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2 episodes with Rob Schnapf
2 episodes with Rob Schnapf
2 episodes with Rob Schnapf
2 episodes with Rob Schnapf
2 episodes with Rob Schnapf
2 episodes with Rob Schnapf
Today I am joined by the wonderful Elodie Tomlinson of The Dumes to talk about unleashing frustration and aggression, working with the legendary Joe Chicarelli and Rob Schnapf, and the band's latest single "You're A Letdown." ✨ MORE ABOUT THE DUMES ✨The Dumes is a Portland-based band who formed as a reaction to the toxic and cyclical nature around them. Since launching in 2019, they've gone on to share the stage with the likes of Sheryl Crow, Peter Frampton, and Louise Post of Veruca Salt. ✨ KEPP UP TO DATE WITH THE DUMES ✨Web: https://linktr.ee/thedumesInstagram: https://www.instagram.com/thedumes_Spotify: open.spotify.com/artist/1sDeMYlZRiudJljM1BKMWbApple: music.apple.com/us/artist/the-dumes/1449323158Bandcamp: https://thedumes.bandcamp.com✨ CONNECT WITH IZZY ✨Blog: https://agrrrlstwosoundcents.comYouTube: youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgInstagram: instagram.com/agrrrlstwosoundcents/Twitter: twitter.com/grrrlsoundcents
Interview by Angela CroudaceBarry Johnson, vocalist and guitarist from Joyce Manor, sat down with HEAVY for a conversation about the band's upcoming Australian tour with The Wonder Years, their creative process, and life on the road. The Californian punk rockers are gearing up for a return to Australia, a place they've always enjoyed performing and connecting with passionate fans. With a long-standing relationship with the country, Barry shared his excitement about the tour and reflected on the band's journey.When asked what he was most excited about for this round of shows, Barry's enthusiasm was evident. "I'm excited to be back in Australia. It's been a while, and I love it there. The crowds are great, and the people are really easy to talk to," he said. He also highlighted the similarities between California and Australia, particularly the laid-back vibe that makes him feel at home. "Being from California, I feel like Australia is a sweet spot. It's got the surfer culture, but the humour aligns with English humour, which is something I can really relate to."Barry's memories of past shows in Australia are fond ones, though he admitted that some moments tend to blur together. However, one standout memory remains a show at The Gasometer in Melbourne, which he described as one of the best they've ever played. "That show was definitely one of my favourites. It was such an amazing night, and it's always stuck with me," he shared. Even after all these years, that performance holds a special place for Barry, ranking among the top shows of his career.The conversation then shifted to the creative side of Joyce Manor. Barry reflected on the making of Last You Heard of Me, from their 2016 album Cody, a track that went through numerous revisions before it came together. "It was one of those songs that we worked on for so long, making small adjustments until it finally clicked," Barry explained. The process was challenging, but the outcome was something the band is incredibly proud of. "It's hard to imagine it any other way now. All the hard work paid off, and I'm really proud of how it turned out," he added.In terms of songwriting, Joyce Manor's process has evolved over the years. Initially, Barry wrote nearly everything for the band, but as time went on, it became more collaborative. "On Cody, it was myself, Chase, and our producer Rob Schnapf working together. It's really become a group effort," Barry explained. The band's dynamic allows them to balance creativity, ensuring that no one voice dominates while still pushing each other to create their best work.As for Barry's personal musical tastes, he admitted that while his preferences have evolved slightly over time, they remain grounded in the pop-punk and indie realms. Bands like Weezer, The Gin Blossoms, and The Smiths continue to inspire him. "I like a mix of '90s pop-punk, power pop, and '60s music. I've always loved a good song with strong melodies," he said. His love for the craft of songwriting shines through, and it's clear that melody and structure remain at the heart of his musical identity.When asked about the band's daily routine on tour, Barry joked about how annoying they can be. "We speak our own weird language, and it's a bit insufferable at times," he laughed. Despite the inside jokes and constant banter, Barry explained that the hardest part of touring is finding time for himself. "Being around people constantly can be tough. I need a little alone time, but it's hard to get that on tour," he shared, offering a glimpse into the reality of life on the road.Despite the challenges, touring remains one of the most exciting parts of being in Joyce Manor. When asked whether the band still parties on tour, Barry was quick to respond. "Oh, we definitely party. It's one of the best parts, but it can make it hard to keep up the energy for the long haul," he admitted. Still, he's not planning to slow down anytime soon. "I'm going to milk it for all it's worth," he laughed.Finally, when asked about new music, Barry confirmed that the band is working on a new record, though there's no release date just yet. "We're about halfway through writing and recording it. It's coming along slowly, but we're making sure it lives up to the standards we've set for ourselves," he teased.As Joyce Manor gets ready to hit the road with The Wonder Years in Australia, fans can look forward to more unforgettable shows, new music on the horizon, and a band that continues to evolve while staying true to its roots. Catch Joyce Manor opening for The Wonder Years with Aussie band Suzi in March and April.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Legendary L.A. punk rockers X began their career in 1977, and this month they released the ninth album, Smoke & Fiction (Fat Possum Records). Founder members John Doe and Exene Cervenka are here to talk about their long and storied career, and the significance of an album they are calling their "farewell." Record Store Day co-founder Carrie Colliton returns to add to our ongoing conversation about the end of musical genres, and to remember a dear departed member of the RSD community. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.
This week's guest, writer/DJ/Tech dude Corey duBrowa, brings some deep personal insight to this episode focusing on Elliott Smith and his amazing 1997 record: 'Either/Or'. Corey was living in Portland, OR and running in the same circles as Smith during his rise as a member of the Portland rock band Heatmiser to Oscar-nominated indie solo artist. Although he was tragically taken way too soon from this earth, his wonderfully written, captivatingly delivered songs live on. Songs discussed in this episode: Say Yes - Brown Derbies/Lucy Lowis/Ben Folds/Elliott Smith; Blackout - Heatmiser; No Confidence Man (Live at Umbra Penumbra, Portland, OR - September 17, 1994) - Elliott Smith; Plainclothes Man - Heatmiser; Miss Misery (Live at The Oscars, 1998), Speed Trials - Elliott Smith; My Valuable Hunting Knife - Guided By Voices; Alameda - Elliott Smith; The Ballad Of El Goodo - Big Star; Ballad Of Big Nothing, Don't Think Twice It's Alright (Live, Bob Dylan Cover) - Elliott Smith; Ballad Of A Thin Man - Bob Dylan; This Will Be Our Year - The Zombies; Between The Bars, Pictures Of Me, No Name No. 5, Rose Parade - Elliott Smith; I Figured You Out - Mary Lou Lord; Punch and Judy, Angeles, Cupid's Trick, 2.45 AM, Say Yes - Elliott Smith; Warsaw - Joy Division; I Figured You Out - Elliott Smith
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisThe Toadies “Possum Kingdom” from the 1994 album "Rubberneck" released on Interscope. Written by Todd Lewis and produced by Alan Tom Rothrock and Rob Schnapf.Personel:Vaden Todd Lewis - Rhythm Guitar, VocalsDarrel Herbert - Lead GuitarLisa Umbarger - Bass, Baritone GuitarMark Reznicek - Drums, PercussionCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.
Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisThe Toadies “Possum Kingdom” from the 1994 album "Rubberneck" released on Interscope. Written by Todd Lewis and produced by Alan Tom Rothrock and Rob Schnapf.Personel:Vaden Todd Lewis - Rhythm Guitar, VocalsDarrel Herbert - Lead GuitarLisa Umbarger - Bass, Baritone GuitarMark Reznicek - Drums, PercussionCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Queen “Another One Bites the Dust”Paul Simon “Call Me Al”Chevy ChaseJonah HillJerry GarciaMartin ScorceseBobby CannavaleThe Grateful Dead “Touch of Grey”PhishBlues TravelerThe Grateful Dead “Truckin'Johnny DeppNic CageMandy PotemkinEugene LevyA Mighty WindJeff BridgesJohn GoodmanJohn BelushiJim BelushiPhilip Seymour HoffmanBrendan FraserDarren AronovskyThe WhaleCrashDudley Do RightSchool TiesThe MummyEncino ManPauley ShoreAirheadsAdam SandlerSteve BuschemiWayne's World Toto “Africa”Pearl Jam “Ten”Nirvana “Nevermind”SoundgardenAlice in Chains “Dirt”Toto “Rosanna”Eddie VedderThe Toadies “I Burn”The Toadies “Tyler”Stone Temple Pilots “Interstate Love Song”Everclear “Santa Monica”Led Zeppelin “The Song Remains the Same”About A BoyGood Will HuntingFoo FightersRL BurnsideEliot SmithJames BlakeYonder Mountain String BandWill SmithKevin JamesClickWestworldINXSDeer TickThe Goo Goo DollsThe Presidents of the United States “Peaches”Jimi Hendrix “Manic DepressionJimi Hendrix “Purple Haze”CakeToolSt VincentDaughtryPhish “Possum”Khaki JacketsThe Dad Rock Project
Rob Schnapf has been making critically acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck's debut album, "Mellow Gold," including the breakthrough single, "Loser." Rob and Tom produced three albums for Elliot Smith, including "XO" and "Figure 8."
Joyce Manor's Barry Johnson joins us on the first-ever episode of the new BrooklynVegan podcast. With their first two albums recently turning 10, Barry discusses the early 2010s emo scene that Joyce Manor got their start in (1:20) and his current relationship to their divisive sophomore album 'Of All Things I Will Soon Grow Tired' (11:10). He also discusses their new album '40 oz. to Fresno,' and how it was partially inspired by Barry digging through the band's vaults of old ideas and unreleased material during the pandemic (22:10), the parallels between 'Of All Things...' and the new record (25:50), the story behind how one of the new album's songs ("Secret Sisters") was actually a reworked version of another song on the album ("NBTSA") (27:15), working with producer Rob Schnapf and the parallels between Rob's work with Joyce Manor and his work with Saves The Day (30:04), and bringing in Motion City Soundtrack drummer Tony Thaxton for the new album (36:30). He talks about his relationship with ska (48:20) as well, and he tells the story of how Joyce Manor's new album was named after an auto-corrected text about Sublime (56:24). Joyce Manor's new album '40 oz. to Fresno' officially drops June 10 via Epitaph, and you can get it on opaque pink vinyl in our shop. Joyce Manor are also touring this summer with Citizen, Prince Daddy & the Hyena, and PHONY. Dates here. Subscribe to The BrooklynVegan Podcast wherever you listen to podcasts, and stay tuned for more episodes. Also keep up with us 24/7 on BrooklynVegan.com where we constantly post music news, album reviews, live concert coverage and more, and follow us on Twitter, Facebook, and Instagram.
"It's funny, I was working up to it for so long...it's been my dream." This week on an all-new episode of our weekly Transmissions podcast, return guest Kurt Vile joins us from his basement studio Overnight KV to discuss his great new album (watch my moves). Loose, sprawling, and filled with spacey but intimate jams that couple drum machines, smoke-curled guitars, and off the cuff vocals, the record feels like being invited into Vile's head to sit down and hang out a spell. Since emerging from the Philadelphia freak underground in the mid-2000s, Vile has established himself as a quixotic singer/songwriter. Like his former bandmates in War on Drugs, Vile draws from rock & roll traditions, but turns them sidewise, imbuing his songs with a sidewise humor and charm. (watch my moves) is his first for Verve Records. This conversation with host Jason P. Woodbury is also like being invited into KV's head, as he shares thoughts on the new record, unpacks what he learned during the pandemic, reflects on working with producer Rob Schnapf, digs into his favorite Bruce Springsteen deep cuts, and offers musings on Neil Young, Kesha, and Sun Ra. Thanks for listening to Aquarium Drunkard Transmissions. We're part of the Talkhouse Podcast Network. If you liked what you heard, please subscribe to Transmissions on your favorite platform and tell your friends to listen to the show. We'll be back next Wednesday with another new episode.
Carl Hancock Rux's work crosses the disciplines of poetry, theater, music, and literary fiction in order to achieve what one critic describes as a "dizzying oral artistry...unleashing a torrent of paper bag poetry and post modern Hip-Bop music; the ritualistic blues of self awakening."Carl Hancock Rux is an American poet, playwright, novelist, essayist, recording artist, actor, theater director, radio journalist, as well as a frequent collaborator in the fields of film, modern dance, and contemporary art. He is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the Obie Award-winning play, Talk. WRITER/POETWorking as a Social Work Trainer while moonlighting as a freelance art and music critic, Rux became a founding member of Hezekiah Walker's Love Fellowship gospel choir and later found himself influenced by the Lower East Side poetry and experimental theater scene, collaborating with poets Miguel Algarin, Bob Holman, Jayne Cortez, Sekou Sundiata, Ntozake Shange; experimental musicians David Murray, Mal Waldron, Butch Morris, Craig Harris, Jeanne Lee, Leroy Jenkins, Odetta, Steve Earle, Jim Carroll as well as experimental theater artists Laurie Carlos, Robbie McCauley, Ruth Maleczech, Lee Breuer, Reza Abdoh and others.RECORDING ARTIST/PERFORMING ARTISTHis CD Rux Revue was recorded and produced in Los Angeles by the Dust Brothers, Tom Rothrock, and Rob Schnapf and voted one of the top ten alternative music CDs of 1998 (New York Times). Rux recorded a follow up album, Apothecary Rx, (selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 albums including 1954's "Lady Sings The Blues" by Billie Holiday, the work of Jazz artists Oliver Nelson, Max Roach, John Coltrane, rhythm and blues artists Otis Redding, Ike & Tina Turner, Curtis Mayfield, George Clinton; as well as individual impressions of Fela Kuti, Jimi Hendrix, and Mos Def.) His fourth studio CD, Good Bread Alley, was released by Thirsty Ear Records, and his fifth Homeostasis (CD Baby) was released in May 2013. Rux has written and performed (or contributed music) to a proportionate number of dance companies including the Alvin Ailey American Dance Theater; Bill T. Jones/Arnie Zane Dance Company; Jane Comfort & Co. and Ronald K. Brown's "Evidence" among others.THE BAPTISMThe recently Lincoln Center commissioned poemWritten and Performed by Carl Hancock RuxDirected by Carrie Mae WeemsAboutBaptism (of The Sharecropper's Son & The Boy From Boonville) by award-winning poet and artist Carl Hancock Rux is a three-part poem and the artist's tribute to the legacies of civil rights leaders John Lewis and C.T. Vivian. Written and performed by Rux, the Lincoln Center commission is also an 11-minute short abstract film in two iterations—The Baptism and The Baptism (rhetoric)—directed by artist Carrie Mae Weems.http://thebaptismpoem.org
This week Jeremy interviews singer / songwriter Kevin Devine On this episode the two discuss support tours, playing quiet music to loud audiences, the Guns N Roses to Nirvana pipeline, R.E.M., Korn, learning songs by ear, first studio experiences, the development of his singing style, touring Canada in the Winter, The Miracle of 86, Lakeshore Records, signing to Capital Records and working with Rob Schnapf, phone calls to friends, a special performance of his song “Splitting Up Christmas” and so much more! For a bonus episode where Kevin answers questions submitted by subscribers + a video of the live performance - Subscribe to the patreon: Patreon - https://www.patreon.com/thefirsteverpatreon Discuss this episode with Jeremy and other listeners: Instagram - https://www.instagram.com/thefirsteverpodcast Twitter - https://www.twitter.com/thefirsteverpod
For the 25th anniversary of Heatmiser's third and final album, MIC CITY SONS, Neil Gust, Tony Lash and Sam Coomes talk openly and in detail about the unique circumstances around how this record was made. When Heatmiser embarked on recording their third album, it was a huge turning point for the band, as they signed a deal with a major label and began building their own studio. Elliott Smith was starting to have success as a solo artist and was coming into his own with songwriting and recording, which led to a lot of tension over the direction of the band. Neil Gust talks about forming his close friendship with Elliott and bonding over music, but how that was changing rapidly in the wake of Elliott's success. Tony Lash describes butting heads with Elliott in the studio since they were teenagers and how it was reaching a breaking point. Sam Coomes gives an outsider's perspective as he talks about never officially joining the band and attempting to play peacekeeper during the fraught sessions. As the tensions rose, Neil, Tony and Sam describe the decision to bring in Rob Schnapf and Tom Rothrock as outside producers to help get the record finished. From drastically changing the sound of the band mid-tour to writing songs about interpersonal band dynamics to guys in their twenties being unable to communicate to the contractual obligation that ultimately ended the band, we'll hear the stories around how the record came together.
My guest today is Pierre de Reeder who spreads his time between making records as a commercial studio owner at 64 Sound and its affiliated production room facilities, inhabiting the occasional role as a solo artist or player in various projects, running his indie record label Little Record Company, and managing all things Rilo Kiley… a band for which he is both a founding member, as well as now having its two latest releases on his label. In recording things, he has worked with the likes of Mavis Staples, She & Him, M. Ward, Sia, Tim Heidecker (from Tim & Eric), Emitt Rhodes, Vampire Weekend, Ben Gibbard, Julian Casablancas, Bright Eyes, and much of his own and various bands. And his studio, 64 Sound and its incarnations have hosted artists such as X, Devendra Banhart, My Morning Jacket, Amanda Palmer, Michael Kiwanuka, Tokyo Police Club, Bat For Lashes, Ty Segall, St. Vincent and Sleater-Kinney, Starcrawler, Warpaint, and many more. Because of its very extensive collection of vintage recording gear, microphones and instruments (lifelong collections of Pierre and his studio partners Curt Anderson and Kingsize Soundlabs), as well as multiple analog tape formats and/or digital, 64 Sound, has become a highly coveted recording destination for bands and songwriters from around the country and globe who come to play and write on more than 50 vintage guitars, 40 vintage keyboards, synths and organs, multiple pianos and drums and effects and doodads galore. Thanks so much to Rob Schnapf for making our introduction... Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 50% off select mics https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://www.youtube.com/user/adamaudiospeakers http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/4v0vOCWpGQnd5NVIowxffG?si=20f2d5ef9b014dc1 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/319
This week Jeremy interviews Barry Johnson of Joyce Manor During this episode the two discuss the S/T anniversary shows at the Hollywood Palladium, stage banter, George Michael's “faith”, nu metal, the Weakerthans, inspiration from The Mountain Goats, seeing the Lawrence Arms at Chain Reaction, his first instrument and what ska taught him about songwriting, his first band Kid Gruesome, being a front person and having something to prove, hearing your voice recorded the first time, Barry asks about Jeremy's first time recording vocals, their collective relationship with producer Alex Estrada, writers block advice, discussing the sophomore album “Of All Things I Will Soon Grow Tired”, when Joyce Manor became more collaborative on Never Hunger Again, writing “The Jerk”, working with Rob Schnapf on Cody and what he brought to the process, Million Dollars to Kill Me and “Demoitis”, album art, and so much more! Discuss this episode with Jeremy and other listeners: Instagram - https://www.instagram.com/thefirsteverpodcast Twitter - https://www.twitter.com/thefirsteverpod Patreon - https://www.patreon.com/thefirsteverpatreon
We're joined by songwriter, producer, and legendary indie rock guitar slinger, Doug Gillard, known most widely as the longtime guitarist for Robert Pollard's Guided by Voices. Crucial matters discussed include: growing up in Ohio and why that state has produced so many incredible rock bands; the bizarre ritual of the audiences in Florida showering Guided by Voices with beer at shows; Doug's sidework with Nada Surf, Neko Case, The Hold Steady, and Oranges Band, among others; the astonishing productivity of Guided by Voices and their amazing new record, Earth Man Blues; working with Ric Okasek from The Cars on GBV's Do the Collapse and Rob Schnapf on Isolation Drills; and so much more.
Zac Carper is in the band FIDLAR, and is also an incredible producer. This week he joins us to discuss the future of music and what he's currently inspired by. We also get into his early days of getting into trouble and growing up in Hawaii, finding music, chasing a dream to become a producer, and the success of FIDLAR. He's got a truly amazing story and is just a rad dude in general. I think you'll really like this episode. It's one of my favorites! Timestamps: 0:00 - Intro 2:00 - Who you are and what you do? 5:27 - Growing up in Hawaii and getting into trouble 8:53 - Getting into music and computers at a young age 13:25 - How did you find your first musical influences and inspirations? 16:44 - Moving to California to get out of trouble 18:20 - Interning at Kingsize Soundlabs in LA 20:44 - Meeting Elvis Kuehn and finding punk music at 18 21:50 - Working with Rob Schnapf, learning to produce, and the start of FIDLAR 25:28 - Zac’s answer to “How do you make it in the industry” 26:19 - Rob Schnapf mentoring Zac and pushing him as an artist and producer 29:00 - The growth and success of FIDLAR 33:17 - Zac’s career as a producer 34:56 - Working with Ricky Reed 40:12 - What inspires you currently as a producer? 46:48 - The future of music and pushing boundaries 52:44 - What do you want to work on next as a producer? 55:10 - We’re living in the most exciting time for music 1:00:11 - Advice to the next generation of artists 1:03:58 - An oddly profound perspective on life gained from surfing If you did like this episode, share it with a friend and subscribe to the podcast. It helps a ton! Zach Carper - @zacharydoncarper FIDLAR - @FIDLAR | Spotify Andrew Cramb - @andrew_ftw --- Support this podcast: https://anchor.fm/whereareallmyfriends/support
Rob is an incredible producer who has worked in the music industry for decades. His credits include: Beck, Toadies, Tokyo Police Club, Elliot Smith, and lots other other influential bands and artists. This interview was recorded shortly after David Bowie died. The death of one of the greatest artists of our time led us to an in-depth conversation about the importance of art and what it means to be a true artist. Rob really is an amazing example of someone who has made amazing albums on a shoestring budget! He made Beck's "Mellow Gold" on a Foster E8 and a Roland Hard Disk recorder and the "Loser" video for $3000!
Rob is an incredible producer who has worked in the music industry for decades. His credits include: Beck, Toadies, Tokyo Police Club, Elliot Smith, and lots other other influential bands and artists. This interview was recorded shortly after David Bowie died. The death of one of the greatest artists of our time led us to an in-depth conversation about the importance of art and what it means to be a true artist. Rob really is an amazing example of someone who has made amazing albums on a shoestring budget! He made Beck's "Mellow Gold" on a Foster E8 and a Roland Hard Disk recorder and the "Loser" video for $3000!
Here's the story behind Tokyo Police Club's latest album TPC: In the last few years, the band grew apart and started to consider a "slow fade." During the 10 Year Anniversary tour for their 2010 breakthrough EP, A Lesson in Crime, one member made a passionate plea for the the band to continue. All four members agreed and they rediscovered their love of making music together, re-enlisting producer Rob Schnapf to help rekindle the enthusiasm of making 2010's endlessly charming Champ. I had dinner and drinks with Graham Wright and Josh Hook from Tokyo Police Club in Vancouver's Rumpus Room the last time the band toured thru Vancouver. We talked about nearly breaking up, being in a band after ten years and had a few laughs about mid-career band press release cliches. What strange dishes and drinks did the guys order? What's it like to re-evaluate your life after 10 years playing in a band? Why did the band nearly break up? Who wanted the band to continue? Why did Graham and Josh decide to double-down on Tokyo Police Club? What's it like to try to recapture the magic? Which old songs do they guys miss playing live? Which song on the new record makes Graham feel like a guitar god? You'll have to listen to find out. Tracks played on the radio edit of the show... 1) Tokyo Police Club, TPC (2018) "Hercules" 2) Tokyo Police Club, TPC (2018) "Simple Dude" 3) Tokyo Police Club, TPC (2018) "New Blues" 4) Tokyo Police Club, Champ (2010) "Gone" 5) Tokyo Police Club, TPC (2018) "One of these Days" ALL songs CANCON
Here's the story behind Tokyo Police Club's latest album TPC: In the last few years, the band grew apart and started to consider a "slow fade." During the 10 Year Anniversary tour for their 2010 breakthrough EP, A Lesson in Crime, one member made a passionate plea for the the band to continue. All four members agreed and they rediscovered their love of making music together, re-enlisting producer Rob Schnapf to help rekindle the enthusiasm of making 2010's endlessly charming Champ. I had dinner and a few drinks with Graham Wright and Josh Hook from Tokyo Police Club in Vancouver's Rumpus Room the last time the band came thru Vancouver. We talked about nearly breaking up, being in a band after ten years and had a few laughs about mid-career band press release cliches. What strange dishes and drinks did the guys order? What's it like to re-evaluate your life after 10 years playing in a band? Why did the band nearly break up? Who wanted the band to continue? Why did Graham and Josh decide to double-down on Tokyo Police Club? What's it like to try to recapture the magic? Which old songs do they guys miss playing live? Which song on the new record makes Graham feel like a guitar god? How many Eminem references will there be in this interview? You'll have to listen to find out. Tracks played on the podcast edition of the show... 1) Tokyo Police Club, TPC (2018) "Hercules" 2) Tokyo Police Club, TPC (2018) "Simple Dude" 3) Tokyo Police Club, TPC (2018) "New Blues" 4) Tokyo Police Club, Champ (2010) "Gone" 5) Tokyo Police Club, TPC (2018) "One of these Days" ALL songs CANCON
Canadian indie-rockers Tokyo Police Clubhave released their first album in four years, 'TPC' viaDine Alone Records.The celebrated Canadian outfit has garnered support from a myriad of tastemaker publications such as Pitchfork, Billboard, Huffington Post, NPR, Noisey, Clash Music, Paste Magazine and Consequence of Soundas well as BBC Radio 1presenter Zane Lowe,BBC Radio 1's Phil Taggart and Alice Levine, BBC Radio 6's Steve Lamacq andShaun Keaveny and The Late Show with David Letterman. On top of this, the quartet has played hundreds of venues, including massively acclaimed festivals Glastonbury Festival, Coachella, Lollapalooza, Bumbershoot, Reading and Leeds Festival, Roskilde Festival, Rock am Ring, and Bonnaroo. In 2012, the band joined indie legends Foster the Peopleon the North American portion of their album tour along with songstress Kimbra. Tokyo Police Club wrote their brand new album, 'TPC', in a beautiful old church in rural Ontario, staying together and working on the songs while bonding in the countryside. When the songs were done, the band went out to Los Angeles and recorded them up in the California sunshine with Rob Schnapf, who also produced Tokyo Police Club's 2010 LP 'Champ', as well as many other seminal music releases, including albums by Elliot Smith, The Vines, FIDLAR and Beck. Tokyo Police Club have come back with a renewed energy for 'TPC', pulsing with equal parts attitude and sensitivity. From anthemic numbers like 'DLTFWYH'and 'Hercules'to honest self-reflections in 'Simple Dude' and the poignant 'One Of These Days', this band is showcasing its maturity and undeniable skill like never before, presenting a mature album that is honest, raw and fun its core. With a renewed energy and a can-do attitude, Tokyo Police Club showcase the new skin they're in with 'TPC'. The brand new video release for 'Simple Dude'hits the nail on the head when it comes to the soul-searching nature of Tokyo Police Club's new album; created using film negatives shot by bassist and vocalist Dave Monks during the recording of the new album, lyrics and imagery were then scratched directly into the film negatives and then animated by talented videographer Anne Douris. The result is a simple yet powerful series of visuals tinged with nostalgia, centred on feelings of intimacy and closeness, which we all need and sometimes long for; "My hands, your hands, I've been feeling lonely. Your touch, my touch, I feel the rush. And I've been waiting for it!" The release of Tokyo Police Club's'TPC' album will mark an important moment for this group of musicians, as it almost never came to fruition. Tokyo Police Club drummer Greg Alsop explains, "The feeling that we were so close to breaking up gave us the freedom to enjoy each other more, to enjoy making music together ... If we're not doing it for the sake of being a successful band, but just trying to make an album we're happy with, it takes the pressure off. The expectation was just that we'd do something that would make us happy." In the midst of a near-disbanding, David Monksmanaged to convince the rest of the band that they should not go out without a fight, and not without taking the time to write new music and, importantly, to really enjoy the process. "I think there's a lot more optimism and a lot less confusion now," says Monks. "That's why we called the record 'TPC'. It was a whole process of looking at the band and deciding what it is. There's an excitement and optimism. Let's just let it exist."
Rob talks about getting great acoustic guitar sounds for Elliot Smith, recording Beck Loser, and much more! My guest today is Rob Schnapf, a producer making critically-acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck's debut album, "Mellow Gold," including the breakthrough single, "Loser." Rob and Tom produced three albums for Elliot Smith, including "XO" and "Figure 8." Rob went on to produce albums for Guided by Voices, Saves The Day, The Vines, Powderfinger, The Whigs and Tokyo Police Club. In 2009 he produced Booker T Jones' "Potato Hole," which won a Grammy for Best Pop Instrumental Album. In 2011 he produced "The Road From Memphis" with Booker, which again won the Grammy for Best Pop Instrumental Album. Thanks to our sponsors! Roswell Pro Audio: https://RoswellProAudio.com Tegeler Audio Manufaktur: https://www.tegeler-audio-manufaktur.de/ Hear more from Rob: https://open.spotify.com/user/mcdman/playlist/4zsL6rVLrX8Vid5fB8EtnH Website: http://mcdman.com/schnapf If you love the podcast then please Leave a review on iTunes here Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/135
In this episode we speak to New York-based songwriter and musician, Kevin Devine. Kevin is a huge Elliott Smith fan and has covered his songs many times, so it was great to get the chance to speak to him. He's also worked closely with Rob Schnapf - the producer behind Either/Or, XO, Figure 8 and From a Basement on the Hill - and here we discuss how their relationship came about, as well as what it was like working with a person who helped shaped the career of one of his heroes. Very much hope you enjoy this episode. Please do like, review and subscribe to the show if you can. Oh, and you can also contact me @RobComba on Twitter if you have any recommendations on who you'd like to take part. Thanks xo
Musician and songwriter Matt Koerner (feenynj.com) joins Bill and Brian to talk about early aughts pop punk innovators Saves the Day and their breakthrough album Stay What You Are (2001, Vagrant). Matt shares his experience discovering the band as a teen pop punk devotee. Then we get into what it's like listening to a band from your hometown, Weezer's interactions with the band, Chris Conley's evolution and maturation as a songwriter and artist, Rob Schnapf's influence as producer, how this isn't Say Anything, Eben D'Amico's groovy bass, Bryan Newman's ability to make Matt air drum, the Muppets, and much more as we make our way through the album track by track!
Working Class Audio Session #102 with Frank McDonough!!! Frank McDonough has worked in the music industry since 1988. He worked at Arista Records for four years, then worked for various producer management firms, eventually starting his own company in January 2000. McDonough Managment has a small but impressive client roster including former WCA alumni Andrew Scheps, Matt Wallace, Joe Barresi, Ross Hogarth and Rob Schnapf as well as Mike Clink, David Bianco, Nick Didia, John Fields, Paul David Hager, Matt Hyde, Alain Johannes, Pierre Marchand, Nick Raskulinecz, Garth Richardson and Phillip Steir. Frank joins Matt for conversation over Skype and takes us through the realities of what a manager does and what he or she does not. Enjoy!
Working Class Audio Session #099 with Rob Schnapf!!! Rob Schnapf has been making critically-acclaimed records for the past two decades. He first gained recognition by producing (with his then-partner Tom Rothrock) Beck's debut album, "Mellow Gold," including the breakthrough single, "Loser." Rob and Tom produced three albums for Elliot Smith, including "XO" and "Figure 8." After Elliot's death in 2003, Rob was asked by Smith's family to help sort, compile and complete the tracks that Elliot had been recording. This was released as "From A Basement On The Hill," and became Elliot's highest charting album in the US.Rob went on to produce albums for Guided by Voices, Saves The Day, The Vines, Powderfinger, The Whigs and Tokyo Police Club. In 2009 he produced Booker T Jones' "Potato Hole," which won a Grammy for Best Pop Instrumental Album. In 2011 he produced "The Road From Memphis" with Booker, which again won the Grammy for Best Pop Instrumental Album. In addition to his work as a producer, Rob is an accomplished mixer. He mixed the debut album by the Foo Fighters (with Rothrock), and has mixed tracks for Fidlar, Moby, Rickie Lee Jones and a Grammy-nominated album for Mavis Staples. Rob produced and mixed tracks for Kurt Vile's latest release, including the single, "Pretty Pimpin." Rob is currently producing a new album for Cass McCombs. Rob and Matt chat over Skype about business, artists, kids and the art of disguising your voice when using the talkback.
On this episode of Knobs, Chris and Matt discuss the life and times of the late Scott Weiland, and speak with the wonderful production talent that is Rob Schnapf. Rob is responsible for bringing Beck into the spotlight, and has worked with the likes of Elliott Smith, Foo Fighters, Guided By Voices and more.
News: – Adele breaks music sales records – Li-Fi – Light Enabled Wifi Interview: – Producer Rob Schnapf The post Episode #85 – Adele Breaks Records, Li-Fi, and Producer Rob Schnapf appeared first on Bobby Owsinski's Inner Circle Podcast.
News: - Adele breaks music sales records - Li-Fi - Light Enabled Wifi Interview: - Producer Rob Schnapf
This week, I'm joined by Kevin Devine, an indie-rock singer-songwriter from Brooklyn, New York. Since the early 2000s, Devine has been making some of the most forward-thinking (and thoughtful) songs in the folk rock genre, drawing on political unrest and personal heartache alike to create songs that are often beautiful but never boring. He's also a member of indie-rock super group Bad Books, featuring Manchester Orchestra; together, the band has released two albums: 2010's self-titled effort and 2012's II. Last year, thanks to a fervent grassroots fanbase, Devine funded two albums via Kickstarter: Bubblegum—the loud one, produced by Brand New's Jesse Lacey—and Bulldozer, a quieter affair helmed by Rob Schnapf. I caught up with Kevin to chat about crowdfunding, how collaboration has affected his songwriting, why idol worship never really leaves you, and much more. Enjoy! ----- Links: Kevin Devine's Website | Twitter | Facebook | Tumblr Buy Bubblegum and Bulldozer on iTunes She Can See Me 7" via Bad Timing Records Voice & Verse Podcast on iTunes | Stitcher | Facebook | Twitter
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