Podcasts about Cetus

In this episode of The Cybersecurity Defenders Podcast, we discuss some intel being shared in the LimaCharlie community.Two significant crypto security breaches occurred in close succession this month, affecting both decentralized and centralized platforms. On May 22, Cetus—a decentralized exchange built on the Sui Network—was exploited via a vulnerability in its automated market maker (AMM). Meanwhile, Coinbase confirmed what it called a “targeted insider threat operation” that compromised data from less than 1% of its active monthly users.A threat group identified as “Hazy Hawk” has been systematically hijacking cloud-based DNS resources tied to well-known organizations, including the US Centers for Disease Control and Prevention (CDC), since December 2023. A newly disclosed vulnerability in Windows Server 2025, dubbed BadSuccessor, has raised major concerns among enterprise administrators managing Active Directory environments.Federal and international law enforcement, alongside a significant number of private-sector partners, have successfully dismantled the Danabot botnet in a multiyear operation aimed at neutralizing one of the more advanced malware-as-a-service (MaaS) platforms tied to Russian cybercriminal activity.

Today's blockchain and crypto news Uphold teases XRP yield and relaunching crypto debit card in US BitGo and Kraken begin distributing $5 billion in former FTX user payouts BitMEX thwarts supposed Lazarus attack Sui community passes governance vote to recover stolen Cetus funds Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Chopping Block – where crypto insiders Haseeb Qureshi, Tom Schmidt, Tarun Chitra, and Robert Leshner chop it up about the latest in crypto. In this episode, the gang reunites to confront a troubling pattern: we're making the same mistakes all over again. From the $223 million Sui hack and validator-led censorship to Coinbase's insider data breach and the Trump token dinner spectacle, this week feels like a remix of the industry's most painful lessons. The crew reflects on how decentralization is being quietly redefined, why newer chains ignore crypto's origin story, and what it means when memecoins are the new access pass to political influence. Also: James Wynn's billion-dollar trades, fading cypherpunk values, and a creeping sense that the crypto future looks a lot like its past. Show highlights

In this week's edition of Risky Business Dmitri Alperovitch and Adam Boileau join Patrick Gray to talk through the week's news, including: EXCLUSIVE: A Scattered Spider-style crew is hijacking DNS MX entries and compromising enterprises within minutes The SVG format brings the all horrors of HTML+JS to image files, and attackers have noticed Brian Krebs eats a 6.3Tbps DDoS … ‘cause that's how you demo your packet cannon Law enforcement takes out Lumma Stealer, Qakbot, Danabot and some dark web drug traffickers Iranian behind 2019 Baltimore ransomware mysteriously appears in North Carolina and pleads guilty CISA's leadership is fleeing in droves, even though the US needs them more than ever. This week's episode is sponsored by Thinkst Canary. Long time friend of the show Haroon Meer joins and talks through where he feels the industry is at, having just returned home from the AI-fueled hype at this year's RSA conference. This episode is also available on Youtube. Show notes China-linked ‘Silk Typhoon' hackers accessed Commvault cloud environments, person familiar says - Nextgov/FCW Risky Bulletin: SVG use for phishing explodes in 2025 - Risky Business Media KrebsOnSecurity Hit With Near-Record 6.3 Tbps DDoS – Krebs on Security Midwestern telco Cellcom confirms cyber incident after days of service outages | The Record from Recorded Future News Microsoft leads international takedown of Lumma Stealer | Cybersecurity Dive Who said what? on X: "Message from the administrator of Lumma Stealer on the forums about the recent events

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Host Christine Lee breaks down the latest news in the crypto industry as bitcoin soared to a new all-time high.Bitcoin soared to a new all-time high of $111,800 on the 15th anniversary of Bitcoin Pizza Day and Eric Trump waves off critics of U.S. President Donald Trump's VIP dinner for his top $TRUMP memecoin holders. Plus, Sui's largest DEX and liquidity provider Cetus loses $240M to hackers. CoinDesk's Christine Lee hosts “CoinDesk Daily.”-This episode was hosted by Christine Lee. “CoinDesk Daily” is produced by Christine Lee and edited by Victor Chen.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cette semaine j'ai recu l'artiste Suisso-Algérienne Flèche Love. Flèche Love, c'est le projet musical d'Amina Cadelli, une artiste suisse d'origine algérienne à la fois autrice, compositrice, chanteuse et chamane des émotions. Ancienne membre du groupe Kadebostany, elle trace aujourd'hui un chemin profondément personnel et spirituel, entre musiques électroniques, traditions ancestrales et poésie engagée. Sa voix, sa force et sa vulnérabilité en font une artiste à part, magnétique, libre, inclassable.Elle était de passage à montréal et j'ai eu la chance de discuter avec Amina de son parcours et de plonger en profondeur dans “Cetus”, cette chanson qui a marqué notre rencontre. Ensemble, on en a fait une véritable mise à nu, instrument par instrument, en décortiquant sa structure, ses arrangements et les choix de production qui en font une œuvre aussi singulière.J'ai découvert l'artiste Flèche Love en scrollant sur Instagram. Une expérience banale aujourd'hui, presque mécanique. Sauf que dans mon cas, je me souviens très bien m'être dit : « J'aimerais donc la rencontrer. » Elle m'intriguait.Mettez-vous dans ma peau un instant : Je travaille en ce moment sur un album qui s'intitule “Le fils d'immigrant”. J'y explore mon expérience, celle de mon père, et la façon dont on interprète le fait de “vivre ici” au Québec. C'est un album qui parle d'exil, de guerre, de transmission, et de ces répercussions invisibles qui traversent les générations.Et pourquoi je vous dis tout ça ? Parce que son album à elle s'intitule “Guérison”. Vous commencez à voir où je veux en venir ?Si mon podcast, Creative Mood, c'est aller à la rencontre de l'autre pour mieux se rencontrer soi-même, alors recevoir Amina dans ce cadre, c'était bien plus qu'une entrevue. C'était un moment chargé de sens. Un full circle moment ? Ma vie en est pleine, on dirait. Be careful what you wish for. ;)Ce que je peux vous dire d'Amina, c'est qu'elle est d'une intention rare. Vive d'esprit, lucide, spirituelle, déterminée. Vous allez découvrir une artiste exceptionnelle, et il y a fort à parier que vous tomberez amoureux·se de son histoire, et de sa musique.Bonne écoute.For everything Flèche Love

There's a New Moon coming up soon, happening on Sunday, the 27th of April!But a New Moon in Taurus?? Well, not exaaaaactly... Are you curious?!Would you like to know more about what this New Moon has in store for us, with its True Aries codes, its activations from Cetus, Mars & Pluto, and more?Are you paying attention to the what's truly going down in our skies?This episode might be just right for you, if so!Tune in to flow & receive.

There's a heightened New Moon after this weekend, on Saturday the 29th of March!And that heightened New Moon is technically a Solar Eclipse!But a Solar Eclipse in Aries?? Not exaaaaaactly... Are you curious?!Would you like to know more about what this Solar Eclipse has in store for us, with its True Pisces codes, activations from Pegasus, Andromeda, Cetus, and more?Are you paying attention to the truth of our skies? This episode might be just right for you, if so!Tune in to flow & receive.

The history of science is punctuated by moments of technological innovation that produce a paradigm shift and a subsequent flurry of discovery. A recent technological innovation that generated diverse discoveries, ranging from a profound shift in our understanding of the origin of humanity to a seismic change in the criminal justice system, is the polymerase chain reaction, or PCR. With us to discuss the history of PCR is one of its innovators, Henry Erlich. As Director of the Human Genetics Department at Cetus Corporation and later as Director of Human Genetics and Vice President of Exploratory Research at Roche Molecular Systems, Henry led developments in diagnostic applications for infectious and autoimmune diseases, forensic genetics, and organ transplantation. His laboratory performed the first forensic DNA case in the United States in 1986 and the first DNA-based post-conviction exoneration. Henry has published over 450 journal articles and three books, which include PCR Technology: Principles and Applications for DNA Amplification, Silent Witness: Forensic DNA Analysis in Criminal Investigations and Humanitarian Disasters, and Genetic Reconstruction of the Past: DNA Analysis in Forensics and Human Evolution. Henry has received numerous awards, including the Association for Molecular Pathology Award for Excellence (2000) and the Profiles in DNA Courage Award (National Institute of Justice, 2005).

Episode 156 Chapter 17, John Cage in the United States. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: EARLY ELECTRONIC MUSIC IN THE UNITED STATES Time Track Time Start Introduction –Thom Holmes 01:25 00:00 1.     Louis and Bebe Barron, “The Bells of Atlantis” (1952), soundtrack for a film by Ian Hugo based on the writings of his wife Anaïs Nin (who's voice you will hear). Tape composition produced at the Barron's studio (New York). 09:01 01:38 2.     Williams Mix (1952) by John Cage. Tape composition produced at the Barrons' studio (New York). 05:42 10:40 3.     Otto Luening and Vladimir Ussachevsky, “Moonflight” (1952) Tape composition produced at the composer's Tape Music Center at Columbia University, the precursor of the Columbia-Princeton Electronic Music Center. 02:54 16:20 4.     Henry Jacobs, “Sonata for Loudspeakers” (1953-54). Tape composition produced at radio station KPFA-FM in Berkeley. 09:29 19:12 5.     Jim Fassett, track “B2” (Untitled) (1955). From the album, Strange To Your Ears. Tape composition produced at CBS radio. 08:15 28:38 6.     Harry F. Olsen, “The Well-Tempered Clavier: Fugue No. 2” (Bach), “Nola” (Arndt) and “Home, Sweet Home” (1955). Disc composition created on RCA Mark I Music Synthesizer at Princeton University. 05:26 36:54 7.     John Cage, “Fontana Mix” (1958). Tape composition produced by Cage at Studio di Fonologia of the Italian Radio (Milan). 11:33 42:33 8.     Tod Dockstader, “Drone” (1962). Tape composition produced privately by the composer (Los Angeles). 13:24 54:06 9.     Kenneth Gaburo, “Lemon Drops (Tape Alone)” (1965). Tape composition produced at the studio for Experimental Music of the University of Illinois. 02:52 01:07:30 10.   Jean Eichelberger Ivey, “Pinball” (1965) from Electronic Music (1967 Folkways). Tape composition produced at the Electronic Music Studio of Brandeis University. 06:12 01:10:20 11.   Pauline Oliveros, “Bye Bye Butterfly” (1965). Tape composition produced at the San Francisco Tape Music Center. 08:05 01:16:32 12.   Olly W. Wilson, “Cetus” (1967). Tape composition produced at the studio for Experimental Music of the University of Illinois. 09:18 01:24:36   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Tune in to your monthly stargazing companion with Leon and Beth as they explore the Borloo night sky this December. Marvel at Venus shining brightly in the western sky after sunset, now at its maximum elongation. Journey south to spot the faint Southern Birds constellations—Grus, Tucana, Phoenix, and Pavo. In the east, find Orion's Belt leading to Sirius, the brightest star, and Jupiter, which is at its stunning opposition. Look north to explore Cetus, the sea monster, and learn its mythological ties to Andromeda and Pegasus. Early risers, don't miss the Geminids meteor shower peaking on December 14th, offering meteors every few minutes before sunrise. Plus, celebrate the summer solstice on December 21st, marking the longest day of the year, and wish a happy birthday to a very influential person on December 25th.

Ray Bradbury, BBC Radio 3 | Leviathan 99 | May 4, 1968Waiter Fitzgerald and who tells the poetic prophetic story of the rocket ship and her crew commanded by a blinded captain, crazed like Herman Melville's Captain Ahab, hurtling through space to intercept the terrible white Moby Dick-like comet Leviathan. On the rocket base Crew of the Cetus 7 Technical direction by Harry Catlin Adapted for stereophony and produced by H. B. FORTUIN Robert Eddison is in 'The Importance of Being Earnest at the Hay-market Theatre. London Second broadcast followed by an interlude at 7.40: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES .Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

With election results coming out, how could Ran not cover it live! Join him in watching the markets and specially crypto while the results are released! - -

Dexalot is a decentralized exchange that brings the look and feel of traditional centralized exchanges without compromising on decentralization and transparency. Dexalot implements an on-chain central limit order book for its trade pairs on the Avalanche platform. Dexalot has been exploding in volume as it expands its reach across even more chains.Guest: Firestorm | Head of Strategy at DexalotDexalot Website ➜ https://bit.ly/DEXavax~This episode is sponsored by Tangem~Tangem ➜ https://bit.ly/TangemPBNUse Code: "PBN" for Additional Discounts!00:00 Intro00:10 Sponsor: Tangem00:40 Uniswap vs Jupiter vs Cetus vs Dexalot02:15 Top 10 Chains02:45 Dexalot overview & goals04:02 Capital Efficiency05:30 User Experience06:32 Simple Swap08:32 Supported Networks09:42 DIP Incentives14:28 Other DEX's adding DIP incentives?15:50 When Optimism, Solana, XRP, Polkadot?16:45 Arena tokens support?18:25 $ALOT Token Utility & Economy21:16 Governance & Launchpad coming?23:15 Dexalot app coming?26:04 Outro#Crypto #avalanche #bitcoin~The Ultimate DEX on Avalanche

There's a Full Moon coming up soon, happening on Thursday the 17th of October! But a Full Moon in Aries?? Well... not exactly… Are you curious?! Would you like to know more about what this Full Moon has in store for us, with its True Pisces codes, activations from the Cetus, Andromeda, Grand aspect patterns, and more? Are you paying attention to the what's truly going down in our skies? This episode might be just right for you, if so! Tune in to flow & receive.

En este episodio de "Luces eXtrañas", nos adentramos en las observaciones astronómicas realizadas a mediados de septiembre bajo un cielo otoñal espectacular, con un telescopio Dobson de 406 mm. Exploramos galaxias en las constelaciones de Cetus, Aries, Pisces y algo de Andrómeda, desde una ubicación a 1300 metros sobre el nivel del mar. Las condiciones de observación eran buenas, con un cielo despejado y sin viento, aunque con algo de turbulencia atmosférica. La medición de calidad del cielo (SQM) fue de 21,1, lo que no permitió una visibilidad perfecta, pero suficiente para captar galaxias discretas y sus detalles. Objetos astronómicos observados: * Messier 74 (M74) - Galaxia en Pisces * Grupo de galaxias en Andrómeda (NGC80, NGC83, IC1543) * Grupo de galaxias en Aries y Pisces (NGC695, NGC678, NGC680, NGC691) * Trío de galaxias en Aries (NGC877, NGC871, NGC876) * NGC821 - Galaxia en Aries * Messier 77 (M77) - Galaxia en Cetus * NGC1055 - Galaxia en Cetus * Trío de galaxias en Cetus (NGC1087, NGC1094, NGC1090) * NGC1072 - Galaxia en Cetus * NGC1073 - Galaxia en Cetus * NGC1016 - Galaxia en Cetus Enlaces y formas de contacto:    Linktree: https://linktr.ee/luces_x

Welcome back to Lez Hang Out, the podcast that wants to make your heart go boom, boom, supernova girl (gender neutral).  This week, Leigh (@lshfoster) and Ellie (@elliebrigida) hang out to talk about why the classic 1999 Disney Channel Original Movie, Zenon: Girl of the 21st Century, Should've Been Gay. This movie was queer MAJOR, and if you were a kid in the 90s like us, phrases like “Cetus lupeedus!” are most likely still living rent free in your head.  For those of you who have not seen Zenon, the story follows a 13 year old girl living on a space station in the year 2049 (which seemed a lot farther off in 1999). She is a chaotic baby gay from the second she shows up on screen and cannot help but get into constant trouble with her BF Nebula, played by the one and only Raven-Symoné. When she gets into a little too much trouble, she is exiled to Earth to live with her Aunt Judy and forced to trade her space stay gay life for a boring one with way too much gravity and nowhere near enough pleather. Between the space stay residents looking like they are perpetually at a gay nightclub, Proto Zoa's genderfluid frosted tips, the bisexual color scheme of space, Zenon's Earth boyfriend Greg's whole horse-girl dyke aesthetic, and Zenon and Nebula's totally lunarious love for one another, we are not sure how anyone ever thought this movie was for the str8s. We know one thing for sure, Zenon: Girl of the 21st Century Should've Been Gay.  You can support Lez Hang Out while unlocking a bunch of awesome perks like access to our exclusive Discord, 22 and counting full-length bonus episodes, weekly ad-free episodes, and more by joining us on Patreon at bit.ly/lezpatreon. You can also support the podcast by buying our original merch at bit.ly/lezmerch (free shipping on orders $100+ with code lhoship) and purchasing our original Lez-ssentials songs for as little as $1 each on Bandcamp! Give us your own answers to our Q & Gay on Twitter @lezhangoutpod and follow along on Instagram, TikTok, and Facebook. You can find your fav tol and smol hosts Ellie & Leigh at @elliebrigida and @lshfoster respectively. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a New Moon coming up soon, happening on Tuesday the 7th of May! But a New Moon in Taurus?? Well, not exaaaaactly… Are you curious?! Would you like to know more about what this New Moon has in store for us, with its True Aries codes, activations from Cetus, waves of subconscious connection, and more? Are you paying attention to the what's truly going down in our skies? This episode might be just right for you, if so!

New and pending shipping regulations are increasing the complexity and costs to operate in the dry-bulk market, resulting in higher barriers to entry. This could drive market consolidation as carriers look to build scale. In this Talking Transports podcast, Cetus Maritime Chief Operating Officer Olivia Lennox-King joins Lee Klaskow, Bloomberg Intelligence senior transportation and logistics analyst, to talk about the state of the dry-bulk and handysize markets. Increased ton-miles from market dislocation, like those in the Red Sea, coupled with a low order book, should bode well for Handy-size rates this year. Lennox-King also talks about how the sector will most likely look to meet global standards to reach net-zero greenhouse-gas emissions by 2050.See omnystudio.com/listener for privacy information.

Cetus lupeedus it's our first DCOM Thursday! Join us as we travel through space and time to a little space-stay in the sky.

Cetus-lupeedus! Will and Sabrina are zooming into another fan favorite with “Zenon: Girl of the 21st Century” starring Kirsten Storms and Raven-Symoné. The film premiered in 1999 as a Disney Channel Original Movie.See omnystudio.com/listener for privacy information.

Cetus-lupeedus! Will and Sabrina are zooming into another fan favorite with “Zenon: Girl of the 21st Century” starring Kirsten Storms and Raven-Symoné. The film premiered in 1999 as a Disney Channel Original Movie.See omnystudio.com/listener for privacy information.

Today we are joined with the elusive Ghost from My Third Eye Podcast! We discuss the up and coming Eclipse! The possible fulfillment of the Red Heifers Prophecy after so many years! Let alone the constellation of Cetus the whale sign. What does it all mean? Step inside our discussion and see! A HUGE Thank YOU to Ghost from My Third Eye Podcast! Please follow him at https://open.spotify.com/show/1yhM1ONahrPGcVbpe1ELZZ?si=taaDNJ7DQQCt0ZdRPzV_FA and at https://www.instagram.com/mythirdeyepodcast?igsh=bDVjamRpY3dhNWxn See us on our Patreon for our awesome series Blood Atonement all about Mormons, Mayhem and Murder! https://patreon.com/UnfilteredRise?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Also follow us on socials at https://instagram.com/unfilteredrise_podcast?igshid=NGVhN2U2NjQ0Yg%252525253D%252525253D&utm_source=qr and https://www.tiktok.com/@unfilteredrisepodcast?_t=8inB4jmKp4d&_r=1 and on https://www.tiktok.com/@unfilteredrisepodcast?_t=8inB4jmKp4d&_r=1 God Bless each and every episode! Have eyes to see and ears to hear! Be Watchers and Witnesses for the Lord Want Merch? https://heidi-luv-shop.fourthwall.com/

If you have been sidelined, this might be your last chance to get into Altcoins and Bitcoin! Today, Sheldon is going to show you which trend to watch closely for perfect entries before these Altcoins take off! Don't miss out!!

My guest today on the Online for Authors podcast is Evelyn Puerto, author of the book, The Girl Who Broke the Dark.  Evelyn states that she reads just about anything, writes in multiple genres, and is the author of the award-winning Outlawed Myth epic fantasy series. When she married, she inherited three stepdaughters, a pair of step-grandsons and a neurotic cat. Currently she writes from South Carolina. When she's not arguing with her characters, she's helping her grandsons catch bugs. In my book review, I stated that The Girl Who Broke the Dark by Evelyn Puerto is another story I simply could not put down. This fantasy, a twisted version of the fairytale, A Sleeping Beauty, had me wishing for more. And once again, I'm thrilled because it is just the first volume in what will become her Royal Mages series. Evelyn weaves a tale about Princess Eliana, her country of Ymittos, and a sleeping prince cursed by the evil sorcerer Cetus. Although she remains unaware of her role until her 18th birthday, Eliana is destined to break the curse or watch her country - and eventually the entire continent - fall victim to Cetus. Unfortunately, to do what she must, Eliana must venture deep underground to face barbarians, monsters, and her own fears. ​I often struggle with fantasy because I get lost in the world building, non-human characters, and social/physical law differences. However, I LOVED LOVED LOVED The Girl Who Broke the Dark and am enthralled with the story. I can't wait to read Puerto's second installment. You can follow Author Evelyn Puerto: Website: https://www.evelynpuerto.com/  Newsletter: https://subscribe.evelynpuerto.com/  Twitter: https://twitter.com/evelyn_puerto  Facebook: https://www.facebook.com/Author.Evelyn.Puerto  Instagram: https://www.instagram.com/theevelynpuerto/  Youtube:   https://www.youtube.com/@evelynpuertoauthor  BookBub Profile  https://www.bookbub.com/profile/evelyn-puerto    Teri M Brown, Author and Podcast Host: https://www.terimbrown.com  FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   #evelynpuerto #thegirlwhobrokethedark #fantasy #epicfantasy #epicfantasyadventure #fairytalefantasy #swordandsorceryfantasy #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview

Israel 365 Article: https://israel365news.com/386912/solar-eclipse-of-biblical-proportions-will-transverse-the-continental-united-states/?vgo_ee=N70Cwy8mN8ekU%2F8pzqwhAZnwm76yD6nhWOTyujnTuvqcgYUNH%2Bj1JvykezsnWA%3D%3D%3A7fli%2FfQC6tUDES0ewEHud9liwN2CWXV5**Video of The Colorless Rainbow" https://x.com/MAJMO50/status/1761610814304194581?s=09 **Video of The Colorless Rainbow" https://x.com/MAJMO50/status/1761610814304194581?s=09 **Thank you for supporting this ministry, I lovingly refer to as "The Little Green Pasture." Click here: PayPal: http://paypal.me/JoanStahl **Please prayerfully consider becoming a ministry partner: Patreon: https://www.patreon.com/joaniestahl **Contact Email: jsfieldnotes@gmail.com **Subscribe to me on Rumble: https://rumble.com/c/c-534183 **Subscribe to me on Bitchute: I have been having trouble with the link so just go straight to https://www.bitchute.com/ and typing "Joanie Stahls Field Notes" in the search bar. Thank you! On August 21, 2017 there was an eclipse known as “the Seven Salem Eclipse” because the path of that eclipse crossed over seven U.S. locations named “Salem." Now seven years later there will be another one that is very compelling on April 8, 2024. The path of the upcoming solar eclipse will cross over seven U.S. locations named “Nineveh." Actually there will be eight in total. The eclipse will also cross over a location named “Nineveh” in the province of Nova Scotia in Canada. There also being a seven planetary alignment with the sun. As well as a constellation that day called "Cetus" which is "The Whale." And one of the cities is called "Rapture," Illinois and another called "Jonah," Texas, and "Little Egypt" Texas. We cannot escape the obvious seven Nineveh's. We directly read in Matthew 12:38-45 where Jesus speaks about "the sign of Jonas the prophet." We understand that the sign was related to Jesus death, burial and resurrection. However there was something else that happened during Jonah's prophecy. There was an eclipse. It was no ordinary eclipse but one that had great portent. Portent means: "something that foreshadows a coming event, omen and sign. Prophetic indication or significance, marvel." This coming eclipse would meets this definition. Jesus Christ is coming again in the Rapture and soon after in the Second Coming. Make sure you repent of all of your sins, be clean and made ready for Him. "And that, knowing the time, that now it is high time to awake out of sleep: for now is our salvation nearer than when we believed." Rom. 13:11. “Meditate of Christ's coming to judgment. Surely thou wilt not easily sleep while this trumpet, that shall call all mankind to judgment, shall sound in thy ear.” ~ William Gurnall --- Send in a voice message: https://podcasters.spotify.com/pod/show/joanie-stahl/message Support this podcast: https://podcasters.spotify.com/pod/show/joanie-stahl/support

The Sun is near the top of its class — class “G.” Such stars all have about the same temperature, so they look yellow. Members of the class that are in the prime of life, as the Sun is, are also close to the Sun's mass, size, and brightness. That doesn't mean the stars are just alike, though. They're different ages, they spin at different rates, and they have different levels of activity. A close example is Kappa Ceti, in Cetus, the whale. The star is about 30 light-years away. It's almost exactly the same size and mass as the Sun. But it's only 85 percent of the Sun's brightness, and it spins about three times faster. And those two facts are related. Kappa Ceti is a few hundred million years old — less than 10 percent the age of the Sun. Younger stars rotate faster than older stars — a result of their formation. They spin fast as the cloud of dust and gas that gave them birth collapses. A rapidly spinning star generates a stronger magnetic field. That creates more and bigger “starspots” — dark storms on the surface. And that reduces the star's overall brightness. In the case of Kappa Ceti, some of the spots are so big that they cause the star's brightness to change as the spots rotate into and out of view. Kappa Ceti is high in the south-southwest at nightfall. Under dark skies, it's just visible to the unaided eye. It's well to the left of the brilliant planet Jupiter, and to the lower left of the Moon. Script by Damond Benningfield

Cetus lapetus! Sara and Nora are back in a luminarious way to discuss THE it girl of 2049, Zenon Kar. It's gonna be major!

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In mythology, Perseus was a hero. Today, we might give him a more dramatic title: monster killer. He dispatched not one, but two nasty creatures. As a result, he's commemorated in the stars. His constellation is in the northeast at nightfall, above the bright star Capella. Perseus was the son of Zeus, the king of the gods of Olympus, and a mortal woman. Polydectes, the king of Perseus's home island, sent him to kill Medusa, one of the Gorgons — sisters with writhing snakes on their heads. One look at them turned the viewer to stone. Perseus chopped off Medusa's head. He then killed Cetus, a sea monster who'd been sent to ravage Ethiopia. Finally, Perseus used Medusa's head to turn the king and his cronies to stone after they'd mistreated his mother. When Perseus died, Zeus placed him in the heavens. The hero's brightest star is Mirfak, a name that means “elbow.” It's directly above Capella in early evening. It's more than 500 light-years away. It's more than 60 times the Sun's diameter, and 5,000 times its brightness. Mirfak is about 40 million years old — a mere infant. Yet its life is almost over. It's about eight times the Sun's mass. Such heavy stars burn out quickly. As Mirfak dies, it might expel its outer layers, leaving only a heavy white dwarf. On the other hand, it might blast itself to bits as a supernova, leaving a super-dense corpse known as a neutron star.  Script by Damond Benningfield Support McDonald Observatory

Cetus lupeedus! As this DCOM classic approaches its 25th anniversary, Liz and Mike dive into hydroponic gardening, the value of getting sick, boats that fly, and "lunarious" dialogue!

There's a heightened Full Moon later this week, on Saturday the 28th of October! And that heightened Full Moon is technically a Lunar Eclipse! But a Lunar Eclipse in Taurus?? Not exaaaaaactly... Are you curious?! Would you like to know more about what this Lunar Eclipse has in store for us, with its True Aries codes, activations from Cetus the Whale, and more? Are you paying attention to the truth of our skies? This episode might be just right for you, if so!

Characters in Greek mythology never seemed to learn that it was a bad idea to disrespect the gods. Consider Cassiopeia, the queen of Ethiopia. Her vanity led to all kinds of trouble with the gods — and eventually got her placed in the stars. Cassiopeia was a great beauty. But her trouble started when she boasted that she was more beautiful than a group of sea goddesses known as the Nereids. They didn't like the put-down at all, and they plotted revenge. One of them was married to the sea god, Poseidon. As a punishment, he sent the monster Cetus to ravage the coast of Ethiopia. To appease him, Cassiopeia and her husband, King Cepheus, chained their young daughter Andromeda at the shore as a sacrifice. Before Cetus could get her, though, she was rescued by Perseus, who killed the monster. Perseus and Andromeda were married and, according to most versions of the tale, lived a long and happy life together. Cassiopeia's punishment wasn't over, though. In fact, it's still going on. The gods placed her in the stars, where she wheels around the North Star. Part of the time she sits upright, but part of the time she hangs upside down — one last indignity for disrespecting the gods. Look for Cassiopeia well up in the northeast at nightfall. She's easy to find because her brightest stars form a letter M or W. The constellation wheels high across the north after midnight. Tomorrow: remnants of a disappearing comet.  Script by Damond Benningfield Support McDonald Observatory

Ab etwa 23 Uhr zeigt sich der Walfisch am Osthimmel. Er ist das viertgrößte Sternbild. Zwar fehlen ihm sehr helle Sterne, aber er hat eine markante Form aus langem Hauptkörper und einem aufgesetzten Sternring.Lorenzen, Dirkwww.deutschlandfunk.de, SternzeitDirekter Link zur Audiodatei

A recent discovery by Hubble Space Telescope sounds like a cosmic version of “Beauty and the Beast.” A beastly black hole appears to be leaving a trail of beauty in its wake: a ribbon of bright stars. Astronomers discovered the system as a small streak of light on a Hubble image. Follow-up observations revealed that it's more than seven billion light-years away and 200,000 light-years long. There appears to be a hot spot at one end of the streak, and a small galaxy at the other. A trail of young stars connects them. The team that discovered the system says the hot spot probably contains a black hole up to 20 million times the mass of the Sun. It's plowing through clouds of gas, heating them and making them shine brightly. The gas flows around the black hole. It cools and condenses, forming new stars. The black hole might have started its jaunt almost 40 million years ago. Three galaxies merged and their black holes fell toward each other. A complex dance sent one of the black holes careening off into space. A few months after the initial announcement, though, other astronomers suggested that the system is a lot less exciting. It's simply a thin galaxy seen edge-on, so it looks like a bright streak of light — beauty without the beast. Whatever its true nature, the system is in the head of Cetus, the whale or sea monster, which is in the southeast at dawn, close to the brilliant planet Jupiter.  Script by Damond Benningfield Support McDonald Observatory

Episode 99 Crosscurrents in Electronic Tape Music in the United States Playlist Louis and Bebe Barron, “Bells of Atlantis” (1952), soundtrack for a film by Ian Hugo based on the writings of his wife Anaïs Nin, who also appeared in the film. The Barrons were credited with “Electronic Music.” The Barrons scored three of Ian Hugo's short experimental films and this is the earliest, marking an early start for tape music in the United States. Bebe told me some years ago about a work called “Heavenly Menagerie” that they produced in 1950. I have written before that I think this work was most likely the first electronic music made for magnetic tape in the United States, although I have never been able to find a recording of the work. Bells of Atlantis will stand as an example of what they could produce in their Greenwich Village studio at the time. They were also engaged helping John Cage produce “Williams Mix” at the time, being recordists of outdoor sounds around New York that Cage would use during the process of editing the composition, which is described below. The Forbidden Planet soundtrack, their most famous work, was created in 1956. 8:59 John Cage, “Williams Mix” (1952) from The 25-Year Retrospective Concert Of The Music Of John Cage (1959 Avakian). Composed in 1952, the tape was played at this Town Hall concert a few years later. Premiered in Urbana, Ill., March 22, 1953. From the Cage database of compositions: “This is a work for eight tracks of 1/4” magnetic tape. The score is a pattern for the cutting and splicing of sounds recorded on tape. Its rhythmic structure is 5-6-16-3-11-5. Sounds fall into 6 categories: A (city sounds), B (country sounds), C (electronic sounds), D (manually produced sounds), E (wind produced sounds), and F ("small" sounds, requiring amplification). Pitch, timbre, and loudness are notated as well. Approximately 600 recordings are necessary to make a version of this piece. The compositional means were I Ching chance operations. Cage made a realization of the work in 1952/53 (starting in May 1952) with the assistance of Earle Brown, Louis and Bebe Barron, David Tudor, Ben Johnston, and others, but it also possible to create other versions.” This was a kind of landmark work for John as he explored the possibilities of working with the tape medium. It is the only work from this period, created in the United States, for which there is an original recording of a Cage realization. He also composed “Imaginary Landscape No. 5” in 1952 for 42-disc recordings as a collage of fragments from long-playing records recorded on tape (he preferred to use jazz records as the source), put together with the assistance of David Tudor. Though some modern interpretations exist, there is no recording from the 1950s of a Cage/Tudor realization so I am unable to represent what it would have been like at that time. 5:42 Otto Luening and Vladimir Ussachevsky, “Moonflight” (1952) from Tape Music An Historic Concert (1968 Desto). This record documents tape pieces played at perhaps the earliest concert of American tape music at the Museum of Modern Art, New York, October 28, 1952. Realized at the composer's Tape Music Center at Columbia University, the precursor of the Columbia-Princeton Electronic Music Center. 2:54 Otto Luening, “Fantasy in Space” (1952) from Tape Music An Historic Concert (1968 Desto). Realized at the composer's Tape Music Center at Columbia University, the precursor of the Columbia-Princeton Electronic Music Center. 2:51 Otto Luening and Vladimir Ussachevsky, “Incantation” (1953) from Tape Music An Historic Concert (1968 Desto). This record documents tape pieces played at perhaps the earliest concert of American tape music at the Museum of Modern Art, New York, October 28, 1952. Realized at the composer's Tape Music Center at Columbia University, the precursor of the Columbia-Princeton Electronic Music Center. 2:34 Henry Jacobs, “Sonata for Loudspeakers” (1953-54) from Sounds of New Music (1958 Folkways). “Experiments with synthetic rhythm” produced by Henry Jacobs who worked at radio station KPFA-FM in Berkeley. Jacobs narrates the track to explain his use of tape loops and recorded sound. 9:29 Jim Fassett, track “B2” (Untitled) from Strange To Your Ears - The Fabulous World of Sound With Jim Fassett (1955 Columbia Masterworks). “The fabulous world of sound,” narrated with tape effects, by Jim Fassett. Fassett, a CBS Radio musical director, was fascinated with the possibilities of tape composition. With this recording, done during the formative years of tape music in the middle 1950s, he took a somewhat less daring approach than his experimental counterparts, but a bold step nonetheless for a national radio audience. He hosted a weekend program called Strange to Your Ears to showcase these experiments and this album collected some of his best bits. 8:15 Harry F. Olsen, “The Well-Tempered Clavier: Fugue No. 2” (Bach) and “Nola” (Arndt) and “Home, Sweet Home” from The Sounds and Music of the RCA Electronic Music Synthesizer (1955 RCA). These “experimental” tracks were intended to demonstrate the range of sound that could be created with RCA Music Synthesizer. This was the Mark I model, equipped with a disc lathe instead of a tape recorder. When it was upgraded and called the Mark II in the late 1950s, it became the showpiece of the Columbia-Princeton Electronic Music Center. Here we listen to three tunes created by Harry F. Olsen, one of the inventors, in the style of a harpsichord, a piano, and “an engineer's conception of the music.” 5:26 Milton Babbitt, “Composition For Synthesizer” (1960-61) (1968 Columbia). Babbitt was one of the only composers at the Columbia-Princeton Electronic Music Center who composed and produced works based solely on using the RCA Music Synthesizer. Most others took advantage of other tape processing techniques found in the studio and not controlled by the RCA Mark II. It took him quite a long time to work out all of the details using the synthesizer and his meticulous rules for composing serially. On the other hand, the programmability of the instrument made it much more possible to control all the parameters of the sound being created electronically rather than by human musicians. This work is a prime example of this kind of work. 10:41 Tod Dockstader, “Drone” (1962) from Drone; Two Fragments From Apocalypse; Water Music (1966 Owl Records). Self-produced album by independent American composer Dockstader. This came along at an interesting period for American elecgtronic music, sandwiched between the institutional studio work being done at various universities and the era of the independent musician working with a synthesizer. Dockstader used his own studio and his own devices to make this imaginative music. This was one of a series of four albums featuring Dockstader's music that were released on Owl in the 1966-67 timeframe. They have all been reissued in one form or another. Here is what Dockstader himself wrote about this piece: “Drone, like many of my other works, began life as a single sound; in this case, the sound of racing cars. But, unlike the others, the germinal sound is no longer in the piece. It's been replaced by another a guitar. I found in composing the work that the cars didn't go anywhere, except, seemingly, in circles. The sound of them that had interested me originally was a high to low glissando the Doppler effect. In making equivalents of this sound, I found guitar glissandos could be bent into figures the cars couldn't. . . . After the guitar had established itself as the base line of the piece, I began matching its sound with a muted sawtooth oscillator (again, concrete and electronic music: the guitar being a mechanical source of sound, the oscillator an electronic source). This instrument had a timbre similar to the guitar, with the addition of soft attack, sustained tones, and frequencies beyond the range of the guitar. . . . The effect of the guitar and the oscillator, working together, was to produce a kind of drone, with variations something like the procedure of classical Japanese music, but with more violence. Alternating violence with loneliness, hectic motion with static stillness, was the aim of the original piece; and this is still in Drone, but in the process, the means changed so much that, of all my pieces, it is the only one I can't remember all the sounds of, so it continues to surprise me when I play it.” (From the original liner notes by Dockstader). 13:24 Wendy Carlos, “Dialogs for Piano and Two Loudspeakers” (1963) from Electronic Music (1965 Turnabout). This is an early recording of Wendy, pre-Switched-on Bach, from her days as a composer and technician. In this work, Carlos tackles the task of combining synthesized sounds with those of acoustic instruments, in this case the piano. It's funny that after you listen to this you could swear that there were instruments other than the piano used, so deft was her blending of electronic sounds with even just a single instrument. 4:00 Gordon Mumma, “Music from the Venezia Space Theater” (1963-64) (1966 Advance). Mono recording from the original release on Advance. Composed at the Cooperative Studio for Electronic Music in Ann Arbor, Michigan. This was the studio created by Mumma and fellow composer Robert Ashley to produce their electronic tape works for Milton Cohen's Space Theater on Ann Arbor, which this piece tries to reproduce. The original was a quad magnetic tape. It was premiered at the 27th Venezia Bianale, Venice, Italy on September 11, 1964 and comprised the ONCE group with dancers. 11:58 Jean Eichelberger Ivey, “Pinball” (1965) from Electronic Music (1967 Folkways). Realized at the Electronic Music Studio of Brandeis University. This work was produced in the Brandeis University Electronic Music Studio and was her first work of electroacoustic music. In 1964 she began a Doctor of Musical Arts program in composition, including studies in electronic music, at the University of Toronto and completed the degree in 1972. Ivey founded the Peabody Electronic Music Studio in 1967 and taught composition and electronic music at the Peabody Conservatory of Music until her retirement in 1997. Ivey was a respected composer who also sought more recognition for women in the field. In 1968, she was the only woman composer represented at the Eastman-Rochester American Music Festival. Her work in electronic music and other music was characteristic of her general attitude about modern composing, “I consider all the musical resources of the past and present as being at the composer's disposal, but always in the service of the effective communication of humanistic ideas and intuitive emotion.” 6:12 Pauline Oliveros, “Bye Bye Butterfly” (1965) from New Music for Electronic and Recorded Media (1977 1750 Arch Records). This was composed at the San Francisco Tape Music Center where so many west coast composers first found their footing: Terry Riley, Steve Reich, Jon Gibson, Pauline Oliveros, Stuart Dempster, Morton Subotnick, Ramon Sender all did work there around this time. Oliveros was experimenting with the use of tape delay in a number of works, of which “Bye Bye Butterfly” is a great example. 8:05 Gordon Mumma, “The Dresden Interleaf 13 February 1945” (1965) from Dresden / Venezia / Megaton (1979 Lovely Music). Composed at the Cooperative Studio for Electronic Music (Ann Arbor, Michigan). Remixed at The Center for Contemporary Music, Mills College (Oakland, California). This tape piece was premiered at the sixth annual ONCE Festival in Ann Arbor where Mumma configured an array of sixteen “mini speakers” to surround the audience and project the 4-channel mix. The middle section of the piece contains the “harrowing roar of live, alcohol-burning model airplane engines.” (Mumma) This anti-war piece was presented in the 20th anniversary of the Allied fire-bombing of Dresden near the end of World War II. 12:14 Kenneth Gaburo, “Lemon Drops (Tape Alone)” (1965) from Electronic Music from the University of Illinois (1967 Heliodor). From Gaburo: “Lemon Drops” is one of a group of five tape compositions made during 1964-5 referencing the work of Harry Partch. All are concerned with aspects of timbre (e.g., mixing concrete and electronically generated sound); with nuance (e.g., extending the expressive range of concrete sound through machine manipulation, and reducing machine rigidity through flexible compositional techniques); and with counterpoint (e.g., stereo as a contrapuntal system).”(see). 2:52 Steve Reich, “Melodica” (1966) from Music From Mills (1986 Mills College). This is one of Reich's lesser-known phased loop compositions from the 1960s. It is “composed of one tape loop gradually going out of phase with itself, first in two voices and then in four.” This was Reich's last work for tape before he transitioned to writing instrumental music. 10:43 Pril Smiley, “Eclipse” (1967) from Electronic Music, Vol. IV (1969 Turnabout). The selections are works by the winners of the First International Electronic Music Competition - Dartmouth College, April 5, 1968. The competition was judged by composers Milton Babbitt, Vladimir Ussachevsky, and George Balch Wilson. The winner was awarded a $500 prize. Pril Smiley was 1st finalist and realized “Eclipse” at the Columbia-Princeton Electronic Music Center. Smiley had this to say about the work: “Eclipse” was originally composed for four separate tracks, the composer having worked with a specifically-structured antiphonal distribution of compositional material to be heard from four corners of a room or other appropriate space. Some sections of “Eclipse” are semi-improvisatory; by and large, the piece was worked out via many sketches and preliminary experiments on tape: all elements such as rhythm, timbre, loudness, and duration of each note were very precisely determined and controlled. In many ways, the structure of “Eclipse” is related to the composer's use of timbre. There are basically two kinds of sounds in the piece: the low, sustained gong-like sounds (always either increasing or decreasing in loudness) and the short more percussive sounds, which can be thought of as metallic, glassy, or wooden in character. These different kinds of timbres are usually used in contrast to one another, sometimes being set end to end so that one kind of sound interrupts another, and sometimes being dovetailed so that one timbre appears to emerge out of or from beneath another. Eighty-five percent of the sounds are electronic in origin; the non-electronic sounds are mainly pre-recorded percussion sounds–but subsequently electronically modified so that they are not always recognizable.” (From the original liner notes by Smiley.) 7:56 Olly W. Wilson, “Cetus” (1967) from Electronic Music, Vol. IV (1969 Turnabout). The selections are works by the winners of the First International Electronic Music Competition - Dartmouth College, April 5, 1968. The competition was judged by composers Milton Babbitt, Vladimir Ussachevsky, and George Balch Wilson. The winner was awarded a $500 prize. Olly W. Wilson was the competition Winner with “Cetus.” It was realized in the studio for Experimental Music of the University of Illinois. Olly Wilson wrote about the work: “the compositional process characteristic of the “classical tape studio” (the mutation of a few basic electronic signals by means of filters, signal modifiers, and recording processes) was employed in the realization of this work and was enhanced by means of certain instruments which permit improvisation by synthesized sound. Cetus contains passages which were improvised by the composer as well as sections realized by classical tape studio procedures. The master of this work was prepared on a two channel tape. Under the ideal circumstances it should be performed with multiple speakers surrounding the auditor.” (Olly Wilson. The Avant Garde Project at UBUWEB, AGP129 – US Electronic Music VIII | Dartmouth College Competition (1968-70). 9:18 Alice Shields, “The Transformation of Ani” (1970) from Columbia-Princeton Electronic Music Center Tenth Anniversary Celebration (1971 CRI). Composed at the Columbia-Princeton Electronic Music Center. Alice Shields explained, “The text of “The Transformation of Ani” is taken from the Egyptian Book of the Dead, as translated into English by E. A. Budge. Most sounds in the piece were made from my own voice, speaking and singing the words of the text. Each letter of the English translation was assigned a pitch, and each hieroglyph of the Egyptian was given a particular sound or short phrase, of mostly indefinite pitch. Each series, the one derived from the English translation, and the one derived from the original hieroglyphs, was then improvised upon to create material I thought appropriate to the way in which I wanted to develop the meaning of the text, which I divided into three sections.” (see). 8:59 Opening background music: John Cage, Fontana Mix (1958) (1966 Turnabout). This tape work was composed in 1958 and I believe this is the only recorded version by Cage himself as well as the only Cage version presented as a work not in accompaniment of another work. An earlier recording, from the Time label in 1962, feature the tape piece combined with another Cage work, “Aria.” This version for 2 tapes was prepared b Cage in February 1959 at the Studio di Fonologia in Milan, with technical assistance from Mario Zuccheri. From the Cage Database website. “This is a composition indeterminate of its performance, and was derived from notation CC from Cage's Concert for Piano and Orchestra. The score consists of 10 sheets of paper and 12 transparencies. The sheets of paper contain drawings of 6 differentiated (as to thickness and texture) curved lines. 10 of these transparencies have randomly distributed points (the number of points on the transparencies being 7, 12, 13, 17, 18, 19, 22, 26, 29, and 30). Another transparency has a grid, measuring 2 x 10 inches, and the last one contains a straight line (10 3/4 inch). By superimposing these transparencies, the player creates a structure from which a performance score can be made: one of the transparencies with dots is placed over one of the sheets with curved lines. Over this one places the grid. A point enclosed in the grid is connected with a point outside, using the straight line transparency. Horizontal and vertical measurements of intersections of the straight line with the grid and the curved line create a time-bracket along with actions to be made.” Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

This week, Christine and Shelby chat about one of the astro-internet's favorite topics to argue about; Is there really a 13th sign? According to some, Ophiuchus may deserve a seat at the table! Listen in to discover where this mysterious sign would fit into the zodiac and what that means for all of our other signs! All this plus some gushy astronomy news, a review of upcoming transits and our monthly Stonerscopes by Leafly!  Do you have a question about your birthchart? Would you like a north node, solar return or natal chart reading? Email us! Connect with the podcast: suchapiscespod@gmail.com. Find us on Twitter, Facebook, Instagram and TikTok!

Wanna find the next crypto project that hits a 100x? What's that you ask? Imagine throwing 1,000 into a project and watching it hit 100k, that's what we're seeking. This time, we put 3 projects under the microscope. Here they are: Spooky Swap, Humannode, CetusHere's their links: https://twitter.com/spookyswaphttps://twitter.com/humanode_iohttps://twitter.com/CetusProtocol As always, we want to stress that nothing in this is financial investment advice. Our goal with these conversations is to give everyone listening one more tool in their belt to utilize while they do their own research about DeFi projects & the space in general. We are purely looking at: "In our opinion, do they have the qualities necessary to 100x?" That doesn't mean they will, just that we are seeing if it's possible.  Find us:House Of Obsidian Discord: https://discord.gg/obsidiansObsidian Twitter: https://twitter.com/ObsidianCouncilObsidian Services: https://www.obsidianfi.comWeekly Crypto News: https://medium.com/@obsidiancounciloc Find our speakers this week:Matthew Walker - https://twitter.com/hawaiianmintCesar Martinez: https://twitter.com/poppabigmacShoutout to our editor, Hansalord for the excellent work! Find our Sponsors: Alchemy Trades: https://alchemytrades.com/Talent by Obsidian: https://www.obsidianfi.com/web3-talent-by-obsidian#form

There's a heightened New Moon later this week, on Thursday the 20th of April! And that heightened New Moon is technically a Total Solar Eclipse! But a Solar Eclipse in late Aries?? Not exaaaaaactly... Are you curious?! Would you like to know more about what this Solar Eclipse has in store for us, coming in at early Aries, with its True Cetus codes and more? Are you paying attention to the truth of our skies? This episode might be just right for you, if so!

The podcast is sponsored by Mint Mobile! Go to http://mintmobile.com/solo to cut your wireless bill to $15 a month. ► Messed Up Origins™ Socials! » https://twitter.com/MessedUpOrigins » https://www.instagram.com/messedupori... ▼ Podcast Links! ▼ » Apple: https://podcasts.apple.com/us/podcast... » Spotify: https://open.spotify.com/show/0zC1NxC... » Google Podcasts: https://www.google.com/podcasts?feed=... » Amazon Music: https://music.amazon.com/podcasts/e2a... » Stitcher: https://www.stitcher.com/podcast/jon-... » iHeartRadio: https://iheart.com/podcast/99117988/ ► SOLOFAM MERCH: » https://bit.ly/SoloFamMerch ► Support the series on Patreon! » https://www.patreon.com/JonSolo ▼ Timestamps ▼ » 0:00 - Hercules's Legacy » 1:18 - The 1st Labor: Defeat of the River God » 3:39 - The 2nd Labor: The Execution of Alcyoneus » 6:52 - The 3rd Labor: The Centaur Massacre » 8:06 - The 4th Labor: The Freeing of Prometheus » 10:39 - The 5th Labor: The Domination of Antaeus » 12:00 - The 6th Labor: The Capture of the Cercropes » 12:42 - The 7th Labor: The Slaying of Cetus » 14:47 - The 8th Labor: The Execution of Eurytion » 15:55 - The 9th Labor: Nessus ► Want more? » ALL Mythology Explained: https://bit.ly/MythologyExplained » ALL Messed Up Origins: https://bit.ly/MessedUpOrigins » Featured Folklore (the animated series!): https://bit.ly/featuredfolklore » Disney Explained: https://bit.ly/DisneyExplained » Norse Mythology: http://bit.ly/NorseMythologyExplained » Folklore Explained: https://bit.ly/FablesExplained » Astrology: http://bit.ly/AstrologyExplained » Messed Up Murders: https://bit.ly/MurderPlaylist ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► Social Media: » Twitter: https://twitter.com/JonSolo » Instagram: https://www.instagram.com/JonSolo » Facebook Fan Page: https://facebook.com/TheRealJonSolo » Official Subreddit: https://www.reddit.com/r/jonsolo ► Join the Official Channel Discord: » https://www.patreon.com/JonSolo ► Send Fan Mail to: » SoloFamMail@gmail.com ► Business: » biz@MessedUpOrigins.com (Business Inquiries ONLY) ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ▼ Credits ▼ » Researched by: Jon Solo & Meredith Walker » Edited by: Mary Tuck » Written & Directed by: Jon Solo ▼ Resources ▼ » my favorites: https://messeduporigins.com/books » https://www.theoi.com/greek-mythology...

There's a New Moon after this weekend, on Tuesday the 21st of March! But a New Moon in Aries?? Not exaaaaaactly... Are you curious?! Would you like to know more about what this New Moon has in store for us, with its True Pisces codes, connections with Cetus (the 14th zodiac constellation), and more? Are you paying attention to the truth of our skies? This episode might be just right for you, if so!

Join us on this week's episode of Please Don't Spoil The Movie as we spoil the 1999 Disney Channel Original, Zenon: Girl of the 21st Century. In the year 2049, Zenon Kar lives happily with her family on an orbiting space station. But when Zenon can't stop being the inquisitive girl she is and tries to uncover the dodgy dealing on her space station, she gets sent to Earth. Tune in to hear us discuss corporate greed, haters, and teen geniuses.   

A star that's about to undergo some big changes highlights the head of Cetus, the whale or sea monster. It probably will become unstable, then blow its outer layers into space to form a colorful bubble. Menkar — from an Arabic name that means “the nostril” — is low in the east at nightfall and high in the south around midnight. It's the second-brightest star in the constellation, and the brightest in the character's head. Menkar is classified as a red giant. It's far beyond the prime of life. It's converted the original material in its core to carbon and oxygen, which are basically just sitting there. All the action is taking place in a couple of shells of material around the core. In the inner shell, helium atoms are fusing together to make more carbon and oxygen. And in the outer layer, hydrogen is fusing to make more helium. Before long, the star is likely to start puffing in and out like a beating heart. That phase won't last long. And at its end, the star's outer layers of gas will slough off into space. They'll form an expanding shell of gas and dust. It might form a simple bubble, or it might be sculpted into something else — an hourglass, a butterfly, or some other beautiful shape. The nebula could remain visible for tens of thousands of years. After that, only the star's dead core will remain: a white dwarf — a dense ball as massive as the Sun but not much bigger than Earth. Tomorrow: a violent merger. Script by Damond Benningfield Support McDonald Observatory

Many of the myths of ancient Greece sound like they were written for Hollywood. There's beauty, mystery, and treachery, with enough nasty monsters to occupy hordes of computer animators. One of the nastiest is Cetus, the sea monster, which crawls across the southern sky on November evenings. His story begins with Cassiopeia, the queen of Ethiopia. She was beautiful but vain — she bragged that she was the most beautiful of all. That didn't sit well with the sea nymphs, who were also great beauties. They asked their father, Poseidon, to punish Cassiopeia for her boasting. He did, by sending Cetus to destroy the kingdom. Cetus often is depicted as having the head and front legs of a land creature, but the body of a sea serpent. And he was huge — big enough to flatten villages. The oracles told King Cepheus that the only way to save his kingdom was to sacrifice his daughter, Andromeda. So he ordered her chained at the shoreline. Just as the monster approached, though, Perseus the hero came to the rescue. Depending on which version of the tale you read, he either hacked the monster up or turned him to stone with the head of Medusa, another nasty creature. Either way, Andromeda was saved, and Cetus was banished to the stars. The constellation is climbing into view in the southeast at nightfall, and is in full view an hour or so later. But it has few bright stars, so you need dark skies to see this giant sea monster. Script by Damond Benningfield Support McDonald Observatory

David Kam of Orion Knives joins Bob "The Knife Junkie" DeMarco on Episode 368 of The Knife Junkie Podcast (theknifejunkie.com/368).David started collecting EDC gear including knives in 2017, and began his BladeBanter YouTube knife review channel in 2018, after being an active contributor to other review channels. Once David's knife preferences were crystalized, he created Orion Knives and a premium-feel folder called the Solaris, for less than $100.Fascinated with mechanisms and workmanship, David set out to make knives with a high-level of engineering and design finesse. His Solaris model was an early "enthusiast-designed," China-OEM-produced folder, designed around its button lock/flipper action.Orion recently released the Scorpio, a sweet little clip point EDC with a unique look and build around the same button lock action as the Solaris. In an exciting departure from the button lock flipper setup, David has designed and prototyped a full size frame lock flipper with fuller, opening hole and hawkbill/wharncliffe blade called Cetus.The company's logo features the three stars that make up the belt of Orion, the favorite constellation of his three boys. The company's motto is, "Invest in Your Lifestyle." Find Orion Knives at www.orionknives.com and on Instagram at www.instagram.com/orionknives.Be sure to support The Knife Junkie and get in on the perks of being a Patron -- including early access to the podcast and exclusive bonus content. www.theknifejunkie.com/patreonLet us know what you thought about this episode. Please leave a rating and/or a review. Your feedback is much appreciated. Also, call the listener line at 724-466-4487 with any comments, feedback or suggestions on the show, and let us know who you'd like to hear interviewed on an upcoming edition of The Knife Junkie Podcast.To listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use The Knife Junkie's podcast platform of choice -- https://theknifejunkie.com/podhost.

If you need some extra chills to go along with your trick-or-treating or other Halloween fun tonight, just look into the sky. It's filled with ghosts, witches, and Gorgons — the snaked-headed sisters of mythology who turned anyone who looked at them to stone. The Gorgons are four stars in Perseus, low in the northeast as night falls. The brightest of the four represents Medusa, one of the sisters. The other three arc to its right. The bright one is Algol, from an Arabic phrase that means “the demon's head.” It may have received the name because it fades dramatically every three days or so — the result of a fainter star passing in front of a brighter one. The Skull Nebula — the final gasp of a dying star — is in the southeast, in Cetus — the sea monster. And the Witch Head Nebula — a giant cloud of gas and dust — climbs into view before midnight, close to Rigel, the bright foot of Orion. It looks like the profile of the wicked witch in “The Wizard of Oz.” Two nebulas are called “the Ghost,” and both are high in the northern sky. One is near the “house” outlined by the stars of Cepheus the king. The other is near the “W” outlined by the stars of his wife, Cassiopeia. Both are clouds of gas and dust. Part of the outline of the “kingly” ghost looks like demons with horns. And the outline of the “queenly” one looks like a ghostly sheet blowing on the wind — among the spooky sights in the sky on Halloween night.  Script by Damond Benningfield Support McDonald Observatory

We love scary monsters – how about you?  Greek mythology is FULL of terrifying monsters - and on Live from Mount Olympus, many of them are played by Ian Lassiter.  In this mythlet, Ian reveals how he prepares to become the bloodthirsty sea monster Cetus, who menaces Perseus and Andromeda in Season One, and the imposing three-headed dog Cerberus who surprises Persephone in Season Two! We also want to invite you to share your scariest mythological monster impression! Call us at (646) 543-0799, leave your grown up's contact info in case we have the chance to share your monster (phone number is fine), and give us your BEST monster voice! We can't wait to listen! Combining the artistry of foremost contemporary theater-makers with the timeless stories of Greek myth and the imaginative power of audio, Live from Mount Olympus is an adventure for tweens and families of all ages. This podcast is a production of the Onassis Foundation. The bold and original audio drama is created and produced by Peabody Award-winning showrunner Julie Burstein, co-produced by the Brooklyn-based theater ensemble The TEAM, and directed by Tony Award-winner Rachel Chavkin (Hadestown, Natasha, Pierre and the Great Comet) and Keenan Tyler Oliphant (Associate Director of Hadestown and director of PlayCo's upcoming U.S. premiere of Ebru Nihan Celkan's Will You Come with Me?). Karen Brooks Hopkins is the executive producer. Live from Mount Olympus is presented by TRAX from PRX. Find out more at Onassis.link/Olympus Our actors include: Kayla Bennett, Eric Berryman, Vinie Burrows, Jaaliyah Casey, Divine Garland, Mari Harris, Joanne Hernandez, Modesto “Flako” Jimenez, Anna Kendrick, Libby King, Ian Lassiter, Zhailon Levingston, Christina Liberus, Kimberly Marable, Nehemia Luckett, Jake Margolin, James Harrison Monaco, Isabella Rossellini, Kristen Sieh, Nidra Sous la Terre, Eierene Tuakora, and Ching Valdes-Aran. And André De Shields is Hermes. Special thanks to Calvin Samuel Blanch, Elliot Byler, Sam Chavrichs, Adrienne Hopkins, Caroline Hopkins, and Natalie Hopkins. The TEAM's Producing Director is Alexandra Lalonde, and Producing Manager is Laura Elliot.  We had casting support from Melissa Friedman of Epic Theater Ensemble. Our writer is Nathan Yungerberg.  Tessa Zitter is assistant producer and Yonatan Rekem is assistant editor.  Audio production and mix by John Melillo. Live from Mount Olympus music was composed by Magdalini Giannikou, with help from Luca Bordonaro, and performed by Banda Magda. Jason Adam Katzenstein created our illustrations and is our series humor consultant. Michael Kendrick is Program Director for Onassis USA.  Marketing and social media management by Karina Grudnikov and Caroline English.  Press by Blake Zidell.  Graphic design by Onassis Creative Studio. Since 1975, the Onassis Foundation has been dedicated to culture, community, and education, with projects that can effectively inspire social change and justice across borders. Learn more at www.onassis.org.

During this episode Astra shares a message from the aliens from the Cetus constellation about their impending visit to Earth. Episode Quote “We decided we are going to bring pineapple upside-down cake. A risky decision, but it is too late to turn back now.”For more details about the Star Jelly Files visit www.starjellyfiles.com To support the podcast, visit my Patreon page at www.patreon.com/starjellyfiles