Podcasts about nabakov

The Dallas Stars are eliminated in the Conference Final again, but now's not the time to mock them, what did the Oilers do that the Avalanche couldn't? Ilya Nabakov has also signed his entry level contract with the team, and will be in North America at the conclusion of the next KHL season. What's a realistic timeline for him to contribute in the NHL. Also, Brock Nelson and the Avalanche have reportedly begun contract talks, is it possible to keep him? Is there a better option on the market? Send questions to the mailbag here: https://forms.gle/7ytuJfsiTr1x3VDt6 Keep up with everything on the site at HockeyMountainHigh.com Follow the show: @HockeyMTNPod Follow Griffin: @GRYoungs Follow Christian: @Christian_Bolle

Ty Dellandrea scores on his former team but Sharks fall to Dallas Stars in a shootout. Connor Bedard and Teuvo Teravainen each had two assists to help the Chicago Blackhawks win their home opener. Winnipeg blows the Sharks out of the building to remain undefeated. Colorado comes to San Jose in search of a second straight win. Tyler Toffoli calls out the Sharks power play, Nico Sturm calls out guys not being ready, and new coach Ryan Warsofsky really wants to not talk about last season. Also, Gary Bettman talks streaming, we got a goalie goal, and Yaroslav Askarov follows up a shutout with another shutout in the home opener for the San Jose Barracuda. Sharks fall 3-2 in Dallas, pick up charity point in shootout loss Blackhawks score 3 straight goals, Sharks can't overcome in 4-2 loss in windy city Jets embarrass team teal in Winnipeg, 8-3 Avalanche in search of 2nd W of their slow season Will Smith scratched for “load management” Toffoli and Sturm don't mince postgame words Heroes and Zeroes returns In the NHL… a goalie goal on the PP, first since Nabakov, streaming games, questionable slow starts for playoff favorites Askarov impresses with Barracuda, refuses to let other team score and more… Teal Town USA - A San Jose Sharks post-game podcast, for fans, by fans! Subscribe to catch us after every Sharks game and our weekly wrap-up show, The Pucknologists! Want audio only? Subscribe to our audio-only platforms below:

Leadership Lessons From The Great Books #111 - Lolita by Vladimir Nabakov w/Claire Chandler---Opening and closing themes composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Check out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videos.Leadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/LdrshpTlbx.

This is the second part of an essay about Zadie Smith. You can read the first part here. As an experiment, I have recorded this essay so you can listen rather than read. Let know what you think…Both essays are partly paywalled. But, good news, there's a summer sale—20% off a subscription if you sign up before September 13th.Don't forget, the next bookclub is this Sunday 10th September, 19.00 UK time. We are discussing The Annotated Alice.My next salon, in October, is about sonnets.Zadie timeThe only poem Zadie Smith knows by heart, apart from some Shakespeare, is ‘Animals' by Frank O'Hara. (“In the brain space where memorised poems should be,” she once said, “I have a large collection of rap couplets.”) ‘Animals' is about looking back from middle-age to youth. “It's no use worrying about Time,” O'Hara writes, straight after remembering a time when “the day came fat with an apple in its mouth.” The obvious image that brings up is a pig, ready for feasting—a symbol of fleeting youth, inevitable death, and all that jazz. One day you're a pig in the field, the next you're roasted It might be no use worrying about time, but that's because it's inevitable. ‘Animals' is about looking back to a time when “the whole pasture looked like our meal”. Not youth itself, but the changed perspective that comes with middle-age. This sense of time changing our perspective of the world might be the central theme of Smith's work. Talking about how she gets started on a book, she said:the writing process... for me, is usually “I started at page one and kept going” or “I was struck by some tedious trauma from my childhood and had to make it into a novel to be free of it.”Struck by some tedious trauma is a nice Larkinian phrase and it sums up the way that Smith makes her bigger arguments—about the importance of equal access to beauty, or the loss of the post-war social order—through stories of ordinary life and her changed perception of the past. So many of her novels are driven by one generation not knowing how the other understands the world. As she told BU Today:It's so hard to understand when you're 19 or 20 why middle-aged people are like they are or why marriages continue. You don't understand any of it, you just wonder, what's wrong with you people? And then, of course, you become middle-aged and go, ah, OK, I get it now. Smith has talked about the importance of time in historical perspective, too. The essence of Swing Time is the interruption of history, the forced changing of a people's times.…what was done to black people, historically, was to take them out of the time of their life… who knows what would have happened — nobody knows. But it would've gone a certain way, and we were removed from that timeline, placed somewhere entirely different, and radically disrupted. That sense of being dislocated in time is, of course, the basis of Howards End, which opens with an engagement between two people from different social classes. A tremendous fuss is caused—but by the time Helen arrives to sort it all out, the engagement is over. The characters are removed from one timeline and put into another one. It was a minor affair, barely that, but it changes the course of all their lives. You might call it some tedious trauma. Howards End was the model and inspiration for On Beauty. (See part one for more details.) Both are novels about the contrast of aesthetics and pragmatism. But On Beauty is essentially about arguments of literary criticism and aesthetic philosophy.Forster might be the least intellectual of the Bloomsbury writers. Why take him as a model? To understand that, we first need to go back to Smith's other source—Elaine Scarry's 1999 lectures On Beauty and Being JustOn Beauty and Being Just. On Beauty contrasts the unaesthetic ideas of Catherine Belsey (the critic who believed Shakespeare's plays are not works of art but “a location of cultural history”—curses upon her) with the revival of beauty espoused by Elaine Scarry. Howard represents Belsey (which is why he shares her surname) and through his own misdeeds and midlife crisis—and a good dose of comeuppance—comes to realise the truth of beauty. As Adam Kirsch says, in a perceptive essay, “Howard's downfall… is the revenge of beauty.”Scarry's lectures are full of common sense, occasionally couched in the cant jargon of modern literary criticism. Here for example is the opening paragraph, which finally comes alive in the final sentence.What is the felt experience of cognition at the moment one stands in the presence of a beautiful boy or flower or bird? It seems to invite, even to require, the art of replication. Wittgenstein says that when the eye sees something beautiful, the hand wants to draw it.Scarry talks about the way we make errors about beauty—we can see beauty in new places where we don't expect to find it. We also know that beauty fades. Beauty makes us accept transience.The first idea is used in Howard's work as an art historian—like Catherine Belsey, he denies that art can be beautiful, but then he is moved to tears by Mozart. And the delusion of infinite beauty is what drives him to commit adultery with two women who both look somewhat how his wife used to look. He finds beauty in an unexpected place and is confronted with transience. To make sure you don't miss this point, the Mozart is played at a funeral.Smith makes nice irony out of Howard's problems. In the classroom he makes Scarry's first mistake: he cannot see the beauty in Rembrandt. Out of class, this leads to the second mistake: he hasn't remembered that because beauty is real, beauty fades. Howard tries to swing through time, back to youth, to a place where beauty was felt, not a mode of discourse or a method of radical decentering or any of the other theoretical phrases he might use. Howard cannot start to see life clearly while he is clouded with the ideas of his theories. He had become dogmatic and middle-aged. Beauty shakes him out of his dogmatic slumbers. “greatness appears suddenly; like a thunderbolt it carries all before it”You might wonder if Scarry's book amounts to a sort-of admission that Harold Bloom was partially right, that literary criticism ought to owe as much to Longinius as it does to Aristotle. Aristotle gives us genre, structure, character, mimesis, and so on. Longinius gives us the sublime. Aristotle analyses literature: Longinius feels it.Great writing does not persuade; it takes the reader out of himself. The startling and amazing is more powerful than the charming and persuasive, ... [and] greatness appears suddenly; like a thunderbolt it carries all before it and reveals the writer's full power in a flash.That was what happened to Howard with the Mozart. It's what Scarry means about beauty surprising us into aspiring to the truth. Without the thunderbolt, art cannot function. The thunderbolt flashes and shows us the world—there are eternal truths, beauty is real. And of course, when the thunderbolt hits, you are taken out of your time. Great literature—great beauty—can make us see our lives again in different terms, as Howard and Kiki do at the end.The brilliant and the banalWhat, then, does this have to do with Forster? The fact that Forster's novel relates to Smith's notions of time doesn't quite explain why Smith used it as her model. He's hardly an intellectual novelist. For all his talk of Schlegel, and his descriptions of Beethoven, he wasn't using his fiction to resolve academic disputes about aesthetics. The answer, I think, is Zora Neale Hurston. Smith was given Hurston to read aged fourteen, by her mother. First, she resisted. But something about Hurston's writing compelled her to think differently. A thunderbolt struck.My resistance to dialogue (encouraged by Nabakov, whom I idolised) struggled and then tumbled before Hurston's ear for black colloquial speech…Smith wanted to “an objective aesthete, not a sentimental fool”. Hurston showed her you could be both. You can balance objective, high-minded aestheticism and sentimentality. That's what Howards End is about. In Smith's words, “to love Forster is to reconcile oneself to the admixture of banality and brilliance that was his.” The serious sentimentalWriting about Middlemarch, Smith says we change our view of the characters as we age because “it is about the effects of experience that changes with experience.” Fourteen year olds cannot understand Rosamund and Lydgate's marriage, she says, in the way that they can understand Jane Eyre. Ageing shows us too that Dorothea's angst is far more serious than Fred's problems. “With time, we're less tempted to find serious only those matters clothed in Seriousness.” The young George Eliot was a puritan who went on that journey herself.And that's the theme of On Beauty. As we age, we are taken out of our time. Not with the violence that was committed to Africans. But still with a sense of disruption. Things that once made little sense, now do. And vice versa. Smith as a young novelist was writing in the shadow of Gravity's Rainbow, full of something like the young George Eliot's puritanism. With time, she was less tempted to find serious only those matters clothed in Seriousness. Howard learns this, too. He learns not just that beauty exists, but that ideas about beauty are an admixture of banality and brilliance. This is the thunderbolt of art taking its revenge. Without Forster as her model, On Beauty would have been like her first two books. Over-active piles of intellectual clutter. For all his banality, Forster gave Smith elegance, the sort of prose that makes you pause. It is thanks to Forster's example, more than Scarry's theory, that in On Beauty Smith stopped thinking like a critic, a theorist, a post-modernist, and wrote an aesthetic novel. As it did with Howard, Smith let beauty take its revenge on her. Beauty shocks us into realising how our perspective has changed. The flash of great art illuminates things you understand now that you didn't before.The lesson of On Beauty is that the sentimental can be serious. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk

Watch this episode on YOUTUBE, on APPLE PODCASTS, or wherever you get your podcasts! Lawyers have everything to learn from great stories on the screen, on the page, or on the stage.  Legal Writing Professor Christina Frohock knows this well, as her latest law review article, Legal Fiction: Reading Lolita as a Sentencing Memorandum, brings into focus exactly what lawyers and clients can learn from the classic and infamous novel Lolita, and how we can apply those teachings to full effect at sentencing. IN THIS EPISODE: The fundamental unity between law and narrative; What every laywer and client can learn from great storytelling; How those lessons can be practically and credibly applied at sentencing; Writing style tips that every lawyer can use, including alliteration and word pictures; How to spot clues of historical trauma and other mental health issues in a client's narrative that may help put their crime in context; The difference between sympathy and empathy at sentencing. LINKS:  Prof. Frohock's book, Small Town GTMO: The Layers of Estate, Sovereignty, and Soil in U.S. Naval Station Guantanamo Bay, on Amazon. Five Reasons Every Lawyer Should Study the Art of Screenwriting, and a Killer Resource List to Get You Started, by Doug Passon. Doug's book on Legal Narrative, co-authored with Story Expert, Dr. Randy Olson, on Amazon. Since the idea of narrative's unity with the law was the central theme of this episode, you might enjoy episode, X of the podcast, "Narrative is Everything at Sentencing", featuring Dr. Randy Olson.  

Nabakov's beguiling and audacious 1962 novel makes for a surprisingly complementary topic to accompany an extended discussion of social media trends and celebrity drama. Add to that an impending storm and a long overdue vacation, and you'll hardly notice how little we actually read this week!

Hi this is Brenton, feeling like an idiot for not picking up on where Emily was trying to lead me about the Nabakov tie ins. It wasn't until I was editing that things clicked into place, see if you can piece it together before I did. Anyways in this episode we discuss what we think is going on with Holden, Spoby's bumpy road & creepy British men, our uneasiness with Kate's photo, Fitz's bad grading practices, Mona's turbulent time, Noel & Jenna creating an unholy alliance, Caleb finally being in on things and meeting Ali's new alter ego.Episode 21 content warnings: revenge porn, sexual assault, bullying, grooming, stalking, mental healthSend your podcast or show questions to our inbox at deadendspcast@gmail.com.Find all of Emily's links here: https://linktr.ee/butreallythoFind all of Brenton's here: https://linktr.ee/brentonpyle

Episode 180: American Timelines 1955, Part 1:  January & February of 1955.  Joe & Amy jump into 1955 with Marlboro, Jack Daniels, Velcro & Stylish Rides.  We talk Dan Rather doing drugs, Nabakov's Lolita, Eggo Waffles and an UNSOLVED MURDER. Season 5, Episode 55, of American Timelines. Part of the Queen City Podcast Network: www.queencitypodcastnetwork.com. Credits Include: NYdailynews, PCGS.com, medium.com, People Magazine, Popculture.us, Wikipedia, TVtango, IMDB & Youtube.  Information may not be accurate, as it is produced by jerks. Music by MATT TRUMAN EGO TRIP, the greatest American Band. Click Here to buy their albums!

Tw: Lolita, pedophilia, childhood sexual assault (CSA) Taylor Swift owns our lives. That's right. It's "Gaby and Allison's Lives (Taylor's Version)." Then, the duo answer a listener's question about what to do when your friends want you to be at the exact same life stage they are. Next, they talk to podcaster extraordinaire Jamie Loftus, creator of the Lolita Podcast, all about what we've all gotten wrong about Nabakov's controversial book and the ways it affected generations of young women. And finally, prevention. Why is it the best way to handle your problems? Transcript: https://docs.google.com/document/d/1nVkJVUGDldFxgu4JJFT9d76sn6cC6ruIg0SmiO69btA/edit?usp=sharing   This has been a Forever Dog production  Produced by Melisa D. Monts Executive produced by Brett Boham, Joe Cilio and Alex Ramsey   To listen to this podcast ad-free  Sign up for Forever Dog Plus at foreverdogpodcasts.com/plus   Check out video clips of our podcasts on Youtube at youtube.com/foreverdogteam And make sure to follow us on Twitter, instagram and Facebook at ForeverDogTeam to keep up with all of the latest Forever Dog NewsSupport this podcast at — https://redcircle.com/just-between-us/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Tw: Lolita, pedophilia, childhood sexual assault (CSA) Taylor Swift owns our lives. That's right. It's "Gaby and Allison's Lives (Taylor's Version)." Then, the duo answer a listener's question about what to do when your friends want you to be at the exact same life stage they are. Next, they talk to podcaster extraordinaire Jamie Loftus, creator of the Lolita Podcast, all about what we've all gotten wrong about Nabakov's controversial book and the ways it affected generations of young women. And finally, prevention. Why is it the best way to handle your problems? This has been a Forever Dog production Produced by Melisa D. Monts Executive produced by Brett Boham, Joe Cilio and Alex Ramsey To listen to this podcast ad-free Sign up for Forever Dog Plus at foreverdogpodcasts.com/plus Check out video clips of our podcasts on Youtube at youtube.com/foreverdogteamAnd make sure to follow us on Twitter, instagram and Facebook at ForeverDogTeam to keep up with all of the latest Forever Dog NewsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tw: Lolita, pedophilia, childhood sexual assault (CSA) Taylor Swift owns our lives. That's right. It's "Gaby and Allison's Lives (Taylor's Version)." Then, the duo answer a listener's question about what to do when your friends want you to be at the exact same life stage they are. Next, they talk to podcaster extraordinaire Jamie Loftus, creator of the Lolita Podcast, all about what we've all gotten wrong about Nabakov's controversial book and the ways it affected generations of young women. And finally, prevention. Why is it the best way to handle your problems?   This has been a Forever Dog production  Produced by Melisa D. Monts Executive produced by Brett Boham, Joe Cilio and Alex Ramsey   To listen to this podcast ad-free  Sign up for Forever Dog Plus at foreverdogpodcasts.com/plus   Check out video clips of our podcasts on Youtube at youtube.com/foreverdogteam And make sure to follow us on Twitter, instagram and Facebook at ForeverDogTeam to keep up with all of the latest Forever Dog News

In this episode, Dario talks to Terry Lee. Terry is Senior Tutor in Radio & Audio at the University of Bedfordshire and is also responsible for the award-winning Radio LaB 97.1FM. He has had a long career in independent and commercial radio including managing Norwich's Future radio. In 2018, he started Fantastic Noise a podcast primarily aimed at students studying radio, and featuring the experienced voices of radio professionals and experts. Along with talking about the formation and production of Fantastic Noise, the conversation covers how students of radio approach and understand the use of sound in the digital age, podcast and radio's symbiotic relationship, and the future of audio technology and its impact on media specificity. We are also taken around the podcast neighborhood by Jess Schmidt. Her recommendations this week are The Lolita Podcast from iHeart Radio and hosted by writer-comedian Jamie Loftus (My Year in Mensa) that uses the misunderstanding and infamy around Nabakov's classic as a jumping-off point for discussions of false media narratives. Also recommended is Blank Check, a film podcast that reviews successful directors' complete filmographies, getting to the point where they were given free rein to pursue a passion project. Lori also discusses a recent talk she gave at the Birmingham Centre for Media and Cultural Research as part of a research seminar on Podcasting, Discoverability, and Listener engagement. You can listen to the full seminar here. Terry also recommends The Skewer a Charlie Brooker-esque satirical comedy show with great sound production, and The Offensive, a Mockumentary series like The Office or The Thick of It in tone, but focusing on a fictional premier league football team. --- Send in a voice message: https://anchor.fm/podcaststudiespodcast/message

Show Notes and Links to John Domini's Work and Allusions/Texts from Episode 70   On Episode 70, Pete welcomes John Domini, author of 2021's The Archaeology of a Good Ragú. The two talk about the structure of John's book, his precise and beautiful writing, his father in both his Neapolitan and American lives, Napoli as a character with a tumultuous and joyous history and fraught present, and Napoli and John's father and the ways in which they have shaped John.    John Domini  is an Italian-American author, translator and critic who has been widely published in literary and news magazines, including The Paris Review,The New York Times, Ploughshares,The Washington Post, and Literary Hub. He is the author of three short story collections, four novels, and a memoir, The Archeology of a Good Ragu: Discovering Naples, My Father and Myself, available now wherever you buy books. Domini has also published one book of criticism, one book of poetry, and a memoir translated from Italian. He is a member of the National Book Critics Circle. Domini lives in Des Moines with his wife, the science fiction writer Lettie Prell. Domini has taught American Literature and Creative Writing at many places, including Harvard University and Northwestern University. His work has earned praise from Richard Ford and Salman Rushdie, among many others. Buy The Archaeology of a Good Ragú Through Amazon    Buy The Archaeology of a Good Ragú Through Bookshop   John Domini's “Cooking the Octopus” from Zone 3 Magazine, 2013-an excerpt from The Archaeology of a Good Ragú   John Domini's Website     At about 2:00, John talks about his mindset and the experience of releasing a book during the pandemic   At about 7:10, John talks about the great gifts bestowed by his father, and the ways in which he allowed his son John to carve his own path and find his own calling; also, John talks about his father and the ways in which he was and wasn't “Hollywood”   At about 9:50, Pete and John discuss John's book, and great literature in general, as being   At about 12:25-14:00, Pete and John discuss their own experience with Italian men, like John's father and Pete's grandfather, who buck the trope of the domineering Italian patriarch   At about 14:00, John talks about how Stanley Tucci and his CNN show as representative of the shift in understanding of Italian masculinity   At about 15:00, John talks about his childhood reading and relationship with the written word, including a huge interest in Roger Angell and Kafka and Hemingway and the magic that mythology held for him   At about 18:55, John talks about studying with the great Donald Barthelme, John Barth, Stanley Elkin, and Anne Sexton   At about 21:20, John explains the meaning of “dietrologia” and its connections to his life and his book; he also describes why and how he uses Neapolitan aphorisms as chapter titles, and the abundance of Italian dialect    At about 25:35, Pete and John talk about bilingualism and its helpful effect on the speaker's English vocabulary; the two focus on the etymology and contemporary usage of “mammone”   At about 28:40, Pete asks John the connections between bilingualism and one's writing in his primary language; John cites Nabakov and his views on the “flexibility” of bilingualism   At about 36:20, John talks about various times in which he discovered that his writing skills could make him a living and make for a fulfilling career    At about 39:30, John talks about working with the great Susan Orlean at The Boston Globe   At about 41:25, Pete and John talk about Naples itself and its vitality and energetic nature, including the tough time Naples has had with COVID-19   At about 46:00, John reads and discusses the beginning of the book, including the epigraph from W.S. DiPiero and the first chapter aphorism: “Mo Lo Facc' ”   At about 48:45, John reads from the first chapter   At about 51:25, Pete notes beautiful and compelling phrasing from John's reading and John's notes    At about 55:30, John shows and describes Pulcinella, a representative of Naples and its ethos   At about 56:30, John and Pete discuss the book's structure and the flashbacks and aphorisms and how they add to the greatness of the book   At about 57:55, John talks about “pulling a story out of a mass of material” in deciding that the book would be a memoir   At about 1:01:05, Pete and John laugh over an anecdote from the section on “love” in the book, and then talk about John's father and his view of romance    Pete links the book to the writing of Roberto Saviano, especially his epic Gomorrah   At about 1:07:35, John talks about an aphorism used in the book that concerns the octopus   At about 1:09:10, John describes the section of the book (the excerpt was published in LitHub) that relates to the aphorism about laughing and crying in relation to the Neapolitan Camorra    At about 1:10:20, John explains his interactions with the artistic side of Naples and his encounter with Paolo Sorrentino    At about 1:15:40, Pete talks about the cornuto being “lost in translation”   At about 1:17:00, John discusses the section of the book dealing with the quiet but pervasive reach of the Camorra, even within the lives of John's relatives   At about 1:22:00, John explains the section of the book that deals with the aphorism “Natale con i tuoi, Pasqua con chi vuoi” and connects it to contemporary immigration to Italy and his father's own past and immigration story   At about 1:26:00, Pete and John connect the book's immigration section to the classic Italian movie Lamerica   At about 1:28:00, John reflects on what he sees as visits/messages from his father after his father's passing   At about 1:29:05, John discusses on Part V of the book   At about 1:30:35, John gives background on the Four Days, an uprising in Naples that left a huge impression on his father and on Naples as a whole; John talks about the experience of seeing the movie with his father, and recommends some good Rossellini post-war movies   At about 1:33:45, John connects Los Angeles and Naples and their immigrant histories in talking about his father, him, and his daughter   At about 1:35:00, John talks about his family's religious history, his last name, and the iteration it took on when his father immigrated   At about 1:39:00, John talks about future projects and his continuing work You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify and on Amazon Music. Follow The Chills at Will Podcast on IG,, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can find this and other episodes on The Chills at Will Podcast YouTube Channel. Please subscribe while you're there. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

Read by Stephen MolloyProduction and Sound Design by Kevin Seaman

Professor Juni chooses a topic that is close to his heart and that he has written extensively about, spousal abuse and the pathologies involved in the molestation of children. The doctor also rings in on how modern understandings should impact the concept of Kedushei Taus.Rabbi Kivelevitz attempts to clarify the controversies surrounding the use of the heter,despite it being used in a number of prominent cases.The conversation is quite open about the presence of pedophiles in the ranks of Jewish teachers ,and Doctor Juni's withering criticism of the systems that allowed those individuals to remain in positions of contact with children.Rabbi Kivelevitz countered that the Yeshiva world conducted a crucial turn towards zero tolerance with the Mordechai Elon affairand the widely accepted Psak of Rav Elyashiv in these cases.Juni summarily dismisses Nabakov's explanation of root causes of underage attraction,and explains the urge according to Freudian principles.Doctor Samuel Juniis one of the foremost research psychologists in the world today.He has published groundbreaking original research in seventy different peer reviewed journals, and is cited continuously with respect by colleagues and experts in the field who have built on his theories and observations.Samuel Juni studied inYeshivas Chaim Berlinunder Rav Yitzchack Hutner, and in Yeshiva University as aTalmidof Rav Joseph Dov Soloveitchick.ProfessorJuni is a prominent member of theAssociation of Orthodox Jewish Scientists, and has regularly presented addresses to captivated audiences.Associated with NYU since 1979,Juni has served as Director of MA and PhD programs, all the while heading teams engaged in important research.Professor Juni's scholarship on aberrant behavior across the cultural, ethnic, and religious spectrum is founded onpsychometric methodologyand based on a psycho-dynamicpsychopathologyperspective.He is arguably the preeminent expert inDifferential Diagnostics, with each of his myriad studiesentailing parallel efforts in theory construction and empirical data collection from normative and clinical populations.Professor Juni created and directed NYU's Graduate Program in Tel Aviv titledCross-Cultural Group Dynamics in Stressful Environments.Based inYerushalayim, he collaborates with Israeli academic and mental health specialists in the study of dissonant factors and tensions in the Arab-Israeli conflict and those within the Orthodox Jewish community, while exploring personality challenges of second-generation Holocaust survivors.Below is a partial list of the journalsto which Professor Juni has contributed over 120 articles.Many are available on lineJournal of Forensic PsychologyJournal of Aggression, Maltreatment, and Trauma.International Review of VictimologyThe Journal of Nervous and Mental DiseaseInternational Forum of PsychoanalysisJournal of Personality AssessmentJournal of Abnormal PsychologyJournal of Psychoanalytic AnthropologyPsychophysiologyPsychology and Human DevelopmentJournal of Sex ResearchJournal of Psychology and JudaismContemporary Family TherapyAmerican Journal on AddictionsJournal of Criminal PsychologyMental Health, Religion & CultureAs Rosh Beis Medrash, Rabbi Avraham Kivelevitz serves asRavandPosekfor the morningminyanat IDT.Hundreds of listeners around the globe look forward to his weeklyShiurinTshuvos and Poskim.Rav Kivelevitz is aMaggid ShiurforDirshu Internationalin Talmud and Halacha as well as a Dayan with theBeth Din of America.Please leave us a review or email us at ravkiv@gmail.comFor more information on this podcast visityeshivaofnewark.jewishpodcasts.org See acast.com/privacy for privacy and opt-out information. This podcast is powered by JewishPodcasts.org. Start your own podcast today and share your content with the world. Click jewishpodcasts.fm/signup to get started.

Professor Juni chooses a topic that is close to his heart and that he has written extensively about, spousal abuse and the pathologies involved in the molestation of children. The doctor also rings in on how modern understandings should impact the concept of Kedushei Taus.Rabbi Kivelevitz attempts to clarify the controversies surrounding the use of the heter,despite it being used in a number of prominent cases.The conversation is quite open about the presence of pedophiles in the ranks of Jewish teachers ,and Doctor Juni's withering criticism of the systems that allowed those individuals to remain in positions of contact with children.Rabbi Kivelevitz countered that the Yeshiva world conducted a crucial turn towards zero tolerance with the Mordechai Elon affairand the widely accepted Psak of Rav Elyashiv in these cases.Juni summarily dismisses Nabakov's explanation of root causes of underage attraction,and explains the urge according to Freudian principles.Doctor Samuel Juni is one of the foremost research psychologists in the world today.He has published groundbreaking original research in seventy different peer reviewed journals, and is cited continuously with respect by colleagues and experts in the field who have built on his theories and observations.Samuel Juni studied in Yeshivas Chaim Berlin under Rav Yitzchack Hutner, and in Yeshiva University as a Talmid of Rav Joseph Dov Soloveitchick.Professor Juni is a prominent member of the Association of Orthodox Jewish Scientists, and has regularly presented addresses to captivated audiences.Associated with NYU since 1979, Juni has served as Director of MA and PhD programs, all the while heading teams engaged in important research.Professor Juni's scholarship on aberrant behavior across the cultural, ethnic, and religious spectrum is founded on psychometric methodology and based on a psycho-dynamic psychopathology perspective.He is arguably the preeminent expert in Differential Diagnostics, with each of his myriad studiesentailing parallel efforts in theory construction and empirical data collection from normative and clinical populations.Professor Juni created and directed NYU's Graduate Program in Tel Aviv titled Cross-Cultural Group Dynamics in Stressful Environments.Based in Yerushalayim, he collaborates with Israeli academic and mental health specialists in the study of dissonant factors and tensions in the Arab-Israeli conflict and those within the Orthodox Jewish community, while exploring personality challenges of second-generation Holocaust survivors.Below is a partial list of the journalsto which Professor Juni has contributed over 120 articles.Many are available on lineJournal of Forensic PsychologyJournal of Aggression, Maltreatment, and Trauma.International Review of VictimologyThe Journal of Nervous and Mental DiseaseInternational Forum of PsychoanalysisJournal of Personality AssessmentJournal of Abnormal PsychologyJournal of Psychoanalytic AnthropologyPsychophysiologyPsychology and Human DevelopmentJournal of Sex ResearchJournal of Psychology and JudaismContemporary Family TherapyAmerican Journal on AddictionsJournal of Criminal PsychologyMental Health, Religion & CultureAs Rosh Beis Medrash, Rabbi Avraham Kivelevitz serves as Rav and Posek for the morning minyan at IDT.Hundreds of listeners around the globe look forward to his weekly Shiur in Tshuvos and Poskim.Rav Kivelevitz is a Maggid Shiur for Dirshu International in Talmud and Halacha as well as a Dayan with the Beth Din of America.Please leave us a review or email us at ravkiv@gmail.comFor more information on this podcast visityeshivaofnewark.jewishpodcasts.org See acast.com/privacy for privacy and opt-out information.

In episode 057, Paul Holdengräber is joined by art critic Jerry Saltz. What could it look like to construct a new narrative within the art world? One that was more inclusive and reflective of humanity?Jerry and Paul discuss the inherent racism and sexism within the current art historical canon and how, across centuries, 51% of the art world hasn’t been accounted for. They also touch on the functionality of art in addressing humanity’s existential questions and the ways in which the pandemic has further revealed broken systems in our society.Jerry Saltz is the senior art critic at New York Magazine and its entertainment site Vulture.com, a leading voice in the art world at large, and an innovative user of social media. He joined the magazine’s staff in 2007, and his writing ranges from cover stories to reviews to quick online commentaries. He won a National Magazine Award for Columns & Commentary in 2015, and was a finalist for the same award in 2011.“Sometimes I see something so moving I know I'm not supposed to linger. See it and leave. If you stay too long, you wear out the wordless shock. Love it and trust it and leave.”― Don DeLillo, Underworld

With fifty episodes under our collective belts, we take a look back on what we learned from our guests, the Coronavirus pandemic, and each other.

Melita & Rebecca talk to Stef O’Driscoll, the artistic director at Nabakov, the company which first created the Storytelling Army two years ago.

As you'll discover in this conversation with Tania Runyan, she's experimented with being a screenwriter and playwright and written several nonfiction books, including How to Read a Poem, How to Write a Poem, and one for college-bound high school students, called How to Write a College Application Essay. But Tania thinks of herself first and foremost as a poet. Her poems have appeared in many publications, including Poetry, Image, Harvard Divinity Bulletin, The Christian Century, Saint Katherine Review and the Paraclete book Light upon Light: A Literary Guide to Prayer for Advent, Christmas, and Epiphany.  Here are a few snippets of our chat: "I write blog posts and articles for companies...and I realize that poetry and that kind of writing are not at odds with one another. In fact, I have found they complement one another really well because poetry is all about condensing language, and the efficiency of language, and audience and emotion, and when you're writing for businesses...tailoring my language to a certain audience, a certain emotion, and trying to do that in an efficient manner, I find has been easier to do because of my background as a poet." "This is very important. The very first thing I bought with my NEA grant, was a Roomba. To this day, I still use it every day. It's responsible for a lot of my writing." Advice for new poets: "When I work with newer poets, it seems they're consistently surprised with how much time I spend on my poems and how much time I think they should spend on their poems. So my advice would be to slow down and enjoy the process...You want to write, you want to produce, you want to publish...but really there's no reason to rush. You need to give yourself to the process and enjoy it." Enjoy learning about all the ways a writer can write as you get to know Tania Runyan. Tania Runyan is the author of the poetry collections What Will Soon Take Place, Second Sky, A Thousand Vessels, Simple Weight, and Delicious Air, which was awarded Book of the Year by the Conference on Christianity and Literature in 2007. Her guides How to Read a Poem, How to Write a Poem, and How to Write a College Application Essay are used in classrooms across the country. Tania was awarded an NEA Literature Fellowship in 2011. When not writing, Tania plays fiddle and mandolin, drives kids to appointments, and gets lost in her Midwestern garden. Resources: Website: TaniaRunyan.com Facebook Page: Tania Runyan Poet What Will Soon Take Place, Tania's most recent poetry collection, celebrating its one-year anniversary (affiliate link) How to Write a Poem: Based on the Billy Collins Poem "Introduction to Poetry", by Tania Runyan (affiliate link) How to Read a Poem: Based on the Billy Collins Poem "Introduction to Poetry", by Tania Runyan (affiliate link) Book that mentioned Nabakov in the bathtub: Process: The Writing Lives of Great Authors, by Sarah Stodola (affiliate link) Writing book Tania recommends for poets, an anthology with simple explanations of forms: Strong Measures: Contemporary American Poetry in Traditional Forms (not affiliate link; only available used) Jennifer Dukes Lee interview Alison Hodgson interview Shawn Smucker interview Patrice Gopo interview Ann's Patreon account All podcast episodes You can subscribe to this podcast using your podcast player or find it through Apple podcasts, Stitcher, or Spotify.

As you’ll discover in this conversation with Tania Runyan, she’s experimented with being a screenwriter and playwright and written several nonfiction books, including How to Read a Poem, How to Write a Poem, and one for college-bound high school students, called How to Write a College Application Essay. But Tania thinks of herself first and foremost as a poet. Her poems have appeared in many publications, including Poetry, Image, Harvard Divinity Bulletin, The Christian Century, Saint Katherine Review and the Paraclete book Light upon Light: A Literary Guide to Prayer for Advent, Christmas, and Epiphany.  Here are a few snippets of our chat: "I write blog posts and articles for companies...and I realize that poetry and that kind of writing are not at odds with one another. In fact, I have found they complement one another really well because poetry is all about condensing language, and the efficiency of language, and audience and emotion, and when you're writing for businesses...tailoring my language to a certain audience, a certain emotion, and trying to do that in an efficient manner, I find has been easier to do because of my background as a poet." "This is very important. The very first thing I bought with my NEA grant, was a Roomba. To this day, I still use it every day. It's responsible for a lot of my writing." Advice for new poets: "When I work with newer poets, it seems they're consistently surprised with how much time I spend on my poems and how much time I think they should spend on their poems. So my advice would be to slow down and enjoy the process...You want to write, you want to produce, you want to publish...but really there's no reason to rush. You need to give yourself to the process and enjoy it." Enjoy learning about all the ways a writer can write as you get to know Tania Runyan. Tania Runyan is the author of the poetry collections What Will Soon Take Place, Second Sky, A Thousand Vessels, Simple Weight, and Delicious Air, which was awarded Book of the Year by the Conference on Christianity and Literature in 2007. Her guides How to Read a Poem, How to Write a Poem, and How to Write a College Application Essay are used in classrooms across the country. Tania was awarded an NEA Literature Fellowship in 2011. When not writing, Tania plays fiddle and mandolin, drives kids to appointments, and gets lost in her Midwestern garden. Resources: Website: TaniaRunyan.com Facebook Page: Tania Runyan Poet What Will Soon Take Place, Tania's most recent poetry collection, celebrating its one-year anniversary (affiliate link) How to Write a Poem: Based on the Billy Collins Poem "Introduction to Poetry", by Tania Runyan (affiliate link) How to Read a Poem: Based on the Billy Collins Poem "Introduction to Poetry", by Tania Runyan (affiliate link) Book that mentioned Nabakov in the bathtub: Process: The Writing Lives of Great Authors, by Sarah Stodola (affiliate link) Writing book Tania recommends for poets, an anthology with simple explanations of forms: Strong Measures: Contemporary American Poetry in Traditional Forms (not affiliate link; only available used) Jennifer Dukes Lee interview Alison Hodgson interview Shawn Smucker interview Patrice Gopo interview Ann's Patreon account All podcast episodes You can subscribe to this podcast using your podcast player or find it through Apple podcasts, Stitcher, or Spotify.

Is Matt Levine a modern-day Horace? Like Matt, Horace has a preoccupation with wealth and the law. There’s a playful humor as he segues from topic to topic. An ability to read Latin. And many of Horace’s letters are about the length of a Bloomberg View column. QED, says Tyler. So Matt, the Latin teacher turned lawyer turned investment banker turned finance writer, recently joined Tyler for a conversation on Horace and more, including cryptocurrencies, Buffy the Vampire Slayer, Nabakov, New York, Uber, financial regulation, market volatility, M&A, whether finance is nerdy, and why panic is central to the Matt Levine production function. Transcript and links Follow Matt on Twitter Follow Tyler on Twitter More CWT goodness: Facebook Twitter Instagram Email  

Ben and Gemma finish LOLITA, and wonder if Nabakov's assertion that the novel only exists for aesthetic value can ever really be true. Is it really trying to indict all relationships between men and women, or is it, as Nabakov says, just a way to dip into an experience that should never really exist outside of fiction. Yeah, you guessed it -- this one's a little light on jokes.

Topics: Rodney Ascher, The Shining, Exteriors & Interiors, Anomalies, Lolita, Big Screen, Disorientation, Sinister, Psychology, Nabakov, 2001, Filters, Phenomenology, Monarch, Perspective Dominance, Prospero, 4th Wall, Sync Book, Evergreen Black Cat Cine...

We read a story of a creepy, creepy man with a creepy creepy plan

42 Minutes 261: Juli Kearns - Synchronicity Mapping - 02.22.2017 The program comes out of Room 237 with author and interviewee Juli Kearns to not only map the Overlook, but to map the maze of Kubrick films as well as synchronicity. Topics Include: Rodney Ascher, The Shining, Exteriors & Interiors, Anomalies, Lolita, Big Screen, Disorientation, Sinister, Psychology, Nabakov, 2001, Filters, Phenomenology, Monarch, Perspective Dominance, Prospero, 4th Wall, Sync Book, Evergreen Black Cat Cinema Books, Theater, Ritual, Art. http://www.idyllopuspress.com/idyllopus/index.htm