Podcast appearances and mentions of Jack Clayton

This month, we're trying something new by releasing the individual segments once a week, to spread the mountain of content we recorded out over the whole month. And that continues with this month's main topic, where our resident English teacher, Sean Chapman, assigned us a very important reading: F. Scott Fitzgerald's The Great Gatsby, the Great American Novel turning the ripe old age of 100 this month! We discuss the novel itself, along with two of its cinematic adaptations – the 1974 film directed by Jack Clayton, and the 2013 film directed by Baz Luhrmann – and try to untangle why such an amazing book as never produced a halfway-decent movie. Enjoy!   Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to JAPANIMATION STATION, our podcast about the wide and wonderful world of anime: https://japanimationstation.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation Purely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffOriginal Music by Thomas Lack https://www.thomaslack.com/©2012 - Present Jonathan R. Lack & Sean Chapman

What an honor and a joy it was to talk with Rachel Bellwoar, an extremely talented writer and pop culture enthusiast whose work I've enjoyed discovering over the years. Thanks to many mutual cinephile friends and podcasters, we crossed paths in the world of Facebook and I couldn't be more thrilled to have her on the show to talk about an underappreciated British director, Jack Clayton!Pauline Kael praised The Innocents as "one of the most elegantly beautiful ghost movies ever made” and rightfully so. We also talk about the majority of his work since his filmography was surprisingly on the lower end. Of course we sing the praises of his renowned gothic horror masterpiece but along the way, we discover a few other works of his that we highly recommend seeking out too. Thank you Rachel for coming on the show and looking forward to a future appearance.Just a heads up that I'll be taking a short summer break from podcasting starting in late May, hopefully returning in August. There may be a couple of surprise episodes popping up but I'll be moving and working on other projects for a bit. Stay tuned for the first week of May for an exciting episode before the hiatus featuring Marya Gates and Ryan McNeil, returning to talk about Martha Coolidge!00:00 - 08:47 - Introduction08:48 - 01:02:05 - Room At The Top / The Innocents01:02:06 - 01:33:10 - The Pumpkin Eater / Our Mother's House01:33:10 - 02:03:50 - Other Clayton Films / OutroFollow Rachel's Work:https://rbellwoar.wordpress.comhttps://bsky.app/profile/ziggystarlog.bsky.socialDirector's Club is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Director's Club at directorsclub.substack.com/subscribe

Josh and Drusilla discuss Jack Clayton's gothic masterpiece, The Innocents (1961). From wiki: “The Innocents is a British-American 1961 gothic psychological horror film directed and produced by Jack Clayton, and starring Deborah Kerr, Michael Redgrave, and Megs Jenkins. Based on the 1898 novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own 1950 stage play—also titled The Innocents—as a primary source text. Its plot follows a governess who watches over two children and comes to fear that their large estate is haunted by ghosts and that the children are being possessed.”Also discussed: killer kids, The Palm Beach Story, Midnight (1939), A Small Back Room, The Lost Weekend, and other alcoholic movies. They discuss Smashed, Leaving Las Vegas, Mary Hartman, Mary Hartman, Just Me and You (1979), Charles GRODIN!, Happiness, Eddie Izzard, The Shining adaptations, cinemascope, and more.  We do commentary! Order the blu-rays with Bloodhaus commentary from ARROW Video!Dressed to Kill https://www.arrowfilms.com/4k/dressed-to-kill-limited-edition-4k-ultra-hd/15861302.html The Long Kiss Goodnighthttps://www.arrowvideo.com/4k/the-long-kiss-goodnight-limited-edition-4k-uhd/16034468.html NEXT WEEK: a three-year anniversary double feature.  Two films by Guillermo del Toro: Crimson Peak (2015) and The Shape of Water (2017). Follow them across the internet:Bloodhaus:https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

How adept are we at perceiving looming danger? With the release of Robert Eggers' adaptation of F. W. Murnau's Nosferatu, this week's episode looks to Jack Clayton's gothic masterclass in filmic manipulation, The Innocents, to examine our capacity to recognise imminent harm. We also briefly discuss: Blue Velvet (1986) d. David Lynch Nosferatu (1922) d. F. W. Murnau Nosferatu (2024) d. Robert Eggers Contact Us E: contact@jimmybernasconi.com Instagram: https://www.instagram.com/filmsfortoday/

Hello, and welcome to an all-new Films for the Void, episode #89! Eric and Landon take a look into the unknown by examining both Jack Clayton's 1961 film THE INNOCENTS, as well as Eskil Vogt's 2021 Norwegian import of the same name - all on the latest episode of Films for the Void!TIME STAMPS00:01:52 The Innocents (1961)00:47:40 The Innocents (2021)01:03:49 Landon's Recommendation for Next EpisodeTWITTER: @films_void$3/MONTH PATREON: patreon.com/films_voidLANDON'S TWITTER @igotdefevermanLANDON'S INSTAGRAM @duhfeverLANDON'S LETTERBOXD @landondefeverERIC'S TWITTER @ericwiththehairERIC'S INSTAGRAM @ericwiththebeardERIC'S LETTERBOXD @ericwiththehairArtwork by Annie CurleTheme Music by Meghan GoveEdited by Landon Defever

We're back in our regular format just in time for spooky season and for one of Nick's favourite horror films. A tale of ambiguity, repression, and corruption: it's Jack Clayton's THE INNOCENTS from 1961!CW: due to the nature of this movie's story, child sexual abuse is discussed in general terms. It's a real Freudian time on the podcast this week as we discuss Truman Capote's "skull beneath the skin" gothic concepts, Deborah Kerr's masterful portrayal of psychosexual ambiguity, why you shouldn't use flashbacks, creepy kids, and candelabras (candelabrae?). We're asking the question, how do you adapt a purposefully ambiguous tale? Fittingly, there's no exact answer!Plus, we're talking about how this was a huge leap forward for the horror genre in its cinematography and sound design, and it's a perfect opportunity to discuss electronic music pioneer Daphne Oram.Next time on the pod we visit a core text of the Gartbage crew: SHAUN OF THE DEAD!

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Lonely Passion of Judith Hearne - a 1987 British drama film directed by ⁠Jack Clayton⁠, starring Maggie Smith and Bob Hoskins.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Additional topics include: -Our rating system -⁠Queer Diaspora: SCREAM, QUEEN!: MY NIGHTMARE ON ELM STREET doc screening⁠ -California Pizza Kitchen's Kung Pao Spaghetti -Mo Elmasri Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

It's week three of “Oh My Gotttttthhhhhh” where we explore the nooks and crannies of gothic horror. We leave behind the bloodsuckers and their castles for ghosts and their need to make children… kissy(?)... as we explore Jack Clayton's seminal 1961 masterpiece, THE INNOCENTS.   As always you kind find more of the stuff you love at our PATREON! Join up at the link below and you can unlock the ability to tell us why Twisters rules on our Discord!   https://www.patreon.com/shudcast   00:00 - 9:00ish - Intros: We try to swat a fly and end up swatting Lucas instead, and we talk about Australian stuff because we're not qualified.   09:00ish - 1:09:00ish - The other stuff we watched this time!   Cody - Jaws, MaXXXine, Deadpool, Deadpool 2, Deadpool & Wolverine, Longlegs, Night of the Eagle aka Burn Witch Burn, Slaughter High, Night of the Comet, Happy Birthday To Me, Satan's Blood, The Erotic Rites of Frankenstein, Lucifer's Satanic Daughter, Twisters, Oddity, The Ninth Gate, Race With the Devil, and Fear and Loathing in Las Vegas   Austin - Twisters, Arcadian, Nope, The Mummy: Tomb of the Dragon Emperor, Manhunter,  Hail Satan?, Speak No Evil, and I Am: Celine Dion   Curtis - MaXXXine, Deadpool, Deadpool 2, Deadpool & Wolverine, Longlegs, Twisters (x2), Oddity, Manhunter, Tarot, Frogman, Thief, Encanto, Don't Look Now, Run Lola Run, Dead End Drive-In, Miami Vice, Blackhat, Carnival of Souls, Mortuary, Top Gun: Maverick, The Ward, The Black Demon, Bringing Out the Dead, Lumberjack the Monster, Conquest, Signs, Trap, Twister, and Bound   Lucas - Deadpool & Wolverine, Longlegs, Twisters (x2), Jodorowsky's Dune, The Fanatic, Blackberry, Zero Charisma, Men, Anyone But You, The Dead Don't Hurt, Instructions Not Included, Killers of the Flower Moon, Babylon, Bedazzled, What We Do in the Shadows, Legend of the Swordman aka Swordman 2, Embrace of the Serpent, Showgirls, Lords of Chaos, Bound, Jupiter Ascending, Trap, The Iron Claw, and Kneecap   1:09:00ish - 1:51:00ish - THE INNOCENTS - SHUDdown and discussion!   1:51:00ish - End - Our next and LAST movie in our “Oh My Gotttthhhh!” series!

This week, we discuss two films from English director Jack Clayton. The first is The Innocents (1961), a gothic psychological horror film starring Deborah Kerr, Michael Redgrave and Megs Jenkins. Based on the 1898 novella The Turn of the Screw by the American novelist Henry James, the screenplay was adapted by William Archibald and Truman Capote, who used Archibald's own 1950 stage play—also titled The Innocents—as a primary source text. The second is Our Mother's House (1967), a British drama film. It nominally stars Dirk Bogarde (who only appears in the film's second half) and principally features a cast of seven juvenile actors, including Pamela Franklin, Phoebe Nicholls and Mark Lester, with popular British actress Yootha Joyce in a supporting role. The screenplay was based on the 1963 novel of the same name by Julian Gloag. Timestamps This podcast contains spoilers for the following films/TV shows: What we've been watching (00:01:04) – Longlegs, Liar Liar, Beverly Hills Cop Axel F, Barbie, Twister, Twisters, Rififi The Innocents (00:35:25) Our Mother's House (01:03:50) Coin toss (01:20:45)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

En el mercado inmobiliario, se les da tanto valor a las fincas, por puro interés especulativo, que al final las casas se lo acaban creyendo, y desarrollan personalidad propia. Te recomendamos 2 bonitas fincas señoriales para entrar a vivir, con “The innocents” aka “¡Suspense!”, de Jack Clayton (1961), y “The haunting” aka “La mansión encantada” […]

It's been 50 years since the release of the 1974 film adaptation of F. Scott Fitzgerald's novel, THE GREAT GATSBY. Highlighting the 50th anniversary of the 1974 version of THE GREAT GATSBY is another opportunity to talk with author and professor of English Emily Bernard about this 1920s novel adapted for film and the themes that continue to resonate with our own times. Our conversation with Emily about the film adaptation of Nella Larsen's 1929 novel PASSING in episode 2 of the podcast, remains one of our most popular listens. Directed by Jack Clayton, and featuring Robert Redford as Jay Gatsby, Mia Farrow as Daisy Buchanan, and Sam Waterston as Nick Carraway, the film is a window into the roaring 1920s or the "Jazz Age," as Fitzgerald is credited for coining the phrase. The story is also a mirror on American social constructs for wealth, class, and illusion, as well as the destructive power to recapture the past. ----- Notes: "Negro" is used in its proper historical context in this conversation. *Spoiler alert* for persons who've never seen any film or television adaptation of F. Scott Fitzgerald's book "The Great Gatsby," or read the book. ----- Download the Transcript for Episode 50 PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. 0:08 - Opening 1:22 - Intro to THE GREAT GATSBY novel and film  6:11 - Intro to Emily Bernard, Professor, Scholar, Writer 16:12 - Wealth, power, identity, and narcissism in Fitzgerald's Novel 23:05 - Place and Identity in "The Great Gatsby" 24:48 - New York as symbol in F. Scott Fitzgerald's "Jazz Age" 31:12 - Race, identity, and adaptation 36:00 - American Class distinctions and the "American Dream" 41:14 - Daisy Buchanan, "the great white beauty" 47:55 - Break 48:00 - George Wilson, "true victim" in "The Great Gatsby" 57:07 - Race and performance in literature 58:01 - Class and "passing" in "The Great Gatsby" 1:02:25 - Authenticity and celebrity: Do we know what it means to be "natural?" 1:08:02 - Blackness, identity and cultural appropriation in 1920s America 1:11:59 - Race, power and privilege in literature and film 1:16:09 - Lothrop Stoddard, WEB DuBois, and legacy of racial  eugenics 1:20:21 - Gatsby's end (spoiler alert) 1:28:04 - "The Great Gatsby" film adaptations 1:30: 22 - Closing 1:31:51 - Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

“My life is an empty place.”Harold Pinter adapted Penelope Mortimer's 1962 semi-autobiographical novel The Pumpkin Eater into a screenplay for this 1964 British drama film directed by Jack Clayton. With acclaimed performers Anne Bancroft and Peter Finch on board, Clayton and cinematographer Oswald Morris shot the black and white film partly on location in London and Shepperton Studios. Despite its downbeat subject matter, The Pumpkin Eater was considered a prestige picture with a relatively large budget upon its production. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Pumpkin Eater.Here's a hint at what we talk about:In this episode, we dive deep into the complex psychology of the characters and relationships in The Pumpkin Eater. We discuss how the film provides an intimate portrait of a woman struggling with depression and a crumbling marriage in 1960s England. The stellar performance by Anne Bancroft anchors the film, while the script by Harold Pinter brings emotional honesty through raw, confrontational dialogue. We also analyze how the movie explores challenging themes like women's rights, mental health, fidelity, and family.Here are a few other points in our discussion: Appreciation for Jack Clayton's skilled direction The intriguing nonlinear structure using flashbacks James Mason's supporting turn as the angry betrayed husband The Pumpkin Eater is a psychologically complex drama that impressed us both. The gorgeous black and white cinematography transports you into this intimate story. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

“My life is an empty place.”Harold Pinter adapted Penelope Mortimer's 1962 semi-autobiographical novel The Pumpkin Eater into a screenplay for this 1964 British drama film directed by Jack Clayton. With acclaimed performers Anne Bancroft and Peter Finch on board, Clayton and cinematographer Oswald Morris shot the black and white film partly on location in London and Shepperton Studios. Despite its downbeat subject matter, The Pumpkin Eater was considered a prestige picture with a relatively large budget upon its production. Join us – Pete Wright and Andy Nelson – as we continue the 1965 BAFTAs Best Film From Any Source Nominees series with a conversation about The Pumpkin Eater.Here's a hint at what we talk about:In this episode, we dive deep into the complex psychology of the characters and relationships in The Pumpkin Eater. We discuss how the film provides an intimate portrait of a woman struggling with depression and a crumbling marriage in 1960s England. The stellar performance by Anne Bancroft anchors the film, while the script by Harold Pinter brings emotional honesty through raw, confrontational dialogue. We also analyze how the movie explores challenging themes like women's rights, mental health, fidelity, and family.Here are a few other points in our discussion: Appreciation for Jack Clayton's skilled direction The intriguing nonlinear structure using flashbacks James Mason's supporting turn as the angry betrayed husband The Pumpkin Eater is a psychologically complex drama that impressed us both. The gorgeous black and white cinematography transports you into this intimate story. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film Sundries Watch this on Apple or Amazon, or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Learn more about CODA and how it can work for you! Read more about the results of the WGA strike here. Read more about the results of the SAG-AFTRA strike here. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Here's where you can find us around the internet: The Web Letterboxd Facebook Instagram X YouTube Flickchart Check out poster artwork for movies we've discussed on our Pinterest page Pete  Andy We spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked! You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE. Or buy or rent movies we've discussed on the show from our WATCH PAGE. Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT. Or sign up for AUDIBLE.

Happy Halloween!! Spooky Season 2023 has ended… which means Spooky Season 2024 is officially underway, and David and Devin are celebrating with two classic ghost stories: THE INNOCENTS (1961), directed by Jack Clayton, and THE HAUNTING (1963), directed by Robert Wise. Adapting two famous works of literature (Henry James' The Turning of the Screw and Shirley Jackson's The Haunting of Hill House, respectively), the black-and-white films have their female protagonists arrive at gorgeous old Victorian manors… and encounter ghosts? We have much to talk about: from queer-coding, to second-wave feminism, to ambiguous endings, to the very definition of Gothic horror. So turn out the lights and burn some candles as we ask the question: What is a ghost? 00:05:51 - The Innocents 00:36:03 - The Haunting 01:05:04 - Comparisons 01:28:08 - Bone Reviews Follow us at:  instagram.com/cadaverdogspod twitter.com/cadaverdogspod . Catch David's short film “Pillow Talk” at Yonkers Film Festival: yofifest2023.eventive.org/schedule/chills-thrills-showcase-1-652b4cd828f05200a0b68465 . “Ghostland: An American History in Haunted Places,” by Colin Dickey goodreads.com/en/book/show/28815491 . Send us your film suggestions at: cadaverdogspodcast@gmail.com Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: Come Play With Me by Kevin McLeod, The House by Vivek Abishek.  

Greg screens Jack Clayton's 1961 horror classic "The Innocents."

In this first episode of the new season, host Dr Pasquale Iannone is joined by Film Studies colleague Dr Ana Salzberg (Senior Lecturer in Film Studies) to discuss autumn in film.Main films discussed:Something Wicked This Way Comes (Jack Clayton, 1983) IMDb: https://edin.ac/45BaHOlThe Friends of Eddie Coyle (Peter Yates, 1973) IMDb: https://edin.ac/3PW21w5Staff pages:Dr Ana Salzberg https://www.ed.ac.uk/profile/dr-ana-salzbergDr Pasquale Iannone https://www.ed.ac.uk/profile/piannone

It's officially spooky season at Movies for Life and we are both READY FOR IT! Both of our favorite subgenre of horror is ghosts so that is what we are doing the whole month here on the pod - with a couple bonus episodes in there for you too! But first we take a look at a couple of haunted house movies, starting with Jack Clayton's THE INNOCENTS from 1961. Iconic haunted house imagery that still works like gangbusters aside, this story is made so much more compelling with its unreliable main characters and the fact that by the end, you're still just not really sure what all has transpired here. Then we talk about a movie that is equally as compelling, the Guillermo del Toro produced and J.A. Bayona directed THE ORPHANAGE from 2007. Is this fairy tale-laden story sad, tragic, bittersweet, or all of these rolled into one at the same time? We had an amazing time talking all horror for the first time in a while on this show and we hope you enjoy this episode and all the other spooky content we have in store for you this month! Follow us on social media: Movies for Life podcast: @MovieLifePod Brian Keiper: @Brianwaves42 Michele Eggen: @micheleeggen

We take a journey into Jack Clayton's 1961 film The Innocents, an adaptation of Henry James' chilling novel The Turn of the Screw, and argue whether the film is a classic ghost story or a deep dive into Miss Giddens' psyche. We'll discuss Truman Capote's contribution, the controversies surrounding the release, and the modern remakes of the story from The Turning to Mike Flanagan's The Haunting of Bly Manor. Also, is Mary Poppins a witch? We chat about the possibility of Disney promoting witchcraft in the 1960s. Make sure to subscribe on Apple Podcasts, Spotify, or anywhere you get your podcasts.Want to support the show and save 20% on Fangoria? Visit shop.fangoria.com/howimetyourmonster and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic https://bit.ly/howimetyourmonstermerch

C'est avec plaisir que j'accueille aujourd'hui dans ce nouvel épisode Charles Jodoin-Keaton, qui exerce un métier passionnant où l'amour des histoires et du détail sont intimement mêlés.Car Charles est scripte, ou plutôt superviseur de la continuité, depuis une quinzaine d'années; et avec lui nous revenons en détails sur les spécificités de son métier, qui accompagne un projet de film de ses débuts à la fin. Nous faisons aussi un récapitulatif de son parcours entre deux continents, l'Amérique et l'Europe, où la soif d'apprendre et de multiplier ses compétences fut de mise (et aura au final bien servi !).Et nous en profitons pour évoquer les idées reçues sur son métier encore très féminisé (et parfois peu considéré); ainsi que les actions mises en place par Les Scriptes Associés, association dont il fait partie, pour protéger et valoriser le métier de scripte en France.Bonne écoute !

Last time on Bradbury 100, we looked at the origin of Ray Bradbury's SOMETHING WICKED THIS WAY COMES, and its peculiar history as a film script that became a book, and then became a film script again. This time, I continue the story, examining how the film - disastrously previewed in 1982 - was rescued through some re-writing, re-shooting and re-editing. Ray claimed that he "directed" or "edited" the film doing this re-make period, rescuing it from the clutches of director Jack Clayton. But is this really true? Join me as I dig into the archives, and look for evidence of what REALLY went on.

It's forty years since the film version of SOMETHING WICKED THIS WAY COMES was released! So in this episode, I take a detailed look at the origins of SWTWC, going all the way back to the short story "The Black Ferris" (1948) and working through to the shooting of the film. Bradbury wrote the screenplay, and the film was directed by his good friend Jack Clayton (director of Room at the Top (1959) and The Innocents (1961). So everything must have worked out really well...

Our winding adventures Beyond Hammerland bring us to a lavish English estate, where nothing is what it seems--even The Innocents!Jack Clayton's eerie 1961 thriller stars Deborah Kerr as a governess who takes a job looking after two siblings in the countryside. She quickly notices something odd about young Miles (Martin Stephens) and Flora (Pamela Franklin); they're mischievous, conspiratorial, and possibly in league with ghosts!Ian and AC dig into this atmospheric mind-bender, exploring theories; heaping praise on the direction, performances, and Freddie Francis' otherworldly cinematography; and understanding why it's one of AC's all-time favorite films!Show Links:Watch The Innocents trailer.Read AC's written review of The Innocents at Horror 101 w/ Dr. AC.And be sure to support AC's YouTube channel, which is positively dripping with fiendishly fresh content!Catch up with 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"!Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Puntata spettrale dedicata ai fantasmi e alle case maledette. In compagnia di Fabio "Wolf" Gorini e coadiuvati da Andrea Colombo parliamo dei tanti film che hanno segnato un genere: "Amityville" (dal 1979), "Gli Invasati" (The Hunting) di Robert Wise - 1963, "Dopo la vita" (The Legend of Hell House) di John Hough - 1973, "Operazione Paura" di Mario Bava - 1966, "Ju-on" (Rancore) di Takashi Shimuzu - 2000, "La casa sulla scogliera" (The Uninvited) di Lewis Allen - 1944, "Shining" di Stanley Kubrick - 1980, "Suspense" (The Innocents) di Jack Clayton - 1961, "1408" di Mikael Hafstrom - 2007, "Poltergeist - Demoniache presenze" di Tobe Hopper -1982.

This episode features Belfast arts manager Hugh Odling- Smee and PLS trustee Philip Pullen who, as part of his centenary lecture tour, took part in the 2022 Belfast International Arts Festival with a talk on Larkin in Belfast. Hugh and Phil discuss the literary heritage that Belfast enjoys and Larkin's life in Belfast between 1950 and 1955. Books and writers discussed: A Rumoured City: New Poets from Hull by Douglas Dunn (Editor), Philip Larkin (foreword), (Bloodaxe, 1982) Oxford Book of Twentieth Century English Verse ed. Philip Larkin (OUP, 1973) Andrew Motion- Larkin A Writer's Life (Faber, 2018) Belfast poets: John Hewitt (1907-1987), Louis MacNeice (1907-1963) Brian Moore (1921-1999)- The Lonely Passion of Judith Hearne (HarperCollins 1955), (Harper Perennial Modern Classics series, 2007 re-issue)/film version dir. Jack Clayton (1987) Odd Man Out (1945)- FL Green The Importance of Elsewhere- Richard Bradford (Frances Lincoln, 2015) Letters to Monica by Philip Larkin ed. Antony Thwaite (Faber, 2011) Larkin poems: The Less Deceived (Faber 1955) The Importance of Elsewhere, Maiden Name, Absences, Single to Belfast (unpublished during lifetime), Water, Church Going, Mr Bleaney, Lines on a Young Lady's Photograph Album, Reasons for Attendance Philip Pullen ‘s Belfast talk : https://www.youtube.com/watch?v=mxbKmDJUOH4 The Importance of Elsewhere - Philip Pullen presentation, Belfast International Arts Festival 2022 Larkin100 events: https://philiplarkin.com/news/larkin100-whats-coming-up/ Presented by Lyn Lockwood. Theme music: 'The Horns Of The Morning' by The Mechanicals Band. Buy 'The Righteous Jazz' at their Bandcamp page: https://themechanicalsband.bandcamp.com/album/the-righteous-jazz Audio editing by Simon Galloway. Follow us and get it touch on Twitter - https://twitter.com/tiny_air Find out more about the Philip Larkin Society here -

It's the time of year when ghosts, ghouls, and goblins are on the prowl. That's right: it's Halloween. Or, if we're getting technical, the day after Halloween. And as much as Film Comment editors Devika Girish and Clinton Krute are scared to admit it, that means it's also time for another Halloween Hangover episode of the Film Comment Podcast, where the two confront one of their greatest fears—horror movies—with the help of some masters of the macabre. This year, Clint and Devika asked Kelli Weston, who literally holds a PhD in horror cinema, and Steven Mears, a critic and Film Comment's famously nocturnal copyeditor, to inflict two movies of their choice upon us. Kelli chose the 1976 slasher flick Alice Sweet Alice, and Steve picked Jack Clayton's Henry James adaptation The Innocents. Both movies were ultimately more goofy than scary, but they yielded a truly rich conversation about the role of religion, class, children, and more in horror.

This week I talk through the incredible gothic/haunted house horror story, the innocents and why it's a masterclass of possessed psychosexual children and liminal ghosts. It's a creepy one, but I hope you enjoy! Thanks as always for listening!

Hoy nos proponemos descubrirte las tres películas de género de Jack Clayton, un prestigioso director inglés que tiene el honor de haber dirigido en 1961 The Innocents, una película de ¿fantasmas? que caló mucho en directores como Guillermo Del Toro, Alejandro Amenábar o J.A. Bayona. Luego saltamos casi una década para meternos en Our Mother’s House, donde ocho niños convivirán con el cadáver de su madre al tiempo que practican sesiones de “espiritismo” cada noche a las nueve, una película durísima que se programó en sesiones infantiles por años. Y terminamos con El Carnaval de las Tinieblas, película producida por Disney en los años ochenta y que fue un fracaso tan monumental que Disney quiere eliminarla de su retrocontinuidad como compañía. ¿Lo mejor? Que es una película repleta de terror y encanto ¿Lo peor? Dale al play, descubre un nombre olvidado pero mítico. No te olvides de regalarnos un like y coméntanos en el mail radio@terrorweekend.com, qué te han parecido las películas de Clayton y cuáles son tus directores favoritos. ¡Larga vida al género y difunde la palabra.!

Frame Fatale es un podcast sobre películas ¿no canónicas? conducido por Sebastián De Caro, Santiago Calori y Axel Kuschevatzky. Momento... ¿qué? Además de darle la bienvenida a nuestro nuevo integrante de ultramar, en este cuadragésimo primero episodio, nos ocupamos de Posesión satánica (The Innocents, 1961) de Jack Clayton. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia, algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

Derek watches a lot of horror and monster movies, and very few of them truly scare him. But those that do? They're usually ghost stories. So why did he want to talk about The Innocents (dir. Jack Clayton) this week on the show? Because he's joined by Kevin Slick. Kevin didn't know it at the time, but Derek was counting on him to protect him from any malevolent spirits. Plus Mark Matzke's Beta Capsule Review and Kenny's Look at Famous Monsters of Filmland. Voicemail: 503-479-5MKR (503-479-5657) Email: Monster Kid Radio's Discord Server - Monster Kid Radio on Reddit - Monster Kid Radio on Twitch! - - Monster Kid Radio on YouTube - Follow Mark Matzke Monster Study Group - Small Town Monsters - Small Town Monsters YouTube Channel (Home of SasWatch) - Follow Kevin SlickHome page -  Kevin Slick on Bandcamp - Monster Kid Radio Amazon Wishlist - Peter Cushing Dr. Who Films Re-Release -  Monster Kid Radio on TeePublic - Next week on Monster Kid Radio: STAY TUNED! All original content of Monster Kid Radio by is licensed under a .

In this Book Club edition of the podcast, we finally have a chance to explore the work of Friend of the Pod Henry James. We look at James's short novel Washington Square (1880) and long short story "The Turn of the Screw" (1898), and two of their adaptations, The Heiress (1949, directed by William Wyler) and The Innocents (1961, directed by Jack Clayton). We focus on the arcs of the heroines in the two works and the very different directions in which the adaptations take them, as well as the acting opportunities they present for Olivia de Havilland and Deborah Kerr. We also praise the performances of Ralph Richardson as Austin Sloper and Martin Stephens as Miles, two very tricky, eminently Jamesian roles. But is Henry James unadaptable? We give our verdict.  Time Codes: 0h 01m 00s:    Henry James: Quantum Romancer 0h 09m 30s:    Washington Square & THE HEIRESS (1949) [dir. William Wyler] 0h 43m 38s:    The Turn of the Screw & THE INNOCENTS (1961) [dir. Jack Clayton] +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com  

Que Guillermo Del Toro é um dos melhores diretores de Hollywood pouca gente duvida. O RdMCast dessa semana disseca a filmografia do grande cineasta mexicano em busca de seus principais temas recorrentes: o autoritarismo, a monstruosidade humana e a beleza existente no macabro. Enaltecendo a concisão e o esmero com o qual o diretor constrói sua obra, escolhemos três filmes para uma análise mais aprofundada: Cronos (1993), O Labirinto do Fauno (2006) e A Forma da Água (2017). Então embarque conosco nesse mundo fantástico cheio de monstros e fantasmas, mas tome cuidado para não se apaixonar pelas criaturas que nele habitam. Labirintos, criaturas fantásticas e a desconstrução de figuras autoritárias te aguardam neste RdMCast especial sobre Guillermo Del Toro! O RdMCast é produzido e apresentado por: Thiago Natário, Gabi Larocca e Gabriel Braga ARTE DA VITRINE: Estúdio Grim ESTÚDIO GRIM - Design para conteúdo digital Portfólio: https://www.behance.net/estudiogrim Instagram @estudiogrim designgrim@gmail.com PODCAST EDITADO POR Felipe Lourenço SEJA UM(A) APOIADOR(A) Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas! Acesse: https://apoia.se/rdm ou https://picpay.me/republicadomedo Conheça a Sala dos Apoiadores: http://republicadomedo.com.br/sala-dos-apoiadores/ CITADOS NO PROGRAMA Doña Lupe (curta, 1986) Geometria (curta, 1987) Cronos (1993) Mutação (1997) A Espinha do Diabo (2001) Blade II: O Caçador de Vampiros (2002) Hellboy (2004) O Labirinto do Fauno (2006) Hellboy II: O Exército Dourado (2008) Círculo de Fogo (2013) A Colina Escarlate (2015) A Forma da Água (2017) O Beco do Pesadelo (2021) Off Topic Homage to Catalonia (livro, George Orwell, 1938) Por Quem os Sinos Dobram (livro, Ernest Hemingway, 1940) Saga (livro, Érico Veríssimo, 1940) O Monstro da Lagoa Negra (dir. Jack Arnold, 1954) Os Inocentes (dir. Jack Clayton, 1961) Desafio do Além / The Haunting (dir. Robert Wise, 1963) Tem algo para nos contar? Envie um e-mail! contato@republicadomedo.com.br Twitter: @RdMCast Instagram: Republica do Medo Learn more about your ad choices. Visit podcastchoices.com/adchoices

Interview with Queensland Bulls debut centurion Jack Clayton.

Pat & Heals full episode. Interviews with QLD Bulls Jack Clayton, Brisbane Lions Ally Anderson, racing update with Chris Nelson and plenty more.

Julius en Jasper bespreken welke spookfilm beter is: The Innocents (1961) van Jack Clayton of The Haunting (1963) van Robert Wise.

Análise (com SPOILER) do filme “Os inocentes” de 1961, dirigido por Jack Clayton. Falamos das ambiguidades do filme, que a alguns convence que a personagem realmente via fantasmas e a outros de que ela estava passando por um surto psicótico, de uma eventual corrupção moral dos "inocentes" e da questão do princípio de existência do mal. Vem conferir! Participação: Jean, Rayane, Tayla, e como convidada especial Carmel Ramos, professora de Filosofia da UFRJ. Para mais conteúdo segue link do Medium/Instagram/Face: linktr.ee/logopatia7arte

This podcast is powered by JewishPodcasts.org. Start your own podcast today and share your content with the world. Click jewishpodcasts.fm/signup to get started.

En este primer programa centramos nuestra atención —junto a David Valero, María Silvia Esteve, Josemi Beltrán, Mariana Freijomil, Serendipia Naschy y Anabel Vélez— en las adaptaciones de OTRA VUELTA DE TUERCA, la novela de Henry James. Más específicamente hablamos de distintas reformulaciones de este relato desde THE INNOCENTS de Jack Clayton (1961) a THE NIGHTCOMERS de Michael Winner (1971), pasando por OTRA VUELTA DE TUERCA de Eloy de la Iglesia (1985), EL CELO de Antoni Aloy (1999) y THE TURNING de Floria Sigismondi (2020), para acabar con THE HAUNTING OF BLY MANOR, la serie creada por Mike Flanagan (2020).

Salut l'équipe,  En cette période d'Haloween, on a voulu vous faire kiffer avec un épisode 7 spécial Stephen King au cinéma.  On va donc revisiter 7 adaptations portées sur grand d‘écran du maitre de l'épouvante. Et pour cette tache décisive, il fallait un invité de choix. On a donc convié l'ami Fouad Boudar, créateur de la chaine ciné « l'heure magique »  et animateur podcast chez Parlons péloches. Bonne séance ✌️ Special guest : Fouad Boudar La sélection : CARRIE - Brian De Palma (1977) CUJO  - Lewis Teague  (1983) CHRISTINE - John Carpenter (1984) CREEPSHOW 2 -  Michael Gornick (1987) STAND BY ME  - Rob Reiner  (1987) RUNNING MAN - Paul Michael Glaser (1987) LES ÉVADÉS -  Frank Darabont  (1995)   Autres films mentionnés : The Myst  - Franck darabont  (2008) Rosemary baby -  Roman Polansky (1968) Damien -  Richard Donner (1976) Suspiria  -  Dario Argento (1977) La Foire des ténèbres  Jack Clayton (1983) Maximum Overdrive -  Stephen King  (1986) Hellraiser 2 -   Clive Barker (1988) Simetierre  - Mary Lambert  (1989) Darkside, les contes de la nuit noire - John Harrison (1990) Le bazar de l'épouvante- Fraser Clarke Heston  (1993) Dolores Claiborne - Taylor Hackford (1995) La peau sur les os -  Tom Holland (1996)   Un podcast cinema produit et réalisé par le Spectrum Intro: Hazebeatzs | Outro: Jeremz Pou | Design Logo: Sebcha

The province quickly backtracked and apologized for guidance that would ban all outdoor Remembrance Day Ceremonies in circuit breaker regions. We spoke with Jack Clayton of the New Brunswick Command of the Royal Canadian Legion.

Happy Halloween!!We bring you a very special Halloween episode.On this episode we talk about 'The Innocents' directed by Jack Clayton, and starring Deborah Kerr; and the 1977 Nobuhiko Obayashi cult favourite 'Hausu'.Find out how Nick and Dani get references to The Simpsons and Shaft, and have a brief discussion about what makes a horror movie.We also take a little bit of time to discuss what we have been watching (warning may include 'Dune' talk).Enjoy!!Thank you for listening!!Twitter: @kinotomicContact Us: kinotomic@gmail.com

Analisamos o clássico "Os Inocentes", dirigido por Jack Clayton e protagonizado por Deborah Kerr, um dos melhores filmes de horror de todos os tempos. Confira abaixo a minutagem dos quadros do podcast: 00:00:00 - Introdução 00:06:10 - Grande Angular: saiba mais sobre o elenco e a equipe do filme 00:14:56 - Close-up: perfil da atriz Deborah Kerr 00:20:10 - Ponto de Vista: análise e comentários sobre o filme 01:21:06 - Zoom: cenas ou momentos essenciais do filme 01:27:57 - Fora de Quadro: outras adaptações de "A Outra Volta do Parafuso" para o cinema e para a TV "Os Inocentes" é baseado na novela gótica "A Outra Volta do Parafuso", escrita por Henry James. O roteiro foi adaptado por William Archibald e Truman Capote. O enredo acompanha a Srta. Giddens (Deborah Kerr), uma governanta recém-contratada para cuidar dos irmãos órfãos Flora (Pamela Franklin) e Miles (Martin Stephens), que vivem na Mansão Bly, em Essex, no Leste da Inglaterra. Não demora para que a Srta. Giddens comece a notar comportamentos estranhos nas crianças e a ser assombrada por visões de um casal de ex-funcionários da propriedade que teriam morrido no local. E essas supostas forças sobrenaturais perturbam cada vez mais a rotina da Srta. Giddens e a sua relação com Flora e Miles. Além da análise do filme em si, o nosso podcast também discute a importância da fotografia em CinemaScope dirigida pelo renomado Freddie Francis; destaca a importânica de Daphne Oram, pioneira da música eletrônica, para o design de som do filme; traz o perfil da atriz Deborah Kerr; comenta a prequela "Os Que Chegam com a Noite" (The Nightcomers, 1971), estrelada por Marlon Brando; e relembra outras adaptações de "A Outra Volta do Parafuso" para o cinema e para TV. Participam do podcast sobre "Os Inocentes": Renato Silveira e Kel Gomes, editores do cinematório, Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, e Heitor Capuzzo, também professor de Cinema, escritor e crítico, autor dos livros “O Cinema Além da Imaginação”, “Alfred Hitchcock: O Cinema em Construção” e “Lágrimas de Luz: O Drama Romântico no Cinema”. No Em Foco, você ouve debates e análises de filmes, sejam eles clássicos, grandes sucessos de bilheteria e de crítica, produções que marcaram época ou que foram redescobertas com o passar dos anos, não importa o país de origem. Além disso, você revisita conosco a filmografia de cineastas que deixaram sua assinatura na história do cinema. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. - Visite a página do podcast no site e confira material extra sobre o tema do episódio! - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema!

Il y a 36 ans, Simone Signoret nous quittait. Elle est la première actrice française à remporter l'Oscar de la meilleure actrice en 1960 pour son rôle dans le film "Les Chemins de la haute ville" par Jack Clayton. Pendant plus de 30 ans, elle a partagé sa vie avec l'acteur Yves Montand. Aujourd'hui, retour sur sa Love Story qui a marqué l'histoire du cinéma français. Une chaude journée d'été...1949, Saint Paul de Vence. En pleine chaleur du mois d'août, les vacanciers déjeunent sur la terrasse de la Colombe d'or. L'auberge appartient à un peintre, un certain Paul Roux. Son hospitalité et son amour de l'art attire de fidèles visiteurs. Parmi eux, Jacques Prévert. Depuis quelques mois, il vient régulièrement avec un de ses amis proches, Yves Montand. L'ancien amant d'Edith Piaf s'est fait un nom sur les planches des cabarets parisiens. Ce jour-là, à table, ils sont nombreux à boire du vin frais et à rire aux éclats. Mais Yves n'a d'yeux que pour une personne : Simone Signoret.Suivez toutes les actualités de "Love Story" sur : https://www.instagram.com/lovestory.podcast/Crédit photo : © inconnu Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join hosts John Cribbs & Christopher Funderburg for a deep dive into Henry James' The Turn of the Screw and its cinematic adaptations. The story of a naive governess & her innocent charges is the quintessential ghost story, a metaphorical exploration of abuse, theodicy and the ways in which adults let down the children around them. Some of the adaptations discussed include Jack Clayton's 1961 masterpiece The Innocents, Michael Winner's surprisingly erudite and unsurprisingly tasteless prequel The Nightcomers and the recent work of irredeemable stupidity The Turning (which reimagines the story as a grunge-era Stephen King knock-off.) The Pink Smoke site:
 www.thepinksmoke.com Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke on Twitter:
 twitter.com/thepinksmoke John Cribbs on Twitter:
 twitter.com/TheLastMachine Christopher Funderburg on Twitter: 
twitter.com/CFunderburg Intro & outro music by Marcus Pinn of Pinnland Empire.

Here comes a fun "crossover" episode, in which your Book XChange co-hosts go multimedia and talk about some of their favorite (and maybe not-so-favorite) book-to-movie adaptations. The brothers discuss the challenges and opportunities that come with adapting a well-known or beloved book for the screen, and kick around a broad assortment of choices - some very famous, others a little more obscure. What makes an adaptation truly noteworthy and interesting? What are some of your favorite films made from books? What are some of the reasons book adaptations fail? All of this, plus plenty of movie recommendations to fill your queues or satisfy your quarantine viewing needs, are coming your way in lucky Episode 13 of the Book XChange podcast... MOVIE ADAPTATIONS DISCUSSED/RECOMMENDED IN THIS EPISODE (and what they're adapted from): 'No Country for Old Men,' directed by the Coen Brothers (from the Cormac McCarthy novel); 'True Grit,' directed by the Coen Brothers (from the Charles Portis novel); 'Silence,' directed by Martin Scorsese (from the Shusaku Endo novel); 'Hugo,' Martin Scorsese (from the Brian Selznick novel); 'Shutter Island,' Martin Scorsese (from the Dennis Lehane novel); 'The Age of Innocence,' Martin Scorsese (from the Edith Wharton novel); 'The Assassination of Jesse James by the Coward Robert Ford,' Andrew Dominik (from the Ron Hansen novel); 'Master and Commander: The Far Side of the World,' by Peter Weir (from multiple Patrick O'Brian novels); 'The Grapes of Wrath,' John Ford (from the John Steinbeck novel); 'The Sister Brothers,' Jacques Audiard (from the Patrick deWitt novel); 'The Road,' John Hillcoat (from the Cormac McCarthy novel); 'The Big Short,' Adam McKay (from the Michael Lewis non-fiction book); 'The Shining,' Staley Kubrick (from the Stephen King novel); '2001: A Space Odyssey,' Stanley Kubrick (from the Arthur C. Clarke novel); 'Barry Lyndon,' Stanley Kubrick (from the William Makepeace Thackeray novel); 'A Clockwork Orange,' Stanley Kubrick (from the Anthony Burgess novel); 'Rosemary's Baby,' Roman Polanski (from the Ira Levin novel); 'Oliver Twist,' Roman Polanski (from the Charles Dickens novel); 'Death and the Maiden,' Roman Polanski (from the Charles Dickens novel); 'Carnage,' Roman Polanski (from the Yasmina Reza play); 'The Innocents,' Jack Clayton (from the Henry James novella 'The Turn of the ' - adaptation written by Truman Capote); 'Ran' and 'Throne of Blood,' Akira Kurosawa (from the William Shakespeare plays); 'High and Low,' Akira Kurosawa (from the Ed McBain novel 'King's Ransom'); 'Roshomon,' Akira Kurosawa (from the Ryūnosuke Akutagawa short story); 'Enemy,' Denis Villenueve (from the Jose Saramago novel 'The Double'); 'Dune,' Denis Villenueve (from the Frank Herbert novel); 'Arrival,' Denis Villenueve (from the Ted Chiang short story 'Story of Your Life'); 'Fantastic Mr. Fox,' Wes Anderson (from the Roald Dahl novel); 'The Iron Giant,' Brad Bird (from the Ted Hughes novel 'The Iron Man'); 'A Scanner Darkly,' Richard Linklater (from the Philip K. novel); 'Bernie,' Richard Linklater (from the Texas Monthly article 'Midnight in the Garden of East Texas' by Skip Hollandsworth); 'Fast Food Nation,' Richard Linklater (from the non-fiction book by Eric Schlosser); 'In Cold Blood,' Richard Brooks (from the non-fiction book by Truman Capote); 'Adaptation,' Spike Jonze (from the non-fiction book 'The Orchid Thief' by Susan Orlean - adaptation written by Charlie Kaufman); 'Kristin Lavransdatter,' Liv Ullman (from the trilogy by Sigrid Undset); Planned next episode of the Book XChange podcast: We discuss some of our favorite Nobel Prize for Literature winners!

Jack Clayton 1961-es kultklasszikusával, a The Innocents (Az ártatlanok) című filmmel folytatjuk a horror évadot. A film főszerepében Deborah Kerr látható, akivel a színész évadunkban találkoztunk utoljára. Vendégünk Wostry Ferenc horrorpápa, akivel már beszélgettünk a színésznőről a Fekete nárciszról szóló adásunkban. Az adás elején röviden ismét beszélünk a horrorról általánosságokban, hogy halljuk Wostry Feri kötődését a műfajhoz. Mennyit számít, ha egy horrorfilmnek több olvasata is van? Aztán elmerülünk a Henry Hames regényéből, A csavar fordul egyet-ből készült történetben. Hányféleképp lehet értelmezni Az ártatlanokat? Mit kell tudni a rendezőről, Jack Claytonról és az operatőrről, Freddie Francisről? A részben Truman Capote által jegyzett forgatókönyv freudi áthallásait is érintjük. Melyek a film legrémisztőbb jelenetei? És az örök kérdés, milyenek a gyerekszínészek? Linkek Az Epik.hu, ahol szuperjó műfaji filmes cikkeket olvashattok A Vakfolt podcast Facebook oldala és a Facebook-csoportunk A Vakfolt podcast a Twitteren A Vakfolt Patreon-oldala (új!) Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán A Vakfolt a Spotify-on A Vakfolt a YouTube-on A főcímzenéért köszönet az Artur zenekarnak Feri a Twitteren: @wostry András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu

Ouça os destaques do Caderno 2 desta quarta-feira (05/02/20)See omnystudio.com/listener for privacy information.

On this week's episode, Thomas Wilson and Charlotte Gough (both making their podcast debuts) join me to discuss Jack Clayton's THE INNOCENTS...

Thus far, our series to celebrate Halloween — the Naughty Children series — hasn't really been that scary. “The Bad Seed” is labeled a crime/drama/horror but comes across a bit more as a comedy now with the over-the-top performances. “Village of the Damned” is labeled a horror/mystery/sci-fi but doesn't have much in the way of horror. This week's film, Jack Clayton's 1961 film “The Innocents,” really feels like the first in the series that's got real scares in it, and scares that still hold up today. Martin Scorsese even put it on his list of 11 most scary films. And a lot of that is because of the atmosphere Clayton and his screenwriters (mostly Truman Capote) created with this adaptation of Henry James' “The Turn of the Screw.” Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with “The Innocents.” We talk about how much each like this film — Andy as the veteran of the film and Pete as the newbie — any why it works so well. We chat about Deborah Kerr in a role that exemplifies the ambiguity in the story and how it works so well in context of the decaying nature Capote riddled throughout the screenplay. We talk about Jim Clark's editing and Freddie Francis' cinematography, as well as Georges Auric's score, noting how well they each work to add to the atmosphere in this film. And we marvel at Martin Stephens' performance here, vastly different (and superior) to his performance in “Village of the Damned.” It's a brilliant film that we're thrilled to add to our list, so check it out and then tune in!

Thus far, our series to celebrate Halloween — the Naughty Children series — hasn't really been that scary. “The Bad Seed” is labeled a crime/drama/horror but comes across a bit more as a comedy now with the over-the-top performances. “Village of the Damned” is labeled a horror/mystery/sci-fi but doesn't have much in the way of horror. This week's film, Jack Clayton's 1961 film “The Innocents,” really feels like the first in the series that's got real scares in it, and scares that still hold up today. Martin Scorsese even put it on his list of 11 most scary films. And a lot of that is because of the atmosphere Clayton and his screenwriters (mostly Truman Capote) created with this adaptation of Henry James' “The Turn of the Screw.” Join us — Pete Wright and Andy Nelson — as we continue our Naughty Children series with “The Innocents.” We talk about how much each like this film — Andy as the veteran of the film and Pete as the newbie — any why it works so well. We chat about Deborah Kerr in a role that exemplifies the ambiguity in the story and how it works so well in context of the decaying nature Capote riddled throughout the screenplay. We talk about Jim Clark's editing and Freddie Francis' cinematography, as well as Georges Auric's score, noting how well they each work to add to the atmosphere in this film. And we marvel at Martin Stephens' performance here, vastly different (and superior) to his performance in “Village of the Damned.” It's a brilliant film that we're thrilled to add to our list, so check it out and then tune in!

A Landmark edition recorded in front of an audience at the British Film Institute as part of the Sound of Cinema season: Matthew Sweet is joined by the film's stars Peter Wyngarde and Clytie Jessop, psychoanalyst Susie Orbach, writer and critic Christopher Frayling and stage and screenwriter Jeremy Dyson to examine the British horror classic The Innocents. They explore how the combination of cinematography, the script of William Archibald and Truman Capote and Georges Auric's original music and the direction of Jack Clayton created a masterpiece that terrified even the critics.