Podcast appearances and mentions of Lloyd Webber

Rosie and Nicola Dempsey are otherwise known as the comedy music double act Flo and Joan. The two previous times they've been on this show, Nicola's pieces of trivia were both about Andrew Lloyd Webber - and there was even a question related to Lloyd Webber in last year's episode - at the time, the depth of their knowledge about the man was somewhat surprising. But now we understand why, since they were writing their show One Man Musical which is about Andrew Lloyd Webber. They've just been performing the show for the last month, garnering a nomination for Most Outstanding Show at The Melbourne International Comedy Festival awards, which will be announced after this episode is uploaded. Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

In this episode of MusicalTalk, Nick sits down with the hilarious musical comedy duo Flo and Joan to chat about their latest show, One Man Musical. A riotous send-up of the grandiose world of musical theatre, this sharp and witty show takes aim at the tropes, clichés, and bombastic melodies of the genre—through the lens of one of its biggest icons, Andrew Lloyd Webber. Flo and Joan discuss how they crafted a show that both celebrates and playfully dissects the legendary composer's signature style, from over-the-top ballads to showstopping spectacle. Expect behind-the-scenes stories, a deep dive into their love-hate relationship with Lloyd Webber's work, and plenty of laughs along the way.

Greg Jenner is joined in 20th-century New York by Dr Hannah Thuraisingam Robbins and comedian Desiree Burch to learn about the history of Broadway.Most of us are familiar with at least one Broadway musical, from classics like My Fair Lady and the Sound of Music to new favourites Hamilton and Wicked. In the last couple of decades, high-profile film adaptations of shows like Chicago, Cats and Les Misérables have brought musical theatre to a bigger audience than ever before. But whether or not you know your Rodgers & Hammerstein from your Lloyd Webber, the history of Broadway is perhaps more of a mystery.This episode explores all aspects of musical theatre, from its origins in the early years of the 20th century, to the ‘Golden Age' in the 50s and the rise of the megamusical in the 80s. Along the way, Greg and his guests learn about the racial and class dynamics of Broadway, uncover musical flops and triumphs, and find out exactly what ‘cheating out' is.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Hannah Campbell Hewson, Annabel Storr and Anna McCully Stewart Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

This week, Mackenzie and Maris are finding new ways to dream as they discussion the Lloyd Webber musical Sunset Boulevard. Together, they delve into the tumultuous creative process behind Sunset Boulevard and its profound impact on the original Norma, Patti LuPone. They debate which Norma solo reigns supreme: "With One Look" or "As If We Never Said Goodbye." Plus, discover why Mackenzie believes the song "The Lady's Paying" missed the mark. All this and eternal youth is worth a little suffering in this all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠

SCOTT LOGSDON has written the book/lyrics for STICKS & STONES (with composer John McDaniel) which had a premiere concert starred Audra McDonald, Javier Muñoz, and George Salazar for Lady Gaga's Born This Way Foundation/BC/EFA; 12 DAYS TILL CHRISTMAS (with composer Dana P. Rowe, currently in development as a film with Jerry Mitchell attached); JOYCE JACKSON'S GUIDE TO DATING, (with composer Steve Marzullo) which premiered in Orlando and was seen in concert at 54 Below; AN AMERICAN COUNTRY CHRISTMAS CAROL (with various CMA winning and nominated composers) THE CRINOLYNNS and LOVE (r)EVOLUTION, a song cycle covering 120 years of LGBTQIA+ history, both written with Aaron Gandy. Both STICKS & STONES and JOYCE JACKSON won the Florida Theatrical Association's New Musical Discovery Competition. JOYCE was featured in the NAMT Composer's Concert Series and was a finalist for Richard Rodgers/ Jonathan Larson Awards. Scott has written Broadway specialty lyrics for Roundabout Theater Company's Tribute to Alec Baldwin (directed by Scott Ellis) and the GYPSY OF THE YEAR Competition for the LES MISERABLES company, as well as for notable performers including Jason Alexander. Logsdon was vetted by the Cole Porter estate to rewrite lyrics for the documentary, Fabulously Fake: The Real Life of Kenneth Jay Lane. With Dana P. Rowe, he wrote the theme song for the series Stars In the House. His non-musical plays include THE BOIS (an all-male, contemporary take on the classic play THE WOMEN), which received a staged reading at the Abbey in Orlando, and THE MOURNING AFTER (a dark comedy.) As an actor, he was an originating cast member in the LES MISÉRABLES national company. He's been seen in such roles as Thenardier, Sweeney Todd, Billy Bigelow, Che, El Gallo, and King Herod. He has performed across North America as a soloist with symphonies and as a guest star in the award-winning Sondheim Unplugged at 54 Below in New York City. His many directing credits include CHESS, THE FANTASTICKS, DRIVING MISS DAISY, THE GLASS MENAGERIE, and the southeastern premiere of SECRETS EVERY SMART TRAVELER SHOULD KNOW. He holds a degree in musical theatre from Shenandoah Conservatory and received a Distinguished Alumni Award for work in the field of musical theatre.   Aaron Gandy A specialist in American musical theater and American popular song, Aaron Gandy's concerts and recordings embrace the best of Broadway from Kern to Lloyd-Webber, while encompassing Swing, Jazz and the golden age of Hollywood. Recent recordings include the all-star Jule Styne In Hollywood (PS Classics) and the upcoming Busker Alley (Jay Records). In 2004 he conducted the premiere recording of Kay Swift's Fine & Dandy on PS Classics featuring Broadway's Carolee Carmello and HBO's Mario Cantone. Upcoming recordings include Alec Wilder's Miss Chicken Little (originally broadcast on CBS television in 1953) and a restoration of Walter Donaldson's jazz-age romp Whoopee! Regarded as a leading authority on composer Vincent Youmans, Mr. Gandy restored and conducted the premiere recording of Youmans' final Broadway score Through the Years starring Metropolitan Opera Soprano Heidi Grant Murphy. Mr. Gandy restored the original film orchestrations for Rodgers & Hammerstein's The King and I, and Irving Berlin's White Christmas. His restoration of the original film orchestrations for Rodgers & Hammerstein's Oklahoma! was performed by the Hollywood Bowl Orchestra in 1997. Mr. Gandy's Broadway credits include Disney's The Lion King, Urinetown, and Dora the Explorer Live! at Radio City Music Hall. He has concertized with The Chamber Music Society of Lincoln Center, The Chicago Humanities Festival, 42nd Street Moon, Cami Hall, San Francisco's 42nd Street Moon, The Museum of Television and Radio, Symphony Space, Tribeca Performing Arts Center and solo appearances with Davis Gaines, Leslie Uggams, Christianne Noll, Jerry Hadley, Jim Dale, Dick Hyman, Lainie Kazan and Glenn Close.

In breaking theatrical news, composer Andrew Lloyd Webber and producer Michael Harrison have jointly announced details about their next new musical collaboration in an exclusive interview with Deadline's Baz Bamigboye. Based on the film THE ILLUSIONIST, the new project will be Lloyd Webber's first new musical venture since BAD CINDERELLA and will see him collaborating with screenwriter Chris Terrio and musician Bruno Major. It will also be directed by Jamie Lloyd, the Olivier Award winning director of the current SUNSET BOULEVARD revival, which recently opened on Broadway after a hugely successful West End run. Check out today's theatre news recap for all of the details we know so far including when to expect this show on stage, where we might see it, as well as Mickey-Jo's thoughts about this announcement... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Greg Jenner is joined in 20th-Century New York by Dr Hannah Thuraisingam Robbins and comedian Desiree Burch to learn about the history of Broadway. Most of us are familiar with at least one Broadway musical, from classics like My Fair Lady and the Sound of Music to new favourites Hamilton and Wicked. In the last couple of decades, high-profile film adaptations of shows like Chicago, Cats and Les Misérables have brought musical theatre to a bigger audience than ever before. But whether or not you know your Rodgers & Hammerstein from your Lloyd Webber, the history of Broadway is perhaps more of a mystery. This episode explores all aspects of musical theatre, from its origins in the early years of the 20th Century, to the ‘Golden Age' in the 50s and the rise of the megamusical in the 80s. Along the way, Greg and his guests learn about the racial and class dynamics of Broadway, uncover musical flops and triumphs, and find out exactly what ‘cheating out' is. You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past.Hosted by: Greg Jenner Research by: Hannah Campbell Hewson, Annabel Storr and Anna McCully Stewart Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook

Strap on your mask, practice your Argentine tango and set a saucer of milk out for the hideous abominations - we're taking a look at movie adaptations of Andrew Lloyd Webber musicals this week, and yes, that does mean a lot of Cats chat. Why is Lloyd Webber's success on the stage so hard to recreate? Are any of his remaining musicals ripe for adaptation? And which Sequeliser is a secret Starlight Express fan? All these questions will be answered... John's website: www.johnscarratt.co.uk  Follow John on Instagram: @jscarratt  Website: www.sequelisers.com/ Discord: www.sequelisers.com/discord Shop: www.sequelisers.com/shop Twitter: twitter.com/sequelisers Instagram: instagram.com/sequelisers TikTok: tiktok.com/@sequelisers Music by Daniel Williams Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisbjerg kirke. Aarhus stift, 1. søndag efter påske. Prædikant: Helle Rørbæk Hørby. Organist: Erling Lindgren. Kristine Mågård: Sopran, Henrik Husum Obo. Salmer: DDS 224: Stat op, min sjæl, i morgengry. DDS 302: Gud Helligånd ! o kom. DDS 601: Herlighedens Gud. DDS 522: Nåden er din dagligdag. Introitus: Mein Jesus ist erstanden. Komponist: J.S Bach. Under altergangen: Pie Jesu. Komponist: A.Lloyd Webber. Postludium: Nun beut die Flur das frische Grün. Komponist: J. Haydn. Vært: Anders Laugesen.

Our follow-up companion to Streisand's new memoir (hey, it's a long book..!). This features Babs from 1978 to the present day; songs by Sondheim, Lloyd Webber, Anthony Newley and more.

Vandaag aandacht voor Christus Koning, gebeden voor vrede, kroningsmuziek, een lied voor Maria Koningin der Hemelen, vrolijke klarinetmuziek en muziek ter ere van Sint Cecilia patrones dar muzikanten. Muzikaal is deze uitzending doorweven met muziek van Haendel en verder bijdragen van Lloyd Webber, Taizé gezang en composities van Legrenzi en Grant, tot een feestelijke muziekkrans.

When Bad Cinderella closed in June of this year, it signified the first time in 43 years that Broadway was without an Andrew Lloyd Webber musical, and it became the second shortest run ever for one of his musicals on Broadway. Bad Cinderella also represented the second collaboration between Lloyd Webber and lyricist David Zippel. Their first show together was The Woman in White, which began in London in 2004 (starring Michael Crawford) and then opened at the Marquis Theatre the following year (starring Maria Friedman). By the time Woman in White came to New York, it had been 10 years since Sunset Boulevard and it would be another 10 till School of Rock. During this interim, between 1997 and 2015, Lloyd Webber didn't have an original musical or revival last more than 9 months on Broadway (including the Evita revival I previously did an episode on), so I guess you could say he was in a bit of a dry spell. Nonetheless, The Woman in White could've and probably should've done better, and in this episode we'll explore some of the reasons it didn't—and how a white rat ended up stealing the show. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to Leah Horowitz for sharing her experiences with this short-lived show and its talented cast. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Before the Downbeat, Maris and Mackenzie are wrestle with a goat as they discuss the musical Joseph and the Amazing Technicolor Dreamcoat! Maris and Mackenzie discuss their own wildest and most recent dreams. They explore this musical's score to find the musical motifs that Lloyd Webber will expand on in his later musicals. Plus discover which performer who has played Joseph has been their favourite. All of this and a dazzling coat of many colours that was red and yellow and green and brown and scarlet and black and ochre and peach and ruby and olive and violet and fawn and lilac and gold and chocolate and mauve and cream and crimson and silver and rose and azure and lemon and russet and grey and purple and white and pink and orange and red and yellow and green and brown and scarlet and black and ochre and peach and ruby and olive and violet and fawn and lilac and gold and chocolate and mauve and cream and crimson and silver and rose and azure and lemon and russet and grey and purple and white and pink and orange and blue in this all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

In their debut episode, Adam and Anthony go way, way back many decades ago to 1968, when Andrew Lloyd Webber wrote his first musical, Joseph and the Amazing Technicolor Dreamcoat (with lyricist Tim Rice), which Anthony appeared in a few decades later, in the show's North American tour with Donny Osmond. They get so deep into the history that they decide to save their recap of the 1999 video for the next episode. They also cover some recent Lloyd Webber news, including the closing of The Phantom of the Opera and Bad Cinderella on Broadway, and talk about what Andrew Lloyd Webber songs are giving them life this week. Follow @howtolovehimpod

When it comes to Andrew Lloyd Webber, composer of Cats and Phantom of the Opera, it's complicated for friends and musical theater lovers Adam Hibma and Anthony Ruth. Over the course of this limited series, the two laugh, cry, hiss, scratch, and crash chandeliers as they take a deep look at six different Andrew Lloyd Webber shows. Anthony, who performed in Joseph and the Amazing Technicolor Dreamcoat with Donny Osmond in the 90s, has a soft spot for Andrew's work. But Adam, a voice major in college who only tolerates Lloyd Webber when sung by Streisand, wonders what in the Heaviside Layer Anthony's gotten him into. Find out what they love, what they don't love - and what they don't know how to love - about the man the New York Times called the most commercially successful composer in history. And follow the melodrama on Instagram at @howtolovehimpod.

As Chris so expertly puts it, "From big cats... to little cats!" Folks, we're chatting CATS this week - practical, dramatical, pragmatical, fanatical... THE LOT! Join these two knockabout clowns / quick-change comedians as they delve into some controversial opinions regarding the arguably divisive Lloyd Webber show, the filmed stage version and the recent film adaptation - no holds barred. Audio podcast and filmed YouTube episodes now available, courtesy of Storyboard Media and the Vox Box bar, Hull. Cheers! x

Buckingham Palace has released more information about King Charles III's Coronation on 6 May at Westminster Abbey. The composers, conductors, and performers who will fill the Abbey with music have been announced. In keeping with his plan to modernize the Coronation Service, The King has commissioned twelve new pieces of music. There will be six orchestral pieces, five choral pieces, and one organ piece. Sir Anthony Pappano, currently the Music Director for the Royal Opera House, has been charged with conducting the Coronation Orchestra. The orchestra is composed of musicians that have played in orchestras that fell under Charles's patronage as Prince of Wales. Andrew Lloyd Webber, the composer behind the world-famous musicals The Phantom of the Opera, Jesus Christ Superstar, and Cats, has composed a new coronation anthem. Lloyd Webber explained, "My anthem includes words slightly adapted from Psalm 98. I have scored it for the Westminster Abbey choir and organ, the ceremonial brass and orchestra. I hope my anthem reflects this joyful occasion." ' Patrick Doyle, the Scottish composer who has scored several films including Murder on the Orient Express (2017) and Brave (2012), has composed a new Coronation March. Doyle's new composition draws on musical themes from several different Commonwealth nations. The Royal Harpist, Ms Alis Huws, will be performing in the Coronation Orchestra, as well. Charles appointed Ms Huws as his official harpist as Prince of Wales in 2019. To emphasize the importance of his continued relationship with Wales, part of the liturgy will be performed in Welsh. Several different choirs will be taking part in the Coronation Service. The Choir of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, girl choristers from the Chapel Choir of Methodist College, Belfast and from Truro Cathedral Choir, The Ascension Choir, and The King's Scholars of Westminster School will all be performing parts of the Service.

Buckingham Palace has released more information about King Charles III's Coronation on 6 May at Westminster Abbey. The composers, conductors, and performers who will fill the Abbey with music have been announced. In keeping with his plan to modernize the Coronation Service, The King has commissioned twelve new pieces of music. There will be six orchestral pieces, five choral pieces, and one organ piece. Sir Anthony Pappano, currently the Music Director for the Royal Opera House, has been charged with conducting the Coronation Orchestra. The orchestra is composed of musicians that have played in orchestras that fell under Charles's patronage as Prince of Wales. Andrew Lloyd Webber, the composer behind the world-famous musicals The Phantom of the Opera, Jesus Christ Superstar, and Cats, has composed a new coronation anthem. Lloyd Webber explained, "My anthem includes words slightly adapted from Psalm 98. I have scored it for the Westminster Abbey choir and organ, the ceremonial brass and orchestra. I hope my anthem reflects this joyful occasion." ' Patrick Doyle, the Scottish composer who has scored several films including Murder on the Orient Express (2017) and Brave (2012), has composed a new Coronation March. Doyle's new composition draws on musical themes from several different Commonwealth nations.

En este nuevo capítulo, Juan Luis Álvarez se detiene en tres seriales o productos de streaming que tienen mucho que ver con las festividades de Semana Santa: Los elegidos, de Acontra+ narera la vida de Jesús, a lo largo de siete temporadas, buscando formar un retrato íntimo a través de quienes lo conocieron. Se ha convertido en un fenómeno global. "Jesus Christ Live in concert" es la espectacular adaptación televisiva de la popular película de los setenta, basada en el musical teatral de Lloyd Webber y Tim Rice con un gran John Legend como cabecera de cartel. Por último, en la inquietante Misa de medianoche, un sacerdote llega a una pequeña isla para reforzar espiritualmente a los vecinos, pero, al tiempo, aparece un diabólico monstruo que va a modificar sus vidas para siempre.

XanthoMyst is of course not Jesus Christ Superstar, although he is!!!! Grandpa Bill today reviews the unbelievable amount of testimonials FLYING IN on our newly recently released XanthoMyst (tm) Nanoemulsion Myst Queen Victoria tasted mangosteen for the first time when visiting the Orient. She said it was the most delicious fruit ever touching her lips. Legend has it that she offered knighthood to anyone who brought her fresh mangosteen from their voyages. Please interact leave messages at my BH Sales Message Board Jesus Christ Superstar (Remastered 2005)Album • Andrew Lloyd Webber & "Jesus Christ Superstar" 1996 London Cast • 200524 songs • 1 hour, 31 minutesJesus Christ Superstar (1996 London Cast) is a soundtrack album released in 1996. Jesus Christ Superstar is a rock opera created by Tim Rice and Andrew Lloyd Webber in 1970. This is the 1996 revival version supervised by Lloyd Webber himself. This album features Steve Balsamo, Zubin Varla and Joanna Ampil. Rocker Alice Cooper was brought in to sing King Herod's Song, which differs from the actual 1996 cast. From Wikipedia (https://en.wikipedia.org/wiki/Jesus_Christ_Superstar_(1996_London_Cast)) under Creative Commons Attribution CC-BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0/legalcode) --- Send in a voice message: https://podcasters.spotify.com/pod/show/bhsales/message

Nathan and Peter welcome Ian Farthing, Vancouver-based actor & director and one of the original London ushers for the West End Production of Starlight Express (1984). We explore the theology & themes of Starlight Express – as well as Lloyd Webber's more recent musical Sunset Boulevard (1993). We talk about: – Theatre as a vocation, and how vocations – religious or artistic – change over the course of a life. – Where does “the power to move” come from – and how do we learn to run the race with integrity? – Who knew (other than Peter!) that Donald Trump's favorite film is Sunset Boulevard? – We gossip a bit about our favorite Norma Desmonds, but don't come to any real theological conclusions (but we love flannel on a man!) You'll hear: – Excerpts from the original cast recording of Starlight Express (1984) – Betty Buckley performing “With One Look” live at Carnegie Hall (2006) – Patti LuPone singing “As If We Never Said Goodbye” and “The Lady's Paying” from the Original London Cast Recording of Sunset Boulevard (1993) – Rex Smith & Anita Louise Combe singing “Sunset Boulevard” & “Too Much In Love To Care” from the Canadian Cast Recording of Sunset Boulevard (1996)   Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt.

On episode 55, Greg is joined by the iconic and amazingly talented multihyphenate MICHAEL DES BARRES!!!Michael Des Barres' arrival in the entertainment world came early – as a Marquis attending boarding school in England, he first started acting at age eight in commercials and school plays. He later moved on to Corona Theatre School in West London where he was cast in the 1967 classic film To Sir With Love, starring Sidney Poitier. At nineteen, Michael played the androgynous rock star Rose in the nude musical The Dirtiest Show In Town, produced by Robert Stigwood, of Jesus Christ Superstar fame. Andrew Lloyd Webber saw Michael's performance and went backstage to tell Michael that he should indeed form a real rock band. Michael quickly wrote his first song titled “Will You Finance My Rock and Roll Band” which he performed for Lloyd Webber, that song lead Michael to form Silverhead, his first band, a raucous glam rock experiment. They were immediately signed to Purple Records in 1972. In 1974 Michael married his girlfriend of seven years actress Wendy Hamilton (Professor Emeritus Wendy Wheeler, London Metropolitan University). After two albums and two world tours Silverhead disbanded and Michael moved to Los Angeles broke and in love with Pamela Miller "Miss Pamela" of the GTO's, he arrived in L.A. with two hundred dollars and a hair dryer, ending his marriage to Wendy Hamilton. Michael married Pamela Des Barres, author of “I'm With The Band” in 1977. Michael and Pamela amicably divorced in 1991 and have one son, Nicholas Dean Des Barres. In Los Angeles Michael formed the band Detective. Detective was signed to the famed Swan Song Records by Jimmy Page and recorded two albums. That era also saw Michael appear on U.S. television in the sitcom WKRP In Cincinnati with Detective playing the punk rock group Scum of the Earth. Michael's character, Dog was featured throughout the episode and the band itself played at the end of the show. The members of Detective went their separate ways in 1979. Throughout the years of Silverhead and Detective Michael had been struggling with drugs and alcohol and in 1981 he finally got sober and has remained so. "People didn't understand why I didn't drink or do drugs in the 80's, I was a pariah, but I understood that it was for kids. It was making me psychotic and it was destroying my natural energy. It made me listless and uncreative and I thought that was unacceptable. It was more important to be able to look into my son's eyes and be able to connect with him, than it was to look in the eyes of some lower companion with bad coke." As a result of his sobriety he co-founded R.A.D, Rock Against Drugs, a highly successful P.S.A. that helped enthuse the culture of MTV with an anti-drug status.In 1982 Michael formed the band Chequered Past, featuring Steve Jones, Clem Burke, Nigel Harrison and Tony Sales. The band opened for Duran Duran in 1984, it was this association that led to Michael being chosen to replace Robert Palmer as lead singer of The Power Station when Robert Palmer withdrew. Michael performed with The Power Station in Philadelphia at Live Aid before two billion people after a ten day rehearsal. A highlight of the touring set was Michael's song “Obsession, cowritten with Holly Knight in 1983. At the time, it had been released by the L.A. based New Wave group Animotion and was a number one hit in twenty-seven countries. Michael's love of acting had never subsided and in 1985 he was cast in the role most familiar to his fans – that of...

Andrew Lloyd Webber ist der Mann hinter großen Musical-Inszenierungen, die teilweise Jahrzehnte an einem Spielort laufen: „Cats“, „Das Phantom der Oper“, „Starlight Express“, „Sunset Boulevard“. Lloyd Webber ist nicht nur Komponist, sondern auch Produzent seiner eigenen Stücke. Am 22.03.2023 wird der Brite 75 Jahre alt.

Sunday Worship from Houston and Killellan Kirk (Sacrament of Holy Communion) led by Revd. Gary Noonan Order of service GATHERING Centring / Entrance of Bible Introit: Oh, come, and let us to the Lord (Hy 59, vv. 1 & 2) Welcome & Gathering Words HY63 All people that on earth do dwell Prayer (including Lord's Prayer) Intimations Offering PROCLAIMING the WORD Anthem: Lord Jesus Christ Scripture Reading: Mark 6: 30 - 44 HY15 The Lord's my Shepherd (Orlington) SERMON HY638 Lord, we have come at your own invitation Invitation to the Lord's Table *** leave in silence HY19 Ye Gates – Great Entrance with elements Prayer with responses Fraction HY648 Sung ‘Kyrie eleison' (sing twice) RESPONDING Sharing the Elements Peace with response “and also with you” Prayer HY348 Praise the one who breaks the darkness Benediction Threefold Amen HY807 Praise God from whom all blessings flow Postlude Music: Sarabande on 'Vox Dilecti' (W. S. Lloyd Webber)

Chi non vorrebbe avere una tata come lei? Dici Francesca Cacace e subito compare un sorriso alle labbra. Cinefiliserialmente con Frau Blücher rispolverano spalline e parrucconi per l'occasione. Non perdetevi il nostro ultimo episodio

Continuing our tour through the works of Andrew Lloyd Webber, today we're looking at Evita (1978)! The culmination of Lloyd Webber's collaboration with lyricist Tim Rice, this show offers an epic look at politics, celebrity, and gender through the life of a contemporary saint, Argentina's beloved First Lady Eva Peron (1919-1952).   We wonder: – Whose politics are at work in Evita? What does the musical say about Argentinian politics, British politics, and maybe even North American politics? – What does Evita have to say about sainthood? If Eva Peron is beatified by the Roman Catholic Church, what will that mean about how she is remembered?  – Do acts of charity enable or indict the structural forces that keep some people in power and others in poverty? What kind of social justice is Evita illustrating?   You'll hear: – Mandy Patinkin, Patty LuPone and Bob Gunton on the 1979 Original Broadway Cast Recording – Madonna singing “You Must Love Me” and “Don't Cry for Me, Argentina (Miami Mix)” from the 1996 Motion Picture Soundtrack   Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt!

Bernadette Peters es sin duda una de las grandes de Broadway. Cuando debutó fue definida como la mejor cantante desde que apareciese Barbra Streisand. Además del teatro ha intervenido como actriz y cantante en cine y televisión. Es por mérito propio digna de que le dediquemos un programa de “Protagonistas” porque lo es de pleno derecho. Ha escrito varios libros infantiles. En cine ha aparecido en películas como “La última locura” de Mel Brooks, “Dinero caído del cielo” de Herbert Ross, “Esclavos de Nueva York” de James Ivory, “Annie” de John Huston, “El cadillac rosa” con Clint Eastwood, “Alice” de Woody Allen o “Impromptu” de James Lapine. También ha prestado su voz a personajes animados en películas como “Anastasia” o “La bella y la bestia: Una Navidad encantada”. A pesar de su extenso currículum donde es más reconocida es como actriz y cantante de Broadway y en especial para musicales de Stephen Sondheim, aunque esos los hemos dejado para un nuevo programa que publicaremos este mismo mes. Os dejamos una muestra de sus trabajos en musicales como “Un día en Nueva York”, “Mack & Mabel”, “La chica del adiós” y los dos que le valieron un Tony a la mejor actriz en “Annie get your gun” y “Tell me on a Sunday”. También se ha rendido a Rodgers & Hammerstein grabando varios de sus temas, si bien nunca los ha interpretado en escena y también escucharemos algunas grabaciones de apariciones suyas en televisión cantando “All that jazz” de Kander & Ebb, o “Hang the moon” de Marc Shaiman para la serie “SMASH” y para el final hemos dejado algunas grabaciones que ha hecho de temas pop de compositores como Lennon & McCartney, Bob Dylan, Leiber & Stoller o Billy Joel. 00h 00’00” Presentación 00h 00’24” Cabecera 00h 01’14” BERNADETTE PETERS & EL MUSICAL 00h 03’20” HARRY WARREN - We’re in the money – Pennies from Heaven 00h 05’40” IRVING BERLIN – Anything you can do (con Tom Wopat) 00h 08’54” IRVING BERLIN – I got lost in his arms 00h 13’00” IRVING BERLIN – I got the sun in the morning 00h 17’25” IRVING BERLIN – They say it’s wonderful (con Tom Wopat) 00h 21’05” JERRY HERMAN – I won’t send roses 00h 23’11” JERRY HERMAN – Look what happened to Mabel 00h 26’43” JERRY HERMAN – Time heals everything 00h 30’03” JERRY HERMAN – Wherever he ain’t 00h 33’03” LEONARD BERNSTEIN – I feel like I’m not out bed yet 00h 34’00” LEONARD BERNSTEIN – Some other time 00h 35’46” MARVIN HAMLISCH – How can I win 00h 39’33” MARVIN HAMLISCH – No more 00h 43’23” MARVIN HAMLISCH – What a guy 00h 46’43” ROGERS & HAMMERSTEIN – If I loved you 00h 49’55” ROGERS & HAMMERSTEIN – Out of my dreams 00h 53’24” ROGERS & HAMMERSTEIN – Some enchanted evening 00h 57’58” ROGERS & HAMMERSTEIN – Something good 00h 59’24” ROGERS & HAMMERSTEIN – Something wonderful 01h 02’46” ROGERS & HAMMERSTEIN – There is nothin’ like a dame 01h 07’24” ROGERS & HAMMERSTEIN - What the use of wondering 01h 10’37” ROGERS & HAMMERSTEIN – You’ll never walk alone 01h 13’24” LLOYD WEBBER & BLACK – Capped teeth and Caesar salad 01h 17’37” LLOYD WEBBER & BLACK – Come back with the same look in your eyes 01h 21’09” LLOYD WEBBER & BLACK – Married men 01h 24’10” LLOYD WEBBER & BLACK – Overture & Take that look off your face 01h 29’47” LLOYD WEBBER & BLACK – Tell me on a Sunday 01h 35’02” LLOYD WEBBER & BLACK – Unexpected song 01h 38’44” KANDER & EBB – All that jazz 01h 43’40” SHAIMAN & WITTMAN – Hang the moon 01h 48’23” BERNADETTE PETERS & EL POP 01h 48’51” Blackbird 01h 53’02” Cupid 01h 57’23” He’s got away 02h 01’09” I’ll be your baby tonight 02h 04’35” Running on faith 02h 10’04” Don’t 02h 14’16” Gee whiz 02h 16’44” Pearl’s a singer 02h 21’29” Sweet alibis 02h 23’57” You’ll never know

We're baaaackkkk! Today we kick off our fourth season, a deep dive into the musicals of the one & only Andrew Lloyd Weber, one of the most esteemed and prolific musical theatre composers of all time. In this episode, Nathan & Peter take a look at an early success he and lyricist Tim Rice had in 1968: Joseph and the Amazing Technicolor Dreamcoat!   We talk about: - The intersection of "liturgical" music (Lloyd Webber's father was a church organist) with pop music - Dreams, and how they function both in the religious tradition andcontemporary pop psychology and musicals. Is it really true that, as Joseph sings, "any dream will do?" - What Bible stories we think are appropriate for children – and which parts of the Bible we sanitize or gloss overto preserve a romanticized ideal of childhood innocence   You'll hear Donny Osmond, Janet Metz and the cast of the 1992 Canadian Cast Recording (Really Useful Group Ltd under exclusive license to Universal Music Operations Limited).   Continue the conversation with Peter (@pgeinvan) and Nathan (@nathan_lerud) on Twitter, and follow the Gospel of Musical Theatre on Instagram or Twitter @gospelofmt.

Els compositors del s. XX tamb

Tim Rice and Andrew Lloyd Webber's ‘Jesus Christ Superstar' opened at New York's Mark Hellinger Theater on 12th October, 1971. The Guardian summarized the show as “the work of two young Englishmen, from an original story by God.” The production was the first to be mounted in a traditional venue - but was far from being the first live performance of the rock opera, which had been staged in a series of illegal and unathorised concerts across America, following the incredible popularity of the original concept album there. In this episode, Arion, Rebecca and Olly explain how a failed bid to write a Eurovision entry led to the genesis of this iconic musical; consider why the album performed underwhelmingly in Britain before storming the States; and reveal why Lloyd Webber believed his Broadway debut was ‘one of the worst nights' of his life… Further Reading: • ‘Look Back at the Original Broadway Production of Jesus Christ Superstar' (Playbill, 2019): https://www.playbill.com/article/look-back-at-the-original-broadway-production-of-jesus-christ-superstar • ‘Jesus Christ, Superstar: Jews, Christians and Andrew Lloyd Webber hated the show at first' (Stuff, 2018): https://www.stuff.co.nz/entertainment/stage-and-theatre/102773312/jesus-christ-superstar-jews-christians-and-andrew-lloyd-webber-hated-the-show-at-first • ‘Jesus Christ Superstar: 1971 Broadway Production (Rehearsals, Opening Night)': https://www.youtube.com/watch?v=Vg08h-s14yA&t=4s Love the show? Join 

In episode 560 we create musical pitches for Broadway based on randomly generated characters.

Tal como te prometimos volvemos con otro programa dedicado al compositor Andrew Lloyd Webber y en este segundo volumen nos centraremos en otros cuatro musicales suyos, que apreciaremos mejor en estas suites, preparadas por el propio compositor. Comenzaremos con “El Fantasma de la ópera” (1986), sin duda su mayor éxito comercial, seguido de “Aspects of love” (1989), el considerado por muchos como su musical más similar al estilo de Stephen Sondheim, para continuar con “Sunset Boulevard” (1993), su rendición al guión de Billy Wilder que se convirtió en otro de sus mayores éxitos y terminaremos con “The woman in White” (2004), que estuvo rodeado de múltiples problemas, tanto en Londres como en New York y cerró con enormes pérdidas. 00h 00’00” Presentación 00h 00’56” Cabecera 00h 01’32” THE PHANTOM OF THE OPERA 00h 22’50” ASPECTS OF LOVE 00h 41’21” SUNSET BOULEVARD 01h 05’06” THE WOMAN IN WHITE

Tom is joined by broadcaster and journalist Jane Mangan to discuss yet more horses heading abroad in search of better prize money and ask whether this is a worsening problem for domestic racing. They touch on an interview in Thoroughbred Daily News where Mark Johnston confirms he's lost his top rated horse to America. We hear from trainer George Boughey who has Hoo Ya Mal in his care prior to that horse's trip to the Melbourne Cup and he also touches on his weekend runners, notably Kinta in the Princess Margaret. Simon Marsh, racing manager to the Lloyd Webber's, joins us to talk about Emily Upjohn ahead of the King George this weekend. We have statements from Ascot and Jockey Club Racecourses on free wifi blocking certain websites on racedays and Gemma Waterhouse from Racing Welfare gives us an update on last weekend's Great Racing Welfare Cycle.

Tom is joined by broadcaster and journalist Jane Mangan to discuss yet more horses heading abroad in search of better prize money and ask whether this is a worsening problem for domestic racing. They touch on an interview in Thoroughbred Daily News where Mark Johnston confirms he's lost his top rated horse to America. We hear from trainer George Boughey who has Hoo Ya Mal in his care prior to that horse's trip to the Melbourne Cup and he also touches on his weekend runners, notably Kinta in the Princess Margaret. Simon Marsh, racing manager to the Lloyd Webber's, joins us to talk about Emily Upjohn ahead of the King George this weekend. We have statements from Ascot and Jockey Club Racecourses on free wifi blocking certain websites on racedays and Gemma Waterhouse from Racing Welfare gives us an update on last weekend's Great Racing Welfare Cycle.

Letters appear inorder, and reversed, and fromE, G, O, to T.Tonight's guests: Allie Sandstrom, Virginia Pickel, and Shawn Wray.

Sunday Worship from Houston & Killellan Kirk led by Frankie Greenwood ORDER of SERVICE Centring/entrance of bible Introit: HY495 Spirit of God, descend upon my heart (vv. 1 & 5) Welcome Gathering words HY485 Dear Lord and Father of mankind Prayer (including Lord's Prayer) ***** Intimations Anthem: Firmly I believe (Newman/Appleford) Scripture Reading John 12: 1-8 HY528 Make me a channel of your peace SERMON HY251 I, the Lord of sea and sky Prayer HY396 And can it be Benediction Threefold Amen HY807 Praise God from whom all blessings flow Organ Postlude Music: Choral March (W.S. Lloyd Webber)

Letters appear in order, and reversed, and from E, G, O, to T. Tonight's guests: Allie Sandstrom, Virginia Pickel, and Shawn Wray Please subscribe to the show and leave a 5-star rating and review, and check out the other podcasts on the Infinite Potato Alliance Network!

Andrew Lloyd Webber es un músico bien conocido por los seguidores de nuestra página y nuestros podcasts ya que hemos dedicado monográficos a sus musicales “Sunset Boulevard” y “Jesucristo Superstar”, además de recopilatorios de sus temas más conocidos. En esta ocasión queremos dedicarle un par de programas con suites sinfónicas de sus trabajos, para apreciar mejor la solidez de su música. En este primer programa os ofrecemos suites de sus musicales con Tim Rice: “Joseph and the amazing technicolor dreamcoat” (1968), “Jesucristo Superstar” (1970), “Evita” (1978) y “Cats” (1981) que marcaría su mayor éxito hasta el momento y a la vez su distanciamiento de Tim Rice, al escoger la letra para “Memory” que había escrito Trevor Nunn, en vez de la escrita por Tim Rice. 00h 00’00” Presentación 00h 01’11” Cabecera 00h 01’46” JOSEPH & THE AMAZING TECHNICOLOR DREAMCOAT 00h 20’22” JESUS CHRIST SUPERSTAR 00h 38’21” EVITA 01h 02’22” CATS

Sunday Worship from Houston & Killellan Kirk led by Matthew Alexander ORDER of SERVICE Centring/entrance of bible Introit: Humbly in your sight we come together, Lord (HY 496, vv. 1, 2 & 8) Welcome Gathering words HY132 Immortal, invisible All age talk JP 42 Father, I place into your hands ***** Intimations Anthem: Jesu, lover of my soul (Charles Wesley / David Wilson) Year of Talents – Mission Convener, Jim McLaughlin Scripture Reading Luke 13: 31-35 HY482 Come, let us to the Lord our God (Kilmarnock) SERMON HY Since the Lord is my salvation (Nettleton) Prayer HY513 Courage, brother! Do not stumble Benediction Threefold Amen HY807 Praise God from whom all blessings flow Organ Postlude Music: Postlude (W.S. Lloyd Webber)

Hablamos con el actor Ben Crawford quien interpreta al fantasma en el musical de Broadway “El fantasma de la ópera” que celebra 34 años de dar funciones en la meca del teatro. Andrew Lloyd Webber escribió este musical en la década de los 80 basado en el libro de Gastón Leroux "Le Fantome de L'Ópera", en el que una joven bailarina y aspirante a cantante de ópera, Christine Daaé, se convierte en la musa y extraña obsesión de un fantasma en la Ópera de París. Lloyd Webber se puso en contacto con el productor Cameron Mackintosh para proponerle un musical de corte romántico. La única condición que le puso fue que su esposa en ese momento, la cantante Sarah Brightman, fuera la encargada de dar vida a Daaé. Support the show: http://cnne.com/zonapop Para conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad

Part One of a deep dive into the murky waters of failed, flawed, and fabulously obscure musicals. Regional TV Musicals! Jesus Musicals! Truckin' Musicals! And not a whiff of Lloyd Webber to be had. You'll love this stuff. I promise. Part two next week. Put us about a bit, will you? Aw, thanks. 

This Christmas, to celebrate 50 years since Jesus Christ Superstar first opened on Broadway, we've dedicated an entire episode to unwrapping its magic. What is it about the rock opera that makes it, as one Times critic wrote, ‘the one masterpiece of Lloyd Webber's career'? Why, after five decades, does it still give pause for theological thought? And how can one piece of music connect such disparate-seeming artists as Dmitri Shostakovich, Googoosh, Lin Mannuel Maranda, and Kanye West? Featuring interviews with Sirs Tim Rice and Karl Jenkins, Alain Boublil, Peaches and Nico Muhly, this is … The Jesus Christ Superspecial.… Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

A sampling of the most exciting new Broadway-esque music releases for the holiday season. Performers include Kristen Chenoweth, Sierra Boggess, Ansel Elgort, and others with songs by Sondheim, Bacharach, Lloyd Webber, Rodgers and more.

Lord Lloyd Webber slides into Greg's DMs and caller Tom consults the turkeys for a life changing decision.

Te invitamos a recorrer la carrera de uno de los letristas más importantes surgidos en Reino Unido en la segunda mitad del siglo XX. Tim Rice, que aunque quería ser cantante pronto se dio cuenta de que la gente le buscaba más por las letras que escribía para canciones que por su voz. Pronto contactó con Andrew Lloyd Webber arrancando juntos una carrera de éxitos que vamos a dividir en dos podcasts. En este primero nos centraremos en sus inicios escribiendo letras para melodías de Lloyd Webber tratando de entrar en las listas de éxitos, algo que no conseguirían hasta destacar como autores de musicales que les catapultaría a la fama a nivel mundial. Dejando para un segundo podcast sus trabajos como letrista en musicales en los que trabajó en su creación desde el principio con Andrew Lloyd Webber, Elton John o Benny y Bjorn Ulvaeus y en este daremos un repaso a canciones de sus inicios y otras escritas para Elaine Paige o Elvis Presley, así como sus adaptaciones al inglés de musicales como “Starmania” o sus colaboraciones para completar musicales como “La bella y la bestia” o “Aladin”. 00h 00'00" Presentación 00h 01'10" Cabecera 00h 01'48" PRINCIPIOS CON LLOYD WEBBER 00h 03'04" Believe me I will - Sacha Distel. 00h o5'58" Come back Richard, your country needs you - Tim Rice 00h 08'54" Down thru summer - Ross Hannaman 00h 11'46" Goodbye Seattle - Paul Raven 00h 14'40" I’ll give all my love to Southend - Ross Hannaman 00h 16'36" Try it and see - Rita Pavone 00h 19'27" COMPONIENDO PARA CANTANTES DETERMINADOS 00h 20'05" A winter’s tale - David Essex 00h 24'13" Disillusion me - Gary Bond 00h 27'30" Magdalena - Tony Christie 00h 30'53" What a line to go out on - Yvonne Elliman 00h 34'21" Dance the dance - Connie Fisher 00h 38'24" It's easy for you - Elvis Presley 00h 41'48" ESCRIBIENDO PARA ELAINE PAIGE 00h 42'14" Falling down to Earth (Mike Batt) 00h 46'17" The last one to leave (Florrie Palmer) 00h 48'58" Hot as sun (Paul McCartney) 00h 52'10" The second time (Francis Lai) 00h 56'12" Missing (Vangelis) 00h 59'54" All things considered" (Vangelis) 01h 03'32" CANCIONES PARA EL CINE 01h 04'16" All time high (Octopussy) - Rita Coolidge 01h 07'10" A Christmas dream (Odessa) - Maynard Williams 01h 10'01" Finally (Gumshoe) - Pamela Paterson 01h 13'49" ELTON JOHN, FREDDIE MERCURY Y RICK WAKEMAN 01h 14'25" The falling priest - Freddie Mercury & Monserrat Caballé 01h 20'07" The Golden boy - Freddie Mercury & Monserrat Caballé 01h 26'06" Legal boys - Elton John 01h 29'10" Julia - Chaka Khan 01h 33'45" STARMANIA (TYCOON) 01h 34'12" Only the very best - Peter Kingsbery 01h 37'43" Ziggy - Celine Dion 01h 40'38" ALAN MENKEN Y DISNEY 01h 42'24" A whole new world - Brad Kane & Lea Salonga 01h 45'01" One jump ahead - Brad Kane 01h 47'21" Home - Susan Egan 01h 51'05" No matter what - Tom Bosley & Susan Egan 01h 54'08" If I can’t love her - Terrence Mann 01h 58'07" A change in me - Susan Egan 02h 01'51" How does a moment last forever - Celine Dion 02h 05'22" Evermore - Josh Groban 02h 08'27" WIZARD FROM OZ 02h 09'27" Already home - Danielle Hope 02h 12'44" Nobody understand me - Danielle Hope & Cast 02h 16'27" Red shoes blues - Hannah Waddingham 02h 18'35" Wonders of the world - Michael Crawford

For Video Edition, Please Click and Subscribe Here: https://youtu.be/XDCWQMtU1_8 DAVIS GAINES performed the title role in Andrew Lloyd Webber's The Phantom of the Opera over 2,000 times, during his run on Broadway, in Los Angeles, (where he remains LA's longest-running Phantom), and in San Francisco, (where he received the Bay Area Critics' Award for Best Actor). Subsequently, he was chosen by Hal Prince and Lloyd Webber to play the leading role in the World Premiere of Whistle Down the Wind. Other Broadway and National Tour credits include Raoul in The Phantom of the Opera, Cornelius Hackl in Hello, Dolly! (with Carol Channing), Camelot (with Richard Burton) and The Best Little Whorehouse in Texas (with Alexis Smith). Gaines' Off-Broadway appearances include Des McAnuff's The Death of Von Richthofen as Witnessed from Earth, the Maury Yeston/Larry Gelbart musical One Two Three Four Five, Stephen Sondheim's Assassins, She Loves Me and Forbidden Broadway. He made his New York City Opera debut in The New Moon and appeared in the concert versions of Parade, Sitting Pretty, The Cat and the Fiddle, Pippin and the Encores production of The Boys from Syracuse. Additionally, Gaines has sung for six U.S. Presidents and with every major symphony orchestra in North America, including the New York Pops at Carnegie Hall and the Hollywood Bowl Orchestra at the Hollywood Bowl. He has performed in cabaret in New York at ‘Feinstein's at Loews Regency' and ‘Rainbow and Stars', Hollywood's ‘Cinegrill' and San Francisco's ‘Plush Room'. Gaines currently resides in Los Angeles and is a frequent singer of our National Anthem for the Los Angeles Lakers, Clippers, Kings and Dodgers. www.facebook.com/DavisGainesActor

Traemos un podcast en el que hablamos de los musicales de Andrew Lloyd Webber producidos con Cameron MackIntosh: CATS, SONG & DANCE y PHANTOM OF THE OPERA, pero aunque esa era la idea inicial hablamos de casi todos los musicales de Lloyd Webber, de varios musicales que esperamos que pronto se estrenen en cine y muchas cosas más. Pol Turrents de Barcelona y Sergio Arán de Canarias hablan con Paco Dolz con total libertad de las pasiones que les unen desde hace más de 20 años: la música de cine, el cine y el teatro musical. Aunque tienes la versión en video en el canal de you tube y de twitch de Love4musicals, te pasamos sólo el audio por si prefieres escuchar la conversación sin tener que estar pendiente de la pantalla. Espero te guste

This week on the podcast, Colin's on the dais with the Maestro, top Musical Director Mike Dixon, talking about “We Will Rock You” and “Aspects of Love”, playing Glastonbury, and rubbing shoulders with Patrick Stewart, Leslie Bricusse and Dame Julie Andrews. Steam, Smoke & Mirrors Theme music composed by John Orchard and arranged by Ian English Facebook: colin.edmonds.73 Instagram: colinedmondsssm Twitter:@ColinEdmondsSSM Website: https://www.steamsmokeandmirrors.com/ Buy Steam, Smoke and Mirrors Available at Caffeine Nights Available at Amazon Available on Audible Buy The Lazarus Curiosity: Steam, Smoke and Mirrors 2 Available at Caffeine Nights Available at Amazon Available on Audible Buy The Nostradamus Curiosity: Steam, Smoke and Mirrors 3 Available at Caffeine Nights Available at Amazon

The show takes shape at the Sydmonton festival, where the elite mingle on the lawns of Lloyd Webber, while Patti LuPone nervously awaits backstage. Contact Broadway Bob at: thebroadwaybob@gmail.com

THE RHYMING DETECTIVE Episode 3. It’s All About Mee Mee Written by Simon Paul Miller CAST Dick Dick Digger: Simon Paul Miller Lord Web-Browser: Charles Crow Meemee : Anna Bird The Phantom: Gary Bird TECHNICAL CREW Sound Engineer: Joel Woods SFX: Jeremy Miller Podcast Cover by Thomas Adams