Podcast appearances and mentions of sydney freeland

We're checking out director Sydney Freeland's Indigenous basketball movie, Rez Ball (2024). C/W: suicide (off-screen)Co-written by Reservation Dogs' Sterlin Harjo, this underdog feel-good sports film does exactly what you expect and not much else (Prompting another round of "it's fine, why does it need to be more?"). Still, at nearly 2 hours, Joe wishes there was stronger character work and Brenna is frustrated by the mother character's incomplete arc.Plus: Navajo language, beautiful New Mexico scenery, and colourful Pitch Perfect-esque commentary!Wanna connect with the show? Follow us on Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremote (Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Letra “Like A Bird” Hosted on Acast. See acast.com/privacy for more information.

Celebrated Indigenous filmmaker and fashion designer Peshawn Bread graces our podcast with her powerful insights and inspiring journey. As we traverse the landscape of Peshawn's artistry, she unveils the rich tapestry woven by her Comanche, Kiowa, and Cherokee heritage into her creative work. From film to fashion, Peshawn champions the representation of Indigenous queer narratives, ensuring that joy and hope resonate with queer Indigenous youth. Her stories serve as a beacon, illuminating the path for the next generation seeking affirmation and a sense of belonging in their identity.Our dialogue takes us through the realms of mentorship and community, where figures like Sydney Freeland emerge as guiding lights for young Indigenous artists navigating the film industry. Peshawn's endeavors extend beyond her personal creative pursuits as she spearheads the compilation of a directory for Indigenous talent—an invaluable resource to foster collaborations and maintain the cultural integrity of Native American representation. This episode reveals how art can be a powerful tool for advocacy, and the delicate balance artists must strike when commercial interests meet cultural authenticity.As we wrap up, Peshawn shares her dreams for her fashion brand House of Sutai and reflects on the unexpected discovery of Indigenous connections in places from Hollywood to high fashion. It's a closing that leaves us inspired to support and seek out the richness of our own communities, encouraged by Peshawn's journey of creativity and cultural exploration.

Red Power Hour is back! Co-hosts Melanie Yazzie and Elena Ortiz discuss Sydney Freeland's Rez Ball (2024). GoFundMehttps://www.gofundme.com/f/empower-red-medias-indigenous-content  Subscribe to The Red Nation Newsletter: https://www.therednation.org/  The Red Nation Podcast is produced by Red Media and is sustained by comrades and supporters like you. Power our work here: www.patreon.com/redmediapr 

With help from Lakers' superstar Lebron James, a Native director and cast tell the story of trauma and healing playing out within a reservation small town high school basketball team. Sydney Freeland (Navajo) is a gifted storyteller (Echo, Reservation Dogs, Drunktown's Finest), teaming up with Sterlin Harjo (Seminole/Muscogee) to tell the sometimes heartbreaking, always human drama of the fictional Chuska Warriors. It's sure to resonate with current and past rez ball warriors and adds to the growing list of films that show the world what can be achieved when Native talent delivers Native stories. GUESTS Sydney Freeland (Diné), filmmaker Kauchani Bratt (Quechua/Coahuiltecan), actor Dallas Goldtooth (Diné and Dakota), actor Ernest Tsosie III (Diné), actor

Editor - Jessica Baclesse REZ BALL editor, Jessica Baclesse says she got the job for the film through a chance encounter with a not-so-stranger across a crowded room.  Random or not, Jess already had plenty of editing experience under her belt, including time logged cutting a big sports movie with Michael B. Jordan's directorial debut, CREED III (2023). REZ BALL was directed by Sydney Freeland and co-written by Freeland and Sterlin Harjo (RESERVATION DOGS).  It tells the story of the Chuska Warriors, a Native American high school basketball team from New Mexico who, after losing their star player, must band together to keep their quest for a state championship alive. Jessica Baclesse Jessica Baclesse is an award-winning film editor working in features, television and commercials. In addition to editing Creed III with Tyler Nelson, she was an additional editor on Marvel's 2021 television series Loki, directed by Kate Herron, and a pre-production editor on The Falcon and the Winter Soldier. Baclesse's work on Nike's 2020 You Can't Stop Us received an Emmy for Outstanding Commercial, a Cannes Grand Prix Lion and an AICP Award for Best Editing Montage.  Jess has also edited global commercial campaigns, including Instagram's Get Into What You Love, which was nominated for a Webby Award for Best Use of Video or Moving Image in Advertising. Baclesse received her MFA in Film from Columbia University and has edited many critically renowned narrative shorts that have been featured at festivals such as Slamdance, LA Film Festival, and Palm Springs International Film Festival. Editing Rez Ball In our discussion with REZ BALL editor Jessica Baclesse, we talk about: The importance of understanding geographical isolation Following the "How to..." from Hoosiers Letting the kids lead you to the story LeBron James, technical advisor Going to "sheep camp" The Credits Visit Extreme Music for all your production audio needs See the latest new features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

With the 49th Toronto International Film Festival winding down, Donnovan chats about the world premieres of two sports films: Rez Ball & Unstoppable. He also chats with the director of Rez Ball, Sydney Freeland, alongside the two principal actors Jessica Matten and Kauchani Bratt, as they discuss the making of the movie and why it was important to get the small details right (4:52). To wrap up on the films, Donnovan is joined by Sho (10:19) for a review, and chat about TIFF as a whole. Afterwards, Aurélie Rivard (37:10), a 13-time Paralympic medalist - which includes three medals won at the 2024 Paralympics, one of each colour - stops by to chat about her experience in France, her journey to this point in her career, and what has shaped her as an athlete. The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

The Marvel Cinematic Universe accomplished an unprecedented track record of box office earnings, followed by an uneven phase that included a few box office miscues and a mixed reactions to its span of Disney+ streaming series. In this episode of Hyperspace Theories, Tricia Barr and B.J. Priester discuss two MCU series that had lower profiles in fan attention and viewership, but much to consider in what they got right in their storytelling: the binge-dropped live-action series Echo and the animated series What If? released weekly in its second season. Most significantly, both series featured stories with female leads that drew heavily upon elements of Heroine's Journey stories rather than repeating the long-familiar tropes of male-centered superhero tales. More than a decade ago, prior to the release of the first film in The Hunger Games series, producer Nina Jacobson highlighted a core aspect of the story of Katniss Everdeen: that she is a nurturing heroine rather than a conquering hero. In a similar vein, Captain Carter and Kahhori are heroes motivated by protection rather than power, and Hela and Gamora shift from conquering to nurturing motivations. In Echo, Maya begins the story seeking revenge and power, and ends it dedicated to protecting her family and community. Similarly, the Campbellian Hero's Journey traditionally focuses on a solo hero (who may have some allies), while contemporary Heroine's Journey stories portray her as the center of a team, rejecting savior tropes in favor of collective action and shared success. Captain Carter leads teams of supers in both seasons of What If? and Maya's story progresses from a solo vengeful quest spawned by men who kept her isolated from her family into a finale in which she prevails with a team of allies who help her restore bonds of family. We also note similar themes with Omega and her brothers in Star Wars: The Bad Batch. Outside the parameters of the stories themselves, What If? and Echo also provide lessons for Star Wars and other franchises. For one, they reinforce the importance of who creates or writes the story. What If? and The Bad Batch were led by women showrunners, while Echo had two women as head writers, other women on the writing staff, and five episodes directed by women, including four by Sydney Freeland, a Navajo filmmaker. Their perspectives bring a voice and authenticity that comes through in the storytelling. In addition, both series also serve as a reminder that lore and source material only go so far: telling the best story is what matters. The alternate-universe multiverse of What If? demonstrates clearly how departing from the MCU's “Sacred Timeline” can generate compelling and impactful stories that would be impossible within a single continuity – even going so far as to create a new character, Kahhori, who had not existed anywhere in the thousands of pages across decades of Marvel Comics. And although Maya Lopez originated in the comics, the Echo heroine we watch in Echo is changed in significant ways from that version of the character, reframing her characterization to increase the importance of her matrilineal ancestors and her powers to a more protective and defensive rather than combative emphasis – making her far more interesting as a comparison and contrast to the prior heroes in the MCU. Related Links Journey of a Strong Female Heroine: Katniss Everdeen (March 2012) Team Katniss: Collaborative Success in The Hunger Games (March 2012) Contact Information: Hyperspace Theories: Twitter @HyperspacePod Tricia Barr: Twitter @FANgirlcantina; email Tricia@fangirlblog.com B.J. Priester: Twitter @RedPenofLex; email Lex@fangirlblog.

Echo continues the journey of Maya Lopez, a skilled fighter who was first seen in the Marvel series, Hawkeye. After the death of her father, Maya escapes Kingpin's gang by returning to her Choctaw Nation home in Oklahoma. It's the first Marvel series to feature a Native American character and explore indigenous culture and history. As Maya Lopez, Echo star Alaqua Cox breaks barriers as a deaf, indigenous amputee. Cinematographer Kira Kelly, ASC enjoyed crafting a Marvel story that didn't require a rigorous backstory from previous Marvel movies or shows. The script included depictions of the history of the Choctaw, including the Choctaw creation myth. “What starts the pilot is the creation myth of the Choctaw people, which had never been shown before,” says Kira. “Sydney Freeland, our director, made sure we did it in a very respectful way, and a way that was authentic to (the Choctaw.) Being able to be part of that visual storytelling is not something that you get to do every day.” Different parts of Echo are separated by a specific look and feel. Most of the series was shot using anamorphic lenses, but Kira chose 12 and 20 mm spherical lenses to depict the beginning of the Choctaw nation at the dawn of time. For Maya's world in New York, Kira used darker and more desaturated lighting. She and director Sydney Freeland agreed that once Maya goes back home to her roots in Oklahoma, deeper, more saturated colors should be part of the visual story. Kira enjoys lighting, and a big part of it is speaking with the production and set designers about what can be built in naturally for success later. She purposefully changed the treatment of the light between the characters of Fisk (Kingpin) and Maya. For Fisk, she played with a direct, single source side light on his face that created more falloff and emphasized shadows to question his loyalties and motivations. Echo was Kira's first experience shooting extensive action sequences and working with a large second unit. She particularly enjoyed recreating the Choctaw Powwow in Oklahoma for the final sequence at the conclusion of the series. The crew had visited the real powwow on a scout, and some of the dancers were hired to perform for the show. “It was a really emotional sequence because we got to be a part of this thing that people who aren't Native American never get to experience. We had created this space for it and the people who are a part of it came up and said, 'This is like a real powwow. You guys created a powwow.' And so it was an honor to be part of something that was visually fulfilling and a great challenge.” Kira is partnering again with director Sydney Freeland for her film, Rez Ball, coming this fall. Hear our previous interview with Kira Kelly. https://www.camnoir.com/ep67/ Find Kira Kelly: https://www.kirakellydp.com/ Instagram: @kirakellydp Sponsored by Hot Rod Cameras www.hotrodcameras.com Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

On this episode, we discuss some episodes from the excellent and forgotten TV series Urban Gothic (2000-2001, mostly masterminded by Tom de Ville, it seems). Meanwhile, Lawrence studiously follows the law, Dan dabbles in necromancy, Ronald embraces negativity, and Rahul's mind turns, once again, to cubes. Recommendations Gamera: The Giant Monster (1965, directed by Noriaki Yuasa) Monsters of the Gévaudan: The Making of a Beast by Jay M. Smith The Discovery of France: A Historical Geography by Graham Robb Past Lives (2023, directed by Celine Song) Scavenger's Reign (2023, created by Joseph Bennett and Charles Huettner) Cautions Boudicca: Queen of War (2023, directed by Jesse V. Johnson) Too Much Guacamole With Your Chips Echo (2023, directed by Sydney Freeland and Catriona McKenzie) Plug List of Massacres in Great Britain (https://en.wikipedia.org/wiki/List_of_massacres_in_Great_Britain)

Celebrated Indigenous filmmaker and fashion designer Peshawn Bread graces our podcast with her powerful insights and inspiring journey. As we traverse the landscape of Peshawn's artistry, she unveils the rich tapestry woven by her Comanche, Kiowa, and Cherokee heritage into her creative work. From film to fashion, Peshawn champions the representation of Indigenous queer narratives, ensuring that joy and hope resonate with queer Indigenous youth. Her stories serve as a beacon, illuminating the path for the next generation seeking affirmation and a sense of belonging in their identity.Our dialogue takes us through the realms of mentorship and community, where figures like Sydney Freeland emerge as guiding lights for young Indigenous artists navigating the film industry. Peshawn's endeavors extend beyond her personal creative pursuits as she spearheads the compilation of a directory for Indigenous talent—an invaluable resource to foster collaborations and maintain the cultural integrity of Native American representation. This episode reveals how art can be a powerful tool for advocacy, and the delicate balance artists must strike when commercial interests meet cultural authenticity.As we wrap up, Peshawn shares her dreams for her fashion brand House of Sutai and reflects on the unexpected discovery of Indigenous connections in places from Hollywood to high fashion. It's a closing that leaves us inspired to support and seek out the richness of our own communities, encouraged by Peshawn's journey of creativity and cultural exploration.

Fecha de Grabación: Jueves 25 de enero de 2024. Algunas noticias y temas comentados: Recordando a Wildstorm: algunas recomendaciones Final Crisis y lo complicado de leer a Grant Morrison La serie de Thor en las eras Straczynski - Fraction - Gillen ¿Por qué se compara al Silver Surfer de Slott y Allred con Doctor Who? Recomendaciones selectas de entre la obra de Al Ewing Libreros de cómics, ¿con qué los llenas y por qué? Además: Young Heroes in Love, The Kents (Ostrander+Mandrake+Truman), Ghost (Dark Horse), Megalopolis (Simone+Calafiore), Nancy (Olivia Jaymes), Donny Cates, Darick Robertson, ¡...y mucho más! Comentario de series: Reacher, segunda temporada de la serie de acción criminal desarrollada por Nick Santora y basada en los libros de Jack Reacher por Lee Child, con las actuaciones de Alan Ritchson, Serinda Swan, Shaun Sipos, Ferdinand Kingsley y Robert Patrick. (Amazon Studios/Prime Video) Echo, miniserie desarrollada por Marion Dayre y Amy Rardin, con Sydney Freeland como directora principal. Con las actuaciones de Alaqua Cox, Chaske Spencer, Tantoo Cardinal, Vincent D'Onofrio, Charlie Cox, Devery Jacobs, Cody Lightning y Graham Greene. Spinoff de Hawkeye. (Marvel Studios/Disney+) Moon Girl and Devil Dinosaur, serie animada desarrollada por Steve Loter, Jeffrey M. Howard y Kate Kondell, con las voces de Diamond White, Fred Tatasciore, Alfre Woodard, Sasheer Zamata, Jermaine Fowler y Laurence Fishburne, entre otros. Inspirada en el cómic de Brandon Montclare y Amy Reeder. (Disney Television Animation/Marvel Animation/Disney+) Pueden escuchar el podcast en este reproductor: Descarga Directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 102.7 MB; Calidad: 128 Kbps. El episodio tiene una duración de 1:51:40, y la canción de cierre es "No I in Threesome" de Interpol. Además de nuestras redes sociales (Twitter, Facebook, Instagram), ahora tenemos una nueva forma de interactuar con nosotros: un servidor en Discord. Es un espacio para compartir recomendaciones, dudas, memes y más, y la conversación gira alrededor de muchos temas además de cómics, y es una forma más inmediata de mantenerse en contacto con Esteban y Alberto, así como con otros escuchas. ¡Únete a nuestro servidor en Discord! También tenemos un Patreon. Cada episodio del podcast se publica allí al menos 24 horas antes que en los canales habituales, y realizamos un especial mensual exclusivo para nuestros suscriptores en esa plataforma. Tú también puedes convertirte en uno de nuestros patreoncinadores™ con aportaciones desde 1 dólar, que puede ser cada mes, o por el tiempo que tú lo decidas, incluyendo aportaciones de una sola vez. También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados: Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Google Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm ¿Usas alguna app o servicio que no tiene disponible el podcast de Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia. Nos interesa conocer opiniones y críticas para seguir mejorando. Si te gusta nuestro trabajo, por favor ayúdanos compartiendo el enlace a esta entrada, cuéntale a tus amigos sobre nuestro podcast, y recomiéndalo a quien creas que pueda interesarle. Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

Alexis Hejna and Mark Radulich present their Echo Marvel 2024 TV Show Review! Echo is an American television miniseries created for the streaming service Disney+, based on Marvel Comics featuring the character of the same name. It is the tenth television series in the Marvel Cinematic Universe (MCU) produced by Marvel Studios, sharing continuity with the films of the franchise, and is a spin-off of the series Hawkeye (2021). It sees Maya Lopez return to her hometown where she must come to terms with her past, reconnect with her Native American roots, and embrace her family and community. Marion Dayre and Amy Rardin serve as head writers and Sydney Freeland leads the directing team.Echo was released in its entirety simultaneously on Disney+ and Hulu on January 9, 2024, consisting of five episodes. It is Marvel Studios' first television release to debut on Hulu and to receive a TV-MA rating. It is part of Phase Five of the MCU and the first series under the "Marvel Spotlight" banner.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

We're back! And in our first, jam-packed episode of 2024, Hanna speaks to Joel Edgerton about THE BOYS IN THE BOAT (12:04), we review the film (30:29), and then Hanna chats with producer Grant Heslov (44:44). Plus, we talk Yorgos Lanthimos' POOR THINGS (01:01:49) and feminist doc THE DISAPPEARANCE OF SHERE HITE (01:24:53), before Hanna sits down with Sydney Freeland, head of the directing team on Marvel's ECHO (01:42:17).  And in our HOT TAKE (01:59:47), we'll be diving into a full, spoilerific discussion of Marvel's latest Disney+ series led by Alaqua Cox.  If you would like to donate towards humanitarian aid in Gaza please visit https://www.map.org.uk/ https://www.unicef.org/emergencies/children-gaza-desperate-need-lifesaving-support  If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

The stars of Marvel Studios' Echo—Alaqua Cox, Vincent D'Onofrio, Chaske Spencer, and Devery Jacobs—along with director Sydney Freeland sit down with D23 Inside Disney for a behind-the-scenes look at the highly anticipated new series.

Marvel-villain-turned-superhero Echo is now streaming on Disney+, giving audiences their first series featuring a Native American comic character, who also happens be deaf with a partially prosthetic leg. Echo is a choice lead opportunity for Menominee and Mohican actress Alaqua Cox. It's directed by Sydney Freeland (Navajo) and boasts a large Native supporting cast including Chaske Spencer, Devery Jacobs, Graham Greene, and Tantoo Cardinal. We'll talk with the cast, crew, cultural consultants, and comic book fans about bringing this comic book story to life while also striving for accurate Indigenous representation. GUESTS Teresa Billy (Choctaw Nation of Oklahoma), assistant director of the Chahta Anumpa Aiikhvna, the Choctaw School of Language and consultant on Echo Dr. Scott Ketchum (Choctaw Nation of Oklahoma), Chickasaw Nation Endowed Chair in Native American Studies for East Central University  Dr. Lee Francis IV aka Dr. IndigiNerd (Laguna Pueblo), CEO of A Tribe Called Geek   Plus, pre-recorded conversations with: Alaqua Cox (Menominee Nation), plays Maya Lopez, character first debuted in Hawkeye series  Sydney Freeland (Navajo), Echo executive producer and director Devery Jacobs (Mohawk), plays Bonnie in Echo Chaske Spencer (Lakota, Nez Perce, Cherokee, Muscogee), plays Henry in Echo Richie Palmer, Echo executive producer

The new Marvel miniseries “Echo” is one of the first of its kind. The story focuses on a deaf Native American character named Maya Lopez, a.k.a. Echo. Sydney Freeland, the series director, tells Tom about the kind of comic books she read growing up on the Navajo reservation in New Mexico, the challenges of depicting action through the silent perspective of Maya, and how building a relationship with the Choctaw Nation helped bring the story to life.

Echo, the latest Marvel Cinematic Universe show to debut on Disney+, continues the story of Maya Lopez, the deaf, Native American vigilante whom we met back in Hawkeye. And in this very special preview interview with Sydney Freeland, the Navajo filmmaker who is one of the show's directors, Chris Hewitt discovers just what we can expect from this five-episode limited series, in which Maya comes face to face with her past, and with two familiar faces in the shape of Charlie Cox's Daredevil and the man whom Maya considers to be her uncle, Vincent D'Onofrio's Kingpin. All five episodes drop at once on Disney+ from Wednesday Jan 10 (in the UK), and you can get up to speed now by checking out this interview. Enjoy.

This is our interview with the Devory Jacobs, Chaske Spencer, Director Sydney Freeland, and Executive Producer Richie Palmer from Marvel Studios' Echo. We discuss the commitment to ensure authentic representation of the Choctaw Nation and its people, as well as who inspires them, and who they'd want to see Echo team up with in the MCU.Watch Our Interviews on YouTube:Behind The Geeks | Our Interview with Chaske Spencer & Devery Jacobs of Marvel Studios' ECHOBehind The Geeks | Director Sydney Freeland & Producer Richie Palmer of Marvel Studios' ECHOPLUS, we have our interview with Alaqua Cox “Maya Lopez” herself! Available EXCLUSIVELY on our YouTube channel. We discuss her influence on the fight choreography as well as the comparisons of being a mom and being a bad ass anti-hero in the MCU.Watch It Here - Behind The Geeks | Our Interview with Alaqua Cox aka MAYA LOPEZ from Marvel Studios' ECHOMarvel Studios' “Echo” launches on Disney+ Jan. 9, 2024  Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

On this SPECIAL EDITION of The Movie Podcast, Daniel is joined by DEVERY JACOBS (Reservation Dogs, American Gods), CHASKE SPENCER (Wild Indian, The Twilight Saga), Director SYDNEY FREELAND, and Executive Producer RICHIE PALMER of Marvel Studios' Echo. The series spotlights Maya Lopez (Alaqua Cox) as she is pursued by Wilson Fisk's (Vincent D'Onofrio) criminal empire. When the journey brings her home, she must confront her own family and legacy. All 5 episodes of Marvel Studios' Echo release January 9, 2024 on Disney+ and Hulu. Watch and listen to The Movie Podcast now on all podcast feeds, YouTube, and TheMoviePodcast.ca Get a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcast Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Rotten Tomatoes, and Letterboxd Shahbaz on X, Instagram, Rotten Tomatoes, and Letterboxd Anthony on X, Instagram, Rotten Tomatoes, and Letterboxd The Movie Podcast on YouTube, X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://themoviepodcast.supportingcast.fm

Am 10. Januar 2024 startet Maya Lopez ihre Karriere als fragwürdige Heldin in der Serie ECHO (Disney+). Das Spin-Off zum Erfolgshit HAWKEYE erzählt, wie Maya zu Fiesling Wilson Fisk kam und was sie antreibt. Neben der ersten gehörlosen "Superheldin" ist sie zudem die erste mit Ur-amerikanischer-Abstammung. Regie beim Projekt führte mit Sydney Freeland dabei ebenfalls eine Navajo - mit der durfte ich zur Serie auch kurz quatschen!

One-time host of the Phoenix Force, Maya Lopez aka Echo is a Deaf Cheyenne-Latina warrior with photographic reflex abilities.Hosts Ellie and Preeti explore how she grew from a Kingpin pawn to a champion of her family and communities. They talk to Marvel Studios' Echo director Sydney Freeland about the upcoming series on Disney+, as well as comics writers Rebecca Roanhorse and Melissa Flores about building Echo's stories.Check out MarvelUnlimited's Women of Marvel Reading List for Echo!:https://www.marvel.com/articles/podcasts/listen-women-of-marvel-echo-podcast-episode-highlightFull Episode Transcript Available: https://www.marvel.com/articles/podcasts/complete-echo-episode-transcript-women-of-marvel-podcast

Echo dropped its trailer, the first TV-MA series coming from Marvel Studios. Daredevil and Kingpin are back! Echo's followup from the Hawkeye debut and Jamie Jirak has plenty of insights after attending a trailer event with the show's director and executive producer Sydney Freeland! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Pirates, treachery, and deceit -- are you not entertained! The latest episode of Star Trek: Strange New Worlds, The Serene Squall, delivers whimsey, delight, and much more. Argh! Join in as we unpack it all.

Mucha trama en Star Trek. Siguen las aventuras de la U.S.S. Covacha en su misión Covayashi Maru para explorar el capítulo de estreno de Star Trek Strange New Worlds titulado "The Serene Squall", así como explorar el pasado de la franquicia Star Trek TEMAS Bitácora Semanal: Strange New Worlds T1 E07 "The Serene Squall". Agentes temporales: TOS T1E07 y ENT T1E18. Ñoñoticias de Star Trek. FICHAS DE EPISODIOS STRANGE NEW WORLDS T1E07 THE SERENE SQUALL Sinopsis: Mientras están en una misión humanitaria, el equipo de la U.S.S. Enterprise tropiezan en un angustiante juego con los piratas espaciales más mortíferos del cuadrante. Dirección: Sydney Freeland. Guión: Akiva Goldsman, Alex Kurtzman. Reparto: Anson Mount, Ethan Peck, Jess Bush. STAR TREK THE ORIGINAL SERIES T1 E07 MUDD´S WOMEN Sinopsis: La Enterprise recogen al poco confiable emprendedor Harry Mudd, quien está acompañado por tres hermosas mujeres que inmediatamente ponen un hechizo en todos los tripulantes masculinos. Dirección: Harvey Hart. Guión: Stephen Kandel. Reparto: William Shatner, Leonard Nimoy, Roger C. Carmel. STAR TREK ENTERPRISE T1 E18 ROGUE PLANET Sinopsis: Casi toda la tripulación queda inconsciente cuando cuatro piratas Ferengi saquean la Enterprise. Un todavía consciente Trip es el único que puede librarse de ellos. Dirección: Allan Kroeker. Guión: Rick Berman, Brannon Braga. Reparto: Scott Bakula, John Billingsley, Jolene Blalock. FICHA COVACHA TRIPULACIÓN: Capitán U.S.S. Covacha Francisco Espinosa ,Oficial Científico Isidro Rodríguez, Jefe de ingeniería Rodrigo Díaz Paz y la Embajadora Científica María Dax. OFICIAL DE COMUNICACIONES: Axel Alonso. FECHA ESTELAR: Junio 12, 2022. PODCAST Y REDES: Valentín García. Covayashi Maru es un podcast de la familia Covacha en el que exploramos y analizamos extraños nuevos episodios de Star Trek, viajando temerariamente a donde ningún covacho ha ido antes. ¡Conviértete en miembro del canal de YouTube desde $9 al mes, y ayúdanos a seguir creando contenido!

Hello! It's time to talk movies again as we spend some time looking at the 2017 Netflix original, Deirdra and Laney Rob a Train. Directed by Sydney Freeland, starring Ashleigh Murray, Rachel Crow and Tim Blake Nelson, listen on to find out if we thought this was a great caper or a total bust! It's all aboard the episode train as we make stops at Riverdale, Coronation Street and Lebron James before this weeks show terminates with listeners having a great time.    Bottom of the stream is a weekly podcast, hosted by film lovers Adam and Nick, exploring the parts of Netflix that most people don't go to in a bid to find out what hidden gems are lurking down there Every week we rank the films we watch against each other and place them in what we like to call THE STREAM TABLE which can be found on our BRAND NEW website  www.bottomofthestream.com Follow us on Twitter, instagram and letterboxed at @bots_podcast  Please consider supporting the show on Patreon, If you do we will give you lots of bonus content including early access to the episodes. Check it out over at www.patreon.com/bottomofthestream   We also now have a discord so join us to hang out https://discord.gg/wJ3Bfqt

It's not easy to start all over and pursue a career in a competitive industry without many models of those who are similar to you. But after 9/11, Harry Yoon found himself contemplating his future and wanting to make life choices that would reflect his deepest passions and callings. At 31 years old, he walked away from a career in technology, sold everything, and headed to Hollywood in search of a vocational path in the film industry. Two decades later, Harry has experienced the dream of editing a movie that reflects the authenticity of the Korean immigrant experience which was a part of his own story as a second-generation Korean American: Minari, written and directed by Lee Isaac Chung and currently nominated for six Academy Awards. In this special bonus episode, producer Helen Lee talks with Harry about the risks he took to enter this industry, and how he was able to use his bicultural skills and experiences to survive and thrive. Helen and Harry also discuss the elements of Christian faith interwoven throughout the movie and why it carries a message that the church needs now more than ever. About the Guest: Harry Yoon is a wildly-talented editor based in Los Angeles. His most recent work can be seen on HBO and A24's teen drama “Euphoria,” created and directed by Sam Levinson. Yoon continued to collaborate with A24 as an additional editor on The Last Black Man In San Francisco, which was directed by Joe Talbot and premiered at Sundance. Yoon coedited Detroit, Kathryn Bigelow's feature film about a true-crime incident that occurred during the 1967 Detroit riots. He met Kathryn and his coeditor Billy Goldenberg while serving as the VFX Editor on Bigelow's Zero Dark Thirty. Yoon edited the historical drama The Best Of Enemies, written and directed by Robin Bissell, starring Sam Rockwell and Taraji P. Henson. He also worked as an additional editor on Universal Pictures's First Man, directed by Damien Chazelle, which premiered at Toronto International Film Festival and starred Ryan Gosling and Claire Foy. Yoon's previous credits as an editor include HBO's The Newsroom and several feature films that premiered at the Sundance Film Festival, including Drunktown's Finest, directed by Sydney Freeland, and Half-Life, directed by Jennifer Phang. His credits as a VFX Editor and Assistant Editor include The Revenant and The Hunger Games.  You can follow Harry on Instagram.SPECIAL OFFER | Save 40% on Movies Are Prayers and get free US shipping when you use promo code EVN40 at checkout.Organizations/resources that Harry is connected with or recommends include:CAAMVisual CommunicationSideTimeBrehm Center interview with Harry Yoon and Lee Isaac ChungGold OpenAbout the Host:Helen Lee is the director of product innovation at IVP; she is also the author of The Missional Mom and The Race-Wise Family, co-authored with Dr. Michelle Reyes. Helen also serves as the producer of The Every Voice Now Podcast and as the executive producer of Get in the Word with Truth's Table and The Disrupters. Follow Helen on Twitter and InsSupport the show

*weird scratching sound in this episode, sorry! Might be loud with headphones* On this episode, we discuss the Sydney Freeland film “Drunktown's Finest.” We also talk about the current anime shows we are watching and the Price is Right.

Mark, and I talk through Fear the Walking Dead Season 5 Episode 14, titled Today and Tomorrow. This episode was written by Richard Naing & David Johnson and directed by Sydney Freeland.

Mark, and I talk through Fear the Walking Dead Season 5 Episode 14, titled Today and Tomorrow. This episode was written by Richard Naing & David Johnson and directed by Sydney Freeland.

Mark, and I talk through Fear the Walking Dead Season 5 Episode 14, titled Today and Tomorrow. This episode was written by Richard Naing & David Johnson and directed by Sydney Freeland.

Talking Through Today and Tomorrow On this episode of Fear the Walking Dead Talk Through, Mark, Kyle and I talk through Today and Tomorrow. Fear the Walking Dead Season 5 Episode 14 was written by Richard Naing & David Johnson, and directed by Sydney Freeland. We start with a discussion of the last episode… that also discusses this one… again Kyle missed last week’s episode, so we began with his feedback on S5E13 Leave What You Don’t. We also got feedback from Todd and Aaron. recommendation this time out to listen to it to pick up some insights on Leave What You Don’t. Discussion about this episode, in particular, begins at 22 minutes 38 seconds into the episode. The link to the article in DeEtta’s feedback I wanted to highlight the link to the Forbes article mentioned for DeEtta’s feedback. Overall, this one was a mixed bag. It wasn’t a bad episode, with not nearly as many things to point out as the last episode had, but still not up to the quality we expect from this show. There’s a discussion about Ginny in the News, Ratings and Info section… There’s a story point about Virginia/Ginny from an AMC article that we elude to several times during the podcast that we finally discuss during the News, Ratings and Info section. It describes her as an efficiency expert, a cost-cutter or re-organizer that explains a lot about this character that you may not have seen up until now. We also talk about the Talking Dead Twitter backlash, which you can find out about here. Send in your feedback! Please leave your feedback! We got a good dose of feedback again this week, so keep it comin’! Next time, we’ll cover any additional feedback we get for S5E14 Today and Tomorrow, and then talk through Fear the Walking Dead, Season 5 Episode 15, titled Channel 5. Get your feedback in by 6 PM Eastern/5 PM Central on Tuesday, September 24, 2019. One of the best ways to submit feedback is on our Facebook group. You can also send us an email at our new email: walkingdead@talkthroughmedia.com or call our new voicemail at 216-232-6146. We could use your help! This season, collecting the feedback has been challenging, and we could use your help. Our availability is limited for each of us on Tuesdays when the bulk of the feedback comes in. We have to grab it from the various sources, including the Facebook group, the feedback form, email, and voice mail; put it into a Google doc; separate it into the appropriate sections of the podcast: Ratings, sauces, and feedback; and then fix things like spelling mistakes, grammar, and format, and then divide it by who will read it. If you are available most Tuesdays that we have an episode to record and want to help the podcast ou

Talking Through Today and Tomorrow On this episode of Fear the Walking Dead Talk Through, Mark, Kyle and I talk through Today and Tomorrow. Fear the Walking Dead Season 5 Episode 14 was written by Richard Naing & David Johnson, and directed by Sydney Freeland. We start with a discussion of the last episode… that also discusses this one… again Kyle missed last week’s episode, so we began with his feedback on S5E13 Leave What You Don’t. We also got feedback from Todd and Aaron. recommendation this time out to listen to it to pick up some insights on Leave What You Don’t. Discussion about this episode, in particular, begins at 22 minutes 38 seconds into the episode. The link to the article in DeEtta’s feedback I wanted to highlight the link to the Forbes article mentioned for DeEtta’s feedback. Overall, this one was a mixed bag. It wasn’t a bad episode, with not nearly as many things to point out as the last episode had, but still not up to the quality we expect from this show. There’s a discussion about Ginny in the News, Ratings and Info section… There’s a story point about Virginia/Ginny from an AMC article that we elude to several times during the podcast that we finally discuss during the News, Ratings and Info section. It describes her as an efficiency expert, a cost-cutter or re-organizer that explains a lot about this character that you may not have seen up until now. We also talk about the Talking Dead Twitter backlash, which you can find out about here. Send in your feedback! Please leave your feedback! We got a good dose of feedback again this week, so keep it comin’! Next time, we’ll cover any additional feedback we get for S5E14 Today and Tomorrow, and then talk through Fear the Walking Dead, Season 5 Episode 15, titled Channel 5. Get your feedback in by 6 PM Eastern/5 PM Central on Tuesday, September 24, 2019. One of the best ways to submit feedback is on our Facebook group. You can also send us an email at our new email: walkingdead@talkthroughmedia.com or call our new voicemail at 216-232-6146. We could use your help! This season, collecting the feedback has been challenging, and we could use your help. Our availability is limited for each of us on Tuesdays when the bulk of the feedback comes in. We have to grab it from the various sources, including the Facebook group, the feedback form, email, and voice mail; put it into a Google doc; separate it into the appropriate sections of the podcast: Ratings, sauces, and feedback; and then fix things like spelling mistakes, grammar, and format, and then divide it by who will read it. If you are available most Tuesdays that we have an episode to record and want to help the podcast out, please drop us a line, either using the feedback form, the Facebook group, or if you are friends with us on Facebook, over Messenger. We’ll work out something if you can, like comping you into the Patreon, assuming you can do that. Ratings are down Ratings for S5E14 Today and Tomorrow were down from last week’s episode, S5E13 Leave What You Don’t. This week, Fear was able to get a 0.34 in the 18-49 demographic, with 1.307 million viewers, down from 0.41 and 1.446 million viewers last week. Subscribe and Support! Don’t forget that we have our new Patreon at: https://www.patreon.com/WalkingDeadTalkThrough We would like to thank LT from NC for being our latest patron! Please remember to subscribe to us on Apple Podcasts or whatever is your podcast client of choice. Subscribing to us helps us move up in the rankings, so it’ll help us out tremendously! You’ll also get new episodes when they’re released. And while you’re in there, leave us a rating or review! It only takes a few minutes and it also helps us out! And join our Facebook group! apple podcastsGoogle PodcastsStitcherPocketCastsRSS

Talking Through Today and Tomorrow On this episode of Fear the Walking Dead Talk Through, Mark, Kyle and I talk through Today and Tomorrow. Fear the Walking Dead Season 5 Episode 14 was written by Richard Naing & David Johnson, and directed by Sydney Freeland. We start with a discussion of the last episode… that also discusses this one… again Kyle missed last week’s episode, so we began with his feedback on S5E13 Leave What You Don’t. We also got feedback from Todd and Aaron. recommendation this time out to listen to it to pick up some insights on Leave What You Don’t. Discussion about this episode, in particular, begins at 22 minutes 38 seconds into the episode. The link to the article in DeEtta’s feedback I wanted to highlight the link to the Forbes article mentioned for DeEtta’s feedback. Overall, this one was a mixed bag. It wasn’t a bad episode, with not nearly as many things to point out as the last episode had, but still not up to the quality we expect from this show. There’s a discussion about Ginny in the News, Ratings and Info section… There’s a story point about Virginia/Ginny from an AMC article that we elude to several times during the podcast that we finally discuss during the News, Ratings and Info section. It describes her as an efficiency expert, a cost-cutter or re-organizer that explains a lot about this character that you may not have seen up until now. We also talk about the Talking Dead Twitter backlash, which you can find out about here. Send in your feedback! Please leave your feedback! We got a good dose of feedback again this week, so keep it comin’! Next time, we’ll cover any additional feedback we get for S5E14 Today and Tomorrow, and then talk through Fear the Walking Dead, Season 5 Episode 15, titled Channel 5. Get your feedback in by 6 PM Eastern/5 PM Central on Tuesday, September 24, 2019. One of the best ways to submit feedback is on our Facebook group. You can also send us an email at our new email: walkingdead@talkthroughmedia.com or call our new voicemail at 216-232-6146. We could use your help! This season, collecting the feedback has been challenging, and we could use your help. Our availability is limited for each of us on Tuesdays when the bulk of the feedback comes in. We have to grab it from the various sources, including the Facebook group, the feedback form, email, and voice mail; put it into a Google doc; separate it into the appropriate sections of the podcast: Ratings, sauces, and feedback; and then fix things like spelling mistakes, grammar, and format, and then divide it by who will read it. If you are available most Tuesdays that we have an episode to record and want to help the podcast ou

This week we discuss Netflix’s twenty-ninth film, 2017 comedy drama crime film, ‘Deidra & Laney Rob a Train.’ Directed by Sydney Freeland starring Ashleigh Murray, Rachel Crow, Tim Blake Nelson, David Sullivan, Danielle Nicolet and Sasheer Zamata.   Make sure you follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'What would have been a fair consequence for the sisters for their actions?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    Next week we look at 'The Most Hated Woman in America' so check out the film before then. You can see the trailer here. 

Hey there, friend! It's nearly Thanksgiving (for our U.S. listeners), and, if you listened last week, you know we want to bring some visibility to our First Nations sisters in film. That was more difficult than you would think, so this week we go back to beloved Sydney Freeland and venture into Chris Eyre. If you like SVU and discussing the issues with Thanksgiving, this one is for you! To follow along with us, check out Her Story and Law and Order: SVU "Smut" (Season 10, Episode 10) before listening. Follow us on Instagram and Twitter @cinephilecast, like our Facebook Page "Uninformed Cinephiles" and join in on our discussion by sharing your feedback of the films with us! Please send any questions, comments, or long-winded opinions to cinephilecast@gmail.com!  If you are listening on iTunes, please give us 5 stars and a comment! We would so appreciate and love you for it. Thank you for joining us! 

Hey there, friend! It's November now, and we want to bring some visibility to our First Nations sisters in film. This week is all about the wonderfully talented Sydney Freeland, and we couldn't get enough. Listen in to hear our takes on this week's movies, the current state of the US and lots of giggles. SPOILER: we get VERY political in this one, folks.  To follow along with us, check out Hoverboard, Drunktown, and Deidra and Laney Rob a Train before listening. Follow us on Instagram and Twitter @cinephilecast, like our Facebook Page "Uninformed Cinephiles" and join in on our discussion by sharing your feedback of the films with us! Please send any questions, comments, or long-winded opinions to cinephilecast@gmail.com!  If you are listening on iTunes, please give us 5 stars and a comment! We would so appreciate and love you for it. Thank you for joining us! 

Front and center in the world of theatrical distribution is the Netflix issue.  It felt like a topic that needed addressed right away since this distribution platform is robbing film fanatics of the Theatrical Experience.  On this episode we discuss the need for a theatrical release so that a film can officially enter the public consciousnes.  Without a theatrical release, great films like Tramps (dir. Adam Leon), Deirdra & Laney Rob a Train (dir. Sydney Freeland) and Win it All (dir. Joe Swanberg) are almost entirely missing from the "Best of 2017" conversations - even though they are available to millions of Netflix customers.

Sydney Freeland: Working with Netflix & Maintain Creative FreedomSPECIAL SUNDANCE EDITION of the Indie Film Hustle PodcastI ran into many filmmakers while fighting the blizzard at this year's Sundance Film Festival but one of the most impressive of the bunch was director Sydney Freeland. Sydney has had a challenging journey to become a director and her story is inspiring, to say the least.Prior to making her first feature-length film, Sundance darling Drunktown's Finest, Sydney Freeland previously worked as a production assistant, as a writer, and as a camera intern. Freeland worked in a number of areas, including; National Geographic, Walt Disney, The Food Network and Comedy Central. Freeland garnered her first taste of success with the six-minute short film, Hoverboard, utilizing Kickstarter to help fund the short. The film was inspired by her love of Back to the Future Part II.Drunktown's Finest is her second venture into filmmaking. The 95-minute long film is a coming-of-age story about the complex issues surrounding identity and the struggles faced by Native American people. The film's name is inspired by a controversial 20/20 segment on ABC News, which branded the town of Gallup, New Mexico as "Drunk Town, USA", after the increase of instances of alcoholism on the border of the Navajo Nation.Freeland wrote, directed Drunktown's Finest as means to combat the negative stereotype of her home community. Sydney Freeland, who is herself a transgender woman, is also directing a digital series about queer and trans women called Her Story.Photo by: NetflixAt this year's Sundance Film Festival Sydney Freeland is premiering her latest film Deidra & Laney Rob a Train, which was financed completely by Netflix. Two teenage sisters start robbing trains to make ends meet after their single mother's emotional meltdown in an electronics store lands her in jail. Coming to Netflix March 17. Here's the trailer.We sit down and discuss how it was like to work with Netflix, if the rumors of creative freedom are true and what Sundance has done for her career.All of these Sundance Series episodes will be co-hosted by Sebastian Twardosz from Circus Road Films and a co-production with Media Circus.Right click here to download the MP3Download on iTunes DirectBTW, Here's a trailer to Sydney Freeland's first Sundance Film Festival film, Drunktown's Finest. Three young Native Americans- an adopted Christian girl, a rebellious father-to-be, and a promiscuous transsexual, strive to escape the hardships of life on an Indian reservation.LINKS AND RESOURCES MENTIONED IN THIS EPISODEJason Shuman - IMDBRebel in the RyeSebastian TwardoszCircus Road FilmsMedia Circus PRSPONSORSDirecting Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE

Actor MorningStar Angeline and Production Designer Kevin Pierce join us in the Pyragraph studio to chat about their film Drunktown's Finest, about life in and around Gallup, New Mexico. Writer and director Sydney Freeland calls in from Sundance to talk about the long screenwriting process and how she eventually scored Robert Redford as an Executive Producer. Host Peri Pakroo is joined by Pyragraph Contributing Editor Josh Stuyvesant and Outreach Manager Cara Tolino.