad as Laura, Alice Snaden as Mary, Dan Mousseau as Pa, Nicole Power as Ma, Marcel Stewart as Edwards and Christef Desir as Santa. Special thanks to Liesl Low, Samantha Semczyszyn and Chris Scholey. Christmas in the Territory was produced, directed and sound edited by Gregory J. Sinclair. The Soulpepper Family Festival is made possible by CIBC. Thanks as well to the Government of Ontario. Soulpepper audio programs are generously supported by Richard Wernham and Julia West.

Adam Paolozza is a director, performer, producer, teacher and Artistic Director of Bad New Days.As a performer Adam has collaborated with Zou Theatre, Fixt Point, Why Not Theatre, Soulpepper, Vertical City, Litmus Theatre & Ahuri Theatre. His co-translation of Pier Paolo Pasolini's Pylade (a modern re-telling of theOresteia story) was recently debuted in NYC by legendary La Mama theatre and toured all over Europe.He regularly teaches privately, giving classes based on his interpretation of the Lecoq pedagogy, designed to open up students' minds and bodies to spontaneity. He's a sessional instructor at Soulpepper Academy and guest instructor at Ryerson (he directed 2016's The Holiday Trilogy) and at U of T. Adam is currently directing Bad New Days and Ahuri Theatre's production of Flashing Lights.Twitter: @adampaolozzaFlashing Lights:Created by award winning Bad New Days (The Double) and Ahuri Theatre (This is the Point), FLASHING LIGHTS is an original play exploring how digital technology is radically shaping human evolution.FLASHING LIGHTS tells the tale of Peter (Dan Watson), an unremarkable guy who inexplicably becomes famous. His dizzying rise and fall effects everyone around him, in particular his family; his savvy wife Shannon (Miranda Calderon) and their child Ter (Liz Peterson). What starts off as a portrait of contemporary family life quickly unravels into a meditation on the borders between digital and physical existence and the future of this brave new world being created.Bad New Days:https://www.badnewdays.com/ Twitter: @badnewdaysAhuri Theatre:http://www.ahuritheatre.com/ Twitter: @Ahuritheatre Facebook: https://www.facebook.com/ahuritheatreStageworthy:http://www.stageworthypodcast.com Twitter @stageworthyPod Facebook: http://facebook.com/stageworthyPod

Actor Rick Roberts snuck away from rehearsals for the Soulpepper production of Waiting For Godot — playing at the Young Centre for the Performing Arts in Toronto through Saturday October 7th — to dig deep into the industrial and philosophical muck of David Lynch’s Eraserhead. Your genial host Norm Wilner has been looking forward to this one.