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This Day in Legal History: Starve or SellOn August 15, 1876, the United States Congress passed a coercive measure aimed at forcing the Sioux Nation to relinquish their sacred lands in the Black Hills of present-day South Dakota. Known informally as the "starve or sell" bill, the legislation declared that no further federal appropriations would be made for the Sioux's food or supplies unless they ceded the Black Hills to the U.S. government. This came just two months after the Lakota and Northern Cheyenne had defeated General George Custer at the Battle of the Little Bighorn, a major blow to U.S. military prestige.The Black Hills had been guaranteed to the Sioux in the 1868 Treaty of Fort Laramie, which recognized their sovereignty over the area. But when gold was discovered there in 1874 during Custer's expedition, settlers and miners flooded the region, violating the treaty. Rather than remove the intruders, the federal government shifted blame and sought to pressure the Sioux into surrendering the land.The 1876 bill effectively weaponized hunger by conditioning life-sustaining aid on land cession. This tactic ignored treaty obligations and relied on exploiting the Sioux's vulnerability after a harsh winter and military setbacks. Despite resistance from many tribal leaders, the U.S. government eventually secured signatures under extreme duress. In 1980, the U.S. Supreme Court in United States v. Sioux Nation of Indians ruled that the Black Hills were taken illegally and ordered compensation—money the Sioux have famously refused, insisting instead on the return of the land.Russian state-sponsored hackers infiltrated the U.S. federal court system and secretly accessed sealed records for years by exploiting stolen user credentials and a vulnerability in an outdated server. The breach, which remained undisclosed until recently, involved the deliberate targeting of sealed documents tied to sensitive matters like espionage, fraud, money laundering, and foreign agents. These records, normally protected by court order, often include details about confidential informants and active investigations. Investigators believe the hackers were backed by the Russian government, though they haven't been officially named in public disclosures.The Department of Justice has confirmed that “special measures” are now being taken to protect individuals potentially exposed in the breach. Acting Assistant Attorney General Matt Galeotti said that while technical and procedural safeguards are being implemented broadly, the DOJ is focusing particular attention on cases where sensitive information may have been compromised. He did not provide specifics but acknowledged that the situation demands urgent and tailored responses. Judges across the country were reportedly alerted in mid-July that at least eight federal court districts had been affected.This breach follows an earlier major compromise in 2020, also attributed to Russian actors, involving malicious code distributed through SolarWinds software. In response to both incidents, the judiciary has ramped up its cybersecurity efforts, including implementing multifactor authentication and revising policies on how sealed documents are handled. Some courts now require such documents to be filed only in hard copy. However, officials and experts alike have criticized Congress for underfunding judicial cybersecurity infrastructure, leaving it vulnerable to increasingly sophisticated attacks.The situation raises ongoing concerns about the security of national security cases and the exposure of individuals whose cooperation with law enforcement was meant to remain confidential. Lawmakers have requested classified briefings, and President Trump, who is set to meet with Russian President Vladimir Putin, acknowledged the breach but downplayed its significance.Russian Hackers Lurked in US Courts for Years, Took Sealed FilesUS taking 'special measures' to protect people possibly exposed in court records hack | ReutersA federal trial in California is testing the legal boundaries of the U.S. military's role in domestic affairs, focusing on President Donald Trump's deployment of troops to Los Angeles during protests in June. California Governor Gavin Newsom sued Trump, arguing the deployment of 700 Marines and 4,000 National Guard troops violated the Posse Comitatus Act, an 1878 law that prohibits the military from engaging in civilian law enforcement. Testimony revealed that troops, including armed units and combat vehicles, were involved in activities like detaining individuals and supporting immigration raids—actions critics argue cross into law enforcement.The Justice Department defended Trump's actions, asserting that the Constitution permits the president to deploy troops to protect federal property and personnel. They also claimed California lacks the standing to challenge the deployment in civil court, since Posse Comitatus is a criminal statute that can only be enforced through prosecution. U.S. District Judge Charles Breyer expressed concern about the lack of clear limits on presidential authority in such matters and questioned whether the logic behind the Justice Department's arguments would allow indefinite military involvement in domestic policing.Military officials testified that decisions in the field—such as setting up perimeters or detaining people—were made under broad interpretations of what constitutes protecting federal interests. The case took on added urgency when, on the trial's final day, Trump ordered 800 more National Guard troops to patrol Washington, D.C., citing high crime rates, despite statistical declines. The Justice Department has also invoked the president's immunity for official acts under a 2024 Supreme Court ruling, further complicating California's legal path.Trial shows fragility of limits on US military's domestic role | ReutersThe U.S. legal sector added jobs for the fifth consecutive month in July, nearing its all-time high of 1.2 million positions set in December 2023, according to preliminary Bureau of Labor Statistics (BLS) data. While this signals positive momentum, long-term growth remains modest; employment is only 1.7% higher than its May 2007 peak, showing how the 2008 financial crisis and the pandemic stalled progress. Big law firms, however, have seen major gains: between 1999 and 2021, the top 200 firms nearly doubled their lawyer headcount and saw revenues grow by 172%.Still, the wider legal job market—including paralegals and administrative staff—hasn't kept pace. Technological efficiencies and AI have reduced reliance on support staff, and the lawyer-to-staff ratio has declined steadily. Some general counsels are now using AI tools instead of outside firms for tasks like summarizing cases and compiling data, suggesting further disruption is on the horizon. Meanwhile, superstar lawyers at elite firms now earn upward of $10 million a year, driven by rising billing rates and high-demand corporate work.Broader U.S. job growth lagged in July, with the BLS issuing significant downward revisions for previous months. President Trump responded by firing BLS Commissioner Erika McEntarfer, accusing her without evidence of data manipulation. On the law firm side, Boies Schiller is handling high-profile litigation over Florida's immigration policies, with rates topping $875 an hour for partners. Separately, Eversheds Sutherland reported a 10% jump in global revenue, citing strong performance in its U.S. offices and a new Silicon Valley branch.US legal jobs are rising again, but gains are mixed | ReutersThe U.S. Supreme Court has declined to temporarily block a Mississippi law requiring social media platforms to verify users' ages and obtain parental consent for minors, while a legal challenge from tech industry group NetChoice moves through the courts. NetChoice, whose members include Meta, YouTube, and Snapchat, argues the law violates the First Amendment's free speech protections. Although Justice Brett Kavanaugh acknowledged the law is likely unconstitutional, he stated that NetChoice hadn't met the high standard necessary to halt enforcement at this early stage.The Mississippi law, passed unanimously by the state legislature, requires platforms to make “commercially reasonable” efforts to verify age and secure “express consent” from a parent or guardian before allowing minors to create accounts. The state can impose both civil and criminal penalties for violations. NetChoice initially won limited relief in lower court rulings, with a federal judge pausing enforcement against some of its members, but the Fifth Circuit Court of Appeals reversed that pause without explanation.Mississippi officials welcomed the Supreme Court's decision to allow the law to remain in effect for now, calling it a chance for “thoughtful consideration” of the legal issues. Meanwhile, NetChoice sees the order as a procedural setback but remains confident about the eventual outcome, citing Kavanaugh's statement. The case marks the first time the Supreme Court has been asked to weigh in on a state social media age-check law. Similar laws in seven other states have already been blocked by courts. Tech companies, facing increasing scrutiny over their platforms' impact on minors, insist they already provide parental controls and moderation tools.US Supreme Court declines for now to block Mississippi social media age-check law | ReutersThis week's closing theme is by Samuel Coleridge-Taylor.On this day in 1875, Samuel Coleridge-Taylor was born in London to an English mother and a Sierra Leonean father. A composer of striking originality and lyricism, Coleridge-Taylor rose to prominence in the late 19th and early 20th centuries, earning acclaim on both sides of the Atlantic. Often dubbed the “African Mahler” by American press during his tours of the U.S., he became a symbol of Black excellence in classical music at a time when such recognition was rare. He studied at the Royal College of Music under Charles Villiers Stanford, and by his early twenties, had already composed his most famous work, Hiawatha's Wedding Feast, which became a staple of British choral repertoire.Coleridge-Taylor's music blended Romanticism with rhythmic vitality, often inflected with the spirituals and folk influences he encountered during his visits to the United States. He was deeply inspired by African-American musical traditions and maintained a lifelong interest in promoting racial equality through the arts. His catalogue includes choral works, chamber music, orchestral pieces, and songs—each marked by melodic richness and emotional depth.This week, we close with the fifth and final movement of his 5 Fantasiestücke, Op. 5—titled "Dance." Composed when he was just 18, the piece captures the youthful exuberance and technical elegance that would characterize his career. Lively, rhythmically playful, and tinged with charm, “Dance” is a fitting celebration of Coleridge-Taylor's enduring legacy and a reminder of the brilliance he achieved in his all-too-brief life.Without further ado, Samuel Coleridge Taylor's 5 Fantasiestücke, Op. 5 – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Moin! Wir vom Team um "Philipps Playlist" wollen den Podcast immer weiter verbessern. Um das zu tun, möchten wir gerne Deine Meinung, Deine Ideen und Deine Kritik hören. Und ganz nebenbei möchten wir auch Dich und alle anderen besser kennenlernen. Vielen Dank, dass du an dieser Umfrage teilnimmst, das hilft uns wirklich sehr: https://umfrage-ndr.limequery.com/247836?lang=de-informal Ruhige, fließende Musik löst Gedanken auf wie Nebel am Morgen. Der Atem fließt still. Dein Herz ruht in sich selbst. Diese Musikstücke hast Du in der Folge gehört: Midori Hirano – "Motivational Speech" // Johann Sebastian Bach – "Sarabande / Französische Suite Nr. 4" // Midori Hirano – "His Ambition" // Robert Schumann – "Fantasiestücke – Des Abends" // John Barry – "Ein unmoralisches Angebot" // Hanna Havrylets – "Tropar / Prayer" // Den Podcast "Wir Tier" vom BR findest Du hier: https://1.ard.de/wir-tier Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Donald Macleod delves into the life of Luise Adolpha Le Beau Luise Adolpha Le Beau was a German composer, concert pianist, teacher and music critic. Although her music was performed as far afield as Calcutta and Sydney, her story is one of continual struggle for recognition and respect. Le Beau frequently met opposition to her works and to performance opportunities, Despite these set-backs, Le Beau forged her own path as a composer not only with works for her own instrument, the piano, but also with chamber music, opera, a symphony and many songs. She was determined to succeed, but after her death, without anyone to promote her works on her behalf, Le Beau soon fell into obscurity and was largely forgotten. This week, Donald Macleod is joined by guest Dr Katy Hamilton to shine a light on Le Beau's musicMusic Featured: Piano Concerto in D minor, Op 37 (excerpt) Fantasiestück, Op 1 No 1 (Drei Klavierstücke) Fünf Lieder, Op 7 (excerpt) Piano Concerto in D minor, Op 37 (Allegro maestoso) Piano Sonata, Op 8 (excerpt) Violin Sonata, Op 10 Mazurka, Op 57 No 3 (Drei Klavierstücke) Polonaise, Op 26 No 3 (Drei Stücke) Theme and Variations, Op 3 Fünf Lieder, Op 11 (excerpt) Piano Trio, Op 15 Concert Overture in F major, Op 23 Eight Preludes, Op 12 No 2 (Munter) Romance, Op 35 Vier Stücke, for cello and piano, Op 24 Fünf Lieder, Op 11 (excerpt) Improvisata for left hand, Op 30 Gavotte, Op 32 Piano Concerto in D minor, Op 37 (excerpt) Eight Preludes, Op 12 No 8 (Mit Grazie) Nachstück, Op 26 No 2 (Drei Stücke) Deutscher Regien, Klavierstück, Op 49 Piano Quartet, Op 28 Drei Lieder, Op 39 Symphony in F major, Op 41 (Allegro con fuoco) Gigue, Op 48 No 3 (Danze Antiche) Vater unser, Op 61 Symphony in F major, Op 41 (Adagio) Cello Sonata, Op 17 Barcarole, Op 59 Abendklänge, Op 63 Symphony in F major, Op 41 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Donald Macleod delves into the life of Luise Adolpha Le Beau (1850-1927) https://www.bbc.co.uk/programmes/m0025cflAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

durée : 01:27:35 - En pistes ! du vendredi 15 mars 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce vendredi matin, le Dixit Dominus de Haendel, la Symphonie n°9 de Chostakovitch, les Fantasiestücke de Schumann, mais également l'Impromptu n°2 de Schubert, la Symphonie n° 13 de Philip Glass et le Stabat Mater de Scarlatti. En pistes !

As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Wohin soll man gehen, wenn scheinbar alles um einen herum zusammenfällt? Während der Märzrevolution 1848/49 fand Robert Schumann seinen Zufluchtsort in der Musik. So entstanden die Fantasiestücke für Klarinette und Klavier op. 73.

In ihrem jüngsten Roman Dunkelblum beschäftigt sich die in Berlin lebende österreichische Schriftstellerin Eva Menasse mit Ereignissen der österreichischen Geschichte, die Verbrechen gegen die Menschlichkeit genannt werden müssen: die zahllosen Massaker an ungarisch-jüdischen Zwangsarbeiter:innen, die in den letzten Wochen des Zweiten Weltkrieges zum Bau des Südostwalls, einer sinnlosen und größenwahnsinnigen Verteidigungsanlage der Deutschen Wehrmacht, ins Burgenland und östliche Niederösterreich getrieben worden waren. Diese sogenannten „Endphaseverbrechen“ in über 120 Gemeinden wurden jahrzehntelang vertuscht, aber nur im deshalb notorisch gewordenen Rechnitz wurden die Leichen bis heute nicht gefunden. Eva Menasse siedelt die Handlung im Fantasiestädtchen Dunkelblum an und verarbeitet historische Fakten der ganzen Gegend, aus Mattersburg, Rechnitz, Jennersdorf, Deutsch-Schützen.Der Autorin geht es in diesem Roman nicht nur um die literarische Aufarbeitung der österreichischen Geschichte – oder viel mehr um eine Aufarbeitung, die viel zu lange auf sich warten ließ. Menasse interessiert sich einerseits für die konkrete Dynamik einer Kleinstadt, in der jeder jeden kennt und das meiste über den anderen weiß, andererseits für die spezifischen Phänomene dieser Grenzregion. Jahrhundertelang, während der k.u.k.-Monarchie, gab es hier keine Grenze, erst 1918-21 wurde sie blutig gezogen. Alle möglichen Verbrechen fanden an ihr und wegen ihr statt, und als im Sommer 1989 der Eiserne Vorhang ausgerechnet hier als erstes brüchig wird, scheint für einen historischen Moment lang echte Aufarbeitung möglich. Eva Menasse ist eine österreichische Schriftstellerin. In Wien geboren lebt sie heute in Berlin. Sie begann als Journalistin bei profil und der Frankfurter Allgemeinen, bevor sie als Autorin mit den Romanen Vienna und Quasikristalle reüssierte. Sie erhielt viele Literaturpreise, darunter den Österrechischen Buchpreis 2017. Sie gehört zu den Unterstützer:innen der Charta der digitalen Grundrechte der Europäischen Union und der Jerusalemer Erklärung zum Antisemitismus. Tessa Szyszkowitz, London-Korrespondentin für profil, Welt-Kolumnistin beim Falter, Autorin von Echte Engländer. Britannien und der Brexit Ein Gespräch im Rahmen der Reihe "Aus Kreiskys Wohnzimmer", aufgenommen am 15. Dezember 2021 im Kreisky Forum.

Zur Apfelernte, nicht zur Spargelzeit - die Schwetzinger SWR Festspiele werden dieses Jahr ab dem 15. Oktober ihre Tore öffnen. Für Ungeduldige gibt es jetzt schon mal einen Schwetzingen-Appetit-Happen: Schumanns Fantasiestücke op. 88 von den Festspielen 2015. Kammermusik nach Plan!

„Sie sind ein trefflicher Poet!“ sagte Robert Schumann zu seinem Kollegen Niels Wilhelm Gade aus Dänemark. Ein Poet mit Komponistenfeder und mit dem vielbeschriebenen „nordischen Ton“, den Schumann in Gades Musik so schätzte.

It's been a while, but we're back with another installment of our Notes in Strokes (NinS) series! This time, the fantastic music of German romantic composer, Robert Schumann inspires a work of art by Belgian symbolist painter, Fernand Khnopff. Although they were not contemporaries, the two captured similar elements in their work, so there's no wonder that Schumann later inspired Khnopff. We're glad to be back with this dual series, and next week will feature the Strokes in Notes (SinN) companion!   Art: Fernand Khnopff (1866-1907): Listening to Schumann (1883)    Music: Robert Schumann (1810-56): Fantasiestücke (1837)   Listen to the selected music from Schumann's Fantasiestücke in this week's Spotify playlist!   Follow us on Instagram and Facebook to stay up-to-date with everything we're doing!  Visit our Patreon page to see how you can support us!  Email us any time! notesandstrokespodcast@gmail.com 

Für das Trio Wanderer ist der Weg das Ziel. Gegründet 1987, haben die drei Franzosen inzwischen einen Großteil des Trio-Repertoires auf CD veröffentlicht. Schwerpunkt: deutsche Romantik. Was in der diskographischen Liste bislang fehlte, war der Name Robert Schumann. Nun erscheint eine Ausgabe mit drei CDs. Sie enthält neben den drei Schumann-Trios auch die Fantasiestücke op. 88 sowie das Klavierquartett und Klavierquintett.

http://whogottheaux.com Welcome back to WGTA!! Subscribe, leave a comment and Rate!! Check out our interview on SD Voyager!!http://sdvoyager.com/interview/meet-jullian-scott-jylon-mckee-jeremy-cortez-whogottheaux-kearny-mesa/What's good what's good. Thank you to Corin for submitting Smoke DZA - Santos Party House - Anderson Paak - Cut Em In and ASAP Ferg - Dreams, Fairytale, FantasiesT.Royyy - Chase B & Don Toliver - CafeteriaDanielle - Paloma Mami - Mami and Masego - PassportWigs shares a cool Niles Rogers story he came across.Hope you enjoyed this episode and again don't forget to subscribe to receive notifications on new episodes and give us a rating to help build the show. Also leave a comment with song suggestions or anything you want.

Today, we are exploring "In the Evening"(Des Abends) antasiestucke Op. 12, No. 1 by Robert Schumann What could you imagine with this piece? What were you thinking while listening?Please share with me! To leave a voice or written comment please go to Jeeyoon's Website Jeeyoon’s YouTube Channel to watch the live performances/vlogs/performance tips etc!To Support the podcast, please go to http://www.patreon.com/journeythroughclassicalpianoSupport the show (http://www.patreon.com/journeythroughclassicalpiano)

Robert Schumann: Märchenerzählungen für Klarinette, Viola und Klavier, op. 132; Fantasiestücke für Klavier und Klarinette, op. 73; Märchenbilder für Klavier und Viola, op. 113 | Jörg Widmann: "Es war einmal...Fünf Stücke im Märchenton" für Klarinette, Viola und Klavier | Tabea Zimmermann (Viola) | Jörg Widmann (Klarinette) | Dénes Várjon (Klavier)

durée : 01:58:29 - L'Académie Philippe Jaroussky ; Nathalia Milstein ; Philibert Perrine et Guillaume Sigier - par : Gaëlle Le Gallic - **[Philippe Jaroussky](http://www.philippejaroussky.fr/) et des élèves de l’[Académie Philippe Jaroussky](http://academiejaroussky.org/) à la Seine musicale Clarisse Dalles, soprano Célia Onéto-Bensaïd, piano Sarah Jégou, violon Jérémy Garbarg, violoncelle Vincent Mussat, piano** {% image 3e5021ec-229c-4873-8563-d70e9414de3b %} **[Nathalia Milstein](http://nathaliamilstein.com/fr/biography.html), piano** **[Philibert Perrine](https://www.facebook.com/philibert.perrine), hautbois [Guillaume Sigier](http://www.guillaumesigier.fr/actualites), piano** ## Programme musical **Ludwig van Beethoven** _Sonate n° 28 en la majeur op. 101 I. Etwas lebhaft, und mit der inngsten Empfindung. Allegretto, ma non troppo II. Lebhaft. Marschmäßig. Vivace alla Marcia III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro_ Nathalia Milstein **Frédéric Chopin** _Trois Mazurkas op. 63 I. Mazurka n° 39 en si majeur : Vivace II. Mazurka n° 40 en fa mineur : Lento III. Mazurka n° 41 en ut dièse mineur : Allegretto_ Nathalia Milstein {% image 37b258d3-6671-42c8-bc8b-9c044469e109 %} **Emmanuel Chabrier** _Six Mélodies, VI : L'Île heureuse_ Clarisse Dalles et Célia Onéto-Bensaïd **Francis Poulenc** _Priez pour la paix_ Clarisse Dalles et Célia Onéto-Bensaïd **Gabriel Fauré** _Prison op. 83 n° 1_ Clarisse Dalles et Célia Onéto-Bensaïd **Max Bruch** _Concerto pour violon n° 1 en sol mineur op. 26 : II. Adagio_ Sarah Jégou et Vincent Mussat **Robert Schumann** _3 Fantasiestücke op. 73_ _I. Zart und mit Ausdruck / II. Lebhaft, leicht / III. Rasch und mit Feuer_ Jérémy Garbarg et Vincent Mussat **Clara Schumann** _Trois Romances op. 22 I. Andante molto / II. Allegretto / III. Leidenschaftlich schnell_ Philibert Perrine et Guillaume Sigier **Camille Saint-Saëns** _Sonate pour hautbois avec accompagnement de piano en ré majeur op. 166 I. Andantino / II. Allegretto / III. Molto allegro_ Philibert Perrine et Guillaume Sigier **Amilcare Ponchielli** _Capriccio pour hautbois et piano_ Philibert Perrine et Guillaume Sigier ## Dans la cour des grands **[Monte-Carlo Voice Masters 2017](http://www.montecarlomusicmasters.com/voice/) Du 11 au 15 octobre Génération jeunes interprètes recevra le lauréat ou la lauréate** ## Agenda **Vivaldi-Piazzolla, Saisons : d'un rivage à l'autre 7 et 14 octobre[ Le Concert idéal](http://www.leconcertideal.com/)** **[Jeunes Talents](https://www.jeunes-talents.org/) : demandez le programme d'octobre !** ## Réseaux sociaux[](https://fr-fr.facebook.com/generationjeunesinterpretes/) [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/) - réalisé par : Jean-Pierre Collard

con Francesco Antonioni

Schumann, Robert - Fantasiestücke op. 88 Duett, third movement. Performed by MLC School.

Schumann: Fantasiestücke, Op. 88Brahms: Piano Trio in C minor, Op. 101Johannes Brahms came to Robert and Clara Schumann’s home on September 30th of 1853, as a young composer just 20 years old, and remained a close friend of both for the rest of their lives. The Schumanns provided the young Brahms with emotional, professional and musical support, and they were instrumental in his early successes. The trios we’ll hear today are among the shortest these composers wrote. First is Schumann’s Fantasiestücke, Op. 88. Written just after Robert Schumann’s happy marriage to Clara, the work is generally light in tone, and contains wonderfully catchy melodies. Next we’ll listen to Brahms’s Trio in C minor, a mature work written well after Schumann’s death. In his earlier work, Brahms paid more literal homage to Schumann. In this trio, Brahms is a more established composer, and speaks with his own voice, but his ongoing interest in chamber music was undoubtedly influenced by Schumann.