Podcasts about mayakovsky

Driven by desire to understand the surprising ubiquity of a certain mayonnaise salad, we revisit food histories related to the Russian revolution, the Soviet celebratory table, Katie's first time and beyond. We also discuss the culinary dimensions of philistinism, national identity and nostalgia. Katie goes deep and asks why it is that we enjoy food at all. Guest stars: hazel grouse, Mayakovsky, kogel mogel. Links:Ешь ананасы… by Vladimir MayakovskyAt the Center of the Table: The Rise and Fall of Olivier Salad by Anna Kushkova (paywall)Mastering the Art of Soviet Cooking by Anya von Bremzen Hosted on Acast. See acast.com/privacy for more information.

Alice and Q fly to Antarctica while Margo gets her wish.   Ryan Houlihan, Neil McNeil, Trevor Carlee and Ian Carlos Crawford talk The Magicians S1 Ep7 'The Mayakovsky Circumstance.' This is a non-spoiler review - there are only spoilers for the episode we're discussing and what came before it but not for anything after it.   From our Sponsor: Workout With Wes! Sign up for remote training by messaging @TheWestopher on instagram - be sure to mention SlayerFest98 for a special bonus!   Support us on Patreon: www.patreon.com/slayerfest98 Buy our stuff on etsy: https://www.etsy.com/shop/Slayerfestx98 Like us on Facebook: www.facebook.com/Slayerfestx98 Follow us on TikTok: https://www.tiktok.com/@slayerfestx98 Follow us on insta: https://www.instagram.com/slayerfestx98/ Follow us on Twitter: twitter.com/slayerfestx98 Follow us on YouTube: https://www.youtube.com/@Slayerfestx98

Poet Matthew Dickman is a visiting assistant professor of Creative Writing at the University of Oregon. He discusses his work and reads from his latest collection. He is the author of the collections All-American Poem (2008) winner of the APR/Honickman First Book Prize, Mayakovsky's Revolver (2012), and Wonderland (2018). In 2016 he co-authored a collection Brother with his brother Michael. His latest collection Husbandry was published in 2022.

For Ramifications, Britt and Chris laugh about Margo's inability to say 'please,' talking beavers demanding dental care, and another return of Mayakovsky. They also discuss Alice returning to her human body, ideas of fate and being a good person, and the POVs of side-lined Kady and banished Eliot. Please tell a geeky friend about us and leave a review on your podcast app! If you really enjoy our content, become one of our amazing patrons to get more of it for just $1 per month here: https://www.patreon.com/geekbetweenthelines Every dollar helps keep the podcast going! You can also buy us a ko-fi for one-time support here: https://ko-fi.com/geekbetweenthelines Please follow us on social media, too: Instagram : https://www.instagram.com/geekbetweenthelines Pinterest : https://www.pinterest.com/geekbetweenthelines Facebook : https://www.facebook.com/geekbetweenthelines Twitter : https://twitter.com/geekbetween Website: https://geekbetweenthelines.wixsite.com/podcast Logo artist: https://www.lacelit.com

Britt and Chris discuss Cheat Day, focusing on the Foo Fighters, Mayakovsky and Penny's amusing relationship, Quentin attempting to live like a Muggle, and Julia trying to access healthcare. The explore the ideas of giving up magic, along with the POVs of Quentin and Eliot. They also point out some of the differences between the first book and the show thus far. Please tell a geeky friend about us and leave a review on your podcast app! If you really enjoy our content, become one of our amazing patrons to get more of it for just $1 per month here: https://www.patreon.com/geekbetweenthelines Every dollar helps keep the podcast going! You can also buy us a ko-fi for one-time support here: https://ko-fi.com/geekbetweenthelines Please follow us on social media, too: Instagram : https://www.instagram.com/geekbetweenthelines Pinterest : https://www.pinterest.com/geekbetweenthelines Facebook : https://www.facebook.com/geekbetweenthelines Twitter : https://twitter.com/geekbetween Website: https://geekbetweenthelines.wixsite.com/podcast Logo artist: https://www.lacelit.com

Britt and Chris cover The Mayakovsky Circumstance, discussing Brakebills South, insect mind control, djinn, Julia's family history, and of course the cruelly hilarious Mayakovsky. They also explore the POVs of Qunetin and Kady. Please tell a geeky friend about us and leave a review on your podcast app! If you really enjoy our content, become one of our amazing patrons to get more of it for just $1 per month here: https://www.patreon.com/geekbetweenthelines Every dollar helps keep the podcast going! You can also buy us a ko-fi for one-time support here: https://ko-fi.com/geekbetweenthelines Please follow us on social media, too: Instagram : https://www.instagram.com/geekbetweenthelines Pinterest : https://www.pinterest.com/geekbetweenthelines Facebook : https://www.facebook.com/geekbetweenthelines Twitter : https://twitter.com/geekbetween Website: https://geekbetweenthelines.wixsite.com/podcast Logo artist: https://www.lacelit.com

Marcelo Moreno, Diego Recalde, Graciela Fernández Meijide, Néstor Rodríguez, Maga Kohan, Laura Sherman y Rómulo Berrut nos comparten sus textos elegidos. ¿Qué entendemos por “Dilogía”? ¿Y por “Horror Cósmico”? ¿Qué es el “Master de Juglaría”? Refrescamos poemas y narrativas de autores como Vladimir Mayakovsky, Clarice Lispector, Gabriel García Marquez, Alfonsina Storni, Raquel Campos, Salman Rushdie y José Pablo Feinman, en las voces de nuestros locutores Además, ¿ Por qué se lo considera a Mayakovsky “el primer rappero” de la historia? ¿En qué consiste el libro que Warho dedicó a América? ¿Qué hecho los une a Leonard Cohen y Federico García Lorca ? Antonin Artoud le envía una carta a Jacques Prevel contándole algunas impresiones sobre su literatura. Pensamos las letras de las canciones de Baglietto, Serrat, Gabo Ferro y José Carreras, entre otros. Como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110: Un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas.

#Maiakovski possui uma grande obra de dramaturgia, sendo o principal nome do futurismo na #literatura. A #poesia de Maiakóvski é teatral, seus poemas foram criados para a leitura ao vivo, em voz alta, mirando os grandes auditórios e a praça pública. Em vida, o poeta realizou declamações para milhares de pessoas, a plenos pulmões.

Read by Barbara Guest Production and Sound Design by Kevin Seaman

By Barbara Guest

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of poet, Matthew Dickman. Dickman is the author of three full length collections, All American Poem, Mayakovsky's Revolver (W.W. Norton & Co, 2012), and Wonderland (W.W. Norton & Co, 2017); and co-author, with Michael Dickman, of 50 American Plays (Copper Canyon, 2012), and Brother (Faber & Faber, 2016). He is also the author of four chapbooks: 24 Hours (Poor Claudia, Portland & onestar press, Paris, 2014), Wish You Were Here (Spork Press, 2013), Amigos (Q Ave. Press, 2007), and Something About a Black Scarf (Azul Press, 2008). SourceThis episode includes a reading of his poem, "Slow Dance.""Slow Dance"More than putting another man on the moon,more than a New Year's resolution of yogurt and yoga,we need the opportunity to dancewith really exquisite strangers. A slow dancebetween the couch and dinning room table, at the endof the party, while the person we love has goneto bring the car aroundbecause it's begun to rain and would break their heartif any part of us got wet. A slow danceto bring the evening home, to knock it out of the park. Two peoplerocking back and forth like a buoy. Nothing extravagant.A little music. An empty bottle of whiskey.It's a little like cheating. Your head restingon his shoulder, your breath moving up his neck.Your hands along her spine. Her hipsunfolding like a cotton napkinand you begin to think about how all the stars in the skyare dead. The my bodyis talking to your body slow dance. The Unchained Melody,Stairway to Heaven, power-cord slow dance. All my lifeI've made mistakes. Smalland cruel. I made my plans.I never arrived. I ate my food. I drank my wine.The slow dance doesn't care. It's all kindness like childrenbefore they turn four. Like being held in the armsof my brother. The slow dance of siblings.Two men in the middle of the room. When I dance with him,one of my great loves, he is absolutely human,and when he turns to dip meor I step on his foot because we are both leading,I know that one of us will die first and the other will suffer.The slow dance of what's to comeand the slow dance of insomniapouring across the floor like bath water.When the woman I'm sleeping withstands naked in the bathroom,brushing her teeth, the slow dance of ritual is being spitinto the sink. There is no one to save usbecause there is no need to be saved.I've hurt you. I've loved you. I've mowedthe front yard. When the stranger wearing a shear white dresscovered in a million beadscomes toward me like an over-sexed chandelier suddenly come to life,I take her hand in mine. I spin her outand bring her in. This is the almond grovein the dark slow dance.It is what we should be doing right now. Scrappingfor joy. The haiku and honey. The orange and orangutang slow dance.Support the show

Irina is from Moscow and takes much of her creative inspiration from Russian cultural references that she discusses in this episode, especially film, art, and literature. Irina got her MA in graphic design at the Stroganov Academy of the Applied Arts, the alma mater of Rodchenko and Mayakovsky. She moved to Antwerp, Belgium to study Dutch and then to Moscow to work as a designer and art director at magazines such as Harper's Bazaar and Empire. After 10 years in the industry, she took the leap in 2020 to set up her own business, a sustainable e-commerce brand called Kikina Designs aimed at Gen-Z and Russian culture lovers. On her website you can expect to find futurist manifestoes hand-painted on silk scarves, post-Soviet cult classic movie heroes on t-shirts, and silver age poetry on hoodies. In this episode, Irina describes her favourite Russian food, films, and literature with a passion that would make anyone want to eat, watch, and read all of the above. Find Kikina designs here: https://irinakikina.com/ and here: https://www.instagram.com/kikina_designs/ Find Zviagintsev's quote here: https://www.indiewire.com/2004/02/return-of-the-prodigal-father-andrey-zvyagintsev-talks-about-the-return-79164/ Find Pozner's interview (in Russian) with Zviagintsev here: https://www.youtube.com/watch?v=gS7oTyY__zs Find the film “I am Twenty” part 1 here: https://www.youtube.com/watch?v=n5NzS4h4MOg Find the film “I am Twenty” part 2 here: https://www.youtube.com/watch?v=bFmPXhadAHk Find the film “July Rain” here: https://www.youtube.com/watch?v=ohakjwIYkrE Find us via: https://www.russianartandculture.com/ https://www.instagram.com/rusartculture/ https://twitter.com/RusArtCulture https://www.facebook.com/RusArtCulture/

Today we will take a look at the poem, "15" from The Feeling Sonnets published in Volume 51 of The American Poetry Review. American Poetry Review – Home (aprweb.org) Eugene Ostashevsky Eugene Ostashevsky was born in Leningrad in 1968 and immigrated with his family to New York in 1979. He is the author of the poetry collections Iterature and The Life and Opinions of DJ Spinoza, both of which are published by Ugly Duckling Presse, and a scholar and translator of Russian avant-garde and contemporary poetry, especially by the 1930s underground writers Alexander Vvedensky and Daniil Kharms. He currently lives in Berlin and New York and teaches literature in the Liberal Studies program at New York University. His contributions to New York Review Books include translating Vvedensky's An Invitation for Me to Think and The Fire Horse: Children's Poems by Mayakovsky, Mandelstam, and Kharms.  --- Support this podcast: https://anchor.fm/bppod/support

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Odysseus Elytis was born in Crete in 1911 and at age eighteen he heard “a secret voice” that led him to abandon everything for his art. His nom de plume fuses three important Greek concepts: eleftheria (freedom), elpitha (hope), and Eleni (Helen of Troy). His first book was published at the outset of World War II and was followed by a publishing history that spans more than half a century and includes poetry, essays, and translations into Greek from Rimbaud, Genet, Brecht, García Lorca, Mayakovsky, and Ungaretti. Elytis received the Nobel Prize for Literature in 1979 and died in Greece on the last day of winter in 1996.From https://www.coppercanyonpress.org/authors/odysseas-elytis/. For more information about Odysseus Elytis:“Odysseus Elytis”: https://www.poetryfoundation.org/poets/odysseus-elytis“The Nobel Prize in Literature: Odysseus Elytis”: https://www.nobelprize.org/prizes/literature/1979/elytis/biographical/“Odysseus Elytis, 84, Poet and Nobel Laureate Who Celebrated Greek Myths and Landscape”: https://www.nytimes.com/1996/03/19/nyregion/odysseus-elytis-84-poet-nobel-laureate-who-celebrated-greekmyths-landscape.html

Giọng đọc: Phạm Kỳ, Quốc Đạt, Viên Trà --- Các bạn thân mến, tình hình dịch bệnh lúc này đang căng thẳng hơn bao giờ hết. Toàn thể mỗi người dân chúng ta cần phải chuẩn bị cho mọi kịch bản có thể xảy xa, kể cả là những kịch bản xấu nhất. Nên rất mong rằng, chúng ta hãy luôn thực hiện đúng theo những chỉ đạo từ UB phòng chống dịch các cấp, cũng như thực sự hạn chế việc ra khỏi nhà vào lúc này. Chống dịch như chống giặc, không phải lúc này thì không còn lúc nào khác nữa. Nên chúng ta hãy cùng chung tay để đẩy lùi giặc Covid này sớm nhất có thể nha các bạn. --- Danh ngôn cuộc sống: “Đừng để cuộc đời mình là những chuỗi ngày được chấm công.” --- Sự kiện ngày 19 tháng 07: 1, Vua Dục Đức 2, Nhà thơ Vladimir Vladimirovich Mayakovsky ★ Mọi thông tin xin liên hệ: ngaynaynamay1501@gmail.com

We welcome internationally bestselling author, Stephanie Danler, to discuss Stray, her memoir of growing up in a family shattered by lies and addiction, and of her attempts to find a life beyond the limits of her past. ** We start by discussing how Stray was not the most obvious follow-up to her bestselling novel, Sweetbitter, and how she knew this was what she needed to write next (even though she didn’t want to). (01:40) ** We discuss a powerful passage from Stray in which Stephanie touches on her impulse to destroy and how she continually fights her self-destructive impulses. (04:45) ** Stephanie shares how motherhood has been about shedding identities and made her question who she is, and also how the expectations of motherhood differed wildly from her own experiences. (10:30)  ** We then discuss how motherhood is the craziest, most awe-inspiring thing we’ve ever done, but also how we need to leave more space for discussions around the challenges, shock and confusion of motherhood. (13:45)  ** In writing Stray, Stephanie wrote from her wounds, those hot spots of shame and pain. We absolutely loved hearing Stephanie’s advice on how to find those places and write from them. (23:05) **  Stephanie excels at distilling people into two types: this one is people who trust the world and people who don't. In the beginning she wasn't sure if the Love Interest would last, but a passage in Stray reveals the answer as to how she keeps moving forward in her relationship. (26:35) ** We discuss one of our favorite topics -- the unlikeable female protagonist -- and get Stephanie’s take on whether we’ve made any progress since Tess in Sweetbitter. (31:51) ** Of course we discuss astrology with Stephanie … the three of us making a fire sign trifecta of Sagittarius, Aries and Leo! Stephanie shares what it’s like to live in a house full of fire signs! (37:45) ** Stephanie reads a passage from Stray about her Southern California mysticism and we discuss whether she still embraces that skepticism. (41:15) ** Stephanie reads a portion of Frank O’Hara’s poem “Mayakovsky” and tells us why she chose to open her memoir with this particular piece of poetry, as well as the role poetry has played in her writing life. (44:05) ** Stephanie shares the books she's reading and gives us an update on the various projects she is working on right now.  Follow us on Instagram and Facebook @popfictionwomen and on Twitter @pop_women. To do a full deep dive, check out our website at http://www.popfictionwomen.com (www.popfictionwomen.com). Stay Complicated! We’ve launched a platform at patreon.com/popfictionwomen to keep making the podcast you love -- and to make it even better. Support this podcast

This episode was created by SpokenWeb contributors Deanna Fong (Concordia University) and Michael O'Driscoll (University of Alberta), with additional audio courtesy of the radiofreerainforest Fonds at Simon Fraser University's Special Collections; the Hartmut Lutz Collection, made digitally available by the SSHRC-funded People and the Text project (https://thepeopleandthetext.ca/); and support from Jason Camlot, Hannah McGregor, Stacey Copeland, and Judith Burr. Special thanks to Deanna Reder and Alix Shield of The People and the Text Project, and to Mathieu Aubin, bill bissett, Hartmut Lutz, Maria Campbell, and T.L. Cowan for permission to share interview and performance audio. SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from (and created using) Canadian Literary archival recordings found at universities across Canada. To find out more about Spokenweb visit: spokenweb.ca . If you love us, let us know! Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.Episode Producers:Deanna Fong is a SSHRC-funded Postdoctoral Fellow at Concordia University where her research project, “Towards an Ethics of Listening in Literary Study” intersects the fields of Oral History and Literature through an investigation of interviewing and listening practices. She co-directs the audio/multimedia archives of Fred Wah, and has done significant cataloguing and critical work on the audio archives of Roy Kiyooka. Her critical work appears in the recent publications Canlit Across Media (MQUP, 2019) and Pictura: Essays on the Works of Roy Kiyooka (Guernica Editions, 2020). With Karis Shearer, she co-edited Wanting Everything: The Collected Works of Gladys Hindmarch (Talonbooks, 2020).Michael O'Driscoll is a Professor in the Department of English and Film Studies in the Faculty of Arts, and Special Advisor to the Provost as Convenor for Congress 2021 at the University of Alberta. He teaches and publishes in the fields of critical and cultural theories with a particular emphasis on deconstruction and psychoanalysis, and his expertise in Twentieth-Century American Literature focuses on poetry and poetics as a form of material culture studies. His interests in material culture range from sound studies, archive theory, radical poetics, and technologies of writing to the energy humanities and intermedia studies. He is a Governing Board Member and a member of the UAlberta research team for the SpokenWeb SSHRC Partnership Grant.Interviewees:Mathieu Aubin is a Horizon Postdoctoral Fellow at Concordia University where he is co-leading the Oral Literary History project. His work currently focuses on the role of literary events in advancing LGBTQ2+ social justice initiatives in Canada since the second half of the twentieth century. He has published on queerness and feminism in Vancouver's small presses and literary magazines in Canadian Literature.Clint Burnham was born in Comox, British Columbia, which is on the traditional territory of the K'ómoks (Sathloot) First Nation, centred historically on kwaniwsam. He lives and teaches on the traditional ancestral territories of the Coast Salish peoples, including traditional territories of the Squamish (Sḵwx̱wú7mesh Úxwumixw), Tsleil-Waututh (səl̓ilw̓ətaʔɬ), Musqueam (xʷməθkʷəy̓əm), and Kwikwetlem (kʷikʷəƛ̓əm) Nations. Clint is Professor and Chair of the Graduate Program, Department of English, Simon Fraser University and works on psychoanalysis, Marxist theory, Indigenous literature, and digital culture. His most recent book is Does the Internet have an Unconscious? Slavoj Žižek and Digital Culture, (Bloomsbury, 2018), and he is co-editing, with Paul Kingsbury, Lacan and the Environment forthcoming in 2021 from Palgrave. (Photo by Chris Brayshaw)Treena Chambers is a Métis scholar who has worked as a bookseller, union organizer, researcher, and writer. She has a BA from SFU in International Studies and is currently a Masters' student in the SFU School of Public Policy. She brings her experience as a mature student and her Métis background into her studies of decolonization and identity. Her 2018 essay "Hair Raizing" was shortlisted by the Indigenous Voices Awards, as well her 2020 work "Forest Fires and Falling Stars." She has also contributed work to the book "unsettling EDUCATIONAL MODERNISM".T.L. Cowan is an Assistant Professor of Media Studies (Digital Media Cultures) in the Department of Arts, Culture and Media (UTSC) and the Faculty of Information (iSchool) at the University of Toronto. T.L.'s research focuses on cultural and intellectual economies and networks of trans- feminist and queer (TFQ) and other minoritized digital media and performance practices. This work includes a monograph, entitled Transmedial Drag and Other Cross-Platform Cabaret Methods, nearing completion. T.L. is also a performance artist, who appears in alter-ego form on cabaret stages and in video screens as Mrs Trixie Cane. Credits:The following are Creative Commons attribution licensesTake Me To the Cabaret by Billy MurrayOld phonograph “Cabaret”https://freemusicarchive.org/music/Antique_Phonograph_Music_Program_Various_Artists/Antique_Phonograph_Music_Program_05052009/Take_Me_to_the_CabaretNight on the Docks by Kevin McLeodhttps://freemusicarchive.org/music/Kevin_MacLeod/Jazz_Sampler/Night_on_the_Docks_-_SaxBlur the World by Tagirijushttps://freemusicarchive.org/music/Manuel_Senfft/Easy_2018/manuel_senfft_-_blur_the_worldQueer Noise by isabel nogueira e luciano zanattahttps://freemusicarchive.org/music/isabel_nogueira_e_luciano_zanatta/unlikely_objects/07_-_isabel_nogueira_e_luciano_zanatta_-_unlikely_objects_objetos_improvveis_-_queer_noiseThe following are spoken word performance clipsMathieu Aubin interviews bill bissett, courtesy of recordist.“Mayakovsky” by the Four Horsemen, courtesy of Radiofreerainforest, Simon Fraser University, Special Collections and Rare Books. Hartmut Lutz interviews Maria Campbell, courtesy of The People and the Text, T.L. Cowan performance of Mrs. Trixie Cane at Edgy Women Festival, courtesy of performer.

In "Heroes and Morons" Eliot embarks on a great adventure to After Island in search of the first key. Quentin and friends search for Mayakovsky's battery and another source of magic. And Evelyn and their dad (Scott) talk about it!

Um dos principais nomes da literatura ligados à Revolução Russa, #Mayakovsky representou o melhor da vanguarda libertária e experimental. O #poeta, chegou a ser visto com desconfiança. Depois que o regime brutal de Stálin o fez herói, nunca foi um homem de se conformar. Espírito irrequieto e aguerrido, para além de sua pregação revolucionária da primeira fase da revolução, encontramos um artífice talentoso da linguagem, com seus fúlgidos #poemas de amor, sua rebeldia selvagem, o uso da linguagem coloquial e experiências radicais de poesia visual.

By Barbara Guest

Russian twentieth-century poetry is one of the pinnacles of European literature and we still know little about it. This event includes readings from Yesenin, Mayakovsky, Maria Petrovykh, Varlam Shalamov (still better known for his prose) and the emigre poet Georgy Ivanov, one of the very greatest of all Russian lyric poets. Stephen Capus, Robert Chandler, Boris Dralyuk and James Womack read some of their translations included in the new Penguin Book of Russian Poetry. See acast.com/privacy for privacy and opt-out information.

In "The Mayakovsky Circumstance" an uncompromising professor at Brakebills South pushes the students' boundaries; Julia must decide whether she's ready to accept help.And Evelyn and their dad (Scott) talk about it!

En este episodio nos damos una empapada de los autores rusos que todos deberían leer al menos una vez en la vida: Dostoyevsky, Tolstoi, Chéjov, Bulgakov, Pasternak, Mayakovsky... Además, compartimos nuestros avances de lectura sobre William Faulkner y Margaret Atwood.

Isabel is a comptroller at a startup philanthropic organization. She earned her graduate degree in International Affairs from the New School where she focused on Rural Development. Currently based in California, she is also the pod's Executive Producer.

Hey, it's 5 minutes of your time! C'mon

Translated from the Russian by David Rottenberg.A Poem A Day by Sudhanva Deshpande.Read on April 23, 2020.Art by Virkein Dhar.

Fellow poet Naomi Shihab Nye says that Bob Holman's "life gusto and poetry voice keep the world turning." In this episode of The History of Literature, we tap into that voice, as Bob Holman joins us for a rollicking conversation about the poetic life he's led, from his birth in a small town in Kentucky to his decades living in New York City, where - in the words of Henry Louis Gates Jr. - he's "done more to bring poetry to cafes and bars than anyone since Ferlinghetti." Holman's latest works (Life Poem and The Unspoken, published recently by Bowery Books, were written fifty years apart. We'll ask Bob how he's changed as a poet and person in those years, and to give us his sense of where poetry has been, where it is now, and where it's headed. Poets and writers discussed or mentioned include ee cummings, William Blake, Gregory Corso, Lawrence Ferlinghetti, Mayakovsky, the Russian futurists, Kenneth Koch, Ezra Pound, William Carlos Williams, Philip Roth, Donald Lev, Jackie Sheeler, Alan Ginsberg, Amiri Baraka, Jayne Cortez, Papa Susso, Pablo Neruda, Homer, Sappho, and Sekou Sundiata. Help support the show at patreon.com/literature or historyofliterature.com/shop. (We appreciate it!) Find out more at historyofliterature.com, jackewilson.com, or by following Jacke and Mike on Twitter at @thejackewilson and @literatureSC. Or send an email to jackewilsonauthor@gmail.com. Music Credits: “Bass Walker” and "Bluesy Vibes Sting" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On August 13, 1950, a tragedy would occur on a newly refurbished pleasure cruiser in the middle of Riga, Latvia SSR when an unruly crowd surged onto her decks ultimately causing her to capsize. Of the 350 on board only 207 would make it out. Quickly swept under the rug by the Soviet leadership, this is a story that needs telling. This is the story of the PS Mayakovsy. Welcome to the 2019 season finale of Channel of Catastrophe. Sources https://web.archive.org/web/20131202233755/http://www.chas-daily.com/win/2005/10/26/g_056.html?r=32& https://zen.yandex.ru/media/id/5d31c317e854a900aecd822c/istorii-pogibshih-korablei-progulochnyi-parohod-maiakovskii-5d468adaa1b4f100ae2c2390 https://rus.delfi.lv/reporter/news/witness/!/2281346/!/2281344/!/2281346/!/2281348/!/2281350/!/2281352/!/2281354/!/2281356/foto.delfi.lv This episode would not have been possible without Breana from Particularly Dangerous Situation graciously converting an old soviet currency into modern money. Go check her podcast out.

Thanks so much to Nicole for commissioning this episode! I'm totally feeling this season so far, even if this episode felt a little bit sloppy in comparison with the first one. There's no avoiding that, I suppose, when you're linking this many plot threads together. We've got the main quest, where Eliot is out sailing to a strange island to find one of the seven keys, and then there's the side quest where Quentin, Julia, and Josh are following some vague clues around the city in an effort to track down one of the remaining magical batteries that Mayakovsky made. Turns out, one of their professors is out here doing some bonkers magic and has a grudge against the guy. In the end, though, Kady winds up stealing the remaining battery in order to save Penny. So, now what? Thanks so much for listening, and thank you again to Nicole for commissioning!

Quentin, Alice, Penny, and Kady travel to Brakebills South to study with Professor Mayakovsky whose unusual teaching methods draws the best out of his students. However, Kady receives the news of her mother's death and leaves Penny behind. Meanwhile, Eliot begins a relationship with a Brakebill's graduate, but the arrival of The Beast puts Brakebills on high alert. Episode grades: 107 Dave A- Wayne A    108 A-  

Music: "Cupid's Revenge" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

In which Joel and Basie discuss “To Mayakovsky” by Marina Tsvetaeva. You can check out the book we used here: https://www.amazon.com/Penguin-Book-Russian-Poetry-Classics/dp/0141198303 Proper citations: Tvsetaeva, M. (2015). The Penguin Book of Russian Poetry (P. Oram Trans.). R. Chandler, B. Dralyuk, I. Mashinski (Ed.). Great Britain, UK: Penguin Random House UK (original work published 1921). Hasty, O. (1991). Reading Suicide: Tsvetaeva on Esenin and Maiakovskii. Slavic Review, 50(4), 836-846. doi:10.2307/2500465 References, proof, mentions, recommendations, etcetera: Iilya Shambat's translations: http://lib.ru/POEZIQ/CWETAEWA/sbornik_engl.txt_with-big-pictures.html More translations: https://sites.google.com/site/donmagerpoet/home/tsvetaeva--a-selection-of-translations Poem by Mayakovsky to Esenin: https://www.poemhunter.com/poem/to-sergei-esenin/ Russian History: https://en.wikipedia.org/wiki/History_of_Russia#Inter-war_Russia_(1917%E2%80%931922) Reading Suicide: https://slavic.princeton.edu/file/946/download?token=uOOMfutC Death Note: https://www.mangareader.net/death-note/1 Ogden Nash: https://www.poetryfoundation.org/poets/ogden-nash The Wizard of Id: https://en.wikipedia.org/wiki/The_Wizard_of_Id Banksy: https://www.theguardian.com/artanddesign/2018/oct/06/banksy-sothebys-auction-prank-leaves-art-world-in-shreds-girl-with-balloon Rupi Kaur: https://rupikaur.com/ Questions? Comments? Suggestions? Email us at betweenoceansandgoldteeth@gmail.com. Subscribe if you never want to miss an episode, and please, tell your friends about us. Between Oceans and Gold Teeth is a product of Accordion Productions. It is hosted by Basie Cobine and Joel Watson. Sound engineering by Joel Watson, editing by Basie Cobine.

Suzi and Alan Minsky talk to Katie Halper of WBAI's The Katie Halper Show about the role of independent media and politics in the Trumpian landscape we inhabit. Then Suzi speaks to prolific, award-winning playwright Murray Mednick, whose enigmatic  "Mayakovsky and Stalin" runs until August 19 at the Lounge Theatre in Hollywood. The play examines two lives and two suicides, related but distant, responding to the liberating freedom of revolution in the Soviet Union, but then increasingly strangled and suffocated by the top down brutal dictatorship of Stalin, played by actor Maury Sterling (best known as Max on Homeland), who joins the conversation. The play traces the parallel stories of the giant of Russian poetry, Vladimir Mayakovsky, and his relationship to his love and muse, Lilya Brik (darling of Russia’s avant garde) and her husband, the literary critic Osip Brik. Their relationship exemplifies the freedom from conventional mores in the early years of the revolution. The second life and suicide is that of Nadezhda Alliluyeva, Stalin's young wife who committed suicide during a state dinner in 1932, renouncing her husband and his horrific policies, reflecting her despair and suffocation being married to the supreme dictator while millions perished.

Today I got to sit down with Casey McKinnon nerd actor of stage and screen. We talk about growing up a nerd and what made her decide to take the leap into the world of acting. Casey then talks to us about her current show, the world premiere of Mayakovsky and Stalin, She gives us an inside look into this new historical drama and especially into the life of her character, Nadya. I finish off the time talking with Casey about one of her favorite books, Frank Herbert's Dune. I find out which filmed version she prefers and what her hopes are for the future of the franchise.

Today I got to sit down with Casey McKinnon nerd actor of stage and screen. We talk about growing up a nerd and what made her decide to take the leap into the world of acting. Casey then talks to us about her current show, the world premiere of Mayakovsky and Stalin, She gives us an inside look into this new historical drama and especially into the life of her character, Nadya. I finish off the time talking with Casey about one of her favorite books, Frank Herbert's Dune. I find out which filmed version she prefers and what her hopes are for the future of the franchise.

Mayakovsky Saturday Love by MT

POEM AND VOCABULARY: https://poetrydina.blogspot.sg/2018/03/001-mayakovskyand-could-you-listen-to.html Владимир Маяковский А ВЫ МОГЛИ БЫ? 
 Я сразу смазал карту будня,
 плеснувши краску из стакана;
 я показал на блюде студня
 косые скулы океана.
 На чешуе жестяной рыбы 
прочёл я зовы новых губ. 
А вы
 ноктюрн сыграть 
могли бы на флейте водосточных труб? (1913) Vladimir Mayakovsky AND COULD YOU? At once I smeared the weekday map, splashing paint from a glass; I revealed on a plate of aspic the ocean’s slanted cheekbones. On the squama of a tin fish I read the summons on new lips. And you (could you) play a nocturne (could) on a drainpipe flute? сразу - at once смазал - smeared карту (В.п.) (И.п. карта) - map будня (Р.п.) (И.п. будень) - weekday плеснувши - splashing краску (В.п.) (И.п. краска) - paint стакана (Р.п.) (И.п. стакан) - glass показал - showed, revealed блюде (П.п.) (И.п. блюдо) - dish, plate студня (Р.п.) (И.п. студень) - aspic косые (И.п. plural) - slanted скулы (И.п. plural) - cheekbones океана (Р.п.) (И.п. океан) - ocean чешуе (П.п.) (И.п. чешуя) - squama, scale, fish skin жестяной (П.п.) (И.п. жестяная/ый) - tin (adjective) рыбы (Р.п.) (И.п. рыба) - fish прочёл - read (past) зовы (В.п.=И.п.) (singular - зов) - summon новых (Р.п.) (И.п. plural новые, singular - новый/ая) - new губ (Р.п.) (И.п. губы) - lips ноктюрн (И.п.) - nocturne сыграть - play флейте (П.п.) (И.п. флейта) - flute водосточных труб (Р.п) (И.п. plural водосточные трубы, singular - водосточная труба) - drainpipe The intro music: Pyotr Ilyich Tchaikovsky, The Sleeping Beauty, Op. 66, Act I: No. 6, Waltz by USSR State Academic Symphony Orchestra Please, get back to me with your feedback via e-mail: dinakrichker@gmail.com Спасибо!

This week on The Verb we're looking at writing mentors. How much different can a mentor make, how can we learn from their writing, and what kind of language should a mentor use? Joining Ian is the comedian Margaret Cho, who was profoundly influenced by her friend and mentor Joan Rivers. Margaret is a groundbreaking American comic who has been Emmy and Grammy nominated five times, hosts the podcast 'Monsters of Talk' and is currently on tour with her latest stand-up show 'Fresh Off The Boat'. Tim X Atack is a composer and sound designer who works across film, music and theatre; we commissioned him to create a audio piece inspired by the classical myth of Mentor and Athena. The award winning poet Sarah Howe explores mentoring in the world of poetry. This week Hollie McNish introduces us to the poetry of Rosy Carrick - who has been influenced by the Russian poet Mayakovsky. Producer: Faith Lawrence.

Ian Sansom attempts to resurrect the spirit of poet Vladimir Mayakovsky

Logan VanHorn joins the girls to talk about Episode 107, "The Mayakovsky Circumstance" and answer questions from listeners. Topics include Brakebills South, frisky foxes, and of course, Todd. Want Todd on the show? Tweet @AdamDiMarco and @PhysicalKidWkly using #ToddOnPod to tell him!

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Julia Alekseyeva’s graphic novel Soviet Daughter: A Graphic Revolution was published by Microcosm Publishing in 2017. This is the intertwining story of two women: Lola, who was born in a Jewish family in Kiev in 1910, and her great-granddaughter Julia, whose family moved to the United States from Ukraine in the wake of the events at Chernobyl. Lola has gone through the Bolshevik revolution, the Civil War, the Stalinist purges, deportation to Kazakhstan, and the Chernobyl disaster and these are her real-life memoirs that lay the foundation for the novel. The chapters telling Lola’s story are alternated with shorter interludes from the contemporary life of the second protagonist, Julia, a representative of the generation of millennials, who are struggling to come to terms with their idealistic views on life and politics amidst the changing world order. Alekseyeva, who is a PhD student in Comparative Literature at Harvard University, works on avant-garde cinema in the USSR, Japan, and France, and her academic interest in visual narrative techniques has deeply affected her work on the graphic novel. The story-telling in Soviet Daughter is rich and intense, and also full of supplementary comments and explanations of various aspects of Soviet everyday life; however, the novel is very easy to read and grasps the readers attention from the very first pages. To this, the sincerity of Alekseyeva’s intonation contributes greatly. She does not shy away from being very honest about issues such as inter-generational misunderstanding, conflicts within family, and difficulties of the migrant experience yet at the same time she persistently maintains the tactful balance between a personal story-telling and a nearly academic inquiry into the experience of several generations of Soviet Jewish immigrants in America. The precursors of Alekseyeva’s novel are works such as Marjane Satrapi’s Persepolis, Art Spiegelman’s Maus, and Alison Bechdel’s Fun Home. Another major influence on Alekseyeva is actually Vladimir Mayakovsky, especially his work in Okna ROSTA. Soviet Daughter does, in fact, open by a quote from Mayakovsky. Julia Alekseyeva’s novel will be of much interest both to the broad readers audience, and also to the scholars of Soviet history, Jewish identity, and immigration. Into all of these themes it provides a fascinating insight. Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dopo la pausa estiva, Simandrake e Flash Pregianza, con la voce di Phantom Pap, rivestono i panni eroi della convenienza per salvare le vostre settimane e i vostri risparmi. Ecco la puntata 34 di Tutto Tranne il Calcio tra futurismo russo e serie inglesi.POESIA E ARTEFuturisimo Russo, in free download: Mayakovsky, Kruchenykh, Khlebnikov e tutto il futurismo russo totalmente gratis. E in alta qualità (GRATIS)http://elib.shpl.ru/ru/indexes/values/10040VIDEOGIOCHIReigns: Farsi il mazzo facendo il re. (2.99€)http://store.steampowered.com/app/474750/SERIE TVJeeves and Wooster: la serie. Hugh Laurie, Stephen Fry e il genio di P.G. Woodehouse uniti in una delle serie più interessanti del passato. È gratis, ma non ditelo a nessuno. (GRATIS)https://www.youtube.com/watch?v=y-Wlaw78JN4&list=PLUsGrRmdygskU8aB7vAF3Y-LJqOGZ0ZXiCOSA ABBIAMO ASCOLTATO (a cura di Marco Caizzi)https://open.spotify.com/user/latrasmissione/playlist/2Po9iih0EX41Zxj5sRmtNv

Dopo la pausa estiva, Simandrake e Flash Pregianza, con la voce di Phantom Pap, rivestono i panni eroi della convenienza per salvare le vostre settimane e i vostri risparmi. Ecco la puntata 34 di Tutto Tranne il Calcio tra futurismo russo e serie inglesi.POESIA E ARTEFuturisimo Russo, in free download: Mayakovsky, Kruchenykh, Khlebnikov e tutto il futurismo russo totalmente gratis. E in alta qualità (GRATIS)http://elib.shpl.ru/ru/indexes/values/10040VIDEOGIOCHIReigns: Farsi il mazzo facendo il re. (2.99€)http://store.steampowered.com/app/474750/SERIE TVJeeves and Wooster: la serie. Hugh Laurie, Stephen Fry e il genio di P.G. Woodehouse uniti in una delle serie più interessanti del passato. È gratis, ma non ditelo a nessuno. (GRATIS)https://www.youtube.com/watch?v=y-Wlaw78JN4&list=PLUsGrRmdygskU8aB7vAF3Y-LJqOGZ0ZXiCOSA ABBIAMO ASCOLTATO (a cura di Marco Caizzi)https://open.spotify.com/user/latrasmissione/playlist/2Po9iih0EX41Zxj5sRmtNv

AFTERBUZZ TV — The Magicians is a weekly "after show" for fans of Syfy's The Magicians. In this show, hosts Samantha Benitz, Ty Matthews, Adrian Snow and Kari Lane discuss episode 7. The Magicians is a fantasy television series that premiered on Syfy and Showcase on December 16, 2015, as a special preview. The rest of the series is scheduled to premiere on January 25, 2016. It is based on the novel of the same name by Lev Grossman. A 13-episode series order was placed in May 2015. Michael London, Janice Williams, John McNamara, and Sera Gamble serve as executive producers. Follow us on http://www.Twitter.com/AfterBuzzTV "Like" Us on http://www.Facebook.com/AfterBuzzTV For more of your post-game wrap up shows for your favorite TV shows, visit http://www.AfterBuzzTV.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/themagicians/support Learn more about your ad choices. Visit megaphone.fm/adchoices

BB19 :: Efil4Onket by Simon Saint-SimonEfil4OnketDesigned and composed by Simon Saint-SimonC Ya Simon PukeyIt is with deep regret and sadness that we must confirm to the listenership the departure from The Ark of Simon Clifford Pukey. Not only was he the chief engineer of Black Box and an expert in his field but he was also a dear friend.Not citing ill health as a reason he referred to a desire to pursue more pure and consistent political and philosophical aims with his group Brothers Bear Arms. With this in mind Simon has issued the following statement (referenced in part below) on his Facebook account'I hereby recognise myself as a sovereign state and here forth remove myself from the digital media light district, severing all ties forthwith. Like all organic creatures I find repose in shadows. I find myself an auratic, autonomous and uncommodifiable individual and refuse any longer to support exploitative frameworks in exchange for vicarious identity & second hand love. Safe voyage my brothers and sisters. The night is long but i will be at your shoulder always. Dont forget.'This is my musical farewell (i only know how to party not how to grieve) at a loss of a dear brother as relevant as Ersnt, Mayakovsky, Bakunin, Cendrars, Kerouac, Levan, Alkan, Fellini, Prince and every other anarcho-disco legend not mentioned.Sounds:01 Loose Joints - Is It All Over My Face02 Bobby Konders - Nervous Acid03 DJ Hell ft. Bryan Ferry - You Can Dance (Carl Craig Remix v.2)04 Errorsmith and Fiedel - Nous Sommes (MMM Original Mix)05 Mattias Aguayo - Walter Neff06 Sandwell District - Silent Servant (Regis edit)07 Casioware, Chip E and the OGs - I Wanna See You Freak (Like Dis)08 Allez Allez - Allez Allez (Lindstromm and Prins Thomas Mix)09 Fresh - Dum Dum Part 210 CLS - Can you Feel It11 Anthony 'Shake' Shakir - The Floor Filler12 Tensnake - Keep Believin'13 Hercules and Love Affair - My House14 Motor City Drum Ensemble - Shine On (Warehouse Dub)15 Anthony 'Shake' Shakir - Plugged In16 Rick Wilhite - Drum Pattern and Memory (MM mix)

Them: A Memoir of Parents (The Penguin Press) After an affair with the great Russian poet Mayakovsky, Francine du Plessix Gray's mother married a man who became a kingpin in the Cond- Nast fashion magazine empire. All the high fashion and social elite of New York are discussed, but they pale beside the evocation of true genius. Mayakovsky and poetry triumph over commerce.