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The 18th stream of Rock Coliseum (give or take a dozen) where Jon, Mark, Crash, and Luke all take YOUR suggestions and give the thumbs up or thumbs down. Most likely thumbs down. Video = https://www.youtube.com/live/4e5wZgCj1t4PLEASE SUBSCRIBE TO THE CHANNELS BELOW! ARTV's Channel = https://www.youtube.com/channel/UCVOjJR_2CwJpGZ5JJhkeFfQ Spectrum Pulse's Channel = https://www.youtube.com/user/SilensCursor Crash Thompson's Channel = https://www.youtube.com/c/CrashThompson
Las jornadas profesionales de la Asociación de profesionales de Radio y Televisión de Murcia se celebran el 28 de mayo en el aula de Caixabank en Murcia y el 1 de junio en el Balneario de Archena. Se hablará de la inteligencia artificial y su uso en medios de comunicaciónJosé Cano, presidente de la ARTV, explica que su principal objetivo es hacer visible el trabajo que hacen los profesionales de la radio y la televisión. En la cita del 28 de mayo, podrá verse una exposición que recoge radios antiguas y fotografías y documentos de los 60 años de historia de la ARTV.
Hablamos con el presidente de la ARTV, Pepe Cano y con Diego Gómez, compañero de RNE que se va a encargar de recopilar documentación.
De nos jours, il faut être de plus en plus vigilant et ne pas penser que ce que nous voyons, lisons et entendons sur les plateformes sociales est gage de vérité! Entre fake news, algorithmes, changements des règles du jeu et META qui fait des siennes, les professionnels de l'industrie doivent être à l'affût! Ayant tous une identité numérique s'accompagnant de ciblage selon des algorithmes pensés pour nous, certaines idéologies peuvent être amplifiées, tandis que d'autres peuvent juste nous faire rire ou sourire selon nos goûts! Il y a du bon, et du moins bon dans les avancées technologiques, et nous avions envie de voir les impacts de ceux-ci dans l'univers médiatique et social du Québec entouré de deux experts en la matière dans l'épisode du mois! Patrick White, responsable du programme de baccalauréat en journalisme, à l'École des médias de l'Université du Québec à Montréal et Fred Bastien, chroniqueur et animateur dans divers médias : RDS, ARTV, Radio-Canada et qui coanimera l'émission Possible à Télé Québec cet hiver sont avec nous pour en parler.
Der Möglichmacher Podcast mit Jan Schmiedel - Erkennen ist krasser als tun!
Ich habe gerade einen Verlust..also am Beginn dieser Podcastfolge...und er ist gleichzeitig ein Gewinn. Ich spreche von meinem Bart :-) Nun, Spaß beiseite. Häufig denken wir ja in so eine Art Verlustkonstrukt... Wenn ich nicht gefalle..dann verliere ich Menschen, Kunden..Aufträge...vielleicht kennst Du das ja. Oder, wenn ich mich verbiege, dann haben mich alle lieb. Das kommt antürlich auch davon, dass gesellschaftliche Ausreißer geahndet werden oder wenigstens komisch betrachtet. Wir alle wollen ja in einem harmonischen System leben und auch von dem Rest der Menschheit liebgehbt werden. Leider verführt uns das oft zu einer Artv gedanklichen und handelnden "Schlangenmensch-Dasein". Über Jahre hinweg üben wir uns darin unsere Intuition und unser wahres ICH zu ignorieren. Erst über blöde Ereignisse oder mit Einsetzen der Altersweisheit, nähern wir uns langsam wieder unserem wahren ICH an. Darüber spreche ich heute mit Dir in meinem Podcast. Erkennen, anwenden, Erfolge feiern! Mein Name ist Jan Schmiedel und ich bin Mental Coach und Experte für mentale Intelligenz. Erkennen ist krasser als tun! Ich bin absolut überzeugt, dass Klarheit und Erkennen das Vehikel sind, damit Du Deine Zukunft erst selber gestalten kannst. Erst, wenn Du gelernt hast Deinen IQ und Deine emotionale Intelligenz wirklich zu lenken, wirst Du echte Erfolge feiern. Wenn Du ein Coaching bei mir haben willst, oder Dich einfach nur mal informieren möchtest, dann vereinbare einen kostenlosen Gesprächstermin über meine Webseite: www.janschmiedel.coach Ich gestalte mit Dir Deine Zukunft! #janschmiedel #entscheidungen #podcast
31.07.2023 ARTVİN SOSYAL MEDYADAN TAKİPÇİMİZ İLE KARŞILAŞTIM #synergykendiyas #sosyalmedya #artvin Facebook : https://www.facebook.com/SynergyKendiyas İnstagram: https://instagram.com/synergykendiyas Youtube: https://www.youtube.com/channel/UC_xe-4OhrGjeQkX9dWA96fQ TikTok: https://www.tiktok.com/@synergykendys Yaay: https://yaay.com.tr/SynergyKendiyas Twitter: https://twitter.com/SynergyKendiyas?t=rF3t1yDh7eLgUg_Djh5khQ&s=0
Que impactos traz o anúncio da recandidatura de Joe Biden à presidência dos EUA? A idede de Biden é um problema? Foi a oportunidade falhada para os Democratas terem um forte candidato? Kamala foi um flop? A ARTV depende da presidência da AR? Este episódio é Santos Silva a dramatizar? É censura ou foi má-fé de quem divulgou? O facto de Mariana Mortágua se ter assumido como lésbica tem impacto na sociedade?
O filme de Santos Silva e o filme da TAP em debate no Eixo do Mal desta semana, publicado e divulgado em podcast com o consentimento de todos os envolvidos. Depois da "irada descompostura" que deu ao protesto anti-Lula do Chega, na sessão de boas-vindas ao presidente brasileiro, o presidente da Assembleia da República teceu comentários sobre a atuação do Chega e sobre a falta de "maturidade" da Iniciativa Liberal, ali numa sala ao lado, com António Costa, Marcelo Rebelo de Sousa e uma câmara da ARTV. Entretanto, Santos Silva baniu o Chega das próximas viagens das suas delegações parlamentares ao estrangeiro. O Eixo do Mal foi emitido a 27 de abril na SIC Notícias.See omnystudio.com/listener for privacy information.
Artiste multidisciplinaire, photographe et cinéaste, Jennifer Alleyn poursuit dans sa démarche une archéologie de l'intime. Elle a recours à l'autofiction pour ausculter l'origine, l'héritage, les traces de la perte. Son processus créatif est déclencheur de la rencontre de soi et de l'autre. Pour son baptême cinématographique, elle participe en 1991 à l'émission La Course Destination monde (Radio-Canada). Elle tourne 26 courts métrages en solo, sur les 5 continents, d'où se dégagent humanisme et sensibilité artistique, qualités que l'on retrouve ensuite dans ses fictions: Cosmos, primé à Cannes en 1997 et Svanok, meilleur court métrage aux Rendez-vous du cinéma Québécois en 2006. L'atelier de mon père, son premier long métrage, a remporté en 2008, le Prix de la meilleure œuvre canadienne au 26è Festival international du Film sur l'art de Montréal (FIFA), ainsi qu'un Prix Gémeaux. En 2011, elle scrute le regard acide du peintre allemand Otto Dix, avec son deuxième long métrage Dix fois Dix qui remporte le prix Tremplin pour le monde Artv, au FIFA et deux nominations aux Gémeaux. La même année, elle collabore avec Nancy Huston à une installation présentée au Musée des Beaux-Arts de Montréal. Son travail récent fut exposé à la Galerie C de Neuchâtel (Suisse), puis à Longueuil et Montréal. En 2018, elle réalise et produit Impetus, un long métrage qui invite la fiction à dialoguer avec le cinéma-vérité, mettant en vedette Emmanuel Schwartz et Pascale Bussières. L'originalité et la beauté de cette oeuvre de cinéma-vérité, sont saluées par la critique et le public. Son œuvre multidisciplinaire et protéiforme, est lauréate de nombreux prix, dont le Prix Création 2019 décerné par L'Observatoire du cinéma du Québec (OCQ) pour « sa contribution exceptionnelle à la cinématographie québécoise. » En pleine pandémie, elle réalise avec le comédien Henri Chassé, deux films de confinement, La Sieste et le Réveil. Son projet d'arts visuels Catalogue des traces, créé au Symposium d'art contemporain de Baie St-Paul (2021) abordait le thème du déracinement, thématique qu'elle élabore dans son prochain long métrage. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
When Norbert reached out to Hyve, he just wanted to get some help for his daughter who was struggling with her vegan restaurant. After seeing how God turned that restaurant around within a few months, he didn't hesitate and hired Hyve to coach Hartland's Wellness Center as well. Up until that point, that wellness center had survived only because of generous donations and money from other sources. People were blessed and healed, but thousands of dollars were lost every single month.Hyve stepped in. A sales person was coached, the prices were increased and various marketing strategies helped the business to become profitable. Not only that, they tripled their yearly revenue and now host twice as many health guests as before! God truly worked in miraculous ways. But Norbert and his team aren't done yet. Their goal is to keep expanding. This fall, they're starting "Madison 2.0", a program that educates current college students on how to start their own missional businesses.Check out the wellness center here.If you would like to support new missional entrepreneurs and get involved with Hartland, please email Norbert at: nrestrepo @ hartland.edu. Become a Hyve member and connect with other businesses!Sign up to get our biweekly posts on how to combine faith & business here. Do you have questions about the podcast? Feedback? A word of appreciation? Criticism? We'd like to hear it! Email us at hello@hyveinternational.org.
I love stories of Latin creatives who are telling the stories of our community and getting heard and seen. My friend Patricia is an amazing example of this. I met her at SXSW where one of her most recent films was shown, and I knew I needed her to come on the show.Everything Patricia Chica directs wins multiple awards, gets selected at numerous film festivals and generates rave reviews. This daring, vivid and non-conforming Canadian-Latina director, writer, producer, editor and acting coach has created over 50 hours of content and garnered over 60 awards in her 20-year career.Besides her personal independent film work, Chica has also directed and/or worked as a producer on world-class primetime broadcast content for networks such as National Geographic, Showcase, Bravo!, MTV, Oxygen, ARTV, CBC, CBS, UniMás, and El Rey Network just to name a few. Patricia Chica was born in war-torn El Salvador, grew up in Montreal, did her internship in Paris and has had professional residencies in New York, Orlando, Toronto and London. She is presently in production of her feature film Montréal Girls. Since 2014, Chica divides her time between Montreal and Los Angeles. She is represented by MoJo Management in Hollywood.Patricia Chica is a member of the Directors Guild of Canada, the Academy of Canadian Cinema and Television, Women In Film, FCTNM, Canadian Cinema Editors Association and Film Fatales.You will want to hear this episode if you are interested in...How Patricia's film came to South by Southwest through Telefilm Canada (2:37)The importance of working three levels higher, deeper, and further (9:21)Why the higher realm is the key to functioning in the physical realm (14:35)How her family managed their emigration to Montreal (20:16)Why the supportive immigrant experience to Canada was so impactful on her life (26:20)The importance of telling your story of who you are today (31:27)Connect with PatriciaTheir websiteOn InstagramOn TwitterOn LinkedinOn FacebookOn YouTubeConnect With Peter O. Estévezwww.peteroestevezshow.com Follow on Facebook https://www.facebook.com/PeterOEstevezShow/Follow Peter O. Estevéz Show on Instagram https://www.instagram.com/peteroestevezshow/Follow Peter on Instagram https://www.instagram.com/peteroestevez/
Rock Coliseum XII where Jon from ARTV, Mark from Spectrum Pulse, Crash Thompson, and myself all ask the live audience for suggestions on bands/artists/albums and we decide who gets the thumbs up and who is thrown to the lions.
Mel Whitten, K0PFX, explains and demonstrates Digital ATV at HamCom 2016 in Texas
June Millington, director Bobbi Jo Hart and Face2Face host David Peck talk about their fun, engaging, long overdue new film Fanny: The Right to Rock. They touch on sexism in the industry, liberation, your inner compass, poetry, safe spaces and role models, racism and why it’s so important to play it forward.“Revivify Fanny. And my work will be done.” David BowieTrailerTo learn more about the band and their work head here.For more information about IMA go to www.ima.orgSynopsis:Fanny: The Right to Rock opens with the words of David Bowie, bemoaning the band’s fate: “One of the most important bands in American rock has been buried without a trace.” The film then takes us deep into the woods of Goshen, Massachusetts, where we discover the Institute for the Musical Arts. It’s an underground music camp and recording studio for girls and women only, where Fanny lead guitarist June Millington, 69, has been teaching young girls to rock out long before rock camps became “a thing.”There, she and fellow Filipina-American bandmates, including her bass-playing sister Jean and drummer Brie Darling, celebrate their 50-year reunion with a new rock record deal -- cheekily titled Fanny Walked the Earth. If the stars align, it’s a chance to right the wrongs of music history.Fanny: The Right to Rock juxtaposes an intimate, cinema verité journey of Fanny’s uphill battle to complete and release their new album, with the fascinating herstory of the band’s improbable journey during their 70s heyday. Their controversial, self-penned lyrics dared embrace the newfound freedom of birth control as well as the trauma of the Vietnam War.Discovered early on by the secretary of legendary producer Richard Perry and signed as teenagers to the epic Warner/Reprise label,Fanny honed their signature sound in edgy L.A. clubs like The Troubadour. Fanny Hill, hosted regular jam sessions with visitors/crashers including Joe Cocker, Little Feat, and Bob Dylan’s The Band. There, serious rock & roll comingled with sex, drugs and skinny dipping.Fanny toured extensively across North America and Europe with major groups including Slade, Chicago and Ike & Tina Turner. They toured while writing, recording and releasing a new album every year from 1970 -75. They performed live and gave interviews on major network TV shows with Dick Cavett, Sonny & Cher, Helen Reddy and The Tonight Show, as well as the famed BBC show “The Old Grey Whistle Test”.The movie includes testimonials from Kate Pierson of the B-52s, Bonnie Raitt, Cherie Currie of The Runaways, Kathy Valentine of the Go-Gos, and Bowie bassist Gail Ann Dorsey. Male music icons also sing their praises including Todd Rundgren, Charles Neville of The Neville Brothers, The Lovin’ Spoonful’s John Sebastian and Def Leppard’s Joe Elliott (who unveils a Fanny flexi-disc he has saved for 50 years, since he discovered the band at age 12).About June Millington and Bobbi Jo Hart:Bobbi Jo Hart is an award winning American/Canadian documentary filmmaker with Adobe Productions International, based in Montreal, Canada. With a career that has spanned 25 years, Hart has filmed in countries as diverse as Pakistan, Russia, Guatemala, Australia, Scotland and Zimbabwe — with subjects ranging from women’s professional soccer and tennis to classical music, comedy, dance and manic depression. Her documentary films have the most common thread of revealing untold stories of marginalized girls and women, weaving universal threads of dreams, family, love, loss, happiness, sadness, success, failure and determination. Her intimate, cinema verité style results in thought-provoking films that ultimately celebrate our shared humanity.Her most recent feature documentary I Am Not A Rock Star premiered at dozens of worldwide film festivals and was broadcast on networks in many countries, including BBCFour, SVT Sweden, ABC Australia, Documentary Channel. Music in the film included Jack Johnson & Patrick Watson. This film won many festival awards as well. Hart’s previous award-winning films include SHE GOT GAME: Behind-the-Scenes of the Women's Tennis Tour (LIFE Network, Starz), which had exclusive access during over a year on tour. Hart is currently starting the festival tour for her exclusive theatrical documentary celebrating Les Ballets Trockadero de Monte Carlo (Documentary Channel, ARTV).June Millington “one of the hottest female guitarists in the industry” wrote, Guitar Player Magazine has been making music since she was a child playing ukulele in her native Philippines. Having moved from Manila to California in the early sixties, she and her sister bassist Jean turned in their folk guitars for electric and formed a succession of all-girl bands. By ‘69 they were in Hollywood with their band Fanny, which was one of the first all-women’s rock band to be signed to a major label (Reprise). Through five successful albums and extensive touring of Europe and North America, Fanny served notice that women could do more than simply sing, they could write and play passionate rock ‘n roll. As David Bowie said of the group in an interview with Rolling Stone (RS January 2000): “They were extraordinary: They wrote everything...they are as important as anyone else who’s ever been, ever....”Fanny played with major artists like Chicago, BB King, Dr John, the Kinks, the Staples Singers, Ike and Tina Turner, & Chuck Berry - and recorded an album at Apple Studios with Geoff Emerick, the Beatles engineer. June left the band in 1973 and continued to record and perform with her sister and on a number of solo albums. She played in the genre of women’s music for many years, and produced records by artists Cris Williamson, Holly Near, Mary Watkins, Melanie DeMore, and Bitch and Animal, among others. She is the co-founder and Artistic Director of the non-profit Institute for the Musical Arts [IMA], an internationally known teaching, performing and recording facility supporting women and girls in music and music-related business. Founded by June, along with partner Ann Hackler, activist/writer Angela Davis, and engineer/producer Roma Baran, IMA expanded into a 25- acre campus in Goshen, MA which runs five residential summer programs for girls and young women from 9-24 and hosts shows and workshops with established artists the rest of the year.Millington has received numerous awards for her achievements including the Audio Engineering Society’s Lifetime Achievement award, the Bay Area Career Women’s LAVA award for being a “leg- end of women’s music,” the Outmusic Heritage Award and in 2007 she, along with the other members of FANNY, received the Rockrgrl Women of Valor Award at Berklee College of Music. In 2013 she received New England Public Radio’s (NEPR) Arts and Humanities Outstanding Individual of the Year Award, the Veteran Feminists of America Award and, along with her partner Ann Hackler the Outstanding Activist Award from the Living Kindness Foundation. In 2015 she was given an award for her contributions by the National Women’s Music Festival.June released her autobiography Land of a Thousand Bridges: Island Girl in a Rock ‘n Roll World in June of 2015 and has received a great deal of press, including articles in MS Magazine, Pitchfork and Newsweek as well as on NPR. Millington continues to perform, write and record and teaches at IMA as well as colleges and universities around North America.Image Copyright and Credit: Adobe Productions International and Bobbi Jo Hart.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
As requested, here is the audio version of Rock Coliseum: Song VS Song. Rock Coliseum: Song VS Song! Special edition of Rock Coliseum where two songs are suggested and put against each other! Watch as Jon from ARTV, Mark from Spectrum Pulse, Crash Thompson, and myself all give the thumbs up or down to the big names in rock, metal, alternative, and beyond! Who survives the coliseum and who gets thrown to the lions?!
ESTRENO 1 DE ABRIL - 20hs En Cine.ar TV Canal 22.4 de TDA (Televisión Digital Abierta) DirecTV - Canal 512 Cablevisión - Canal 60/300 Telecentro - Canal 400/1049 y diferentes cables de todo el país Y en vivo en simultáneo por la plataforma http://www.cine.ar Play A partir del 1 de Abril en forma gratuita para todo el mundo Por la TV Pública Argentina El Viernes 2 de Abril a las 22:30hs En Canal Encuentro podrá verse el próximo Viernes 2 de Abril a las 22hs. Proyección Especial Domingo 11 de abril - 19hs Teatro Auditorium - Mar del Plata Entrada libre y gratuita Función con presencia del director y protagonistas El próximo 1 de abril, en conmemoración del 39° aniversario del comienzo de la Guerra de Malvinas, se estrena Nosotras también estuvimos, documental dirigido por Federico Strifezzo, que tiene como protagonistas a tres de las enfermeras que participaron del Conflicto del Atlántico Sur (denominación correcta del conflicto armado) en el Hospital Reubicable de Comodoro Rivadavia. En 1982 Alicia Reynoso, Stella Maris Morales y Ana Masitto, jóvenes enfermeras de la Fuerza Aérea, fueron enviadas a Comodoro Rivadavia, al hospital montado junto a la pista de aterrizaje del aeropuerto, para recibir a los combatientes heridos en las islas. Aunque la historia de "las enfermeras de Malvinas" fue relevada en la prensa durante la guerra, su historia fue invisibilizada por casi cuatro décadas. El director Federico Strifezzo viajó con ellas a las locaciones reales donde vivieron esos días cargados de recuerdos dolorosos, y repasó las vivencias que las marcaron para siempre, en un contexto de machismo y discriminación que en esencia no ha cambiado. Alicia, Stella y Ana representan a las 14 enfermeras que aún hoy esperan ser reconocidas oficialmente como veteranas de guerra. Nosotras también estuvimos se podrá ver el Jueves 1 de abril a las 20hs en Cine.arTV y en simultáneo en la plataforma Cine.ar Play, donde quedará disponible de forma libre y gratuita. Además, el Viernes 2 de abril a las 22hs tendrá su proyección en el Canal Encuentro, dentro del ciclo No Ficción, y a las 22:30hs por la TV Pública Argentina. También están planeadas varias proyecciones presenciales en Comodoro Rivadavia, La Pampa y Pinamar, y entre ellas se destaca la del Domingo 11 de abril a las 19hs en el Teatro Auditorium, Sala Astor Piazzolla, de Mar del Plata, con la presencia del director y las protagonistas. La entrada será libre y gratuita. Ficha técnica Nosotras también estuvimos (Argentina, 2020) 70 min. Documental Calificación ATP c/leyenda/ Distribución Independiente Escrita y dirigida por Federico Strifezzo / Compañía productora En el camino producciones / Con el apoyo de INCAA / Producción Federico Strifezzo, Alejandra Perdomo, José Velazquez/ Dirección de Fotografía Erick Joshadeck Benavides/ Director de sonido Andrés Perugini / Montaje Pablo Mazzolo (SAE) / Colorista Alejandro Eguía / FX Guido Farji / Música Biomas / Elenco Alicia Reynoso, Ana Masitto y Stella Morales.
Rock Coliseum IX! The ninth life of the live stream! Watch as Jon from ARTV, Mark from Spectrum Pulse, Crash Thompson, and myself all give the thumbs up or down to the big names in rock, metal, alternative, and beyond! Who survives the coliseum and who gets thrown to the lions?! #RockColiseum #LiveStream #Rocked #ARTV #SpectrumPulse #TheRockCritic SUPERCHAT DOCUMENT = https://docs.google.com/spreadsheets/d/1GzNZJbnfQ0Gj1b-ZddCeTQgpnmGvK_UHs5cTtjKeoKU/edit#gid=0 Please Like, Comment, and Subscribe! = https://www.youtube.com/c/RockedReviewsNet
Rock Coliseum VIII! Audio file of the live stream featuring ARTV, Spectrum Pulse, Crash Thompson and myself taking suggestions from a live chat on 7/29/20. Over two hours of shenanigans!
The Podcast That Rocked episode for December 30, 2019 featuring ARTV, Spectrum Pulse, and Crash Thompson celebrating the best and worst of music in 2019!
The Podcast That Rocked episode for December 30, 2019 featuring ARTV, Spectrum Pulse, and Crash Thompson celebrating the best and worst of music in 2019!
The Podcast That Rocked episode for July 29th, 2019 featuring Jon of ARTV! Lots of discussion about the new details for Tool's Fear Inoculum, the insanity that is Woodstock 50, and more!
The Podcast That Rocked episode for July 29th, 2019 featuring Jon of ARTV! Lots of discussion about the new details for Tool's Fear Inoculum, the insanity that is Woodstock 50, and more!
The third episode of the monthly podcast for Rocked. Joining me are Jon from ARTV and Hannah from Infinity on Hannah. This episode we talk about:Falling In Reverse beef with ARTVCoachella, Woodstock and Festival FashionAvengers and Marvel MoviesTwitter…Meeting up at Sonic TempleThe Fair Use issues with YouTube#FallingInReverse #Coachella #Woodstock #Avengers #SonicTemple #RonnieRadke #ARTV #Rocked Please Like, Comment, and Subscribe! = https://www.youtube.com/c/RockedReviewsNet Please click here to support Rocked on Patreon = https://www.patreon.com/Rocked Like to talk with others? Join the Rocked discord! = https://discord.gg/zeGq9MF See this and much more at these sites: http://www.musicexistence.comhttp://www.getrocked.net___ Rocked on Facebook = http://www.facebook.com/rockednet Rocked on Twitter = http://www.twitter.com/rockednet Rocked on Instagram = http://www.instagram.com/getrockednet___ DISCLAIMER - Copyright Disclaimer Under Section 107 of the Copyright Act of 1976, allowance is made for "fair use" for purpose such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statue that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The third episode of the monthly podcast for Rocked. Joining me are Jon from ARTV and Hannah from Infinity on Hannah. This episode we talk about:Falling In Reverse beef with ARTVCoachella, Woodstock and Festival FashionAvengers and Marvel MoviesTwitter…Meeting up at Sonic TempleThe Fair Use issues with YouTube#FallingInReverse #Coachella #Woodstock #Avengers #SonicTemple #RonnieRadke #ARTV #Rocked Please Like, Comment, and Subscribe! = https://www.youtube.com/c/RockedReviewsNet Please click here to support Rocked on Patreon = https://www.patreon.com/Rocked Like to talk with others? Join the Rocked discord! = https://discord.gg/zeGq9MF See this and much more at these sites: http://www.musicexistence.comhttp://www.getrocked.net___ Rocked on Facebook = http://www.facebook.com/rockednet Rocked on Twitter = http://www.twitter.com/rockednet Rocked on Instagram = http://www.instagram.com/getrockednet___ DISCLAIMER - Copyright Disclaimer Under Section 107 of the Copyright Act of 1976, allowance is made for "fair use" for purpose such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statue that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Today we have a special guest. Successful song reviewing YouTube Jon Compton from ARTV and Beyond ARTV joins us to go further in depth over Lorde's _Melodrama _album and his thoughts on it. I watched his YouTube video about it and knew that I had to have him on for this episode. Together, he and I talk about the merits and interesting aspects of Lorde's newest album. Just fair warning, because this was my first time doing a long distance interview, the sound quality isn't always the greatest, but the info and opinions here are worth it! Also, be sure to check out John's channel. It's going to be well worth it to subscribe to him! ARTV's Channel: https://www.youtube.com/user/AlbumReviewTV Don't forget to email me at clifford@popsongprofessor.com with your thoughts and to rate/review the podcast on iTunes! That would seriously help me a ton. This episode is an old episode of the podcast that was archived for you. Be sure to follow Clifford on YouTube at http://youtube.com/channel/UCFhmJZnna3LlznyBEooxTDQ
Seguimos analizando lo mejor y peor de la televisión nacional e internacional. En esta emisión de VHS: Vemos Hartas Series comentamos las últimas series renovadas y canceladas que nos quedaron pendientes de los Upfronts 2016. También analizamos una de las mejores series estrenadas este 2016: The Girlfriend Experience. Y en televisión chilena comentamos el conflicto que mantiene VTR co ViaX y sus señales hermanas Zona Latina y ARTV. El episodio está condimentado con música de Mad Men, Pete & Pete y The Good Wife. Recuerda que todos los Martes y Jueves a las 10 AM estrenamos nuevo programa por Molécula.cl #VHS en Soundcloud: http://www.soundcloud.com/seriepolis #VHS en Tunein: http://tunein.com/radio/VHS-Vemos-Hartas-Series-p653345/ #VHS en Itunes: https://itunes.apple.com/cl/podcast/vhs-vemos-hartas-series/id1010781097 #VHS en Mixcloud: https://www.mixcloud.com/seriepolis/ #VHS en Feed RSS: http://feeds.feedburner.com/VHSseriepolis