American singer, songwriter, playwright, poet, civil rights activist, and actor
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2 episodes with oscar brown jr
2 episodes with oscar brown jr
4 episodes with oscar brown jr
2 episodes with oscar brown jr
10 episodes with oscar brown jr
2 episodes with oscar brown jr
Baixem les revolucions i ens deixem endur per tonalitats menors, ritmes misteriosos i mitjos temps. Explorem les textures fosques suggerents de Cecille R. Lechia, Ural Thomas & The Pain, Alex Ebert i l'Orquesta Riverside.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve Conexiones MZK donde volvemos a recordar los recopilatorios Late Night Tales, como os dijismos cada uno de ellos comisariado por una banda o artista. La propuesta, por la que ya han pasado músicos como Groove Armada, Belle & Sebastian, The Flaming Lips, Arctic Monkeys, MGMT o Air, invita a músicos destacados a seleccionar y mezclar pistas que conformen una compilación ideal para la escucha nocturna, de ahí su nombre. Otra de sus particularidades es que la mayoría de ellas, incluyen una versión del propio grupo protagonista, que se integra en el contenido final. Si en el programa anterior disfrutamos de la de los franceses air, hoy hemos querido recuperar otra de las más redondas, la realizada por Fatboy Slim, o sea Norman Cook, dj y productor y una de las instituciones del breakbet junto a artistas como The Prodigy o The Chemical Brothers, aunque previamente le conocimos como bajista de The Housemartins. Su sesión es una auténtica gozada de cerca de setenta minutos que arranca con mitos como los Modern Lovers o Nick Lowe, y que termina derivando hacia otros sonidos de todo tipo de pelaje, de Kraftwerk (a quienes versiona) a The Velvet Underground, Sly & The Family Stone o Tom Jobim. Dirige Manuel Pinazo. Suenan: 1."Spanish Stroll" Mink DeVille 2. "Roadrunner" Modern Lovers 3. "I Love the Sound of Breaking Glass" Nick Lowe 4. "Midnight Rider" Paul Davidson 5. "Express Yourself" Hopeton Lewis 6. "Monkey Spanner" Dave & Ansell Collins 7. "Ire Feelings (Leggo Skanga)" Rupie Edwards 8. "Three Piece Suit" Trinity 9. "Wish I Didn't Miss You" Angie Stone 10. "I Can Dig It Baby" Little Beaver 11. "Your Kiss Is Sweet" Syreeta 12. "I'll Keep a Light In My Window" Ben Vereen 13. "Brother Where Are You?" ("Matthew Herbert remix" version from Verve//Remixed 2) Oscar Brown Jr. 14. "Mory" Yoro Kery Goro 15. "Linus and Lucy" Vince Guaraldi Trio 16. "Blue Skies" Willie Nelson 17. "Just Dropped In (To See What Condition My Condition Was In)" Kenny Rogers & The First Edition 18. "Don't Lay Your Funky Trip on Me" Señor Soul 19. "Radioactivity" Kraftwerk 20. "Who Loves the Sun" The Velvet Underground 21. "Zombie Jamborie" Sandpebbles 22. "From a Logical Point of View" Robert Mitchum 23. "Satisfied 'N' Tickled Too" Taj Mahal 24. "My World" Sly & The Family Stone 25. "Tema Da Desilusao Garota De Ipanema" Tom Jobim 26. "Everything Is Everything" Bootsy CollinsEscucha este episodio completo y accede a todo el contenido exclusivo de Conexiones MZK. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/286835
Sintonía: "Bell Bottoms" - Joe Swift´s Internationals"Sweet Lover No More" - Gene McDaniels; "Them Blues" - Billie Poole with Junior Mance Trio; "Summertime" - George Benson Quartet; "Liberation" - Afro Blues Quintet Plus One; "Wild Bird" - The Googie Rene Combo; "Monkey Sho´ Can Talk" - Red Holloway; "Top Of The Pops" - The Dave Davani Four; "Getting Into Something" - TKO; "Humdrum Blues" - Oscar Brown Jr.; "Hide Out" - The Hideaways; "Wild Man On The Loose" - Mose Allison; "Burnin´Coal" - Les McCann; "Do It To Death" - Jackie Ivory; "Jet Set" - Dave Pike; "Love-In" - Charles Lloyd Quartet; "Tres Lobos" - Mark III Trio; "You´re The Boss" - LaVern Baker & Jimmy Ricks; "Jam Up Twist" - Tommy Ridgley; "Sticks & Stones (Pt. 1)" - Gene Ludwig; "Bloodshot" - Hubert Laws; "Sombrero Sam" - Charles Lloyd Quartet; "One Note Samba (Pt.2)" (cortada) - Modern Jazz QuartetTodas las músicas extraídas de las recopilaciones "Yet Mo´Mod Jazz" (Ace/Kent 2000) y "The Return Of Mod Jazz" (2005)Escuchar audio
John Coltrane - Blue Train - Blue Train (Blue Note)Wayne Shorter - Footprints - Adam's Apple (Blue Note)Derf Reklaw - Awakening Into Awareness - From The Nile (Ubiquity)Herbie Mann - Push Push (feat. Duane Allman) - Push Push (Rhino Atlantic)Sun Ra - Where Pathways Meet - Lanquidity (Strut)Bob James - Nautilus - One (Red River)Ray Charles - I've Got News For You - Genius + Soul = Jazz (Impulse!)Oscar Brown Jr. - Straighten Up & Fly Right - Kicks! The Best Of Oscar Brown Jr. (BGP)Lambert, Hendricks & Ross - Cloudburst - Twisted: The Best Of Lambert, Hendricks & Ross (Columbia)Eddie Henderson - Involuntary Bliss - Anthology (Soul Brother)Quincy Jones - Killer Joe - Walking In Space (Verve)Miles Davis - Freddie Freeloader - Kind Of Blue (Columbia/Legacy)Lee Morgan - The Stroker - Sonic Boom (Blue Note)Sleep Walker - The Voyage (feat. Pharoah Sanders) - The Voyage (Village Again)Babatunde Lea - Suite Unseen: Ancestral Stroll - Suite Unseen: Summoner Of The Ghost (Motema)Dizzy Gillespie - Manteca - The Complete RCA Victor Recordings (Verve)Rahsaan Roland Kirk - Spirits Up Above - Volunteered Slavery (Rhino Atlantic)Sonny Sharrock - Who Does She Hope To Be? - Ask The Ages (Island)Herbie Hancock - Maiden Voyage - Maiden Voyage (Blue Note)Oliver Nelson - Stolen Moments - The Blues & The Abstract Truth (Impulse!) This program has been edited from the original broadcast.
Sintonía: "Bell Bottoms" - Joe Swift´s Internationals"Sack O´Woe" - The Ray Bryant Combo; "Sweet Lover No More" - Gene McDaniels; "Them Blues" - Billie Poole & Junior Mance Trio; "Hold It" - Kenny Rice & Leo´s Five; "Have Some Boogaloo" - Timmy Thomas; "East Side" - Hank Jacobs; "Summertime" - The George Benson Quartet; "Liberation" - The Afro Blues Quintet Plus One; "Wild Bird" - Googie Rene Combo; "Beaver" - Clarence Armstrong; "Banana Peels" - Johnny Otis; "Monkey Sho´ Can Talk" - Red Holloway; "Top Of The Pops" - The Dave Davani Four; "Everytime Pt. 2" - Buddy McKnight; "Humdrum Blues" - Oscar Brown Jr.; "Hide Out" - The Hideaways; "El Pussy Cat" - Mongo SantamaríaTodas las músicas extraídas de la recopilación (1xCD) "The Return Of Mod Jazz" (Kent/Ace Records, 2005)Músicas seleccionadas por Ady Croasdell y Dean RudlandEscuchar audio
durée : 00:59:14 - Banzzaï du lundi 18 mars 2024 - par : Nathalie Piolé -
Explore the legal labyrinth where the fate of a former president hangs in the balance, and witness the Colorado Supreme Court's bold move to potentially disqualify Donald Trump from the state's 2024 Republican primary ballot. This groundbreaking decision teeters on the edge of constitutional history, invoking the 14th Amendment in ways that could forever alter the landscape of presidential elections. I, Darrell McClain, guide you through this complex legal skirmish, dissecting the implications, the potential Supreme Court showdown, and the scholarly debates that are igniting political firestorms across the nation.Then, we pivot to the Vatican's corridors, where Pope Francis's unequivocal condemnation of the Israeli sniper attack on a Gaza Catholic church reverberates with a profound call for accountability. This criticism by the Pontiff is not just about the tragic loss of lives; it is a strong indictment of the persistent strife in Gaza and its ripple effects on global diplomacy, particularly the delicate dance of U.S.-Israeli relations. And as we wrap, Oscar Brown Jr.'s haunting poem "The Children of Children" echoes through our discussion, a sobering reminder of the cycles of disadvantage that grip marginalized communities and our collective duty to carve a path toward a more just and equitable world for the next generation. Support the show
WELCOME TO SERIES NINE!This is my end of year series! New episodes will be released each weekday, between Dec 13-21. Inspired by the Black radical tradition of the harmony between the lyrical and visual. I am joined by friends (artists, dancers, photographers, musicians) to explore the musical influences that inspire their work. We also look to the people, real and imagined, familial and ancestral who guide them. Get ready to be inspired!Today I am delighted to introduce a special episode, with my friend the musician Brian Jackson. You may know Brian's work from his partnership with Gil Scott-Heron, together they made ten albums over an eight year period, including Pieces of a Man and Winter in America.Time and time again that music has found its way onto over 100 cuts like Common's The People (from We Almost Lost Detroit) and Kendrick Lamar's Poe Mans Dreams (from Peace Go With You, Brother). Brian is still building with artists as diverse as Adrian Younge and Ali Shaheed Muhammad (Midnight Hour, A Tribe Called Quest) to the vocalist Gregory Porter.I started by asking Brian about Langston Hughes, and how his legacy brought he and Gil together, where they followed in the footsteps of not only Langston Hughes but also Thurgood Marshall, Kwame Nkrumah and Oscar Brown Jr. Brian says in our conversation:”It [Lincoln] just seemed like a logical place for me to continue my journey into Afrocentricity.” "Gil used to call our songs, our albums, survival kits on wax. And, you know, that's just another way of looking at the Griot tradition. Because, it was his responsibility to heal the community. It's spiritual work.""I'm gonna tell you Lou, before it's all over, I'm gonna do a Christmas album. What you think about that?!"Please share and review this independent show. Thank you!ENJOY!Follow us:Shade Podcast Spotify Playlist (updated daily)Shade Art Review Shade Art Review Christmas offer codeShade Podcast InstagramBrian Jackson InstagramBrian Jackson NYTimesPieces of a Man PodcastThis is Brian Jackson Jazz Is DeadThis series was produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by today's guest Brian JacksonMixing Tess Davidson Become a member at https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.
Viatgem al Brasil per sentir la suavitat de les veus cantades a cau d'orella, la riquesa harm
Seguimos picoteando en las Mod Jazz Series. Sexto capítulo dedicado a recordar aquellas compilaciones editadas por Ace Records en donde se recogió un selecto surtido de diferentes formas de jazz predilectas entre los mods británicos de los años 60. Playlist; (sintonía) FREDDIE McCOY “Collard greens” GEORGE BENSON QUARTET “Summertime” BILL DOGGETT “25 miles” JOHNNY OTIS “Banana peels” LEON HAYWOOD “Ray’s theme” MOSE ALLISON TRIO “I love the life I live” RED HOLLOWAY “Monkey sho can talk” DAVE DAVANI FOUR “Top of the pops” SWINGIN’ TOMATOES “Get it” GOOGIE RENÉ “Wild bird” CLARENCE ARMSTRONG “Beaver” BUDDY McKNIGHT “Every time (part 2)” MONGO SANTAMARIA “El pussy cat” PUCHO and HIS LAIN SOUL BROTHERS “Canteloupe island” MAC REBENNACK and THE SOUL ORCHESTRA “The point” JACK McDUFF “Hot barbeque” OSCAR BROWN JR “Humdrum blues” THE AFRO BLUES QUINTET PLUS ONE “Liberation” Escuchar audio
Nueva entrega de este coleccionable dedicado a recordar grandes canciones de todo el abanico de estilos que dieron forma a la música pop de la primera mitad de los años 60. (Foto del podcast; The Shangri-Las, 1964) Playlist; (sintonía) THE SHADOWS “Walkin’” BUDDY HOLLY “Crying waiting hoping” THE BOBBY FULLER 4 “Let her dance” SAM COOKE “Another Saturday night” THE ROLLING STONES “If you need me” FATS DOMINO “It keeps raining” CLARENCE “FROGMAN” HENRY “(I don't know why) but I do” JOE BROWN and THE BRUVVERS “It only took a minute” THE VIBRATIONS “Watusi” OSCAR BROWN JR “The work song” THE CONTOURS “Do you love me” THE ROYAL SHOWBAND WATERFORD “The huckle buck” SHARON MARIE “Run around lover” BERT KAEMPFERT “Chicken talk” BOBBY RYDELL “I wanna thank you” THE SHANGRI-LAS “Leader of the pack” HELEN SHAPIRO “Not responsable” THE SHARADES “Dumb head” ROY ORBISON “In dreams” Escuchar audio
RÉUPLOAD — Émission initialement mise en ligne le 10 février 2021.Le flux de Hommage Collatéral hébergera désormais son podcast "cousin" dédié aux œuvres marquantes de notre enfance ou adolescence. En attendant les nouveaux épisodes à la rentrée, retrouvez tous les anciens numéros ici même, au rythme d'un par jour. Bonne écoute !Pour ce nouveau numéro enregistré à distance, on parle d'un sujet un peu spécial puisqu'on va parler de tout un medium et d'une certaine époque plutôt qu'une œuvre culturelle précise. Parce que Max, Difool, Maurice, Monsieur Fred ont fait beaucoup d'enfants de la radio, il nous fallait se rappeler de toute cette époque et tenter de la présenter à celles et ceux qui sont nés bien après… ce qui n'est pas un exercice aisé ! Par contre, si vous avez passé votre adolescence à écouter l'une de ces radios libres avec votre walkman sous votre couette, vous êtes au bon endroit ! Matt, animateur de radio et de podcasts, notamment de La Sélection Comics et de L'estamiNERD Arnold, traducteur, rédacteur pour Superpouvoir.com, responsable de La Grande Hanterie Pierre, responsable éditorial et événementiel chez Babelio.com et pour une séquence enregistrée à part, Nicolas, avocat et historien, auteur d'ouvrages sur la Seconde Guerre Mondiale chez Tallandier, intervenant pour Conspiracy Watch Le résultat, c'est deux heures de souvenirs, et tout ça sans trop de préparation pour une fois ! Playlist : 01 - Oscar Brown Jr. - But I was cool | Sin & Soul… and the some © 1996 Sony Music Entertainment Inc.02 - Didier Clark, Fabien Coutancier et le Star System - Les Poèmes de Gégé | Max, le Star System - best of © 1997 La Tribu03 - Harvey Danger - Flagpole Sitta | Where Have All the Merrymakers Gone ? © 1997 Slash04 - The Presidents of the USA - Lump | The Presidents of the united States of America © 1995 Columbia Liens : Radio Restos MisterCouzin.net Le ShCrok Mel Sho ? Envoyé Spécial - La Guerre des FM Radio Campus - Soirée hommage à Gérard Et parce qu'on disait que ça ferait un bon bouquin, tout ça, ben Pierre l'a déniché Le blabla habituel sur les réseaux sociaux du show : Facebook Twitter Instagram Le blabla, en passe de devenir habituel aussi, sur Bonus Tracks, le label de podcasts qu'il est bien : Site web Facebook Twitter Et vous n'oubliez pas d'aller sur Apple Podcasts pour lâcher des mots doux et des étoiles, hein ?
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation. In Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022), Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production. Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at mzc0152@auburn.edu and on twitter @MickellCarter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Albert Ammons was born in Chicago, Illinois. His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it. This episodic features the late great Oscar Brown Jr. as Ammons, as well as 17 year piano wiz A J Salas. They both join host donnie l. betts for an after-show conversation and performance that is not to be missed. Follow @nocreditsproductions on Facebook and Instagram, and @donniebetts on Twitter. #Blackradiodays #socialjustice #destinationfreedomblackradiodays #donniebetts Learn more about your ad choices. Visit megaphone.fm/adchoices
El Hijo predilecto de Linares, el gran cantante Raphael grabó en 1966 su álbum “Canta…Raphael” el cual contiene el tema musical titulado “La canción del trabajo”. Así la escuché yo… “La canción del trabajo” de Raphael es una versión al español con letra adaptada por Manuel Clavero del tema grabado en 1960 por el artista estadounidense Oscar Brown Jr., quien la coescribió bajo el título “Work song”. ¿Y a ti, qué te pareció la canción original? Autores: Oscar Brown Jr. & Nat Adderley (estadounidenses) - Versión al español Manuel Clavero La canción del trabajo - Raphael (1966) “Canta... Raphael” álbum (1966) Raphael (nombre real Miguel Rafael Martos Sánchez, español) Work song - Oscar Brown Jr. (1960) “Sin and Soul…and then some” álbum (1960) Oscar Brown Jr. (estadounidense) ___________________ “Así la escuché yo…” Temporada: 5 Episodio: 35 Sergio Productions Cali – Colombia
durée : 00:58:25 - « Work Song » (Nat Adderley / Oscar Brown Jr) (1960) - par : Laurent Valero - "Composition du cornettiste Nat Adderley, célèbre musicien bop qui co-anima avec son frère le saxophoniste Julian Cannonball, un groupe de jazz au sein duquel passèrent des musiciens importants : Winton Kelly, Youssef Lateef ou George Duke, pour n'en citer que quelques uns ..." Laurent Valero - réalisé par : Vivian Lecuivre
Los mensajes de solidaridad y orgullo contenidos en It Because I'm Black no requieren palabras. Con José Manuel Corrales.
«Work Song» Cannonball Adderley: Live! (1964, Capitol) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Oscar Brown Jr.: Sin & Soul… and then some (Columbia, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
«Work Song» Nina Simone: Feeling Good. Her Greatest Hits & Remixes (Verve Records, 2022) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra «Work Song». Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina’s Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul… and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly’s Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de «Work Song»… ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
"Work Song" Nat Adderley: Work Song (Riverside, 1960) Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? En 2022 se ha publicado el doble CD recopilatorio de Nina Simone Feeling Good. Her Greatest Hits & Remixes. Entre los grandes éxitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de actualidad, se encuentra "Work Song". Nina Simone grabó el tema en varias ocasiones a lo largo de su carrera: en 1961, un año después de publicarse, apareció en su disco Forbidden Fruit; también lo grabó en Nina's Choice (1963), Nina Simone with Strings (1963) y High Priestess of Soul (1967). Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirtió rápidamente en un estándar. En primer lugar lo grabó Nat Adderley en su disco Work Song (1960), y un poco más tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco Sin & Soul... and then some. Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grabó el tema en múltiples ocasiones, tanto en estudio como en directo. En el disco Live! contó con una formación de lujo: además de contar con Nat Adderley, le acompañaron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grabó en Los Angeles, en el Shelly's Manne-Hole, el local del famoso baterista. En esta edición especial de JazzX5 escuchamos estas cuatro versiones de "Work Song"... ¡pero podrían haber sido una cuantas más! Y sí, en JazzX5 ya estamos a la par. ¡Por fin! Escuchar cuatro versiones de "Work Song" Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847
We discuss the effects of the Martin Luther King Jr. assassination on the performance poetry/spoken word community in the 1960s. We use poems/music created by Maya Angelou, Oscar Brown Jr., Melvin Van Peebles, The Last Poets, Gil Scott-Heron & Amiri Baraka and there trailblazing creative styles that sets the stage for the form of poetry that we know as Rap.
Recorded live in the State of Sound Studio, singer Maggie Brown talks and sings during a wide-ranging interview about her father, Oscar Brown, Jr. and her own career as a singer and educator. Interviewed by State of Sound Curator, Lance Tawzer. Theme song by Thrift Store Halo
Did you ever wonder why monkeys live and play high up in the trees? Well, I'ma tell ya why. Ya see, King Lion was minding his own business when the monkey decided he wanted to be king of the jungle. So Monkey did something very rude, very crude, and with a bad attitude!Signifying Monkey, is an African and American folktale classic that was sung way back in the day by the cool Cab Callaway, outstanding Oscar Brown Jr., King of rock n' roll, Chuck Berry, wild Willie Dixon, rock n' roller, Sam the Sham, and also can be heard in a Schoolly D rap and in the movies, House Party and Knightriders.Signifying Monkey originated from the trickster figure of African Yoruba mythology, Esu Elegbara. Signifying Monkey is once again documented for a new generation by Aunti Oni in our story village. "So ya betta not monkey with me, yeah!" Do you think the monkey deserved his fate? Let me know at AuntiOni@aol.comMusic (C) Monkey Dance by T. MorriMixed & Edited by DJ King CanalVisit Aunti here: www.AuntiOni.funIf you love "Signifying Monkey" show you care and share it with family & friends everywhere. Thanks! Support Aunti Oni Story Village & donate. Thanks! See acast.com/privacy for privacy and opt-out information.
La voix d'Oscar Brown Jr est un des trésors cachés du jazz américain. Derrière ce ton gouailleur et ce charisme de comédien, se cache un artiste aux multiples talents - poète, compositeur et parolier - qui fut dans les années 60 l'avocat d'un peuple noir en quête de délivrance. “Mon but, disait-il, est de porter un message qui swinguem>e et créer du divertissement qui a du sens”. Une ambition qui, pourtant, va se heurter à un mur : celui d'un show business impitoyable dans une Amérique rongée par ses démons. Oscar Brown Jr restera donc un chanteur méconnu, malgré ses versions inoubliables de Work Song, Dat Dere ou Afro Blue. Un poète maudit en quelque sorte, qui inspira Bob Dylan et Gil Scott Heron, créa une comédie musicale avec Mohamed Ali, présenta les premières informations noires sur une radio américaine, et postula sans succès pour un siège au Congrès des Etats-Unis. “Être un nêgre, ça n'est pas toujours plaisant”, écrivait-il dans les notes de l'album Sin & Soul, “mais c'est un stimulant redoutable pour l'âme”. Tombé dans l'oubli au crépuscule de sa vie, Oscar Brown Jr lâchera, acide : “On m'a fait taire. Parce que j'étais... dangereux”. Étagère 9… Boîte n°5… Dossier OBJ1926… Oscar Brown Jr, anatomie d'un chanteur culte.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
1. Shirley Brown - Eyes Can't See 2. George Duke - Faces in Reflection 2 3. Loose Ends - Music Takes Me Higher 4. The Undisputed truth - Don’t Let Him Take Your Love From Me 5. Ann Sexton - You've Been Doing Me Wrong For So Long 6. William DeVaughn - Blood Is Thicker Than Water 7. Andy Bey - You Should've Seen The Way 8. The Staple Singers - Chica Boom 9. Patrice Rushen - Kickin' Back 10. Bobbi Humphrey - Jasper Country Man 11. Bill Withers - Sometimes A Song 12. Chocolate Milk - Time Machine 13. The Blackbyrds - Runaway 14. Los Masters - Cissy Strut 15. The Noble Knights - Sing A Simple Song 16. Syl Johnson - Right On 17. Sky King - Why Don’t You Take Us 18. The Shades Of Black - Mystery Of Black (Pt. 1) 19. Esquires Now - Think About it 20. Clarence Wheeler and The Enforcers - Right On 21. 24 Carat Black - 24 Carat Black theme 22. Cannonball Adderley - Walk Tall 23. Leo's Sunshipp - Get Down People (Mini-Tro) 24. Curtis Mayfield - Stoned Out Of My Mind 25. John Gibbs - Trinidad 26. The Har You Percussion Group - Welcome To The Party 27. Energie Du Verre - Rockin' Habanera 28. Oscar Brown Jr. - But I Was Cool 29. Yoshiko Kishino - Norwegian Wood This one is for the true soul people out there.
Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!Following on from a triple episode week of pure musical commentary, here is a straight up excellent chat with the powerful and acclaimed writer NIKESH SHUKLA!So much to get into on this one, and Nikesh and Pip cram a huge amount into what could certainly go on for a good few more hours. Nikesh’s new book ‘Brown Baby’ is available now with an accompanying podcast, and you’ll hear most of the foundation upon which it was all born here in this chat. It’s a big one, ranging from the deep questions posed by kids, being ‘authentically Asian’ and the minimal quotas for ‘Indian’ authors, diversity panels, the publisher Unbound, the all seeing Grandfather of the podcast at this point aka Musa Okawonga, the toll taken on his soul in promoting his books, the under/overcurrent of racism from seed to weed (I just made that up but it feels appropriate), raising kids to feel joy, Oscar Brown Jr via Nina Simone, and his past days as a rapper. So much CONTENT! Haha. Just playing. Enjoy, it’s a goodie.NIKESH LINKSTWITTERBROWN BABYBROWN BABY PODCASTBROWN BABY in THE GUARDIANTHE GOOD IMMIGRANTBROWN BABY by OSCAR BROWN JrBROWN BABY version by NINA SIMONESCROOBIUS PIP on INSTAGRAMSCROOBIUS PIP on PATREONNORTH STAR RISINGPOD BIBLESPEECH DEVELOPMENT RECORDSDISTRACTION PIECES NETWORK on FACEBOOKDISTRACTION PIECES NETWORK on INSTAGRAMDISTRACTION PIECES PODCAST ARCHIVE See acast.com/privacy for privacy and opt-out information.
Pour ce nouveau numéro enregistré à distance, on parle d’un sujet un peu spécial puisqu’on va parler de tout un medium et d’une certaine époque plutôt qu’une œuvre culturelle précise. Parce que Max, Difool, Maurice, Monsieur Fred ont fait beaucoup d’enfants de la radio, il nous fallait se rappeler de toute cette époque et tenter de la présenter à celles et ceux qui sont nés bien après… ce qui n’est pas un exercice aisé ! Par contre, si vous avez passé votre adolescence à écouter l’une de ces radios libres avec votre walkman sous votre couette, vous êtes au bon endroit ! Matt, animateur de radio et de podcasts, notamment de La Sélection Comics et de L’estamiNERD | Twitter Arnold, traducteur, rédacteur pour Superpouvoir.com, responsable de La Grande Hanterie |Twitter Pierre, responsable éditorial et événementiel chez Babelio.com | Twitter et pour une séquence enregistrée à part, Nicolas, avocat et historien, auteur d'ouvrages sur la Seconde Guerre Mondiale chez Tallandier, intervenant pour Conspiracy Watch et phdn.org Le résultat, c’est deux heures de souvenirs, et tout ça sans trop de préparation pour une fois ! Playlist : 01 - Oscar Brown Jr. - But I was cool | Sin & Soul… and the some © 1996 Sony Music Entertainment Inc. 02 - Didier Clark, Fabien Coutancier et le Star System - Les Poèmes de Gégé | Max, le Star System - best of © 1997 La Tribu 03 - Harvey Danger - Flagpole Sitta | Where Have All the Merrymakers Gone ? © 1997 Slash 04 - The Presidents of the USA - Lump | The Presidents of the united States of America © 1995 Columbia Liens : Radio Restos MisterCouzin.net Le ShCrok Mel Sho ? Envoyé Spécial - LaGuerre des FM Radio Campus - Soirée hommage à Gérard Et parce qu’on disait que ça ferait un bon bouquin, tout ça, ben Pierre l’a déniché Le blabla habituel sur les réseaux sociaux du show : Facebook : https://www.facebook.com/PasTropVieux Twitter : https://twitter.com/PasTropVieux Instagram : https://www.instagram.com/pastropvieux Le blabla, en passe de devenir habituel aussi, sur Bonus Tracks, le label de podcasts qu’il est bien : Site web : https://www.bonustracks-podcasts.com Facebook : https://www.facebook.com/BonusTracksPod Twitter :https://twitter.com/BonusTracks_pod Et vous n’oubliez pas d’aller sur Apple Podcasts pour lâcher des mots doux et des étoiles, hein ?
In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, singer Kelly Hogan, to discuss life during the pandemic and Oscar Brown Jr. Support the show (https://www.patreon.com/bePatron?u=35658686)
As Martin Luther King put it in the opening address to the 1964 Berlin Jazz Festival, "When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument." And so, with that in mind, we continue our exploration of socially engaged jazz in search of order and meaning in the complicated phase we're living, looking at how Max Roach and Abbey Lincoln, Charles Mingus, Archie Shepp, Lou Donaldson, Oscar Brown Jr., the Pharoahs Cannonball Adderley, Ornette Coleman, Charlie Haden and Hank Jones found it in the past, how Gary Bartz continues finding it today with Maisha and how Alicia Hall Moran, Dominique Fils-Aimé, Jaimeo Brown and Uri Caine are keeping that flame alive. Detailed playlist at https://spinitron.com/RFB/pl/11033090/Mondo-Jazz (up to Ornette Coleman).
“Last time, last time I saw Jeannine recall when we were 17…” Join THE BLACK CONNECTION for a poetic tribute to/ reimagining of one of our favorite songs: Oscar Brown Jr.'s, "Jeannine" from his 1963 album, Tells It Like It Is!
Welcome to episode 9 of Destination Freedom Black Radio Days Podcast. Black Radio Days brings you a special podcast, a broadcast of The Knock Kneed Man “The Story of Crispus Attucks Freedom Fighter with an introduction by the late great artist-activist Oscar Brown Jr. Destination Freedom Black Radio Days picks up where the first nationwide Black radio drama, produced in Chicago by Richard Durham more than sixty years ago, left off. The show walked a daring line between reform and revolution and was shut down by its network in 1950, as McCarthyism and anti-communism tightened its grip on American broadcasting. Using new scripts as well as drawing on archives. Destination Freedom Black Radio Days illuminates a largely unknown, but important chapter in the history of human rights and tells how radio played its part from the very beginning. That boundary-breaking program, Destination Freedom Black Radio Days, dramatized the lives of great figures in African-American and other people of color. 2020 season will examine the issues facing communities of color. police shooting, immigration, health disparities and gender bias.
Con eleganza, leggerezza e agilità attraversiamo una parte di notte grazie alle canzoni di Oscar Brown Jr. rivisitate dalla cantante Amber Weekes
Drummer Max Roach was a Jazz great and one of the pioneers of Modern Jazz. His history is easily available on the internet but tonight's Jazz Feature is a tribute to Black History Month. This album was issued on a small independent label was a musical turning point for Mr. Roach. It reflected his musical philosophy that his music be socially relevant and express his concern for equality and civil rights. It featured Max's Ensemble augmented with some percussionists and with Max's then girlfriend, singer Abbey Lincoln doing the vocals. Mr. Roach wrote all the music and the words were written by poet/singer/ philosopher, Oscar Brown Jr. Guest artist, tenor saxophone great Coleman Hawkins makes an emotional appearance on the first track called "Driva Man" . The rest follows. The Freedom Now Suite occupies an important place in the music of Max Roach and of Black History. Experience it now!
El programa d'aquesta setmana arriba farcit de veus. Us hem preparat una selecci
Met deze keer muziek van John Mayall, Oscar Brown Jr., Michel Polnareff, Isaac Hayes, Beach Boys, The Beatles en Spooky Tooth.
Alex Blocker breaks boundaries with a genre fusing style of contemporary music that combines elements of R&B, hip-hop, and jazz. Influenced by his Chicago roots, Blocker has expressed musical ingenuity as an instrumentalist and vocalist on six previous releases. Blocker began his music career producing and recording at YouMedia, an urban creative space in Chicago with previous alumni such as Chance The Rapper, Noname, and Akenya Seymour. Currently collaborating with Colorado artists Nobide and Angelique, he has also shared stages with performers such as Gramatik, Boombox, Masta Ace, Def-i, Maggie Brown (Daughter of Oscar Brown Jr.), and recorded with John Walt of Chicago's Pivot Gang. Blocker's latest release, Heartbreak Radio, is innovative, fresh, and original and has the tendency to leave audiences grooving and coming back for more.
Muzikaal thema is Jazz For People Who Hate Jazz. Je hoort Dave Brubeck Quartet, Oscar Brown Jr., Chet Baker, Scott Bradlee & Postmodern Jukebox, Bruut!, Amy Winehouse en The Cats And The Fiddle.
Amb el programa d'avui completem la trilogia de jazz noir que vam comen
Ens retrobem amb algunes veus masculines del jazz. Potser no s
1. Roy Haynes - Dorian 2. Klaus Doldinger - Quartenwalzer 3. Ben Sidran - Silver's Serenade 4. Stanley Turrentine - Smile, Stacey 5. Willie Bobo - Lisa 6. Lonnie Liston Smith - Desert Nights 7. Elvin Jones - Dido Afrique 8. McCoy Tyner - Contemplation 9. Chico Hamilton introducing Larry Coryell - Big Noise From Winnetka 10. Oscar Brown Jr. - Afro-Blue 11. Leon Thomas - Just In Time To See The Sun 12. Jackie & Roy - Samba Triste 13. Seeds Of Fulfillment - Namaste 14. Fania All-Stars - Coro Miyare 15. Don Pullen - Capoeira 16. Bobby Hutcherson feat. Harold Land - Ummh 17. Arthur Verocai - Karina (Domingo No Grajaú) 18. Larry Willis - Alter Ego 19. Justin Thurgur - The Beginning
Okay...A stack of mp3s. Sue me.Play List:Dump - “A Love Bizarre” from That Skinny Motherfucker with the High VoiceParkay Quarts - “The Map” from Content NauseaParkay Quarts - “These Boots” from Content NauseaThe Modern Lovers - “Foggy Notion” from Live at the Longbranch and MoreDestroy All Monsters - “Bored” from BoredSonics Rendezvous Band - “City Slang” from Live, Masonic Auditorium, Detroit, 01/14/1978Counter Intuits - “Stickin Pins” from Sheets of HitsConnections - “Cruise Control” from Into SixesThe Lancastrians - “Was She Tall” from Guitar For HireThe Count Bishops - “Mercy Mercy” from Speedball + 11Losers - “Snake Eyes” from Surf Age NuggetsOscar Brown Jr. - “The Snake” from Tells It Like It Is!Irma Thomas - “I Need Your Love So Bad” from Wish Someone Would CareScott Bradlee and Postmodern Jukebox - “All About That Bass” from Historical MisappropriationBobby Byrd - “I'm Lonely” from Bobby Byrd Got Soul: The Best Of Bobby ByrdThe Buddy Rich Big Band - “The Beat Goes On (Live)” from Blue Break Beats 4Download this podcast: pat radio - December 5, 2014
By 1960 drummer Max Roach had been for years a keen student of politics and civil rights and as a black American he realized that his mission was to combine politics and his music. He would do this without compromising the quality of his music in any way. Roach was one of the music's greatest drummers and a pioneer of Modern Jazz.The Freedom Now Suite was his first fully political statement and it features his ensemble and his vocalist Abbey Lincoln. Roach wrote the music and Oscar Brown Jr. wrote the words. The band includes Mr.Roach on drums with Booker Little on trumpet, Julian Priester on trombone, Walter Benton on tenor saxophone and James Schenck on bass.The first three compositions deal with the USA and opens with "Driva' Man" and the guest soloist on this track is the great Coleman Hawkins. "Freedom Day" is by the band. Track three is Mr. Roach and Miss Lincoln only in a three part suite. Part 2 moves to Africa and Michael Olatunji is added on drums and vocal plus two other percussionists in "All Africa" and the final selection is in memory of the notorious Shapeville Massacre and called "Tears For Johannesburg". All of this was recorded in August and Seoptember 1960. It remains a pivotal recording in the long career of Mr. Max Roach and to this day is a powerful statement.
A committed man of dedicated faith and community service, Marquis is the anti-thesis of today’s R&B bad boys. Like his inspirations, Marquis started his stage life in front of the pews. Deriving from a rich family legacy of performers that includes blood ties to Phyllis Hyman, Debbie Allen, and Phylicia Rashad, Marquis traveled as a child performer in the “Family & Friends” gospel troupe. He rocked the church with preternaturally grown vocals until high school. A star-turning performance at a college show returned Marquis to music and later membership with the R&B quartet, Mass Appeal. Soon joining up with Babyface’s production team, Marquis further refined his music and engineering skills, working with future Finding My Way producer, Jeremy “Cochise” Ball, Thank You producer, Angelo Ray, as well as the legendary Gerald Levert and the Rude Boys. Soon after, Marquis’ indie mixtape, All Love, All the Time, dropped in 2006, opening more doors. Signed to a production company, it wasn’t long before Marquis was releasing his 2007 debut LP, Finding My Way (Quiet As Kept). Breaking through NYC airwaves with the regional R&B hit, “Radio,” Marquis booked Apollo Live and multiple guest spots on both BET’s 106 & Park and Showtime at the Apollo. Named Soul Singer of the Year by 106 & Park, Marquis landed the Soul Summer Tour and Budweiser Superfest tour where he traveled as the stable opening act for Jaheim, Tamia, India.Arie, Blue Magic, Frankie Beverly & Maze, Gordon Chambers, and Hal Linton. Marquis also toured as “Adam” in Oscar Brown Jr’s musical fable, In De Beginnin’. Additionally, Marquis starred in videos and wrote music for artists in New Zealand where Finding My Way hit. Marquis lyrical prowess soon scored song placement on projects by Styles P, Ethical, Young Sid, and Sly and Robbie.
Dwight Trible joins us to talk about his latest project: Cosmic and his concert Sunday, Nov. 4, 2012, 7 PM at Yoshi's in SF. Dwight Trible is a singer who combines the best of vocal virtuosity with musicianship and improvisational skills to the delight of audiences and musicians alike. In addition to performing with his own group, the Dwight Trible Ensemble, Dwight is the vocalist with the Pharaoh Sanders Quartet and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples' Arkestra. Not a newcomer to the music scene, Dwight has worked with such notables as Oscar Brown Jr., Charles Lloyd, Billy Childs, Kenny Burrell, Kenny Garrett, Steve Turre, Harold Land, Harry Belafonte, Della Reese and Norman Conners, John Beasley, Patrice Rushen, Babatunde Lea, Ernie Watts, Kahlil El Zabar, as well as contemporary soul artist like LA Reid and DJ Rogers. Dwight's collaborations with Horace Tapscott, Billy Higgins, Kamau Daaood and others have produced some of the finest musical moments in Los Angeles in recent years - and his best is yet to come! Like his mentors, Dwight is not content to use his music just to entertain people, although he is quite a dynamic performer. He uses his music to bring people together, to bridge the gap between the races, and to heal the human heart. He has received numerous awards for his humanitarian efforts: http://www.dwighttrible.com/ We rebroadcast an interview with Michele Rosewoman, pianist, composer, bandleader, who is in town to celebrate the life and legacy of Ed Kelly, who is honored tonight at the Oakland Public Conservatory, 1616 Franklin Street, Oakland, CA, 7-9 PM: http://www.reverbnation.com/michelerosewoman
show#42703.03.12 Susus's Birthday.. soaked in Booze!!Dweezil Zappa - Tell Me You Love Me (Zappa Plays Zappa [Disc 1] 2008)Amos Garrett/Doug Sahm/Gene Taylor - Drunk (The Return of the Formerly Brothers 1989)Lady Bianca - You Got Me Drinkin' (Servin' Notice 2011)Stones with Buddy Guy - Champagne N ReeferHowlin' Wolf - Drinkin' C.V. Wine (Cadilac Daddy:Memphis Recordings 1952)Joe Jackson - Dirty Martini (Volume 4 2003)Harvey Mandel - Guitar Martini (Emerald Triangle 1998)Nate Myers & The Aces - Jager & Waffles (Persist 2008)Oscar Brown Jr. - Let's Get Drunk [And Be Somebody] (Fresh 2008 CD release)Spinner's Drunk Section:whiskey, whiskey and more whiskeyLos Lobos: whiskey trail (2:41) (Kiko, Slash, 1992)Wynonie Harris: quiet whiskey (2:28) (Battle Of The Blues, Charly, 1986)Al Copley & Fab T-birds: bad bad whiskey (3:59) (Good Understanding, Bullseye Blues, 1995)San Pedro Slim: scotch & water in a bucket (2:47) (Another Night On The Town, Tramp, 1997)Livin' Blues: whiskey and gin (2:05) (Wang Dang Doodle, Philips, 1970)Mikey Jr.: whiskey by the glass (2:23) (Look Inside My Pocket, 8th Train, 2006)Biscuit Burners: sweet whiskey (3:58) (A Mountain Apart, Indidog, 2005)Mason Casey: smellin' like whiskey (4:43) (Reefer Smokin' Man, Dixiefrog, 2000)Canned Heat: whiskey headed woman no.2 (2:50) (Boogie With Canned Heat, Liberty, 1968)Rory Block: lovin' whiskey (4:08) (I've Got A Rock In My Sock, Rounder, 1986)Carlos del Junco: quiet whiskey (2:41) (Just Your Fool, Big Reed, 1995)Gary Primich: let me go home, whiskey (4:49) (Mr. Freeze, Flying Fish, 1995)Back To Beardo:Pristine - Detoxing (Detoxing 2012)Andy J. Forest - 12 Bar Dive (Blue Orleans 1997)Chris Duarte Group - Cold Cold Day (Infinite Energy 2010)Geoff Muldaur - High Blood Pressure (Is Having A Wonderful Time 1975)Freddie Roulette - Del Conto Shuffle (Sweet Funky Steel LP 1973)John Oates Band - All Shook Up (The Bluesville Sessions 2012)Andres Roots Roundabout - Spider Jam (Leigh's Spider Jam 2011)Big Boy Bloater & The Limits - Big fat tramp (Big Boy Bloater & The Limits 2011)Sunday Wilde - Don't Bother Me (What Man!?? Oh That Man!! 2010)The Beatles - Birthday (The Beatles 1968)
The Jazz Show's tribute to Black History Month is the famous Max Roach recording called "The Freedom Now Suite". This was one of the first politically charged albums that reflect the leader's growing awareness of the civil rights movement that was erupting in the U.S. in the late 1950's. Mr. Roach's basic ensemble includes trumpeter, Booker Little, tenor saxophonist Walter Benton, trombonist Julian Priester and bassist James Schenk. Abbey Lincoln is extraordinary on her vocals and Coleman Hawkins, the "father of the tenor saxophone" makes a cameo appearance on "Driva' Man", the opening tune. The final two pieces are by the full ensemble augmented by two percussionists and the great Micheal Olatunji on vocal and African drums. The centerpiece of the album if a duet in three parts called "Prayer, Protest and Peace" with Miss Lincoln and Max Roach. The album was recorded in 1960 and to this day stands as a monument to the creativity and political stance of one of the greatest drummers in Jazz, the late Max Roach. I should add that the lyrics of this were written by Oscar Brown Jr. and all the music was written by Mr. Roach. "We Insist! Freedom Now Suite".
The Last Poets – Bird’s Word The Art Ensemble Of Chicago – Theme De Yo Yo (Dobie Re-Edit) Aloe Blacc – Blind World Q-Tip – Won’t Change Mos Def – Roses Tom Scott & The L.A. Express – Today Common – Inhale Gil Scott-Heron – Lady Day and John Coltrane The Zbigniew Namylowski Modern Jazz Quartet – Piatawka (in 5/4 time) Oscar Brown Jr. – Afro Blue The Ensemble Al Salaam – Circles Andy Bey – River Man The Cinematic Orchestra – All That You Give (Photo credit: Big Manny) (Photo taken at Truthseekers Radio, Friday nights from 1-3 a.m. on 90.7 kpfk fm, Los Angeles, Ca. www.kpfk.org). Shout out to Santana and the whole Truthseekers crew. Mixed and recorded live (no edits, no over-dubs, no pro-tools, recorded in one take) by dj dAz for Sounds Of Umoja productions. The music in this mix has been rolling around in my head for many months, even years, and possibly decades. The ability to understand the similarities between jazz of the past and modern hip hop has always been something to drive my art. Even in my early days as a young yout’, jazz music was always playing in my house, classic movies were always on the t.v., and whenever I’d get home from school, there would always be an energy of welcomeness and calm like you had arrived. As I grew up and started to become influenced by hip hop in the eighties and nineties it just became a natural progression to be influenced by the very hip hop artists that used samples from their pop’s record collection for their own sound. Dad listened to Oscar Peterson, I listened to A Tribe Called Quest. Dad listened to Cab Calloway, I listened to Big Daddy Kane. So, with that being said; Big Up Pop’s, Mom’s, and family. I dedicate this to everyone, but my influences for this mix comes from the movies “The Jungle Book”, and Bob Hope and Bing Crosby’s “Road To Zanzibar”, as well as the very artists who are featured in this mix. Bless Up!
dj dAz presents: UPlift (A rhythmic journey into the essence of spiritual Hip Hop and Jazz)The Last Poets – Bird's WordThe Art Ensemble Of Chicago – Theme De Yo Yo (Dobie Re-Edit)Aloe Blacc – Blind WorldQ-Tip – Won't ChangeMos Def – RosesTom Scott & The L.A. Express – TodayCommon – InhaleGil Scott-Heron – Lady Day and John ColtraneThe Zbigniew Namylowski Modern Jazz Quartet – Piatawka (in 5/4 time)Oscar Brown Jr. – Afro BlueThe World's Experience Orchestra - The PrayerAndy Bey – River ManThe Cinematic Orchestra – All That You Give(Photo credit: Big Manny) (Photo taken at Truthseekers Radio, Friday nights from 1-3 a.m. on 90.7 kpfk fm, Los Angeles, Ca. www.kpfk.org). Shout out to Santana and the whole Truthseekers crew.Mixed and recorded live (no edits, no over-dubs, no pro-tools, recorded in one take) by dj dAz for Sounds Of Umoja productions. The music in this mix has been rolling around in my head for many months, even years, and possibly decades. The ability to understand the similarities between jazz of the past and modern hip hop has always been something to drive my art. Even in my early days as a young yout', jazz music was always playing in my house, classic movies were always on the t.v., and whenever I'd get home from school, there would always be an energy of welcomeness and calm like you had arrived. As I grew up and started to become influenced by hip hop in the eighties and nineties it just became a natural progression to be influenced by the very hip hop artists that used samples from their pop's record collection for their own sound. Dad listened to Oscar Peterson, I listened to A Tribe Called Quest. Dad listened to Cab Calloway, I listened to Big Daddy Kane. So, with that being said; Big Up Pop's, Mom's, and family. I dedicate this to everyone, but my influences for this mix comes from the movies “The Jungle Book”, and Bob Hope and Bing Crosby's “Road To Zanzibar”, as well as the very artists who are featured in this mix. Bless Up!
Drummer/composer Max Roach in conjunction with lyricist Oscar Brown Jr. created this suite in honour of the 100th anniversary of Lincoln's Emancipation Proclamation and it reflected Mr. Roach's growing involvement with the Civil Right Movement that was taking shape in America in the late 1950's. This powerful and still controversial recording features Roach's working band that includes Booker Little on trumpet, Julian Priester on trombone and the underrated Walter Benton on tenor saxophone, James Schenk on bass and the great Abbey Lincoln on vocals. Coleman Hawkins('the father of the tenor saxophone') makes an intense cameo on the first tune called 'Driva' Man'.Later the band is augmented by two percussionists and African drummer Michael Olatunji on the pieces depicting Africa. This recording is a powerful musical and political statement and is perfectly suited to honouring Black History Month.
Baseball Historian presents Destination Freedom May/15/49 "The Ballad of Satchell Paige"The story of the "greatest pitcher of all time." Well done, good radio with excellent singing translations, despite the somewhat over-enthusiastic ranking of Mr. Paige's abilities. Charles Chan (announcer), Dean Olmquist, Elwyn Owen (organist), Fred Pinkard, Harris Gaines, Harvey Hayes, Homer Hecht (producer), Jose Bettencort, Lou Kessler (music), Oscar Brown Jr., Richard Durham (writer), Ted Liss, Tony Parish (narrator).Online Meetings Made Easy with GoToMeeting Try it Free for 45 days use Promo Code Podcast Go To GoDaddy & SAVE!! Use Promo Code Blu19
1. Johnny Osborne – We Need Love2. Willie Royal – The Message3. El Chicano – Viva Tirado4. Ray Barretto – Acid5. Eric Burdon and War – Spill The Wine6. Gil Scott-Heron – Guerilla7. Antibalas – Si Se Puede8. Haryou Percussion Group – Oua Train9. Willis Jackson – Nuther'n Like A Tuther'n10. Lucky Thompson – Tea Time11. Cal Tjader – Leyte12. Oscar Brown Jr. – Beautiful GirlRecorded in 2001 A.D. by DJ dAz for The Mighty, Mighty UMOJA SOUNDSYSTEM Crew.... Wanna Dedicate this mix to the man who lit the torch for Los Angeles with this Afro-Latin Shit.... The Original Party Rocker.... Zulu Nation Member.... Root Down Founder DJ DUSK (Rest In Prosperity).
New music from Little Charlie and the Nightcats, plus a couple tunes that help explain just what Bandana Blues, is. We also say goodbye to Oscar Brown Jr.
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