Podcasts about We Are Family

With Pangdemonium set to close at the end of 2026, questions are being asked about the future of the arts in Singapore. Actors Zachary Pang and Coco Wang Ling discuss whether Singaporeans can still build meaningful careers in the arts, how audience attitudes are changing, and what gives them hope for the next generation of creatives. Kelly Latimer, TV presenter and partner at The Sports Arina, joins us as a special co-host on Let's Talk, Singapore! Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

For children with special educational needs, choosing the right school environment is one of the most important decisions a family can make. While some students thrive in mainstream classrooms, others may benefit from more specialised support. As Singapore continues to expand pathways for inclusive education, how should parents weigh the different options available and what factors matter most when determining the best fit for each child? Scarlet Leong, Senior Specialist Psychologist at the Dyslexia Association of Singapore, and Vivi Lee, whose son Marcus transitioned from a mainstream school to Pathlight School joins Let's Talk, Singapore to discuss how different school environments support different needs and what the right fit look like for each child. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family! See omnystudio.com/listener for privacy information.

The family home, CPF savings, investments, joint bank accounts - what actually happens to shared assets when a marriage ends? Many Singaporeans assume divorce settlements are straightforward or automatically split down the middle, but the reality is often far more complex. In this episode of We Are Family, we speak with Justin Chan, Managing Partner of Justin Chan Chambers LLP, to explore the role of financial and non-financial contributions, common misconceptions about divorce settlements, and what couples should know when navigating one of life's most difficult transitions. FIND OUT MORE: https://justinchanchambers.com/ Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

From YouTube and TikTok to gaming and group chats, screens have become a big part of childhood today. But when does screen time become too much, and are parents focusing on the wrong things? Jiow Hee Jhee, Associate Professor at Singapore Institute of Technology and member of the Media Literacy Council joins Let’s Talk, Singapore with Neil Humphreys and Audrey Siek to unpack what screen time is really doing to our children from attention spans and sleep habits to social development and family relationships. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977's jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977's jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1. Steely Dan helped invent Yacht Rock with 1977's jazzy bop “Peg.” (They would have loved it better if it had cracked the Top 10.) And in 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11, or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, Diana Ross, and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

As more fathers step back from traditional full-time work to care for their children, conversations around parenting, masculinity and family roles are starting to shift too. We speak to Jeggan Rajendram, who left a career in big tech to become a full-time dad to his two daughters. From hair-braiding workshops to questioning what success and fatherhood really look like today, we unpack why more dads are making this shift and whether Singapore is truly ready for it. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

Are teenagers in Singapore growing up too fast? From early relationships to online exposure and social media influence, many parents are struggling to navigate modern adolescent dating. Audrey Siek and guest host, Hossan Leong, speak with Sam Roberts, Founder & Executive Director of Olive Branch Psychology to unpack how parents can guide their children without pushing them away. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

For years, Singaporeans were told the formula was simple: study hard, get a degree, land a stable job. But for many fresh graduates today, that promise feels a lot less certain. With entry-level jobs now demanding multiple internships, industry experience and “third-year job” skills before graduation, has the university degree become just the bare minimum? And as Gen Zs push back against being labelled “not hungry enough”, are young Singaporeans really entitled or simply navigating a job market that’s changed faster than expectations have? Linus Choo, Managing Director, Regional Governance, Ethos BeathChapman joins the conversation. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

Are Singapore youths growing up too fast? As more teenagers and young adults enter the workforce earlier, many are balancing studies, financial pressure, hustle culture and career anxiety. Let’s Talk, Singapore is joined by Julian Tan, Founder & CEO, FastCo Pte Ltd to discuss how young Singaporeans view work today and whether modern work culture is changing childhood itself. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

Comedy, acting, music… Can Singapore parents truly support artistic careers in a system built around stability and academic success? Let’s Talk, Singapore speaks with Comedian and Actor, Rishi Budhrani and his father, Parkash Budhrani, Founder of Abba’s Department Store about generational expectations, creative risk-taking and whether Singapore is becoming more open to unconventional career paths. Join Neil Humphreys & Audrey Siek - LIVE every Tuesday & Thursday at 7.20am for We Are Family!See omnystudio.com/listener for privacy information.

Did you know American music legend Nile Rodgers is helping the Trust plant and protect woodland in Northern Ireland? Alongside generous donations to Faughan Valley Woodlands from the We Are Family Foundation (WAFF), Nile has got stuck in with planting on site. Nile and the foundation he co-founded with his partner, Nancy Hunt, are working with us to reconnect fragmented native woods in a region where less than 1% of ancient woodland remains. We caught up with the multiple Grammy Award winner on his latest visit to find out why. We also hear from David Saddington, trustee of both WAFF and the Trust, on why empowering young people to take direct action is key to this work, and we chat to some of those volunteering at this special event. Please note this episode contains references to drugs. Don't forget to rate us and subscribe! Learn more about the Woodland Trust at woodlandtrust.org.uk  Transcript You are listening to Woodland Walks, a podcast for the Woodland Trust, presented by Adam Shaw. We protect and plant trees for people to enjoy, to fight climate change and to help wildlife thrive. Nile: But it just made me feel so good. It was so real, it was almost like a drug. So my parents were doing heroin, I was doing music *laughs*. Nile: So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, 'well, I wish I could play like him, I wish I could do that'. No, it was the person who touched people's hearts. Nile: We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family. Nile: Trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: For 40 years, if you've been on a dance floor, you'll have been dancing to the music of one of our guests today. He co-founded Chic, produced and collaborated with David Bowie, Madonna, Richard Jackson, and well, to be honest, too many others to mention. But to give you an idea of the sort of musical success he's had, I can say that he has produced and performed on records which have sold more than 750 million albums and 100 million singles. Born to teenage parents in an environment where drug use was very much part of his every day, he has come from that background with an attitude to life which is as upbeat and as positive as his music. And together with his partner, Nancy Hunt, they have established the We Are Family Foundation, focused on empowering young people around the world. Together, they're in Northern Ireland, in Derry, to support and protect and indeed restore woodland in this country, and indeed Nile is on the Woodland Walks sofa and joined by one of the trustees of the We Are Family Foundation and indeed the Woodland Trust, David. So we'll come to David in a moment. Why don't we start now where it all started with the music? Reading about you and listening to stuff you've done, my impression is you're the most positive person I've read about and that surprises me because of the disjointed background you grew up in. So two questions. Do you think that's a fair description and if so, why? Nile: So the... the interesting thing about my childhood was that though my parents were heroin addicts, they were extremely loving and they believed in me so much so that, believe it or not, I was never, ever told what to do. They knew that I instinctively would figure it out. Or I was just one of those nerdy, nice kids that they knew would never get into trouble. I mean, I have never stolen anything. I've never, I bullied one kid once and the reason why is because everybody bullied me because I was a nerd. And when I bullied this kid, he started crying and I started crying. He's probably forgotten that incident. I will never forget it. It'll bother me my entire life. I could not believe that I did that. So my childhood was actually on one level very happy, but at the exact same time, and I don't know how these two situations could have coexisted, except only now forensically, but it was super happy, but then I actually called my childhood a fear-based childhood. I was afraid of things, so I did things to make me unafraid or happy. And music was that thing. But it just made me feel so good. It was so real. It was almost like a drug. So my parents were doing heroin. I was doing music *laughs*. Adam: I mean, it's weird you describe yourself as a nerd. You're the least nerdy-looking nerd I've ever come across, but fair enough. Nile: Oh God, test me. Adam: Oh really, okay, we'll do a nerd off *both laugh*. Fair, fair enough. But that positivity, I mean, you talk about being nice, but what I think is striking about your music, and perhaps problematic for some of it, is that it's relentlessly positive. And I think sometimes it's seen as sort of very surface level because of that and yet you talk about the deeper meaning behind the music, which I think some fans of yours perhaps don't see, or that's not what they're getting from it. Nile: But that's okay, though. Adam: That's fine. Nile: It's okay. Yeah, you're so correct. I mean, I'll try and quickly just tell you this story. So when I said I was a nerd, believe me, I studied music on a level that was so intense, that was ridiculous. So I thought it was my job to prove to my tutors and various teachers how smart I was, how well I learned the rules and the discipline of music. I wrote symphonic music when I was a child, I wasn't even 10 years old yet. And I remember I was going to one of my tutors. I was around 22 years old and I was a very serious jazz student. And I went into him one day with a very sourpuss attitude and look, and that was not me. He just was like, no, you're always so happy and you're always so upbeat. What's wrong with you today? And I said, well, look at this ******** pop music that I have to play tonight. Now, maybe I thought it was sort of ******** but maybe I was just trying to score brownie points with him because I always thought being a great musician was being the smartest guy or the greatest virtuoso in the room. So what happened was my teacher, I showed him the list of songs that I was playing that night. And I said, look at what I have to start my set with. This song by The Archies called Sugar, Sugar. He said, yeah, but now what's wrong? Why are you so sad? And I said, because I got to play Sugar, Sugar. You know, I want to play straight ahead jazz. He was like, that's okay that you want to play straight ahead jazz, that's what I love. But why is it bothering you to play Sugar, Sugar? And I said, because it goes, *sings* Honey, do, do, do, do, do, do, oh sugar, sugar, do, do, do, do, do, do, you are my candy girl, and you got me wanting you. And he said, Nile, that's a great composition. I went, you call Sugar, Sugar a great composition? He said, absolutely. He said, what do you think about it? He says, and I went, well, it sucks. It's some ******** bubblegum pop music. And he went, now, do you know that Sugar Sugar's been number one for about three weeks? And I said, yeah, but what does that got to do with anything? And he went, so those millions of people around the world, they're wrong, but you, Nile Rodgers, are right? And all of a sudden I felt, uh-oh, *laughs* something weird's getting ready to happen. So he held me behind my head and he pulled my face close to him and he said, Nile, let me explain something to you. Every record in the top 20 is a great composition. And so remember, we're going back now 50 years. I'm 73 years old, so we're going back a long time. And I say, every record in the top 20 is a great composition? He says, yes. I said, why would you say something so absurd? He says, Nile, because it speaks to the souls of a million strangers. And I literally started crying at that moment because in one spark, in a nanosecond, he explained to me what an artist was. So I always thought that an artist was the guy trying to be the smartest person in the room, that everybody said, well, I wish I could play like him. I wish I could do that. No, it was the person who touched people's hearts. It was the person who made people feel something, be it happiness, be it sadness or whatever. But a lot of my friends who are virtuosos, we just would go, wow, he can play his *** off. That was the thing. We didn't feel anything necessarily. Sometimes we did, but I was determined to try and make people feel something every time. And to me, I wanted people to feel happy because I wanted to feel happy. Why do I want to write sad music? Adam: So that phrase, speaking to the souls of a million strangers, it's clearly an iconic thing about your music. The other striking thing, I think, which you've talked about, is about life, not just your music, but I think obviously connected, is not about surviving the storm, but learning how to dance in the rain. Is that one of the tenets of your approach to music and life? Are they the same thing? Nile: That's exactly it. That's why people wonder why I do so much music, and it's because I believe that I could always, I honestly, and this is not an egotistical statement, I always believe that I can add something to the song. I believe that I can make it better, even if it's just a little better, but you can hear it. I mean, five minutes before I came down here, I asked an artist that I sent a piece of music to, I said, you never wrote me back. How do you feel about the guitar streams that I sent you? And Kygo just wrote me, he said, he just literally just wrote me, where the hell is it? I went, cool. He went, oh, yes sir, sounding really cool *laughs*. Minutes ago. Adam: Okay. So look, we need to talk more about that, but I want, you're here not for the music, but for the work of your, and Nancy, your partner's, foundation. And David Saddington, sitting next to you, is a trustee of that foundation. You also happen to be a trustee of the Woodland Trust as well. So the purpose of the We Are Family Foundation is what? David: I mean, the We Are Family Foundation, Nile and Nancy started 20, 25 years ago now, which is insane *both laugh*. And Nile, I mean, you'll tell it better than me in terms of sort of your origin story, which came from, you know, a horrendous event of 9/11. And Nile and Nancy wanted to do something positive for the world, to heal the world. And thankfully, you know, when they sort of asked that question around how do we sort of have more peace in the world, how do we have more harmony, young people came out as the answer and actually finding that hope, finding that positivity, finding those solutions. So the foundation really is built upon curating, nurturing and growing this talent and giving these young people visibility. Adam: And the work that the We Are Family Foundation is starting to do in Northern Ireland, we were today at a planting with Nile and Nancy and you. What is the project here? David: Yeah, my God, like, you know, I work on climate change every day. It's really sort of hard and difficult, but actually by doing something very local with the Woodland Trust, you make such a tremendous difference, not only just about place, but the communities which you bring along. So this partnership just made a lot of sense. And then when we started talking after that visit around sort of why it made sense to support from the foundation, Northern Ireland came out really as a winner. And the beautiful site we visited earlier in the Faughan Valley is so special because, in a sad way really, because so little of the ancient woodland is left in Northern Ireland, less than 1%. And the vision of the Woodland Trust in Northern Ireland to preserve those tiny fragments of ancient woodland, but protect them by restoring the land around it, letting them expand, is so special. And particularly given that site is, what, I mean, like 10 minutes away from Derry? That's so cool. It is right on the doorstep of so many people to restore such a precious habitat, but make sure that people can actually enjoy it and be part of that as well. Amazing. Adam: A little before Nile and I sat down to speak, we both visited Faughan Valley Woodlands with a group of young people who were there to help plant some trees. Now, this is an important area. Since 2000, the Woodland Trust has brought small clusters of native woodlands, including Brackfield, Oaks, Red Brae, Burntollet, Killaloo and Auter, all fragmented along the Faughan Valley, which is a site of special scientific interests. And it's been a vision of the Woodland Trust Northern Ireland for well over a decade, really, to try and connect these fragments for both people and nature. And so when I met the younger people who are busy planting trees, I asked them why they felt what they were doing was important. Speaker 1: So usually it's around every Sunday morning. We go around and it's just odd jobs, like it's never the same thing every week. It's usually planting trees, but recently we've been building fences to keep sheep out and removing tree guards. Adam: And why are you interested in that instead of watching TV or playing Xbox or whatever? Speaker 1: Well, I've always kind of liked outdoorsy stuff in nature and usually I wouldn't really do much on a Sunday. So it's just better to get out rather than do nothing on a Sunday morning so. Adam: And you're about to plant a tree. Speaker 1: Yeah. Adam: Do we know what type of tree that is? Speaker 1: I think it's oak. Adam: Oh, there we are see, I don't know, but you know, go on plant away. Speaker 2: I'm Sophie McGee. Adam: And what are you doing, Sophie? Speaker 2: Well, we're planting trees today for the 30th anniversary. It's just more interesting because we're actually doing something that's worthwhile for the environment and for ourselves. Adam: And do you feel you're making a difference? Speaker 2: Yes, every tree will help. No matter if it's a wee tiny stick or a big massive one. Speaker 3: Well my name is Evie, I'm 13 years old and I've always been interested in nature and plants and animals and stuff and then my auntie decided, or she showed me the Woodland Trust young volunteers so I thought that sounds right up my street. So I joined, I've only been here for a few weeks and so far I've really enjoyed it. We've been trimming down, we've been trimming away trees that'll grow back to let light into the forest floor. We've been looking at different kinds of moths and caterpillars and we've been for walks and here we are planting trees and meeting celebrities! Speaker 4: My name's Milo and you know we're with the Woodland Trust, you know, planting trees and stuff because, well, you know, trees are important and they support a lot of species and insects and wildlife and it's great for the water quality and soil erosion in general. And in my opinion personally, I think biodiversity is really important, especially in, the UK and Northern Ireland in general. It's just seem to be really sort of nature depleted and, you know, I kind of want to change that. I think it doesn't seem fair, you know? Adam: Nile, I think the phrase we've already used many times is We Are Family, the name of one of your most successful songs, but obviously the name of your foundation. And we've talked about your family. That's an obvious theme, family. I'm struck by that because of a disjointed background, even though loving and literarily full. Your family were artists and you had a full and rich literary life. The connection to family, clearly a theme for you. Why? Nile: It wasn't my idea. It was other people's ideas. And they talked me into it. I, as an artist, I wrote We Are Family for Sister Sledge and for Sister Sledge alone. I didn't write it for the world. I wrote it for them. And they, it was their job to now take it out into the world, which they did very well. But what happened as a byproduct of the composition was just the love that I put into the song that my partner Bernard Edwards and I put into the song, we were trying to talk about this wonderful family, you won't believe this, that we never met. We never met Sister Sledge until they came in to sing the song. The entire album was already produced. We didn't know any other way to make records except for by ourselves. So we made the record and said, okay, now sing this. And they were like, what? We've never been treated like this. We're like, we don't know any other way to make records. Me and Luther Vandross and Bernard Edwards and Tony Thompson, and we go in and we write and produce, and there you go, here's your record. But so the love that we projected onto Sister Sledge was something that we superimposed upon them. We don't know whether they liked each other or not. We just presupposed that they did. And that's what we wrote, this loving, anthemic, wonderful dance song. And Kathy Sledge, at 15 years old, came in and just gave the performance of her life. We actually had them locked out the studio because we still hadn't finished the lyrics to We Are Family *both laugh*. It was the final song that we wrote, right? So we wouldn't let them come in. We're inside trying to be professional. And they're like, why can't we come in and hear what you guys are making as demos? Making as demos? No, we made, it's the record. But anyway, what happened was, as a result of the popularity of the song, this baseball team in America, the Pittsburgh Pirates, adopted it as their theme song. And they're not women, they're men. And we saw these big burly men going, we are family, I got all my sisters with me. And I was like, whoa. And anyway, they won the World Series *laughs*. Adam: But I mean, that's a fascinating insight how you made that song. But what I'm struck by is that you have talked about this deeper hidden meaning, your phrase, right, behind your songs. So that's an obvious question to ask. You talk about family. It's a key song in your career. It hints of the deeper meaning here is about the importance of your family. And your family are unusual. Super talented people, not particularly stable, I hope that's not insulting or anything. But it's sort of, I'd expect you to maybe be more traumatised by that or to have, but no, it's all good. It's all good. Nile: It wasn't, you see, it wasn't traumatic because I developed my own survival mechanism and it was actually good. But I don't think you realise this. I said, everybody told me, oh, you got Grammys, you got this, you're the head of the Songwriters Hall of Fame, you're the Rock and Roll Hall of Fame, I said, you know what? The thing that I am the most proud of in my life is at seven years old, I set the national truancy record for the United States of America *both laugh*. I cut school 75 days in a row and went to the movies. I learned more at the cinema in 75 days than everybody in my class learned in an entire semester. You could see Fellini, you could see Truffaut, you could see anything. My mom, when she had her second child, suffered from postpartum depression and threatened to murder my brother every day. So after a few weeks, and I can't remember how long it took because I was a child, but after her going to psychiatrist every day, that's how bad it was, they decided that she had to be separated from her children. She was a danger to herself and others. So they sent me off to Los Angeles to live with my maternal grandmother. And my youngest brother, who was just born, was sent to live with his paternal grandparents. And so while I was in Los Angeles, I was treated ah man, boy, talk about bullying. Every place in LA was sort of run by gangs. And I didn't know anything about the gang culture. And I spoke like a New Yorker. And everybody in LA was, you know, street slang. And, you know, and now look at how big hip hop is. You know, that's the way that that everyone spoke. I didn't know half the stuff they were saying. So kids would try and beat me up. They only beat me up once, no, twice, sorry, twice. And then I just decided, I'm not going to where those kids are. I'm going to where adults are. Because I got along with adults and I went to the cinema every day for 75 days straight. Adam: There's lots to talk about, not much time. But I do want to ask one more question around this sort of area. In actually the podcast we've just done, I spoke to quite a significant business leader who has ADHD. And I said to him at the end of the chat we had, if you had a magic wand and could wave away your ADHD, would you do it? And he went, no, I absolutely wouldn't do it because it's part of who I was, I am, and it's informed and helped me. And I wonder if there's a similar question about your drug past, whether if you could wipe it away, would you? Nile: Never, never, ever, ever, ever. I, you know, I developed a very horrible drug habit. I actually, my heart stopped six times in one night. I don't remember the medical phrase, but it's called something like multiple drug interaction. Like, so if you take cocaine and then you take alcohol and then you take either LSD or something else, your brain doesn't know which one is dominant, right? So it starts going, it tells your heart, do I expand or contract? I don't know. And every time they tried to revive me, I would only stay alert or alive, my heart would only pump a couple of times and then stop again. Adam: So what did that bring you as an artist in retrospect? Nile: Nothing. Because to me, all I remember was driving home, Not getting into an accident, not getting a ticket, driving home, parking in my same parking space, going up to my apartment. However, I mistakenly pushed the number 14 instead of 28. That saved my life. I didn't know that I did, I didn't know I made a mistake. I was so high, I thought 14 was 28. The way that they emptied the garbage in my building, they started at the top and they went down floor by floor. When the elevator hit 14, the doors opened, I fell out onto the floor dead. They just happened to be on the 14th floor and they saw me lying there dead. They go over, I have no pulse. They probably tried to do, I don't know any of this for a fact because I was, out, yeah. So I just assumed they must have tried to help me. They liked me, so they must have tried to do something. Fortunately, the hospital was two blocks away from my house. And they get me to the hospital. The doctors revived me six times. After the sixth time, they figured this is hopeless because they did everything they could possibly do. And he said that, we worked so hard to save your life, but in fact, I was filling out the death certificate and the orderly in the room said, hey doc, we got a live one here. And my heart just started going automatically again by itself. Adam: Amazing. I want to bring you back to your foundation. So we're here because of the good work you're doing for the environment. But the environmental issue may be relatively new, but you've been a political activist since your early days. This is not a recent conversion. You're super plugged in to these sort of big debates, aren't you? Part of the Black Panthers in your early age? Nile: Yeah, I was a subsection of the Black Panther Party when I was 16 years old. Adam: So lots of political issues. Why now the environment? Nile: It's just one of many issues that We Are Family Foundation supports. You asked me about being a nerd. So I grew up as a scientist. I have a scientific background. So I understand how these things in our environment are fundamentally to life itself. That, if you think about it, in today's world, there are a million different species on this planet, but that's only 1% of all the life that's ever lived on this planet. So it just goes up and down and up and down. And prior to humans, we were never the cause. Now we're the cause of things dying and species going away. Before, it was just the fact that Earth was this very volatile planet and over millions, billions, in fact, years, things were changing. But now we're doing the bad stuff. We're killing ourselves, which is incredible. And it's mainly because most people don't know that all these life forms are dependent upon one another. Last night I heard someone talking about plankton. And I was saying, yeah, well, look at how important plankton is. You know, like hydrogen, we need, we don't have hydrogen, we have no life. You know, it's like, so, I mean, trees do, all plants, but trees, you know, especially, do so much for life. Let's not just talk about the overall environment, life, all life forms that exist. Adam: We're running out of time. Just one last question each. David, first, you set the context of what that foundation is doing here and what the Trust is doing here. What are your hopes for if Nile, us, we all gather, come back in ten years' time? Your hope for the project by then would be what? David: I mean, my hope for the project in that time is to see the forest grow, because what I find so encouraging is when you let nature recover with a little bit of help from us, it doesn't take that long to actually start putting it right, you know, to restore those habitats, to protect that ancient woodland, to let it regrow, rejuvenate, with the help of people supporting communities at the same time. It can recover in such a remarkable amount of time, which I just find really quite hopeful and empowering in the world we're in at the moment. Will it restore very precious nature here in Northern Ireland? Will it inspire people to make a difference with all the volunteers we're bringing in? Absolutely. And who knows what the catalytic sort of nature of that will be, which I think is sort of magical to see. So it's a pleasure to bring this partnership together between the We Are Family Foundation and the Woodland Trust and see that grow and grow over the years. Adam: And I think often with trees, people think it's 100 years, their great-grandchildren will come. That's not the case, is it? 10, 20 years is a reasonable time frame to see significant change in this landscape we just visited this morning. David: Yeah, absolutely. I mean, some of the trees we were walking around this morning, the beautiful silver birches, which looked like a woodland, were 20 years old. And actually, it is incredible, actually, it doesn't take a huge amount of time for nature to recover. Adam: Nile, last question. It's been an amazing life. It is an amazing life, perhaps a great life. Your third act? Hard to imagine what new things you could do, but do you, what are the, how do you see your future and what you want to spend that third act doing? Nile: Wow, I'm doing so much now. I'm almost going back to where I started, which was with theatre performances that are more story-ented instead of just going out and playing a whole bunch of hit songs. I think I got super inspired completely accidentally. I wrote a song for Diana Ross years ago. And the first time I worked for the Prince's Trust, he said, now, my dear fellow, I wish I knew more of your music, everybody seems to love it so much. And then he became the King and he printed out his top 10 favorite songs. Number 3 was one of my songs. And he didn't realise it because, you know, the King, what have you got time to sit around and read, you know *laughs* And I said to him, I said, you know, Your Majesty, I promise you, you know some of my songs. But then his list comes out and my #3 song, I mean my song, Upside Down by Diana Ross is #3. He was like, that's one of my favorite songs, and there's a whole video that we put out of him sort of like doing his best dance to Upside Down. It's quite funny. I just thought that the one thing I've not really explored or worked hard on, I'm at the part of my life where I really do want to do all the music that I can do. And I want it to have the same effect as the pop music that I do. So I want my jazz music to make people feel good. So I did Candy Dulfer's last record and she's just unreal. So that's really, I think, where I want to be. And honestly, and I'm being very, very honest, I never keep track of any of this stuff. I did a conference a few weeks ago, and it was all these billionaires and all these tech guys and blah, blah, blah. And I said, you know, I did the biggest selling Madonna album in the world, we sold 10 million copies. All of my memories are from when I first heard this stuff. And somebody hollered out from the back of the room, 23 million copies, you know Nile, it keeps selling and keeps adding up. And I went, oh. In the first few weeks, we sold 10 million copies. And that's all I remember. And I move on to the next record and the next record and the next record. I had huge success with the last two Beyoncé records. But I've done that, and obviously you can see with Kygo, I continue to do that. That's never going to go away. But when I think in terms of full projects, it's going to be more theatrical and maybe more film. David: There's about two things as well. There's one thing that you said to me before, which I think is just so great about the foundation, about how you want the foundation to be bigger than the song, which I think is a pretty epic aspiration there to have, the We Are Family Foundation and We Are Family the song, but I just think that's amazing to think around, the impact which has been achieved over twenty-five years and thinking about the years to come, and then secondly, because with your audience, Adam, we have so many obviously sort of people who love getting out on walks and nature. And my goodness, you won't be up as early as this guy doing his morning walks. And you definitely need to follow him on Instagram at a moment because he's on a roll doing sort of walks all over the world. Nile: It's true. I love, you know, I wake up every morning very, very early. Right now, life and enjoying nature and being out in it is really exciting. Like when I was younger, being indoors, like I used to, there was a joke I used to say, I used to go to like clubs every night and go, ah the great indoors *all laugh*. Adam: Well, look, a sample of how busy you are is I know you have other meetings to go to and other jobs to do, so I won't keep you anymore. Here's to the good times. Thank you very much indeed, both of you. Nile: Thank you. I hope I wasn't too long-winded. David: Thank you. Adam: You were brilliant. It's a real treat to talk to you. David: A pleasure. Thank you for listening to the Woodland Trust Woodland Walks. Join us next month when Adam will be taking another walk in the company of Woodland Trust staff, partners and volunteers. And don't forget to subscribe to the series on iTunes or wherever you are listening. And do give us a review and a rating. If you want to find out more about our woods and those that are close to you, check out the Woodland Trust website. Just head to the Visiting Woods pages. Thank you.

Flowers, brunches, handwritten cards - Mother’s Day often comes with big expectations. But beyond the gifts and social media posts, what does an ideal Mother’s Day really look like to mums themselves? Is it quality time, peace and quiet, feeling appreciated… or simply getting a break? This Mother’s Day, we unpack the small things that might matter more than the grand gestures. Join Neil Humphreys & Audrey Siek - LIVE every weekday at 6.40am for We Are Family!See omnystudio.com/listener for privacy information.

From tuition, enrichment classes, overseas exposure, family networks, some children grow up with opportunities others simply don’t have access to This poses the question: how much of success really comes down to hard work, and how much depends on the advantages you’re born into? As the pressure to “keep up” grows, unequal opportunities becoming harder to ignore. Join Neil Humphreys & Audrey Siek - LIVE every weekday at 6.40am for We Are Family!See omnystudio.com/listener for privacy information.

In a society shaped by filial piety, the idea of moving ageing parents into elder care can spark instant judgement. Yet with packed schedules, limited space, and increasing medical needs, many Singaporean families are asking: Is keeping parents at home always the best care or just the expected one? Join Neil Humphreys & Audrey Siek - LIVE every weekday at 6.40am for We Are Family! See omnystudio.com/listener for privacy information.

With rising concerns over addiction, safety, and mental health, some parents are going cold turkey on devices. But in a hyper-connected world, is that realistic or even fair? Join Neil Humphreys & Audrey Siek - LIVE every weekday at 6.40am for We Are Family!See omnystudio.com/listener for privacy information.

We Are Family by Aurora Cornerstone

In the 2nd installment of our "We Are Family" series, pastor Chad Hendley discusses marriage from a biblical perspective. Marriage is about the gospel. It is a covenant. It is a demonstration to the world of the relationship God desires with us. Learn more in this sermon preached to Hillside Baptist Church in Eastman, GA on 4/19/26.www.hillsideeastman.com

Soul Provider  – Love Forever – Part 1 Join Matt on a journey through the best in Soulful, Deep, and Retro House Tracklisting: 1.  It’s Up To You – Mark Funk & Danny Crus (feat Anna Ingram) 2. Always There – Incognito (DJ Bert Bevans Mix) 3. We Are Family – Baccus (Extended Mix) 4.Earth Can Be Just Like Heaven – The Weather Girls (Spin & Thommy’s Music Mix) 5. Get Back To You – Odyssey Inc 6. We Will Learn – 10&Change with Michelle Weeks 7. You Gave Me Love – Block & Crown (Deep Testimony) 8. Love Forever – Kesha (David Michael’s Summer House Extended Mix) 9.  Think – Revival House Project, Phebe Edwards & GWO Gospel Choir (Revival Re-Rub) 10. Dusty – DJ Spen, Geoffrey C 11. I Can Feel It – Inaya Day, Max Winfield (Extended Mix) 12. People Hold On – Antonello Ferreri & Aldo Bergamasco, Becka The post Soul Provider  – Love Forever – Part 1 appeared first on Soul Provider.

link Трек-лист: 01. Stevie Wonder — Isn't She Lovely 02. The Beatles — Here Comes The Sun 03. Jerome Molnar, Xedox — Sidequest  04. Sister Sledge — We Are Family 05. Petula Clark — Downtown 06. Pendulum — Blood Sugar (Original Mix) 07. Белолуна — В девках быть 08. Shifty Brent, Orion7 — Lose Yourself … Продолжить чтение Lofstrom loop 433 (14.02.2026)

This Sunday, Pastor John brings an encouraging and hope-filled message from Romans 8:1–25 titled “We Are Family.” In a world marked by pain, division, and uncertainty, this message reminds us of what every believer shares in Christ: the same salvation, the same power, the same Father, and the same future. We'll be reminded that there is no condemnation for those in Christ, that we've been adopted into God's family, and that even present suffering cannot compare to the glory that awaits us.

Hosts Jim DeRogatis and Greg Kot revisit a Sound Opinions classic— Songs About Giving Thanks. The hosts will share some of their favorite songs in celebration of the Thanksgiving holiday, and they'll hear selections from the production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Natalie Merchant, "Kind and Generous," Ophelia, Elektra, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Big Star, "Thank You Friends," Third, PVC, 1977Sister Sledge, "We Are Family," We Are Family, Atlantic, 1979Earth, Wind & Fire, "Gratitude," Gratitude, Columbia, 1975Tyler, The Creator, "GONE, GONE / THANK YOU," IGOR, Columbia, 2019Bonnie Raitt, "Thank You," Bonnie Raitt, Warner Bros., 1971Lucinda Williams, "Stowaway in Your Heart," Down Where the Spirit Meets the Bone, Highway 20, 2014Led Zeppelin, "Thank You," Led Zeppelin II, Atlantic, 1969Fall Out Boy, "Thnks Fr Th Mmrs," Infinity On High, Island, 2007Chance The Rapper, "Blessing (feat. Jamila Woods)," Coloring Book, Self-Released, 2016 Andrew Gold, "Thank You For Being A Friend," All This and Heaven Too, Asylum, 1978The Kinks, "Days," Days (Single), Pye 7N 17573, 1968Dido, "Thank You," No Angel, Cheeky, 1999Descendants, "Thank You," Everything Sucks, Epitaph, 1996Third Eye Blind, "Thanks a Lot," Third Eye Blind, Elektra, 1997Alanis Morissette, "Thank U," Supposed Former Infatuation Junkie, Maverick, Reprise, 1998The Flaming Lips, "Do You Realize??," Yoshimi Battles the Pink Robots, Warner, 2002The Intruders, "Be Thankful For What You Got," Energy of Love, TSOP, Philadelphia International, 1974Yes, "Going for the One," Going for the One, Atlantic, 1977See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us this week as we dive into the gripping narrative of "We Were Soldiers," exploring the profound themes of leadership, sacrifice, and faith amidst the chaos of war. Eric and Rory are joined by special guest and longtime Patron Saint, Daniel Ellis. They dissect the film's portrayal of the Vietnam War, offering insights into the human experience on and off the battlefield. Watch the episode here. Thank you to our Sponsor: Be Claus Charity is a children's charity that partners with local artisans and makers to craft one-of-a-kind, personalized gifts for children in need. Visit beclauscharity.com to donate. Chapters: 0:24 - Welcome & Summary 4:46 - Popcorn Ratings 8:36 - Theology Ratings 10:30 - Be Claus Charity 11:28 - Ads 12:57 - SPOILER WARNING 14:06 - Popcorn Thoughts 22:02 - The Unpopular War 30:49 - Never Let Them See You Sweat 38:14 - We Are Family 49:11 - First One On, Last One Off 1:01:14 - Lightning Round  1:07:13- Until Next Time… Don't forget to SUBSCRIBE and click the notification bell. Follow & connect: https://linktr.ee/popcorntheology Support: https://www.patreon.com/popcorntheology Rate and review to get 2 FREE Popcorn Theology Stickers! Write a 5-star review and send a screenshot, along with your mailing address, to feedback@popcorntheology.com, and you'll receive 2 FREE stickers! iTunes link here: https://podcasts.apple.com/us/podcast/popcorn-theology/id990110281  #weweresoldiers #warmovie #vietnamwar #melgibson #FaithAndFilm #MoviePodcast #FilmReview #ChristianPodcast #MediaLiteracy #ReformedTheology Intro Music by Ross Bugden: https://youtu.be/Bln0BEv5AJ0?si=vZx_YiHK3hNxaETA

We Are Family | 1 Timothy 3:4-5,12 / 5:1-2The Healthy Household: Paul's First Letter to Timothy November 2nd, 2025Greg Arthur, Family Pastor

Paul reminds the church that in Christ we've been adopted into God's family, so we must treat one another like true brothers and sisters. Love shows up as gentleness with older men, encouragement, respect for all, and purity, especially toward younger women. He then instructs the church to honor “true widows” (those most at risk) while calling families to care for their own. The church supports widows, and widows, in turn, serve the church through prayer and godly example. Because The post 1 Timothy 5:1-16 – We Are Family appeared first on Island Pond Baptist Church.

This week we continue in our series called "Waiting", a journey through Thessalonians. This weeks message from Pastor Cole Tawney is titled “We Are Family”. As followers of Jesus we are united by the gospel that then pushes us to deeper places of sacrificially giving to one another to strengthen the faith of others. Thanks for watching!

Intro: Theme/Topic (What's the problem, the question, etc.) [Play: We Are Family from 00:30-00:50] “Some of you just had flashbacks to wedding receptions, family reunions, or maybe even roller rinks in the late 70s. We Are Family by Sister Sledge became an anthem because it struck a chord that every…

Loneliness is one of the greatest struggles of our time, but God never designed us to do life alone. In this new series, We Are Family, discover how true community in Christ brings belonging, protection, and strength you can't find anywhere else.

The Moxies sit down and recap the “We Are Family” mini series, and talk about what they loved and learned throughout the series. With laughs, the Moxies continue to be light hearted all while showing depth and heart with their cast of many guests.

Guitarist Dee Brown created a jazzy album of R&B instrumentals on which he adopted the persona of a fictious character called “Mister Smooth,” who is confident, focused, and anchored in equanimity. Writing eight new songs, most of them with his GRAMMY® nominated producer and longtime collaborator Valdez Brantley (Usher, Mary J. Blige, Keith Sweat, Lil Wayne), Brown's sixth album will be released by Innervision Records on March 28. The melody-rich title track will be issued as a single the same day. Stepping into the “Mister Smooth” character like a method actor while writing and recording the album wasn't much of a stretch for Brown, who is a devout man of faith. The confidence and maturity that he exudes on the recording and is on full display via his guitar work and the compositions he crafted for the set are bolden and empowering. It's a determined mindset purposed with overcoming challenges and adversity while remaining in control - even when the world feels chaotic.        “Mister Smooth embodies a person who is consistently on top of things and maintains control in any situation. Even when faced with uncertainty, he excels at ‘faking it until he makes it,' elevating the experience for everyone involved. I created an album that captures the essence of what it means to be a Mister Smooth. This concept isn't just a reflection of who I am or aspire to be; it represents a powerful attribute that enhances any situation. The name itself resonates with many, making it relatable and appealing. This is perfectly aligned with the type of music we produce and the kind of person with whom we all aspire to be,” said Brown who released multiple singles from the project while he was working on the collection over the last couple of years. After opening the album with “Mister Smooth,” the Detroit- born and based artist offers a taste of his hometown on “Wes 8Mile,” which he wrote with multi-time Billboard No. 1 chart-topper Blake Aaron who produced the song that was issued as a single. Mike Parlett's saxophone perfectly complements Brown's cool toned electric jazz guitar riffs that invoke jazz guitar legend Wes Montgomery. “Eight Mile is one of the main streets running through Detroit, and I grew up on the west side of Detroit. The name ‘Wes 8Mile' comes from my guitar hero Wes Montgomery's unique style of playing, which often involved using octaves. An octave is a note that is eight diatonic notes away from the first note, and he would play these two notes together. My goal was to create an up-tempo groove that incorporated both octaves and single note playing, along with a half-step modulation. I also wanted to incorporate an ensemble, which is why I invited saxophonist Mike Parlett to play on the track with Carnell Harrell (keyboards), Mel Brown (bass), and Tony Moore (drums),” explains Brown. Another collaboration with Aaron resulted in “The Thing Is…” which adds horn player and arranger David Mann, keyboardist Tateng Katindig, and Aaron's rhythm guitar to the ensemble. It was the second single from the album and hit all the major charts.  “Many times, when a conversation is going and someone wants to make a valid point, they will say, 'The thing is...' That is what this song is all about, making a musical valid point that will grab your attention and immediately be noticed," stated Brown. Brown and Brantley interpret Sister Sledge's rousing anthem “We Are Family,” which includes an imaginative jazz breakdown midway through the disco dancefloor filler.  “My wife suggested that we remake ‘We Are Family' and I imSupport the showMusic Artist interview

In this episode of the DMI podcast, host ⁠⁠Will Francis⁠⁠ speaks with ⁠⁠Maurice Wheeler⁠⁠, CEO of We Are Family, a specialist agency focused on research, strategy, and creative work for brands that market to children, teens, and families. Maurice shares how his agency helps household-name brands like Nickelodeon, Hasbro, and Moonbug understand rapidly shifting youth trends – from meme culture to Roblox – while staying legally compliant and ethically sound.This episode digs into how marketing to under-18s must balance creativity with a deep understanding of cognitive development, parental expectations, and platform dynamics. Maurice also explains how his agency conducts global research with thousands of children annually and why “marketing without manipulation” is their north star.What You'll Learn:Why audience insight matters more than ever in youth marketingHow to ethically and legally engage under-18sThe importance of cognitive development in content designWhat platforms kids really use – and howWhy screen time post-COVID is evolving againHow to balance messaging across kids, parents, and platformsWhere influencer marketing fits – and where it doesn'tWhy creativity must thrive inside tight guardrailsTop 3 Tips from Maurice:Talk to kids constantly: Research can't be replaced by reports. Direct conversations reveal the truth.Learn the rules: Global youth marketing demands obsessive knowledge of local legal and ethical guidelines.Immerse yourself in their world: Play Roblox, scroll YouTube Shorts, and understand meme culture. You can't market what you don't experience.Timestamps01:00 – How brands stay in touch with kids' realities02:30 – Meme trends, masculinity, and parenting shifts post-COVID05:15 – How brands act on research and insights07:44 – The challenge of ethical creativity in marketing to kids11:30 – Why guardrails make for better creativity13:49 – Breaking down under-18s into real audience cohorts16:38 – Running global research with very young children19:14 – Sharing vs. owning insights: what gets published20:50 – Developmental personas vs. traditional marketing personas23:00 – The Venn diagram of kids, parents, and platforms26:43 – Creating immersive brand experiences in Roblox30:07 – Influencer marketing and where to draw the line32:10 – Marketing ethics in YouTube content for kids34:04 – How Maurice parented with a marketer's mindset36:25 – What metrics really matter in this space39:48 – The rise of co-viewing and why it's good news41:55 – Maurice's early career from Leo Burnett to Disney47:51 – What's changed most in 20+ years of marketing53:39 – AI in research and creativity: risks and realities59:00 – Maurice's 3 must-do tips for youth marketers

Brittany “Bea” Jackson illustrated the New York Times bestselling picture books, “Parker Looks Up,” about America's First Lady, and LeBron James's “We Are Family,” and her own “Lilly's Dream,” which she both wrote and illustrated. She is a former grand prize winner of the Illustrators of the Future Contest and was published in “L. Ron Hubbard Presents Writers of the Future Volume 24.” She has been a judge since 2021. We discuss how she developed her style as a self-taught artist, having begun as a fan fiction artist. We also discussed how she was discovered by a major publisher finding her through social pages. Visit www.beagifted.com/

Brittany “Bea” Jackson illustrated the New York Times bestselling picture books, “Parker Looks Up,” about America's First Lady, and LeBron James's “We Are Family,” and her own “Lilly's Dream,” which she both wrote and illustrated. She is a former grand prize winner of the Illustrators of the Future Contest and was published in “L. Ron Hubbard Presents Writers of the Future Volume 24.” She has been a judge since 2021. We discuss how she developed her style as a self-taught artist, having begun as a fan fiction artist. We also discussed how she was discovered by a major publisher finding her through social pages. Visit www.beagifted.com/

We Are Family!In this episode, John's sons, Josh and Joe, join us to share their experience of tackling the ultimate Disney challenge — visiting all four Walt Disney World parks in a single day!

Before RuPaul's Drag Race, there was The Birdcage—a 1996 comedy that gave us drag queens, dinner party disasters, and Robin Williams in a wifebeater. This week, Jackie and Danielle are joined by their fabulous pod pals Ajay and Jon from The Delicious Recap to relive the wigs, the scandals, and the iconic walk through South Beach. With Nathan Lane stealing every scene and Gene Hackman rocking a Barbara Bush cosplay, this film is both hilarious and historically queer.The gang dives into the movie's legacy, Robin and Nathan's casting switcheroo, and why Val might be the true villain of the story (spoiler: he needed therapy). From political hypocrisy to shrimp soup sabotage, this rewatch is as chaotic as Agador in loafers. It's heartfelt, it's hilarious, and yes, it's still got that We Are Family magic.·Season 5 Episode 10-—No More Late Fees ⁠https://nomorelatefeespodcast.com⁠909-601-NMLF (6653)—Follow Us on Social:Instagramhttps://www.instagram.com/nomorelatefees TikTokhttps://www.tiktok.com/@nomorelatefees Facebookhttps://www.facebook.com/nomorelatefeesYoutubehttps://www.youtube.com/@nomorelatefees Twitterhttps://x.com/NoMoreLateFees —CONQUERing⁠⁠myconquering.com⁠⁠10% Off Code: JACKIE10—The Delicious RecapInstagramhttps://www.instagram.com/deliciousrecap/TikTokhttps://www.tiktok.com/@deliciousrecap

Guitarist Dee Brown created a jazzy album of R&B instrumentals on which he adopted the persona of a fictious character called “Mister Smooth,” who is confident, focused, and anchored in equanimity. Writing eight new songs, most of them with his GRAMMY® nominated producer and longtime collaborator Valdez Brantley (Usher, Mary J. Blige, Keith Sweat, Lil Wayne), Brown's sixth album will be released by Innervision Records on March 28. The melody-rich title track will be issued as a single the same day.   Stepping into the “Mister Smooth” character like a method actor while writing and recording the album wasn't much of a stretch for Brown, who is a devout man of faith. The confidence and maturity that he exudes on the recording and is on full display via his guitar work and the compositions he crafted for the set are bolden and empowering. It's a determined mindset purposed with overcoming challenges and adversity while remaining in control - even when the world feels chaotic.          “Mister Smooth embodies a person who is consistently on top of things and maintains control in any situation. Even when faced with uncertainty, he excels at ‘faking it until he makes it,' elevating the experience for everyone involved. I created an album that captures the essence of what it means to be a Mister Smooth. This concept isn't just a reflection of who I am or aspire to be; it represents a powerful attribute that enhances any situation. The name itself resonates with many, making it relatable and appealing. This is perfectly aligned with the type of music we produce and the kind of person with whom we all aspire to be,” said Brown who released multiple singles from the project while he was working on the collection over the last couple of years.   After opening the album with “Mister Smooth,” the Detroit- born and based artist offers a taste of his hometown on “Wes 8Mile,” which he wrote with multi-time Billboard No. 1 chart-topper Blake Aaron who produced the song that was issued as a single. Mike Parlett's saxophone perfectly complements Brown's cool toned electric jazz guitar riffs that invoke jazz guitar legend Wes Montgomery.   “Eight Mile is one of the main streets running through Detroit, and I grew up on the west side of Detroit. The name ‘Wes 8Mile' comes from my guitar hero Wes Montgomery's unique style of playing, which often involved using octaves. An octave is a note that is eight diatonic notes away from the first note, and he would play these two notes together. My goal was to create an up-tempo groove that incorporated both octaves and single note playing, along with a half-step modulation. I also wanted to incorporate an ensemble, which is why I invited saxophonist Mike Parlett to play on the track with Carnell Harrell (keyboards), Mel Brown (bass), and Tony Moore (drums),” explains Brown.   Another collaboration with Aaron resulted in “The Thing Is…” which adds horn player and arranger David Mann, keyboardist Tateng Katindig, and Aaron's rhythm guitar to the ensemble. It was the second single from the album and hit all the major charts.    “Many times, when a conversation is going and someone wants to make a valid point, they will say, 'The thing is...' That is what this song is all about, making a musical valid point that will grab your attention and immediately be noticed," stated Brown.   Brown and Brantley interpret Sister Sledge's rousing anthem “We Are Family,” which includes an imaginative jazz breakdown midway through the disco dancefloor filler.    “My wife suggested that we remake ‘We Are Family' and I immediately thought of Nile Rodgers, the incredible guitarist from the legendary group Chic. I've always admired his rhythm guitar work,” Brown admitted.   Brown sees his Mister Smooth character as someone who would be charming, which inspired the song titled “Charming.”   “This track was developed after I decided we needed to record a slower song. I wanted to incorporate 808 electric drums, Moog synth/bass, and a variety of synthesized sounds reminiscent of the 1990s with a strong emphasis on guitar,” said Brown.   “Finesse” was the first track recorded for the album, yet the song had to go through a process of evolution. Brown explains, “I noticed a problem with the song's chorus. I decided to try an alternative melody, and it seems to work perfectly. So, when you hear the track, if you listen to the lead melody on the big body guitar, that's the new melody and if you listen in the background, there's another melody that is played with my Stratocaster-style guitar that is more like a picking style playing the original melody. They work together perfectly.”   The album's first single was “You Already Know,” which was released as a deep cut during the recording process to keep Brown on radio playlists. His gregarious guitar is slick and proficient as it deftly maneuvers to the fore of a midtempo electric groove.    The vibrant “Charismatic” gets a boost from Merlon Devine's soprano sax. Brown explains, “Initially, Valdez (Brantley) played the flute sound on the track on his keyboard, but I felt we needed a live flute player. Unfortunately, all the flautists we knew were unavailable. I suggested using a soprano saxophone instead and called my good friend, Merlon Devine. We decided to keep the keyboard flute sound after all, but it's Merlon's beautiful soprano sax that really stands out on this track.”   We experience a completely different side of Brown on “4th Dimension,” on which he indulges his rock god guitar alter ego.    “I was kind of a rock ‘n' roller influenced by great bands from the '80s and '90s. I've always loved legendary guitarists like Jeff Beck, Carlos Santana, Jimi Hendrix, and Jimmy Page, and I wanted to create a rocky, funky groove. We started exploring a direction that I don't usually take.   Become a supporter of this podcast: https://www.spreaker.com/podcast/ladydiva-live-radio--2579466/support.

„Le Freak“ hat Hits geliefert. Unfassbar viele Hits. Die er entweder geschrieben, produziert oder performt hat – oder alles drei zusammen: „Good Times“, „We Are Family“, „Lost in Music“, „Everybody Dance“, „I Want Your Love“ mit seinen Bands Chic und Sister Sledge. „Upside Down“ von Diana Ross, „Let's Dance“ von David Bowie, „Like a Virgin“ von Madonna. Begonnen hat sein Ruhm mit Disco – Nile Rodgers ist ein Erfinder von Disco. Obwohl er selber zu bescheiden wäre, um das von sich zu behaupten. Und er sieht Disco auch nicht als geschlossene Ära, sondern als Teil eines Dance-Movements, das bis heute anhält. Kann man so sehen, es war nur eben der glamouröse, hedonistische Teil, dessen Bilder aus dem legendären Studio 54 immer noch allgegenwärtig sind und dessen Musik immer noch nachhallt. Auch in Samples von Will Smith, Modjo, Notorious B.I.G. und seiner Witwe Faith Evans, Alcazar und der Sugarhill Gang. Die verwendeten als eine der ersten „Good Times“ – heute ist es der meistgesamplete Song aller Zeiten. Kein Wunder, dass Daft Punk in den Zehnerjahren beschlossen, den Original-Disco-Vibe der späten 70er nochmal heraufzubeschwören – zusammen mit Nile Rodgers. In Episode #104NileRodgers versammeln wir uns mit Kollegin Laura Pöss unter der Discokugel und sprechen über ihre Begegnung mit dem Master himself. Der erzählt von seinen Hits, von alten und jüngsten Zusammenarbeiten und reflektiert die silberglänzende Disco-Ära.

Imagine someone who grew up homeschooled in a conservative, religious family in Nebraska—sounds like a memoir Reese Witherspoon is optioning for a film, right? Well, that's not Logan Graves.Logan is a musical theatre performer, stand-up comedian, tatted-up, and mulleted leftist icon who is BORN to live in Bushwick, but instead is single-handedly saving the deep Midwest. In this episode, we talk about what it's like growing up in a world that didn't see him—and how he now uses his bold external presentation to stay in control of how he's perceived.We also unpack our shared experience on We Are Family (where he was a fan favorite and lowkey heartthrob ?!), and naturally compare our experience filming a cable TV game show to filming White Lotus. We talk about how people love to project stories onto Logan just because he dresses like he's in a band you've never heard of.This ep is about self-expression, reinvention, and the surprising power of a great haircut. Enjoy !!

“The Cloud” 30th-anniversary reflections Several weeks into their journey home, both Janeway and Voyager find their energy reserves running low. For the captain, a simple trip to what used to be her private dining room for a cup of Neelix's even better than coffee substitute might be all that's needed. For the ship, however, a trip into a mysterious nebula is required. Voyager is hungry for omicron particles, and there seems to be a rich supply just ahead. But this cloud is not what it seems, and Janeway may need to turn to her animal guide to save the crew. In this episode of To The Journey, hosts C Bryan Jones and Matthew Rushing continue our 30th-anniversary retrospective that will take you through all of Star Trek: Voyager, one episode at a time. In this installment, we discuss “The Cloud” and how the science-heavy plot wraps a character-focused story. Chapters Intro (00:00:00) How Do Starfleet Ships Run? (00:03:03) We Are Family (00:12:05) How Many Torpedoes? (00:18:29) Back to Family (00:21:25) Tiptoeing around Chakotay (00:23:34) A Poor Man's Quark? (00:35:02) Strange New Life Form (00:43:17) Sandríne‘s (00:47:27) Final Thoughts and Ratings (00:54:44) Closing (00:57:24) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Executive Producer) Matthew Rushing (Executive Producer)

I can't quite believe we're here - Season 14! And what a way to kick things off because today's guest is nothing short of musical royalty. Nile Rodgers is a man whose music has shaped generations. A Rock & Roll Hall of Fame and Songwriters Hall of Fame inductee, he's the genius behind some of the biggest songs in history, think Le Freak, Good Times, and We Are Family. As the co-founder of CHIC, he pioneered the sound of disco and funk, but his influence didn't stop there. From producing Let's Dance for David Bowie to Like a Virgin for Madonna, working with legends like Diana Ross, Duran Duran, and Daft Punk, Nile's fingerprints are all over some of the most iconic records of all time. And that's before we even get to Get Lucky, the global smash hit with Daft Punk and Pharrell that introduced his magic to a whole new generation.Beyond his music, Nile's life is an incredible story of resilience, of reinvention, and creativity. His journey from the streets of New York to the biggest stages in the world is filled with extraordinary moments which he shares with us today. And since we recorded, Nile has had even more reason to celebrate, because at the Grammys, Beyoncé officially made history by winning Country Album of the Year - Nile worked with Beyoncé on the record which we discuss on the episode today, and he's long been an advocate for breaking boundaries in music, so I can only imagine how much joy that moment brought him. We spoke in December at the stunning Royal Lancaster Hotel in London, in a beautiful suite overlooking the rooftops of the city. If you're new to the podcast, this interview is not how my voice typically sounds, I was ill and could barely speak unfortunately, but that didn't get in the way of what I look back on as a magical conversation. Destination Recap:New York city, New York, USASao Paolo, Brazil Power Station Recording Studio, New York, USA Los Angeles, California, USA JapanProvidenciales, Turks and Caicos Iceland Montana, USAKazakhstanNile and CHIC will be touring across the UK and Europe this summer, bringing the good times (literally!) to a stage near you.With thanks to Airbnb for their support of today's episode. Thanks so much for listening today. If you want to be the first find out who is joining me on next week's episode come and follow me on Instagram I'm @hollyrubenstein, and you'll also find me on TikTok - I'd love to hear from you. And if you can't wait until then, remember there's the first 13 seasons to catch up on, that's over 145 episodes to keep you busy there. Hosted on Acast. See acast.com/privacy for more information.

The post WE ARE FAMILY appeared first on GATEWAYFAMILY.

This week we profile the baseball life of the iconic Willie Stargell. Willie, the feared power-hitting slugger and clubhouse leader on and off the diamond, signed with the Pittsburgh Pirates as an amateur free agent in 1958, and will forever be associated with the franchise. The seemingly larger than life Stargell, after his retirement in 1982 would leave a legacy of winning, leadership, focus and fun in his wide wake, During the magical " We Are Family" season of 1979, he won the National League MVP, as well as the NLCS and World Series MVP, the only player in the history of the game to sweep all three MVP honors durinng a season. His 25 total bases in the 1979 World Series against the Baltimore Orioles stood as the seven game series benchmark until Astros outfielder George Springer bested the output in the 2019 World Series. Manager Chuck Tanner once said that having Willie on your roster is like walking around with a priceless diamond ring on your finger. #WilverDornellStargell #WillieStargell #Pops #BobZuk #PittsburghPirates ##DannyMurtaugh #RobertoClemente #SteveBlass #ChuckTanner #DaveParker #DeloresStargell

This week we profile the baseball life of the iconic Willie Stargell. Willie, the feared power-hitting slugger and clubhouse leader on and off the diamond, signed with the Pittsburgh Pirates as an amateur free agent in 1958, and will forever be associated with the franchise. The seemingly larger than life Stargell, after his retirement in 1982 would leave a legacy of winning, leadership, focus and fun in his wide wake, During the magical " We Are Family" season of 1979, he won the National League MVP, as well as the NLCS and World Series MVP, the only player in the history of the game to sweep all three MVP honors durinng a season. His 25 total bases in the 1979 World Series against the Baltimore Orioles stood as the seven game series benchmark until Astros outfielder George Springer bested the output in the 2019 World Series. Manager Chuck Tanner once said that having Willie on your roster is like walking around with a priceless diamond ring on your finger. #WilverDornellStargell #WillieStargell #Pops #BobZuk #PittsburghPirates ##DannyMurtaugh #RobertoClemente #SteveBlass #ChuckTanner #DaveParker #DeloresStargell

In this episode of WE ARE FAMILY on the TIPP TALK Podcast, we're joined by an incredible group of individuals who are dedicated to making Arizona's communities stronger. Hosted by Peer Solutions' Peer Leaders, we explore the power of collaboration and how these guests help support organizations working to improve lives across the state. Tune in to hear from William Feggins from the School of Hip Hop, Gabby Richard from the AZ Blue Foundation, Camille Sledge from the School of Hip Hop, and Kim VanNimwegen from the Tempe Community Council. Each guest shares their unique role in supporting Arizona's growth and their passion for making positive change.

Tomer Devorah #5 - "We Are Family" by Rabbi Avi Harari

December 8-14, 1979 This week Ken welcomes former Farside singer/guitarist, voice actor, and all around good dude Popeye Vogelsang to the show. Ken and Popeye discuss disrespecting the Fonz, leaving a legacy, where Potsy and Ralph Malph ended up, knocking out Paulie Shore, nicknames, ADR, voicing for video games, smoking, putting allen wrenches in cigarette filters, low tar, lower tar, even lower tar, growing up in Orange County, 80s SoCal punk rock, Watt, being innocent, Dick Cavett, SCTV, the greatness of Dave Thomas, Christmas with Cigarettes, how all women love Robert Redford, The Jane Fonda Workout, piledriving, non-sequitur movie ads, "coming this Christmas", Norman Fell, putting two names in alphabetical order incorrectly, Hanna Barbera characters singing We Are Family, Farrah Fawcett and Jeff Bridges in the beloved Christmas classic "Somebody Killed Her Husband", candlepin bowling, The Return of the Pink Panther, Don Kirshner's Rock Concert, being confused by Heart playing with Smokey Robinson and Olivia Newton John, A Charlie Brown Christmas, 8-Tracks, menthol, getting interviewed by Ali G, Surgeon General C. Everett Coop, Happy Days, The Wild Wild World of Animals, Fight or Flight, Lorenzo Lamas, Chuck Berry's weirdness, Real People vs That's Incredible, whistling through your navel, washing coins, Donahue after dark, Doug Henning, how you can't top Martin Short, boxing head injuries, Laverne and Shirley, the god like powers of Michael McKeon, Lenny and the Squigtones, Dom DeLuise, renting VHS tapes to Donny Osmond, Rockford Files, Jaws 2, Summer Without Boys, 30 Minutes: the kids version of 60 minutes, the Christmas miracle of Adam Rich, subversion on television, how massive Hart to Hart was in the UK, being a Presto household, never having to do laundry thanks to promotional t-shirts, and the value of just screwing around. 

Adapted from the French smash hit of stage screen "La Cage Aux Folles," this raucous farce about two VERY different families about to join via marriage was directed by the late, great Mike Nichols who directed modern classics of various genres including The Graduate, Catch-22, Working Girl, Silkwood, and Carnal Knowledge.  It was a smash hit back in the spring of 1996 and was also one of the first Hollywood blockbusters to be lead by gay characters.  What helped was that those two leads happened to be the legendary Oscar-winning comedic superstar Robin Williams and the Tony-winning comedic mastermind Nathan Lane who play Armand and Albert who own a successful club in Miami Beach named....you guessed it...The Birdcage.  They just found out that their son Val (Dan Futterman) who just got home from college is about get married....to Barbara (Calista Flockhart) who happens to be the daughter of right-wing U.S. Senator Keeley (Oscar-winner Gene Hackman) and his equally right-wing wife played by Oscar-winner Dianne Wiest.   And GUESS who's coming to dinner in Miami Beach? :)Host & Editor: Geoff GershonProducer: Marlene Gershon Send us a Text Message.https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Rob Cesternino, Jenny Autumn and Pooya check out the series premiere of the Fox singing show, We Are Family, and decide if it's a HIT or time to QUIT.

Happy Monday! Sam and Emma speak with Robert P. Jones, President and Founder of the Public Religion Research Institute (PRRI), to discuss his recent book The Hidden Roots of White Supremacy: and the Path to a Shared American Future. First, Sam and Emma break down what has taken place over the weekend in Israel and Gaza, as well as the enormous pro-Palestine demonstrations that were held across the world, specifically the massive march that took place in Washington D.C. to demand a ceasefire. Then, they're joined by Robert, who discusses his research on something known as the "discovery doctrine", a policy put in place by colonizers in the 15th century to justify expropriating lands of indigenous peoples abroad in the name of Western/European exploration and conquering, and how that doctrine has even been used to this day to justify anti-indigenous Supreme Court rulings and policy as recently as the early 1990's. Robert also delves in 3 different communities in Minnesota, Oklahoma, and Mississippi and draws a through line between them, highlighting how indignities inflicted by white settlers on indigenous peoples and by racist whites later on in history on black people characterized all of them, with the "discovery doctrine", while with slight permutations, defines the interactions across ethnicities in those areas. Jones also makes clear the connection between Christian nationalism and white supremacy, and how much of the colonizing mindset, from the 15th century conquests of explorers like Hernando de Soto up until the expeditions of settlers moving West during the time of "Manifest Destiny" in the late 1800's, are defined by both ideologies. Before he leaves, Robert threads this particular needle to the present day in the time of Speaker Mike Johnson, someone he refers to as "the embodiment of Christian nationalism in a tailored suit." And in the Fun Half, Sam and Emma touch on the terrible polling out of the NYTimes/Siena college, as well as ABCNews/Ipsos, that shows Biden's favorability plummeting and him losing multiple hypothetical swing state matchups with Trump, a showing so bad that even David Axelrod wants Biden to consider stepping aside. Then, they check in on some of the progressive House members appearances on the weekend shows, where Reps. Pramila Jayapal and Jamaal Bowman highlighted the complicity of the Israeli military on the atrocities in Gaza; they also take a look at Israeli historian Avi Shlaim debunking some of the rhetoric surrounding the so-called "divisiveness" of the phrase "from the river to the sea." They also take a look at Sen. Cory Booker trying desperately to stop a pro-ceasefire chant from growing at one of his rallies, to the tune of "We Are Family" by Sister Sledge. They then turn to Norm Finkelstein schooling some moron on Russia Today who accuses him of hating Jews (Finkelstein is the son of Holocaust survivors), then get to the most important thing on today's schedule: The premiere of the trailer for "Jingle Smells" the new Sean Hannity-produced Christmas movie starring former SNL luminaries Jim Breuer and Victoria Jackson. Plus, your calls & IM's! Check out Robert's book here: https://www.acappellabooks.com/pages/books/305700/robert-p-jones/the-hidden-roots-of-white-supremacy-and-the-path-to-a-shared-american-future Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: Nutrafol: Take the first step to visibly thicker, healthier hair. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://Nutrafol.com/men and enter the promo code TMR.  Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/