Podcasts about Night After Night

LEGENDARY GUITARIST STEVE CROPPER ANNOUNCES NEW ALBUM ‘FRIENDLYTOWN' FEATURING BILLY F GIBBONS … BRIAN MAY … TIM MONTANA … EXCLUSIVE INTERVIEW ON INTERVIEWING THE LEGENDS!   Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Not many people start new bands in their 80s, but legendary guitarist, producer, and songwriter Steve Cropper isn't slowing down any time soon. The triple-threat musician, recently nominated for his first solo GRAMMY for the debut album from his tight and tuneful rock n' soul quintet, Steve Cropper & The Midnight Hour, has announced details of his highly anticipated sophomore album, ‘Friendlytown,' due out August 23rd on the  Mascot Label Group. Always pushing ahead and never repeating himself, Cropper has brought in the talents of Billy F Gibbons from ZZ Top to play on the record. The album also features guest appearances from Queen guitarist extraordinaire Brian May and country-rock singer-songwriter and guitarist Tim Montana, who has balanced a successful solo career with high-profile collaborations with Gibbons and Kid Rock. In conjunction with the album announcement, Cropper has released the album's first single, “Too Much Stress feat. Brian May,” giving fans a tantalizing taste of the new music. PLEASE WELCOME LEGENDARY GUITARIST/SONGWRITER/PRODUCER/ACTOR…THE COLONOL STEVE CROPPER TO INTERVIEWING THE LEGENDS …   PREORDER THE NEW ALBUM BY STEVE CROPPER And The Midnight Hour entitled FRIENDLYTOWN Available August 23rd Via Mascot Label Group Featuring Billy F Gibbons, Brian May and Tim Montana First Single “Too Much Stress feat. Brian May” Available Now Pre-order Friendlytown at https://lnk.to/stevecropper FOR MORE INFORMATION ABOUT STEVE CROPPER VISIT https://playitsteve.com/ Official website https://www.facebook.com/stevecropper Facebook https://x.com/OfficialCropper?mx=2 Twitter https://www.youtube.com/results?search_query=Steve+Cropper YouTube https://www.instagram.com/thestevecropper/ Instagram     DISCOGRAPHY     1969: With a Little Help from My Friends     1969: Jammed Together (with Albert King and Pops Staples)     1971: This Is ... Steve Cropper & His Friends (compilation of With a Little Help from My Friends and Jammed Together, released in France only)     1981: Playin' My Thang     1982: Night After Night     1998: The Interview — Play It, Steve!     2008: Nudge It Up A Notch (with Felix Cavaliere)     2010: Midnight Flyer (with Felix Cavaliere)     2011: Dedicated — A Salute to the 5 Royales     2017: Steve Cropper, Lou Marini and the Original Blues Brothers Band — The Last Shade of Blue Before Black     2018: Telemasters (with Arlen Roth)     2021: Fire It Up   Steve Cropper & The Midnight Hour 2024: Friendlytown       Support us on PayPal!

Sintonía: "Night After Night" - Nat Adderley"The Old Country", "Chordnation", "The Folks Who Live On The Hill", "Tadd", "You Leave Me Breathless", "E.S.P." y "That´s Right!", extraídas del álbum "That´s Right" (1960) de Nat Adderley (corneta) con Yusef Lateef"Metody" y "Retrogress" extraídas del álbum "1st Bassman" (1961) del contrabajista Paul Chambers con Yusef LateefEscuchar audio

For this edition of John Pitman's Reviews, John has invited All Classical Radio's host of our syndicated film music program, The Score, to review a beautiful new recording reimagining original film scores. "Night After Night" celebrates one of the richest collaborations between a contemporary film director and a composer – an all-new recording of music for M. Night Shyamalan's most acclaimed films by the Emmy®- and Grammy®-winning composer and nine-time Oscar® nominee James Newton Howard. Keep reading on the All Classical Arts Blog:

James Newton Howard publicó el pasado mes de octubre de la mano de Sony un disco titulado "Night after Night". En sus 21 temas hace un repaso a sus colaboraciones con M. Night Shyamalan en "El sexto sentido", "El protegido", "Señales", "El bosque", "La joven del agua", "El incidente", "Airbender, el último guerrero" y "After Earth". La principal novedad es que los temas son nuevas grabaciones. Lo que he realizado es una suite por cada película, excepto con las dos últimas. Es uno de los mejores discos que escuché en 2023. Espero que disfrutes de la proyección... Listado de temas - Night after Night - Programa 174 1. El sexto sentido 2. El Protegido 3. Señales 4. El bosque 5. La joven del agua 6. El incidente 7. Airbender, el último guerrero - After Earth Telegram: https://t.me/+RouezCycwBk1NGU0 X: @AcomodadorEl Bluesky: @elacomodador.bsky.social

Sintonía: "Night After Night" - Nat Adderley (con Yusef Lateef)"The Old Country", "Chordnation", "Tadd, "You Leave Me Breathless", "E.S.P." y "That´s Right!", extraídas del álbum "That´s Right" (1960) de Nat Adderley"Mopp Shoe Blues" y "Bass Region", extraídas del álbum "1st Bassman" (1961) de Paul ChambersEscuchar audio

00:00 INTRO 01:08 DAVID GUETTA & BEBE REXHA - I'm Good (Blue) 02:23 HYPATON x DAVID GUETTA FT. LA BOUCHE - Be My Lover (2023 Mix) 03:35 DAVID GUETTA FT. SIA - Titanium (David Guetta & MORTEN Future Rave Remix) 05:58 CALVIN HARRIS & ELLIE GOULDING - Miracle (David Guetta Remix) 08:43 ID 10:13 CHRIS AVANTGARDE – Perception (David Guetta edit) 12:10 DAVID GUETTA FT. KID CUDI vs DAVID GUETTA & MORTEN vs ERIC PRYDZ - Memories vs Detroit 3 AM vs Pjanoo (Mashup) 13:49 CENTRAL CEE vs UMMET OZCAN & WILL SPARKS – Doja Apex (David Guetta & DJs From Mars Mashup) 14:11 VINTAGE CULTURE & BHASKAR & MECA FT. THE VIC - Tina (Remix) 18:16 THE CHEMICAL BROTHERS - Block Rockin' Beats (Remix) 19:58 GRAY & OZONE & DIAGNOSTIX - No Face No Case 21:46 DAVID GUETTA & CHRIS WILLIS vs HI-LO - Love Is Gone vs Kronos (Mashup) 24:25 DAVID GUETTA & MARTEN HØRGER - The Freaks 27:08 DAVID GUETTA & MORTEN vs GIGI D'AGOSTINO vs FIDELES & BE NO RAIN & CAMELPHAT vs GALANTIS vs RHYTHM CONTROLL - Alive Again vs L'Amour Toujours vs Night After Night vs Runaway vs My House (Mashup) 31:22 DAVID GUETTA & MORTEN vs IIO FT. NADIA ALI – Solar vs Juno vs Rapture (Acappella) 34:33 DAVID GUETTA & MORTEN - ID 37:52 SNOOP DOGG vs DAVID GUETTA - Sweat (David Guetta Remix) 39:25 DAVID GUETTA VS BENNY BENASSI – Satisfaction 40:31 FLO RIDA FT. DAVID GUETTA - Club Can't Handle Me (David Guetta & DJs From Mars Bootleg) 42:03 DAVID GUETTA FT. USHER - Without You 44:02 DAVID GUETTA FT. AKON - Sexy Bitch (David Guetta Techy Remix) --- COI LERAY ON STAGE 47:25 COI LERAY – Players (David Guetta remix) 50:56 DAVID GUETTA, ANNE-MARIE, COI LERAY - Baby Don't Hurt Me 53:23 DAVID GUETTA FT. NE-YO & AKON vs DAVID GUETTA & MORTEN FT. ALOE BLACC - Play Hard (David Guetta & MORTEN Future Rave Remix) vs Never Be Alone 55:25 DAVID GUETTA & BEBE REXHA - I'm Good (Blue) [Cedric Gervais Remix] All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

This week's guest is an Emmy winner, a Grammy winner, and a nine-time Oscar nominee, whose scores have graced the big and small screens since the 1980s. James Newton Howard is the voice of many of your favorite scores, from co-scoring the Dark Knight Trilogy with Hans Zimmer to his Oscar-nominated score for Paul Greengrass' News of the World. Now, he's back with several new projects, some of which hearken back to music he has written in the past.   Howard's latest solo album, Night After Night, is a beautiful look back at his eight-film partnership with filmmaker M. Night Shyamalan, recontextualizing some of his most intriguing melodies from that longtime collaboration into piano-driven suites performed by virtuoso musicians, including concert pianist Jean-Yves Thibaudet.   On the small screen, Howard recently completed a lush, yearning score for Netflix's new miniseries All the Light We Cannot See, based on the acclaimed novel by Anthony Doerr and directed by Shawn Levy. Plus, after nearly a decade away from Panem, Howard resumes his collaboration with director Francis Lawrence for the Hunger Games prequel The Ballad of Songbirds and Snakes. Now, Howard is here on the pod to talk about all of these projects and more.   You can find James Newton Howard at his official website here.   Night After Night is currently available on vinyl or your preferred streaming service, courtesy of Sony Masterworks.  Same with All the Light You Cannot See, courtesy of Netflix Music, and The Ballad of Songbirds and Snakes, care of Sony Music.

For this album, James Newton Howard created eight suites that are piano-centric and include new and original material. Pianist Jean-Yves Thibaudet performs throughout the recording. Violinist Hilary Hahn recreates her contributions to the soundtrack recording of the score for The Village, and cellist Maya Beiser reprises her performance of “An Event” from The Happening soundtrack. Gavin Greenaway conducts the orchestra and chorus in Howard's new arrangements.TRACKLIST:1. Signs: The Cornfield2. Signs: After You Were Born3. Signs: Hand of Fate4. The Village: Morning5. The Village: Noah Visits6. The Village: Ivy Saves Lucius7. The Sixth Sense: Lonely Boy8. The Sixth Sense: Ghost in the House9. The Sixth Sense: Acceptance10. Lady in the Water: Prologue11. Lady in the Water: Charades12. Lady in the Water: Story13. Lady in the Water: Return to the Blue World14. Unbreakable: Survivor15. Unbreakable: Destiny16. The Last Airbender17. The Happening: An Event18. The Happening: Harbinger19. The Happening: Aftermath20. After Earth21. Flow Like Water [piano solo version, from The Last Airbender]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

This is Draw The Line Radio Show with Jacki-E, presenting the best music from female producers and DJs. Helping me Draw The Line with her guest mix in the second hour, it's Lu Candotta a DJ / Producer based in Dubai. She launched her DJ career nine years ago at São Paulo Fashion Week and went on to perform at many well-known clubs in Brazil. Now based in Dubai, Lu has quickly established herself as a prominent DJ playing at many of the best known venues. Her most recent release, Closer on Sirup Music, came out in May 2023. She also has her own fortnightly show on Ibiza Stardust Radio. Links for Lu Candotta:- Soundcloud:- https://soundcloud.com/lucandotta Instagram:- https://www.instagram.com/lucandotta/ Beatport:- https://www.beatport.com/artist/lu-candotta/976693 In my mix in the first hour I'm playing tracks by Miss Monique, Nusha, AM.I, Pao Calderon, Denise Schneider and lots more. If you like the tracks we play, please support the artists by buying their music. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production. Track list 1st hour mixed by Jacki-E:- 1. Ranchatek, Nusha – Dopamine (original mix) Orange Recordings. 2. Miss Monique – Rebirth (original mix) Siona Records. 3. Noemi Black – For Me (original mix) Error Audio. 4. Tini Gessler – Nothing Expected (original mix) Drumcode. 5. Pao Calderon – Revolution (original mix) Alaula Music. 6. BEC – Inner Knowing (original mix) Factory 93 Records. 7. Alice DiMar – Burning (original mix) Alaula Music. 8. Miss Monique – The Connection (original mix) Siona Records. 9. . AM.I – Hypersensitive (original mix) Kaligo Records. 10, DJ Dee – Let's Move (original mix) mau5trap. 11. Tao Andra – Close (Simina Grigoriu remix) Kaligo Records. 12. Denise Schneider – Parallel Universe (original mix) Armada Music. 13. Kiki Solvej – Bang to my Beat (original mix) Filth on Acid. 14. Nancy DJ – Acid is my MDMA (original mix) Nativity Effect Records. 15. Viviana Casanova – Body Rock (original mix) Vassnova. 16. Beloccca, Nusha – Serenity (original mix) Mainground Music. 17. Romina Dez – Aero (original mix) teQwave Records. 18. Dense & Pika – Apache (Nusha remix) Kneaded Pains. 2nd hour Lu Candotta - An exclusive guest mix for Draw The Line Radio Show. 1. Kieran Fowkes, JEI BLVCK - All That Matters (Bemannte & Bruder remix) Stripped Recordings. 2. Edu Imbernon, Solomon Grey, Nico Casal - Noso feat. Solomon Grey (original mix) Fayer. 3. Coppola & Meca - Telesexo (original mix) Tomorrowland Music. 4. Nora En Pure - Indulgence (extended mix) Enormous Tunes. 5. Kasia_- Water World (original mix) New Tab Music. 6. Lu Candotta - Break Or Die (extended mix) Unreleased. 7. Fideles, - Night After Night ft Be No Rain (Camelphat remix) Afterlife. 8. Amesens - Universe (original mix) Tratore. 9. Elis Regina - Como Nossos Pais (Ed Lopes, Riko & Gugga, Dre Guazzelli remix) Free Download https://soundcloud.com/edlopesmusic/ed-lopes-gugga-guazzelli-como-nossos-pais 10. Kor - Feel the Sun (original mix) Androgyne Audio. 11. Matias Burna - Andux (original mix) Nightmare Unlimited. 12. Olivier Giacomotto - Curandero (original mix) Atlant. 13. Ed Lopes Senhor (extended mix) Add Music. 14, Lu Candotta - Into My Soul (extended mix) Tratore.

Rachel & Alison continue lovin' BTS seven days a week.

Allan Havey is an actor, comedian, writer, and talk show host. He was the host, writer and executive producer of Night After Night with Allan Havey, which aired on The Comedy Channel from 1989-1992. He's known for portraying Lou Avery on AMC's “Mad Men” and Karl Allerd on Showtime's “Billions”. He made numerous appearances on the David Letterman show (on both CBS and NBC) and created two Cable Ace Award nominated performances for HBO, “One Night Stand” and “Command Performance”. Find out more about him at: https://allanhavey.com/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5351305/advertisement

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time, you get a long suite from Transatlantic, quite a bit of that old time progressive rock, an In Memoriam feature in memory of Francis Monkman and John Giblin, and much more. Featured artists include U.K., Radio Massacre International, Fleesh, Lenny White, and The John Irvine Band. All that, plus news of tours and releases on Sound Chaser. Playlist1. U.K. - Night After Night, from Night After NightIN MEMORIAM2. Curved Air [Francis Monkman] - Whose Shoulder Are You Looking Over Anyway?, from Phantasmagoria3. Curved Air [Francis Monkman] - Over And Above, from Phantasmagoria4. Brand X [John Giblin] - Triumphant Limp, from Do They Hurt?END IN MEMORIAM5. Jean-Luc Ponty - Cosmic Messenger, from Cosmic Messenger6. National Health - Brujo, from National Health7. Hoelderlin - Häktik Intergaläktik, from Rare Birds8. Darryl Way - Crocodile Tears, from Under the Soft9. Lenny White - Prelude to Rainbow Delta, from Venusian Summer10. Lenny White - Mating Drive, from Venusian Summer11. Triana - Quiero Contarte, from 5º Aniversario [retrospective]12. Traffic - Shouldn't Have Took More Than You Gave, from Welcome to the Canteen13. Novalis - Sonnengeflecht, from Novalis14. Fleesh - Script for a Jester's Tear, from Script for a New SeasonTHE SYMPHONIC ZONE15. Transatlantic - Overture, from The Absolute Universe: The Breath of Life16. Transatlantic - Reaching for the Sky, from The Absolute Universe: The Breath of Life17. Transatlantic - Higher Than the Morning, from The Absolute Universe: The Breath of Life18. Transatlantic - The Darkness in the Light, from The Absolute Universe: The Breath of Life19. Transatlantic - Take Now My Soul, from The Absolute Universe: The Breath of Life20. Transatlantic - Looking for the Light, from The Absolute Universe: The Breath of Life21. Transatlantic - Love Made a Way (Prelude), from The Absolute Universe: The Breath of Life22. Transatlantic - Owl Howl, from The Absolute Universe: The Breath of Life23. Transatlantic - Solitude, from The Absolute Universe: The Breath of Life24. Transatlantic - Belong, from The Absolute Universe: The Breath of Life25. Transatlantic - Can You Feel It, from The Absolute Universe: The Breath of Life26. Transatlantic - Looking for the Light (Reprise), from The Absolute Universe: The Breath of Life27. Transatlantic - The Greatest Story Never Ends, from The Absolute Universe: The Breath of Life28. Transatlantic - Love Made a Way, from The Absolute Universe: The Breath of LifeLEAVING THE SYMPHONIC ZONE29. Boris S.G - Deep Cooling, from Frozen Dream30. Logic Gate - Starlight, from Voyages31. Radio Massacre International - Kairos, from Time & Motion32. Don Ellis - Antea, from Don Ellis at Filmore33. Offering - Ehn Deïss, from Offering IV35. Lasse Englund - Christmas in Oaxaca, from Anchor36. Lasse Englund - Women of Algiers, from Anchor37. Electric Light Orchestra - Ma-Ma-Ma Belle, from On the Third Day38. Electric Light Orchestra - Dreaming of 4000, from On the Third Day39. Fermáta - Valcík Pre Krstnú Mamu, from Fermáta40. Horslips - Speed the Plough, from Aliens41. The John Irvine Band - Wait & See, from Wait & See

1. Moon-Sun - Mind 2. Stephan Bodzin - Catamaran 3. CamelPhat feat Ali Love - Spektrum 4. Matthias Tanzmann, Black Circle - Aftermath 5. CamelPhat, Eli & Fur - Waiting 6. Citizen Kain - Bareknuckle (Stereo Express Remix) 7. Mind Against Blausch feat Running Pine - Trust My Eyes 8. ARTBAT - Upperground (Original Mix) 9. Innellea feat Ameli - Lost In Fades 10. Innellea - Collapse 11. Renaldas - Monochrome 12. Invoker - Churches (Original Mix) 13. Julian Wassermann - Rewind (Original Mix) 14. WhoMadeWho - Silence & Secrets (Adriatique Remix) 15. Fideles & Be no rain - Night After Night

Show #984 70 Years Of Delmark Blues 01. Mike Wheeler - A Blind Man Can See (6:47) (Turn Up!, Delmark Records, 2016) 02. Brewer Phillips - Right Now (2:28) (Homebrew, Delmark Records, 1996) 03. Quintus McCormick - Fifty/Fifty (3:23) (Hey Jodie!, Delmark Records, 2009) 04. Johnny Burgin - You Took The Bait (3:43) (Live, Delmark Records, 2019) 05. Jimmy Dawkins - Triple Trebles (2:46) (Fast Fingers, Delmark Records, 1969) 06. Johnny B. Moore - She Hit Me From The Blind Side (3:23) (Rockin' In The Same Old Boat, Delmark Records, 2003) 07. Jose Ramirez - Stop Teasing Me (3:34) (Here I Come, self-release, 2020) 08. Mississippi Heat - Granny Mae (4:03) (Delta Bound, Delmark Records, 2012) 09. A.C. Reed (ft Albert Collins) - Broke Music (4:30) (Junk Food, Delmark Records, 1999) 10. Breezy Rodio - The Power Of The Blues (5:05) (Sometimes The Blues Got Me, Delmark Records, 2018) 11. Corey Dennison Band - Phone Keeps Ringing (4:07) (Night After Night, Delmark Records, 2017) 12. Jimmy Burns - All About My Woman (2:38) (Back To The Delta, Delmark Records, 2003) 13. Mighty Joe Young - Every Man Needs A Woman (8:28) (Blues With A Touch Of Soul, Delmark Records, 1971) 14. Toronzo Cannon - You're A Good Woman (4:14) (Leaving Mood, Delmark Records, 2011) 15. Robert Ward - New Role Soul (4:08) (New Role Soul, Delmark Records, 2000) 16. Rockwell Avenue Blues Band - Free To Love Again (4:04) (Back To Chicago, Delmark Records, 2018) 17. Willie Kent - Stranded (4:18) (Ain't It Nice, Delmark Records, 1991) 18. Dave Specter - Opposites Attract (4:13) (Blues From The Inside Out, Delmark Records, 2019) 19. Shirley Johnson - Killer Diller (3:29) (Killer Diller, Delmark Records, 2002) 20. Eddie 'Cleanhead' Vinson - I'm In An Awful Mood (3:20) (Kidney Stew Is Fine, Delmark Records, 1973) 21. Dave Specter & Billy Branch - The Ballad Of George Floyd (5:14) (Single, Delmark Records, 2020) 22. T-Bone Walker - Late Hours Blues (5:57) (I Want A Little Girl, Delmark Records, 1973) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

JIM FYFE - ACTOR A 25-year veteran of television, film and Broadway as an actor, writer producer and director, Jim Fyfe was Consulting Producer on the Bravo series, “Andy Cohen's Then and Now,” and Segment Producer on “The Late Show with Stephen Colbert,” producing appearances by Presidential candidates, film and music stars, leading directors and bestselling authors. His work also includes working with Michael J Fox in Universal Pictures The  Freighteners.  Jim has taught on-camera technique, acting and improvisation, and coached speakers for TED and TED-x events. He has written for “Biography,” “Exhale with Candice Bergen” and “Night After Night” on Comedy Central.  Jim holds a B.A. in Speech and Theater from DeSales University, and a M.A. in Arts Leadership from Bank Street College.

Produced by Ken Fuller, Wayne Hall and Jeffrey Crecelius Lrheath / CC BY-SA This week, Mark and I have been enjoying listening to Night After Night, the live album from UK in our quest to discover why Yes wanted Eddie Jobson. Hear our views in a few moments' time and add your own to the comments in the show notes for this week's episode. Did you see UK in either of their incarnations? What do you think of the 3-piece lineup without Bruford and Holdsworth but with Terry Bozzio? Did it work? Let us know. How does the 3-piece UK sound?Is the guitar missed?Is it all prog? Take a listen to the episode and then let us know what you think below! expose.org / CC BY-SA https://youtu.be/RGkFnMu7V0c https://youtu.be/YCKMQOwGBAU Facebook has just changed how pages work which means that I've had to establish a new place for us to post and discuss Yes-related happenings. It's a new group entitled, rather creatively, YMP Discussion Group. For the moment it's open to anyone to join but I'll be adding rules and joining requirements when I have time. One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ If you haven't already done so, please sign up at tormatobook.com to the email newsletter. PRESALE IS UNDERWAY (for subscribers only)! If you sign up now, for free, you can have access to the newsletters you've missed. It really helps to know people are looking forward to reading the culmination of my decades of Tormato obsession. Not final artwork or title - just me messing about with one of Jeremy North's photos Become a Patron! YMP Patrons: Producers: Ken FullerJeffrey Crecelius andWayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenPaul WilsonMartin KjellbergBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellLobate ScarpMiguel FalcãoChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemMark 'Zarkol' BaggsPaul HailesDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerGary BettsGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeDeclan LogueSteve ScottTodd DudleyJimJamie McQuinnSteven RoehrJohn ParryKeith HoisingtonAlan BeggTerence SadlerJohn HoldenBarry GorskyMichael HanderhanTim StannardJoseph CottrellJohn ThomsonJohn CowanTony HandleyRobertDavid Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org

Episode 224: It's a double Dan special as I visit with two movers and shakers who've contributed perhaps more behind the scenes than most musicians of their stature. Daniel Tashian is a Nashville lifer who's worn all the hats - songwriter, artist, band-leader and producer. He won a Grammy for Kacey Musgraves's Golden Hour and collaborated with Burt Bacharach. Now he's co-written the classic country rock album Night After Night with Paul Kennerly. Then it's Dan Knobler, recently in-demand Americana producer for luminaries like Erin Rae, Rodney Crowell and Allison Russell. His new project is whimsical and gorgeous - a multi-artist album of great cover songs chosen by his four-year-old son. It inspired a great conversation about how we maintain our youthful love for music.

Så skal vi en tur tilbage til 1930'erne, med denne romantiske komedie, om en tidligere bokser, der bliver forelsket i en mystisk kvinde. Endnu vigtigere er det dog, at dette er den legendariske Mae Wests debutfilm! http://www.ikassenshow.dk/2022/08/i-kassen-881-night-after-night-1932.html

In 2019 I got a big kick out of Kacey Musgraves’ “Album Of The Year” Grammy acceptance speech for Golden Hour; it was so heartwarming to see a future country superstar acknowledge her trustworthy team, whose efforts took a record with little hype or radio recognition all the way to the top. And if you […]

Show #958 Blues For Many Reasons 01. Alex Lopez - World On Fire (4:04) (Nasty Crime, Maremil Records, 2022) 02. Ben Reel - This Is The Movie (live 2021) (5:05) (Single, B.Reel Records, 2022) 03. Mississippi MacDonald feat. Vaneese Thomas - Blind Leading The Blind (4:11) (Single, APM Records, 2022) 04. Corey Dennison Band - It's So Easy (7:02) (Night After Night, Delmark Records, 2017) 05. Penny Arcane - Take It Away (3:04) (Single, self-release, 2022) 06. Silent Partners - Teasing Woman (4:22) (Changing Times, Little Village Foundation, 2022) 07. Lurrie Bell & The Bell Dynasty - Woman In Trouble (6:08) (Tribute To Carey Bell, Delmark Records, 2018) 08. Freedy Johnston - Tryin' To Move On (3:42) (Single, Forty Below Records, 2022) 09. Demetria Taylor - Stay Gone (4:00) (Doin' What I'm Supposed To Do, Delmark Records, 2022) 10. Breezy Rodio - Gerry Told Me (4:55) (Underground Blues, WindChill Records, 2022) 11. Starlite Campbell Band - Misgivings (8:46) (Live!, self-release, 2022) 12. Cliff Stevens - Better Days (3:31) (Better Days, self-release, 2022) 13. Patty Tuite - Glad I'm Through With You (4:11) (Hard Case Of The Blues, Thread City Productions, 2022) 14. The New Bardots - Why Don't We Do It In The Road (2:09) (Single, self-release, 2022) 15. The Texas Horns - Die With My Blues On (4:01) (Everybody Let's Roll, Blue Heart Records, 2022) 16. Dennis Johnson - Lonesome Valley (3:16) (Revelation, Booda Lee Records, 2022) 17. Omar Coleman - Lucky Man (6:57) (Live!, Delmark Records, 2016) 18. Ryan Lee Crosby - Eight Years Gone (3:08) (Winter Hill Blues, self-release, 2022) 19. GA-20 - Dry Run (3:16) (Single, Colemine/Karma Chief Records, 2022) 20. Derrick Procell - Skin In The Game (4:09) (Hello Mojo!, Catfood Records, 2022) 21. Anthony Geraci - Into The Night (6:02) (Blues Called My Name, Blue Heart Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

From the dead of night to the early morning, Reverend Kenneth McCoy leads teams of pastors through dark St. Louis' streets, seeking out people struggling with addiction, mental illness and homelessness. A new documentary, “Night Life,” tells his story. McCoy and the film's director, Seth Ferranti, discuss his ministry and the film before its July 17 premiere at the St. Louis International Film Festival.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Mae West, original name Mary Jane West, (born August 17, 1893, Brooklyn, New York, U.S.—died November 22, 1980, Los Angeles, California), was an American stage and film actress, a sex symbol whose frank sensuality, languid postures, and blasé wisecracking became her trademarks. She usually portrayed women who accepted their lives of dubious virtue with flippant good humor.West made her debut with a Brooklyn stock company about 1901, and by 1907 she had become a performer on the national vaudeville circuit in partnership with Frank Wallace. She made her Broadway debut as a singer and acrobatic dancer in the revue A la Broadway in 1911. For the next 15 years she alternated between vaudeville and Broadway shows, and she did an occasional nightclub act.In 1926 West began to write, produce, and star in her own plays on Broadway. In the first of these, Sex (1926), her performance as a prostitute created a sensation but also earned her an eight-day jail sentence for “corrupting the morals of youth,” from which she emerged a national figure. Her plays Diamond Lil (1928) and The Constant Sinner (1931) were also successful. For all the variety of the scripts she wrote, the constant factor was West's own ironic, languorous personality and her ability to ridicule social attitudes, especially toward sex.In 1932 West moved to Hollywood. Her first film there, Night After Night (1932), showed the lighthearted approach that was characteristic of her subsequent pictures. She Done Him Wrong (1933), a screen adaptation of Diamond Lil, is memorable for her amusing ability to charge such lines as “Why don't you come up sometime and see me?” with suggestive implications. West then wrote and costarred in I'm No Angel (1933), Belle of the Nineties (1934), and Klondike Annie (1936), which brought her popularity to its height. In the 1940s and '50s she sometimes appeared onstage surrounded by young musclemen, including on Broadway in Catherine Was Great(1944). Her films were revived in the 1960s, and she appeared in Myra Breckinridge(1970), an adaptation of a novel by Gore Vidal, and Sextette (1978), based on a play that she wrote.From https://www.britannica.com/biography/Mae-West. For more information about Mae West:“‘When I'm Bad, I'm Better': Mae West's Sensational Life, in Her Own Words”: https://www.vanityfair.com/hollywood/2020/06/mae-west-autobiography-scandal“Mae West: Dirty Blonde”: https://www.pbs.org/wnet/americanmasters/mae-west-dirty-blonde-documentary/14998/“Mae West Vamped and Winked. She Also Blazed a Trail We're Still Following”: https://www.nytimes.com/2021/06/30/movies/mae-west.html

バットダディモービル放送局は、アメコミのDC作品、特にバットマンを中心に、自称バットマンアンバサダーのバットダディが好き勝手に話すラジオ番組です。 I love BATMAN !!! アイコンのフォントはゆうたONEさんより使わさせていただきました！

(Get Surfshark VPN at https://surfshark.deals/MOXIE - Enter promo code MOXIE for 83% off and 3 extra months free!) T-shirt for Ukraine Why did no one tell me about Moms Mabley?!!  Hear about her and other 'living loud and proud' ladies (Dorothy Parker, Mae West, Tallulah Bankhead) on this International Women's Day. 01:00 Tallulah Bankhead 13:00 Mae West 23:00 Moms Mabley Links to all the research resources are on the website. Hang out with your fellow Brainiacs.  Reach out and touch Moxie on Facebook, Twitter,  or Instagram.  Become a patron of the podcast arts! Patreon or Ko-Fi.  Or buy the book and a shirt. Music: Kevin MacLeod, David Fesilyan, Dan Henig. and/or Chris Haugen. Sponsors:  Dumb People with Terrible Ideas, History Obscura, Sambucol Want to start a podcast or need a better podcast host?  Get up to TWO months hosting for free from Libsyn with coupon code "moxie." Dorothy Parker was a famously wry, witty, and acerbic writer and critic, with a low opinion of relationships.  Her wit was apparent from an early age, referring to her father's second wife as “The Housekeeper.”  She was described by journalist and critic Alexander Woolcott as “a combination of Little Nell and Lady MacBeth.”  As a literary critic, she said of one book, "This is not a novel to be tossed aside lightly. It should be thrown with great force." The author of the book?  Italian dictator Benito Mussolini.  My name's Moxie….   This episode drops on Intl Womens Day, and I've covered a lot of remarkable women on the show, for a number of remarkable reasons, but today we focus on ladies for their remarks, for their wit and their wild ways.  Tallulah Bankhead is a name I've known for many years, but never really knew anything about her.  Back in the day, going to the big “computer show and sale” at the raceway complex with my dad, circa 1996, I picked up some cd-roms of FVM video games and some educational stuff like Microsoft Encarta Musical Instruments and some reference that included hundred of famous quotes.  Some of you I realize will have no idea what I just said, a few of you will be unclear what a cd-rom is, but a few of you just got a cold chill like someone walking across your grave.  Tallulah Bankhead's wit featured prominently with quotes like, "If I were well behaved, I'd die of boredom," “I read Shakespeare and the Bible, and I can shoot dice. That's what I call a liberal education," and "I'll come and make love to you at five o'clock. If I'm late, start without me."  ‘I like her,' I thought, but didn't look into who she actually was until this week.  Considering she's the inspiration for one of Disney's most iconic villains, you'd think I'd have come across something between then and now, but not.   Bankhead, the daughter of an Alabama congressman and future speaker of the House, was named after her paternal grandmother, whose name was inspired by Tallulah Falls, Georgia.  That grandmother would raise her when her mother died a few days after her birth and the loss sent her father into a pit of depression and alcoholism.  Little Tallulah was… difficult.  Tallulah discovered at an early age that theatrics were a viable outlet for gaining the attention, good or bad, that she craved.  A series of throat and chest infections as a child had left her with a raspy voice which would later become her trademark.  It also made her stand out from her classmates, but Tallulah was not the type to be bullied and soon became the terror or students and the bane of teachers.  She would find herself sent to, and expelled from, two different convent schools, the first for once for throwing ink at a nun and the next time for making a pass at one.   At 15, Bankhead submitted her own photo to film industry magazine Picture Play, winning a small part in a movie and a trip to New York.  She was allowed to go only by promising her father, a Congressman, she'd abstain from men and alcohol, but as she famously put it in her autobiography, "He didn't say anything about women and cocaine."  She was a self-described "technical virgin" until 20.  Though she lacked training and discipline, she possessed a dazzling stage presence, her husky voice providing fascinating contrast with her good looks.  Quickly ascending to stardom, she just as easily gained renown for her quick-witted outspokenness and indefatigable party going.  In New York, Bankhead moved into the famous Algonquin Hotel, a hotspot for the artistic and literary elite of the era, and was quickly rubbing shoulders with the rich and famous.   After several years starring in films and on stage in New York, Bankhole's acting was praised, but she had not yet scored a big commercial hit.  So, she moved to London in 1923, where her stardom grew. Her fame heightened in 1924 when she played Amy in Sidney Howard's They Knew What They Wanted. The show won the 1925 Pulitzer Prize.     But Bankhead was best known for her antics off-stage.  She'd drive her Bently recklessly through London and if she got lost, she'd hire a black cab to drive to where she was going and she'd follow him.  She spent her nights at booze and drug-filled parties, partaking liberally, and reportedly smoked 120 cigarettes a day, which is kind of dubious because how would you have time for anything else.  She also openly had a series of relationships with both men and women, including some very famous female personalities of the day.  Names attached to her, with or without facts to back it included Greta Garbo, Hattie McDaniel, the first AfrAm actress to win an Oscar, and singer Billie Holiday.   One thing that's known with great certainty is that she talked openly about her vices, and women just weren't supposed to do that.  Hell, they weren't supposed to *have vices.  She found herself included in Hays' "Doom Book", which would help her inspire a Disney villain, since only the worst of the worst were in the Doom Book, but it didn't do much for her career.  Brief refresher on the Hays Code, and you can hear lots more about it in the episode Words You Can't Say on TV or Radio, way back in Oct 2018 before I started numbering episodes, the Hays Code a set of strict guidelines all motion pictures companies operated under from 1934 to 1968.  It prohibited profanity, suggestive nudity, sexual perversions like homosexuality, interracial relationships, any talk of reproductive anything, and, in case you were unclear where all this came from, it banned ridicule of authority in general and the clergy in particular.  This is why married couples in black&white sitcoms slept in separate beds.  The Doom Book, which was either a closely guarded secret or never physically existed, was said to have contained the names of over 150 thespians considered too morally tumultuous to be used in movies.  So this is the law of the land when a gal like Tallulah Bankhead is running around in cursing like a sailor in hedonistic, drug-fueled, openly-bisexual glee.     Giving up on Hollywood, Bankhead returned to Broadway for a decade or so, where she reached her zenith with her performances in The Little Foxes and The Skin of Our Teeth, both of which earned her the New York Drama Critics Circle Award, and was briefly married to actor John Emery.  [a la Sam O'Nella] Never heard of him?  Me neither.  What's his story?  I didn't bother.  In 1943 she decided to give Hollywood a second try, but Hollywood hadn't had the same thought about her.  There was one bright spot, being cast in and praised for Alfred Hitchcock's Lifeboat in 1944.   By the late 1940s and early 1950s, Bankhead's hedonistic lifestyle and excessive drinking had taken its toll.  Critics complained that she had become a self-caricature, which feels like a real oof.  She kept her career afloat by publishing a best-selling autobiography, touring in plays like Private Lives and Dear Charles, before headlining her own nightclub act.  In 1965 she made her last *film appearance, playing a homicidal religious fanatic in the British thriller Die! Die! My Darling!  Tallulah Bankhead's final acting assignments included a “Special Guest Villain” stint on the TV series Batman.  When she was advised that the series was considered “high camp,” her response was vintage Tallulah: “Don't tell me about camp, dahling! I invented it!”   Am I ever going to tell you which Disney villain she inspired?  I supposed, if I must.  Disney animator Marc Davis once told of his creative process when tasked to create the villain for an upcoming film.  (It was 1961 if you want to try to guess.)  The chaaracter would become iconic, instantly recognizable whether cartoon or real life.  Davis looked to real-life "bad" women, and while he said there were a number of different people who he kept in mind while drawing her, one name rose to the top – Tallulah Bankhead.  So no matter if her movie or Broadway career is forgotten, Bankhead will always live on as Cruella de Ville. Mae West   When she was good, she was very good. But when she was bad, she made film history. Whether making films, writing plays or flirting with the camera, Mae West was undisputedly the most controversial sex siren of her time and she even landed in jail because of it.  She was the queen of double entendres on and off screen, delivering some of the best-remembered quips in movie history.  You know the line, "Is that a gun in your pocket, or are you just happy to see me?", yeah, that was West In "She Done Him Wrong." in 1933.   Mary Jane West was born on Aug. 17, 1893 in Queens, NY to a boxer turned cop and a former corset and fashion model.  The acting bug bit the heck out of West when she was tiny, bringing home talent show prizes at age 5.  At age 12, she became a professional vaudeville performer.  She was secretly married at age 17, but only lived with her husband for a few weeks, though they didn't legally divorce for 31 years. The adult West was rumored to have secretly married another man, but on the whole she preferred younger men. Her long-term partner Paul Novak was 30 years her junior.   West was also rumored to have worn custom 8 in platform shoes, because she was only 5'2”.  Two tangents, I would have *massive respect for anyone who could even walk in 8in platform, and that's something all the women in today's discussion have in common - they're all my size.   In 1926, under the pen name "Jane Mast," West wrote, produced and starred in a play called Sex, about a sex worker named Margie La Monte who was looking to better her situation by finding a well-to-do man to marry well if not wisely.  Mae West was sentenced to 10 days in prison and given a $500 fine, charged with “obscenity and corrupting the morals of youth.”  The rumor mill went into overtime when she was behind bars –  she was permitted to wear silk underpants instead of prison-issue or the warden wined and dined her every night.  West was set free after serving eight of the ten days and remarked to reporters that it was “…the first time I ever got anything for good behavior.”  Before the show was raided in February of 1927 around 325,000 people had come through the turnstiles.  Buns in seats, laddie, buns in seat.   Not bothered in the slightest, and probably keenly aware of all the free publicity she just got, West appeared in a string of successful plays, including "The Drag," a 1927 play that was banned from Broadway because of its homosexual theme.  If you think people try to tell you what to say these days, imagine having to deal with the likes of the Hays Code or the Catholic Legion of Decency, which I maintain sounds like a pro-wrestling tag team.  She was an advocate of gay and transgender rights, which were at the time generally throught to be the same thing, and her belief that "a gay man was actually a female soul housed in a male body" ran counter to the belief at that time that homosexuality was an illness.  Her next play, The Pleasure Man ran for only one showing before also being shut down with the whole cast being arrested for obscenity, but this time getting off thanks to a hung jury.  West continued to stir up controversy with her plays, including the Broadway smash "Diamond Lil" in 1928, about a loose woman of the 1890s.     Dominating the Broadway scene was nice, but West had her eyes set to the, well, to the west and Hollywood.  West was 38 years old at the time, which is the age when the phone stops ringing for many actresses, but Paramount Pictures offered West a contract at $5000 a week ($80,000 now) and –luckily for all of us or I might not be talking about her right now– they let her re-write her lines.  Her first film, Night After Night, set the tone for her on-screen persona right from jump street, from her first line where a hat check girl says to her “Goodness, what beautiful diamonds.” To which West replied, “Goodness had nothing to do with it, dearie.”  Within three years she was the second highest paid person in the United States.  The only person earning more was the publishing magnate friggin' William Randolph Hearst.     West not only made her own career, she insisted a young Cary Grant be cast opposite her, putting Grant on the road to his Golden Age icon status.  That was ‘33's "She Done Him Wrong," which contained her most famous quote, but I'm sorry to tell you that you've been saying it wrong your whole life.  Yes, your whole life.  You've seen it parodied in cartoons.  The line isn't  "Why don't you come up and seem me sometime?" "Why don't you come up some time and see me?"  Am I being painfully pedantic to point this out?  Yes. …. That's all.   The public loved Mae West, but her blunt sexuality onscreen rubbed censors the wrong way.  In 1934, they began deleting overtly sexy lines and whole scenes from her films. Not about to take that lying down, West doubled up on double entendres, hoping that the censors would delete the most offensive lines and miss the subtler ones.  More controversial films followed.  West was already 50 when she made "The Heat's On," but her youthful look and performance made the film a cult favorite.  She also got banned from the radio for a sketch about Adam and Eve opposite Don Ameche, was on TV a few times, and even recorded two successful rock albums, decades before the late Christopher Lee.  Bonus facts: Cassandra Peterson, aka Elvira Mistress of the Dark, was once the lead singer of an Italian punk rock band.     MIDROLL   The script for this episode started with Bankhead, West, and Dorothy Parker.  I recognized that they were demographically pretty similar, though Parker was Jewish and there's a wild theory out there that West was mixed-race, so I started asking around for WOC/LGBT of that same era and one name came up again and again, a name I'd never heard of, an oversight I now know to be a damn shame if ever there was one.  Presenting for the elucidation of many listeners, Moms Mabley.  Moms, plural not possessive, had been a vaudeville star for half a century on what was called the Chitlin Circuit, before white audiences began to discover her.  Her trademarks were her old lady persona, complete with house coat, dust cap and waddling shuffle, and her raunchy, man-hungry humor, which is funny in a few ways when you consider she was an out-and-proud lesbian.   Although Moms spent her professional life making people laugh, her personal life had more than its share of grief.  If you're not in the mood for tragic backstory, I totally understand if you want to hit your jump-30 button.  Born Loretta Mary Aiken in North Carolina in 1894, Moms was the grandaughter of a slave and one of 16 children.  She was the victim of rape twice before the age of 14, once by an older black man and the other by the town's white sheriff.  Both rapes resulted in pregnancies; both babies were given away.  Loretta's father, a volunteer fireman, had been killed when a fire engine exploded, and her mother was run over and killed by a truck while coming home from church on Christmas Day.  Her stepfather forced her to marry a man she didn't even like, one assumes to pare down the number of dependent minors in the house.  At the age of 14, Loretta ran away to join a minstrel show.  A young girl out in the world on her own would normally be a recipe for disaster, heartache and suffering, but Moms had already had enough of all those, thank you very much.  She took the name Mabley from her first boyfriend and acquired the nickname Moms later on, though none of my sources, and they are regrettably few and superficial, recounted why.  She was only in her early 20's when she devised the old lady character and kept her persona up until her actual age exceeded the character.   Like all who played vaudeville, she had multiple talents: dancing, singing, jokes. Unlike many of her contemporaries, she had a gift for crafting original material far stronger than the stock routines others toured with. At the prompting of the vaudeville team Butterbeans and Susie, she moved to New York City in the early 20's and found herself in the the Harlem Renaissance. "I never went back across the Mason-Dixon line," recalled Mabley. "Not for another thirty years."  Toward the end of her life, Moms would say “There were some horrible things done to me.  I played every state in the Union except Mississippi.  I won't go there; they ain't read.”  She hardly needed to back then anyway, playing the Apollo so often she could probably have gotten her mail forwarded there.   There used to be a showbiz expression, “It won't play in Peoria,” meaning something will not be successful for a wide, Joe Everyman (read: white) audience, and Moms certainly fit that bill.  Moms talked about sex constantly.  That's not surprising from female comics these days, though it still isn't as acceptable as it is for male comics.  But unlike the male comics of Mom's day, she slid into the jokes sideways with a double-entendre or a well-placed pause, rather than the straightforward use of obscenity that would become popular with such later black comedians as Richard Pryor.  Although Loretta herself was a lesbian, Moms was that of ''dirty old lady'' with a penchant for younger men.  She made fun of older men, subtly ridiculing the ways they wielded authority over women as well as the declining of their sexual powers. Her signature line became: ''Ain't nothin' an old man can do for me but bring me a message from a young man.''   She moved from vaudeville into films, but Hollywood wasn't exactly rolling out the red carpet for black actors and film-makers.  That's okay, they said, we'll just do it ourselves.  As early as 1929 there were over 460 "colored movie houses" across America. owned and operated by, and catering specifically to, African-Americans, with all-Black cast films, shorts, and even newsreels.  But it would be fair to say that these were B-movies, filmed in a couple of days, with whatever equipment and people you could cobble together.  Hell, scenes were usually shot in one take, because editing requires more time and money.  Where they shone was in the musical numbers, crafting scenes that would have shamed MGM or Warner Brothers, if only they'd had any budget at all.  Comedian Slappy White remembered, "It wasn't hard casting the actors. All of us were out of work before the picture started [and we] would all be out of work again as soon as it was finished."   Moms starred in 1948's Boarding House Blues where she played landlord to a building of rent-dodging vaudeville performers, which is an amazing premise. The film also showcased "Crip" Heard, a tap dancer with only one arm and one leg. And the best thing about Boarding House Blues?  You can actually see it!  It's on the free Tubi app, link in the show notes, not a sponsor, and I plan to watch it as soon as I can make myself sit still for 1.5 hours.  Watch-party anyone?   Film was nice and everything, but it was vinyl records that gave Moms the boost she needed to expand her audience.  Comedy records were *the thing in the early 60's.Her first vinyl appearance came a few years prior with the 1956 Vanguard Records release A Night at the Apollo. The album is a fascinating social document with liner notes written by Langston Hughes.  Of the many other noteworthy things about that album is the fact that Moms wasn't paid for her part in it.  So she was understandably reluctant when the Chess brothers asked her to cut an album with them.  Phil and Leonard Chess were Jewish immigrants who arrived in Chicago a few months prior to the stock market crash who were able to buy some South Side bars after the end of prohibition.  Their Macomba Lounge became a hot spot when they started booking live music, mostly rhythm and blues, which drew in the biggest crowds.  The brothers noticed this, and that the acts who had people lining up around the block, weren't available on records, so they started a record company.  Chess Records signed names like Muddy Waters, Howlin' Wolf, Bo Diddley, and Chuck Berry.  These records delivered new found joys for the white public and offered posterity for Chicago's African-American crowd.  Always on the lookout for what was popular with their original Black audience, Chess Records asked Moms Mabley to sign, but she understandably didn't want to get screwed again.  Luckily her manager was able to persuade her and Moms Mabley on Stage (also known under the name Moms Mabley: The Funniest Woman Alive) was produced.    Chicago was host to Hugh Hefner's Playboy Club, a venue that always featured a strong roster of Black performers and plenty of white bohemians, and that's where she recorded Moms Mabley at The Playboy Club.  Y'all gotta see this album cover, link in the shownotes.  If you were to listen to On Stage and then Playboy Club, you'd notice something…different between the two albums.  On Stage was recorded at The Apollo and opens with a thunderous cacophony of cheerings.  Playboy Club, not as much, because that album was recorded in front of an all-white audience.  It was time for a cross-over.  It was also the time for civil rights –lunch counters, fire hoses, marches.  Mabley's act became increasingly political, but her benevolent old grandma persona made her non-threatening and more accessible to white crowds. Moms knew white audiences needed to hear her message now, and that they might actually hear her.  She was just a little old lady, shuffling onto the stage, how threatening could she be?  Plus she was on the biggest TV shows of the day –Merv Griffin, Johnny Carson, Flip Wilson, Mike Douglas, the Smothers Brothers– and they were okay, so she must be okay.   Moms had crossed over.  She played Carnegie Hall and the Kennedy Center.  She put out more albums, including my favorite title, Young Men Si, Old Men No.  She began acting in big studio films, like The Cincinatti Kid, with Steve McQueen.  In 1966 Moms returned to the South for the first time in over three decades.  It, uh, didn't go great.  In the middle of her show, five shots rang out in the theater and Moms scrambled off-stage.  Thankfully, the shots went nowhere near her, originating apparently from a fight between audience members.  Regardless, a story made the rounds that one of the bullets went straight through her floppy hat.  "I hadn't been in Columbia, South Carolina, for thirty-five years," explained Moms, "and [now] bullets ran me out of town."    Music became a regular part of her act, and a cover version of "Abraham, Martin and John" hit No. 35 on the Billboard Hot 100 on July 19, 1969, making Mabley, at 75, the oldest living person to have a U.S. Top 40 hit.  Mabley continued performing in the 1970s. In 1971, she appeared on The Pearl Bailey Show. Later that year, she opened for Ike & Tina Turner at the Greek Theatre and sang a tribute to Louis Armstrong as part of her set.[24] While filming the 1974 film Amazing Grace, (her only film starring role)[1] Mabley suffered a heart attack. She returned to work three weeks later, after receiving a pacemaker.  She is survived not only by her children (she had four other children as an adult), but by more contemporary comedians who remember her and want to keep her story alive.  She was the subject of a Broadway play by Clarice Taylor, who played one of the grandma's on the Cosby Show; two projects from Whoopi Goldberg, one being the comedy show that put Goldberg on the map in 1984 and a documentary in 2013, and in season 3 of The Marvelous Mrs. Maisel, where she was portrayed by lifelong fan Wanda Sykes.   And that's… Dorothy Parker's wit was, deservedly, the stuff of legend.  Of the Yale prom, she said, “ If all the girls attending it were laid end to end, I wouldn't be at all surprised.”  It was that saucy humor that got her fired from her job as a staff writer at Vanity Fair.  Parker spoke openly about having had an abortion, a thing that simply was not done in the 1920's, saying, “It serves me right for putting all my eggs in one bastard.” A firm believer in civil rights, she bequeathed her literary estate to Dr. Martin Luther King, Jr.  Remember   Sources: https://www.tcm.com/tcmdb/person/204532%7C103917/Mae-West/#biography https://www.britannica.com/biography/Mae-West https://www.mentalfloss.com/article/52283/13-things-you-might-not-know-about-mae-west http://www.todayifoundout.com/index.php/2012/04/this-day-in-history-mae-west-is-sentenced-to-10-days-in-prison-for-writing-directing-and-performing-in-the-broadway-play-sex/ https://www.britannica.com/biography/Tallulah-Bankhead https://www.vanityfair.com/hollywood/2021/05/real-cruella-de-vil-tallulah-bankhead https://www.nytimes.com/1987/08/09/theater/theater-the-pain-behind-the-laughter-of-moms-mabley.html https://dorothyparker.com/gallery/biography https://bookshop.org/books/your-brain-on-facts-things-you-didn-t-know-things-you-thought-you-knew-and-things-you-never-knew-you-never-knew-trivia-quizzes-fun-fa/9781642502534?aid=14459&listref=books-based-on-podcasts https://www.mamamia.com.au/tallulah-bankhead-cruella/  

Nick Bakay, best known for voicing Salem in Sabrina the Teenage Witch and Norbert in Nickelodeon's The Angry Beavers, talks about his fascinating career in the entertainment business beginning with Night After Night with Allan Havey and The Dennis Miller Show, all the way to executive producing the hit TV series Mom and Young Sheldon.  --- Support this podcast: https://anchor.fm/dunklevision/support

Jeff shares his insights from his current job performing on stage at The Manhattan Theatre club in New York City.

Jim Fyfe is a personal presentation coach. He has coached clients from business, medicine, the arts and education for TED and Ted-x talks, including author Susan Cain, whose TED talk has drawn over 25 million views. He was Consulting Producer on the Bravo TV series, Andy Cohen's Then and Now, and was Segment Producer on The Late Show with Stephen Colbert, producing appearances by Presidential candidates, film and pop stars, leading directors and bestselling authors. A 20-year veteran of television, film and Broadway as a writer, performer, producer and director, he also appeared frequently on television and in film, and has taught on-camera technique, acting and improvisation. He has written for Biography, Exhale with Candice Bergen and Night After Night on Comedy Central.

MichaelAngelo hosts another classic A&G segment featuring the origins of the "Night After Night" sound bite! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

#587 - Allan Havey Allan Havey is a special guest on The Paul Leslie Hour. Allan Havey is one of the best stand-ups out there and a much respected actor. The New York Times called him "cocksure, irreverent, and very funny." He's also known for his unforgettable performance as "Lou Avery" in Mad Men, or for playing "Karl Allard" on the hit show Billions. Allan Havey has also been seen on Seinfeld, Curb Your Enthusiasm, Louie, Glow, The Office, 2 Broke Girls and many other shows. He's acted in films including "Rounders" and "The Informant! and can be seen in the Jerry Seinfeld documentary "Comedian." He makes for a great interview subject, and it may be in part because he knows a thing or two about talk shows. He was the host of "Night After Night with Allan Havey." He's also made guest appearances on Conan O'Brien and 10 appearances on David Letterman. Allan Havey? He's great to talk with. He has entertaining stories that he tells with a kind of everyman charm. I just hope we cross paths again. For now, Allan Havey is on The Paul Leslie Hour. Your listening pleasure awaits. The Paul Leslie Hour is a talk show dedicated to “Helping People Tell Their Stories.” Some of the most iconic people of all time drop in to chat. Frequent topics include Arts, Entertainment and Culture.

Hello everybody my name is Dustin Pueschel and in today's episode I chat with the amazing comedy legend Allan Havey. Allan is a stand up comedian and actor. Allan has made 10 appearances on “The Tonight Show With David Letterman”. Allan has hosted his own show on Comedy Central called “Night After Night with Allan Havey”. Allan has appeared on The Office, Curb Your Enthusiasm, Seinfeld and many other amazing shows. Allan has starred and wrote in two Comedy Specials for HBO!!!! In this episode Allan and I talk about the time a heckler punched him, what it was like being on “The Office” among many other things --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Art Bell and Vinnie Favale discuss the early days of the Comedy Channel and interveiw writer/producer Scott Carter about develooping and launching "Night After Night with Alan Havey" and "Politically Incorrect with Bill Maher" for the Comedy Channel and Comedy Central. - Scott Carter has been Executive Producer/Writer for “Real Time with Bill Maher” since it debuted on HBO in 2003. He produced the first 1,100 episodes of “Politically Incorrect With Bill Maher” from its 1993 Comedy Central debut to its 1997 move to ABC. While at “P.I.”, Carter received eight Emmy nominations and three consecutive CableAce Awards for Best Talk Series. He has served as creator, producer or writer for “Root Of All Evil With Lewis Black” (Comedy Central, 2008), “Earth To America” (TBS, 2005), “The Conspiracy Zone With Kevin Nealon” (Spike, 2002-3), “Exhale With Candice Bergen,” (Oxygen, 2000-1). In 1997, Variety named him one of the “50 Creatives to Watch.” In 2007, he was a co-recipient of the Producer’s Guild of America’s Johnny Carson Award for “Real Time.” A former stand up comedian, Carter has written and performed two full-length monologues, “Heavy Breathing” and “Suspension Bridge,” at the Edinburgh Fringe Festival, The Aspen Comedy Arts Festival, The Kilkenny (Ireland) Murphy’s Cats Laugh Festival, the Cleveland Performance Festival, Dixon Place, Primary Stages, Manhattan Punchline, etc. He is former Producing Director and a founding member of The Invisible Theatre, now in its 42nd season in Tucson, Arizona. Carter lives in Los Angeles with his wife, interior designer Bebe Johnson.

Art Bell and Vinnie Favale discuss the early days of the Comedy Channel and interveiw writer/producer Scott Carter about develooping and launching "Night After Night with Alan Havey" and "Politically Incorrect with Bill Maher" for the Comedy Channel and Comedy Central. - Scott Carter has been Executive Producer/Writer for “Real Time with Bill Maher” since it debuted on HBO in 2003. He produced the first 1,100 episodes of “Politically Incorrect With Bill Maher” from its 1993 Comedy Central debut to its 1997 move to ABC. While at “P.I.”, Carter received eight Emmy nominations and three consecutive CableAce Awards for Best Talk Series. He has served as creator, producer or writer for “Root Of All Evil With Lewis Black” (Comedy Central, 2008), “Earth To America” (TBS, 2005), “The Conspiracy Zone With Kevin Nealon” (Spike, 2002-3), “Exhale With Candice Bergen,” (Oxygen, 2000-1). In 1997, Variety named him one of the “50 Creatives to Watch.” In 2007, he was a co-recipient of the Producer’s Guild of America’s Johnny Carson Award for “Real Time.” A former stand up comedian, Carter has written and performed two full-length monologues, “Heavy Breathing” and “Suspension Bridge,” at the Edinburgh Fringe Festival, The Aspen Comedy Arts Festival, The Kilkenny (Ireland) Murphy’s Cats Laugh Festival, the Cleveland Performance Festival, Dixon Place, Primary Stages, Manhattan Punchline, etc. He is former Producing Director and a founding member of The Invisible Theatre, now in its 42nd season in Tucson, Arizona. Carter lives in Los Angeles with his wife, interior designer Bebe Johnson.

Banda Kings of Leon irá lançar álbum com tokens NFT - Ritual Metal Mantra #022 12 de marçode 2012 ********************* Saudações metaleiros, você acaba de aterrissar no Ritual do Metal Mantra, o seu Podcast diário com as notícias do mundo do Heavy Metal, e no ritual de hoje, vamos falar sobre: Banda Kings of Leon irá lançar álbum com tokens NFT ********************* ➡️ Banda Kings of Leon irá lançar álbum com tokens NFT

Heavy Pod Is Heavy Cast! This week, we do a deep dive into Dream Theater! This was a painful one, and you can hear me slowly fall out of love with the band in real time as I go through this. The deep dive subject for this episode was chosen by our patrons on Patreon, […]

From professional MMA fighting, to country music. This week, Lauren Alexander talks with Canadian country music artist Manny Blu about his interesting introduction into the music industry, and his new EP "New Ink" https://mannyblumusic.com YEARS BEFORE HE CRISS-CROSSED NORTH AMERICA AS AN ACCLAIMED COUNTRY SINGER AND A TRUE ROAD WARRIOR—PLAYING NIGHTLY SHOWS IN SUPPORT OF HIS 2019 DEBUT ALBUM LEAVE IT LIKE IT IS, WHILE ALSO SHARPENING THE LARGER-THAN-LIFE SOUND THAT WOULD FILL HIS 2020 FOLLOW-UP EP NEW INK—MANNY SPENT HIS DAYS IN THE GYM, TRAINING FOR A CAREER AS AN MMA FIGHTER. WHEN A LEG INJURY LEFT HIM UNABLE TO COMPETE IN PROFESSIONAL MATCHES, BLU FOUND HIMSELF AT HOME IN MONTREAL, RECOVERING FROM A TORN QUADRICEP AND LOOKING FOR A NEW PASSION TO PASS THE TIME. WHAT HE FOUND WAS A RENEWED APPRECIATION FOR MUSIC: FIRST, THE GUITAR-DRIVEN BLUES OF B.B. KING, STEVIE RAY VAUGHAN, AND JOHN MAYER; NEXT, THE EASYGOING SWAGGER AND RELATABLE STORYTELLING OF MODERN COUNTRY. ACCOMPANYING HIMSELF ON THE GUITAR AND SINGING IN AN EXPRESSIVE VOICE, MANNY BEGAN TAKING REQUESTS FROM THE FRIENDS WHO'D COME OVER TO THE HOUSE TO VISIT. THOSE CASUAL PERFORMANCES MARKED HIS FIRST TIME PLAYING MUSIC FOR ANYONE, AND THE EXPERIENCE LEFT A PERMANENT MARK. "THAT WAS HOW IT ALL STARTED," MANNY REMEMBERS. "ALL OF MY FRIENDS WERE LIVING IN OTHER TOWNS, PLAYING HOCKEY. THEY'D COME BACK TO MONTREAL DURING THE SUMMER, ONCE HOCKEY SEASON WAS OVER, AND THEY'D ASK ME TO PLAY THE COUNTRY SONGS THEY'D BEEN LISTENING TO. I LEARNED ALL THE HITS…AND I LEARNED THERE'S A CULTURE AND A VIBE TO COUNTRY MUSIC THAT'S LIKE NOTHING ELSE." MANNY NOW CONTINUES TO BRING HIS OWN VIBE TO COUNTRY MUSIC, CREATING AN ORIGINAL SOUND THAT MAKES ROOM FOR HIS BLUES AND ROCK & ROLL INFLUENCES. HE INTRODUCED THAT SOUND WITH LEAVE IT LIKE IT IS, A DEBUT RECORD THAT EARNED HIM THOUSANDS OF NEW FANS AND PRESENTED HIM WITH THE OPPORTUNITY TO HIT THE ROAD. MANNY SUBSEQUENTLY SPENT TIME IN NASHVILLE, IMMERSING HIMSELF IN MUSIC CITY, BEFORE HEADING BACK UP NORTH ONCE AGAIN--THIS TIME WITH HIS BAND OF HARD-EDGED COUNTRY ROCKERS IN TOW—TO SERVE AS FELLOW CANADIAN COUNTRY ARTIST GEORGE CANYON'S OPENING ACT DURING A TWO-MONTH TOUR. NIGHT AFTER NIGHT, MANNY HIT THE STAGE WITH A MISSION, AIMING TO WIN OVER THE CROWD WITH AN UNDENIABLE LIVE SHOW. THE GUITARS GOT LOUDER. THE DRUMS GREW EVEN MORE PUMMELING. AND THE SONGS BECAME EVEN MORE ANTHEMIC. IN NASHVILLE, HE BEGAN PIECING TOGETHER A NEW RECORD—ONE THAT SHOWCASED THE LESSONS HE LEARNED ON THE ROAD. WORKING WITH PRODUCER AARON ESHUIS AND HIT SONGWRITERS LIKE JOSH OSBORNE, RHETT ATKINS, AND ROSS COPPERMAN, MANNY BLU EMERGED FROM NASHVILLE'S OMNISOUND STUDIOS WITH NEW INK. FROM “BORN TO RIDE” TO "SINK," THESE NEW SONGS TELL RELATABLE STORIES ABOUT LOVE, LOSS, BREAKUPS, AND EVERYTHING IN BETWEEN, ROOTED IN AN AMPLIFIED MIX OF COUNTRY TWANG AND HEAVY ROCK & ROLL ATTITUDE. "I WANTED THE ALBUM TO SOUND THE WAY WE DO LIVE," SAYS MANNY. "THERE'S MORE ROCK, MORE SOUL, AND MORE VOLUME THIS TIME AROUND. IT'S BIGGER AND LOUDER, BUT IT'S STILL ME. AND MORE IMPORTANTLY, IT'S STILL FUN." RAISED AS A VERSATILE ATHLETE WHO PLAYED HOCKEY, SOCCER, AND FOOTBALL BEFORE KICKSTARTING HIS MMA TRAINING AT 16-YEARS-OLD, MANNY BLU HASN'T LOST THAT FIGHTING SPIRIT. IF ANYTHING, HE'S GOTTEN STRONGER, LEARNING TO ROLL WITH THE PUNCHES AND KNOCK DOWN ANY OBSTACLES IN HIS PATH. NEW INK, WITH ITS HARD-HITTING HOOKS AND COUNTRY-ROCK EDGE, IS THE SOUNDTRACK TO A CAREER ON THE RISE--AND MANNY BLU IS READY TO DELIVER A KNOCKOUT BLOW. --- Support this podcast: https://anchor.fm/groovelab/support

This week on episode 296 of the We Like Drinking podcast we’ll be discussing Grapes, Hops, Spirits, Applejack, Marketing during a Pandemic… Like… Literally everything, because we’ve got Elliot Phear and Casey McGrath from Night After Night... So crack open that beer, uncork that wine, and let’s get drinking! Make sure you never miss another episode of our brand of drinking fun by visiting  WeLikeDrinking.com/Subscribe  Panel Introductions And What We’re Drinking Our guests this week are the CEO and CCO of Night After Night. The creative agency behind brands like Jameson Irish Whiskey, Martell Cognac, Avion Tequila, Bronx Brewery and many more BUT they also own their own craft spirits brand, Barking Irons Applejack. Please help us welcome Elliott Phear and Casey McGrath. You can find Night After Night on the internet at https://www.wearenightafternight.com/, and on Instagram @wearenightafternight Wine, Beer, Spirit, or Pop Culture Reference Solomon - Malus Night After Night Interview Last call That’s right, it's time to break out your phones and give us a hand. Follow us on the socials, Twitter, Instagram and our private group on Facebook known as the Tavern. Search up the show on Apple Podcast and leave us a big fat 5 star review. And, if you enjoyed this episode in particular, share it with a friend. We picked up another 5 star review this week. And, visit We Like Drinking dot com slash pledge to find out more information about becoming a patron of the show and help  You can also find the show notes for this episode with all the links to the stories or mentions we had at http://welikedrinking.com/episodes

Adam speaks with Casey McGrath, co-founder and CCO for Night After Night, a spirits marketing firm, about how brands are having to embrace unorthodox marketing strategies during the Covid-19 crisis, and how some of them might become new industry standards. Please send any suggestions or requests for future Next Round conversations to podcast@vinepair.com. Thanks for listening, and be well. See acast.com/privacy for privacy and opt-out information.

Born and raised in Sydney, Ben Ransom, started playing guitar and writing song at the age of fifteen.   In 2010, Ben completed his first album, “The Long Way”. Ben says the album was a labor of love that gave him a vehicle for expression and allowed him to explore all facets of his personality and display his passion for music. The first single, “Bourbon & Sunsets”, was a runaway hit – peaking at #2 on the Hot Country Top 50 chart and as a solid performer on the CMC Top 50.  In 2012 he was a finalist in the coveted Toyota Star Maker competition – the same competition that launched the careers of Keith Urban, Lee Kernaghan, James Blundell and Samantha McClymont.  Ben completed the album, “Slow Burn”, in 2012 with Matt Fell and Glen Hannah. The first single, “Truck Stop Honey”, received national airplay and earned him a nomination for Contemporary Song of The Year at the TSA Awards. The album was released in 2013 to rave reviews.Earlier in the year he performed daily in the main arena at the 2017 Sydney Royal Easter Show and had the pleasure of supporting iconic artists including Jon Stevens, 1927 and James Blundell.  “You’re The Reason Why” followed the same path of “Let’s Go Driving” and quickly rose up the Australian Country Charts where it’s currently positioned in the Top 10.  January 12, 2018 sees the release of the album – “101” - along with the simultaneously released single, “Same Song, Different Day”. The song has massive mainstream potential - leaning more into a classic rock sound, blended with tones reminiscent of Tom Petty.  Ben has just released a new song called Night After Night. And there's a new album on the way.https://www.ransommusic.com/

Ben Joined John to chat about his Music , Including his latest track " Night After Night"“Powerful vocals and infectious melodies, BEN RANSOM has all the hallmarks of a classic artist and performer”“He is a powerhouse of entertainment with wild stage antics and immensely enjoyable songs that transcend the Country genre...he continuously delivers a smoking hot and energetic live show!”From the back streets of Toongabbie to the world stage, Sydney based Artist Ben Ransom has travelled, toured and performed all over the globe including a two and a half year stint in Europe with a style that is a blend of country, blues and pub-rock. Since 2001, he has worked with and supported top Australian & International recording artists, along with appearances at just about every major music festival around the country!After an upbringing that was littered with as many hard knocks as it was musical staples, Ben first picked up the guitar and started singing at age 15, which proved to be the catalyst for this outstanding Artists’ musical journey. From playing in various bands, to holding down three jobs at once to travel and put himself through University, Ben’s musical odyssey has been as diverse as it has been defining.Working full time, after completing his Uni degree, became a creatively stifling black hole and with his life slowly spiralling in to suburban oblivion, he packed up and moved to Europe. This proved to be a musical renaissance and, within a couple of short months in the UK, he had secured a residency performing in the heart of London’s West end (where it was said constantly, that he brought the spirit of a B&S Ball to the heart of London!). This is where Ben credits himself ‘cutting his teeth’.After two and a half years, he returned to Australia with stints between Melbourne and Sydney. He trod the pub circuit, regularly playing five nights a week until a chance meeting with Matt O’Connor (former A&R Warner) which led to him going in to the studio to record some of the songs he had been working on over the years.Ben’s first commercial success came in 2010 with the runaway hit ‘Bourbon & Sunsets’ which preceded his debut album ‘SLOW BURN’ in 2013 (produced by industry heavyweight Matt Fell). He soon became a radio favourite with songs like ‘Truck Stop Honey’ and ‘Big Country Sky’.The following year, he was picked up by international hit maker Rob EG (Robbie Porter, Wizard Records – Rick Springfield, Air Supply, Daddy Cool, Hush, Tommy Emmanuel) after he was suitably impressed with his live stage show. They joined for a collaboration which was released through Wizard Records and began work on his sophomore album ‘101’, the latter of which was adopted by the start up label ‘Country Rocks Records’. During this time, Ben continued to release several singles from a ‘live’ recording which cemented his name in the country industry. Crowd favourites like ‘One More Beer’ and ‘Dry Town’ made him a hit at Festivals and the like.The ‘101’ album was a long time in the making which saw Ben expanding and developing his song writing skills. Incorporating modern influences while honouring his country and rock sensibilities, the recording was also an opportunity to work alongside national icons Sharon O’Neill and the late Phil Emmanuel. The album was a success, receiving national commercial radio airplay and producing a string of hits.Over 2 studio albums and one ‘live’ recording, Ben has notched up three National #1’s and multiple Top 10 charting singles along with a swag of award nominations. This is testament to his broad appeal, talent and down to Earth personality.2020 will mark the release of his third studio album ‘ALL IN ALL’. Recorded between Nashville and Sydney, it features all new self penned songs and finest musicians on the planet. This is the culmination of the last 10 years in the industry and will be his most definitive album to date. But, more importantly, it will be an opportunity for his fans to celebrate his musical journey with him!

From R. Barton Palmer, 1001 Movies You Must See Before You Die: "In the early 1930s, Hollywood - beset with financial difficulties and production problems related to the conversion to sound cinema - turned to stage performers of proven popularity to lure customers back to the theaters.  Among the most notable of these was Mae West, whose play Diamond Lil (which she wrote as a kind of showcase of her several talents) was immensely successful on Broadway and elsewhere.  West proved a happy choice for Paramount, because her unique brand of sophisticated if bawdy humor easily translated on screen; her first film, Night After Night (1932), was a big hit with audiences.  West's antics, especially her famous double entendres and sleazy style, offended religious conservatives of the time and hastened the foundation of the Breen Office in 1934 to enforce the Production Code (promulgated, but widely ignored, in the early 1930s).  West's post-1934 films, although interesting, never recaptured the appeal of her earlier work, of which She Done Him Wrong - the screen adaptation of Diamond Lil - is the most notable example, even garnering an Academy Award nomination. "West plays a 'saloon keeper' in New York's Bowery who is involved with various criminals in the neighborhood.  As Lady Lou, West is pursued by two local entrepreneurs and her fiance is just released from jail, but she is hardly in need of a man as she inhabits lavish quarters above her establishment, replete with servants and an impression collection of diamond jewelry.  Lou, however, is smitten by her new neighbor, the head of the Salvation Army mission (Cary Grant).  Her initial appraisal of the younger man's attractiveness is part of Hollywood legend.  To Grant she utters the famous line 'Why don't you come up sometime, see me.'  As a demonstration of her affection (and power), she uses some of her considerable hoard of diamonds to purchase his mission and make him a present of it.  In the end, Grant is revealed as a detective who promptly takes all the crooks into custody, but 'imprisons' Lou quite differently - with a wedding ring.  A classic Hollywood comedy, full of naughtiness and good humor." Have a comment or question for the host?  Email Sean at 1001moviespodcast@gmail.com or follow him on Twitter at @1001MoviesPC.

Danny Bryant – Painkiller – Live at Bluesmoose radio – 26-11-2013 Walter Trout - Gonna Hurt Like Hell (feat. Kenny Wayne Shepherd) (We're All In This Together) 2017 Vasti Jackson – Blues Booty - Stimulus Man – 2011 The Gales Brothers – House of Blues - Left Hand Brand – 1996 Rockin’Johnnt Burginn – Give me an hour in your garden - Big Bo – I’m going over the hill - Preaching the Blues – 2018 Colonel & Doubleshot With Polly O'keary – You got me running - Live - 1995 Cream – Outside woman Blues - Live At The Royal Albert Hall (2CD) – 2005 Corey Dennison Band – Troubles of the world - Night After Night – 2017 Magic Frankie - Master of the Blues - It's Magic – 1990 Trampled Under Foot – This is a Man’s Man’s Man’s World - Badlands – 2013 Stan Webb's Chicken Shack – Think- The Creeper - 1977

1932 was a banner year for platinum blondes, but none dazzled more than the ethereal glow Mae West cast with white hair, a lavish gown from Travis Banton, and dripping with her own diamonds. In her first screen role, Mae West wrote her own material and set the bar very high for sass mouth dames set loose in a nightclub. She's modern, funny, and a total sex bomb. I close the episode with an excerpt from her juicy autobiography 'Goodness Had Nothing to Do With It'.

Allan Havey is a comedian and actor who hosted a late-night talk show for the Comedy Channel (before it was Comedy Central) called Night After Night …

Matt Falk was born to do comedy. A stand-up coming from Niverville, Manitoba, Falk has been performing on stages ever since the first high school talent shows where he was handed a microphone. “I was that kid in school who was constantly trying to get attention. I was the class clown, but the annoying class … Continue reading Matt Falk: “No healthy person is seeking the affirmation of strangers night after night” →

Matt Falk was born to do comedy. A stand-up coming from Niverville, Manitoba, Falk has been performing on stages ever since the first high school talent shows where he was handed a microphone. “I was that kid in school who was constantly trying to get attention. I was the class clown, but the annoying class … Continue reading Matt Falk: “No healthy person is seeking the affirmation of strangers night after night” →

Corey Dennison Band – Better man - Night After Night - 2017 – 320 Blue Attitude – Deep down in me - Paper back – 2018 Ghost Town Blues Band – I need more love - Backstage Pass – 2018 Freddie Pate – Nothing takes the place of you - got the blues – 2018 Tinsley Ellis – Kiss this world - Winning Hand - 2018 Curtis Salgado & Alan Hager – One night only - Rough Cut - 2018 Kokomo Kings – Girl form the moon - Too Good To Stay Away From - 2017 Victor Wainwright and the train – healing - Victor Wainwright and the train – 2018 Nasta Super and Chris Cain – Sweet Sixteen - Ramaphonic Session – 2017 Fleetwood Mac – Oh well (1988 remaster) Love That Burns-The Blues Years – 2017 Oscar Benton – I am old but I am happy - I Am Back - 2018 – 320 Vdelli – Busted up - Vdelli Blues - 1999

Episode #94 - Menu Profit is one mission critical detail in your restaurant that you may be missing. You may in fact have a menu that your customer’s love, but that doesn’t mean you’re making lots of money selling it! This really is common and I see it all the time in restaurant’s I work with. You’re working just as hard preparing low profit items as high profit, so you might as well give yourself every advantage. Listen to today’s episode and I’ll give you the “key” to maximizing profit from your menu, every item every time. Know two things, that your suppliers work for your restaurant, and they will bend over backwards to help you succeed if you simply ask. Now go out there and Rock Your Restaurant! Roger

Today Ken welcomes writer, actor Steve Bannos (Freaks & Geeks) to the show. Ken and Steve discuss their mutual collecting bug, Flea Markets, Brimfield, Boston in the 80s, stand up comedy, Chicago, Mark of the Devil Barf Bags, The Combat Zone, TV Wheel, Judd Apatow, Night After Night with Alan Havey, The Higgins Boys and Gruber, Greek fry cooks, Gyros, Paul Feig, "The Ranch", Freaks & Geeks, the missing Missing Bus script, 7 Minutes in Heaven, rigging spin the bottle, Meet the Applegates, working in the art department, Zapped II, Linda Blair, carrying the cross on Madonna's Like a Prayer, Mary Lambert, 80s coke sets, Dana Gould, horror hosts, Svenghouli, Channel 32, growing up a make up geek, Planet of the Apes, when Mr. Rogers hulked out, Rebecca Staab, Doomed! The Roger Corman Fantastic Four movie, regrettable roles, keeping your shirt on, Ghostbusters, Garfield Goose, Wacky Races, Fraiser Thomas, Looney Toons, a TV education, Night Flight, Marvel Monsters, Tremors, being haunted by the Exorcist without having seen it, writing tag lines for movies, Percy Rodriguez, making the poster, a 70s set Ghost Rider movie, structured family TV time, watching TV during dinner, stealing from Vaudeville, reality TV writers, how it's painful sometimes to watch comedies, and loving James Franco.

June 28 - July 4, 1975 Today Ken welcomes actor, comedian, David Higgins to the show. Ken and Dave discuss mid-western cold, the importance of outside, woods pornography, The Bi-Centennial, the glory days of the middle class, why the 70s were maybe a more enlightened time, Archie Bunker, Sammy and Company, Don Kirsher's Rock Concert, Poor Devil, Wait Til Your Father Gets Home, Bernie, burned off pilots, M*A*S*H, the Casey Kasem tapes, The Red Tapes, The Monkees vs the Goodies, Night After Night with Alan Havey, The Comedy Channel, The Higgins Boys and Gruber, Supercar, Clutch Cargo, Pizza and a movie, the ORIGINAL Leonard Maltin Game, Larry Storch, when IMDB is wrong, Tapeheads, Hell's Highway, barcade, Starcade, SNL, Jan Hooks, The Idiotbox, The Nightstalker, mustache vs. un-mustached Burt Reynolds, Cannon, Barney Miller, The Love God, why Nat Hiken is the greatest, The Rockford Files, Tom Atkins, Fast Times, why MTV changed the world and how the Wrong Guy is a movie everyone needs to see right away.

Allan Havey is one of the top standup comedians working today. The first of his many appearances on Late Night with David Letterman took place in 1986, and he hosted his own show on Comedy Central, Night After Night with Allan Havey, for three years. Later, he became known as an accomplished actor, appearing on Seinfeld, Curb Your Enthusiasm, The Office, and, Mad Men, among many others. Molly Livingstone of the JCH Comedy Podcast caught his recent gig in Jerusalem.

Here’s an easy & inexpensive way to create an amazing video that brings your restaurant to life for the customer even when they’re not in your restaurant. How powerful is that? You can demonstrate your food, service & ambiance… everything that makes your place special and get those customers in your door and coming back again and again. Its completely turn-key and I’ll show you how for $300 bucks. Post it to social media, put it up on your website, send it out to your list in an email blast…. now you’re cooking… Every restaurant should have one! KEY TAKE-AWAYS - Know your target customer for the best results - 2000 video pros around the world will come to your restaurant to create the magic - Increase Searches for your restaurant on google - Fixed price “special offer” - email support@valoso.com and mention the Restaurant Rock Stars Podcast and get a complete turn-key video for around $300 - Want more info, go to www.valoso.com Get that video, start filling your seats and I’ll see you next time. Roger

Steve Cooper talks with writer/actor Nick Bakay. Nick got his start when he a became a contributing editor for The National Lampoon Magazine, which led to a writing job and starring roles in two cable series, Night After Night and Sports Monster. After landing a job as a writer and sidekick/announcer on the syndicated The Dennis Miller Show, he decided it was time to move to Los Angeles. Since that time, he has written and performed in numerous television series including What's So Funny?, She TV, In Living Color and Comedy Central's Baseballapalooza and NFL Offsides. He has also guest-starred in the comedy series Coach, Ellen, Grace Under Fire, Seinfeld and That 70's Show. For the first four seasons of Sabrina, the Teenage Witch, he was a writer/producer on the show. He has also taken on that role on many shows including  The King of Queens, Til' Death and Two and a Half Men. He has additionally has written segments and commentary for ESPN and ESPN.com. and was the host of Reel Classics on ESPN Classic. Currently he is a writer/producer on Mom and has co-written both Paul Blart: Mall Cop movies. 

This week Ken welcomes actor/comedian Allan Havey to the show. Ken and Allan discuss the beauty of Santa Monica, growing up in Miami, working blue, Catholic Families, watching the Tonight Show with Dad, playing a priest at 5 years old, the magic of hearing your own voice for the first time, kids being seen and not heard, The Three Stooges, the early silent comedies, The Twilight Zone, watching anything and everything on TV, 57 Channels and nothing on, the cornucopia of choice in the 21st Century, Louie, marathoning shows, Sunday Night Family viewing, watching football at double speed, Mad Men, not rewatching your own stuff, starting stand up in New York City, Lorne Michaels' "The New Show", SNL replacements, Letterman, having the same joke as several other people, the validation of being on TV in the eyes of the public, other people defining your success, buying into the 60s counter culture, meeting JFK and the shock of the Kennedy Assassination, the power of prayer, the generation gap, National Lampoon Magazine, Alan King, Carlin, Pryor, Steve Martin's stadium career, setting goals with a time line, training, West 57th St, the early days of the Comedy Channel, Rich Hall's Onion World, Rachel Sweet, Tommy Sledge, "Night After Night", Ha!, being in the moment, not taking things for granted, Punk'd, diversifying your creative endeavors, never giving up on Stand Up, having an immediate outlet, the "audience of one", differentiating yourself from the glut of other talk shows, Warren Zevon, Free Ride on Fox, always having stand up, The Comedy Cellar, Catch a Rising Star in Cambridge, MA, the gold mine in Burgers, how things sometimes just work out, the fleeting nature of live performance, fixating on bad gigs, how comedians are like chefs, how someone else's success has nothing to do with you, Chelsea Lately, Seinfeld, the exciting world of web TV, UK TV, not living in the past too much by re-visiting your youth, and the wonder of Mad Men. 

Guest: Max Lambert Host: Dave Homewood Duration: 38 minutes, 37 seconds Recorded: 25th of May 2014, published 13 June 2014 Topic: In this episode Dave Homewood chats with well known author Max Lambert, who wrote “Night After Night” about the New Zealanders in RAF Bomber Command; “Day After Day” about kiwis [...]

Comedian/Actor Allan Havey joins me in Los Angeles.  Born in St. Louis and raised in Florida, Allan's been on HBO with two 1/2 hour comedy specials, David Letterman ten times, The Tonight show with Johnny Carson, hosted his own talk show Night After Night with Allan Havey in the early days of Comedy Central, Internal Affairs with Richard Gere, and been recently seen on Mad Men and The Office.  Allan's been a personal favorite of mine for years and I was extremely happy to have him on the show.  

Steve Cooper talks with Comic/Actor Allan Havey. Allan has appeared in Hancock, The Informant, The Aristocrats and many other movies. He has also been seen on Curb Your Enthusiasm, Seinfeld, performed on Late Night With David Letterman, HBO's One Night Stand and Young Comedians Special and hosted the talk show Night After Night.

DUB ASHER- Hour 2 (Reggae/Dancehall) 1) Capleton............................"Acres"..2) Busy Signal........................"Beep"... 3) Cherrine Anderson......."20 to Life"..4) Assassin..........."If Men Were Bees".. 5) Bushman........................."My Day"..6) B. Levy/Ce'cile............"My Woman".. 7) Richie Stevens..................................................."How Could I Ever Leave".. 8) Lindo Thompson........."Wickedem"..9) Pecker............."Beggar Suite Pt. 1".. 10)Roots Radics Band....................................................."Mission Impossible".. 11)Roots Radics Band............................................"Storming The Death Star".. 12)Stephen McGregor................................................."New Chapter Riddim".. 13)Luciano/Freddie McGregor........................................."Night After Night".. 14)Petah Morgan......"Don't Walk Away"..15)???......"Who Gave You The Right".. 16)Chino.........................."Forgive Me"..17)Wayne Wonder......."All About You". 18)Wayne Wonder........................................................."Always Finds A Way".. 19)Buju Banton/Wayne Wonder............................................."Bonafide Love".. 20)Penthouse Allstars.........................................................."Movie Star Dub".. TRAVIS BICKLE-(Soul/Brazilian) 1) Aloe Blacc................................................................................"Love" 2) C.R.A.C.................................................................................."Credits" 3) Robin Thicke....................................................................."Ask Myself" 4) Mayer Hawthorne..............................................."Maybe So, Maybe No" 5) Joe Bataan....................................................................."Ordinary Guy" 6) Ursula 1000..................................................................."Samba 1000" 7) Tony Allen........................................"Awa Na Re"(Bonde Do Role rmx) 8) Unknown white label........................................................................... 9) Unknown white label.......................................................................... 10)Spank Rock..................................................................."Girls & Boys" 11)Unknown white label......................................................................... 12)Serge Gainsbourg................................................................."Melody"