Podcast appearances and mentions of jos carreras

Extrait : « … Mais là où Pavarotti devient une véritable légende, c'est dans sa capacité à transcender les frontières de la musique classique. Avec le projet "Les Trois Ténors" dans les années 90, aux côtés des Espagnols Placido Domingo et José Carreras, il rend l'opéra accessible au grand public, atteignant des audiences impensables, 100 millions de disques, ça claque. En parallèle, il se met à collaborer avec des stars de la pop, on le voit aux cotés de Michael Jackson et de Bono, une audace qui bien entendu ne manque pas de faire grincer des dents, mais aussi de Barry White, pour lequel il éprouve une affection particulière, linguine alle vongole contre Big Mac sauce barbecue … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Remember the summer of 2020? The good old days of lockdown? That was the first summer that I was producing Countermelody, and during that time I tried to inject a little levity into the podcast by doing a long series on crossover. One such episode was devoted to a century of tenors singing crossover, reaching back further than a century from Hermann Jadlowker and Caruso himself and extending to the present day. There was such a wealth of gorgeous material which led to an additional bonus episode on such “Rogue Tenors,” which includes (among the German-speaking singers) Helge Rosvaenge, Fritz Wunderlich, Peter Schreier, Richard Tauber, Marcel Wittrisch, Jonas Kaufmann, Anton Dermota, Walther Ludwig, Herbert Ernst Groh, Joseph Schmidt, Jan Kiepura, and Julius Patzak; others include Stuart Burrows, Roland Hayes, Richard Lewis, Lawrence Brownlee, Jan Peerce, José Carreras, Kenneth McKellar, Noah Stewart, Tino Rossi, Luigi Alva, Giuseppe di Stefano, and Jerry Hadley in a wide range of repertoire and styles ranging from Neapolitan songs Kurt Weill; from folk songs to Victorian parlor songs; from operettas and Tonfilm Schlager to jazz and rock. It's a rollicking good ride; hold on tight and enjoy! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.  

Tüm zamanların en büyük tenorlarından biri olan José Carreras, 'The Farewell Tour' kapsamında 20 Eylül akşamı Vera Müzik ve Hammer Müzik ortaklığıyla, Ülker Spor ve Etkinlik Salonu'nda sahne alacak.  İstanbul konseriyle başlayacak turneyi Hammer Müzik'ten Haluk Ataklı'yla konuşuyoruz.

Today I revisit the life, career, and sumptuous voice of the great Polish soprano Teresa Żylis-Gara, who died three years ago on 28 August 2021 at the age of 91. The soprano was for the most part shockingly under-recorded, so I have scoured the internet for examples of her live in performance, and unearthed examples of her singing Wagner, Massenet, Puccini, Verdi, Strauss, Giordano, Mozart, and Berlioz with some divine tenorial counterparts including Franco Bonisolli, José Carreras, Luciano Pavarotti, John Alexander, Alfredo Kraus, Wiesław Ochman, Peter Lindroos, and Piero Visconti. I know I am not the only one who revels in the rich velvety timbre of Mme. Żylis-Gara, and each of the tenors heard alongside her presents her versatile voice in a different facet of its beauty. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

International icon Sarah Brightman began her stage career at the age of just 13, and never looked back. She's best known for creating the role of Christine Daaé in The Phantom of the Opera both in the West End and on Broadway, the cast album of which is the highest selling cast album in history. She went on to a stellar recording career, having released dozens of albums. She's now in Australia, ready for her close up, performing the role of Norma Desmond in Andrew Lloyd-Webber's Sunset Boulevard. Sarah revisits the early days of her career development. We hear about her breakthrough in Cats, the success of The Phantom of the Opera, plus her subsequent recording career which includes iconic performances with Andrea Bocelli and José Carreras. Sarah also tells about training to be an astronaut! Sarah Brightman stars as Norma Desmond in Sunset Boulevard from 28 August to 1 November at the Sydney Opera House.

Wer an Tenöre des italienischen Fachs denkt, dem fallen sofort Luciano Pavarotti, Plácido Domingo oder José Carreras ein. Dann vielleicht noch Franco Corelli, Mario de Monaco oder Giuseppe di Stefano. Aber Carlo Bergonzi? Gerade ihn schätzen Kenner als den vielleicht größten italienischen Tenor in der zweiten Hälfte des 20. Jahrhunderts. Vor 100 Jahren, am 13. Juli 1924, ist Bergonzi auf die Welt gekommen. SWR-Opernredakteur Bernd Künzig erinnert an einen Jahrhundertsänger.

Med både skælmsk midsommermusik og herlige ørehængere, så der bliver noget for enhver smag. Et par skæringer fra "En skærsommernatsdrøm" af Benjamin Britten og en ouverture fra Felix Mendelssohn-Bartholdy sikre hånd, nemlig "A Midsummer Night's Dream". Glæd dig til bla. både Jussi Björling, José Carreras og et smukt lytterønske. Vært: Lotte Heise.

Harvey Brownstone conducts an in-depth Interview with Music Superstar Jackie Evancho About Harvey's guest: Today's guest, Jackie Evancho, is a highly popular and beloved singer-songwriter who became a worldwide sensation at the age of 10 years old when she dazzled television audiences in 2010 with her beautiful, angelic voice, on Season 5 of America's Got Talent.    Since then, she's had a phenomenal multi-gold and platinum career, with 9 studio albums, 8 of which went to number 1, 3 number 1 live albums and DVDs, 30 top 20 singles, 3 highly acclaimed PBS concert specials, and 3 EPs, including her latest EP just released, entitled “Solla”.  She's performed with some of the biggest names in music including David Foster, Placido Domingo, Tony Bennett, Barbra Streisand, José Carreras, Andrea Bocelli and many more.   She has had many firsts in her spectacular career.  She was the youngest top-10 debut artist in US history, as well as being the youngest top-5 debut artist in the history of the UK, and she holds the record for being the youngest platinum selling solo recording artist in history.   Her albums have been on the Billboard Charts for a cumulative  total of more than 500 weeks.  She's performed at the top concert venues in the world, and she is also the youngest person ever to give a solo concert at Lincoln Center in New York City.    And now, at the age of 24, our guest has moved well beyond her life as a child prodigy, and has evolved into a mature singer-songwriter, expressing her unique brand of creativity and artistry by telling her truth musically, most recently by collaborating with Smash Mouth's founding member and principal songwriter, Greg Camp, who produced her most recent EP, “Solla”.    Throughout her career, music critics from around the world have been falling over themselves searching for the appropriate superlatives to describe our guest's amazing voice, using words like “magical”, “miraculous”, “flawless”, “celestial”, “superhuman”, “angelic”, but I think Gia Tolentino of The New Yorker magazine said it best when she described our guest's voice as “supernaturally blissful”.    For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Jackie Evancho, go to:https://www.jackieevancho.com/https://www.instagram.com/officialjackieevancho/https://www.youtube.com/channel/UCCUOIPyrBN1uW8B_-p1VisQhttps://music.apple.com/us/artist/jackie-evancho/334346533https://open.spotify.com/artist/7FukyKMUPL10mDN9LgAngI #JackieEvancho    #harveybrownstoneinterviews

Compositores de Centro y Sudamérica / Composers from Central and South America / Compositori del Centro-Sud AmericaAriel Ramírez (Santa Fè 1921 - Monte Grande 2010) - Misa Criolla1.       Kyrie (vidala - babuala)2.       Gloria (carnavalito - yaravì)     03:473.       Credo (chacarera trunca)         10:474.       Sanctus (carnaval chocabambino)  14:145.       Agnus Dei (estilo pampeano)    16:30 José CarrerasEl Grupo HuancaroCoral Salvé de LaredoJosé Luis OcejoDamian Sanchez About composerAbout opera

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Jackie Evancho. Jackie is a platinum-selling recording artist who first became a worldwide sensation at the age of 10 years old on season 5 of NBC's America's Got Talent (AGT). Jackie has recorded and/or performed duets with such notable artists as Tony Bennett, Barbara Streisand, Placido Domingo, Josh Groban, Chris Botti, Joshua Bell, Il Volo, David Foster, Andrea Bocelli, and José Carreras to name a few. Jackie is also a Guinness World Record as the youngest person to ever have a US Top 3 album. Jackie co-starred in the film The Company You Keep at the request of the star of the film, Robert Redford.

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Jackie Evancho. Jackie is a platinum-selling recording artist who first became a worldwide sensation at the age of 10 years old on season 5 of NBC's America's Got Talent (AGT). Jackie has recorded and/or performed duets with such notable artists as Tony Bennett, Barbara Streisand, Placido Domingo, Josh Groban, Chris Botti, Joshua Bell, Il Volo, David Foster, Andrea Bocelli, and José Carreras to name a few. Jackie is also a Guinness World Record as the youngest person to ever have a US Top 3 album. Jackie co-starred in the film The Company You Keep at the request of the star of the film, Robert Redford.

The Honourable Lady Rita Rae is a lawyer and judge, and the current Rector of the University of Glasgow. Early in her career she was a rare woman in the heavily male-dominated legal world. She went on to work on many high profile criminal cases over five decades as a solicitor, an advocate and subsequently a judge in Scotland's Supreme Court.Rita grew up in Plains, Airdrie, to the east of Glasgow. She was a shy child but earned the nickname ‘The Last Word' from her parents because of her need to argue her case when she felt something wasn't right. She was inspired to become a lawyer by her maternal grandfather, a noted advocate and anti-fascist from Naples.Her parents met in a munitions factory in Italy where her mother was working. Her father was a Scottish bomb disposal expert helping to dismantle munitions after the war. They married and moved to Scotland, but Rita and her brother were not accepted by her Scottish family because of their Catholicism. Rita became a solicitor in 1974, entering a world dominated by men. When told by a senior colleague that women were ‘emotionally unsuitable for court work', she set about proving him wrong. She became a partner in her firm at the age of 27, and was called to the bar in 1982, one of just 13 female advocates in Scotland at the time. She was made a Sheriff in 1997 and a Judge of the Supreme Courts in 2014.In 2021 she was elected Rector of the University of Glasgow, the first female working rector in the university's 570-year history.DISC ONE: Piano Concerto No. 2 in C Minor, Op. 18 - III. Allegro scherzando. Composed by Sergei Rachmaninoff, performed by Vladimir Ashkenazy (piano) and London Symphony Orchestra, conducted by André Previn DISC TWO: “Ah! Dite alla giovine” from Act 2 of La Traviata. Composed by Giuseppe Verdi, performed by Angela Gheorghiu (soprano), Leo Nucci (baritone) and Orchestra of the Royal Opera House, Covent Garden, conducted by Sir Georg Solti DISC THREE: Mamma - Beniamino Gigli DISC FOUR: Aranjuez mon amour - Massimo Ranieri DISC FIVE: Cheap Flights - Fascinating Aïda DISC SIX: “The Flower Song” (“La fleur que tu m'avais jetee”), Carmen, Act II. Composed by Georges Bizet, performed by José Carreras (tenor) and Orchestra of the Royal Opera House, Covent Garden, conducted by Jacques Delacôte DISC SEVEN: Ave Maria. Composed by Giulio Caccini (Arr. Brinums) and performed by Inessa Galante (Soprano), Latvian National Symphony Orchestra, conducted by Aleksandrs Vilumanis DISC EIGHT: Climb Ev'ry Mountain - Peggy WoodBOOK CHOICE: The Pursuit of Italy: A History of a Land, its Regions and their Peoples by David Gilmour LUXURY ITEM: A solar powered car CASTAWAY'S FAVOURITE: Mamma - Beniamino Gigli Presenter Lauren Laverne Producers Paula McGinley and Tim Bano

durée : 01:28:51 - En pistes ! du jeudi 18 janvier 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Nous sommes bien entourés en ce jeudi matin aux côtés de Lukas Wanner, l'Orchestre Philharmonia, de José Carreras, de l'Orchestre philharmonique de Berlin dirigé par Herbert von Karajan, du pianiste argentin Matias Palou, et de l'ensemble de musique ancienne français La Camera delle Lacrime

durée : 01:28:39 - En pistes ! du mercredi 17 janvier 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mercredi matin, de prestigieuses formations dont l'Orchestre philharmonique de Vienne dans l'œuvre de Strauss, l'Orchestre de Cleveland et Tchaïkovski, José Carreras accompagné par l'Orchestre de chambre anglais, sans oublier le Trio Ernest dans les œuvres de Haydn et Brahms

durée : 00:15:07 - Le Disque classique du jour du mardi 16 janvier 2024 - Decca rend hommage à José Carreras, l'un des ténors les plus remarquables de notre époque, à travers un coffret réunissant pour la première fois l'intégrale de ses récitals légendaires pour Philips

durée : 01:28:41 - En pistes ! du mardi 16 janvier 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En ce mardi matin, Emilie et Rodolphe attirent votre attention sur des enregistrements de José Carreras, l'un des ténors les plus remarquables de notre époque, à travers un coffret réunissant pour la première fois l'intégrale de ses récitals légendaires pour Philips. En pistes !

Espacio dedicado a los mejores intérpretes del arte vocal lírico con la producción de Carolina Valdés y locución de Sergio Morales.  Lunes a partir de las 12:00 hrs. en 95.1 FM y www.radioudec.cl

Erzsébet királynő barátnője elárulta, milyennek képzelte Meghan Markle az életét hercenéként, mielőtt a királyi család tagja lett Joy     2023-10-26 04:12:00     Bulvár Brit királyi család Meghan Markle Mire számított Meghan Markle, amikor belecsöppent a királyi család életébe? Ii. Erzsébet királynő barátnője elárulta. Megjön a gazdag osztrák, és zaklatja a szegény román gyerekeket Telex     2023-10-25 23:03:18     Film Románia Ausztria A Sparta egy pedofil története, aki egy román faluban a saját vágyaihoz igazítva táboroztatja ingyen a szegény családok gyerekeit. A filmet rendező Ulrich Seidlt megvádolták azzal, hogy hasonlóan használja ki saját céljaira az amatőr színészeket, mint a főszereplője, de a végeredmény bonyolultabb ennél. A Deadpool 3. rendezője máris leleplezte a film legizgalmasabb jelenetét Igényesférfi.hu     2023-10-26 05:04:16     Film Deadpool Bár a tűkön ülve várt szuperhősfilm forgatása még be sem fejeződött, Shawn Levy direktor lényegében már elárulta, ki nyeri majd Deadpool és Rozsomák párharcát, mely minden bizonnyal a történet egyik kulcsmomentuma lesz. A Cicaverzumban az a legjobb, aki ott se volt 24.hu     2023-10-25 20:17:48     Film Anglia Generáció A Z-generáció egyik kedvenc angol szava a cringe. A Cicaverzum című film pedig olyan, mintha ezt a kifejezést próbálta volna meg 91 percben illusztrálni. Kritika. Szerhij Zsadan regényében az ismerős táj hirtelen a halálos veszélyek földjévé válik Könyves Magazin     2023-10-26 08:56:32     Könyv Ukrajna Az egyik legfontosabb kortárs ukrán szerző, Szerhij Zsadan legutóbbi regényét eddig több mint 25 nyelvre fordították le. A diákotthon még a "felkelésnek" álcázott, korlátozott orosz invázió idején játszódik, három napot beszél el egy tanár életéből, aki elindul, hogy hazavigye unokaöccsét a megszállt területen lévő bentlakásos iskolából. Olvass bel Újra Robin Williams hangján szólal meg a Dzsini karaktere Hamu és Gyémánt     2023-10-26 07:31:01     Film Disney Robin Williams 2023 októberében 100 éves lett a Disney, ebből az alkalmából egy múltidéző, többszáz karaktert felvonultató rövidfilmet készített a cégóriás. Ebben kap rövid szerepet az Aladdin-film kék dzsinnje is, a 9 évvel ezelőtt elhunyt Robin Williams hangján szólal majd meg. A magyar dzsesszélet színe-java együtt emlékezik a legendára – Interjú Ifj. Szakcsi Lakatos Bélával Roadster     2023-10-26 07:30:05     Zene Interjú Szakcsi Lakatos Béla "Nekünk nyilván egy nehéz nap lesz, de talán az tud minket egy picit vigasztalni, hogy nagyon sok jó zenész lesz egy helyen." José Carreras szívesen zsűrizne tehetségkutatóban NLC     2023-10-26 06:57:02     Zene Interjú Koncert A világhírű operaénekes az nlc-nek mesélte el, hogy Miklósa Erikához hasonlóan akár ő is szívesen beülne zsűrizni egy tévés tehetségkutatóba, és megnevettettük, amikor arról kérdeztük, hogy melyik világhírű futballistához hasonlítaná magát. Interjú a november végén Budapesten koncertet adó opera-szupersztárral. Olyan nagy a Magyar Zene Háza kiállításának látogatottsága, hogy meghosszabbították Librarius     2023-10-26 09:59:50     Zene Kultúra Kiállítás Magyar Zene Háza A Magyar Zene Háza kiemeli, hogy a kiállítás nemcsak a politikával átitatott korszak kiemelkedő előadóira fókuszál.   A saját filmjeiből készül videojátékokat gyártani a Netflix Player     2023-10-26 06:03:07     Film Netflix Nem adja fel a vergődő videojáték-szakágát a Netflix, sőt a gaming óriásaival versenyezne – de még ennél meredekebb ötlete is van. D'Artagnan miatt ismét érdemes moziba menni - A franciák visszavették Hollywoodtól azt, ami az övék port.hu     2023-10-26 09:55:00     Film Mozi Hollywood A három testőr: D'Artagnan nem vállal kevesebbet, mint hogy két órában kellemesen elszórakoztasson, és ezt a legmagasabb színvonalon teljesíti.

Erzsébet királynő barátnője elárulta, milyennek képzelte Meghan Markle az életét hercenéként, mielőtt a királyi család tagja lett Joy     2023-10-26 04:12:00     Bulvár Brit királyi család Meghan Markle Mire számított Meghan Markle, amikor belecsöppent a királyi család életébe? Ii. Erzsébet királynő barátnője elárulta. Megjön a gazdag osztrák, és zaklatja a szegény román gyerekeket Telex     2023-10-25 23:03:18     Film Románia Ausztria A Sparta egy pedofil története, aki egy román faluban a saját vágyaihoz igazítva táboroztatja ingyen a szegény családok gyerekeit. A filmet rendező Ulrich Seidlt megvádolták azzal, hogy hasonlóan használja ki saját céljaira az amatőr színészeket, mint a főszereplője, de a végeredmény bonyolultabb ennél. A Deadpool 3. rendezője máris leleplezte a film legizgalmasabb jelenetét Igényesférfi.hu     2023-10-26 05:04:16     Film Deadpool Bár a tűkön ülve várt szuperhősfilm forgatása még be sem fejeződött, Shawn Levy direktor lényegében már elárulta, ki nyeri majd Deadpool és Rozsomák párharcát, mely minden bizonnyal a történet egyik kulcsmomentuma lesz. A Cicaverzumban az a legjobb, aki ott se volt 24.hu     2023-10-25 20:17:48     Film Anglia Generáció A Z-generáció egyik kedvenc angol szava a cringe. A Cicaverzum című film pedig olyan, mintha ezt a kifejezést próbálta volna meg 91 percben illusztrálni. Kritika. Szerhij Zsadan regényében az ismerős táj hirtelen a halálos veszélyek földjévé válik Könyves Magazin     2023-10-26 08:56:32     Könyv Ukrajna Az egyik legfontosabb kortárs ukrán szerző, Szerhij Zsadan legutóbbi regényét eddig több mint 25 nyelvre fordították le. A diákotthon még a "felkelésnek" álcázott, korlátozott orosz invázió idején játszódik, három napot beszél el egy tanár életéből, aki elindul, hogy hazavigye unokaöccsét a megszállt területen lévő bentlakásos iskolából. Olvass bel Újra Robin Williams hangján szólal meg a Dzsini karaktere Hamu és Gyémánt     2023-10-26 07:31:01     Film Disney Robin Williams 2023 októberében 100 éves lett a Disney, ebből az alkalmából egy múltidéző, többszáz karaktert felvonultató rövidfilmet készített a cégóriás. Ebben kap rövid szerepet az Aladdin-film kék dzsinnje is, a 9 évvel ezelőtt elhunyt Robin Williams hangján szólal majd meg. A magyar dzsesszélet színe-java együtt emlékezik a legendára – Interjú Ifj. Szakcsi Lakatos Bélával Roadster     2023-10-26 07:30:05     Zene Interjú Szakcsi Lakatos Béla "Nekünk nyilván egy nehéz nap lesz, de talán az tud minket egy picit vigasztalni, hogy nagyon sok jó zenész lesz egy helyen." José Carreras szívesen zsűrizne tehetségkutatóban NLC     2023-10-26 06:57:02     Zene Interjú Koncert A világhírű operaénekes az nlc-nek mesélte el, hogy Miklósa Erikához hasonlóan akár ő is szívesen beülne zsűrizni egy tévés tehetségkutatóba, és megnevettettük, amikor arról kérdeztük, hogy melyik világhírű futballistához hasonlítaná magát. Interjú a november végén Budapesten koncertet adó opera-szupersztárral. Olyan nagy a Magyar Zene Háza kiállításának látogatottsága, hogy meghosszabbították Librarius     2023-10-26 09:59:50     Zene Kultúra Kiállítás Magyar Zene Háza A Magyar Zene Háza kiemeli, hogy a kiállítás nemcsak a politikával átitatott korszak kiemelkedő előadóira fókuszál.   A saját filmjeiből készül videojátékokat gyártani a Netflix Player     2023-10-26 06:03:07     Film Netflix Nem adja fel a vergődő videojáték-szakágát a Netflix, sőt a gaming óriásaival versenyezne – de még ennél meredekebb ötlete is van. D'Artagnan miatt ismét érdemes moziba menni - A franciák visszavették Hollywoodtól azt, ami az övék port.hu     2023-10-26 09:55:00     Film Mozi Hollywood A három testőr: D'Artagnan nem vállal kevesebbet, mint hogy két órában kellemesen elszórakoztasson, és ezt a legmagasabb színvonalon teljesíti.

Von der Fußballweltmeisterschaft 1990 in Rom bleibt nicht nur in Erinnerung, dass sie der deutschen Nationalmannschaft den Titelgewinn bescherte. Sie sorgte auch für ein neues Konzert-Genre in der Klassikszene. Denn der Auftritt der Tenöre Luciano Pavarotti, Plácido Domingo und José Carreras in den römischen Caracalla-Thermen sollte der Beginn einer ganzen Serie von Stadionkonzerten werden, Motto: "Arien in der Arena". Doch diese Konzerte für ein Massenpublikum sollten ungeahnte Folgen haben wie unser heutiges ZOOM berichtet.

Bu bölümde konuğum organizatör Ahmet San.Kime "Ahmet San ile bir bölüm çekiyorum / çektim" desem, "Aaa ne yapıyor?" sorusu geldi.Özet yanıt şu: Meslekteki 50 yılını anlatan 'San' adında bir kitap yazdı ve dev bir proje olan film stüdyosu işini son aşamaya getirmek üzere...San ile Storytel ofisinde buluştuk; menajerlik ve organizatörlük kavramlarını, Türkiye tarihine yazılmış 'efsanevi 1993 yılı konserlerini', o konserlere giden özenle ve emekle örülmüş organizasyon geçmişini, bürokrasiyi, siyaseti, birlikte çalıştığı bazı yerli-yabancı sanatçıları, şahane 'zırhlanma' terimini ve daha pek çok şeyi konuştuk.....Ahmet San, "Yeni kuşak beni Pop Star jürisi olarak tanıyor olabiliyor" dedi bir ara, o nedenle biraz aktarayım.1973 yılından bu yana Türkiye'de 600'den fazla uluslararası sanatçının konserini yapan, stadyum konserleri organizasyonuyla meşhur Ahmet San aracılığıyla Türkiye'ye gelen isimleri sayarsak;Michael Jackson, Madonna, Luciano Pavarotti, Plácido Domingo, José Carreras, Liza Minnelli, Rolling Stones, Metallica, Guns N' Roses, Bon Jovi, Elton John, Tina Turner, Diana Ross, Rod Stewart, Ricky Martin, Enrique Iglesias, Julio Iglesias var.Kenan Doğulu, Tarkan, Burak Kut, Emrah, Mustafa Sandal, Mahsun Kırmızıgül, Mirkelam, Sertab Erener, Sezen Aksu ve Mazhar-Fuat-Özkan'ın menajerliğini üstlendiği isimler.Turgut Özal, Süleyman Demirel, Mesut Yılmaz ve Bill Clinton gibi siyasetçilerle çalıştı; Elizabeth Taylor, Ornella Mutti, Ursula Andress, Bo Derek, Brigitte Nielsen, Jean-Claude Van Damme, Kevin Costner gibi Hollywood yıldızları ile özel etkinlikler düzenledi.

Marcelo Moreno, Diego Recalde, Graciela Fernández Meijide, Néstor Rodríguez, Maga Kohan, Laura Sherman y Rómulo Berrut nos comparten sus textos elegidos. ¿Qué entendemos por “Dilogía”? ¿Y por “Horror Cósmico”? ¿Qué es el “Master de Juglaría”? Refrescamos poemas y narrativas de autores como Vladimir Mayakovsky, Clarice Lispector, Gabriel García Marquez, Alfonsina Storni, Raquel Campos, Salman Rushdie y José Pablo Feinman, en las voces de nuestros locutores Además, ¿ Por qué se lo considera a Mayakovsky “el primer rappero” de la historia? ¿En qué consiste el libro que Warho dedicó a América? ¿Qué hecho los une a Leonard Cohen y Federico García Lorca ? Antonin Artoud le envía una carta a Jacques Prevel contándole algunas impresiones sobre su literatura. Pensamos las letras de las canciones de Baglietto, Serrat, Gabo Ferro y José Carreras, entre otros. Como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110: Un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas.

SERRANO: La alegría del batallón, Canción guajira (2.25). J. Carreras (ten.). Orq. de cámara inglesa. Dir.: A. Ros Marbá. SERRANO: Los de Aragón, cuántas veces solo (4.20). J. Carreras (ten.). Orq. de cámara inglesa. Dir.: A. Ros Marbá. SOUTULLO: El último romántico, Bella enamorada (4.04). J. Carreras (ten.). Orq. de cámara inglesa. Dir.: A. Ros Marbá. MARTÍNEZ VALLS: Cancó d’amor i de guerra, selecc. (16.). J. Carreras (ten.). M. Caballé (sop.). Orq. Sinf. de Barcelona. Dir.: A. Ros Marbá. PÉREZ SORIANO: El guitarrico, Suena guitarrico mío (4.). J. Carreras (ten.). Orq. de cámara inglesa. Dir.: R. Stapleton. ALONSO: La linda tapada, En la cárcel de la villa (4.15). London Musicians Orchestra. Coro de cámara Tallis. Dir.: D. Giménez. FERNÁNDEZ CABALLERO: El dúo de la africana, Dúo de Antonelli y Giuseppini y Antonelli (6.). J. Carreras (ten.). M. Caballé (sop.). Orq. Nacional de España. Dir.: J. Collado. SOROZÁBAL: La tabernera del puerto, No puede ser (3.28). J. Carreras (ten.). Orq. Nacional de España. Dir.: J. Collado. Escuchar audio

Chris Pieman, Director of Advancement for The Sheldon, and Laurel Wacyk, Director of Education, stopped by to talk with Nancy about the happenings at the Sheldon, and the various educational programs. The Sheldon hosts over 350 events each year. Artists like Dave Brubeck, Diana Krall, José Carreras, Herbie Hancock, Joan Baez, Willie Nelson, Lyle Lovett, B.B. King, Mavis Staples, Wynton Marsalis, Judy Collins and Renée Fleming have all performed on their stage. And over 300 exhibits have shown in the Sheldon's galleries since 1998. They also present a wide range of educational programs for schools serving over 30,000 St. Louis-area students each year, and they host hundreds of weddings, community events and other celebrations in their event spaces.        

When Plácido Domingo, José Carreras and Luciano Pavarotti teamed up for their first joint performance on 7th July, 1990 in Rome, it was intended as a one-off collaboration to celebrate the FIFA World Cup.  But the concert triggered instant worldwide fame for the trio, who became known as The Three Tenors, and their live recording became the biggest-selling classical album of all time. In this episode, Arion, Rebecca and Olly consider how, by mixing showtunes with opera, the Tenors created the ‘classical crossover' genre that spawned Russell Watson, Il Divo and Katherine Jenkins; explain how Carreras' recovery from leukemia was the reason for the concert coming together; and reveal how their iconic Nessun Dorma encore was nearly not included at all… Further Reading: • ‘TENORS, ANYONE? THE BIG THREE ARE MAKING A MINT, BUT THAT DOESN'T NECCESSARILY CORRUPT THEIR ART' (The Washington Post, 1995): https://www.washingtonpost.com/archive/lifestyle/style/1995/10/29/tenors-anyone-the-big-three-are-making-a-mint-but-that-doesnt-neccessarily-corrupt-their-art/a0ab8ac1-5ea8-4487-85f7-f554681c0d70/ • ‘Profile: The Three Tenors' (The National, 2015): https://www.thenational.scot/news/14852450.profile-the-three-tenors/ • ‘The Three Tenors sing "O Sole Mio" at Terme di Caracalla' (1990): https://www.youtube.com/watch?v=ZvLZSgP0QMY For bonus material and to support the show, visit Patreon.com/Retrospectors We'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/Retrospectors The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill. Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Sophie King. Copyright: Rethink Audio / Olly Mann 2022. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sie ist eine gefeierte Bach-Interpretin, dabei wollte sie als Kind unbedingt die "Tosca" singen, am liebsten mit José Carreras. Er ist auch Titelheld eines unvollendeten Romans der damals 12-jährigen Dorothee Mields.

All of us are made with unique gifts—ultimately so we can bless the world. But how can we discover our gifts and lean into our calling? Join host Richard Dahlstrom as he talks with John Carrington, the Principal Harpist with the Pacific Northwest Ballet Orchestra, the Bellevue Philharmonic and the Auburn Symphony.  Seattle native John Carrington appears regularly with the Seattle Symphony and Seattle Opera where he was Guest Principal Harpist for several seasons. He performs with the Fifth Avenue Theatre Orchestra and has worked as solo harpist on Cunard Line's "Queen Elizabeth 2" performing for its World Cruise on six continents John's classical background includes performances with such conductors as Seiji Ozawa, Charles Dutoit, Leonard Slatkin, Gerard Schwarz, Asher Fisch and John Rutter. His popular music experience is equally notable, as he has shared the stage with Tony Bennett, José Carreras, Josh Groban, Olivia Newton-John, Rita Moreno, Doc Severinsen, and James Taylor, to name a few. In addition, John is a sought-after recording artist, participating in over 200 motion picture soundtracks and including “Mr. Holland's Opus”, “The Wedding Planner,” and several Disney and Hallmark Hall of Fame productions. He's also performed on video game soundtracks including "Halo" and "World of Warcraft." He received his Master of Music degree from the Cleveland Institute of Music after earning his Bachelor of Music from the University of Washington.

"Leukämie muss heilbar werden. Immer und bei jedem!" dafür engagiert sich Startenor José Carreras als Mensch und Künstler seit er selbst 1987 an Leukämie erkrankt war. Seinen 75. Geburtstag feiert er dann auch auf der "José Carreras Gala" am 16. Dezember im MDR. Moderation: Stefan Parrisius.

Heute vor 75 Jahren wurde der spanische Operntenor José Carreras geboren.

Photo credit Niko Tavernise. © 2021 20th Century Studios. All Rights Reserved Six decades after Robert Wise and Jerome Robbins' iconic film hit the screens, director Steven Spielberg's new production of West Side Story is due to be released in cinemas this Friday, and presenter Tom Service is joined by the Hollywood director, the new Maria - Rachel Zegler - as well as arranger David Newman and choreographer Justin Peck, to learn more about their aspirations for this modern-day Romeo and Juliet story. As the 1961 film celebrates its 60th anniversary, we hear from Jamie Bernstein who shares her memories of her father's involvement in this now classic musical. We eavesdrop on the author, composer and critic Neil Brand, and Tom too, as they re-watch the original movie and reflect on the lyrical, musical and choreographic magic that made West Side Story so powerful. The tenor José Carreras recollects his role in the historic 1985 recording of West Side Story - the first complete recording of the piece with Bernstein conducting - and the American-British playwright, novelist, and critic Bonnie Greer considers how the social issues and tensions of New York's barrios in the 1950s and 1960s remain as alive and relevant for contemporary audiences.

There are so many different recordings of West Side Story. So let's talk about four of them! Zina Lee returns to discuss the musical, the recordings, and film adaptations. You can follow Zina on Instagram here: https://www.instagram.com/zinajlee/You can purchase Stephen Sondheim's first book of lyrics, Finishing the Hat, by going here: https://amzn.to/2LB9ZJoWe are using four productions to frame our discussion of West Side Story.The Original Broadway Cast (1957) starring Larry Kert, Carol Lawrence, Ken LeRoy, and Chita Rivera.You can listen to it on Apple Music: https://music.apple.com/ca/album/west-side-story-original-broadway-cast-recording/186302499Or listen to it on Spotify: https://open.spotify.com/album/3knRTstKrILa8wx8IGGqn6?si=2Zp8BOvbTPmCpbzr4wgoQQOr buy it on Amazon: https://www.amazon.com/West-Side-Story-Larry-Kert/dp/B007IJKD6W/The film version (1961) starring Richard Beymer, Natalie Wood, George Chakiris, and Rita Moreno.You can listen to it on Apple Music: https://music.apple.com/ca/album/west-side-story-1961-motion-picture-soundtrack/394303992Or listen to it on Spotify: https://open.spotify.com/album/1kA4RO70idrEQkOX3zlRfa?si=5MO05RHdRpSwqWDYCtMnNwOr buy it on Amazon: https://www.amazon.com/West-Side-Story-Leonard-Bernstein/dp/B00023GGK8/The album version (1984) starring Kiri Te Kanawa, José Carreras, Tatiana Troyanos, and Kurt Ollman.You can listen to it on Spotify: https://open.spotify.com/album/3DCQhS6eII8WUExSzdN9sE?si=kIPP2uBAQgWFeIY2_07u8AOr on YouTube: https://youtube.com/playlist?list=OLAK5uy_kVF8Tuuw2c8QCwpFKJGUUjGmxIIJ86AtQThe Broadway revival (2009) starring Matt Cavenaugh, Josefina Scaglione, George Akram, and Karen Olivo.You can listen to it on Apple Music: https://music.apple.com/ca/album/west-side-story-new-broadway-cast-recording-2009/316530985Or listen to it on Spotify: https://open.spotify.com/album/2tMSkFy27VIZjBum94KbpD?si=zAAuIC_PQWymu0xfd_XR9QOr buy it on Amazon: https://www.amazon.com/West-Side-Story-Broadway-Recording/dp/B0021X5158/Our sponsors this week are: ATB Cares - https://www.atbcares.com - ATB Cares makes it easy for all Albertans to support the causes they care about. In addition to your donation ATB will match 20% of every dollar donated to to an annual limit of $360,000 to Alberta-based, non-religious charities. Eligible charities may receive up to $5,000 in matching per year. Individual donations qualify for a maximum donation match of $500. The Alberta Podcast Network - https://www.albertapodcastnetwork.com - They promote and support Alberta-made podcasts, and connect their audiences with Alberta-based businesses and organizations. Check out Quantum Kickflip here: https://www.quantumkickflip.com - A Slugblaster actual play podcast, hosted by The Debutantes. Send feedback to puttingittogetherpodcast@gmail.comPutting It Together is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comRecorded by Media Lab YYC. Media Lab is a production company. They help you tell your story. They do this by assisting in the creation of videos and podcasts. Find more information at: http://medialabyyc.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast★ Support this podcast on Patreon ★

Carly is a British classically trained singer who has performed in concerts and for corporate events. While in Malaysia, she was spotted by the Geneva watchmaker Bedat & Co. In 2014, she was appointed as brand ambassador for the company and, as a direct result, appeared at the David Foster Foundation Miracle Gala. In November 2014, Paoli made history as the first artist to perform at the International Women's Media Foundation (IWMF) Awards in Los Angeles, hosted by Hollywood actresses Olivia Wilde and Kate Hudson. In June 2015, Paoli sang a duet with José Carreras in a unique performance at Windsor Castle, for the Prince of Wales Paoli's song, "Ave Maria", composed by Romano Musumarra with lyrics by Grant Black, was played on Vatican radio as the theme for Pope Francis' Jubilee Year of Mercy in 2016. In July 2016, Paoli was the headline singer in Music for Mercy, a concert staged in the historic, Roman Forum. In June 2017, Paoli released her debut album, Singing My Dreams. In September 2021 released the album Carly Paoli and Friends.

Marina Prior is regarded as Australia's leading lady of musical theatre. She is best known for her lead role in The Phantom of the Opera which she played for over three years. She has also performed with international stars including Richard Harris, José Carreras and international vocal group Il Divo.Marina has played leading roles in over thirty productions including The Pirates of Penzance, Cats, Les Miserables, Die Fledermaus, Anything Goes, West Side Story, The Secret Garden, Showboat, The Merry Widow, The Witches of Eastwick, Noises Off, Harp on the Willow, Annie Get Your Gun, The 25th Annual Putnam County Spelling Bee, The Hypocrite, Dirty Rotten Scoundrels,Guys & Dolls, Mary Poppins, Promises Promises, The Sound of Music, Hello Dolly, Hay Fever, Fun Home and Dream Lover.Whilst she is well known to television audiences through her appearances on Carols by Candlelight and as a judge on Channel Seven's top rating It Takes Two. In 2015, Marina starred in the ABC television series The Divorce.Marina's recordings include Leading Lady (which reached platinum status), Aspects of Andrew Lloyd Webber (which reached gold status and for which she was nominated for an ARIA award), Somewhere – the Songs of Sondheim and Bernstein and, more recently, Both Sides Now, Encore and Christmas Candlelight.Over the years, she has won numerous awards for her performances on stage as well as an Advance Australia Award for her contribution to the performing arts. In 1999, Marina was surprised on stage by the television program This is Your Life which celebrated her life in the Arts. In 2006, she was honoured with induction into Australia's 100 Entertainers of the Century.The STAGES podcast is available from Apple podcasts, Spotify and Whooshkaa. Also where you find your favourite podcasts. www.stagespodcast.com.au

O Programa Homenagem é produzido pela equipe da Web Rádio Nós Na Fita com a intenção de homenagear personalidades, que de forma positiva, deixaram seu nome na história da arte, cultura, esporte, ciências e outras áreas afins. Nesta semana, falamos sobre Luciano Pavarotti. O tenor italiano, grande intérprete das obras de Bellini, Donizetti, Verdi e Puccini, dentre outros em seu grande repertório. É reconhecido como o tenor que popularizou mundialmente a ópera. Tornou-se popular entre o público na Copa do Mundo de 1990 na Itália, com performances da ária "Nessun Dorma", da ópera Turandot, de Giacomo Puccini, na apresentação dos Os Três Tenores, ao lado dos tenores e amigos Plácido Domingo e José Carreras. Os três apresentaram-se novamente diversas vezes. Pavarotti gravou diversos duetos com artistas do rock e da música pop, principalmente para causas beneficentes, onde se envolveu bastante. Confira!

José Carreras, Plácido Domingo och Luciano Pavarotti skapade en sällan upplevd hype kring opera när de på 90-talet sålde ut jättearenor tillsammans. Men hur kunde tre gigantiska egon komma överens om att dela scen? Lyssna på alla avsnitt i Sveriges Radio Play. De tre tenorerna framträdde ihop för första gången den 7 juli 1990 i Rom. Konserten skulle samla in pengar till José Carreras leukemistiftelse, men blev därutöver också början på en global cirkus med konserter över hela världen och ett enormt kändisskap för de tre sångarna. I takt med att deras popularitet växte bland den breda publiken fick de allt mer kritik från operanördar och musikkritiker. Visst, operagenren nådde miljontals nya lyssnare, men många ansåg också att det mest handlade om pengar, upphovsrätt och publikfrieri. Klart är dock att de tre tenorerna lämnade efter sig ett svårslaget musikalisk arv där de klassiska operaariorna blev tillgängliga för fler. Men hur kom det sig att José Carreras, Plácido Domingo och Luciano Pavarotti valde att dela scen? Och går det att besvara den evigt återkommande frågan om vem som egentligen var bäst? Clara Törnvall och Johan Korssell från P2-podden Mästerverken vet vad de tycker. I programmet medverkar också journalisterna Cecilia Hagen och Lasse Anrell, operacheferna Stefan Johansson och Birgitta Svendén, samt pressansvarig på Operan Torbjörn Eriksson. Dessutom berättar P2:s musikläggare Ann Persson om sina möten med två av tenorerna. En dokumentär från 2021 av Antonio de la Cruz.

José Carreras, Plácido Domingo och Luciano Pavarotti skapade en sällan upplevd hype kring opera när de på 90-talet sålde ut jättearenor tillsammans. Men hur kunde tre gigantiska egon komma överens om att dela scen? De tre tenorerna framträdde ihop för första gången den 7 juli 1990 i Rom. Konserten skulle samla in pengar till José Carreras leukemistiftelse, men blev därutöver också början på en global cirkus med konserter över hela världen och ett enormt kändisskap för de tre sångarna. I takt med att deras popularitet växte bland den breda publiken fick de allt mer kritik från operanördar och musikkritiker. Visst, operagenren nådde miljontals nya lyssnare, men många ansåg också att det mest handlade om pengar, upphovsrätt och publikfrieri. Klart är dock att de tre tenorerna lämnade efter sig ett svårslaget musikalisk arv där de klassiska operaariorna blev tillgängliga för fler. Men hur kom det sig att José Carreras, Plácido Domingo och Luciano Pavarotti valde att dela scen? Och går det att besvara den evigt återkommande frågan om vem som egentligen var bäst? Clara Törnvall och Johan Korssell från P2-podden Mästerverken vet vad de tycker. I programmet medverkar också journalisterna Cecilia Hagen och Lasse Anrell, operacheferna Stefan Johansson och Birgitta Svendén, samt pressansvarig på Operan Torbjörn Eriksson. Dessutom berättar P2:s musikläggare Ann Persson om sina möten med två av tenorerna. En dokumentär från 2021 av Antonio de la Cruz.

MAESTRO ARIEL RAMÍREZ PIANISTA, COMPOSITOR ARGENTINO Y SU OBRA “LA MISA CRIOLLA EN NUEVA YORK. EN SU VISITA AL PROGRAMA DE RADIO DE GILDA MIRÓS, LO ACOMPAÑA EL CUARTETO DE LOS ANDES QUE INTERPRETAN EN VIVO “ EL CÓNDOR PASA” CON INSTRUMENTOS TÍPICOS DEL PERU. Ariel Ramírez considerado como una de las figuras más destacadas del folclore argentino, presenta una parte de su obra “Misa Criolla” interpretada por José Carreras! 1980s Maestro ARIEL RAMÍREZ, difusor de la cultura tradicional Argentina habla de la presentación de la “Misa Criolla”en el Carnegie Hall en la ciudad de Nueva York.

En muchas ocasiones la vida nos da un don que nunca nos imaginamos que teníamos, un talento con el que nos topamos de casualidad y que se presenta de repente para sacudir nuestra vida por completo. Este es el caso de la cantante mexicana Rebeca Olvera, ella es soprano, solista desde el 2007 de la Ópera de Zürich, ha cantado con grandes de la ópera como Plácido Domingo y realizado giras con José Carreras, por solo mencionar una parte de su increíble trayectoria. Rebeca Olvera descubrió por azares del destino que tenía una voz prodigiosa y hoy sin jamás imaginarlo, conquista al mundo con su impresionante voz y nos comparte todos los aprendizajes que ha tenido de esta gran experiencia y aventura en el mundo de la ópera a pesar de que parecía que su destino era otro, ser comunicóloga. La cantante nos inspira a atrevernos a explorar nuestros talentos ocultos y hacerle caso a nuestra voz interior y aventurarnos por esos caminos que encienden la chispa de nuestro interior. Síguenos en Instagram: @aquenoteatrevesconkariytania

Un día como hoy, 5 de diciembre: 1890, na e Fritz Lang. 1901, nace Walt Disney. 1946, nace José Carreras. 1791, fallece W. A. Mozart. 1870, fallece Alexandre Dumas. 1979, fallece Sonia Delaunay. 2007, fallece Karlheinz Stockhausen. Una producción de Sala Prisma Podcast. 2020

Larry presents six Spanish singers in opera and song. They are Montserrat Caballé, José Carreras, Teresa Berganza, Alfredo Kraus, Victoria de los Ángeles, and Conchita Supervía. The post Opera Singers of Spain appeared first on WFMT.

durée : 00:14:18 - Disques de légende du jeudi 18 juin 2020 - Le premier concert des trois ténors ! Le 7 juillet 1990, veille de la finale de la coupe du monde de football, José Carreras, Placido Domingo et Luciano Pavarotti donnent un concert aux Thermes de Caracalla à Rome, sous la direction de Zubin Mehta. Le disque se vend à des millions d'exemplaires...

The Oxford English Dictionary defines “glamour” as “magic; enchantment; spell” and “a magical or fictitious beauty attaching to any person or object; a delusive or alluring charm.” Further down in the entry are “charm; attractiveness; physical allure,” certainly the definition we most closely associate with the term. And yet, it’s fascinating to examine the concept of glamour from its spellbinding origins. In the first of my episodes on Glamour, I examine many singers both from the spell-binding sense of the term and the sense of vocal and personal allure. Among others, I examine such varied singers as Alice Faye, Eleanor Steber, Annie Lennox, Carol Neblett, Betty Carter, Diahann Carroll, Teresa Żylis-Gara, Liane Augustin, Dorothy Kirsten, Florence Quartararo, Hana Janků, Helen Traubel, Hilde Güden, Kiri Te Kanawa, Leontyne Price, Lisa Kirk, Lotte Lehmann, Anna Moffo, Maria Nemeth, Montserrat Caballé, Rosa Ponselle, Zarah Leander, and The Incomparable Hildegarde with an eye to what makes their work glamourous in all senses of the term. And the gentlemen are by no means excluded: I spend particular time on the seductive and dulcet tenor tones of Fritz Wunderlich, José Carreras, Karl Friedrich, and Miguel Fleta. Countermelody is a podcast devoted to the glories of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great classical and opera singers of the past and present with the help of guests from the classical music field: singers, conductors, composers, coaches, agents, and voice teachers. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford.

Many musicians asked Bernhard Kerres about his career path, leaving the stage, running tech companies, and returning to head one of the greatest concert halls in the world. So, he decided to share his musical career path in this podcast. He speaks about his introduction to classical music in his home town Vienna with the Vienna Philharmonic and the Vienna Stateopera, singing with Agnes Baltsa, José Carreras and many others, and eventually deciding that he was not good enough for a performing career. If you are interested in the Be Your Own Manager Webinars on career management and entrepreneurship for classical musicians, you find the details here: www.beyourownmanager.com. More about Bernhard Kerres who is an Executive Coach based in Vienna and teaches career management for classical musicians: www.bernhardkerres.com.

durée : 00:04:51 - Classique info du vendredi 13 décembre 2019 - par : Sofia Anastasio - Les danseurs de l’Opéra de Paris à nouveau dans la rue ; les Victoires de la musique réforment leur mode de scrutin ; le Rainbow Symphony Orchestra ; José Carreras retarde la fin de sa carrière de chanteur.

Con Carlos Iribarren | Hoy Toca por fin dedica su primer programa completo a uno de nuestros grandes tesoros: la zarzuela. El barítono José Bardají acompaña a Carlos y Ana Laura Iglesias para escuchar 6 voces masculinas que han marcado la historia del mal llamado "género chico". Alfredo Kraus, José Carreras y Plácido Domingo son los 3 más conocidos, pero los otros 3 protagonistas son de medalla de oro. También apreciaremos la diferencia entre tenor y barítono en arias procedentes de "El caserío", "Alma de Dios" o "La tabernera del puerto". Esperamos que disfrutes con nosotros de estas 6 demostraciones de poderío vocal y musical en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Con Carlos Iribarren | Hoy Toca por fin dedica su primer programa completo a uno de nuestros grandes tesoros: la zarzuela. El barítono José Bardají acompaña a Carlos y Ana Laura Iglesias para escuchar 6 voces masculinas que han marcado la historia del mal llamado "género chico". Alfredo Kraus, José Carreras y Plácido Domingo son los 3 más conocidos, pero los otros 3 protagonistas son de medalla de oro. También apreciaremos la diferencia entre tenor y barítono en arias procedentes de "El caserío", "Alma de Dios" o "La tabernera del puerto". Esperamos que disfrutes con nosotros de estas 6 demostraciones de poderío vocal y musical en Hoy Toca, el programa de Clásica FM que te quiere sorprender.

GRAMMY-nominated singer, songwriter, producer, Howard McCrary, joins the show for the first time! In 1985, He co-produced the album “So Good” and was nominated for a Grammy for “Best Gospel Performance, Male”. In 1987, he was given ASCAP's Duke Ellington Award for most promising writer in gospel music and was commissioned to write the piece “Yesterday, Today and Tomorrow” for the Brooklyn Philharmonic Symphony Orchestra. He was featured as a background vocalist on Quincy Jones' best-selling “Back on the Block”, as well as arranging vocal parts for the song “Keep the Faith” on Michael Jackson's 1992 multi-platinum set Dangerous. He began working with Chaka Khan in 1993 as keyboardist and musical director. Later, he worked with Oscar-winning composer Hans Zimmer on the film The Power Of One. McCrary moved to Hong Kong in 2005 and has become a major figure in the Chinese music scene, performing with the Hong Kong Chinese Orchestra, conducted by Maestro Hubert Yan in 2008. He returned to Qinghai for a repeat performance in 2009 for “Green Peace for China” where he composed and performed with the acclaimed José Carreras and The China National Symphony Orchestra a song “Hear My Plea”. In 2013, McCrary performed at the Hong Kong Cultural Centre in his debut concert “Peace and All That Jazz” with full orchestra. In 2014 he premiered his first piano concerto Black Butterfly with the Hong Kong Chinese Orchestra. We talk to him about his GRAMMY nominated album So Good, working with Michael Jackson on Keep the Faith, Working on Quincy Jones' bestselling album Back on the Block, being music director for Chaka Khan, his move to Hong Kong and much, much more!

Rebeca Olvera es una de las mejores sopranos del mundo y actualmente canta para la legendaria Ópera de Zurich, en Suiza. País donde lleva más de 10 años viviendo. Ha ganado varios de los premios más cotizados del mundo del canto y junto con la leyenda José Carreras han dado conciertos en Alemania, Suecia, Dinamarca y varios otros países. Y aún con su brutal éxito, Rebeca es una persona súper amable y agradable, con una sonrisa enorme. Esta inesperada historia comienza en Puebla, México, de donde ella es originaria. Y es una historia sorpresiva en el sentido de que Rebeca descubre su don y su pasión en la vida cuando está terminando la carrera de Ciencias de la Comunicación. Básicamente para el momento en el que ella aplica al Conservatorio de la Ciudad de México explica que su edad era realmente atípica y por lo mismo tuvo una sola oportunidad de aplicar. Después de muchísimo trabajo de su parte, el resto es historia. Hay muchas cosas que aprenderle a Rebeca. Para mi la lección más valiosa que me dio es que no hay edad para perseguir tus sueños. Sin importar que ya lleves años trabajando en una profesión. Si algo te apasiona realmente, persíguelo. Siempre valdrá la pena perseguir un sueño, sin importar la edad. Esta entrevista fue posible gracias al apoyo de Andrés Roemer, curador de La Ciudad de las Ideas.

¿Echabas de menos Operando? Ya no tienes que esperar más, aquí está de vuelta Borja Mariño con toda la actualidad de las temporadas líricas españolas. En este programa nos visitarán el tenor José Luis Sola y barítono Manel Esteve para presentar El cantor de México, la obra que se presenta en el Teatro de la Zarzuela y que en su día estrenó Luis Mariano, el rey de la opereta. Recordaremos al famoso cantante de Irún y hablaremos con nuestros invitados de algunos proyectos pasados en común como El juez, la ópera que promovió José Carreras, les haremos una antientrevista y hablaremos de sus actuaciones futuras. En nuestra sección final, la Rara Avis, trataremos de compositores copiones y localizaremos en algunas óperas fragmentos de música preexistente de otros autores. ¿Coincidencia, inspiración o robo a mano armada? Descúbrelo escuchando Operando! el programa de lírica de Clásica FM Radio. Invitados: José Luis Sola (tenor); Manel Esteve (barítono) Colaboradores: Marina Monzó, Mercedes Arcuri, Alberto Camón, Matteo Pagliari, César San Martín, José Antonio Domené, Andrés Salado.

¿Echabas de menos Operando? Ya no tienes que esperar más, aquí está de vuelta Borja Mariño con toda la actualidad de las temporadas líricas españolas. En este programa nos visitarán el tenor José Luis Sola y barítono Manel Esteve para presentar El cantor de México, la obra que se presenta en el Teatro de la Zarzuela y que en su día estrenó Luis Mariano, el rey de la opereta. Recordaremos al famoso cantante de Irún y hablaremos con nuestros invitados de algunos proyectos pasados en común como El juez, la ópera que promovió José Carreras, les haremos una antientrevista y hablaremos de sus actuaciones futuras. En nuestra sección final, la Rara Avis, trataremos de compositores copiones y localizaremos en algunas óperas fragmentos de música preexistente de otros autores. ¿Coincidencia, inspiración o robo a mano armada? Descúbrelo escuchando Operando! el programa de lírica de Clásica FM Radio. Invitados: José Luis Sola (tenor); Manel Esteve (barítono) Colaboradores: Marina Monzó, Mercedes Arcuri, Alberto Camón, Matteo Pagliari, César San Martín, José Antonio Domené, Andrés Salado.

I programmet diskuteras uvertyrer och opera-intermezzon med Riccardo Chailly på pulten, blockflöjtmusik av Telemann samt Netrebko och Eyvazov i Puccinis Manon Lescaut. Mer opera I mindre skala. I panelen Andreas Parmerud (gäst), Evabritt Selén och Sara Norling som tillsammans med programledaren Johan Korssell betygsätter följande skivor: OVERTURES, PRELUDES & INTERMEZZI Musik av bl.a. Verdi, Puccini och Boito La Scala-operans orkester Riccardo Chailly, dirigent Decca 483 1148 GEORG PHILIPP TELEMANN J-M HOTTETERRE Musik för blockflöjt Giovanni Antonini, blockflöjt, ledare Il Giardino Armonico Alpha ALPHA 245 GIACOMO PUCCINI Manon Lescaut Anna Netrebko, Yusif Eyvazov m.fl Münchens Radioorkester Wiens statsoperas kör Marco Armiliato, dirigent DGG 479 68 28 Referensen Johan jämför med och refererar till Puccinis opera Manon Lescaut med Mirella Freni som Manon, Placido Domingo som des Grieux tillsammans med Philharmonia Orchestra, London, allt under ledning av Giuseppe Sinopoli på DG. I mindre skala Alexander Freudenthal och Johanna Paulsson spelar stor musik i mindre format. Idag är temat opera och vi serveras Wagner och Verdi i olika kostymer. Andra i programmet nämnda eller rekommenderade inspelningar: Riccardo Chailly dirigerar Puccinis Turandot på DVD med bl.a. Nina Stemme och La Scala-operans orkester. Inspelad på Decca. Telemanns blåsmusik med Musica Antiqua, Köln ledd av Reinhard Goebel på Archiv samt med Zefiro-ensemblen under Alfredo Bernardini inspelad på Arcana. Puccinis Manon Lescaut med Kiri te Kanawa och José Carreras i de stora rollerna samt med orkestern vid Teatro Comunale Bologna, ledda av Riccardo Chailly på Decca samt med Mirella Freni och Luciano Pavarotti tillsammans med Metropolitan-operans orkester dirigerade av James Levine på skivmärket Decca. Svepet Johan sveper över och spelar valda delar ur ett album där Olli Mustonen är solist i Prokofjevs tredje, första och fjärde pianokonserter. Detta tillsammans med Finska radions symfoniorkester ledda av Hannu Lintu på Ondine.

When Johann Wolfgang von Goethe's epistolary novel The Sorrows of Young Werther was published in 1774, it became an overnight sensation. Men wore yellow waistcoats and leather breeches to look like the novel's lovelorn hero, they carried vials of their own tears to display the depth of their feelings, and they even killed themselves in solidarity with the title character. The story of passionate, unrequited love was equally resonant when Jules Massenet's opera premiered a century later, and the glorious music is still just as heart-rending today.  On this week's episode of He Sang/She Sang, Merrin Lazyan and Jeff Spurgeon speak with writer James Kuslan about Massenet's Werther. We also hear from mezzo-soprano Isabel Leonard about the magnetic power of love at first sight.   Kuslan's first YouTube pick (Tatiana Troyanos, 1982): Kuslan's second YouTube pick (Christa Ludwig and Franco Corelli, 1971): Spurgeon's YouTube pick (Lisette Oropesa and Jonas Kaufmann):  This episode features excerpts from the following album: Massenet: Werther (Philips, 1981)— José Carreras, tenor; Frederica von Stade, mezzo-soprano; Isobel Buchanan, soprano; Orchestra of the Royal Opera House conducted by Sir Colin Davis

Als einer der Drei Tenöre wurde er durch einen Auftritt bei der Fußball-Weltmeisterschaft im Jahr 1990 weltberühmt. Derzeit befindet sich José Carreras rund um seinen 70. Geburtstag am 5. Dezember auf großer Abschiedstournee. Ein Porträt über Höhen und Tiefen einer Legende.

En este podcast vamos a escuchar la voz del cantante de ópera español Plácido Domingo, que perteneció al grupo musical Los Tres Tenores junto a José Carreras y a Luciano Pavarotti. Escuela de español Quince TC: www.quincetc.es info@quincetc.es Plácido Domingo: “Una infancia muy normal, en España, en Madrid. Mis padres cantando en la Zarzuela.” “Y, entonces, pues nada. Yo me acuerdo de irlos a ver al teatro. Lo que está más en mi mente son el tiempo cuando se fueron ya a México.” “Fue dificilísimo. Nada más lo entiendo por las dificultades de aquellos tiempos, ¿no? Porque, la verdad que pasarse dos años sin ver a los padres es muy duro.” “Ya cuando llego a México, entonces me empiezo a ilusionar mucho por la música, por ir al teatro. Aparte, aunque tuviera que ir al colegio temprano por la mañana, pues mis padres tenían función en el teatro y me decían: “Plácido, Placidín, me llamaban, tienes que irte ya a dormir.” No os preocupéis, que no tengo sueño, que mañana me levanto. Y siempre, siempre iba al teatro. Era mi pasión.” “La primera obra que canté son Los Molinos de viento, con mis padres, en Guadalajara, en México, y tenía dieciséis años. Y de ahí empiezo a cantar algunas zarzuelas, hasta que me doy cuenta que la voz puede dar para la ópera.” “Y a los dieciocho años empiezo y debuto haciendo partes secundarias en la ópera. Y ya, a los veinte años, canto mi primera Traviata, la primera ópera que canté, mi primera Tosca, mi primera Bohème, mi primera Butterfly, primera Lucia.” Felipe Galán Escuela de español Quince TC: www.quincetc.es info@quincetc.es Donaciones: http://www.ivoox.com/podcast-se-habla-espanol_sq_f1171214_1.html Contacto: Correo Electrónico: sehablaespanolpodcast@gmail.com Twitter: @espanolpodcast @fgalancamacho Facebook: https://www.facebook.com/sehablaespanolpodcast

En este podcast vamos a escuchar la voz del cantante de ópera español Plácido Domingo, que perteneció al grupo musical Los Tres Tenores junto a José Carreras y a Luciano Pavarotti. Escuela de español Quince TC: www.quincetc.es info@quincetc.es Plácido Domingo: “Una infancia muy normal, en España, en Madrid. Mis padres cantando en la Zarzuela.” “Y, entonces, pues nada. Yo me acuerdo de irlos a ver al teatro. Lo que está más en mi mente son el tiempo cuando se fueron ya a México.” “Fue dificilísimo. Nada más lo entiendo por las dificultades de aquellos tiempos, ¿no? Porque, la verdad que pasarse dos años sin ver a los padres es muy duro.” “Ya cuando llego a México, entonces me empiezo a ilusionar mucho por la música, por ir al teatro. Aparte, aunque tuviera que ir al colegio temprano por la mañana, pues mis padres tenían función en el teatro y me decían: “Plácido, Placidín, me llamaban, tienes que irte ya a dormir.” No os preocupéis, que no tengo sueño, que mañana me levanto. Y siempre, siempre iba al teatro. Era mi pasión.” “La primera obra que canté son Los Molinos de viento, con mis padres, en Guadalajara, en México, y tenía dieciséis años. Y de ahí empiezo a cantar algunas zarzuelas, hasta que me doy cuenta que la voz puede dar para la ópera.” “Y a los dieciocho años empiezo y debuto haciendo partes secundarias en la ópera. Y ya, a los veinte años, canto mi primera Traviata, la primera ópera que canté, mi primera Tosca, mi primera Bohème, mi primera Butterfly, primera Lucia.” Felipe Galán Escuela de español Quince TC: www.quincetc.es info@quincetc.es Donaciones: http://www.ivoox.com/podcast-se-habla-espanol_sq_f1171214_1.html Contacto: Correo Electrónico: sehablaespanolpodcast@gmail.com Twitter: @espanolpodcast @fgalancamacho Facebook: https://www.facebook.com/sehablaespanolpodcast

Vi reder ut erotiska och musikaliska trådar mellan manliga tonsättare och deras musik i 1900-talets USA: Aaron Copland, Leonard Bernstein, David Diamond och grekiske dirigenten Dimitri Mitropoulos. I USA finns det antihomosex-lagar ända fram till 1975. Henry Cowell kallas Kaliforniens Oscar Wilde och sitter fem år i San Quentin-fängelset dömd för sodomi, vilket fortfarande är olagligt i ett tiotal amerikanska stater. Mellan 1947 och 1957 jagar senator McCarthy kommunister och homosexuella. Tonsättaren och accordeonisten Pauline Oliveros är 15 år när McCarthys jakt på icke önskvärda amerikaner inleds. Ur hennes rädsla för hatbrott utvecklar hon det djupa lyssnandet, Deep Listening. Det är på liv och död. - Det gäller att överleva när man tillhör en utrotningsshotad art, säger Oliveros i programmet Det osynligas piano.   Vi reder ut hur erotiska och musikaliska trådar löper samman bland manliga tonsättare och deras musik i 1900-talets USA. De inblandade är tonsättarna Aaron Copland, Leonard Bernstein, David Diamond och grekiske dirigenten Dimitri Mitropoulos. Bl a hade tonsättarna Leonard Bernstein och Aaron Copland en kärleksrelation.  Dimitri Mitropoulos hade erotiska relationer med Leonard Bernstein och David Diamond. Geniet och innovatören Harry Partch är en outsider. Här finns ingen gemensam gay estetik utan musiken spänner över neoklassisism, nyromantik, folkton, elektonmusik, abstrakt musik, modernism, minimalism, musical, operett, opera och kabaret. Den vänsterradikale judiske bögen Aaron Copland skapar en musikalisk symbol för den amerikanska myten. Tre judiska homo- och bisexuella män skapar en helamerikansk musical om heterosexuell, kristen romans.   Hur låter musiken kring det långa äktenskapet mellan tonsättarna Samuel Barber och Gian Carlo Menotti? Varför tar pianisten Vladimir Horowitz elchocker och antidepressiva medel? Och vem är den homosexuella skuggan bakom Duke Ellingtons musik?Låtlista: The Beauty of Sorrow Pauline Oliveros Pauline Oliveros, accordeon Taras Room Deep Listening DL 22-2004 CD Reason in Madness mixed Pauline Oliveros Pauline Oliveros, solo accordeon. Panaiotis, processing and mixing. CD-titel: Crone Music LOVELY MUSIC LTD CD 1903 Take The A Train Billy Strayhorn Duke Ellington Ellington Uptown COLUMBIA 512917 2 Chelsea Bridge Billy Strayhorn Billy Strayhorn, piano Piano Passion Storyville 101 8404 Le Tombeau De Couperin I Maurice Ravel/Marc H.Bonilla Gary Burton, vibrafon. Makoto Ozone, piano Virtuosi Concord Records CCD-2105-2 And On The Seventh Day, Petals Fell In Petaluma Harry Partch Harry Partch Gravikords, Whirlies & Pyrophones ellipsis arts CD3530 Aeolian Harp Henry Cowell Alan Feinberg The American Innovator argo 436 925-2 Fanfare for the Common Man Aaron Copland Slovak Radio Symphony Orchestra  Stephen Gunzenhauser, Conductor COPLAND: Appalachian Spring/Rodeo/Billy the Kid NAXOS 8.550282 America (West Side Story) Leonard Bernstein Leonard Bernstein, dir. Orch & Chorus. Kiri Te Kanawa, José Carreras,Tatiana Troyanos, Kurt Ollman. Bernstein on Broadway DG 447 898-2 Appalachian Spring Copland, Aaron Slovak Radio Symphony Orchestra  Stephen Gunzenhauser, Conductor COPLAND: Appalachian Spring/Rodeo/Billy the Kid NAXOS 8.550282 Concerto For Clarinet: II. Rather Fast Copland, Aaron (1900-1990) Dornbusch, Karin Barber, Copland, Ginastera Musica Vita CAPRICE CAP 21591 Barber: Adagio For Strings, Op. 11 Samuel Barber (1910-1981) Marin Alsop, dirigent; Wendy Warner, cello. Royal Scottish National Orchestra Barber: Cello Concerto, Medea Suite, Adagio For Strings NAXOS 8.559088 Cello Concerto - Molto Allegro E Appassionato Samuel Barber (1910-1981) Wendy Warner, cello. Marin Alsop, dirigent; Royal Scottish National Orchestra Barber: Cello Concerto, Medea Suite, Adagio For Strings NAXOS 8.559088 Suite from Sebastian I. Introduction Gian Carlo Menotti 1911 Spoleto Fest Orch; R. Hickox, Raphael Wallfisch, cello Apocalisse 1952; Fantasia Cello, Orch 1976 Sebasatian Ballet Suite 1944 Chandos Records CHAN 9900 III. Street fight Gian Carlo Menotti 1911 Spoleto Fest Orch; R. Hickox, Raphael Wallfisch, cello Apocalisse 1952; Fantasia Cello, Orch 1976 Sebasatian Ballet Suite 1944 Chandos Records CHAN 9900 Glitter and Be Gay (Candide) Leonard Bernstein Leonard Bernstein, dir. London symph orch, London Symph Chorus. Christa Ludwig, Nicolai Gedda, Della Jones  m fl. Bernstein on Broadway DG 447 898-2 Elegy In Memory Of Maurice Ravel David Diamond (b. 1915) Diamond, David John Adams, dirigent. Orchestra of St. Lukes American Elegies Albany Records TROY 082 Psalm Diamond, David (1915-2005) Janos Starker, Gerard Schwarz; Seattle Symphony Orchestra Diamond: Symphony #3, Psalm, Kaddish NAXOS 8.559155 Schumann-Traumerei Robert Schumann Vladimir Horowitz, piano The Magic of Vladimir Horowitz CD 1 DG 474 334-2

Als einer der Drei Tenöre wurde er weltberühmt - nun nimmt José Carreras Abschied von der Bühne. Ein Leben ohne Applaus und Publikum sei eine traurige Vorstellung, gibt der große Sänger zu. Doch er hat schon Pläne für die Zukunft.

Erkan Aki, geb. am 20. Juni 1969, im nicht einmal 10.000 Einwohner zählenden Schweizer Sursee, erreicht heute mit seiner außergewöhnlichen Stimme ein Millionen-Publikum in allen Teilen der Welt. Der Sohn türkischer Einwanderer wuchs unter dem Einfluss zweier unterschiedlicher Kulturen auf, die ihn bis heute prägen und sich in seinen Aktivitäten im Rahmen des Integrationsprozesses widerspiegeln. So erhielt er für seine Arbeit in interkulturellen Projekten im Jahr 2002 den Deutsch-Türkischen Freundschaftspreis. Erkans Weg zu einem der besten Tenöre beginnt mit 17 Jahren. Während seines Gesangsstudiums beim Schweizer Tenor und Musikpädagogen Paul Späni, spezialisiert er sich auf das Liedfach und erfüllt sich damit sehr schnell seinen großen Traum: Eine Karriere als Bühnensänger. Nach drei Jahren Musiktheorie-Unterricht in seiner zweiten Heimat, der Türkei, kehrt er 1997 aus Istanbul zurück nach Zürich. 1999 produziert Erkan Aki sein erstes Album „Here's To The Heroes“, mit Starproduzent Nigel Wright, (Madonna, Barbara Streisand, José Carreras). Der Erfolg lässt nicht lange auf sich warten. Das Album stürmt die Deutschen Charts und mit seiner unverwechselbaren Stimme zieht er schnell ein breites Publikum in seinen Bann.

Der Auftritt der drei Tenöre Luciano Pavarotti, Placido Domingo und José Carreras bei der Fußballweltmeisterschaft 1990 in Rom bescherte der Klassikszene ein neues Konzert-Genre. Doch diese klassischen Konzerte für ein Massenpublikum sollten ungeahnte Folgen haben. Ulrich Möller-Arnsberg erzählt die Geschichte in der Reihe "Zoom".

 You all know of my great praise for dear Marisa Galvany, and you have responded with praise to my podcasts of her material. Here is another selection of her material, with some repeats, but sometimes it is more valuable to hear a compilation.  Included are scenes and arias from Ernani,Traviata, Cavalleria (with Domingo), and Aida (as Aida and Amneris.)  (58 min.) Galvany studied primarily under Armen Boyajian (also the teacher of Paul Plishka and Samuel Ramey). She made her professional opera debut at the Seattle Opera in 1968 in the title role of Giacomo Puccini's Tosca. The following year, she portrayed the title heroine in Simon Mayr's Medea in Corinto in New York City, a performance which was recorded for Vanguard. She made her first international appearance in 1972 at the Palacio de Bellas Artes in Mexico City in the title role of Giuseppe Verdi's Aida. In 1972 Galvany was offered a contract to join the roster of principal singers at New York City Opera by Julius Rudel. She accepted, making her debut with the company later that year as Elisabetta in Gaetano Donizetti's Maria Stuarda opposite Beverly Sills in the title role. She continued to sing regularly with that company through 1983, portraying such roles as Abigaille in Nabucco, Amelia in Un ballo in maschera, , Odabella in Attila, Santuzza in Cavalleria rusticana, Violetta in La traviata, and the title roles in Anna Bolena and Luigi Cherubini's Médée. She also sang in several different productions of Tosca where she partnered such tenors as José Carreras and Harry Theyard. In 1973, Galvany filmed her acclaimed Lady Macbeth, in Macbeth, for the Canadian Broadcasting Company, opposite Louis Quilico. That same year she made her first appearance with the Philadelphia Lyric Opera Company as Aida with Pier Miranda Ferraro as Radamès, Joann Grillo as Amneris, and Gianfranco Rivoli conducting. In 1974 she made her first appearance at the New Orleans Opera opening the 1974-1975 season as Rachel in Fromental Halévy's La Juive with Richard Tucker as Eléazar. She returned to open the company's next two consecutive seasons as Aida and Valentin in Les Huguenots, the latter production with Rita Shane and Susanne Marsee. She later returned to New Orleans to sing Salomé in Jules Massenet's Hérodiade. Galvany made her debut at the Metropolitan Opera in 1979, in the title role of Norma. In 1985, the singing-actress sang Gertrud in Hänsel und Gretel and Ortrud in Lohengrin on tour with the company, then the Kostelnička in Jenůfa during the Fall Season in the theatre. At the Cincinnati Opera, she appeared in Turandot (with Harry Theyard) and Salome (with Ticho Parly as Herod). During the mid 1980s, Galvany began to add mezzo-soprano roles to her repertoire. She sang Amneris in Aida at the Cincinnati Opera in 1985. In 1992 she sang the title role in Bizet's Carmen with the New York Grand Opera. (NYGO) She performed frequently with the NYGO up into the early 2000s. On the international stage Galvany has appeared at the Opern- und Schauspielhaus Frankfurt, the Liceu, the Great Theatre, Warsaw, the National Theatre in Prague, and the National Theatre in Belgrade among others. She has also sang in operas in Brazil and Venezuela. References The Metropolitan Opera Encyclopedia, edited by David Hamilton, Simon and Schuster, 1987. ISBN 0-671-61732-X Galvany, Marisa biography at operissimo.com (in German)