American pioneer nurseryman
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In the early 2010s, Joseph Moore was a history professor earning $60,000/year with no real estate investing experience. Now, he's a real estate millionaire, still working the job he loves, with fewer rental properties than you'd think, and financially free from a handful of real estate investments. He got there by following the historical lessons of the wealthy that he's sharing in today's episode. After almost being wiped out in the 2008 housing crash, Joseph took a hard look at how he could financially protect himself and his wife. The answer? Invest in time-tested assets like real estate. Using a tactic called the “Johnny Appleseed Strategy,” he bought rentals in places where the demographic demand was flowing, and it paid off, but not without some massive hiccups. FBI raids, underground crime rings, destroyed properties—he learned his lesson, but even these extreme headache properties made him wealthy, proving the strategy worked. Now, with a select bunch of rental properties, Joseph has become a real estate millionaire by targeting the right homes, in the right markets, from the right sellers. Today, he's teaching the five core lessons that made him a real estate millionaire and how to spot the properties with the highest upside so that you can build wealth with fewer rentals. In This Episode We Cover The “Johnny Appleseed Strategy” investors can use to buy in the best areas before the masses catch on The underground crime ring that was (unknowingly) run out of Joseph's rental property How to reach financial freedom with far fewer rentals than you think you need Five lessons of the wealthy that every investor should follow when buying rental properties The one strategy that has helped more Americans pay off their mortgage early than anything else And So Much More! Check out more resources from this show on BiggerPockets.com and https://www.biggerpockets.com/blog/real-estate-1289. Interested in learning more about today's sponsors or becoming a BiggerPockets partner yourself? Email advertise@biggerpockets.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Doug speaks with bestselling author Isaac Fitzgerald ahead of his appearance at the 15th Annual Nantucket Book Festival. Fitzgerald, whose award-winning memoir Dirtbag, Massachusetts earned the New England Book Award and who is also a familiar face from frequent appearances on The Today Show, joins Doug to discuss his new book, American Rambler: Walking the Trail of Johnny Appleseed. The conversation explores Fitzgerald's journey retracing the legendary path of one of America's most enduring folk heroes, the people and places he encountered along the way, and the deeper themes of adventure, identity, and connection that emerged from the experience. He also shares what readers can expect from his Nantucket Book Festival appearance and why stories rooted in exploration and human connection continue to resonate so strongly today.
Steven Rinella talks with author Isaac Fitzgerald. Topics discussed: Isaac's new book, American Rambler: Walking the Trail of Johnny Appleseed; the true story of Johnny Appleseed (John Chapman) versus the mythologized version; land speculation, westward expansion, and environmental impact; Appleseed's religious influence; the role of storytelling in shaping national legends; the role of apples and cider in American history; John's role in the War of 1812; and more. Connect with Steve and The MeatEater Podcast Network Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YouTubeSee omnystudio.com/listener for privacy information.
Join us as Claudette and Kim engage in another lit talk. In this episode, they discuss their most recent book orders and what they are most likely to read.Books Mentioned: American Rambler: Walking the Trail of Johnny Appleseed by Isaac FitzgeraldA Deadly Inheritance by Kelly ArmstrongThe Calamity Club by Kathryn StocketteLies Between Us by Jessica GoodmanI, Spy by L.M. KempYou First: A Joe Goldberg Prequel by Caroline KepnesThe Midnight Taxi by Yosha GunasekeraSmall Towns U.S.A.: 100 Must-See Getaways Across the United States by Brenna DarlingSend us Fan Mail
In this episode, your hosts Jessie of Grand County Public Library and Olivia and Julia from Back of Beyond Books find themselves discussing books on nomads, ramblers, climbers and dreamers. Plus, some exciting, not-yet-published titles to look forward to. Fever Dream by Samantha Schweblin Homesick Nomad: Settling into an Untethered Life by Brianna Madia American Rambler: Walking the Trail of Johnny Appleseed by Isaac Fitzgerald Crux by Gabriel Tallent My Absolute Darling by Gabriel Tallent Eventually a Sequoia: Stories of Art, Adventure and the Wisdom of Giants by Jeremy Collins Walking to Listen: 4,000 Miles Across America, One Story at a Time by Andrew Forsthoefel The Elements of Marie Curie: How the Glow of Radium Lit a Path for Women in Science by Dava Sobel
Jezebel Sweet: Former Corey's Angel, Jezebel Sweet finally sits in to chat with your boys and share stories with the Goblin Ghoul.Stone Cold Steve Austin: Adrien Skye got Stone Cold got all worked up and ready to come out retirement.Robot Fails: We love a good robot fail and this robot dancing to Billie Jean by Michael Jackson is an all timer.THE BEAR!, FUCK YOU WATCH THIS!, HANDS ON THE WHEEL!, SCHOOLBOY Q!, A$AP ROCKY!, LISSIE!, STREAMATHON!, GOATS!, MILKMAN!, JOBS!, CASH!, HOPE!, BACON!, PASSING THE 8 HOUR MARK!, BIG BLACK DICK DILDO!, JOHNNY APPLESEED!, JEZEBEL SWEET!, ANGEL JACKIE!, WOLFPACK!, 22!, TEAM!, KISMET!, TOUCH OF DESTINY!, NMAN!, MOVED IN!, SNEAK OUT OF THE HOUSE!, COURTNEY ANN!, MARRIED!, CULT!, LEARNED BASS!, GUITAR!, COREY'S ANGELS!, BLONDE GIRLS!, FINALE SPECIAL!, LEGAL REPURCUSSIONS!, RESTRAINING ORDER!, GAG ORDER!, LAPD!, ATTEMPTED MURDER!, STABBING!, MONSTER TRUCKS!, WEED!, DRUGS!, MOLLY!, OXY CONTIN!, ALLEGEDLY!, SATANIC!, TOUR!, TRUE CRIME!, SURVIVOR INSTINCT!, FOUND IN A DITCH!, LAPD!, CONSPIRACY!, ADRIEN SKYE!, CONTRACT!, TAROT CARD!, FUTURE READING!, HERMIT!, LOVERS!, DEATH!, SANTERIA!, CHICKEN BONES!, STONE COLD STEVE AUSTIN!, DEBORAH!, WHAT!?, RETIREMENT!, HAUNTED!, THE ENTITY!, THE KILL SWITCH!, MISSION IMPOSSIBLE!, ROBOT!, MICHAEL JACKSON!, MOONWALK!, BILLIE JEAN!, FAIL!, FALL OVER!, DRAGGED AWAY!, DEAD!, FOX NEWS!, LIZARD MASK!, FLEX PASS OUT!You can find the videos from this episode at our Discord RIGHT HERE!
American Rambler by Isaac Fitzgerald weaves memory, history and personal anecdotes in one unforgettable journey. Isaac joined us live in Philly to talk about writing on the go, walking the Johnny Appleseed trail, coming of age, exploration, faith and more with host Miwa Messer. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): American Rambler: Walking the Trail of Johnny Appleseed by Isaac Fitzgerald Dirtbag, Massachusetts: A Confessional by Isaac Fitzgerald On the Road by Jack Kerouac A Walk in the Woods: Rediscovering America on the Appalachian Trail by Bill Bryson Wild: From Lost to Found on the Pacific Crest Trail by Cheryl Strayed North Woods by Daniel Mason
American legend Johnny Appleseed was from here. He hailed from North Central Massachusetts, just a couple miles down the road from Isaac Fitzgerald, a contemporary writer whose first memoir “Dirtbag, Massachusetts” told the story of his misspent youth in the teenage pregnancy capital of the state. This week on Say More, Fitzgerald joins Anna Kusmer to discuss his new book, “American Rambler” which follows the footsteps of Appleseed from New England to Indiana, in search of nature, camaraderie, and some truths about America. Email us at saymore@globe.com. To read Isaac's piece in the Boston Globe, click here: The best rest stop in America is in Lancaster, Mass.
"I say this all the time, and I'll say it again: the truth is a block of wood, and I know the sculpture I carve out of that block of wood looks different than the sculpture my mother carves out of that block of wood, right? But the truth — the block of wood — is what what happens, but the art we make out of that is up to us," says Isaac Fitzgerald, author of American Rambler: Walking the Trail of Johnny Appleseed.We've got Isaac Fitzgerald returning to the podcast. He's going to be at Powells on May 29, 7 p.m., in convo with Lidia Yuknavitch, and I'll likely be heading up the 5 to photo bomb them because Isaac has a new book out called American Rambler: Walking the Trail of Johnny Appleseed. It is published by Knopf. Great talk. We were buzzin', man. In any case, you know Isaac maybe from his bookish appearances on The Today Show, and he's also the author of the brilliant memoir Dirtbag, Massachusetts, a coming of age story.I liken American Rambler to a coming of middle-age story and as Isaac walks and drives in the footsteps of one John Chapman, better known as Johnny Appleseed. It's a book that deals with that squishy time as we crest into our forties and reckon with mortality as well as the greater disconnection we're collectively experiencing, which is why Isaac set out, largely on foot, to put his phone down and live in the world. His essay on walking for The Guardian, linked up in the show notes, very much informed and even catalyzed American Rambler.So Isaac is a pretty special dude. I love the posture he takes in the world. When I had lunch with Lidia before her live appearance on the show, we talked about how Isaac had jumped into the comments on a couple of our Instagram posts and Lidia asked me, “Is Isaac coming to this?”I said, “I don't think so. I mean he's in New York.”“It would totally be like him to just show up.”And I kinda love that idea. I want to make more of that effort myself.So in this episode we talk about: Putting the phone down Living in the world Walking 20,000 steps a day The tension between building community and withdrawing into solitude The scaffolding of the story How he was late to the arc of his own story Stories become what they're supposed to be How the truth is like a block of wood The black dog as literary device First lines And how On The Road informed American RamblerIsaac can be found on Instagram at isaac.fitzgerald and you can join his Substack list Walk It Off and learn more about him at his website isaacfitzgerald.net. He's also collaborated with the brilliant cartoonist Wendy McNaughton on two books about tattoos, Pen and Ink and Knives and Ink. Great stuff.If you like this episode, I would definitely check out Isaac's first appearance on Ep. 353. I'd also check out: Ep. 100 with Mary Karr Episode 200 with Nick Flynn Ep. 358: Erica J. Berry Ep. 472 with Melissa Febos Ep. 503 with Jason Brown
Isaac Fitzgerald grew up taking long walks with his father in rural Massachusetts. And on those walks, his father told him stories about legendary figures like Johnny Appleseed. As an adult, Isaac decided to retrace his path, and learn the true story behind this mythical character he'd grown up with. Isaac is the author of American Rambler: Walking the Trail of Johnny Appleseed . Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Notes and Links to Isaac Fitzgerald's Work Isaac Fitzgerald is the New York Times bestselling author of Dirtbag, Massachusetts (winner of a New England Book Award and the New Atlantic Independent Booksellers Association Book of the Year Award). He appears frequently on The Today Show and is also the author of the bestselling children's book How to Be a Pirate as well as the co-author of Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos (winner of an IACP Award). His writing has appeared in The New York Times, The Atlantic, Esquire, GQ, The Guardian, The Best American Nonrequired Reading, and numerous other publications. He lives with his wife, Kelly Farber, and their two dogs on the North Fork of Long Island. His next book, American Rambler, is forthcoming from Knopf. Buy American Rambler: Walking the Trail of Johnny Appleseed Isaac Fitzgerald's Website Review for American Rambler in The Boston Globe At about 3:20, Isaac talks about the book as “braided” and positive feedback he's gotten from independent booksellers At about 4:40, Isaac gives background on his rich reading and writing life from childhood At about 7:00, Isaac talks about a few catalysts for American Rambler, including Bill Bryson's A Walk in the Woods… Another Bullshit Night in Suck City by Nick Flynn, and An American Story by Howard Means At about 8:55, Pete shouts out Matt Bell's Appleseed, and Isaac reflects on the “mythification” of Johnny Appleseed At about 13:20, Pete cites a beautiful quote on the connection between parents and storytelling and expands on how his parents and their travels and their storytelling thrilled him At about 17:00, Pete tells about his own experience with childhood stories, and Isaac shares his thoughts on oral storytelling and its connection to real-life experiences for children winning out over continued screen time At about 19:10, Isaac responds to Pete's asking about his mother and father as opposites in many ways At about 23:00, Pete compliments the book's first line and asks Isaac about the book's first hike: Isaac refers to the book as a “coming-of-middle-age” At about 28:10, Isaac responds to Pete's questions about Swedenborgism and its influence on Johnny Appleseed At about 33:10, The two discuss the balance between the social and the solitary At about 35:50-John Freeman shoutouts! Isaac talks about important advice/editing from John Freeman with AA Knopf At about 38:20, The two discuss reading as a collaborative pursuit-a “two-person technology” At about 39:00, Pete and Isaac talk about Old Man and the Sea and the idea of a “comfort read” At about 40:15, Pete cites two examples of Isaac's work in connection to David Foster Wallace's work in complimenting Isaac's work in opposition to the “flyover country” ethos; Isaac cites Rabin's Old Glory: An American Voyage At about 45:40, Pete and Isaac highlight a particularly charismatic person who was featured in the book At about 48:25, Isaac talks about his great experience with the Fort Wayne Tin Caps in the book At about 50:50, Isaac responds to Pete asking about the passages from the book where he shared profundity with Ashley C. Ford and Saeed Jones At about 51:25, It gets defecatory! At about 52:15, Isaac expands on how his time staying with writer friends is in a Kerouac-ian tradition At about 55:40, Isaac talks about his process that allowed him to “writing conversationally” and the importance of reading his work aloud At about 57:20, Pete and Isaac reflect on the idea of the public intellectual and the balance between social media communities and authentically celebrating exploration and wonderful art You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode deals with short, powerful poems and prose that pack a punch-take that, alliteration! The episode features meaningful and resonant work from Robert Hershon, Mosab Abu Toha, Ernest Hemingway, Sara Abou Rashed, Khaled Juma, Andrea Cohen, and Marwan Makhoul. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 343 with Steven Thrasher, whose writing has been widely published by Scientific American, The New York Times, Nation, The Journal of American History, BuzzFeed News, Esquire and New York magazine. In 2019, Out Magazine named him one of the 100 most influential and impactful people of the year and in 2020, the Ford Foundation awarded him a grant for Creativity and Free Expression. The Viral Underclass, his first book, was widely-awarded and acclaimed, and his second book, The Overseer Class: A Manifesto, will be the focus of the podcast conversation. The episode airs on May 14, and the book has a May 19 Pub Date. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people. You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.
On this week's episode of You Are What You Read, we are so excited to welcome Isaac Fitzgerald with his new memoir, American Rambler: Walking the Trail of Johnny Appleseed. Isaac is the New York Times bestselling author of Dirtbag, Massachusetts and the children's book How to Be a Pirate. He has also co-authored the books Pen & Ink: Tattoos and the Stories Behind Them and Knives & Ink: Chefs and the Stories Behind Their Tattoos. Isaac appears frequently on The Today Show—you might have seen us with Isaac earlier this year with 2026 book recs and on Jenna Bush Hager's Open Book podcast. Isaac's writing has appeared in The New York Times, The Atlantic, Esquire, GQ, The Guardian, and The Best American Nonrequired Reading. Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode of Vibe Check, Saeed and Zach sit down with writer Isaac Fitzgerald – one of Saeed's closest friends – for a personal conversation about storytelling, friendship, and finding your voice. They discuss his new book American Rambler: Walking the Trail of Johnny Appleseed (out May 12), reflect on his memoir Dirtbag, Massachusetts: A Confessional, and explore how grief, upbringing, and timing shape the stories we choose to tell. ------------------------------------------------------ You can preorder Isaac's new book here: https://www.penguinrandomhouse.com/books/736787/american-rambler-by-isaac-fitzgerald/ You can find everything Vibe Check related at our official website, www.vibecheckpod.comWe want to hear from you! Email us at vibecheck@stitcher.com, and keep in touch with us on Instagram @vibecheck_pod.Get your Vibe Check merch at www.podswag.com/vibecheck.Subscribe to SiriusXM Podcasts+ to listen to new episodes of Vibe Check ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
My talk with a true American Rambler, Isaac Fitzgerald, whose latest is about walking in the footsteps of folklore icon Johnny Appleseed. We chatted re: (1) the tradition of literary quests in search of the spirit of America, (2) how the *real* America ain't what's on your screens, and (3) why the book publishing industry is not in the danger people say—books still make lots of money and *no one* wants their great literature written by AI. Order Mark's novel Bunyan and Henry. All episodes of The Thoughtful Bro aired live originally on A Mighty Blaze. The Thoughtful Bro is proudly sponsored by Libro.fm and Writer's Bone.
Tonight on America at Night with McGraw Milhaven, Dr. Nicky Jackson, criminal justice professor at Purdue University Northwest, and Melissa Perry join America at Night to discuss their Crime Unfiltered Tour, which explores high-profile true crime stories, criminal investigations, and the growing fascination with true crime culture in America. Next, Christopher Krohn, adjunct professor of marketing at the University of Chicago Booth School of Business, joins the show to discuss speculation surrounding GameStop and a possible move involving eBay, breaking down what the business implications could mean for the retail and online marketplace industries. Later, author Isaac Fitzgerald joins the program to discuss his book “American Rambler: Walking the Trail of Johnny Appleseed.” Fitzgerald shares stories from his journey retracing the path and legacy of the American folk hero while exploring themes of travel, history, and modern America. Learn more about your ad choices. Visit podcastchoices.com/adchoices
The McGraw Show 5-6-26: Johnny Appleseed, Sam Page, Hantavirus & What about the Emerson Building? by
John Chapman (1774–1845), better known as Johnny Appleseed, was an American pioneer nurseryman who traveled across Pennsylvania, Ohio, Indiana, Illinois, Ontario, and parts of West Virginia planting apple trees grown from seed rather than grafts. His roaming orchards helped shape early American settlement and agriculture. Celebrated in his own lifetime, Chapman became known for his kindness, generosity, and early conservation ethic, turning apples into a symbol of frontier resilience. His legacy endures through museums, historic sites, and his status as a beloved American folk hero, including the Johnny Appleseed Museum in Urbana, Ohio. Also on the program: Join Harrisburg University’s Professor Albert Sarvis and archaeologists Dr. David Pettegrew (Messiah University) and Dr. Kostis Kourelis (Franklin & Marshall College) as they discuss the rediscovery of Washingtonia, a forgotten 19th‑century American colony in Greece. Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.
(00:00:00) Without professional interpreters, families can be shut out of essential moments—students unable to take required PSSAs, parents unable to understand a diagnosis, patients unable to follow a treatment plan. Language access is access, and too many Pennsylvanians are going without it. Global Wordsmiths, a Pittsburgh-based, women- and disability‑owned company led by CEO Mary Jayne McCullough, is expanding its language access services into Lancaster, York, and Harrisburg. To meet this need, Global Wordsmiths has already recruited and onboarded 20+ local interpreters, part of a network representing 200+ languages and cultural backgrounds. Their interpreters live in the communities they serve and receive ongoing training—something that sets the organization apart. (00:22:37) John Chapman (1774–1845), better known as Johnny Appleseed, was an American pioneer nurseryman who traveled across Pennsylvania, Ohio, Indiana, Illinois, Ontario, and parts of West Virginia planting apple trees grown from seed rather than grafts. His roaming orchards helped shape early American settlement and agriculture. Celebrated in his own lifetime, Chapman became known for his kindness, generosity, and early conservation ethic, turning apples into a symbol of frontier resilience. His legacy endures through museums, historic sites, and his status as a beloved American folk hero, including the Johnny Appleseed Museum in Urbana, Ohio.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.
Topics discussed on today's show: National Promposal Day, Johnny Appleseed, Music News, NBA Points, Science News, Blood Tests for Alzheimer's, Dance to this Song, History Quiz, Celeb Billionaires, Get The Fake Out, Toxic Femininity, Studio Session: Kelly Clarkson - Since U Been Gone, and Apologies.
Today's daily comedy show starts with a classic Rizz Show tradition that somehow never goes smoothly: Rizz Show Password. What should be a simple word guessing game quickly becomes a hilarious battle of bad clues, confused contestants, and the crew arguing over what counts as a helpful hint.Rizz teams up with listeners while Moon, King Scott, and the rest of the gang try to guide callers toward the correct answers… or at least somewhere in the general neighborhood of the correct answer. Words like rebel, market, and trash panda should be easy, right? Apparently not when the clues include things like “south,” “wild,” and the occasional accidental sabotage from teammates who probably shouldn't be giving clues in the first place.Listeners jump in for their shot at concert tickets while the crew spins the wheel to decide teams, creating instant alliances — and even faster betrayals. Kyle tries to follow Rizz's trail of clues while Amber and Scott attempt to outsmart the competition… which mostly turns into roasting each other on live radio.Somehow between all the chaos, the team manages to stumble their way to correct answers like meat market, trash panda, and more — though not before everyone questions each other's intelligence, clue-giving abilities, and general life decisions.It's the perfect snapshot of why this daily comedy show works: unpredictable games, ridiculous guesses, and a crew that thrives on roasting each other while the listeners play along.If you love a daily comedy show full of hilarious fails, competitive nonsense, and a morning crew that turns every simple game into a full-blown comedy meltdown, this episode is peak Rizz Show energy.And remember — if your teammate says “south, wild, war, outlaw, soldier,” maybe don't guess Johnny Appleseed.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Luke Kornet calls on Atlanta Hawks to cancel 'Magic City Monday' promoCardinals Launch 'Coca-Cola Unlimited' All-You-Can Eat-Seats See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Send a textThe Dew Dads have 600 mg of caffeine in front of them. The Dew Dads have polled the masses, and collected 3 of the top voted energy drink flavors. What flavor will reign supreme? Is there a Johnny Appleseed song? Can the dads figure out google translated movie quotes? The only way to find out is to listen to the newest episode of Dew Dads!
#Timmyboy #rescuecat #news #cnn #espn #elonmusk #ufo キャッチャー キャッチャー #uap #nyc #nypost #sportsnews #trump #uae #japan #ukrainaterkini #pets #finland #actors #btc #bitcoin #crypto #aspcomedy #hacking #anime #trump #trumpnews #joerogan #joeroganexperience #newyork #podcast #newsong #interview #funny #politicalpodcast #comedy #TimSchuebel #timmyboycomedypodcast #JolynnCarpenter #1ComedyPodcastUSA #comedy #PGobblefarts #schuebeltim #timjolynnlittleman5148 #Timmyboy #JolynnCarpenter #MajorButtons #TimmyboyTopComedy #elonMusk #ufo #uap #nfl #ravens #politicalpodcast @SnapbackLive1 @south @jimihendrix @harlem @indianarobinson-dawes3160 @megmyers @megmyersbr6473 @megmyersofficial @abc7NY @news @RealWorldPolice @worldstarhiphop https://www.youtube.com/@timjolynnlittleman5148
Johnny Appleseed is an American folk hero. And like any good folk tale, the story of the barefoot, coffee-sack wearing vagrant with a tin pot for a hat who planted apple seeds across the midwestern United States is rooted in a fair degree of truth. In this Dirt Dispatch I'll tell you about the man behind the myth of Johnny Appleseed. Support the podcast! Become a patron: www.patreon.com/dispatchesfromtheforest Donate via the Cash App using $ForestNerd Donate via Venmo, PayPal or send me an email! Dispatchesfromtheforest@gmail.com Check out the merch store: www.cafepress.com/shop/dispatchesfromtheforest Follow Dispatches from the Forest on Facebook, TikTok, Instagram and YouTube!
In this episode, Miles and Jack are joined by comedian Mort Burke to talk about the Johnny Appleseed of skateboarding: Tony Hawk! They'll explore his rise (and many falls), his numerous endorsement deals, how he tragically lost the use of his eyebrows and so much more!See omnystudio.com/listener for privacy information.
Watershed Distillery (Columbus, OH) WF085 The Great 48 Tour finishes its Northeastern swing in the Midwest, as I visit Ohio's largest distillery and chat with Tommy Householder (Brand Ambassador) and Ryan Venrick (Cask Manager) about the rise of whiskey in Columbus, Barrel Aged Gin, buying local (including barrels), and the legend of Johnny Appleseed. I'll taste their flagship Bourbon and Apple Brandy. Enjoy this entertaining discussion or take the FULL TOUR and hear us taste each of their Bourbon expressions, gin, and apple brandy, plus get deeper stories with a 7-day free trail of the Whiskey Lore Speakeasy at patreon.com/whiskeylore
This week, Melissa disses us, Austin recaps history and Kyle questions the butt that won't quit.
In this episode, we explore The Fountainhead, book collections, thrifting, director's cuts, Johnny Appleseed, Thomas Kinkade, Tom of Finland, Noise, and we predict what 2026 has in store.Listen to the Jortscenter Playlist: https://open.spotify.com/playlist/2ioAsKKw7AhdJ0cCrasqfH?si=6c2cef121c3a4a9aJoin our Peloton! https://www.patreon.com/JortsCenterFacebook Group: https://www.facebook.com/groups/342135897580300Subreddit: https://www.reddit.com/r/jortscenterFollow us on Twitter:@JortsCenterPod Will is @wapplehouse Josh is @otherjrobbins Ryan is @ryhanbeard Vic is @DokktorvikktorZack is @ZackVanNus
Was Johnny Appleseed a real person or just another American tall tale? On this week's American History Hotline, Bob Crawford gets to the core of the issue with author William Kerrigan (Johnny Appleseed and the American Orchard: A Cultural History) to see how one man's true story inspired an enduring folk legend. In this episode Bob and William explore how John Chapman's religious revival led him to pioneer apple nurseries across Pennsylvania and Ohio. Just like some hybrid apples, Chapman was a mix of naturalist and capitalist. He bought vast tracts of land for apple orchards but believed in America’s lost simplicity and a connection to nature. So, kick off your shoes and put a pot on your head as we travel around spreading seeds of knowledge. GUEST: William Kerrigan, author of Johnny Appleseed and the American Orchard: A Cultural HistorySee omnystudio.com/listener for privacy information.
Comedians Dave Anthony and Gareth Reynolds examine Johnny Appleseed SOURCES TOUR DATES OFFICIAL MERCH Chewy Hims Mint Mobile Squarespace - use code: Dollop Download Cash App Today: CashApp As a Cash App partner, I may earn a commission when you sign up for a Cash App account. Cash App is a financial services platform, not a bank. Banking services provided by Cash App’s bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Visit cash.app/legal/podcast for full disclosures.
Springsteen: Deliver Me From Nowhere is one of the best depictions of the creative process that I've ever seen, exploring where an artist's ideas come from: those sources, personal and environmental that are processed via one's family history, dreams, desires - and are then delivered through said artist's private relationship with their tools - (in this case the Tascam Portastudio, Echoplex reverb unit, and a water-damaged boombox). I was thrilled by that examination, and by Bruce's steadfast protection of his lo-fi masterpiece when it was being threatened by corporate pressure to compromise. Jeremy Allen White is one of America's finest exemplars of smoldering emotion, and the close ups on Springsteen's anguished face were a tour de force of inner conflict. The protean Stephen Graham as Bruce's complicated monster of a father found vivid expression with just a smattering of dialogue. And, Jeremy Strong - an actor capable of the deepest levels of immersion portrays Bruce's guardian angel of a manager, Jon Landau with such grace, and generous restraint that it made me cry. Kudos to all.The pace is pokey, and I personally could have done without the manufactured love story in which the actress, Odessa Young has the unenviable task of having to deliver clunky exposition, notably when she psychologizes Bruce for us. But, all in all, for a story that chronicles depression and child abuse, the darkness is mitigated by the knowledge that our hero emerges from this crucible to become a happily married family man and cultural hero, and create a timeless work of art. The Splendid Bohemians are honored to feature a couple of tributes to The Boss, which recognize his influence and influences: First, a duet with Bruce and Pete Seeger, the Patron Saint and Johnny Appleseed of folk music, singing Bruce's still relevant- (sadly)- homage to John Steinbeck's The Grapes of Wrath: The Ghost of Tom Joad. And, we'll close with Ryan Adams' honorable rendition of Nebraska, the title song from those sources which are celebrated in Warren Zanes book and Scott Cooper's film
From myth and legend to cider-fuelled revolutions, from Johnny Appleseed's frontier orchards to the Victorians' quest for the perfect pippin, the story of the apple has been anything but ordinary. In the final part of this five-part series, John and Patrick follow the fruit onto the world stage - when refrigeration, global shipping, and empire transformed it into an international commodity. From Tasmania's “Apple Isle” and Cecil Rhodes's Cape orchards, to Japan's remarkable embrace of the fruit that would one day give us the Fuji, the apple became both a tool of empire and a symbol of modernization.But world war would shake that story, stripping Britain of its imported fruit and forcing farmers to dig for victory. The apple rallied in service of king and country - only to face a peacetime collapse that saw Britain's orchards vanish in the shadow of supermarket shelves and European imports. Yet the apple endures, still shaping landscapes, economies, and everyday diets around the globe.Join John and Patrick as they conclude the saga of the world's most storied fruit - a tale of empire, war, decline, and resilience - that leaves us with the apple we know today.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com
“It started out by doing a kind of a white paper that we called Imperatives for Quality Cancer Care. Ellen Stovall, our CEO [of the National Coalition for Cancer Survivorship] at the time, gave this report to Dr. Richard Klausner, who was the head of National Cancer Institute at the time. He called Ellen immediately and said, ‘Why are we not doing something about this?' Within one year, we had the Office of Cancer Survivorship at NCI,” ONS member Susan Leigh, BSN, RN, told ONS member Ruth Van Gerpen, MS, RN-BC, APRN-CNS, AOCNS®, PMGT-BC, member of the ONS 50th anniversary committee, during a conversation about her involvement in cancer survivorship advocacy. Van Gerpen also spoke with ONS members Deborah Mayer, PhD, RN, AOCN®, FAAN, and Timiya S. Nolan, PhD, APRN-CNP, ANP-BC, about the history and future of cancer survivorship. Music Credit: “Fireflies and Stardust” by Kevin MacLeod Licensed under Creative Commons by Attribution 3.0 Episode Notes This episode is not eligible for NCPD. ONS Podcast™ episodes: Episode 201: Which Survivorship Care Model Is Right for Your Patient? Episode 91: The Seasons of Survivorship Episode 49: The Cancer Survivorship Conundrum ONS Voice article: Our Unified Voices Can Improve Cancer Survivorship Care ONS book: Oncology Nurse Navigation: Delivering Patient-Centered Care Across the Continuum (third edition) ONS course: Essentials in Survivorship Care for the Advanced Practice Provider Clinical Journal of Oncology Nursing articles: Incorporating Nurse Navigation to Improve Cancer Survivorship Care Plan Delivery Survivorship Care: More Than Checking a Box The Missing Piece of Survivorship: Cancer Prevention Oncology Nursing Forum articles: Patient Perceptions of Survivorship Care Plans: A Mixed-Methods Evaluation Survivorship Care Plans: Health Actions Taken and Satisfaction After Use ONS Survivorship Learning Library Rehabilitation of People With Cancer: Position Statement from the Association of Rehabilitation Nurses (ARN) and endorsed by the Oncology Nursing Society Connie Henke Yarbro Oncology Nursing History Center American Cancer Society Survivorship resources Cancer Survivors Network Cancer Nation (formerly National Coalition for Cancer Survivorship) Cancer Survival Toolbox Imperatives for Quality Cancer Care: Access, Advocacy, Action, and Accountability (white paper) National Cancer Survivors Day Foundation New England Journal of Medicine article: Seasons of Survival: Reflections of a Physician With Cancer by Fitzhugh Mullan To discuss the information in this episode with other oncology nurses, visit the ONS Communities. To find resources for creating an ONS Podcast club in your chapter or nursing community, visit the ONS Podcast Library. To provide feedback or otherwise reach ONS about the podcast, email pubONSVoice@ons.org. Highlights From This Episode Leigh: “Another way that [National Coalition of Cancer Survivorship] got very involved with looking at how we keep this information coming and how we really share care with our outside physicians is the development of survivorship care plans. And then we also hoped that we would see more survivorship clinics by now. But between trying to get people to develop care plans and clinics, it's been like pulling teeth. It has been very difficult. And a lot of this struggle to get this going has been, first of all, there isn't enough money to do this. There isn't enough time for immediate staff to take these on, and we just don't have enough staff as it is now. And survivorship is not a moneymaker, so it's just something that has to be done kind of on the side.” TS 11:54 Mayer: “When I became ONS president in the '80s—I was the fourth ONS president—we were given a cancer grant to do something with our presidency. And that was when I really wanted to bring attention to rehabilitation as a means to address cancer survivorship issues because we had a very ‘treat 'em and street 'em' attitude. We gave you your treatment, and we sent you home, and you had to figure out the rest. And there wasn't a lot of knowledge or support to help you put your life back together again afterwards. And so in that process, it was an interdisciplinary group of professionals that tried to come up with what was an appropriate position statement because ONS was just starting to do position statements. And so we developed a first position statement on cancer rehabilitation to address survivorship issues in like 1987 to '89.” TS 17:15 Mayer: “When I went back to school for my PhD, I did my dissertation on health behaviors of cancer survivors and realizing the huge gap in the care that they were getting for anything other than their cancer. We were still focused on their tumor and on treating their tumor. But we were missing the picture that if the cancer didn't kill them, their heart disease would, and they would develop diabetes and other things. … But as people started living longer and longer, we were missing all these other chronic illnesses that would contribute to their quality of life and overall lifespan. So my dissertation put me on a different path, and I think the second part of my career was really focusing on instead of just relieving suffering and the quality of life issues, really looking at cancer care delivery and how we could do a better job of doing the team of teams that people needed to have their issues addressed.” TS 19:34 Nolan: “I ended up having my first permanent role on a hematology-oncology unit at the University of Alabama at Birmingham. And there, I literally saw patients who were fighting for their lives. And despite the severity of their illness, they wanted more than just survival. They wanted to have meaning. They wanted to have dignity. They wanted to have impact with the time that they had left, whatever it was. And so those experiences planted a seed in me. And that seed was that cancer care must extend beyond treatment and we need to embrace, really, quality of life.” TS 23:31 Leigh: “I was not the researcher. I was not the major writer. I was not the identifier of a lot of the risk factors. But I spread the seed. I took all that information from different sources and shared that with all of the audiences that I spoke to. So I was called a seed spreader, kind of the Johnny Appleseed of oncology nursing at that particular time. And then once we saw academia step in and say, ‘We need to get good data about what's going on here,' … then my stories and stories from survivors started decreasing and the presentations were given more from the academic standpoint.” TS 34:41 Nolan: “I really believe in community, academic, government, and industry approaches to survivorship as well. We can no longer operate in silos. We really need to learn how to walk across the aisle, build bridges as we can so that we can do this work together because we know that communities bring lived wisdom and context. And academicians bring the research and the ability to create the evidence. The government brings policy and public health infrastructure, and certainly industry brings innovation and scalability. But also in this new paradigm that we find ourselves in, the industry may also bring the dollars to be able to help us to do even more work.” TS 43:45
From the barefoot wanderings of Johnny Appleseed to the fiery kick of applejack on Civil War battlefields, the apple's story in America takes a dramatic turn in this fourth episode of our series. John and Patrick trace how John Chapman's seed-planting helped shape frontier life, fueled the nation's cider culture, and - ironically - set the stage for America's drinking frontier. But the apple's journey doesn't stop there. Across the Atlantic, the fruit was taking root in Victorian Britain, where royal tastebuds, scientific curiosity, and household culture transformed it into a symbol of both domesticity and national pride. Yet under the gloss of toffee apples and orchard competitions lurked darker tales of poisonings, poverty, and fierce competition with American imports. Join John and Patrick as they uncover how the apple became at once a folk hero's legacy, a soldier's solace, and the centerpiece of Victorian life - setting the stage for its leap into the modern global age.----------In Sponsorship with J&K Fresh.The customs broker who is your fruit and veggies' personal bodyguard. Learn more here!-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com
2020 was ... an “interesting" year. Tune in to hear which host was "made" for lockdown, which hosts need to "get a room," and who is the "Johnny Appleseed" of the group? Featuring Fontaines DC, Bartees Strange, Caamp, The Beths, Destroyer and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
What if the problem isn't your friends—but the way you measure friendship? We dive into an honest, practical reset on how to build relationships that actually form us, not just flatter us. We explore the subtle consumer mindset that creeps into our closest bonds—keeping score, expecting equitableness on our terms, and treating people like faucets for our needs. Then we turn the lens: friendship as spiritual formation. That means discomfort isn't a red flag to quit; it's the wind that strengthens the tree. From listening to pain without slipping into courtroom roles, to inviting third-party feedback when we get called out, we map simple, doable practices that help us repair quickly and grow deeper trust.You'll hear vivid metaphors to anchor the change: friends as targets to aim love at, not sources to drain; living like a river instead of a reservoir; and the Johnny Appleseed approach to generously sowing encouragement wherever you go. We also spotlight the “Brittany principle”: the people most loved- often love the most—reminding us that popularity isn't the point, presence is. If you're ready to move from “Do I get enough here?” to “How can I give first without keeping score?”, this conversation will meet you right where you are and nudge you forward with grace.If this resonated, follow the show, share it with a friend who needs a hopeful nudge, and leave a quick review so more people can find Habit Lab. Want help applying this? Book a coaching with me—we'll build offensively small habits that create big impact.Click here to Book a coaching with Jenna --------------------------------------------------------------------------------------Want to join Jenna's Bible Habit group- become a $9/month sponsor of our podcast & you get access to the Private Group, monthly calls & more - Click this link to start patreon.com/TheHabitLab You can start at any point in the year!
John and Patrick journey into the seventeenth century, when cider wasn't just a drink - it was a matter of national survival. From John Evelyn's bold call for apple orchards to secure England's navy and replace French wine, to the early experiments that nearly made England the home of “apple champagne,” the apple takes centre stage in politics, science, and patriotism.But apples weren't only about orchards and fizz. This was also the age when John Milton transformed them into the forbidden fruit of Eden, when physicians and quacks alike prescribed them as medicine and beauty aids, and when settlers carried them across the Atlantic to the New World. There, apples and cider became woven into the fabric of colonial life - fueling households, politics, and survival itself.From Restoration England to early America, discover how the apple evolved into both symbol and staple, preparing the stage for one of history's most legendary figures: Johnny Appleseed.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com
By some counts, Tom Bendelow designed more than 700 golf courses during the first few decades of the 20th century, some of them historic. His grandson wants to keep his legacy alive.
What if 3I/Atlas, Oumuamua, and Borisove are more than just speculated alien crafts? Could they be biological vessels that seed space with nutrients and building blocks that survive space travel and plant themselves on other planets? It would make our solar system an interstellar nursery, and of course, Non Human Intelligence could be responsible for our existence and possibly other extraterrestrial life forms that may exist in the cosmos. Someone or something is planting seeds, and there are more apples of knowledge to be offered to those who seek out the stars and the signs of what the future holds. Perhaps the aliens that we are looking for are right here on Earth. Listen to Ground Zero with Clyde Lewis M-F from 7-10 pm, pacific time on groundzeroplus.com. Call in to the LIVE show at 503-225-0860. #groundzeroplus #clydelewis #3IATLAS #starseed #Oumuamua
Louis Bromfield returned from Paris in the early 1930s to buy back the family farm and begin a process of revitalizing the soils and the family legacy. He became one of the early pioneers of sustainable farming long before it was fashionable. His path would intersect with the legend of Johnny Appleseed, and show a path forward in the era of the Dust Bowl. Our nation was built on the bounty of the land. We are intended to be connected to the land. We have drifted from being providers to becoming consumers, taking our role as stewards to taking food and soil for granted. God gave us land not to sell and profit from, but to reap the bounty of wealth from our stewardship and shepherding. It is time for us to return to the root. Jeremiah 6:16. #BardsFM_TheAmericanBrand #StewardshipAndShepherding #TheBreadOfLife Bards Nation Health Store: https://www.bardsnationhealth.com MYPillow promo code: BARDS Go to https://www.mypillow.com/bards and use the promo code BARDS or... Call 1-800-975-2939. Founders Bible 20% discount code: BARDS >>> https://thefoundersbible.com/#ordernow Mission Darkness Faraday Bags and RF Shielding. Promo code BARDS: Click here EMPShield protect your vehicles and home. Promo code BARDS: Click here EMF Solutions to keep your home safe: https://www.emfsol.com/?aff=bards Treadlite Broadforks...best garden tool EVER. Promo code BARDS: Click here Natural Skin Products by No Knot Today: Click here Product Store, Ambitious Faith: Click here Health, Nutrition and Detox Consulting: HealthIsLocal.com Destination Real Food Book on Amazon: click here Images In Bloom Soaps and Things: ImagesInBloom.com Angeline Design: click here DONATE: Click here Mailing Address: Xpedition Cafe, LLC Attn. Scott Kesterson 591 E Central Ave, #740 Sutherlin, OR 97479
With the end of the Jinshin War, Oama, posthumously known as Temmu Tenno, came to the throne. And though they would need a new Great Council of State, they continued to build up and bolster the Ritsuryo state. They were imagining a new Yamato based on continental models of what a state should look like, but also influenced by tradition. This episode we take a look at that reimagining in broad strokes, asking a few questions--what was Oama's relationship with his brother, and touching on the relationship of Nakatomi no Kamatari and his brother, Nakatomi no Kane. We also take a look at some of the literary propaganda that also helped to codify this new imaginary--the Nihon Shoki and the Kojiki. We also touch on other sourcesof information, like the Fudoki and Man'yoshu. For more information, check out our blog: https://sengokudaimyo.com/podcast/episode-133 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua, and this is episode 133: Reimagining Yamato As the bells of Houkouji tolled, Ohoama and his wife, Uno, surveyed the construction on going in the Asuka valley. Hordes of workers had been called up, and now they were working furiously towards the deadline of the new year. Where once stood the later Wokamoto palace of Takara Hime, aka Ohoama's mother, Saimei Tennou, now the land was being prepared for a palace on a much grander scale. And just as the palace was being remade, Ohoama's thoughts went beyond the valley, to the entire archipelago. His brother, Naka no Oe, had started something profound. Now here he was, helming the Ship of State, and Ohoama had plans of his own, built upon his brother's ideas. He would build a new state, ensuring that the reforms that started back in 645 would continue for generations. Greetings everyone and welcome back. As we dive back in, let's recap where we are. The year is now 673, and the fighting from the previous year—the Jinshin war—is over. Prince Ohoama and his Yoshino forces were victorious and he is now poised to ascend the throne in the recently built Palace of Kiyomihara, in Asuka. He will be known to future generations by his posthumous name: Temmu Tennou. Ohoama would go ahead and continue to centralize the government under the continental model. That said, he also would pay a not insignificant amount of attention to local tradition as well. His reign would lead to the establishment of the first permanent capital city: Fujiwara-kyo. He is also credited with initiating the projects collecting various historical records, which culminated in the Kojiki and the Nihon Shoki, the very chronicles on which this podcast is based – and both of which seem to have been designed specifically to promote the authority of the throne, specifically Ohoama and his descendants. Those descendants—the Temmu dynasty—would rule for almost a century, including four of the eight official female sovereigns (those eight become ten if you count the unofficial Himiko and Okinaga Tarashi-hime, aka Jingu Tennou). This dynasty would reign from the end of the Asuka period up through to the Nara period, and it would see the evolution of the Yamato state into the kingdom of Nihon—which is to say the kingdom of Japan. The politics of this period were also quite something. It is during this coming period that we see the rise of the famous Fujiwara family, who would come to dominate the political landscape. We also see the continued contact with the mainland, with numerous trade goods coming over, many of which would be included in the famous Shousouin storehouse of Toudaiji temple, in Nara. Buddhism would also thrive, with Kokubunji, or provincial temples, being set up in a network around the archipelago. There was also the building of the famous Daibutsu, or Giant Buddha statue, of Toudaiji. Art would also flourish. The Man'yoshu would be published at this time—a collection of around 4,500 Japanese poems, or waka. Meanwhile, the court would also focus on continental styles as well. From this point on, not only do we have more evidence of what was happening through the written record, but the writing itself changed. Different Sinitic characters were borrowed solely for their sound to help spell out Japanese words. These would eventually be simplified, and known as “kana”. The earliest use of these characters is known as “Man'yo-gana” because so many are traced back to the Man'yoshu itself. They would eventually be standardized and simplified, becoming the hiragana and katakana we know and use today. But in 673, all of this is still on the horizon. So this is a great time to pause for a bit in our journey through the chronicles and set the stage for this next, incredibly transformative period in the archipelago by going over these larger patterns in some depth, so that, as we start to go through this period we get a better idea of just what was happening, and perhaps why. That's what we'll do this episode. To start with, let's go back to the relationship between Naka no Oe and Ohoama. As far as we can tell, these brothers were fairly close to one another. Not only was Ohoama married to one of Naka no Oe's daughters, Princess Uno, he had actually taken as consort at least four of Naka no Oe's other daughters—all of which were Ohoama's nieces. In turn, one of Ohoama's own daughters, Princess Touchi, had been married off to Ohotomo, aka the ill-fated Koubun Tennou. On top of that, Naka no Oe and Ohoama both had taken as consorts daughters of Soga no Akaye, and both Ohotomo and Ohoama had consorts from Nakatomi—or Fujiwara—no Kamatari. This demonstrates just how interrelated everyone was at court, presumably as a means of strengthening the ties between them. Of course, as we've seen time and again, those ties were more symbolic than anything else, and certainly did not prevent the occasional use of violence, nor did it protect the fathers of those women from political repercussions when they found themselves on the wrong side. On the other hand, beyond the initial mention of their births, we don't see the two brothers together until Naka no Oe came to the throne. Why? Well, to be fair, we don't see much of anyone but the sovereign in the Chronicles unless there is a specific thing they are called out for—like an embassy, presenting something to the throne, etc. Even Naka no Oe often isn't mentioned directly, even when he was the Crown Prince and supposedly helping run the government. So that could be it. There are two apparent counter arguments to the idea that Naka no Oe and his brother, Ohoama, were tight. First is a mention in the Toushi Kaden, the Family History of the Fujiwara Family, about Ohoama thrusting a spear into a board, which rattled Naka no Oe enough that he was apparently wondering if he needed to have his own brother taken out. Then there is Ohoama's resignation at the time of Naka no Oe's death, presumably because he was warned that a plot was afoot, and that if he accepted Naka no Oe's offer to take the reins of the state in his own two hands then something—we aren't told what—would unfold. I can't rule out the idea that neither of those accounts is quite accurate either, however. It is possible that the Toushi Kaden account is embellished to heighten Fujiwara no Kamatari's own role as peacemaker between the brothers. I also have to wonder if the warning to Ohoama around Naka no Oe's death wasn't so much about Naka no Oe, but about his ministers. After all, they seem to have had no problem supporting the much younger—and likely more malleable—Prince Ohotomo. So it seems to me entirely possible that there were other threats that Ohoama was concerned with. That brings me to one of those ministers: Nakatomi no Kane. We talked about him before and during the war. He first showed up participating in ritual and speaking on kami matters. He would later rise to be one of the Great Ministers of State, and was one of the six ministers who had pledged themselves to Prince Ohotomo. At the end of the Jinshin War, he was put to death and his family was banished. That said, in period leading up to all of that, we spent a good amount of time with another Nakatomi: Nakatomi no Kamatari. He was the head of the Nakatomi clan and the Naidaijin, the Interior Minister, a special position placing him on par, or even above, the Ministers of the Left and Right, but which did not have a well defined portfolio noted in the literature. Interestingly, this position also doesn't seem to have survived Kamatari, at least in the short run. From the time of Naka no Oe, aka Tenji Tennou, to the time of Ohoama, aka Temmu Tennou, it seems that the office of Naidaijin fell out of favor, possibly due, in part, to Prince Ohotomo being raised to a different post, that of Dajou Daijin, placing him in charge of the Great Council of State. The Naidaijin role wouldn't be revived until 717 for Kamatari's grandson, Fujiwara no Fusasaki (interestingly, only three years before the completion of the Nihon Shoki). Nakatomi no Kane was, as far as we can tell, the brother to Kamatari. When Kamatari passed away, Kane seems to have taken on the role as head of the Nakatomi family and he was also made Minister of the Right. This mirrors, in its way, the relationship between Naka no Oe and Ohoama, and the common system of inheritance that would often go brother to brother. And yet, while Kamatari was a hero of the Taika era, Nakatomi no Kane was executed for his role in the Jinshin War. So in the context of the rise of the Fujiwaras to greater prominence later on in Ohoama's reign, it is significant that Kamatari's line would be set apart from the rest of the Nakatomi to the extent of giving it the new Fujiwara name. Although the Chronicles claim that the “Fujiwara” name was actually granted by Naka no Oe, there is a thought that this was granted posthumously, and may have even been retconned by later members of the family, possibly to distance themselves from Nakatomi no Kane and his role on the losing side of the Jinshin War, and tie themselves clearly to Kamatari and his founding role in Naka no Oe's and Ohoama's new vision, instead. This all brings me to my next point: the creation of the national histories. The projects that culminated in what we know today as the Kojiki and the Nihon Shoki are said to have been started under Ohoama's reign, though they wouldn't be finished until much later, well into the 8th century. A lot of what went into them was work under Ohoama's wife Uno, who succeeded him as Jitou Tennou, as well as her successors. Prince Toneri, one of Ohoama's sons, is said to have overseen the Nihon Shoki's compilation. Prince Toneri was son of Ohoama and princess Niitabe, one of Naka no Oe's daughters, and while he never sat the throne, himself, one of his sons would eventually do so. As such, we can see a strong royal hand on the project, even though the actual composition was probably by several teams of Chroniclers—we touched on this briefly back in Episode 131. The Kojiki, on the other hand, is said to have been written by Oho no Yasumaro based on the oral history that had been maintained by Hieda no Are. We don't know much about Hieda no Are—there are some that believe they may have been a woman, since a passage in a later work, the Seikyuuki, suggests that they were a member of the Sarume no Kimi family, descended from Ame no Uzume no Mikoto, who is said to have danced and helped lure Amaterasu out of the rock cave. And so they were particularly known for their role as shrine maidens—a particularly female role. That said, Are received the title of “toneri”, which is often assumed to be male, and there is nothing else that explicitly says they were not. Either way, Hieda no Are is said to have been commanded by the sovereign, Ohoama, to memorize the history of the nation, presumably to then perform it as needed, for the court. Only later was Oho no Yasumaro asked to write it down in what became known as the Kojiki. Both of these chronicles were attempts to organize the history of the nation and to put together all the stories in a way that would establish a foundation for the new state that was evolving out of ancient Yamato. A large part of that effort was going to be to justify those who were in power at the time—including both the royal family and the various noble houses at the time, including the powerful Fujiwara. Now, when we talk about how these histories were created to bolster the state, I want to be careful. It may not have necessarily been the case that the chroniclers were actively and consciously promoting a fictional account. From what we can tell, the chroniclers drew from a collection of stories, some written down in diaries and court records, works like the Baekje annals and continental histories, and some that were likely just memorized tales that were part of the general culture. There were a couple of existing histories—we are told, for example, that there was a Teiki and a Kyuji floating around, both attributed to the legendary Shotoku Taishi, and both supposedly including the royal lineage at least to Toyomike-kashikiya-hime, aka Suikou Tennou. However, the copies that were being passed around were apparently suspect, and we are told that there were inconsistencies. Which probably means that the way they told the story did not conform to the way that Ohoama and the royal family wanted it told, though it could also refer to the fact that different accounts had slight variations on the stories, many of which had probably started as oral traditions that were only later written down. It is also likely that there was only so much detail in those ancient texts, but we can't know for sure. The Sendai Kuji Hongi purports to be the text of the original Kyuuji, or Kyuujiki, but that claim is dubious, at best, though it may have used an older, no longer extant history to crib its own notes from. So there were probably some writings, already, but there was also so much more. There were stories from various familial records, stories told by various shrines about their kami and their histories, and stories passed down as local history that had never been captured, previously. All of this was good material for the project of creating an official national history that aimed to tell the whole story. To get an idea of what the Chroniclers of that time might have been going through, imagine that you have some 2,000 random facts about the United States, or any country of your choice, in no particular order—stories of heroes, presidents, wars, etc. On top of that, only a few of them ever give you any kind reference dates, and when they do, those dates are only in relationship to the presidents in office – the third year of the presidency of Roosevelt, for example - or maybe they reference another event. In addition, some of the facts have been lost, or they come from history books with a slightly different format. Or they come from diaries with different perspectives and takes on the same event. And then, without the aid of the Internet or any other reference material, you are asked to put all of that together into a coherent narrative. In all likelihood you would be able to generally construct many of the broad strokes. You would leverage what you know to be true and do your best to put things in place, but there is no guarantee that everything would be in the right order. And in places where there wasn't any clear through line, you may have needed to come up with your best, most plausible explanation and write that down. Also, imagine you had, in the interests of completeness, thrown in some of the more, shall we say, apocryphal stories. George Washington cutting down a cherry tree, for instance, or the story of Johnny Appleseed, or even the more fantastical stories of Davy Crockett. Without other reference points, would you know where they went, or how true they actually were? Add to all of that the lack of a referential calendar. The sexagesimal system helps for units of 60 years, but there was nothing comparable to a western calendar in use at the time. Instead, everything was based on the number of years in a given reign. So instead of thinking about it as “did this happen in 584 or 524?” it was more like “Did this happen in the years of the sovereign reigning from X palace or Y palace?” Now that said, there do appear to have been individuals whose job was to memorize the stories and the histories and recite them. We have, for example, the Kataribe, the guild of storytellers. It may have been out of this tradition that we get the eventual commission of the previously mentioned Hieda no Are, who was to memorize all of the historical events and recite them back, which I can only imagine would have been a kind of performance for the court, helping to reinforce the narrative. But still, as Are was putting everything together, what were the assumptions and guidelines they were working under? After all, there were no doubt certain truths, whether factual or not, that were pushed by the court. Things like the idea of an unbroken line of sovereigns going all the way back to the mythical founding, just like in continental stories. Or, the idea that worship centered from the beginning around the sun goddess, Amaterasu. There is plenty of evidence that while the early Wa people practiced various forms of sun worship, with traces found in their language as well as stories, cultural traditions, etc., it was not necessarily Amaterasu who was the primary deity of worship. Back in the Age of the Gods we talked about the creator deities, Izanagi and Izanami, and about the High god of Heaven, Takami Musubi, who seems to at one point been the most prominent central deity, but who had since been eclipsed, if you will, by the likes of Amaterasu. We also see evidence that there were other sun deities. The language around Sarutahiko no Ohokami suggests that he may have once been worshipped as a sun deity as well. And there is the early primacy of Mt. Miwa as a place of worship, and the spirit of Ohomononushi. This is to say nothing of Ohokuninushi, and all of his stories, up in Izumo. Furthermore, it seems telling that Amaterasu is not even central to the rituals conducted in the palace itself, which likely went back to an even earlier period. If Amaterasu were central, and the ancestral kami of the royal family since its inception, one would expect that Amaterasu would also be central to the rites carried out by her descendants in the royal palace. And yet most of her worship appears to have continued to be set apart from the palace ritual, and conducted out of Ise shrine (albeit after a certain point ceremonially led by a designated female member of the royal line). Even Ise shrine itself isn't the primary shrine in the Ise area—the Ichi-no-miya, or most important shrine, of Ise is actually said to be Tsubaki shrine, worshipping Saruta Hiko no Ohokami and Ame no Uzume. So how did Amaterasu come to be so central in Ohoama's vision? There are stories that say that worship at Ise Shrine—and worship of Amaterasu—was specifically conducted by Ohoama's wife during the Jinshin campaign. This is to say Ohoama's wife, primary consort, eventual queen and then queen regnant, Uno, later known as Jitou Tennou. Remember, Uno had fled with Ohoama and had been on the trail with him at first, but had stayed behind in Ise. Worship towards Ise seems to have later been counted as foundational to Ohoama and Uno's victory, and many suspect that they themselves may subsequently have encouraged greater worship of Amaterasu and placed her in the central position of sacral authority amongst the various kami. If so, that could explain why their histories focus so much on Amaterasu and her Heavenly descendant, from which the royal line claimed direct lineage. It might also be around this time that the story of Iwarebiko, aka Jimmu Tennou, and the conquest of Yamato from Himuka may have been introduced: telling how Iwarebiko justifiably took away the land from the descendants of Nigi Hayahi, and then connecting Iwarebiko, in an extremely loose fashion, to Mimaki Iiribiko no Mikoto, aka Sujin Tennou. Another influence on all of this was likely the continental concept that time is a circle, and history repeats itself. Chroniclers seeking to place events in a narrative context would have likely seen reflections of more recent events and used that to help order their compilation. And of course, if there were events that seemed to run counter to the truth as known by the court, well, those could be smoothed over. In this way, co-rulers were probably serialized, inconvenient interim rulers may have been excised altogether, and different dynasties, which may have only had tenuous connections, at best, were written down as direct lineal descendants. It also seems telling that the Chroniclers may have reduced the role of what appears to be matrilineal succession to a more patriarchal and patrilineal determination of legitimacy. Similarly, connections could be made for families to ancient ancestors through whom they were able to claim a certain proximity to the royal family. Likewise, rules for legitimacy could be imposed—or perhaps just assumed—for previous reigns, doing their best to bring them into harmony with the social norms and the cultural imaginaries of the late 7th and early 8th centuries. So that's the general context the Chroniclers were working under. But at this point it's illuminating to take a look at the two histories and how they differ, to see what we can understand about where those differences came from. The work of Hieda no Are, eventually recorded and written down as the Kojiki, seems to have dealt with history that was far enough back that it was likely hard to argue with—it isn't like there was anyone alive who could counter with their own facts. And the Kojiki reads as a fairly straightforward narrative, relatively speaking. The Nihon Shoki, on the other hand, is a different beast. While the Kojiki may have captured the official narrative, the Nihon Shoki seems to have been designed to include more—including some of the competing accounts. Thus you'll get a lot of things like “another source says…” with a different take on the same event. This is much more prevalent in the Age of the Gods, but still pops up occasionally throughout the rest of the text. Nonetheless, it is still very much focused on the royal line from Amaterasu down to Naka no Oe and Ohoama. Even their posthumous names, Tenji and Temmu, specifically reference Ten, also pronounced Ama, at the start of their names, in what appears to be a bid to further connect them to the sun goddess of Heavenly Brightness--Amaterasu. Both of these works have their own character, and while the dates they were presented to the throne—713 for the Kojiki and 720 for the Nihon Shoki—suggest that they were published in succession, there are those that argue that the Kojiki is largely a reaction against the Nihon Shoki. In all likelihood the contents of the Nihon Shoki were known to many people before it was presented. There were groups of Chroniclers involved, after all -- which meant teams of scribes pouring through sources, seeking out myths and legends, and generally trying to bring everything they could to the table. And there is no indication that this was done in secret. So it is quite possible that the writers of the Kojiki had seen some of the early drafts and cribbed from those notes. Some of the ways that the the history differ are in their portrayal of certain accounts. For example, the Kojiki presents Iwarebiko and the pacification of Yamato and archipelago more generally in terms of that mythical sovereign conversing with the spirits. And so he converses with, for instance, Ohomononushi, the deity of Mt. Miwa, a spirit whose name might be translated as the Great Lord of the Spirits, or “Mono”. This idea places the sovereign as an intercessor between the mortal and the spirit world. It hearkens back to earlier systems of sacral kingship, where power and authority came, at least in part, from supposed power of one's sacred sites and protective spirits. The Kojiki is also written in a much more vernacular style, using kanji and what we know of as man'yogana, the kanji used for their sound, rather than meaning, to provide a syllabary with which to write out Japanese words. This may have been done for similar reasons to why it was also used in the Man'yoshu itself—because the Kojiki was meant to be recited aloud, not just read for meaning. The Nihon Shoki, in contrast, is clearly attempting to emulate the continental style. It relies much more heavily on not just the characters but the grammar of Chinese, though not without its own idiosyncrasies. The Nihon Shoki incorporated classical references that mirrored the references found in the histories of the Tang and earlier dynasties. I suspect, for instance, that this is one of the main reasons that Naka no Oe and Ohoama are given the posthumous names of “Tenji” and “Temmu”. Tenji means something like the Wisdom of Heaven while Temmu is more like the Martial Virtue of Heaven. This immediately brings to mind, for me, the continental concepts of Wen and Wu—Culture and Warefare, or Bunbu in Japanese. This even mirrors the founding Zhou kings, King Wen and King Wu. Later, in the Han dynasty, you have Emperor Wu of Han, the grandson of Emperor Wen of Han, and Wu was considered to be one of the greatest emperors of the Han dynasty. And so I can't help but think that there was a similar attempt at mythmaking going on here, connecting these two reigns with the reigns of famous emperors of the continent. Of course, “Wu” was a popular name amongst the imperial dynasties from that period onward, with emperors of Jin, Chen, Liang, and others all being given the same name. This all accords with the way that the sovereign in the Nihon Shoki is less of a sacral king, interceding and speaking with the kami, and more along the continental model of an absolute ruler who ruled by divine right and heavenly mandate. The lands outside of Yamato are subdued and, except for the occasional uprising, stay subdued—or at least that is what the narrative would seemingly have us believe. Now, I would argue that these distinctions are not absolute. The Kojiki contains plenty of concepts of imperial trappings, and the Nihon Shoki contains plenty of examples of the sovereign playing a more traditional role. But it is something to consider in the broad strokes of what they are saying, and I would argue that it also speaks to the duality of what was going on in this period. Clearly the Ritsuryo State was built on the continental model, with an absolute ruler who ruled through a Heavenly mandate. And yet at the same time, we see Ohoama patronizing the traditional spiritual sites and kami worship, like the emphasis on Amaterasu and Ise shrine. Besides the Kojiki and the Nihon Shoki, we have one more set of official records that were compiled just as the major histories were beginning to be finished. These were the Fudoki. Fudoki were texts about the various provinces, and they include information on the various places, population, soil quality, as well as various local myths and legends attached to such things. Rather than supporting the royal lineage, the Fudoki were more geared towards supporting the process begun under Karu and Naka no Oe with the Ritsuryo system whereby knowledge of the archipelago was being centralized such that the State could know about its territories. Still, there are many times that the various Fudoki refer to different sovereigns, often to help situate a given event roughly within the historical narrative. The Fudoki were commissioned in 713. At least 48 chronicles were said to have been compiled, but only a handful of them remain extant today. Most are only partial texts, though even those can still contain significant information. We also have purported text from certain fudoki that were reprinted in later histories. The Shaku Nihongi seems to have been one such work, expressly commissioned to try and compile various older records that were likely aging and in danger of being lost altogether. However, there is a concern regarding just how faithful those later transcriptions might have been, meaning that we cannot rely on them, entirely. Still, they are an invaluable addition to our study of the history of this period. I mention all of this because much of this period seems dedicated to remaking the nation of Yamato into what we know as Japan. This evolution didn't happen overnight, and it seems clear that it started gradually, but had now come to a head. There is some consideration, though, that many of the things attributed to earlier reigns—the work done by Shotoku Taishi, for example, or even that of Naka no Oe—may have been embellished in this period. After all, consider the difference between Ohoama trying to institute something entirely new versus pointing back to a previous sovereign and claiming that he wasn't innovating, he was just following tradition. But there are still unmistakable signs of innovation in the following reigns. The creation of the first permanent capital city, for one. There was also the blending of Buddhist and local kami-based traditions. While Buddhism had been ascendant for a while, now, we see Ohoama seemingly paying equal homage to Amaterasu and the local kami. Even while instituting new fangled continental ideas, he is also hearkening back to traditions that I can only imagine helped assuage some of the fears of any traditionalists who saw the rapid speed at which the archipelago was adopting at least the trappings of continental imperial culture. Speaking of culture, there was one other work that we should probably mention, and that is the famous Man'yoshu—the collection of 10,000 Leaves. I mentioned this briefly earlier in the episode, but I do want to discuss it a bit, because as much as we may glean from the official histories, as well as the various fudoki texts, the Man'yoshu provides an invaluable view into the minds of the people of the time, and contains some incredibly useful tidbits of information that, when put together, help give us a better idea of what was happening during this period. The Man'yoshu is a collection of more than 4500 poems attributed to various historical figures, from sovereigns, such as Ohoama and Naka no Oe, to common soldiers. It is remarkable in that the poems are largely in native Japanese and are not using the Sinitic poetry styles that were popular with scholars of the time. These poems are waka, Japanese verse, which typically follows a pattern of repeating verses of 5-7-5 syllables or morae, ending with two lines of 7-7. The most simple of these are tanka—one top verse of 5-7-5, and one bottom verse of 7-7. However, the poems in the collection can vary quite a bit. They are also remarkable in that they are written in what we know as Man'yogana. That is to say they use Sinitic characters—kanji—but for their sound rather than their meaning in many cases. This practice allowed for much more nuanced writing, such that the author could be more certain that the correct meaning could be taken away, since Japanese grammar differs greatly from various Chinese languages, and leverages particles and suffixes that are non-existent in Sinitic script. Often times, when reading something like the Nihon Shoki, one has to infer the Japanese word order, particles, and suffixes from the text as a whole. This is common with any kanbun—a very Japanese style of Chinese writing that often requires its own study to fully understand. Meanwhile, the Man'yogana allowed someone to more easily sound out the letters in the Man'yoshu. This must have been important when morae or syllable count was important to the art form. Furthermore, it gives us tremendous insight into how spoken Japanese may have sounded back in the 8th century. And of course it is great that we have all of these poems, but almost more important is the other information contained in the collection. Most poems not only are attributed to a particular author, but they often give a brief introduction to lay out the circumstance in which the poem was composed. These poems are, in many ways, more straightforward than many later poetic styles, which relied much more heavily on so-called “pillow words”, poetic allusions, or callbacks to previous poems—not that they were completely devoid of such references, especially to other, often continental, works. Some poems are actually paired—a type of call and response. A man would often be expected to send a poem to a lady with whom he had recently had assignations, and she would often respond. Through such correspondence, preserved in the poetic record, we can see connections that might not be as clear in the various historical texts. Now, 4500 is a lot of poems and I'll be honest, I'm probably not going to be researching all of them for historical tidbits, but it is nonetheless important to understand. One should also be careful—while the poems are often attributed to various artists and famous persons, this may sometimes be misleading. The attribution may have been garbled or forgotten, and recreated. Most of the poems in the Man'yoshu are presented with at least some amount of framing around them. They are grouped loosely by various themes. We are then told, for each poem, the composer and the occasion for which it was created. Sometimes this may be as simple as “when they were out hunting”, but that still gives us some context on which to go by as for why the author was writing the poem in the first place. The poems themselves vary in size. There are short poems, or tanka, but also longer form chōka poems, with multiple verses. Some may allude to previous poems, but many of the poems are just about the author's feelings. Unlike haiku, they were not quite so proscribed in terms of “pillow words” or requisite seasonal descriptions. And yet these poems, just as much as the histories, were important in capturing some part of the cultural zeitgeist from that time. We can see what was considered popular or important, and it was there for future generations down until today. Ultimately the Kojiki would largely be overshadowed by the more comprehensive and prestigious seeming history in the Nihon Shoki. The Nihon Shoki would become the official history, inspiring future historical records, such as the Shoku Nihongi, the continuation of the records. The Man'yoshu, likewise, would be emulated, with future compilations like the Kokinshu. These, in turn, would impact the cultural imaginary of the time. They would shape people's ideas about the past, about art, and even about the nature of the kami themselves. During this period it is hard to understate just how much they were setting in place a new system. It is even difficult to tell how much of that system had actually been instituted by previous sovereigns, even though it's hard to tell how much that actually happened as opposed to simple claims by Ohoama and, later, Uno, to justify what they were doing. Up to this point, the Ritsuryou State and the various reforms had been an experiment, but under Ohoama we truly see that the new government upgrades would be fully installed. At the same time, we also see a shake up in the court. Those who had been loyal to Ohoama during the Jinshin conflict of 672 received various rewards—increased rank and stipend, for one thing. As famous individuals passed away, they were also granted posthumous rank, which might not seem like much, but it increased the family's prestige and that of the individual's descendants without actually handing out a higher level stipend that would be a drain on the coffers. All of this also continued to build up the elites' reliance on not just the court, but on the throne itself for their status, wealth, and position. Thus they had a vested interest in seeing that the project succeeded. And that is the world that we are about to dive into. Thank you, I know we didn't get into too much of the immediate history, and some of this is spoilers—after all, this took time and in the moment it could have turned out quite differently. What if Ohoama had gotten sick and died? What if there had been a rebellion? What if Silla or Tang had attacked? While we know what happened from the safety of our vantage point, far in the future, it is important to remember that at the time the people in the court didn't know what would happen next, so please keep that in mind. Next episode, we'll start to get into the actual events of the reign, starting with Ohoama's ascension to the throne at the newly built Kiyomihara palace in Asuka. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
This week Scott and Patrick discuss the historical personage of John Chapman AKA Johnny Appleseed, a mythical figure renowned for planting apple trees across the early American frontier and his penchant for charity. His eccentricities are immortalized in the American mind, however we give a deeper look at the real man and his admirable religious and moral convictions. This week's episode was sponsored by Magic Mind for 50 percent off your first subscription to Magic Mind visit www.magicmind.com/historyh50 and use promo code HISTORYH50 at checkout.check out Patrick's stuff at www.cantgetfooledagain.comDon't forget to join our Telegram channel at T.me/historyhomos and to join our group chat at T.me/historyhomoschatFor programming updates and news follow us across social media @historyhomospod and follow Scott @Scottlizardabrams and Patrick @cantgetfooledagainradio OR subscribe to our telegram channel t.me/historyhomosThe video version of the show is available on Substack, Rokfin, bitchute, odysee and RumbleFor weekly premium episodes or to contribute to the show subscribe to our channel at www.historyhomospod.substack.comYou can donate to the show directly at paypal.me/historyhomosTo order a History Homos T shirt (and recieve a free sticker) please send your shirt size and address to Historyhomos@gmail.com and please address all questions, comments and concerns there as well.Later homo
First, Ben and Celestia react to the CDC shooting, then Ben looks at some skeptical-leaning responses of ghost hunters to Dan Rivera's death and the Annabelle narrative. Rounding out current events, Celestia has another RFK-adjacent story, this one about two women hospitalized after peptide injections at a Las Vegas wellness festival. For our main segment, food historian and Vegas gal-about-town Sarah Lohman joins us to share some interesting food mythos... everything from beer, MSG, spices and spoiled meat to the connection between corn flakes, enemas, masturbation and vegetarian dishes. Along the way we discover Sarah's downright distaste for Johnny Appleseed and rate our favorite Vegas buffets while learning about the history of cheap shrimp cocktail. Then, for dessert -- pink slime!
We are joined by author, William Casto to discuss his new book: "The Ambassador: Alexander Findlay and Pioneer Golf in America," to discuss the history of this forgotten giant in the game of golf. This is a two part podcast about one of the gentlemen golfers who can lay claim to being called one of the Johnny Appleseed's of American Golf.
Happy Fourth of July! Today, how the bald eagle finally became the nation's bird after nearly 250 years and the return of the bison to Colorado. Plus, a Fort Collins horticulturalist is preserving the legacy tree of Johnny Appleseed, and the Colorado inspiration for "America the Beautiful."
Johnny Appleseed and his big blue ox- h1 full 2060 Tue, 17 Jun 2025 19:10:06 +0000 NlwpITg5VeNXgqeffObL3B2aznulV329 comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Johnny Appleseed and his big blue ox- h1 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False https://player.amperwavepodcasting.com?feed-link=htt
Jesus feet cleaning; Johnny Appleseed reincarnation; men with tattoos pick up rattlesnakes more; and the spank bank monkey's paw.Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Feeling anxious about where your money's going? You're not alone—and you're not without a plan. In today's episode, Joe is joined by OG, Mom's neighbor Doug, and two sharp minds from the personal finance world: Paula Pant from Afford Anything and Dr. Jordan Grumet from Earn and Invest. Together, they take a deep dive into the many faces of investment risk, from the obvious to the overlooked. Because when it comes to your financial future, the real danger isn't just volatility—it's misunderstanding the terrain. Whether you're dipping a toe into international markets, piling into real estate, or wondering if your long-term plan can survive a little inflation, this episode will help you better understand the risks that matter—and avoid the ones that don't.
Feeling anxious about where your money's going? You're not alone—and you're not without a plan. In today's episode, Joe is joined by OG, Mom's neighbor Doug, and two sharp minds from the personal finance world: Paula Pant from Afford Anything and Dr. Jordan Grumet from Earn and Invest. Together, they take a deep dive into the many faces of investment risk, from the obvious to the overlooked.Because when it comes to your financial future, the real danger isn't just volatility—it's misunderstanding the terrain.Whether you're dipping a toe into international markets, piling into real estate, or wondering if your long-term plan can survive a little inflation, this episode will help you better understand the risks that matter—and avoid the ones that don't.
This week, in Caldwell, Ohio, a murderous plot unfolds, when an evil & cunning person puts up a Craigslist ad, promising a new job & a new life. The problem is, there is no job, and answering this ad may end your life. Multiple people are lured into this trap, to be coldly murdered, and left in shallow graves, behind an abandoned mall, and on an empty piece of land! Was his accomplice also a cold blooded killer, or was he also scared for his life?Along the way, we find out that Johnny Appleseed was real person, even though that wasn't his real name, that some things just sound too good to be true, and probably are, and that when your parents don't pay any attention to you, you may find other, more despicable role models!!New episodes every Thursday!Donate at: patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.comGo to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports!Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurderAlso, check out James & Jimmie's other show, Crime In Sports! On Apple Podcasts, Spotify, Amazon Music, Wondery, Wondery+, Stitcher, or wherever you listen to podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.