Podcasts about When Doves Cry

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Bienvenidos a Private Joy - 1+1+1 is 3, la nueva sección para mecenas que os ofreceremos en esta nueva temporada de Purple Music, en la que repasamos todas las canciones del catálogo de Prince en orden alfabético. En este programa escucharemos las canciones: 1- 17 Days (cara B de When Doves Cry, 1984) 2- 18 (R U Legal Yet?) (Madhouse, 1988) 3- 18 & Over (1994 pero publicado en 1988 en Crystal Ball) Private Joy es un spin-off para mecenas de Purple Music Podcast. Hazte mecenas y podrás disfrutar de contenidos extra como este. Síguenos en Instagram! (@purplemusicpodcast) y X (@purplemusicpod). Canción de sintonía: Private Joy (Controversy, 1981). Agradecimientos a nuestros mecenas: Blackbean, Miguel Ángel Tomé, Pilar de Giles, Luis Mendoza, El Spectrumero Javi Ortiz, Miriam Palomo, Ale Stzul, Pablo Solares, César Villamil, Óscar Prieto, Mireia Castellà, Carmen Murillo, Cat, Leonor Pérez, Fani T., Molina, Mecky, Garoto, Carlos00, Sin nombre, blancamarina, Serblave, Nando7, David, La Vida Tiene música, fury71, Joaquín, Sigali, Pablo Molla, David Pomar, bdm13 y varios usuarios anónimos. May U Live 2 See the Dawn! The Estate of Prince Rogers Nelson is not affiliated, associated, or connected with Purple Music Podcast nor has it endorsed or sponsored Purple Music Podcast. Further, the Estate of Prince Rogers Nelson has not licensed any of its intellectual property to the producers of Purple Music Podcast. NO COPYRIGHT INFRINGEMENT INTENDED. We just want to share our love for Prince music.Escucha este episodio completo y accede a todo el contenido exclusivo de Purple Music - Un podcast sobre Prince. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/738601

The Providence Friars are coming off their worst season in 40 years - back when Prince ruled the charts with “When Doves Cry” and Apple launched the Macintosh. Now, under third year head coach Kim English, the Friars look to silence the noise and return to March MadnessIn this episode, we break down how English has completely reshaped this roster, what went wrong last year, and what to expect as Providence tips off the new season against Holy Cross. It's tournament or bust in Friartown - and it all starts Monday night at the AMP.IG: @talkinfriarsSubscribe to my blog: https://friar-beat.ghost.io/

In this episode of The Music in Me, I dive deep into the incredible world of Prince — an artist who didn't just make music, but created an entire universe of sound, style, and emotion. From his early days as a young prodigy in Minneapolis to his rise as one of the most iconic performers of all time, Prince was never afraid to be different. He taught us that standing out is something to celebrate, not hide. I'll talk about how songs like “Let's Go Crazy,” “When Doves Cry,” and “Purple Rain” shaped not just the music world, but pop culture itself. I'll share what these songs mean to me personally — how their energy, passion, and message of individuality have always inspired me to be myself, no matter what. Prince wasn't just a singer or a musician; he was a movement. He broke barriers, redefined genres, and left behind a legacy that still shines as bright as ever. So, join me as I celebrate the life, the music, and the magic of a true original — the one and only Prince.ALBUMS MENTIONED...For YouDirty MindControversy1999Purple RainSign o' the TimesDiamonds and PearlsMusicologySONGS MENTIONED..."Purple Rain""When Doves Cry""Let's Go Crazy"What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Send us a textJames Campion, author of Revolution: Prince, the Band, the Era, remembers the first time he heard “When Doves Cry” and how it spread through his band like wildfire. He reflects on the song's weirdness—no bassline, a haunting guitar, and Prince's poetic metaphors—and why it still sparks something in him decades later. He also reads three vivid paragraphs from his book, capturing the intensity, emotion, and complexity of the track. From liner notes to Prince's fusion of sexuality, spirituality, and social commentary, James unpacks what made the song—and the artist—utterly unforgettable.

We've always liked Thea Gilmore who once crossed America with Joan Baez in a pre-Election campaign tour and has released 21 albums (“I've got musical ADHD!)”. She looks back here at the first shows she ever saw and played which involves … … a deep dive into Jake Thackray – “Last Will And Testament still makes me cry” … spotting her dad in the crowd in the 1970 Isle of Wight Festival movie and why “My dad treated Dave Pegg's dog” jump-started her career… … what Joan Baez did on their pre-Election American tour the night George W Bush won a second term … “Thea Gilmore looks Borstal-bound”: her first review, in Mojo in 1998 … two weeks' life-changing work experience at Fairport's Wormwood studios … “there's no point writing songs if you don't perform them” … which are easier, small gigs or big ones? … Ani DiFranco getting the audience to harmonise on When Doves Cry, “an epiphany” … intense stage fright versus the “precocious teenage belief that I was interesting” … the impact of first hearing It's Alright, Ma (I'm Only Bleeding) … and when someone leaving “reduces your audience by a fifth” Tickets for Thea Gilmore's tour here: https://www.theagilmore.net/live Order ‘Thea Gilmore - My Own Private Riot 2008-2015,' 7CD Box Set here: https://www.cherryred.co.uk/thea-gilmore-my-own-private-riot-2008-2015-7cd-box-setFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We've always liked Thea Gilmore who once crossed America with Joan Baez in a pre-Election campaign tour and has released 21 albums (“I've got musical ADHD!)”. She looks back here at the first shows she ever saw and played which involves … … a deep dive into Jake Thackray – “Last Will And Testament still makes me cry” … spotting her dad in the crowd in the 1970 Isle of Wight Festival movie and why “My dad treated Dave Pegg's dog” jump-started her career… … what Joan Baez did on their pre-Election American tour the night George W Bush won a second term … “Thea Gilmore looks Borstal-bound”: her first review, in Mojo in 1998 … two weeks' life-changing work experience at Fairport's Wormwood studios … “there's no point writing songs if you don't perform them” … which are easier, small gigs or big ones? … Ani DiFranco getting the audience to harmonise on When Doves Cry, “an epiphany” … intense stage fright versus the “precocious teenage belief that I was interesting” … the impact of first hearing It's Alright, Ma (I'm Only Bleeding) … and when someone leaving “reduces your audience by a fifth” Tickets for Thea Gilmore's tour here: https://www.theagilmore.net/live Order ‘Thea Gilmore - My Own Private Riot 2008-2015,' 7CD Box Set here: https://www.cherryred.co.uk/thea-gilmore-my-own-private-riot-2008-2015-7cd-box-setFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We've always liked Thea Gilmore who once crossed America with Joan Baez in a pre-Election campaign tour and has released 21 albums (“I've got musical ADHD!)”. She looks back here at the first shows she ever saw and played which involves … … a deep dive into Jake Thackray – “Last Will And Testament still makes me cry” … spotting her dad in the crowd in the 1970 Isle of Wight Festival movie and why “My dad treated Dave Pegg's dog” jump-started her career… … what Joan Baez did on their pre-Election American tour the night George W Bush won a second term … “Thea Gilmore looks Borstal-bound”: her first review, in Mojo in 1998 … two weeks' life-changing work experience at Fairport's Wormwood studios … “there's no point writing songs if you don't perform them” … which are easier, small gigs or big ones? … Ani DiFranco getting the audience to harmonise on When Doves Cry, “an epiphany” … intense stage fright versus the “precocious teenage belief that I was interesting” … the impact of first hearing It's Alright, Ma (I'm Only Bleeding) … and when someone leaving “reduces your audience by a fifth” Tickets for Thea Gilmore's tour here: https://www.theagilmore.net/live Order ‘Thea Gilmore - My Own Private Riot 2008-2015,' 7CD Box Set here: https://www.cherryred.co.uk/thea-gilmore-my-own-private-riot-2008-2015-7cd-box-setFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Step inside a world wrapped in velvet, a soundtrack for liminal spaces—where time, emotion, and destiny are in flux. Velvety Grooves VG002 invites you deeper into the shadows, where the lights glow low and the air hums with a slow, seductive pulse. This is deep, sexy, sultry house at its finest—a soundtrack for late-night whispers and bodies moving in perfect sync. From the hypnotic touch of Finnebassen's “When Doves Cry” and “What You Do” to the moody textures of Karmon's “Circus” and “Wowshit,” every beat drips with warmth and desire. Fly O Tech's “Funk Me Down” teases with playful basslines, while Finnebassen & Gundelach's “When It Rains” washes over you in silky waves. Fabian Kash's “Chrome,” Robosonic's “The Edge,” Adana Twins' “Strange,” Climbers' “Equal Responsibility,” and Schwarz & Funk's “Bonjour Ibiza” complete the journey—grooves smoother than satin sheets. Basslines slide under your skin. Chords wash over you like silk. Each track beckons you closer, daring you to stay until the very last note. Whether you're lost in your own thoughts under neon lights or tangled up in someone's arms, Velvety Grooves VG002 is here to make the night feel endless. Press play. Close your eyes. Let the velvet take over.

(00:00-12:40) When Doves Cry was #1 on this date in 1984. Mt. Rushmore of Prince songs. Preemptive texts: The Cardinals won, Idiots! Where's Larry? Audio of Ken Rosenthal talking about the possibility of the Cardinals trading JoJo Romero and Brendan Donovan. What's the Connie Mack template? Bob Perky. What has happened this year that excites you?(12:48-34:13) It's a gift and a curse. Brad Pitt + Tiger Woods = Tim. Bryce Harper went after Rob Manfred in the Phillies clubhouse. Audio of Bryce Harper talking about the situation. MLB salary cap discussion. Baseball fandom since 2015.(34:23-46:54) Doug's sabbaticals. Larry Connors reciting Hot in Herre. The text inbox has overwhelmingly said their baseball fandom has decreased since 2015. Short attention spans and baseball. Baseball provides the antithesis of instant gratification.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We take a trip back to the summer of 1984 and discuss the song, When Doves Cry

We take a trip back to the summer of 1984 and discuss the song, When Doves Cry

Pope Francis has died at the age of 88. He was the first non-European head in centuries to lead the Roman Catholic Church. We'll hear how Catholics in Minnesota are mourning and reflecting. We'll also learn more about the Pope's impact and his legacy as a changemaker in the church.New data shows how tribally-owned businesses across the country are impacting local economies. We'll dive into that research.Plus, the FDA has halted the sale of copycat versions of Ozempic and Wegovy, a move that will cut thousands of Americans off from cheaper obesity drugs. We'll learn how that's impacting Minnesota patients.And the Wolves dominated against the Lakers in Game 1 of the first-round playoff series. We'll break that down and more from our sports guys Wally and Eric.Our Minnesota Music Minute was “When Doves Cry” by Prince and our Song of the Day was “Aspen” by My Grandma's Cardigan.

Genio, visionario y una fuerza creativa sin límites, Prince redefinió la música con su estilo inconfundible y su capacidad para romper barreras. Desde el funk y el rock hasta el soul y el pop, su legado sigue vibrando en cada acorde.En el episodio 11 de la temporada 7 de Behind The Songs, Jesús Martínez y Gerardo Ortega se sumergen en la historia de cinco canciones que marcaron su carrera. Purple Rain, su épica balada, se convirtió en un himno de emotividad y grandeza musical. When Doves Cry, con su innovador sonido sin línea de bajo, reflejó la intensidad de las relaciones y el dolor del amor. Let's Go Crazy nos invita a vivir sin miedo, con su energía desbordante y solos de guitarra electrizantes. Nothing Compares 2 U, que alcanzó la fama en la voz de Sinéad O'Connor, nació de una profunda melancolía. Y Raspberry Beret nos transporta a una historia juvenil con un toque de psicodelia irresistible.Cada una de estas canciones es una prueba del genio de Prince, un artista que jamás se conformó con lo convencional

In this episode of Pop Goes Degrassi, James and Jon welcome special guest Tim Capel as they discuss the season 2, two-part season premiere, "When Doves Cry." In the episode, they discuss the introduction of Craig Manning and the return of Joey Jeremiah, Craig and his father's relationship, and JT's quest to woo Paige; all that and much more. If you have whatever it takes, listen right here on Pop Goes Degrassi.

Hey there, ‘80s fans! Welcome back to Throwback Thursday – Return to the '80s edition! It's that time of year again—March Madness! But we're not talking about basketball here. Oh no, we're diving into our very own Return to the '80s March Madness music tournament!

Dearly beloved, we are gathered here today to get through this thing called Life... and learn about one of pop music's biggest icons, Prince! His legendary film and soundtrack album Purple Rain dominated the mid-80s, whether he was tearing up the dance charts with When Doves Cry or triggering a congressional hearing full of parental outrage for Darling Nikki! We'll talk about the creation of the film, the whereabouts of his motorcycle, his legendary halftime show, and the unbelievable amount of music that's still in the vault! The Mixtaper has tales of smells, smoke, and spaghetti... get your toilets ready. Baby, The Artist Formerly Known As Prince (aaaand currently known as Prince, too) is a Star.. so Let's Go Crazy this week!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:55 About Prince12:04 About Purple Rain17:29 Prince Vs. The Parents Music Resource Center20:38 The Artist Formerly Known As Prince25:55 The Prince Vault27:21 Awards & Accolades28:12 Fact Or Spin30:06 He Likes To Smell McDonald's Food33:19 His Music Videos Are Bad For Toilets36:02 His Favorite Meal Is Spaghetti And Orange Juice39:00 Prince Performed At George Lucas' Wedding42:09 Prince Fact Or Spin Vault47:37 Album Art50:25 Let's Go Crazy53:09 Take Me With U55:26 The Beautiful Ones57:42 Computer Blue59:33 Darling Nikki1:02:24 When Doves Cry1:06:08 I Would Die 4 U1:08:08 Baby I'm A Star1:09:49 Purple Rain1:13:48 Final Spin Hosted on Acast. See acast.com/privacy for more information.

THE EPIC MATCHUP. THE KING OF POP, vs. THE PURPLE ONE. Only one can be the reigning royalty, the titan of pop music of all time. So we are finally hashing it out for ever, WHO'S BAD, Michael Jackson or Prince, and whose biggest hit will reign supreme over the entirety of music, "Billie Jean" or "When Doves Cry"? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

40 years ago, Prince released the psychedelic pop masterpiece, Purple Rain. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Purple Rain for the anniversary.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Prince And The Revolution, "Purple Rain," Purple Rain, Warner Bros, 1984The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Prince And The Revolution, "Let's Go Crazy," Purple Rain, Warner Bros, 1984Prince And The Revolution, "Take Me With U," Purple Rain, Warner Bros, 1984Prince, "Head," Dirty Mind, Warner Bros, 1980Prince, "Controversy," Controversy, Warner Bros, 1981Prince, "Soft And Wet," For You, Warner Bros, 1978Prince And The Revolution, "The Beautiful Ones," Purple Rain, Warner Bros, 1984Prince And The Revolution, "I Would Die 4 U," Purple Rain, Warner Bros, 1984Prince And The Revolution, "Darling Nikki," Purple Rain, Warner Bros, 1984Prince And The Revolution, "Computer Blue," Purple Rain, Warner Bros, 1984Prince And The Revolution, "Baby I'm a Star," Purple Rain, Warner Bros, 1984Prince And The Revolution, "When Doves Cry," Purple Rain, Warner Bros, 1984Prince, "Can't Stop This Feeling," Graffiti Bridge, Warner Bros, 1990Prince, "You're My Love," Originals, Warner Bros, 2019Mdou Moctar, "Imouhar," Funeral for Justice, Matador, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, we talk to journalist and author KATHERINE YESKE TAYLOR (She's A Badass: Women In Rock Shaping Feminism) about the much-requested film PURPLE RAIN!!! We get to discuss Katherine's start at interviewing bands at age 16 and fighting against her highschool newspaper to do so, how she put her book together (interviewing Suzie Quatro to Lydia Lunch to Death Valley Girls), seeing Purple Rain in a movie theater vs. seeing it at home on VHS, how the First Avenue (the lengendary music club in Minneapolis) is such a strong character in the film, the cultural saturation of Prince at this time, the genesis of the film getting made, Prince's complete artistic control & how he did not talk to the press for over 2 years after the film came out, Prince's un-finished first film The Second Coming with director Chuck Statler (director of Devo, Elvis Costello and The Time videos), jamming a movie into a 3 1/3 minute music video during the early 80s, Morris Day's film stealing performance and his post-Purple Rain career, the acting stylings of Prince and his band, the confusing plot point of the bands playing only one song at a time at the club in this movie, the competitive nature of bands, the managment of the club telling Prince not bring his personal shit up onto the stage (when that's all he does!), seeing performers have a meltdown on stage, how much of the movie's storyline doesn't work for modern audiences, the difference between the sexuality of this film vs. his albums, how Prince was also a champion for women in music when men weren't, Wendy & Lisa, When Doves Cry, the final freeze frame of the film & the guitar climax that leading up to it, Whitesnake, how Prince followed up Purple Rain with some of his most esoteric work to date & how at the age of twenty-six Prince already knew that he did not want to do Purple Rain 2!So let's whip our heads quickly towards the camera, and then let's go crazy on this week's episode of Revolutions Per Movie!!KATHERINE YESKE TAYLOR:https://bookshop.org/p/books/she-s-a-badass-women-in-rock-shaping-modern-feminism-katherine-yeske-taylor/19792657?ean=9781493072545@kyt_in_nycREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovie ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

EJ has news of an important lifestyle change and then talks a lot about a TV show and a video game, both from 2019. Perpetual Grace, Ltd and Baba Is You are both great but only one of them has Ben Kingsley singing "When Doves Cry".  And in the Jason Statham Film Festival, we finally meet The Meg.

Welcome, foolish mortals, to a brand new episode of Go Fact Yourself!In this episode…Guests:Aida Rodriguez is a comedian who's known that she wanted to perform ever since she was doing Richard Pryor impressions as a child. You can stream her comedy special “Fighting Words” on Max, which features not just her jokes, but also an intimate look at her family. You can also find Aida on tour. Cory Doctorow is an author who was extremely busy during the height of the pandemic – he wrote a total of nine books, including one that was the end of a saga that he hadn't published yet. He's also known for popularizing the term “Ensh*ttification” about how big tech has made the services they provide worse than ever. Cory's latest book, The Bezzel, is out now.Areas of ExpertiseAida: Norman Lear sitcoms, the Prince album Purple Rain, and Puerto Rican slang.Cory: The Disney ride The Haunted Mansion, anti-war chants of the 1980s and ways to get robbed in Geneva, Switzerland. What's the difference: Fixer-upperWhat's the difference between to renovate and to remodel?What's the difference between a summit and a peak?With guest experts:Susan Rogers: Record producer with several multi-platinum albums, including Purple Rain.Kat Cressida: Voice artist who's worked on video games, movies, and TV shows … and in Disney's The Haunted Mansion ride. Hosts: J. Keith van StraatenHelen HongCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Co-Producer and Editor is Julian Burrell.Seeing our next live-audience shows in LA by YOU!

Wendy and Lisa recorded some stone cold classics with Prince's band The Revolution: Purple Rain, Raspberry Beret, Kiss, When Doves Cry and more. These days, they're known for their work composing scores for TV and movies: Heroes, Dangerous Minds, Crossing Jordan, and Nurse Jackie. Wendy and Lisa talk with us about their 40-plus year partnership, and their Emmy award-winning work as composers. And of course, what it was like to collaborate with Prince, and work on some of his most iconic records.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The SpaceTimeMusic theme music is a sample of the Ana-Tole x Jonah Christian Remix of Ready or Not by the Fugees.LINKS:Life–Noted PodcastA Sample, A Cover playlistFacebookMerchSongs featured in order of appearance:17 DaysSingle B-Side of When Doves Cry from the album Purple RainPrince198417 DaysTalk Dirty to MeSoft News2018 17 DaysStainLiving Colour1993

On June 7, we celebrate what would have been the 66th birthday of Prince, a musical genius who transformed the landscape of popular music. Born in 1958 in Minneapolis, Prince Rogers Nelson dazzled the world with his innovative blend of rock, funk, and pop, creating timeless hits like "Purple Rain," "Kiss," and "When Doves Cry." His flamboyant style and electrifying performances set him apart as an icon of creativity and individuality. Tragically, Prince passed away on April 21, 2016, at the age of 57, leaving behind a legacy that continues to inspire and captivate. Happy heavenly birthday, Prince. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's Local Talent Guest was the Gipsy Danger Band! They performed Prince's "When Doves Cry." What grade do you give?!

This person died in 2016 at age 57. He won an Academy Award in 1985, and a Webby Lifetime Achievement Award in 2006. He was still a teenager when he was signed to Warner Bros Records, in a deal that included full creative control. His work inspired the formation of the Parents' Music Resource Center, which pressured record companies into labeling albums to warn of explicit content. In 1993 he changed his stage name to an unpronounceable glyph, and for a while he was referred to as “The Artist Formerly Known As”. His chart-topping hits included “Let's Go Crazy”, “When Doves Cry”, and “Purple Rain”. Today's dead celebrity is Prince. Famous & Gravy is created and co-hosted by Amit Kapoor and Michael Osborne. This episode features Nichelle Carr as guest host, and was produced by Megan Palmer. Sign up for our newsletter at famousandgravy.com and also enjoy our mobile quiz game at deadoraliveapp.com If you enjoyed this episode, you may also like Episode 45 “Rebel Rebel” (David Bowie) and Episode 21 “Florida Man” (Tom Petty) LINKS: Transcript of this episode New York Times Obituary for Prince Black Women of Amherst College podcast series Charlie Murphy's True Hollywood Stories on Chappelle Show Dick Clark interviews Prince on American Bandstand in 1980 Chris Rock interviews Prince in 1997 Prince's performance at the 2004 Rock & Roll Hall of Fame Famous & Gravy official website Famous & Gravy on Facebook, LinkedIn, Twitter Dead or Alive Quiz Game Learn more about your ad choices. Visit megaphone.fm/adchoices

This person died in 2016 at age 57. He won an Academy Award in 1985, and a Webby Lifetime Achievement Award in 2006. He was still a teenager when he was signed to Warner Bros Records, in a deal that included full creative control. His work inspired the formation of the Parents' Music Resource Center, which pressured record companies into labeling albums to warn of explicit content. In 1993 he changed his stage name to an unpronounceable glyph, and for a while he was referred to as “The Artist Formerly Known As”. His chart-topping hits included “Let's Go Crazy”, “When Doves Cry”, and “Purple Rain”. Today's dead celebrity is Prince. Famous & Gravy is created and co-hosted by Amit Kapoor and Michael Osborne. This episode features Nichelle Carr as guest host, and was produced by Megan Palmer. Sign up for our newsletter at famousandgravy.com and also enjoy our mobile quiz game at deadoraliveapp.com If you enjoyed this episode, you may also like Episode 45 “Rebel Rebel” (David Bowie) and Episode 21 “Florida Man” (Tom Petty) LINKS: Transcript of this episode New York Times Obituary for Prince Black Women of Amherst College podcast series Charlie Murphy's True Hollywood Stories on Chappelle Show Dick Clark interviews Prince on American Bandstand in 1980 Chris Rock interviews Prince in 1997 Prince's performance at the 2004 Rock & Roll Hall of Fame Famous & Gravy official website Famous & Gravy on Facebook, LinkedIn, Twitter Dead or Alive Quiz Game Learn more about your ad choices. Visit megaphone.fm/adchoices

As Mother's Day quickly approaches, I feel compelled to reflect upon the 7 Feminine Archetypes: Mother, Maiden, Huntress, Mystic, Queen, Sage, and Lover. When women step into the mother role they often abandon the other archetypes, leaving women exhausted and lacking in fullness. What do we give up in order to be a “good” mother? What if embodying the other archetypes actually supported us in becoming the mothers and women we truly long to be?  As we wonder through the woods, take a moment to ponder the feminine archetypes in your life. Is it time to call in the Huntress? The Sage? The Lover? The most powerful mothers know how to access them all. It's time to tap in. What am I reading?The Light Between Us by Laura Lynne JacksonSigns:the Secret Language of the Universe by Laura Lynne JacksonWhat am I playing on repeat?When Doves Cry by Prince What's for dinner?Golden Beet SaladIngredients:3-4 medium golden beets10 small shallots1 cup uncooked rainbow quinoa1.5 cups vegetable broth2 small seedless navel oranges, segmented and chopped (see note)1/2 cup minced fresh parsleyhandful finely chopped pistachios, for garnish (optional)Miso Dressing1/3 cup orange juice1 tbsp toasted sesame oil (or olive oil)1-2 tbsp light miso dressing (I used 2 tbsp chickpea miso), to taste1 medium garlic clove, peeled1/2 tsp minced fresh ginger1/2 tsp cane sugar (or maple syrup), or to tasteVegan Lemon Brownies1/2 cup vegan butter softened to room temperature1 cup sugar1 teaspoon pure vanilla extract1 teaspoon lemon extract3 teaspoons fresh grated lemon zest3 tablespoons fresh lemon juice2 drops yellow food coloring optional1 3/4 cups flour1 tablespoon cornstarch 1/2 teaspoon baking soda1/4 teaspoon saltGlaze1 cup powdered sugar 2 tablespoons fresh lemon juiceInstructions:Preheat the oven to 350 degrees F and lightly grease a 9×9 (or 8×8) inch baking pan. Or line it with parchment paper for easy removal.In the bowl of a stand mixer with the paddle attachment, or using a handheld mixer, beat the softened vegan butter and sugar until creamy.Add the vanilla, lemon extract, lemon zest, juice and optional yellow food coloring. Mix until combined, scraping the sides and bottom of the bowl as needed.Stop the mixer and add the flour, followed by the cornstarch, baking soda and salt. Turn the mixer on low speed and mix until just combined.Spread in the prepared pan, using an offset spatula. The dough is thick, like cookie dough, so be patient and get it as even as possible with either your hands or the spatula.Bake for 25 minutes, until just set in the center. Don't over bake, or they will be dry.Let them cool in the pan for about 15 minutes, then lift out using the parchment paper (if using) and let cool completely on a wire rack.In a small bowl, mix the powdered sugar and lemon juice until thick but pourable. Add additional powdered sugar if needed. Spread over the cooled brownies.https://ohsheglows.com/golden-beet-salad-with-shallots-parsley-and-orange-miso-dressing/#recipe_1398https://www.noracooks.com/lemon-brownies/#wprm-recipe-container-23902

Sue has today's Sue's News on National Burrito Day, Missouri Authorities ID a Jane Doe from 46 years ago, and the Random Fact of the Day on "When Doves Cry" by Prince.

Hour 2: Dave Murray, 97.1 Chief Meteorologist, joins Mark Reardon, Sue Thomas, and Fred Bodimer to discuss Monday's solar eclipse. Then, Sue has today's Sue's News on National Burrito Day, Missouri Authorities ID a Jane Doe from 46 years ago, and the Random Fact of the Day on "When Doves Cry" by Prince. Next, Batya Ungar-Sargon opinion editor of Newsweek, joins Mark Reardon to discuss her newest book "Second Class: How the Elites Betrayed America's Working Men and Women."  Later, Kyle Pomerleau, with the American Enterprise Institute, joins Mark Reardon to update on the 2024 election!

This week, hosts Jim DeRogatis and Greg Kot take the show out of the recording studio and into the karaoke bar as they share some of their favorite karaoke tracks. They'll also hear selections from production staff and listeners. Plus, the hosts review new music from Grandaddy and bid farewell to the late rockabilly musician Dexter Romweber.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Carly Rae Jepsen, "Call Me Maybe," Kiss, 604, 2012The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Grandaddy, "Blu Wav," Blu Wav, Dangerbird, 2024Grandaddy, "You're Going to Be Fine and I'm Going to Hell," Blu Wav, Dangerbird, 2024Grandaddy, "Jukebox App," Blu Wav, Dangerbird, 2024Grandaddy, "Ducky, Boris and Dart," Blu Wav, Dangerbird, 2024Johnny Cash and June Carter Cash, "Jackson," Carryin' On with Johnny Cash & June Carter, Columbia, 1967*NSYNC, "It Makes Me Ill," No Strings Attached, Jive, 2000Shania Twain, "Man! I Feel Like a Woman!," Come On Over, Mercury, 1997Donny Osmond & Chorus, "I'll Make a Man Out of You," Mulan: An Original Walt Disney Records Soundtrack, Walt Disney, 1998Art Brut, "Formed a Band," Bang Bang Rock & Roll, Fierce Panda, 2005Joey Scarbury, "Theme from The Greatest American Hero (Believe It or Not)," America's Greatest Hero, Elektra, 1981The 5th Dimension, "Wedding Bell Blues," The Age of Aquarius, Soul City, 1969Kenny Rogers, "Islands In the Stream (duet with Dolly Parton)," Eyes That See in the Dark, RCA Victor, 1983The Rocky Horror Picture Show Original Cast , "Rose Tint My World (feat. Richard O'Brien)," The Rocky Horror Picture Show, Ode, 1975Regulo Caro, "En Estos Días," En Estos Días, Del, 2018Beyoncé, "Single Ladies (Put a Ring on It)," I Am...Sasha Fierce, Columbia, 2008Radiohead, "Creep," Pablo Honey, Parlophone, 1992Backstreet Boys, "I Want it That Way," Millennium, Jive, 1999Prince, "When Doves Cry," Purple Rain, Warner Bros., 1984Flat Duo Jets, "Frog Went a Courtin'," Go Go Harlem Baby, Sky, 1991Flat Duo Jets, "Riot In Cell Block Number Nine," In Stereo, Dolphin, 1985The Roots, "You Got Me (feat. Erykah Badu & Eve)," Things Fall Apart, MCA, 1999See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

INTRO2mins - First memories of Prince, and standing next to the TV...feeling the static from Gett Off! Listening to Prince's Hits cassette in the Green Mondeo.4mins - Born in the year of Lovesexy!5mins - When did you realise that Prince's work could become a lifetime pursuit? "First and foremost I'm a fan...". Obsessed with John Waters, Pee Wee Herman and Bette Davis too. 'Eccentric, creative and fabulous people'.6mins - Seeing Purple Rain at 14 and getting into fashion. "Prince was always on my mood board."7mins30s - Studying Prince for years as an independent researcher alongside work...'when you do a PhD it's just the beginning of your research.'9mins30s - 'The idea of Prince & Fashion, with a focus on the labour aspect and fan culture as well...'11mins30s - What's going on with the Prince of the late 1970s? Casci unpacks the different sartorial elements. 'Very typical of a young adult finding themselves...through dress.'14mins - Prince's experiments in fashion, thrift stores, borrowing, wearing women's clothing...17mins - 'Becoming Prince': The Beautiful Ones book, and understanding elements of Prince's early imagination and dress-sense. The influence of his parents, musicians in North Minneapolis...and getting dressed to the 9s in the 1970s.22mins - Heroes and influences...23mins - Make Up.26mins - World Building...'in a world called Fantasy'30mins - Prince's female kinship. 'He surrounded himself with incredible women...and loved female energy.' Sly Stone's fashion, and James Brown's performances...expressing sexuality and sensuality. 'He liked the way particular fabrics felt on his body...' How Can U Just Leave Me Standing? In Search of Prince... is produced and arranged by Sam J. Bleazard - but couldn't exist without the fabulous contribution from all of our guests!The show also features significant original music compositions from Gavin Calder.LINKSPlease follow me on Instagram and Facebook if you'd like to interact with the show on social media.Email me at: bleazas@hotmail.com if you have any ideas for future episodes, or if you'd like to share any feedback on the show. #prince4ever #love4oneanother

Forty years ago this summer, we saw the release of this seminal biopic/concert movie from first-time director Albert Magnoli.  It was the feature film debut of Prince who was a rising rock and pop phenomenon at the time and it featured wall-to-wall new songs from Prince and his band at the time, The Revolution.  Both the film and its soundtrack became instant phenomenons launching the late, great Prince Rogers Nelson into the stratosphere of all-time musical legends!  The story is only loosely based on his life and it focuses on the The Kid (Prince) who leads an aspiring rock band in Minneapolis and is struggling with both a brutal homelife (he lives with his abusive father played by Clarence Williams III) and just finding his voice as an artist.  Also co-starring are Apollonia Kotero as the woman he falls for and Morris Day as his chief musical rival.  Let's Go Crazy for a time When Doves Cry. ;) Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

We are reviewing the 80s songs bracket. Please let us know what song should be number one. Here's the bracket: Party All the Time by Eddie Murphy (1985)Never Too Much by Luther Vandross (1981)Purple Rain by Prince (1984)Thriller by Michael Jackson (1982)Working for the Weekend by Loverboy (1981)Livin' On A Prayer by Bon Jovi (1986)Everybody Have Fun Tonight by Wang Chung (1986)Pour Some Sugar on Me by Def Leppard (1987)My Prerogative by Bobby Brown (1988)Hungry Like the Wolf by Duran Duran (1982)What I Like About You By The Romantics (1980)Billie Jean By Michael Jackson (1984)Down Under by Men at Work (1982)"When Doves Cry" by Prince (1984)"Only in My Dreams" by Debbie Gibson (1987)"I Can't Go For That (No Can Do)" by Hall & Oates (1981)"Start Me Up" by The Rolling Stones (1981)"Sweet Child O' Mine" by Guns N' Roses (1987)"Cars" by Gary Numan (1980)"Like a Virgin" by Madonna (1984)"You Got It (The Right Stuff" by New Kids on the Block (1988)"Walk This Way" by Run-D.M.C. (1986)"Walking on Sunshine" by Katrina and the Waves (1983)"You Shook Me All Night Long" by AC/DC (1980)"Wild Thing" by Tone Loc (1989)"Don't Stop Believing" by Journey (1981)"Brass in Pocket" by The Pretenders (1980)"How Will I Know" by Whitney Houston (1985)"Ain't Nobody" by Chaka Khan (1989)"With or Without You" by U2 (1987)"Rock Me Amadeus" by Falco (1986)"Walk Like an Egyptian" by The Bangles (1986)"I Want Candy" by Bow Wow Wow (1982)"Jump" by Van Halen (1984)"Addicted to Love" by Robert Palmer (1985)"Need You Tonight" by INXS (1987)"All Night Long (All Night) by Lionel Richie (1983)"Here I Go Again" by Whitesnake (1982)"Kiss" by Prince (1986)"Come on Eileen" by Dexy's Midnight Runners (1982)"Tempted" by Squeeze (1981)"Time After Time" by Cyndi Lauper (1984)"Word Up!" by Cameo (1986)"Jessie's Girl" by Rick Springfield (1981)"It Takes Two" by Rob Base & DJ E-Z Rock (1986)"Beat It" by Michael Jackson (1982)"Don't You Want Me?" by Human League (1981)"Just Like Heaven" by The Cure (1987)"Call Me" by Blondie (1980)"Girls Just Want to Have Fun" by Cyndi Lauper (1984)"Candy Girl" by New Edition (1983)"Take on Me" by A-Ha (1985)"She Blinded Me With Science" by Thomas Dolby (1982)"Our Lips Are Sealed" by The Go-Go's"Little Red Corvette" by Prince (1983)"Welcome to the Jungle" by Guns-N-Roses (1987)"Faith" by George Michael (1987)"Too Shy" by Kajagoogoo (1984)"99 Luftballons" by Nena (1983)"Wake Me Up Before You Go-Go" by Wham! (1984)One Thing Leads to Another" by The Fixx (1983)"Burning Down the House" by Talking Heads (1983)"Super Freak" by Rick James (1981)"Love Is a Battlefield" by Pat Benatar (1983)"I Love Rock N' Roll" by Joan Jett and The Black Hearts (1981)"Under Pressure" by Queen and David Bowie (1981)"It's the End of the World as We Know It (And I Feel Fine)" by R.E.M (1987)"Sister Christian" by Night Ranger (1983)"Fight the Power" by Public Enemy (1988)"Tainted Love" by Soft Cell (1981)"Keep on Loving You" by REO Speedwagon (1980)"Every Rose Has Its Thorn" by Poison (1988) "Just Can't Get Enough" by Depeche Mode (1981)"In the Air Tonight" by Phil Collins (1981)"I Want to Know What Love Is" by Foreigner (1984)"867-5309/Jenny" by Tommy Tutone (1981)"Straight Up" by Paula Abdul (1988)"Janie's Got a Gun" by Aerosmith (1989)"Whip It" by Devo (1980)She a beauty by the tubes"Take My Breath Away" by Berlin (1986)"I Melt With You" by Modern English (1982)"Mr. Roboto" by Styx (1983)"Love Shack" by The B-52's (1989)"Bust a Move" by Young M.C (1989)"Dr. Feelgood" by Mötley Crüe (1989)"Jack & Diane" by John Mellencamp (1982)"London Calling" by The Clash (1982)"Do You Really Want to Hurt Me" by Culture Club (1982)Look of Love by ABC (1982)"Mickey" by Toni Basil (1981)"Cruel Summer" by Bananarama (1984)"Total Eclipse of the Heart" by Bonnie Tyler (1983)"Nasty" by Janet Jackson (1986)"I Ran (So Far Away)" by A Flock of Seagulls (1982)"Every Breath You Take" by The Police (1983)"Push It" by Salt-N- Pepa (1986)"We're Not Gonna Take It" by Twisted Sister (1984) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

Today's guest is Lisa Lish, the owner of RVA's Licious Boutique where you can be a hit in a Licious fit! She is also a recovering addict who is 12 years sober and a traveling feature entertainer. She loves dancing, traveling, her family, her dogs, but most importantly SEXY fun fashion. She always dreamt of opening up her own boutique with super stylish clothes and that dream came true in the past year when she opened up her shop. The boutique quickly was voted RVA's best women's clothing store. The store also offers lashes, permanent jewelry, private shopping experiences, and more.

Helen and Gavin chat about The Exorcist: Believer, Strange Way of Life, and On Fire, and it's Week 93 from the list of Rolling Stone's 500 Best Songs Ever, numbers 40 to 36; All Along the Watchtower by The Jimi Hendrix Experience, BOB by Outkast, Sitting on the Dock of the Bay by Otis Redding, When Doves Cry by Prince and the Revolution, Seven Nation Army by White Stripes.

Welcome to Off the Beaten Clef! This week, we have created a playlist and an episode dedicated to artists we lost too soon. Instead of wallowing, we try to spin it into enjoying the wonderful art we gained from these artists in the short time they were creating. Enjoy the playlist and let us know what we missed! Next week, we will be doing a special episode to commemorate our three years of Off the Beaten Clef. If you would like to send us an email, audio clip, or even just a short sentence on discord - the links are below! We love you guys. To listen to the Artists Gone Too Soon Playlist on Spotify Audience Submissions: Louie - Everything Dies by Type O Negative (Peter Steele), Rita - I Am the Highway by Audioslave // No More Sorrow by Linkin Park, Mason - Self Care by Mac Miller, Ben - Pure Grinding by Avicii Dil's Picks: You Only Live Once by Suicide Silence (Mitch Lucker), Burnout by Misser (Tim Landers), Mr. Crowley by Ozzie Osbourne (Randy Rhoades), Come & Go ft. Marshmello by Juice WRLD, Miss Misery by Elliot Smith Kev's Picks: Bold as Love by Jimi Hendrix, I Have Nothing by Whitney Houston, When Doves Cry by Prince, Tammy, the Swine Queen by Gwar (Dave Brockie), Regulate by Warren G & Nate Dogg (Nate Dogg) Songs of the Show: Dil - Rory ft. Prince Daddy and the Hyena by Foxing (Spotify / Apple Music) // Kev - Within (Drumless Edition) by Daft Punk (Spotify / Apple Music)  OTBC Social Media: Merch - offthebeatenclef.com, Instagram - @offthebeatenclef, Twitter - @OffClef, Email - offthebeatenclef@gmail.com, Discord - Link HERE Thanks for listening!

Dig if you will a picture of you and I engaged in a discussion about the song “When Doves Cry”. Imagine no longer because it exists, with our friend Justin from Monster Squad Minute. Barenaked Recess Hello City: Live From Toronto Andrew Denton Challenge Lenny Henry (parody)

Nonpoint lead vocalist Elias Soriano joins Ralph Sutton and they discuss Ralph and Elias Soriano getting drunk together, their one episode of "Talking Shit" where they interviewed while pooping, oil pulling to help with teeth health, whether Nespresso is ok or not, where the band name Nonpoint came from, how the choice was made for Nonpoint to cover When Doves Cry, The Psychotherapy Sessions tour, the A Millions Watts video comparison to the old Maxwell commercial, accidentally calling a city by the wrong name on stage, Nonpoint's plans after the current tour and so much more!(Air Date: August 6th, 2023)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!Send your Skankfest contest video submission to Contest@TheSDRShow.comTo advertise your product or service on GaS Digital podcasts please go to TheADSide.comand click on "Advertisers" for more information!The SDR Show merchandise is available at https://podcastmerch.com/collections/the-sdr-showYou can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for a 7-day FREE trial with access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Elias SorianoBand Twitter: https://twitter.com/NonpointInstagram: https://instagram.com/EliasSorianoOfficialBand Instagram: https://instagram.com/NonpointBandWebsite: https://nonpoint.com/Ralph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/GaS Digital NetworkTwitter: https://twitter.com/gasdigitalInstagram: https://www.instagram.com/gasdigital/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dom L'Amour speaks with his father John Hundley AKA Big John AKA @baptist532, Ryan Mottley AKA @ryan.mottley.3, John Hundley AKA Lil Jon AKA @johnhundley6 and Ashley Hundley AKA @Kd_nelley for a special fathers day episode.Opening quote: Masta Killa from the Wu Tang Clan "Family Reunion" SongOpening and Closing Theme song: Produced by Dom L'AmourTransition Music from Mad Chops Vol. 1 and Mad Chops Vol. 2 by Mad Keysand from Piano Soul Vol.1(Loop Pack) by The Modern Producers TeamFeatured song: “When Doves Cry” covered by Dom L'Amour and the Strange OwlsCover art by Studio Mania: Custom Art @studiomania99Please subscribe to the podcast, and give us a good rating. 5 stars please and thank you. Follow me on @doml_amour on Instagram. Or at domlamour.comSupport the show

On this episode: Elizabeth talks with Chris Balme, author of Finding the Magic In Middle School. He explains what drives tweens, why this period is fundamentally different than high school, and how to guide them through this transition. Jamilah, Zak, and Elizabeth also open up the mailbag and give some recommendations.  Recommendations:  Zak: Watch David Byrne sing When Doves Cry at a karaoke bar Elizabeth: Professor Noggin Cards, Binder Rings Jamilah: Florida Man on Netflix If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Mom and Dad are Fighting. Sign up now at slate.com/momanddadplus to help support our work. Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318!  Podcast produced by Rosemary Belson and Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Elizabeth talks with Chris Balme, author of Finding the Magic In Middle School. He explains what drives tweens, why this period is fundamentally different than high school, and how to guide them through this transition. Jamilah, Zak, and Elizabeth also open up the mailbag and give some recommendations.  Recommendations:  Zak: Watch David Byrne sing When Doves Cry at a karaoke bar Elizabeth: Professor Noggin Cards, Binder Rings Jamilah: Florida Man on Netflix If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Mom and Dad are Fighting. Sign up now at slate.com/momanddadplus to help support our work. Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318!  Podcast produced by Rosemary Belson and Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Elizabeth talks with Chris Balme, author of Finding the Magic In Middle School. He explains what drives tweens, why this period is fundamentally different than high school, and how to guide them through this transition. Jamilah, Zak, and Elizabeth also open up the mailbag and give some recommendations.  Recommendations:  Zak: Watch David Byrne sing When Doves Cry at a karaoke bar Elizabeth: Professor Noggin Cards, Binder Rings Jamilah: Florida Man on Netflix If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Mom and Dad are Fighting. Sign up now at slate.com/momanddadplus to help support our work. Join us on Facebook and email us at momanddad@slate.com to ask us new questions, tell us what you thought of today's show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318!  Podcast produced by Rosemary Belson and Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

1. Julia Rock [@jul1arock], reporter at the The Lever, and Allison Fisher [@citizenfisher], director of the Climate and Energy Program for Media Matters for America, on why the Ohio derailment was a foreseeable disaster and how dearth of early media coverage, which failed to hold parties accountable, left space for distrust. Listen. 2. Gönül Tol [@gonultol], the founding director of the Middle East Institute's Turkey program and author of "Erdoğan's War: A Strongman's Struggle at Home and in Syria," on the impact of government corruption on Turkey's death toll after this month's earthquake. Listen. 3. Natasha Hall [@NatashaHallDC], a senior fellow at the Middle East Program at the Center for Strategic and International Studies, on the ways politics have played into a delay in aid in Syria. Listen. 4. Keren Landman [@landmanspeaking], senior reporter covering public health and emerging infectious diseases at Vox, on the risks of bird flu and if we should be worried about another pandemic. Listen. Music:Fallen Leaves - Marcos CiscarInvitation to a Suicide - John ZornBerceuse In D Flat Major, Op. 57 - Ivan MoravecTime Is Late - Marcos CiscarWhen Doves Cry Airborne Toxic EventLachrymae Antiquae - Kronos QuartetWhite Man Sleeps - Kronos QuartetThe Old House - Marcos Ciscar

Chris is all by himself talking about "When Doves Cry." He adds lyrics to "Also sprach Zarathustra." ALSO: A youtube show where some guy films rusty car wrecks and sniffs a lot. Remembering David Crosby. Hilaria Baldwin's accent. PLUS: Songs of the week from "Black Midi" and "Sebadoh"!!!!

Dan and Brian speak with Susan Crane, a historian and scholar of communal and collective memories in this month's episode of Lifetimes of Listening. Ntari Ali Gault's story of the single “When Doves Cry”, Praise Zenenga's reflections about performing African music in the United States with a multi-ethnic ensemble, and Sara Gulgas's remembrance of attending an impromptu memorial gathering on the anniversary of John Lennon's murder each demonstrate the power of an individual's memory, and how music shaped a community in a particular moment. Music brings awe into ordinary moments, and makes a communal experience memorable.

In episode #303, multi-platinum record producer-turned-neuroscientist Susan Rodgers chats with Trey Elling about THIS IS WHAT IT SOUNDS LIKE: WHAT THE MUSIC YOU LOVE SAYS ABOUT YOU. Susan is best known for her work with Prince during his peak creative years (1983-87). Susan's unique path from award-winning sounder engineer and record producer to neuroscientist (1:43) How Miles Davis changed her perspective on listening to music (3:40) The beauty of record pulls (7:36) The messy “brilliance” of The Shaggs (11:37) What we visualize when we listen to music (15:52) Why a preference for ‘real' versus ‘abstract' isn't consistent across artistic mediums (19:34) The connection between novelty and an appetite for risk (22:21) A McGill study on the link between musical novelty and mental rewards (28:41) Why the melody is a record's heart (29:55) Songs whose lyrics and instrumentation tell different stories (33:36) Ambiguity as a valuable lyrical tool (34:52) How the Barenaked Ladies fooled Susan's brother with fictitious lyrics (37:06) Rhythm as Susan's favorite musical dimension (38:29) Evidence that some animals can experience musical rhythm (41:25) Explaining timbre (45:48) How Susan received a lesson on the power of timbre from Prince with “When Doves Cry” (48:43) The importance of synthetic listening to music producers (53:18) What happens in the brain when we feel ‘love at first listen' with a song (58:26)

Intro/Outro: Danger Zone by Kenny Loggins1. When Doves Cry by Prince2. Youth of the Nation by P.O.D.3. King of Rock by Run-D.M.C.4. Bad Boy / Having a Party by Luther Vandross5. In the Beginning / Shout at the Devil by Motley CrueVote on your favorite song from today's episode

#5-1Intro/Outro: Redemption Song by Bob Marley & the Wailers5. Purple Rain by Prince & the Revolution *4. The Message by Grandmaster Flash & the Furious Five3. Sweet Child O' Mine by Guns N' Roses *2. When Doves Cry by Prince1. Billie Jean by Michael Jackson *Vote on your favorite song from today's episodeVote on your favorite song from Week 3* - Previously played on the podcastCountdown Wrap-Up:35 of the 100 songs on this countdown have been played previously on the podcast (For comparison: the 50's had 34 of the 100, the 60's had 68 of the 100, and the 70's had 52 of the 100 songs).Final Year Tally:1980 - 111981 - 101982 - 161983 - 121984 - 91985 - 91986 - 81987 - 121988 - 51989 - 8(For comparison: 1957 won the 50's, 1967 won the 60's, and 1971 won the 70's)Artist Tally:Prince - 6 songsMichael Jackson - 5 songsU2 - 4 songsBeastie Boys, Madonna, Pixies, Public Enemy, The Smiths, and Talking Heads - 3 songs11 artists - 2 songs47 artists - 1 songAverage Length of Songs:50's - 2:4060's - 3:2970's - 4:5280's - 4:32Female Lead Singers:50's - 360's - 1670's - 1380's - 17Regarding the 13 lists compiled:603 total songs0 songs were found on 11 or more lists1 song was found on 10 lists3 songs were found on 9 lists8 songs were found on 8 lists12 songs were found on 7 lists579 songs were found on 6 lists or fewerPoint totals from the 13 lists compiled:Songs 1-10: 553-856 pointsSongs 11-50: 274-545 pointsSongs 51-100: 166-271 points#1 songs on the 13 listsLegs by ZZ TopDon't Stop Believin' by JourneyBizarre Love Triangle by New OrderBlue Monday by New OrderLivin' on a Prayer by Bon JoviSexual Healing by Marvin GayeThe Message by Grandmaster Flash & the Furious Five (2)Billie Jean by Michael Jackson (2)Purple Rain by Prince & the Revolution (3)Bonus clip: Jonathan sings Still of the Night by WhitesnakeSade public apologyProgramming announcement:Next week, Aaron and I will begin our 20 episode countdown of the greatest guitarists of all-time.The Greatest Songs of the 90's will start on August 8th.Results of this week's voting will be announced on August 8th.