Podcasts about M43

Kevin Quinley, President of Quinley Risk Associates, talks about his extensive experience in the insurance industry and particularly as an expert witness. Bill and Kevin discuss several tips for attorneys on issues that arise when Kevin is requested to serve as an expert witness, including: last minute scheduling; failing to succinctly frame key issues and not being specific about what's needed from the expert witness; expectations of an immediate opinion from the expert witness after sharing only minimal information; and price resistance. Lastly, Kevin shares his thoughts on how younger attorneys can get more trial experience. Watch the video of this episode: https://www.courtroomsciences.com/r/M43

Indy wants you to be a casual astronomy fan, Samantha read the ballet memoir Swan Dive by Georgina Pazcoguin, and we get ready to explore 1950s sci-fi with The Day The Earth Stood Still! Plus wedding talk, Mark Messier, why sports journalism and Edmonton Oilers fans make Indy look at stars, realtor names, theremin, and more!   The Day The Earth Stood Still full movie: https://archive.org/details/The.Day.The.Earth.Stood.Still1951 The Day The Earth Stood Still Trailer: https://www.youtube.com/watch?v=sVRptT6fa7I&ab_channel=TrailerChan   Messier 43 or M43, also known as De Mairan's Nebula and NGC 1982, is a star-forming nebula with a prominent H II region in the equatorial constellation of Orion. It was discovered by the French scientist Jean-Jacques Dortous de Mairan some time before 1731,[2] then catalogued by Charles Messier in 1769.[a] It is physically part of the Orion Nebula (Messier 42), separate from that main nebula by a dense lane of dust known as the northeast dark lane.[4] It is part of the much larger Orion Molecular Cloud Complex.   Pillars of Creation is a photograph taken by the Hubble Space Telescope of elephant trunks of interstellar gas and dust in the Eagle Nebula, in the Serpens constellation, some 6,500–7,000 light-years (2,000–2,100 pc; 61–66 Em) from Earth.[1] They are so named because the gas and dust are in the process of creating new stars, while also being eroded by the light from nearby stars that have recently formed.[2] Taken on April 1, 1995, it was named one of the top ten photographs from Hubble by Space.com.[3] The astronomers responsible for the photo were Jeff Hester and Paul Scowen from Arizona State University. The region was rephotographed by ESA's Herschel Space Observatory in 2011, and again by Hubble in 2014 with a newer camera. Georgina Pazcoguin is an American ballerina. She is a soloist with the New York City Ballet, and is known for challenging racism in ballet,[2] and for performing on Broadway.

EPISODIO #30 _______ Por fin ha salido la cámara por excelencia del formato M43, ya está entre nosotros la GH6 de Panasonic. Es por eso que hemos invitado al programa a nuestro compañero Pedro Alvera de www.finalcutpro.es, pero esta vez no para hablar de edición (o si), si no para que nos hable de su nueva maquina, la Panasonic GH6, la reina de las micro cuatro tercios. Pedro entre otras cosas es embajador de Panasonic, y ha podido trastear con ella días antes de su lanzamiento. El mejor que nadie nos puede hablar de su rendimiento, diferencias con las anteriores, mejoras y de como se comporta con Final Cut sus archivos prores. Un podcast grabado, editado y publicado de manera urgente, ya que hace unas pocas horas que se ha presentado la GH6, pero vosotros no os merecéis menos… En el podcast hablámos de que os dejaremos un extenso artículo que Pedro y Juan se han currado en su web, pero a momentos de publicar este podcast no estaba disponible, tan sencillo como ir a www.finalcutpro.es y buscarlo ahí. A disfrutar… IG Pedro Alvera: https://www.instagram.com/pedroalvera Podcast: https://camarasalvaje.es Twitter: @finalcutproes _______ Si os ha gustado este episodio y queréis ayudarnos, que sepáis que dándonos 5 estrellas, comentando o compartiendo este podcast nos ayudáis enormemente. No olvidéis suscribiros en la plataforma que mas uséis como Apple Podcast, iVoox, Spotify o Anchor (estamos en las principales), para enteraros antes que nadie cuando sacamos un episodio nuevo. Si queréis contactar con nosotros estamos en Facebook, o mandando un mail a elcortefinalpodcast@gmail.com. El Corte Final es un podcast creado por: Jordi Extremera: Instagram @daddymaza Twitter @daddymaza Web: www.jordiextremera.com Mail: info@jordiextremera.com

Settimana di annunci nel mondo micro 4/3. OM-1 da un lato, Gh6 dall'altro. Le novità non convincono molti, vediamo perché.

Nikon Mobile Air è un'applicazione per collegare smartphone e fotocamere pensata per professionisti. Cosa diventeranno le nostre fotocamere?

In bilico tra la vita e la morte, il micro 4/3 è l'unico formato fotografico concepito espressamente per l'era digitale. Riuscirà a sopravvivere nell'era digitale?

Buttiamo nell'umido un quarto d'ora della nostra vita per disquisire di attacchi delle fotocamere mirrorless, tanto non abbiamo niente di meglio da fare.

獵戶座星雲內底 ê 暗塗粉流是按怎產生 ê？M43 是 獵戶座分子雲 複合體 ê 一部份。伊定定出現，毋閣較罕得予人知影。顛倒是伊邊仔 ê M42 較有名。M42 tī 正爿面頂遐，嘛包括 台形 星 團 內底足濟較光 ê 恆星。M43 是恆星形成區，看起來有複雜交纏 ê 暗塗粉流。是講，伊主要是發光 ê 水素 組成 ê。這規个 獵戶座區 離咱有 1600 光年 遠。Tùi 可見光 來講是袂透光 ê。這張媠甲親像一幅圖 ê 暗 塗粉 區，是 tī 大質量 低溫度恆星 ê 外層大氣 產生 ê。是去予 質子 kah 電子 外部 ê 強粒子風 捒出來 ê。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20211006/ 影像：Jari Saukkonen 音樂：PiSCO - 鼎鼎 聲優：阿錕 翻譯：An-Li Tsai (NCU) 原文：https://apod.nasa.gov/apod/ap211006.html Powered by Firstory Hosting

I discuss my new love for cheap manual fast primes for M43 cameras. See show stuff here: taplink.cc/160spp Now on Instagram: instagram.com/160spp See me on the web biggphoto.blot.im/160s-photography-podcast I use Happyscribe for subtitling and transcribing: www.happyscribe.com/?ref=biggphoto Milanote link (this will give me a perk if you use it!): www.milanote.com/refer/rcCYnd...

I discuss my new love for cheap manual fast primes for M43 cameras. See show stuff here: taplink.cc/160spp Now on Instagram: instagram.com/160spp See me on the web biggphoto.blot.im/160s-photography-podcast I use Happyscribe for subtitling and transcribing: www.happyscribe.com/?ref=biggphoto Milanote link (this will give me a perk if you use it!): www.milanote.com/refer/rcCYnd...

This week is a special episode as the Bros add another bro with guest host Tarq! He brings brews from the Land of the Great Lakes, Michigan, with M-43 by Old Nation Brewing. This Highway themed beer tickles our fancies and brings about some major disagreements as far as ratings, while also inspiring some new podcast enemies. Paired with this brew is a poem by a true pioneer for women, Margaret Curry Rorke. In addition to an esteemed law career and many firsts for Michigan Women, Margaret Rorke also brought a world of poetry to the world that her children share to this day at https://poemsforallseasons.com/ which we recommend you check out. While we discuss her poetry we get into discussions of what makes a Michigander, Metallica, and all the other diversions you expect from these crazy Bros. Enjoy the episode!Cheers!

This week we traveled to Dewitt Michigan to meet up with our friend Scott Abramouski. After getting a great training session together, we sat down for a conversation about how Scott started M43 and the things that have helped his unique model succeed. M43 Website M43 Instagram M43 Facebook Page Link to Pre-Order T-shirts Link to Sign Up For B&B Training Programs

M43 is a producer, DJ and label owner. You can find his label, Beatdown Bass on all major music platforms. Don't forget to subscribe and support us for future episodes of Beat Whanau Podcast. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/beatwhanau/message

A while ago I traded in some of my M43 kit that I wasn't using for a Ricoh GR3. Spoiler it's great, but not for everyone. After a few weeks I recorded this review. I delayed the publishing of this episode as I did a topical episode about how Covid-19 had affected my photography, which needed to be published first. So sorry for the delay and please enjoy. Check out my links here: linktr.ee/160spp Have you considered using We Video for video editing. I use this cloud editing software for editing my Youtube videos. Below is an affiliate link, should you wish to support the podcast: http://share.wevideo.com/szTll

A while ago I traded in some of my M43 kit that I wasn't using for a Ricoh GR3. Spoiler it's great, but not for everyone. After a few weeks I recorded this review. I delayed the publishing of this episode as I did a topical episode about how Covid-19 had affected my photography, which needed to be published first. So sorry for the delay and please enjoy. Check out my links here: linktr.ee/160spp Have you considered using We Video for video editing. I use this cloud editing software for editing my Youtube videos. Below is an affiliate link, should you wish to support the podcast: http://share.wevideo.com/szTll

Yup. It's exactly what it sounds like. For the next 3 days we have a digital billboard on US-131 Northbound, right next passed the White Caps. Why do I spend my money this way? Since this recording I have actually bought two versions! One is very dumb and just says Local Roots... yadda yadda yadda. The other? Just our faces. Why? Great question. Aside from me never paying off my student loans due to terrible life decisions, (like starting a podcast, and buying billboards) we also break down how to treat your sweetie this V-day. Take it from us pros. :) Last but absolutely not least is our review of Old Nation's M43. One of the all time most iconic NEIPA's here in Mighigan. Also, I don't condone what that little kid called Brian on the ski hill. Follow us @thebillboardonUS131 We no longer do social media. Just new billboards every week! bye --- Support this podcast: https://anchor.fm/localroots/support

Technetium is the thing with the number thing. NASCAR is a thing some people do things with and about. Gamma rays are apparently things as well. M43 is some kind of astronomical thing. George W. Bush was actually a fucking thing - we don't know why. Mushroom head Richard Petty. Find out more at https://gggrinfinite.pinecast.co

Episode 330 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Shoot from the Pit, David Bergman In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Shoot from the Pit's David Bergman.  Thanks David! Sponsors: - Build Your Legacy with Fujifilm - Get 20% off at BenroUSA.com with offer code PetaPixel20- Buy a Forza 300 & get a Forza 60 (a $289 value) or Buy a Forza 60 & get a free battery grip (a $49 value) at NanLiteUS.com- Get FreshBooks cloud accounting FREE for 30 DAYS by entering PetaPixel in the "How Did You Hear About Us?" section at FreshBooks.com/PetaPixel - More at LensShark.com/deals. Stories: Sony takes the number two spot in digital camera sales. (#) Canon is said to be working on a pro body with a hybrid mount. (#) Sigma releases its long-awaited 24-70mm f/2.8 Art for E-mount at a nice price. (#) Sigma unveils its 40mm f/1.4 Art and 105mm f/1.4 Art for L-mount. (#) A photographer sues her city preemptively. (#) Olympus goes on the record about rumors of its demise. (#) Frame-frame isn't for everyone and M43 is fine. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Due to popular demand, we share our thought on claims that the M4/3 system is dead. Marco invited Scott Bourne back on the show to step on their virtual soapbox and discuss some of the claims about the demise of the M4/3 system now that so many new Full-Frame mirrorless camera systems have entered the market. And in the second half of the show, they cover some mirrorless news, a mirrorless listener question, and pick the mirrorless photographer and photo of the month.   This show is sponsored by: COSYSPEED - The fastest camera bags in the world. http://bit.ly/STREETOMATIC    Skylum Luminar3 - The cutting edge photo editor http://bit.ly/PPN-Luminar3  The claim “Micro Four-Thirds is dead, ranks pretty high on the clickbait charts these days, but there are plenty of facts and arguments that contradict these claims. For example, some people may see the introduction of the Full-Frame S1 camera system by Panasonic LUMIX as proof, that Panasonic will abandon their M4/3 camera system. While looking at Fuji and Sony who run two complete camera systems with different sensor sizes successfully next to each other, such a move can simply be seen as a move to grow market share catering to more photographers. Besides that, different sensor sizes do have certain advantages over the other and some of these are covered in this episode. Some cameras and lenses matching this conversation are: Olympus OM-D E-M1X B&H: https://bhpho.to/2CEmWhH    Panasonic LUMIX G9 B&H: https://bhpho.to/2Jy9B0u  Amazon Germany: https://amzn.to/2KxmzJy    Panasonic GH5 B&H: https://bhpho.to/2JQLhr1  Amazon Germany: https://amzn.to/31t1AP4    Olympus ED 300mm f4 IS PRO lens B&H: https://bhpho.to/2JQ4kBB  Amazon Germany: https://amzn.to/2yOsSTB    Panasonic Leica DG Vario-Elmarit 50-200mm f2.8-4 ASPH O.I.S. B&H: https://bhpho.to/2JEkV7s  Amazon Germany: https://amzn.to/2YUw4I9    LUMIX S1 B&H: https://bhpho.to/2Ip0pLK    LUMIX S1R B&H: https://bhpho.to/2IoT9zJ    Hasselblad X1D II 50C Scott and Marco both tested the first iteration of Hasselblad’s mirrorless FF camera about 3 years ago. The upgraded second version of this camera has improved in especially in the speed and usability department. A huge rear LCD and higher resolution EVF next to quicker start-up time and less blackout time between shots. Marco was also really impressed by the new USB-C option to tether the camera directly to your iPad Pro and run Hasselblad’s Phocus 2 app as an instant preview and editing extension to your workflow. And another nice fact about the camera is that the price has been reduced considerably compared to the release price of the previous version. B&H: https://bhpho.to/2ZLIOlG    Hasselblad CFV II Scott and Marco have fond memories of working with their analog V500 Hasselblad systems. And now Hasselblad revives the system with the CFV II 50C digital back. It attaches to old analog V500 cameras and turns them into a digital medium format camera system. But with the addition of the new tiny 907X body, the CFV II tunes into a very compact medium format camera for the new Hasselblad XCD lens system. And conveniently, that setup allows for autofocus, too.   Hasselblad 907X Special Edition B&H: https://bhpho.to/2ZPYrZ4  Olympus Tough TG-6 Camera SSummertimeis rugged camera time and Olympus added some improved features to this latest iteration of the TG-system that Marco and Scott discuss. B&H: https://bhpho.to/2ZMwIsx  Amazon Germany: https://amzn.to/2TpmH1R    Olympus 150-400mm f4.5 TC 1.25x IS PRO lens Scott shares some thoughts on the future Olympus tele-zoom lens that maybe the next game-changer in wildlife photography. Mirrorless question of the month: What're your views on attracting birds for photography? For me bating is out of the question but what about calling birds with your phone with an app is that acceptable? Question by: Rick, Toronto, Canada   Marco adds a mirrorless component to the question: What are Scott’s two suggested bird photography setups right now?   Budget set: Olympus OM-D E-M10 Mark III B&H: https://bhpho.to/2LpfCct   Amazon Germany: https://amzn.to/31o0LqO   Olympus ED 75-300mm f4.8-6.7 II lens B&H: https://bhpho.to/2ZJDKOB Amazon Germany: https://amzn.to/2YC53Ol    Pro set: Olympus OM-D E-M1X B&H: https://bhpho.to/2CEmWhH      Olympus ED 300mm f4 IS PRO lens B&H: https://bhpho.to/2JQ4kBB  Amazon Germany: https://amzn.to/2yOsSTB    We have a PPN Photo Podcast Network group at Flickr (click link) that is open to our listeners and photos taken with all mirrorless camera brands. If you want to join just let us know through the "request invitation" button on the group and drop us a quick line there. We'll add you to the group then. And please ask for the invite via the web browser and not via the Flickr App. The invite process via the app has not been working reliably. You can also submit an image using the Instagram hashtag #WeShootMirrorless   We have picked our monthly featured photographer and image from the submitted photos. Our monthly We Shoot Mirrorless feature photo and photographer of the month is: Paul Stuart  - Title: Arctic Tern. See his image at the bottom of this page. Links to Scott Bourne: Web: https://scottbourne.online  Instagram: https://www.instagram.com/bourne.scott/ Facebook: https://www.facebook.com/scottbourne  Twitter: https://twitter.com/scottbourne  Podcast: https://picturemethods.com/category/podcasts/    Links to Marco Larousse: Web: www.MarcoLarousse.com  Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/  Facebook: https://www.facebook.com/MarcoLarousse1  Workshops: https://www.marcolarousse.com/street-photography-workshops/    Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: http://www.youtube.com/c/PPNPhotoPodcastNetwork  Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) that will not cost you a penny more than when you are buying at B&H or Amazon without our link. And please share this podcast with your friends and subscribe via Apple podcasts, Google Podcasts, or search for “PPN” in your favorite podcast app. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes.   For more information on Marco Larousse follow him on Twitter: @HamburgCam   About this show: On the monthly #WeShootMirrorless episode of the “PPN - Photo Podcast Network” show, Marco and a guest will discuss news from the mirrorless camera world related to innovations, trends, gear, and accessories. And they will introduce mirrorless camera brands by interviewing the respective managers of those manufacturers. They will also invite pro photographers who make their living working with mirrorless cameras to share some tips and tricks about their workflow.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Un programa especial , un Crossover con el podcast Portierramaryaire podcast, no es el primer crossover grabado pero sí el primero publicado. A lo largo de programa, en el que participan Juan Luis Chulilla y Sergio Murata, se hablará de los dos cartuchos moderos soviéticos, el M43 o 7,62x39 y el 7N6 o 5,45x39, así como de diversos aspectos como balística, efectos de la munición, experiencias y por supuesto historia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Episode 319 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Photographer, author, and educator, Nicole S. Young (aka Nicolesy) In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener:Photographer, author, and educator, Nicole S. Young (aka Nicolesy).  Thanks Nicolesy! Sponsors: - Build Your Legacy with FUJIFILM - Get 20% off at XRitePhoto.com with offer code PetaPixel20- Get FreshBooks cloud accounting FREE for 30 DAYS by entering PetaPixel in the "How Did You Hear About Us?" section at FreshBooks.com/PetaPixel - More at LensShark.com/deals. Stories: Culling photos just got even faster than before. (#) Our weekly Share Your Legacy photo assignments kick off. (#) Luminar Flex is a thing. (#) TIPA's best gear of the year. (#) Sharp joins in on M43 . (#) The supremes say...no. (#) Adobe's Content-Aware Fill just got spookier. (#) Panasonic's G95 wants to do it all. (#) Ricoh's GR III may have a bit of a wobble. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

Episode summary: Is there ever a time when it is ok to work for free as a photographer, and if so, when would you make that exception? And with all of the new fancy full-frame cameras on the market, when would you consider a full-frame camera over a smaller APS-C or m4/3 camera?   Please submit your photography related questions to us here: http://www.photopodcasts.com/contact.html This episode is sponsored by:   Skylum Luminar 3 - Supercharge your image editing and organizing http://bit.ly/PPN-Luminar3 Here are the questions that Marco answers in this episode:   Hi Marco, You have mentioned in the past that photographers should not work for free because images have value and there is quite a high direct cost involved with photography (like camera, lens, training, storage, software, computer, etc.). But would you consider to work for free for a charitable non-profit organization? I have been approached by a local organization and would like to hear your opinion if I should make an exception here? Love the shows! Regards, Soeren Question from: Soeren, Stockholm, Sweden Hi Marco, I enjoy your Podcast very much. I am considering the Fuji XT3, but you mentioned on your recent podcast that you would consider a full frame camera for large prints. So just how big can you print with the Fuji APS-C ( XT-2 or XT-3) cameras that you would consider museum quality? Especially, with the new algorithm in Photoshop to up-Res your pictures or even using On1 Software "Resize". Question from: Rick G., Miami, Florida   Gear discussed in this question:   Fujifilm X-T3: B&H: https://bhpho.to/2GioWhA   Panasonic S1R: B&H: https://bhpho.to/2IoT9zJ Please support our show by using our B&H affiliate link (click here) or Amazon Germany link (click here) that will not cost you a penny more than when you are buying at B&H or Amazon without our link.   Check out the Skylum LUMINAR 3 software: Link: http://bit.ly/PPN-Luminar3 (use the discount code “PHOTOPODCASTS” at checkout for extra savings)   And please share this podcast with your friends and subscribe via Apple podcasts, Google Podcasts, or search for “PPN” in your favorite podcast app. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review for our shows on iTunes. Links to Marco Larousse: Web: www.MarcoLarousse.com Twitter: @HamburgCam Instagram: https://www.instagram.com/marco.larousse/ Facebook: https://www.facebook.com/MarcoLarousse1   Links to PPN: Web: www.PhotoPodcasts.com or PPN.fm Twitter: @Photopodcasts Facebook: https://www.facebook.com/photopodcasts/ YouTube: http://www.youtube.com/c/PPNPhotoPodcastNetwork Apple Podcasts: http://bit.ly/ppn-apple-podcasts Google Podcasts: http://bit.ly/PPN-GooglePodcast

:56-4:55 Mandatory Beer Talk: There’s a problem with Michigan Haze 5:26-37:15 Luke Dick 37:38-52:14 Litchfield Distillery 52:37-55:39 Brad Paisley 56:08-1:02:33 Songs We Dig Voice over provided by Matt Gilcheck Voice Over Web design by Frank Vieira Graphic design by Paul Baker

On this episode of Photo Geek Weekly, Don is joined by veteran photo tinkerer Chris Niccolls to discuss the new Olympus OM-D E-M1X as Chris has had the camera hands-on, and the podcast continues with the value of our social media accounts, why a 1TB memory card might be “too soon” or at least “too [...]

On this episode of Photo Geek Weekly, Don is joined by veteran photo tinkerer Chris Niccolls to discuss the new Olympus OM-D E-M1X as Chris has had the camera hands-on, and the podcast continues with the value of our social media accounts, why a 1TB memory card might be “too soon” or at least “too [...]

《摄影叨B叨》第551期- 前几天，奥林巴斯发布了他们最强的M43画幅无反相机，这台相机有着非常强悍的连拍和对焦性能，那具体这台旗舰机型有哪些亮点呢？大石老师带大家一起解析！加入【摄影叨B叨】微信交流群：1、添加课代表菠萝微信：fnweiketang012、备注：喜马拉雅

《摄影叨B叨》第551期- 前几天，奥林巴斯发布了他们最强的M43画幅无反相机，这台相机有着非常强悍的连拍和对焦性能，那具体这台旗舰机型有哪些亮点呢？大石老师带大家一起解析！加入【摄影叨B叨】微信交流群：1、添加课代表菠萝微信：fnweiketang012、备注：喜马拉雅

Many photographers love the Micro Four-thirds mount for its small size and big feature set... But increasingly, full-frame mirrorless cameras are a similar size and produce undeniably superior results. With Canon and Nikon joining Sony in the full-frame mirrorless market, and Fuji creating value-oriented APS-C cameras, I think it’s inevitable that those lens mounts will lure most new photographers. Additionally, many existing Micro Four-Thirds photographers will be lured to competing camera systems because of the cleaner images, better low-light capabilities, and a wider selection of fast lenses. If nothing else, people think full-frame sensors always produce better images, even if that’s not always true.   Sponsor: http://squarespace.com/tony, coupon code ‘tony’   Watch a video of this podcast at http://sdp.io/dead

什么心态？可能真的只是为了方便、实用。加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　　早安，我是叶梓。今天是摄影早自习陪伴大家的第840天，我今天想回答一下ZI同学的问题，他说：“叶老师，为什么有的摄影师出门会背上几个机器？一个机身多个镜头不行吗？”图片来源网络，作者未知　　我自己在出远门的时候其实也会携带多台机身，一般是两台到四台之间，要视具体情况而定。为什么要这么干？我想主要有四个方面的原因。　　首先我会在不同的机身上安装不同焦距的镜头。比如说前两天去内蒙古的时候我就在腰间用狼蛛的腰带挂了两台相机，左边是一台全画幅的佳能5DSR，右边是奥林巴斯的EM5 Mark 2。左边的佳能机身上挂的是24mm-70mm镜头，右边的奥巴机身上挂着的是等效焦距150mm-600mm的超长焦变焦镜头。这样一来我就非常方便在两种焦段之间切换。比如说有一天的傍晚，我们一边是看到了非常漂亮的日落，一边又看到了非常漂亮的云彩。对于太阳我得用长焦拍摄，对于云我又要用广角拍摄，如果我要换镜头的话，显然会来不及。这是第一个原因，是方便切换焦段。记者们有时会同时使用两台机身以在最佳瞬间同时拍下广角和长焦的画面（图片来源网络，作者未知）　　第二个原因是在某些特别恶劣的天气条件下，我们其实是很不方便换镜头的。比如说奥巴机身它是防水的，镜头也防水，但是你要是把镜头和机身拆开来去换镜头，大雨大雪就可能会飘到机身里面去。我在南极拍摄时身上带的是三台机身，在腰间挂着的左边是超广角，右边是超长焦，中间胸前挂着的是一台35mm的定焦镜头。如果我要拍宏大场景我就用左边的相机，如果要拍企鹅特写我就用右边相机，如果想拍人物、想拍纪实我就用中间的相机。我就不需要去更换镜头了，也不用担心暴风雪漂到机身里面的这么一种情况。图片来源网络，作者未知　　第三个，我们会使用多台机身的原因是不同的画幅，不同的机身会发挥出不同的优势。比如说同样一支镜头用在全画幅机身上的时候，它的可视角度比较广，它看上去的效果比较偏广角一些。但是用在非全画幅机身，比如说APS-C画幅或者是奥巴的M43画幅的机身上的时候，它的焦距就变长了，变得更偏长焦一点。利用这一点我通常在带多台机身的时候会同时带上全幅和非全幅，我会在全幅机身上挂广角，在非全幅机身上挂长焦。这样就可以充分利用上它们的优势，让广角和长焦都变的更夸张一些。　　与之类似的我还会考虑到比如说全画幅更适合在晚上拍照，高感光度下不会有太大的噪点，奥巴的机身它的防抖能力和连拍能力都非常强，或者说我有一台莱卡的纯黑白的数码相机，它拍黑白照片时画质最好。甚至我现在还随身会带着一台奥林巴斯的小傻瓜机，上胶卷的那一种，什么都不用想只管摁就好，用来记录生活是最好的。而且胶片的颜色真的是天然带有滤镜效果，非常漂亮。所以说有时候我们带多台机身是因为每台机身有自己的一些优势。图片来源网络，作者未知　　最后我们携带多台机身出门的第四个原因是有可能我们会想着主要的这台干活的机器坏了以后，我至少得有台备用的。如果是出于这个目的的话，我们通常会带一台性能比较好的机身，同时还会带一台能跟这台机身共用镜头的但是性能差一些的，但是机身非常轻巧的这么一台相机。出发点就是准备一台备用的机身。当然了，既然都已经带出门了，如果我们也准备了多支镜头的话，我肯定还会在备机上也装一支镜头，以充分发挥多台机身的优势。　　以上就是我们为什么会携带多台机身出门的原因，但是嘱咐一句我说的这是出远门真正要去拍东西的一个情况，平时在生活中我一般只随身带一台相机，顶多就是带一台数码再带一台胶片的傻瓜机。图片来源网络，作者未知　　最后再给一个小贴士。很多同学可能会好奇说我们带多台机身的话都挂在脖子上会不会打结啊？缠绕在一起很麻烦。大家可以上一下淘宝去搜索一个很神奇的装备叫做“狼蛛腰带”，它可以帮助我们把相机挂在腰的两侧，而且还有一个双机的版本是可以同时挂两台相机的，再加上它能让相机的重量不是压在脖子上，而是转嫁给双腿，所以挂再重的相机脖子和腰都不用再用力了，所以它基本上就是我出门的一个标准配备。图片来源网络，作者未知　　今天我们就聊到这里，想系统的学摄影的同学可以查看下方海报来了解我们的“自由摄影师”课程，目前新班正在招生中。【自由摄影师】新班招生网页或APP登录网易云课堂，搜索“自由摄影师”或：http://mooc.study.163.com/smartSpec/detail/1001405003.htm【免费试听】扫描上方海报二维码【课程咨询】微信：hello-kato【更多好课】http://study.163.com/topics/masters_yezi　　今天是摄影早自习陪伴大家的第840天，我是叶梓，每天早上6：30，微信公众号“摄影早自习”，不见不散。

什么心态？可能真的只是为了方便、实用。加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　　早安，我是叶梓。今天是摄影早自习陪伴大家的第840天，我今天想回答一下ZI同学的问题，他说：“叶老师，为什么有的摄影师出门会背上几个机器？一个机身多个镜头不行吗？”图片来源网络，作者未知　　我自己在出远门的时候其实也会携带多台机身，一般是两台到四台之间，要视具体情况而定。为什么要这么干？我想主要有四个方面的原因。　　首先我会在不同的机身上安装不同焦距的镜头。比如说前两天去内蒙古的时候我就在腰间用狼蛛的腰带挂了两台相机，左边是一台全画幅的佳能5DSR，右边是奥林巴斯的EM5 Mark 2。左边的佳能机身上挂的是24mm-70mm镜头，右边的奥巴机身上挂着的是等效焦距150mm-600mm的超长焦变焦镜头。这样一来我就非常方便在两种焦段之间切换。比如说有一天的傍晚，我们一边是看到了非常漂亮的日落，一边又看到了非常漂亮的云彩。对于太阳我得用长焦拍摄，对于云我又要用广角拍摄，如果我要换镜头的话，显然会来不及。这是第一个原因，是方便切换焦段。记者们有时会同时使用两台机身以在最佳瞬间同时拍下广角和长焦的画面（图片来源网络，作者未知）　　第二个原因是在某些特别恶劣的天气条件下，我们其实是很不方便换镜头的。比如说奥巴机身它是防水的，镜头也防水，但是你要是把镜头和机身拆开来去换镜头，大雨大雪就可能会飘到机身里面去。我在南极拍摄时身上带的是三台机身，在腰间挂着的左边是超广角，右边是超长焦，中间胸前挂着的是一台35mm的定焦镜头。如果我要拍宏大场景我就用左边的相机，如果要拍企鹅特写我就用右边相机，如果想拍人物、想拍纪实我就用中间的相机。我就不需要去更换镜头了，也不用担心暴风雪漂到机身里面的这么一种情况。图片来源网络，作者未知　　第三个，我们会使用多台机身的原因是不同的画幅，不同的机身会发挥出不同的优势。比如说同样一支镜头用在全画幅机身上的时候，它的可视角度比较广，它看上去的效果比较偏广角一些。但是用在非全画幅机身，比如说APS-C画幅或者是奥巴的M43画幅的机身上的时候，它的焦距就变长了，变得更偏长焦一点。利用这一点我通常在带多台机身的时候会同时带上全幅和非全幅，我会在全幅机身上挂广角，在非全幅机身上挂长焦。这样就可以充分利用上它们的优势，让广角和长焦都变的更夸张一些。　　与之类似的我还会考虑到比如说全画幅更适合在晚上拍照，高感光度下不会有太大的噪点，奥巴的机身它的防抖能力和连拍能力都非常强，或者说我有一台莱卡的纯黑白的数码相机，它拍黑白照片时画质最好。甚至我现在还随身会带着一台奥林巴斯的小傻瓜机，上胶卷的那一种，什么都不用想只管摁就好，用来记录生活是最好的。而且胶片的颜色真的是天然带有滤镜效果，非常漂亮。所以说有时候我们带多台机身是因为每台机身有自己的一些优势。图片来源网络，作者未知　　最后我们携带多台机身出门的第四个原因是有可能我们会想着主要的这台干活的机器坏了以后，我至少得有台备用的。如果是出于这个目的的话，我们通常会带一台性能比较好的机身，同时还会带一台能跟这台机身共用镜头的但是性能差一些的，但是机身非常轻巧的这么一台相机。出发点就是准备一台备用的机身。当然了，既然都已经带出门了，如果我们也准备了多支镜头的话，我肯定还会在备机上也装一支镜头，以充分发挥多台机身的优势。　　以上就是我们为什么会携带多台机身出门的原因，但是嘱咐一句我说的这是出远门真正要去拍东西的一个情况，平时在生活中我一般只随身带一台相机，顶多就是带一台数码再带一台胶片的傻瓜机。图片来源网络，作者未知　　最后再给一个小贴士。很多同学可能会好奇说我们带多台机身的话都挂在脖子上会不会打结啊？缠绕在一起很麻烦。大家可以上一下淘宝去搜索一个很神奇的装备叫做“狼蛛腰带”，它可以帮助我们把相机挂在腰的两侧，而且还有一个双机的版本是可以同时挂两台相机的，再加上它能让相机的重量不是压在脖子上，而是转嫁给双腿，所以挂再重的相机脖子和腰都不用再用力了，所以它基本上就是我出门的一个标准配备。图片来源网络，作者未知　　今天我们就聊到这里，想系统的学摄影的同学可以查看下方海报来了解我们的“自由摄影师”课程，目前新班正在招生中。【自由摄影师】新班招生网页或APP登录网易云课堂，搜索“自由摄影师”或：http://mooc.study.163.com/smartSpec/detail/1001405003.htm【免费试听】扫描上方海报二维码【课程咨询】微信：hello-kato【更多好课】http://study.163.com/topics/masters_yezi　　今天是摄影早自习陪伴大家的第840天，我是叶梓，每天早上6：30，微信公众号“摄影早自习”，不见不散。

全新线上课程【星轨摄影】关注微信公众号：摄影早自习，回复“星轨”【课程顾问微信】hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　　早安，我是叶梓。今天是摄影早自习陪伴大家的第807天。我想回答头条一位用户的提问，他说最近琢磨一件事情，就是半画幅和全画幅拍照的时候到底差多少？对创作好的作品真的影响那么大吗？希望能跟我们一起讨论一下。他说到现在为止他没有发现任何具体的影响，当然他说自己也没有拍出过什么好作品，所以他说自己只是一个自娱自乐的阶段。蓝框：飞思中画幅，白色全画幅，黄色APS-C画幅，青色M4/3，后两者就是所谓“残幅”　　首先我其实真的不太喜欢用“半幅”的描述方法，因为这个太抽象了。画幅也就是感光元件或者说是胶片的大小，从大到小来描述的话，它有大画幅、中画幅，然后往下走是135全画幅，全画幅下边有APS-C画幅、M4/3画幅，再往下就是什么一英寸之类的更小的画幅。其中APS-C画幅的大小是比全画幅的一半还小那么一点点，论面积的话是这样，但是M43画幅的对角线长度正好是全画幅的一半，所以到底APS-C画幅还是M4/3画幅是你所说的“半画幅”？这点就很抽象了。所以我们争取不要这么去讲。APS-C画幅和135全画幅的实际可视角度示意图　　另外还有一些人会把非全画幅的相机带有歧视性的称之为“残幅”，“残”这个字其实真的一点也不文明而且不正确，因为全画幅相机其实只是在整个相机家族里面一个极小的画幅，比他大几倍十几倍面积的中画幅、大画幅的相机有很多，跟它们比起来全画幅是不是也是残幅呢？这种歧视性的称呼不仅错误，而且正是它引导着我们总是去追求所谓的全幅。当然了中画幅和大画幅我们一般摄影爱好者也接触不到，所以我们先把它丢在一边，就来看全幅、APS-C画幅以及M4/3画幅之间的一些区别。为了描述方便，我们在这里就简单地把它称之为全幅和所谓的比全幅更小的那些“非全画幅”的相机。　　它们之间主要有以下四个方面的不同。第一是使用同一支镜头的时候，全画幅相机比那些非全画幅相机的感光元件大大一圈，所以它能拍得更广一些，它的视角更宽广一些，这是最明显的一个区别。但是你可以反过来讲，如果你想把更远的东西放得更大来拍，那还是非全画幅会更有优势。　　第二点区别是全画幅相机在同等像素数量的前提下，假设一个全幅一个非全幅两个都是2000万像素的前提下，全幅相机因为面积比较大，所以它排列这2000万像素的时候比较稀疏一些，没有那么紧凑。同样在使用一种高感光度的设置在拍照的时候，你会发现全画幅相机理论上它的噪点会更小更不明显，那些麻麻点点的东西可能会少一些，画面更平缓一些，理论上是这样子的，但具体机型还要具体分析，不是所有的全画幅都一定会比非全画幅的高感的噪点要好的。　　第三个区别是全画幅相机理论上宽容度更大。因为它每一个像素点能捕捉的光线的量更多一些，所以它会对于曝光过度和的曝光不足这种情况有更大的宽容能力，更容易在后期中给校准回来。不同画幅，只要等效焦距相同，其可视角度完全相同　　第四个区别是如果使用的是等效焦距的镜头的情况下，也就是说全画幅相机使用比如说50毫米的镜头，同时APS-C画幅的相机在使用35毫米镜头，这两镜头它的等效焦距基本上都是50毫米，它的可视角度基本上是同样的。但是实际上因为他们真实的焦距会不同，所以在使用等效焦距的镜头的前提下，全画幅相机拍摄照片景深更小，背景更模糊。如果你觉得背景模糊是一种优势的话，全画幅相机在这里会有一点优势。　　最后回到SimonChen828同学的这个问题：对创作好的作品，全画幅相机影响真的那么大吗？我们承认它们两者之间会有稍许的区别，但是对一幅艺术作品的价值来说，这样的细微区别几乎可以忽略不计。但别忘了，对于商业来讲这点区别还是有用的，比如说你这个照片拍出来是要放在图库上去卖的，或者是你要去做广告用的，它就讲究这么一点点小小的差别，希望你的画质尽可能的好一些，因为人家买你这张照片可能就花了个五万十万了，他当然有权要求你尽量去使用一个画质更好的相机。　　总之一句话，摄影作品它也分艺术和商业，对于艺术的价值来讲，全幅非全幅其实真的区别不是很大，对于商业来讲它可能真的有点作用。那么对于SimonChen828同学来讲，你现在只是自娱自乐嘛，所以完全无所谓，但如果有一天你要成为一个非常著名的卖照片非常贵的一个商业摄影师的话，那么你到时候可能真的有需要去换一个全副相机甚至是更大画幅的相机。不过未来的钱未来再说，我们现在不可能一步到位，你现在即使一步到位了，到了那一天你手头这台昂贵的相机又该退休了，该淘汰了。　　最后还是强调一下我那句话，我总是在说你手头的相机才是你最好的相机，把它给用好了才是你拍出好照片的一个正经的事儿。所以不管你手头的相机是什么画幅，你安安心心去用它就好了，精力要放在艺术上不要放在器材上。加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　今天是摄影早自习陪伴大家的第807天。我是叶梓，每天早上6：30，微信公众号“摄影早自习”，不见不散。

全新线上课程【星轨摄影】关注微信公众号：摄影早自习，回复“星轨”【课程顾问微信】hello-kato加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　　早安，我是叶梓。今天是摄影早自习陪伴大家的第807天。我想回答头条一位用户的提问，他说最近琢磨一件事情，就是半画幅和全画幅拍照的时候到底差多少？对创作好的作品真的影响那么大吗？希望能跟我们一起讨论一下。他说到现在为止他没有发现任何具体的影响，当然他说自己也没有拍出过什么好作品，所以他说自己只是一个自娱自乐的阶段。蓝框：飞思中画幅，白色全画幅，黄色APS-C画幅，青色M4/3，后两者就是所谓“残幅”　　首先我其实真的不太喜欢用“半幅”的描述方法，因为这个太抽象了。画幅也就是感光元件或者说是胶片的大小，从大到小来描述的话，它有大画幅、中画幅，然后往下走是135全画幅，全画幅下边有APS-C画幅、M4/3画幅，再往下就是什么一英寸之类的更小的画幅。其中APS-C画幅的大小是比全画幅的一半还小那么一点点，论面积的话是这样，但是M43画幅的对角线长度正好是全画幅的一半，所以到底APS-C画幅还是M4/3画幅是你所说的“半画幅”？这点就很抽象了。所以我们争取不要这么去讲。APS-C画幅和135全画幅的实际可视角度示意图　　另外还有一些人会把非全画幅的相机带有歧视性的称之为“残幅”，“残”这个字其实真的一点也不文明而且不正确，因为全画幅相机其实只是在整个相机家族里面一个极小的画幅，比他大几倍十几倍面积的中画幅、大画幅的相机有很多，跟它们比起来全画幅是不是也是残幅呢？这种歧视性的称呼不仅错误，而且正是它引导着我们总是去追求所谓的全幅。当然了中画幅和大画幅我们一般摄影爱好者也接触不到，所以我们先把它丢在一边，就来看全幅、APS-C画幅以及M4/3画幅之间的一些区别。为了描述方便，我们在这里就简单地把它称之为全幅和所谓的比全幅更小的那些“非全画幅”的相机。　　它们之间主要有以下四个方面的不同。第一是使用同一支镜头的时候，全画幅相机比那些非全画幅相机的感光元件大大一圈，所以它能拍得更广一些，它的视角更宽广一些，这是最明显的一个区别。但是你可以反过来讲，如果你想把更远的东西放得更大来拍，那还是非全画幅会更有优势。　　第二点区别是全画幅相机在同等像素数量的前提下，假设一个全幅一个非全幅两个都是2000万像素的前提下，全幅相机因为面积比较大，所以它排列这2000万像素的时候比较稀疏一些，没有那么紧凑。同样在使用一种高感光度的设置在拍照的时候，你会发现全画幅相机理论上它的噪点会更小更不明显，那些麻麻点点的东西可能会少一些，画面更平缓一些，理论上是这样子的，但具体机型还要具体分析，不是所有的全画幅都一定会比非全画幅的高感的噪点要好的。　　第三个区别是全画幅相机理论上宽容度更大。因为它每一个像素点能捕捉的光线的量更多一些，所以它会对于曝光过度和的曝光不足这种情况有更大的宽容能力，更容易在后期中给校准回来。不同画幅，只要等效焦距相同，其可视角度完全相同　　第四个区别是如果使用的是等效焦距的镜头的情况下，也就是说全画幅相机使用比如说50毫米的镜头，同时APS-C画幅的相机在使用35毫米镜头，这两镜头它的等效焦距基本上都是50毫米，它的可视角度基本上是同样的。但是实际上因为他们真实的焦距会不同，所以在使用等效焦距的镜头的前提下，全画幅相机拍摄照片景深更小，背景更模糊。如果你觉得背景模糊是一种优势的话，全画幅相机在这里会有一点优势。　　最后回到SimonChen828同学的这个问题：对创作好的作品，全画幅相机影响真的那么大吗？我们承认它们两者之间会有稍许的区别，但是对一幅艺术作品的价值来说，这样的细微区别几乎可以忽略不计。但别忘了，对于商业来讲这点区别还是有用的，比如说你这个照片拍出来是要放在图库上去卖的，或者是你要去做广告用的，它就讲究这么一点点小小的差别，希望你的画质尽可能的好一些，因为人家买你这张照片可能就花了个五万十万了，他当然有权要求你尽量去使用一个画质更好的相机。　　总之一句话，摄影作品它也分艺术和商业，对于艺术的价值来讲，全幅非全幅其实真的区别不是很大，对于商业来讲它可能真的有点作用。那么对于SimonChen828同学来讲，你现在只是自娱自乐嘛，所以完全无所谓，但如果有一天你要成为一个非常著名的卖照片非常贵的一个商业摄影师的话，那么你到时候可能真的有需要去换一个全副相机甚至是更大画幅的相机。不过未来的钱未来再说，我们现在不可能一步到位，你现在即使一步到位了，到了那一天你手头这台昂贵的相机又该退休了，该淘汰了。　　最后还是强调一下我那句话，我总是在说你手头的相机才是你最好的相机，把它给用好了才是你拍出好照片的一个正经的事儿。所以不管你手头的相机是什么画幅，你安安心心去用它就好了，精力要放在艺术上不要放在器材上。加入摄影早自习【微信群】1、添加叶梓私人微信：leonyee7（暗号：喜马拉雅）2、发送“申请入群”　今天是摄影早自习陪伴大家的第807天。我是叶梓，每天早上6：30，微信公众号“摄影早自习”，不见不散。

When Travis Fritts and Nate Rykse started Old Nation Brewing Co. they brought 14+ years of brewing education and experience with them.  They'd dedicated their lives to learning the technical aspects of brewing as well as the differences in brewing methods and ingredients across different cultures.  The result is a brewery that blends these different methods and ingredients to produce unique beers. Initially, the beer they offered was "very traditional and technically accurate."  Director of Growth & Strategy Mark Logusz recounts, "The beer was great, but it was not what anybody wanted to drink."  With that realization, Fritts engaged the members of a local beer group to talk about new styles and after some discussion invited a few out to help with a pilot batch.  The result was the first batch of M-43. Logusz sat down with us recently during M-43's Atlanta market launch.  We chat about "testing the waters" in Atlanta at the Day of the Juice festival, trying to keep up with the demand for hazy IPAs, the difference in pasties and pasties, Old Nation's non-hazy offerings, and the International Festival of Lagers. On our quest to visit every brewery in Georgia in 2018 we visited Abide Brewing in Newnan and caught Line Creek Brewing Company's opening day.  We also joined Wrecking Bar Brewpub to celebrate their 7th anniversary, and took a trip to SweetWater to sample their new 420 Strain G13 IPA, brewed with cannabis terpenes and hemp flavor. In the news this week Chinese-made brewing equipment gets exempted from tariffs, American aluminum price hikes raise some questions, a Swedish brewery prints tweets on beer foam, World Cup fans cause a beer shortage in Moscow, and London's Beavertown Brewery sells a minority stake to Heineken. Next week we're talking Beer and BBQ with The Beer Sommelier Matt Simpson and Smyrna Beer Market owner Brandon King.  Just in time for your 4th of July planning. Beers of the Week Old Nation Boss Tweed | NE DIPA Old Nation Full Earth | NE DIPA Old Nation Greenstone | DDH American Pale Ale Old Nation M-43 |NE IPA

Episode 279 of the PetaPixel Photography Podcast. Download MP3 -  Subscribe via iTunes, Google Play, email or RSS! Featured: Sony Artisan of Imagery, Tony Gale In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Show Opener: Sony Artisan of Imagery, Tony Gale opens the show. Thanks Tony! Sponsors: - Get 10% off at TetherTools.com with offer code PetaPixel10 - Get FreshBooks cloud accounting FREE for 30 DAYS by entering PetaPixel in the "How Did You Hear About Us?" section at FreshBooks.com/PetaPixel - More at LensShark.com/deals. Stories: Solid indications that Canon will soon update two of its 70-200mm lenses. (#) ON1 updates its Photo Raw image processor with a speed boost and more. (#) Google shelves AI-based object removal...for now. (#) Yongnuo updates its 50mm f/1.8. (#) Fujifilm and Xerox break off talks. (#) The Yongnuo YN43 marries your smartphone to a M43 system...with a Canon EF mount. (#) How some stock photographers seem to view other professions. (#) Outtake My other podcast with Brian Matiash, the No Name Photo Show. Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. We’d love to answer your question on the show. Leave us an audio question through our voicemail widget, comment below or via social media. But audio questions are awesome! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

More Gear Show #8 | PPN | November 23rd, 2017   The More Gear Show topic this month is: Thoughts on fast m4/3 lenses, the “holy trinity” - 3 Olympus f1.2 PRO lenses.   Follow @Photopodcasts on Twitter Email: scott@scottbourne.com with questions or use the form on our website You’ll find a visual presentation of these show notes here: https://spark.adobe.com/page/hYCV2mCdSM9Lm/   If you hear the phrase “holy trinity” applied to photography, it means a selection of prime lenses with a wide, a standard, and a medium telephoto focal length. Depending on the type of photography you do, you may never need any other lens. Olympus has just announced two new lenses that join the already shipping Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens to form their new trinity. All of these lenses are fast, f/1.2 lenses. They all come with a manual focus clutch. All three render your images with an almost 3D quality. They all are the beneficiaries of the Olympus Z-Nano coating so flare is well-controlled. All three are MSC (Movie & Still Compatible) All of them have the same size front filter thread at 62mm. All offer what Olympus calls “Feathered Bokeh.” All three are splash proof, dust proof, freeze proof. All offer very fast autofocus. The trio comes with a programmable lens function button and a lens hood is included in the box. (The lens hoods are interchangeable amongst the three lenses.) And one last critical point - unlike DSLR lenses at f/1.2, anyone can focus these new primes - even wide open. Let’s take a quick look at each of these lenses:   Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens The wide angle-of-view coupled with shallow depth-of-field make this the ideal lens for environmental portraits, landscapes, street, documentary or astrophotography. It replaces a 35mm lens (equivalent) on a DSLR system and is a focal length that is always valued. It won’t be shipping until January, but I was afforded a chance to see and hold and touch and play around with a pre-production model and all I can say is WOW! It’s much smaller than I expected it to be. How in the world the engineers at Olympus figured out the technology to make a super fast lens this small and light is a mind-blower. It has all the features you’d expect from a pro lens (including all those listed above.) One of my favorite features is that you can close focus to 3.75 inches! That is insane - you get a .3X magnification (35mm equivalent) which in some cases will be all the macro you need. The 17mm features a newly engineered ED-DSA lens, which Olympus says “possesses the characteristics of both an ED (Extra-low Dispersion) lens element and a DSA (Dual Super Aspherical) lens element” and is designed to mitigate chromatic aberrations and distortions. Key specs for the 17mm lens... Micro Four Thirds System 34mm (35mm Equivalent) Aperture Range: f/1.2 to f/16 Four ED Elements, One ED-DSA Element Super HR, EDA, and Aspherical Elements Z Coating Nano MSC High-Speed Imager AF System Internal Focusing, MF Clutch Weather-Resistant Construction Rounded Nine-Blade Diaphragm   Next up - the other new, fast, prime from Olympus: Olympus M.Zuiko Digital ED 45mm f/1.2 PRO Lens The new 45mm lens (90mm focal length in 35mm equivalent). is perfect for portraits. While Olympus has a 45mm f1/8 lens, it is not weather proof and can't compete with the super wide aperture of the new 45mm f/1.2. As was the case with the 17mm lens, I was afforded a chance to see and hold and touch and play around with a pre-production model. This lens is so good that it makes me want to get back into the portrait business. I guarantee that any portrait artist using this lens to its full potential will have a serious, competitive business advantage. Like the 17mm lens, this one feels good in the hand and is much lighter and smaller than I expected it to be. It too has a great close-focusing distance and it will ship near the end of November for about $1200. Key specs for the 45mm lens… Micro Four Thirds System 90mm (35mm Equivalent) Aperture Range: f/1.2 to f/16 One ED Element, One Aspherical Element Four High Refractive Index Elements Z Coating Nano MSC High-Speed Imager AF System Internal Focusing, MF Clutch Weather-Resistant Construction Rounded Nine-Blade Diaphragm   Lastly, the third lens in the trinity, the already shipping Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens I own the 25 f/1.2 and it is so good that I look for reasons to use it. Let me mention the thing about this lens that impresses me most (other than the fast aperture.) This lens is SHARP. It is very sharp right out of the gate at f/1.2 and offers tack-sharp edge-to-edge sharpness by f/1.2. You can stop down further if you want, but it doesn't garner substantially more image sharpness. Olympus knows that people who will buy a f/1.2 lens want to shoot at f/1.2. It's not big or heavy compared to similar lenses on a DSLR, but some M43 shooters will notice it's 14.5 oz. For me, it is a natural fit on my OM-D E-M1 Mark II. The 25mm f/1.2 from Olympus is a joy to use. If the 17mm and 45mm are as good, then Olympus has a powerhouse trio that even Panasonic shooters might be tempted to buy. Key specs for the 25mm lens… Micro Four Thirds System 50mm (35mm Equivalent) Aperture Range: f/1.2 to f/16 Three Extra-Low Dispersion Elements One Aspherical Element, Four HR Elements Z Coating Nano MSC High-Speed Imager AF System Internal Focusing, MF Clutch Weather-Resistant Construction Rounded Nine-Blade Diaphragm   CONCLUSION The holy trinity of lenses for any particular brand is often the most popular set of lenses for those starting out in photography. Experienced photographers often encourage new photographers to seek out focal lengths resembling what the holy trinity offers. If you’re obsessed with DOF, you want to get the best bokeh. Many companies make super fast lenses, but most photographers who use these lenses either have trouble focusing them or they have to stop down at least one stop (maybe two) to get the lens’ best performance. That is not the case with the new holy trinity - Olympus M.Zuiko Digital ED 17mm F1.2 PRO Lens - the new Olympus M.Zuiko Digital ED 45mm f/1.2 PRO Lens and the already shipping Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens. They all offer great image quality - even wide open. They offer fantastic and beautiful bokeh but still capture all the fine foreground details you want. If I wasn't a bird photographer, I'd be tempted to buy these three lenses and call it good. For many of you, they would help you achieve almost any photographic goal and help you do it in style. Highly recommended. DISCLAIMER: Crop factor and the associated focal length multiplier only affects field of view (FOV). I prefer to reference this as effective focal length (EFL) but others use FOV. Feel free to use whichever term you like. Also please note that I am an Olympus Visionary. My opinions are my own, but in case you might think I have been influenced by my affiliation with Olympus, I wanted to disclose it.   Please support our show by using our B&H affiliate link (click here) that will not cost you a penny more than when you are buying at B&H without our link. And the more this link will be used to buy at B&H, the more giveaways we’ll be able to give back to our listeners through B&H. It really is a “win-win” situation :)   And please share this podcast with your friends and subscribe via iTunes. We would also love to get your feedback. Is there anything that you want us to cover on the show in the future? And we would appreciate if you could take a short moment to rate or post a quick review about our shows on iTunes.   For more information on Scott Bourne follow him on Twitter: @ScottBourne For more information on Marco Larousse follow him on Twitter: @HamburgCam

Travis Fritts, owner and brewer at Old Nation Brewing Company in Williamston, MI, joins us to delve into the populatiy of M43, Old Nation’s version of a New England IPA. We also taste through more than half of the New Orthodox Series, which M43 started. For more information on Old Nation Brewing Company, visit http://oldnationbrewing.com....

Travis Fritts, owner and brewer at Old Nation Brewing Company in Williamston, MI, joins us to delve into the populatiy of M43, Old Nation’s version of a New England IPA. We also taste through more than half of the New Orthodox Series, which M43 started. For more information on Old Nation Brewing Company, visit http://oldnationbrewing.com....

On this special Q&A episode, Scott answers many of the listener questions that he received after announcing his switch from the top of the line Canon full frame DSLR camera to a m4/3 system (Olympus OM-D E-M1 Mark II). Scott discusses questions about these topics: Why switch to a smaller format sensor camera? Does IBIS on sensor work as well as on a top of the line IS lenses for DSLRs? How does the AF of the Olympus compare to that of DSLRs? Is the EVF a limiting factor when shooting fast pace birds in flight? What about image quality when moving to a smaller sensor camera? What about the quality of the smaller m4/3 lenses compared to the big FF lenses? Are there enough accessories available for m4/3 cameras? Are there situations/genres where a smaller sensor m4/3 camera is not the first choice?   Host: Scott Bourne Scott’s Website: www.ScottBourne.com Scott on Twitter: @ScottBourne

Episodio 29. * Primera observación de invierno, y casi seguramente la última de 2016. Lo que es seguro es que sí que es el último episodio colgado este año. Observación de cielo profundo con el dobson de 400mm. Salvo algún test inicial para catar el cielo, son todo galaxias. Es lo que me pedía el cuerpo y lo que sugería la ausencia de luna, nubes y viento. Llego al lugar de observación tal vez un poco tarde, con noche ya cerrada con el planeta Venus brillando de un modo rabioso que casi molestaba a la vista sobre el horizonte SurOeste. Subiendo el puerto de montaña la temperatura es de unos 3 grados, que suben a cinco grados cuando llego pero que no tarda mucho tiempo en bajar un par de grados en una hora o dos. Es una temperatura que es muy soportable porque apenas hay viento. No se oye ningún tipo de animal y casi tampoco se ven. Los únicos seres animados son algún ratoncillo, tres o cuatro, que se han dejado ver por la carretera de llegada. De los objetos mencionados en el episodio, estos son los que observé con mayor o menor intensidad: Nebulosas M42, M43 en Orion; NGC1999 en Orion —> Hay un pequeño artículo monográfico, con su correspondiente audio de apenas cuatro minutos, en el blog: http://nestorgm.com/astronomia/ngc-1999/ Galaxias M31, 32 y 110 en Andromeda. Galaxia M33 con NGC 604 en Triangulum. Galaxia NGC404, Fantasma de Mirach, en Andromeda. Galaxia NGC908 en Cetus. Galaxia NGC1055 y M77 en Cetus. Las galaxias de esta constelación las repaso también en sendos podcast: “De Ballenas y Galaxias” —> http://nestorgm.com/astronomia/de-ballenas-y-galaxias/ Podcast nº 5 “Una Ballena, Un Escultor y Muchos Universos-Isla” —> http://nestorgm.com/?s=Una+Ballena%2C+Un+Escultor+y+muchos+Universos-Isla Galaxia NGC936 en Cetus. Galaxia NGC1022 en Cetus. Galaxia NGC1052 en Cetus. Galaxia NGC1084 en Eridanus. * Promo del podcast Destino Sifaka, de @vallausa https://twitter.com/vallausa * Despedida y formas de contacto para consultas, preguntas y dudas: - Web: nestorgm.com/astronomia/ - Twitter: @Luces_X https://twitter.com/Luces_X - Correo: lucex@nestorgm.com - iTunes: https://itun.es/i6Sg8ym - iVoox: http://www.ivoox.com/podcast-luces-extranas_sq_f1234211_1.html - Spotify: https://open.spotify.com/show/3iEkTJs8B6sOxsWnUTwgyf?si=t5fTPg_qRnWmfhrdPrzZNA

Devin from Devocut.com Joins me to discuss Atomos Ninja student pricing, M43 adapters, and other random stuff, grab bag show today folks.  On itunes: https://itunes.apple.com/us/podcast/dslr-film-noob-podcast/id955926668?mt=2 On soundcloud: https://soundcloud.com/deejay-scharton On dslrfilmnoob.com: http://www.dslrfilmnoob.com/category/podcast/ You can find the show notes here: https://docs.google.com/document/d/1sYgL05WioS-dzyYlvTFJsO2RWpdJF7sQgIHLFvpRCmk/edit?usp=sharing Ask questions at: http://www.reddit.com/r/dslr

Devin from http://impulsenetworks.tv/ joins me to discuss Cinelerra, FD to M43 speedbooster, Sony 24-70 f4, and more. On itunes: https://itunes.apple.com/us/podcast/dslr-film-noob-podcast/id955926668?mt=2 On soundcloud: https://soundcloud.com/deejay-scharton On dslrfilmnoob.com: http://www.dslrfilmnoob.com/category/podcast/ You can find the show notes here: https://docs.google.com/document/d/1U6IOZokMKYR9NcAhtOLMg74hLinrdM96KSVoLcgUzIg/edit?usp=sharing Ask questions at: http://www.reddit.com/r/dslr

Episode Notes The Chrome OS stable channel is promoted to M43. - via Google Chrome Releases - via Google Chrome Releases What is Google Hands Free Payments? - via Hands Free Mediatek’s Chromebook With USB Type-C Spotted! - via Chrome Story You Can Now Access Samba Shares on a Chromebook - via OMG! Chrome! How to Use Skype for Web in Google Chrome - via OMG! Chrome! Microsoft To Counter Chromebooks with $169 Windows 10 Laptop - via OMG! Chrome! Join us next week for another episode of Chromebooks Today!

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