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3 episodes with Jim Carroll
3 episodes with Jim Carroll
3 episodes with Jim Carroll
Season 6 Episode 42 of theChasing MacNaughton Podcast fromTech Hockey Guide, "Carrot Top" with Tim Braun, Rob Gilreath, Matt Cavender and our guest, Jim Carroll. Jim played for the Huskies in the 1980s and was recruited to the Huskies a member of the heralded Edina Hornets. Jim has made a career out of refereeing hockey and being a PA announcer for many sports teams/event in the Twin Cities area.Mitch's Misfits Amazon wishlist is still having items added as we figure it out but you can take a look by clicking here and a reminder, if you rate the Podcast 5-stars, we'll read your review on the podcast and thanks to all our sponsors, Arcadia Insurance Group,Livonia Technical Services,PsychoBobTB andFiebke Dental in Rhinelander, Wisconsin.Follow us on twitter at ChasingMacPod and you can submit questions through our email address, ChasingMac@techhockeyguide.com. Don't forget to subscribe to the podcast wherever you get your podcasts. Please rate and review which will help us reach more people, and tell your friends. Please check out Jonathan Zamaites series previews every Friday. Also, keep an eye out for new recruiting articles on Tuesdays. Thanks to The Thank You Notes for all the bumpers in today's episode. If you like what you hear, check them out at thethankyounotes.bandcamp.comFor additional information and more episode liner notes, check out our episode overview on Tech Hockey Guide. To make sure we can afford all our fancy equipment we purchased for the podcast and the THG website in general, please check out our patreon page and consider joining. Patrons at our Black Level or above receive an authentic MTU jersey patch and access to extra podcast content including extended versions of our other episodes. This week's extended version was over 81 minutes.
Budgeting is one of the most misunderstood and frustrating parts of nonprofit work, whether you're leading an organization, raising funds, or managing marketing and communications. In this episode, Spencer Brooks sits down with Jim Carroll, CEO of The diaTribe Foundation, to break down key budgeting misconceptions, explain how different revenue models shape financial decisions, and share strategies for securing more funding. Whether you're an Executive Director balancing competing priorities, a fundraiser navigating restricted and unrestricted dollars, or a marketing professional making the case for more resources, this episode will give you the insights you need to approach budgeting with confidence. About the guest Jim Carroll is the CEO of The diaTribe Foundation after seven years as the Vice President of Finance and Administration at Common Sense Media and 6 years as the Managing Director of Equality California where he led the team to successfully pass over 70 pieces of legislation to achieve legal equality for LGBT Californians. He also worked at an environmental health organization called The Breast Cancer Fund and at the National office of Parents, Families and Friends of Lesbians and Gays. Jim graduated from the University of Florida and lives with his husband, Scott, and his yellow Labrador retriever, Atlas, in San Francisco. Resources New York Times: https://www.nytimes.com/Axios: https://www.axios.com/The Atlantic: https://www.theatlantic.com/ Contact Jim Website: https://diatribe.org/foundationLinkedIn: https://www.linkedin.com/in/jim-carroll-b4004b6/
Season 6 Episode 41 of theChasing MacNaughton Podcast fromTech Hockey Guide, "Brotherly Love" with Tim Braun, Rob Gilreath, Matt Cavender and our guest, Jim Carroll. Jim played for the Huskies in the 1980s and was recruited to the Huskies a member of the heralded Edina Hornets. Jim has made a career out of refereeing hockey and being a PA announcer for many sports teams/event in the Twin Cities area.Mitch's Misfits Amazon wishlist is still having items added as we figure it out but you can take a look by clicking here and a reminder, if you rate the Podcast 5-stars, we'll read your review on the podcast and thanks to all our sponsors, Arcadia Insurance Group,Livonia Technical Services,PsychoBobTB andFiebke Dental in Rhinelander, Wisconsin.Follow us on twitter at ChasingMacPod and you can submit questions through our email address, ChasingMac@techhockeyguide.com. Don't forget to subscribe to the podcast wherever you get your podcasts. Please rate and review which will help us reach more people, and tell your friends. Please check out Jonathan Zamaites series previews every Friday. Also, keep an eye out for new recruiting articles on Tuesdays. Thanks to The Thank You Notes for all the bumpers in today's episode. If you like what you hear, check them out at thethankyounotes.bandcamp.comFor additional information and more episode liner notes, check out our episode overview on Tech Hockey Guide. To make sure we can afford all our fancy equipment we purchased for the podcast and the THG website in general, please check out our patreon page and consider joining. Patrons at our Black Level or above receive an authentic MTU jersey patch and access to extra podcast content including extended versions of our other episodes. This week's extended version was over 81 minutes.
Interview with Kevin Shields Of Detention. Detention was one of the first and best bands of the ‘80s New Jersey hardcore punk explosion. Their wonderfully tasteless “Dead Rock 'n Rollers” single became the college radio cult classic of 1983. The song's 97 seconds of primal Ramones-style speed-punk mocked the demise of Jimi Hendrix, Janis Joplin, John Lennon, Keith Moon, Elvis Presley, Jim Morrison, Sid Vicious, John Belushi, and John Bonham — who “played the drug game and couldn't maintain.” They even foretold the drug-related heart attack of Jim Carroll, famous for “All The People Who Died,” screaming, “What are you waiting for? Do it!” Saving the best for last, “Dead Rock 'n Rollers” raised the obvious question: “Why couldn't it be Barry Manilow?” The Detention story goes back to Central Jersey, to the Shields family home in Hillsborough Township, about 20 minutes from the “culture capital” of New Brunswick. Kevin Shields, the fourth of five sons, grew up listening to his older brothers' sophisticated record collection of hippie music that ranged from Blue Cheer to King Crimson. Kevin recalls: “Early on, I knew that rock ‘n roll was something special. I was fascinated.” “I enlisted in the Coast Guard when I was 17. I was out on my own. I was always a music guy and realized music was getting stale with Genesis and whatnot. I read all the magazines, and the ads in the back, so I sent money to these labels, and came home with albums like Never Mind the Bollocks and Rocket to Russia, and singles by the Slickee Boys and MX-80 Sound. But the coup d'grace was when we stationed in Alameda and I went wild in San Francisco. I went to the Mabuhay Gardens like three nights a week, seeing all the legendary West Coast bands: DKs, DOA, Black Flag. I got thrashed on the education of seeing live bands.” When Kevin returned home in 1981, he was inspired to make music. “Detention came about because I decided to be a player not a spectator,” he explains. “The easiest way was to recruit my family, so I turned to my brothers. I bought a bass, but I didn't know how to play it. My brother Paul suggested I get in touch with this guitarist Rodney Matejek. He showed me how to play simply, and within months we started coming up with riffs, and what would become songs came very quickly.” The band — Kevin, Rodney, frontman Paul Shields, and drummer Daniel Shields — played their first show at Raritan Manor on the Somerville Circle, hosted by a young Matt Pinfield in his first radio DJ gig at WRSU (Rutgers). It was a noisy and chaotic affair, with people rolling on the floor — until police arrived and stopped the mayhem. “We were given 100 bucks, and we promised never to play there again,” Kevin says with a grin. Kevin offers some backstory: “Rob Roth, god bless his pointed head, he had a vision. He got us into the studio in Roselle Park, and he paid for it. All we had to do was get good recordings of the two songs, including the B-side “El Salvador.” It came out great. My brother Paul certainly had the lungs for the job! Those 500 copies got us gigs and got us a lot of notice.” In 1985, Detention released a self-produced self-titled album before disbanding. Kevin's Info https://www.leftfordeadrecords.com dead-rock-n-rollers
"Dom, Q, and ILL tackle The Basketball Diaries in this week's Say Whats Reel review. Join us as we dive into Leonardo DiCaprio's powerful performance in this gritty coming-of-age story. From the highs of basketball dreams to the lows of addiction, we explore the film's emotional depth, unforgettable scenes, and its impact on audiences over the years. Don't miss this in-depth discussion—like, comment, and subscribe for more reviewsThe Basketball Diaries is a 1995 American biographical crime drama film. The movie deals with drug addiction and its unfavorable outcome in lives of common people.[2] Directed by Scott Kalvert[3] in his feature directorial debut and based on an autobiographical novel by the same name written by Jim Carroll. It tells the story of Carroll's teenage years as a promising high school basketball player and writer who develops an addiction to heroin.[4] Distributed by New Line Cinema,[5] The Basketball Diaries stars Leonardo DiCaprio as Carroll, along with Bruno Kirby, Lorraine Bracco, Ernie Hudson, Patrick McGaw, James Madio, Michael Imperioli, and Mark Wahlberg in supporting roles.Find the SWR Crew DOM CRUZETwitter: https://twitter.com/itzdomcruzehoe Instagram: https://www.instagram.com/itzdomcruzehoe/QTwitter: https://twitter.com/King_Quisemoe Instagram: https://www.instagram.com/king_quisemoe/We hope you enjoyed the video and the content we put out here at Say Whats Reel Thank you for watching!
After presenting multiple seminars at this past weekend's Red River Valley Boat and Marine Products show, professional angler Jim Carroll goes deeper into the options available for anglers and boat owners wanting to up their electronics game.See omnystudio.com/listener for privacy information.
Join Eric as he engages with home technology inventor and expert Jim Carroll to explore the revolutionary smart home control system developed by Sendal, designed to enhance indoor air quality. This innovative solution aims to seamlessly integrate various smart devices, allowing homeowners to enjoy a healthier living environment without the hassle of managing multiple systems. Jim shares insights on the importance of active whole-house dehumidification, revealing that an astonishing 80% of U.S. households exist in climate zones where this is necessary. As they delve into the complexities of home automation, they discuss how Sendal's platform prioritizes convenience and user experience, making it accessible even for those who aren't tech-savvy. For more information about this groundbreaking technology, listeners are encouraged to visit www.sendal.io.Jim Carroll joins Eric G. to explore the transformative potential of smart home technology, focusing particularly on indoor air quality and the integration of various smart devices. They discuss the challenges homeowners face in managing multiple independent systems, leading to confusion and inefficiency in their homes. Carroll emphasizes the importance of creating a cohesive smart home ecosystem that truly caters to the needs of the inhabitants. He introduces Sendowl, a solution designed to connect and automate smart devices in a way that promotes health and comfort. The duo highlights the alarming statistic that 80% of U.S. households reside in climate zones that require active whole-house dehumidification, pointing to a critical need for better indoor air quality management. Throughout the conversation, the emphasis remains on making technology user-friendly and meaningful, allowing homeowners to benefit from their smart devices without becoming overwhelmed by technical complexities.Takeaways: Jim Carroll emphasizes the importance of indoor air quality and how it affects health. Sendowl's system seamlessly integrates various smart home devices to enhance user experience. 80% of U.S. households should consider active whole house dehumidification for better air quality. Most homeowners struggle with multiple smart home devices that lack cohesive communication. The future of smart homes lies in autonomous technology that prioritizes users' comfort and safety. Jim highlights the need for ventilation systems to adapt based on outdoor air quality. Links referenced in this episode:www.sendal.iomonumentgrills.comCompanies mentioned in this episode: Sendowl Monument Grills Carrier Schneider Electric GE Emporia To get your questions answered by Eric G give us a call in the studio at 833-239-4144 24/7 and Eric G will get back to you and answer your question and you might end up in a future episode of Around the House. Thanks for listening to Around the house if you want to hear more please subscribe so you get notified of the latest episode as it posts at https://around-the-house-with-e.captivate.fm/listenIf you want to join the Around the House Insider for access to the back catalog, Exclusive Content and a direct email to Eric G and access to the show early https://around-the-house-with-e.captivate.fm/support We love comments and we would love reviews on how this information has helped you on your house! Thanks for listening! For more information about the show head to...
Former Kentucky State Treasurer Jonathan Miller sits in for Kruser as a special guest host as he talks with Jim Carroll who was in both George W. Bush and Donald Trump's cabinets and gets a little help hosting from, Larry Glover in hour 1. See omnystudio.com/listener for privacy information.
We open the book and read from Jim Carroll's many basketball diaries to find out about his life on the streets with Mickey, Pedro, and Neutron. What a time these little scamps had! Yelling at old ladies, knocking hot dogs out of children's hands, and barfing on the guy who would later play Big Pussy on The Sopranos. Oh, but they weren't all happy days. No, there are dark times ahead for young Jim (Leonardo DiCaprio), and we talk all about it. Bonus video: We talk about our favorite teachers from movies. Watch it on our Twitter, Instagram, or TikTok. Next week: Pulp Fiction (1994) with The Reel For Real podcast! Time stamps: 00:04:40 — Our personal histories with The Basketball Diaries 00:13:05 — History segment: Jim Carroll's real life and Basketball Diaries; production of this movie and the casting of Leonardo DiCaprio and Mark Wahlberg 00:31:15 — In-depth movie discussion 01:16:29 — Final thoughts and star ratings Sources: "Off the Rim" by Thomas Mallon | The New Yorker (2010) - https://bit.ly/4fdoCja "Leonardo DiCaprio's Issue With Mark Wahlberg & More Secrets Revealed About The Basketball Diaries" by Natalie Finn | E! News (2020) - https://bit.ly/3NZgDdF "Mark Wahlberg Was A 'Punk' The First Time He Met Leonardo DiCaprio" by Sasha Bronner | HuffPost (2014) - https://bit.ly/3CeDAqz Review of ‘Elephant' by Roger Ebert | The Chicago Sun-Times (2003) - https://bit.ly/3CiZtVQ Artwork by Laci Roth. Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: “Your Ambition” - https://youtu.be/ZHudVTCkrQY “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9
A national emergency (not really) provokes a bonus NO ENCORE (yes, really) as Dave Hanratty attempts to wrap his head around the great Oasis ticketing scandal of 2024. What a difference a week and some last-minute dynamic pricing make, eh? Last Saturday has been and gone, and so too have the hopes and dreams of many crushed Britpop fans. As for those who found their way to the top of a very long queue? Well, they either walked away in protest at a sudden colossal spike in ticket prices, or they're going to be budgeting hard for the next month to come. Call it dynamic pricing, call it an 'in demand' ticket, call it the price of doing ruthless business, call it plain old greed - whatever the phrasing, Liam and Noel Gallagher find themselves counting an awful lot of cash as many disgruntled fans suffer the cost. On this episode, Dave is joined by Jim Carroll, RTÉ Brainstorm editor and former (well, mostly) outspoken music journalist of renown, to examine the questionable mechanics of the Mancunian money machine. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Ben Tanzer's Work For Episode 250, Pete welcomes Ben Tanzer, and the two discuss, among other topics, his childhood love of books, formative and transformative writers and writing, bothy past and present, muses, Jim Carroll and his powerful and pivotal work, Ben's podcast and motivations for living the creative life, and salient themes and issues in his novel like sacrifice, family bonds, parenthood, small towns, the unknown, and awe. Ben Tanzer is an Emmy-award winning coach, creative strategist, podcaster, writer, teacher and social worker who has been helping nonprofits, publishers, authors, small business and career changers tell their stories for 20 plus years. He serves as a Lecturer (and part-time faculty) at Lake Forest College, where he teaches LOOP 202: 21st Century Development and Liberal Arts and The Workplace. He produces and hosts This Podcast Will Change Your Life (300+ episodes and counting), which was launched in February 2010, focuses on authors and changemakers from around the country and the world, and was named by Elephant Journal as one of "The 10 Best Podcasts to Help you Change your Life. His written work includes the short story collection UPSTATE, the science fiction novel Orphans and the essay collections Lost in Space and Be Cool. I'm a storySouth and Pushcart nominee, a finalist for the Annual National Indie Excellence and Eric Hoffer Book Awards, a winner of the Devil's Kitchen Literary Festival Nonfiction Prose Award and a Midwest Book Award. Buy The Missing A Conversation with Ben in The Chicago Review Ben Tanzer's Website At about 2:15, Ben gives background on the “creative life” and his day-to-day and “hustle” At about 5:30, Ben describes the importance of an “awesomely discouraging” tax person when one lives the creative life At about 6:45, Ben shouts out Columbia College in Chicago At about 7:45, Ben discusses his early relationship with reading and the written word At about 10:00, Ben talks about meaningful feedback in a writing class and how he started his writing career At about 11:10, Ben cites Jim Carroll's Basketball Diaries, DeGrazia's American Skin, and other formative texts, like Catcher in the Rye, Will Allison and Joe Mino, At about 14:10, Ben reflects on the importance of cross country and wrestling in his life At about 15:10, Ben shouts out Wendy C. Ortiz's Excavation, Gina Frangello, Donald Quist, Joe Meno, Sara Lippman, Alice Kaltman, Gionna Cromley, Lee Matthew Goldberg, and Lisa Cross Smith as writers and writing that thrills and inspires and “crush[es]” him At about 17:30, Pete cites the thrill of meeting standout writers, and Ben expands upon ideas of the brain being “profoundly affected” by meeting literary heroes At about 20:10, Ben talks about his podcast and its roots and philosophy At about 22:30, Ben responds to Pete's question about Ben's viewpoint on the “muse,” in both his writing and his podcasting-shout out to SpiderMeka! At about 27:15, Pete and Ben lay out the book's exposition and Ben discusses the book's seeds At about 29:45, Ben gives background on a stimulating idea provided by his agent At about 31:45, The two discuss the aging and maturing or not of the central characters of the book At about 36:00, The two discuss how Ben writes about “what could have been” in using “speculative flashbacks” and ideas of the sexualization of young girls, especially in missing children cases; Ben shouts out Emily Schultz's Little Threats At about 40:35, Ben reflects on playing with the idea of having a kid who would dare date someone with a bad haircut, etc. At about 42:25, The two discuss unprocessed traumas and Hannah and Gabriel's mindsets and an awe-inspiring scene involving trains At about 47:00-Bobby Baccala and the trains-NOOOOOOOOOOOOOO! At about 47:45, Ben responds to Pete's comments about Gabriel being referenced in the book as a “good father and a bad husband” At about 51:45, Pete wonders about Krista's reasons for leaving, and Ben talks about the unknown and his rationale in using a lot of unknown, as well as how many real-life parallels he's seen to the book's events At about 55:35, A key question about living one's best life is explored At about 56:15, Casting choices abound! and Ben expands on his interest in Officer John At about 57:35, Ed, father of Hannah, is explored as a victim and a great listener, and Gabriel's mother as an “enabler” is expanded upon At about 1:01:05, Ben gives contact info and social media information At about 1:03:10, Pete and Ben discuss the buying domain business You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 251 with Alexandra Alessandri. She is the author of several books for children, including Isabel and Her Colores Go to School (2021), and Grow Up, Luchy Zapata (2024), a Junior Library Guild Gold Standard Selection; her books have received numerous distinctions, including the International Latino Book Award The episode will go live on September 3. Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.
In this episode of the Finding Harmony Podcast, Harmony Slater and Russell Case sit down with Shane Scaglione, an eclectic and passionate yogi, beat poet, and world traveler. Shane shares his fascinating journey from his early days in New York, through his experiences living in India, and his deep dive into yoga and beat poetry. Shane's story is filled with unique encounters—from his time with beat poets and karate experts to his immersion in Ashtanga Yoga and his transformative years studying with Richard Freeman. Join us as we explore the confluence of cultures, disciplines, and philosophies that have shaped Shane's path and discover how the principles of yoga continue to guide his eclectic life. Key Topics Discussed: Introduction to Shane Scaglione: Shane's early life in New York and his introduction to karate and beat poetry. His journey across various disciplines, including his studies at the Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colorado. Shane's Adventures and Encounters: Stories of meeting iconic figures like Allen Ginsberg, Wayne Kramer, and Ken Kesey. Shane's unique experiences living in New York, Los Angeles, and India, highlighting the cultural and philosophical diversity he encountered. Yoga as a Pathway: How Shane discovered yoga through his love of basketball and martial arts. His transition into the practice of Sivananda and Ashtanga Yoga and his eventual deep study under Richard Freeman. Life in India and Spiritual Practices: Shane's multiple trips to India, totaling three years, where he immersed himself in yoga practice, philosophy, and spirituality. His time spent with various spiritual teachers, including a significant stay at Amma's ashram in Kerala. Beat Poetry and Writing: Shane's passion for writing and beat poetry, influenced by Jim Carroll and other prominent poets. Readings from his books, "A Way in India, Volumes 1-3," that reflect his spiritual and poetic journey. Current Yoga Practices and Teaching: Shane's current role teaching at a yoga ashram in San Francisco and running yoga programs at tech companies like Asana. His thoughts on yoga as a lifestyle and its potential to transform lives beyond physical practice. Philosophical Reflections: Discussions on the teachings of Swami Bharati and their impact on Shane's understanding of yoga and spirituality. Insights into the deeper practices of yoga, including meditation, mantra chanting, and fire ceremonies (Homa). Closing Thoughts: Harmony reflects on the importance of integrating yoga into daily life and how listeners can deepen their practice by joining her Inner Circle Mentorship. Resources and Links: Learn more about Shane Scaglione and his teachings: 8 Limbed Yoga Connect with Us (We love to hear from you!) Harmony Slater's Website: http://harmonyslater.com Finding Harmony Community https://harmonyslater.com/harmony-slater-coaching Find Harmony on Instagram Follow the Finding Harmony Podcast on IG Two Minute Breathwork Session Yoga Gives Back Fundraiser Subscribe & Listen: Don't forget to subscribe to Finding Harmony Podcast for more episodes filled with enriching discussions and insights into the world of yoga
James Joyce ha avuto una punk band con Jim Carroll? Perchè Mickey Rourke in Rumble Fish non è riuscito a vedere l'oceano? È possibile svegliare una persona che sta sognando? In questo episodio di Fuori Orario Not Another Podcast, Daria Moretti e Luca Villa parlano per oltre un'ora del quarto album in studio dei Fontaines D.C., l'attesissimo Romance. Da oggi puoi diventare un sostenitore di questo podcast. Come? Vai su https://www.patreon.com/fuoriorariopodcast per tutte le info. A questo link https://amzn.to/3z2wJPH trovi invece la musica, i film e i libri dei quali si parla in questo podcast.
Embrace uncertainty for growth! Join Siebe Van Der Zee and Yi Wang in a special episode of 10LessonsLearned as they delve into the power of uncertainty. Sweaty palms, trembling voices - familiar feelings, right? Dive deep into insightful conversations and wisdoms shared by distinguished guests. Unlock untapped potential from our treasure trove of lessons! Siebe Van Der Zee is President of Vanderzee & Associates, Executive Search & Coaching. He has served as an international management consultant for over 25 years. For 28 years, Siebe has served as Honorary Consul of the Kingdom of the Netherlands in Arizona. He holds a Master's Degree in International Management from Thunderbird School of Global Management and he is a current member of the International Leadership Council at GPEC (Greater Phoenix Economic Council). Yi Wang is passionate about applying a risk lens and toolkit to a business challenge, making it meaningful to stakeholders so to make better decisions and achieve their success. Having lived the life of a 1st-generation migrant in Australia, Yi completed a hybrid education in accounting and IT and worked in professional service and many digital-first industries. Yi received countless support and advice generously given by others, so he is a strong believer in mentorship and its power to help young professionals to realise their potential. Outside of his professional life, Yi enjoys playtime with his family, reading and is studying towards professional qualifications in mental health and counselling. Since joining the #10lessonslearned team, Yi has re-energised the team and helped refine a marketing strategy to amplify the outreach of the wisdom we aspire to share. Episode Notes Intro 00:00 Certainty is just a mindless illusion 02:13 The Upper Limit Problem 03:28 Learn to be comfortable being uncomfortable.06:06 Run towards the fire. 09:22 Guests who's wisdom we talk about: Ellen Langer: watch episode Katie & Gay Hendricks: watch episode Bas Boorsma: watch episode Jim Carroll: watch episode Conrad Taylor: watch episode Beng Yeoh: watch episode Jeffery Wang: watch episode David Chalke: watch episode
We're back for another round of our New Wave Game! The rules are simple, because the game is stupid. We're listening to the next three volumes in the Just Can't Get Enough: New Wave Hits of the 80s CD series, and trying to guess each other's favorite songs. Volumes 4-6 include Flopcast favorites like the Go-Go's, Men at Work, Duran Duran, and Devo. There are also memorable one-or-two hit wonders like Soft Cell, A Flock of Seagulls, the Waitresses, and Bow Wow Wow. And then there are the acts who never really scored a hit, but still made an impression. (Yikes, Jim Carroll knew a lot of people who died...) In New Wave Game Part 1, we both failed miserably. Surely we'll do better this time, if we can only clear our brains of Toni Basil screeching about Mickey. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Modern Musicology!
ALL THINGS BLAKE: THE POETRY FOUDATION https://www.poetryfoundation.org/poets/william-blake
Eh up film fans - Trev's back for another selection of random movie titles from his FILMS I OWNS BUT HAVEN;T WATCHED... YET! Todays choices are a real random variety of films too, but only one can hold the title of film of the episode, which will it be? There are also affiliate links to the films and novels too, should you be interested, which won't cost you any more but may help me out with a little commission... I thank you! Exit to Eden (1994): Directed by Garry Marshall, An erotic comedy that takes us into the sexy world of BDSM. Starring Dan Aykroyd, Dana Delany, Paul Mercurio and Rosie O'Donnell, the film follows two undercover cops, (Aykroyd and O'Donnell) who infiltrate an island resort that caters to guests' deepest fantasies. Own your own copy - https://amzn.to/4clOckZ or read / hear the (audio) book here - https://amzn.to/3TL20yoThe Basketball Diaries (1995):Directed by Scott Kalvert, "The Basketball Diaries" is a gritty coming-of-age drama based on Jim Carroll's autobiographical memoirs. Released in 1995, the film stars Leonardo DiCaprio, Lorraine Bracco, and Mark Wahlberg. DiCaprio portrays Carroll, a promising high school basketball player whose life spirals into a harrowing journey of addiction and desperation. The film depicts Carroll's descent into drug addiction, crime, and ultimately redemption, showcasing DiCaprio's powerful performance and Kalvert's poignant direction.Own the film here - https://amzn.to/4cshBKg or read the book here - https://amzn.to/3vvbu7nOld (2021)M. Night Shyamalan's psychological thriller "Old" explores the terrifying concept of rapid aging on a secluded beach. Released in 2021, the film features an ensemble cast including Gael García Bernal, Vicky Krieps, and Rufus Sewell. When a group of vacationers discovers they are aging rapidly on a mysterious beach, they must confront their mortality and unravel the sinister secrets of the island before it's too late. With Shyamalan's signature twists and suspenseful storytelling, "Old" delivers a chilling and thought-provoking cinematic experience.Own your own copy here - https://amzn.to/3IJX7z0Ghost World (2001)Directed by Terry Zwigoff, "Ghost World" is a dark comedy-drama released in 2001, based on the graphic novel by Daniel Clowes. Starring Thora Birch, Scarlett Johansson, and Steve Buscemi, the film follows the misadventures of Enid and Rebecca, two cynical teenage outcasts navigating the perils of post-high school life. As they grapple with identity crises, dysfunctional relationships, and societal alienation, they forge an unlikely bond with Seymour, an eccentric record collector played by Buscemi. Zwigoff's poignant direction and the stellar performances of the cast make "Ghost World" a cult classic of the early 2000s.Own your own copy here - https://amzn.to/3TJPwa7 or read the graphic novel here - https://amzn.to/3Puy0nO Hosted on Acast. See acast.com/privacy for more information.
On today's show, guitarist and songwriter Lorne Behrman explains how he weathered through the pandemic in New York City, has a conversation about marriage and fatherhood, and talks about sobriety, A.I. & Chat GPT, his new album and more. Lorne also performs a couple of songs: BARBARA and YOU DON'T KNOW ME LIKE THAT. GUEST OVERVIEW: Lorne Behrman is a Punk rock n' roll guitarist and singer-songwriter songwriter who has previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks, and The Sweet Things. Lorne's most recent album - his second as a solo artist - BLUE LOVE (Spaghetty Town Records) is an 11-song collection featuring "a series of New York City vignettes haunted by shadows but guided by light." The stories on BLUE LOVE are literate and lacerating, recalling the street poetics of Lou Reed, Jim Carroll, Jesse Malin, Patti Smith, Hubert Selby Jr., and Tom Waits. The songs feature stark and fluid guitar playing in the spirit of Television, The Stooges' James Williamson, Johnny Thunders, and Robert Quine with Lou Reed. Previously, Lorne issued a critically-acclaimed EP and debut album that have garnered accolades and features in Classic Rock Magazine, Vive Le Rock Magazine, Metronome, Glide Magazine, New Noise, Goldmine, and taste-making punk mag Razorcake. Lorne has played shows with Richard Lloyd (Television), Jeremy & the Harlequins, Lenny Kaye (Patti Smith Group), Jonny Polonsky, Adam Masterson, Lulu Lewis, and Diane Gentile, among many others. https://www.lornebehrmanmusic.com/
Value: After Hours is a podcast about value investing, Fintwit, and all things finance and investment by investors Tobias Carlisle, and Jake Taylor. See our latest episodes at https://acquirersmultiple.com/podcast We are live every Tuesday at 1.30pm E / 10.30am P. About Jake Jake's Twitter: https://twitter.com/farnamjake1 Jake's book: The Rebel Allocator https://amzn.to/2sgip3l ABOUT THE PODCAST Hi, I'm Tobias Carlisle. I launched The Acquirers Podcast to discuss the process of finding undervalued stocks, deep value investing, hedge funds, activism, buyouts, and special situations. We uncover the tactics and strategies for finding good investments, managing risk, dealing with bad luck, and maximizing success. SEE LATEST EPISODES https://acquirersmultiple.com/podcast/ SEE OUR FREE DEEP VALUE STOCK SCREENER https://acquirersmultiple.com/screener/ FOLLOW TOBIAS Website: https://acquirersmultiple.com/ Firm: https://acquirersfunds.com/ Twitter: https://twitter.com/Greenbackd LinkedIn: https://www.linkedin.com/in/tobycarlisle Facebook: https://www.facebook.com/tobiascarlisle Instagram: https://www.instagram.com/tobias_carlisle ABOUT TOBIAS CARLISLE Tobias Carlisle is the founder of The Acquirer's Multiple®, and Acquirers Funds®. He is best known as the author of the #1 new release in Amazon's Business and Finance The Acquirer's Multiple: How the Billionaire Contrarians of Deep Value Beat the Market, the Amazon best-sellers Deep Value: Why Activists Investors and Other Contrarians Battle for Control of Losing Corporations (2014) (https://amzn.to/2VwvAGF), Quantitative Value: A Practitioner's Guide to Automating Intelligent Investment and Eliminating Behavioral Errors (2012) (https://amzn.to/2SDDxrN), and Concentrated Investing: Strategies of the World's Greatest Concentrated Value Investors (2016) (https://amzn.to/2SEEjVn). He has extensive experience in investment management, business valuation, public company corporate governance, and corporate law. Prior to founding the forerunner to Acquirers Funds in 2010, Tobias was an analyst at an activist hedge fund, general counsel of a company listed on the Australian Stock Exchange, and a corporate advisory lawyer. As a lawyer specializing in mergers and acquisitions he has advised on transactions across a variety of industries in the United States, the United Kingdom, China, Australia, Singapore, Bermuda, Papua New Guinea, New Zealand, and Guam. He is a graduate of the University of Queensland in Australia with degrees in Law (2001) and Business (Management) (1999).
Calling in to the show atop the 8 o'clock hour this Wednesday morning is President Trump's former "Drug Czar," Jim Carroll -- who talks to John about the drug/fentanyl crisis at the border, as well as the policies that are exacerbating the problem.
Jonathan Miller interviews Jim Carroll, the former White House "Drug Czar" and current partner at Frost Brown Todd, about federal law enforcement views of hemp and cannabis, and the potential rescheduling of marijuana. If you have questions about the episode or ideas for Hemp related topics, email us at hemplegallyspeaking@fbtlaw.com. Hemp Industry questions covered in the episode: How does federal law enforcement view cannabis and its potential legalization?Are there more nuanced views toward hemp and CBD at the federal level?What is the status of the Biden Administration's potential efforts to reschedule cannabis at Schedule 3, and what would it mean?What would be an appropriate regulatory regime for cannabis under Schedule 3?How should the cannabis industry prepare for rescheduling?How would rescheduling impact hemp and hemp extracts?
In this episode, we are joined by Michael Ferrari of Cinema Du Meep to discuss the 1985 teensploitation classic, Tuff Turf! The film, which stars James Spader (Pretty In Pink), Kim Richards (Assault On Precinct 13), Robert Downey Jr (Marvel's Avengers), & next week's guest Olivia Barash (Repo Man) is quintessential 80s nostalgia! It's soundtrack is filled with bangers from Jack Mack & The Heart Attack, Southside Johnny, Jim Carroll, & Marianne Faithful. If you know Tuff Turf, you love it. If you've never seen it, listen to this episode and enjoy the nostalgic ride! You can find Michael Ferrari here: Instagram: Cinema Du Meep Youtube: Retro Movie Love Podcast Website: Retro Movie Love Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Subscribe to our YouTube Check out Jim Walker's intro/outro music on Bandcamp: jvamusic1.bandcamp.com Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) Dig our show? Please consider supporting us on Patreon for tons of bonus content and appreciation: www.patreon.com/twodollarlatefee Please follow/subscribe and rate us on Spotify and Apple Podcasts! Apple Podcasts: podcasts.apple.com/us/podcast/two-dollar-late-fee Spotify: open.spotify.com/show/ Instagram: @twodollarlatefee Subscribe to our YouTube Check out Jim Walker's intro/outro music on Bandcamp: jvamusic1.bandcamp.com Facebook: facebook.com/Two-Dollar-Late-Fee-Podcast Merch: https://www.teepublic.com/user/two-dollar-late-fee IMDB: https://www.imdb.com Two Dollar Late Fee is a part of the nutritious Geekscape Network Every episode is produced, edited, and coddled by Zak Shaffer (@zakshaffer) & Dustin Rubin (@dustinrubinvo) Learn more about your ad choices. Visit megaphone.fm/adchoices
Muslim extremists encounter extra-dimensional demons while developing a new strain of bacterial meningitis to use for bioterrorism in this harebrained Christian sci-fi/horror film by auteur Jim Carroll, who rose to viral fame in 2020 for his similarly conceptually ambitious film ASSASSIN 33 A.D., in which Muslim extremists go back in time to kill Jesus before He can be crucified and resurrected. It's clear that Jim Carroll has Islam on the brain; he portrays Muslim people as not only vindictive toward Christians, but also capable of achieving some of the most advanced scientific accomplishments in human history in order to thwart Christianity. The Muslim extremists in EVIL BEHIND YOU have kidnapped two (white) couples, whose backstories unravel as they attempt to escape their medical torture dungeon, and we learn of each protagonist's relationship to faith in Jesus Christ. Also threatening these unwilling test subjects are a group of low-poly CGI demons, who seem to be waiting for their victims to die so they can drag their unsaved souls into hell. It's a race against the clock to accept Christ into your heart before terrorism or disease kill you in this bleak, bizarre, and compelling Christian thriller. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy
Deep Dives and Deep Cuts: the History of Punk, Post-punk and New Wave (1976-1986)
For many of us, our knowledge of Jim Carroll's music begins and ends with "People Who Died." But is the rest of his stuff any good? Famed punk photographer Michael Grecco returns to the show to explore the artist's catalog. Listen to the full playlist on Spotify: https://bit.ly/3SekK95 Email us at deepdives.deepcuts@gmail.com.
RADIO CRYSTAL BLUE 8/31/23 I recited these poems" Lawrence Ferlinghtetti "Part 3 of 'A Coney Island Of The Mind' " Jim Carroll "In Four Seasons" Fear Of Dreaming ******************** The Doors "Bird Of Prey" - An American Prayer Fatboy Slim "Sunset (Bird Of Prey)" - Halfway Between The Gutter and The Stars Talk Engine "Dirty And Familiar" & "Salute This"- The Sandals "Trailing' - Original Soundtrack from "The Endless Summer" Dick Dale & The Del-Tones "Summer Surf" - Summer Surf The Jimi Hendrix Experience "Third Stone From The Sun" - Are You Experienced? Tony Bennett "There Will Never Be Another You - In Person! Paul Simon "Leaves That Are Green" The Paul Simon Songbook Crosby Stills & Nash "Delta" - Daylight Again Van Morrison "When The Leaves Come Falling Down" - Back On Top **************** Alexander O'Neal "Love Finds A Way" https://www.alexander-oneal.com/ Angela Saini "Say" https://angelasaini.com/ Art Bergmann "A Hymn For Us" ShadoWalk www.artbergmann.com Grace Morrison "Lone Star" Daughter www.gracemorrison.com Dan Weber "Ghosts Of Wichita" The Way The River Goes www.danwebermusic.com ********************* These artists are participating in the upcoming Sisters Folk Festival https://www.sistersfolkfest.org/ Darlingside "All The Lights In The City" - Everything Is Alive www.darlingside.com Donna The Buffalo "Around The Way" - Dance In The Street www.donnathebuffalo.com Goodnight Moonshine "Willow Tree" s/t www.goodnightmoonshine.com Griffin House "Mighty Good Friend" - Rising Star www.griffinhousemusic.com Edie Carey "We Got This" Paper Rings: 8 Love Songs www.ediecarey.com Beth Wood "This Golden Moment - Love Is Onto You www.bethwoodmusic.com *************************** --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiocblue/message Support this podcast: https://podcasters.spotify.com/pod/show/radiocblue/support
Uncover the elusive world of tactical asset allocation and the mechanics of trading volatility products with my special guest, Jim Carroll. Wondering how to make your portfolio more resilient in the face of market fluctuations? Our conversation will guide you through the importance of rules-based investing and strategy diversification, helping you develop a robust approach to your investments.Step into the engaging world of tactical trading, dissecting the dynamics of shorting volatility and understanding the potential pitfalls of systematic models. Want to make your tactical trading more tax efficient? Carroll provides valuable insights into the pros and cons of decision timing and the essential role of frequency versus magnitude in tactical trading. We ground our discussion in real market conditions, analyzing the risk of surprise events and pondering their implications for tactical asset allocation.Finally, we demystify the process of trading VIX futures or options, debunking common myths and providing practical strategies. Picture this – what if waiting for the VIX to spike to short vol isn't the best approach? Join us as we offer a fresh perspective on volatility exchange trader products. In a lighter vein, Jim shares his favorite drink, a smooth Cabernet Sauvignon, adding a personal touch to our enlightening conversation. Tune in for a richly informative episode filled with actionable tips and valuable insights.ANTICIPATE STOCK MARKET CRASHES, CORRECTIONS, AND BEAR MARKETS WITH AWARD WINNING RESEARCH. Sign up for The Lead-Lag Report at www.leadlagreport.com and use promo code PODCAST30 for 2 weeks free and 30% off.Nothing on this channel should be considered as personalized financial advice or a solicitation to buy or sell any securities. The content in this program is for informational purposes only. You should not construe any information or other material as investment, financial, tax, or other advice. The views expressed by the participants are solely their own. A participant may have taken or recommended any investment position discussed, but may close such position or alter its recommendation at any time without notice. Nothing contained in this program constitutes a solicitation, recommendation, endorsement, or offer to buy or sell any securities or other financial instruments in any jurisdiction. Please consult your own investment or financial advisor for advice related to all investment decisions.The Canadian Money RoadmapDiscover strategies to save, invest, and grow your money effectively.Listen on: Apple Podcasts SpotifyFoodies unite…with HowUdish!It's social media with a secret sauce: FOOD! The world's first network for food enthusiasts. HowUdish connects foodies across the world!Share kitchen tips and recipe hacks. Discover hidden gem food joints and street food. Find foodies like you, connect, chat and organize meet-ups!HowUdish makes it simple to connect through food anywhere in the world.So, how do YOU dish? Download HowUdish on the Apple App Store today:
Are you ready to be enraptured and entranced by a story that may shift the floor you've been walking on? the past, during sacred times like this one, when people gathered around fires instead of in front of glowing boxes, they told stories. These stories were laced with wisdom, guidance and opened portals into other dimensions some may say.Today, we take a proverbial page out of our ancestors book. Or perhaps, we listen a little deeper to what's being said between the words. Let's gather and explore the medicine of story. In today's VERY powerful episode we have Tommy Crawford a Poet, Shamanic Storyteller, and Founder and Creative Director of the international mischief-making outfit, Dancing Fox.Tommy:Guides us through a shamanic journey into the story worldSpeaks to your soul through a potent poemShares how much he truly does have the aura of a spice girlA culture-hacker, praise-maker and fountain of wild ideas, Tommy was described as "Tinkerbell" by Diatribe Foundation's CEO Jim Carroll for "sprinkling magical fairy dust wherever he goes". He has curated and led Playshops all over the world, and has performed at Into The Wild, Shambala and WOMAD festivals, amongst others, as well as touring his poetry across the UK, Indonesia and New Zealand.At its core, his work is about alchemy — acting as a bridge between the worlds to transform 'what is' into 'what could be' — cracking open the heart so that the wonder and beauty of the world can flood in, and the bubbling magic that dwells inside each of us can pour out. Links:Tommy's Website: www.therightkindoftrouble.comTommy's Instagram: www.instagram.com/therightkindoftroubleGet on the BLOOM waitlist: https://airtable.com/shrR9x2WIqldG3QTZMeg's Website: https://www.megthompson.com/Meg's instagram: https://www.instagram.com/iammegthompson/MUSIC FOR TODAY'S SHOW WAS PROVIDED BY Nigel Shaw from the album "Dartmoor Roundhouse" www.seventhwavemusic.co.uk
Jim Carroll, exdirector de la Oficina de Política Nacional de Control de Drogas, habló en La W sobre la alerta lanzada por Estados Unidos sobre el incremento de hectáreas de cultivos ilícitos en Colombia.
“Never Say Never” Formed by classmates at the Art Institute in San Francisco at the sunset of the 70s, Romeo Void were one of the most dynamic, inventive and singular outfits around. Fronted by singer Debora Iyall, the classic Romeo Void lineup was Iyall on vocals, Peter Woods on guitar, bassist Frank Zincavage, saxophonist Benjamin Bossi and drummer Aaron Smith. They toured nationally, had fans that ranged from Ric Ocasek of the Cars to Ann Wilson of Heart and they signed to a major label. Things were happening. The band put out three perfect and critically acclaimed albums—It's a Condition, Benefactor and Instincts--before calling it a day in 1984. A captivating singer, Iyall had the street mart snarl of Jim Carroll and the poetic finesse of Patti Smith and she inhabited each number with strength, vulnerably and wisdom. The songs were frank and honest and their post-punk purity and new wave muscle still sounds as vital today as it did back then. And if you want to check to see if I'm right—the band has just put out LIVE FROM MABUHAY GARDENS: NOVEMBER 14, 1980, THE BAND'S FIRST OFFICIAL LIVE ALBUM. This is a searing eleven song set that's dynamic, urgent and rippling with power. www.romeovoid.bandcamp.com www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenonline.com Stereo Embers: Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com
Never high-five in public. Tips on how to avoid more anxiety, poetry from Jim Carroll and music from Spice. Plz enjoi!
James Dennis Carroll (August 1, 1949 - September 11, 2009) was an American author, poet, autobiographer, and punk musician. Carroll was best known for his 1978 autobiographical work The Basketball Diaries, which inspired a 1995 film of the same title that starred Leonardo DiCaprio as Carroll, and his 1980 song People Who Died with the Jim Carroll Band. I was lucky enough to interview him in 2001 about 9/11, writing, and finding your true path in life. I recently found the tape, and did my best to resurrect it with modern technology. Rough, but I think of historical importance, well worth a listen, and shockingly relevant to life in 2023. PS: Astrology of Wealth starts this week at www.Magick.Me! See you in class!
Part 2 of our annual holiday market mashup mashup, the best moments on the pod from June to December. Table of contents: Mark Benzaquen of the OIC (2:20), Senior Market Strategist Matthew Timpane (4:47), Benzinga's Mark Putrino (8:30), Bryan Sapp (10:11), Jim Carroll of Toroso Investments (12:22), Seth Golden of The Finom Group (16:17), tastytrade's Tim Knight (18:41), Chris Prybal (23:09), and Henry Schwartz of Cboe Global Markets (26:29) Schaeffer's Top 2023 Picks Weekly Options Countdown
Hello, Lit Listeners. If you dig the crazy, down-and-dirty (and deafening), let-it-all-hang out, have-a-nice-day, far out 1970s, you're in for a treat. Music journalist-cum-rock novelist Robert Duncan is here doing double duty as both author and music guru—because why wouldn't he?—and he dishes on some folks whose records are in your collection. You DON'T want to miss this episode! EPISODE HIGHLIGHTS:The blurred lines between the novel ‘Loudmouth' and Robert's real lifeRobert's wild boy big brother—“the original rock ‘n roll guy”—RustyScratch inspections and Robert's friend with a special talent at summer camp (get ready to laugh)Robert and I playing a drinking game on the episode, and the phrase I coined for itRobert having tea with Lester Bangs at MC5's Rob Tyner's houseGetting drunk at Patti Smith's and Allen Lanier's apartment near Washington Square in NYC with Jim Carroll, author of ‘The Basketball Diaries'How Robert became a music journalist and got the job at ‘CREEM'Lester Bangs—and Philip Seymour Hoffman's portrayal of him in ‘Almost Famous'The time Legs McNeil took the last beer from Robert's NYC apartment fridge and Robert and Lester's subsequent fightThe day Lester diedRobert's interactions with various rock stars, including Ron Wood and Keith Richards, Iggy Pop and David Bowie, KISS, Ozzy Osbourne, The Clash, etc.Partying at Liza Minnelli's apartment in NYC with tons of celebritiesDriving around Cleveland with a young Bruce SpringsteenThe tragic genesis of the novel ‘Loudmouth'Robert Duncan's one and only Jimmy Page encounter MUSIC IN THE EPISODE IN ORDER OF APPEARANCE:[No Copyright Music] Retro ‘70s Funky Jazz-Hop Instrumental (Copyright Free) Music—FunkmanThe Beatles—Live at Shea Stadium, New York (August 23, 1966)—cheering“My Foolish Heart” by Bill Evans“I Am A Scientist” by Guided By Voices“Hound Dog” by Elvis Presley“Hello Muddah, Hello Fadduh!” by Allan Sherman“I Touch Myself” by the Divinyls“I Wanna Be Your Dog” by The Stooges‘Metal Machine Music' by Lou Reed“Holy Ghost” by Albert Ayler“Breathe On Me” by The New Barbarians, live 1979 Washington, DC“Detroit Rock City” by KISS“Upside Down” by Diana Ross“The River” by Bruce SpringsteenClip of Jimmy Page talking to Robert Duncan“Tommy's Holiday Camp” by The Who“Rock and Roll Radio” by The Ramones LINKS: Robert Duncan's website, https://www.duncanwrites.com/Robert Duncan on Twitter, @robertduncansfRobert Duncan on Instagram, @rduncansfRobert Duncan on Mastodon, @Rduncan@newsie.social Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/Christy Alexander Hallberg on Twitter, @ChristyHallbergChristy Alexander Hallberg on Instagram, @christyhallbergChristy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag
Hello, Lit Listeners. If you dig the crazy, down-and-dirty (and deafening), let-it-all-hang out, have-a-nice-day, far out 1970s, you're in for a treat. Music journalist-cum-rock novelist Robert Duncan is here doing double duty as both author and music guru—because why wouldn't he?—and he dishes on some folks whose records are in your collection. You DON'T want to miss this episode! EPISODE HIGHLIGHTS: The blurred lines between the novel ‘Loudmouth' and Robert's real life Robert's wild boy big brother—“the original rock ‘n roll guy”—Rusty Scratch inspections and Robert's friend with a special talent at summer camp (get ready to laugh) Robert and I playing a drinking game on the episode, and the phrase I coined for it Robert having tea with Lester Bangs at MC5's Rob Tyner's house Getting drunk at Patti Smith's and Allen Lanier's apartment near Washington Square in NYC with Jim Carroll, author of ‘The Basketball Diaries' How Robert became a music journalist and got the job at ‘CREEM' Lester Bangs—and Philip Seymour Hoffman's portrayal of him in ‘Almost Famous' The time Legs McNeil took the last beer from Robert's NYC apartment fridge and Robert and Lester's subsequent fight The day Lester died Robert's interactions with various rock stars, including Ron Wood and Keith Richards, Iggy Pop and David Bowie, KISS, Ozzy Osbourne, The Clash, etc. Partying at Liza Minnelli's apartment in NYC with tons of celebrities Driving around Cleveland with a young Bruce Springsteen The tragic genesis of the novel ‘Loudmouth' Robert Duncan's one and only Jimmy Page encounter MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: [No Copyright Music] Retro ‘70s Funky Jazz-Hop Instrumental (Copyright Free) Music—Funkman The Beatles—Live at Shea Stadium, New York (August 23, 1966)—cheering “My Foolish Heart” by Bill Evans “I Am A Scientist” by Guided By Voices “Hound Dog” by Elvis Presley “Hello Muddah, Hello Fadduh!” by Allan Sherman “I Touch Myself” by the Divinyls “I Wanna Be Your Dog” by The Stooges ‘Metal Machine Music' by Lou Reed “Holy Ghost” by Albert Ayler “Breathe On Me” by The New Barbarians, live 1979 Washington, DC “Detroit Rock City” by KISS “Upside Down” by Diana Ross “The River” by Bruce Springsteen Clip of Jimmy Page talking to Robert Duncan “Tommy's Holiday Camp” by The Who “Rock and Roll Radio” by The Ramones LINKS: Robert Duncan's website, https://www.duncanwrites.com/ Robert Duncan on Twitter, @robertduncansf Robert Duncan on Instagram, @rduncansf Robert Duncan on Mastodon, @Rduncan@newsie.social Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, @ChristyHallberg Christy Alexander Hallberg on Instagram, @christyhallberg Christy Alexander Hallberg's YouTube channel, https://www.youtube.com/channel/UCfSnRmlL5moSQYi6EjSvqag Learn more about your ad choices. Visit megaphone.fm/adchoices
In a very special episode this week, we're joined by two experts from the manufacturing industry who are using Parsable to power their digitalization efforts — Jim Carroll, Director of Land and Environment at Holcim, and Steve Switzer, Plant Manager at CEMEX. What's unique about this conversation is that these two leaders from two competing organizations have found common ground in their effort to improve the day-to-day experiences for their frontline workers. By sharing their experiences and exploring common problems that need to be solved, they're helping drive innovation within the industry.Join as we discuss: Factors driving digitalization on the frontlinesThe inefficiencies that occur when using paper-based processesFinding and implementing a digitalization toolThe power of partnering with ParsableResults and impacts they've accomplished with their team
Jim Carroll, Earl McGrath, Bob Clearmountain, and me.
Know Your Risk Radio with Zach Abraham, Chief Investment Officer, Bulwark Capital Management
Jim Carroll, Senior Vice President at Toroso AdvisorsSee omnystudio.com/listener for privacy information.
We sit down with Jim Carroll, who served as the director of the White House Office of National Drug Control Policy. We'll take a look at the origins of the lethal drug fentanyl and what should be done to stop it from killing nearly 150 Americans per day. ⭕️Watch in-depth videos based on Truth & Tradition at Epoch TV
Hon. Jim Carroll has substantial experience as a legal advisor to two White House administrations, federal government agencies, and a Fortune 25 company. He counsels clients on complex and sensitive issues involving government and internal investigations, corporate ethics and compliance programs, and white collar defense. In his 30-plus years as an attorney and a Washington insider, Jim has also built a reputation as a go-to choice for strategic business and policy counseling. In addition to his role as a Partner at Michael Best, Jim is also a principal at Michael Best Consulting LLC. Previously, Jim was a co-founder and principal of DC Consulting LLC, a consulting firm specializing in public health, pharmaceutical and substance abuse and regulatory risk involving law enforcement issues. Earlier in his career, Jim spent a decade as in-house counsel at Ford Motor Company where for many years he was the Company's Global Director of Compliance. Jim also served as the nation's “Drug Czar” for three years, following his unanimous confirmation by the United States Senate. Jim's significant federal government and legal experience include the following: - Starting in 2018, served for three years as the Director of the Office of National Drug Control Policy after being unanimously confirmed by the United States Senate. Under Jim's leadership as the “US Drug Czar”, the U.S. saw its first year-over-year decrease in overdose deaths in 30 years. - Served in a number of high-profile posts at the White House between 2016 to 2018, including roles as Deputy Chief of Staff and Deputy White House Counsel. - Appointed General Counsel of the U.S. Office of Management and Budget. - Spent 10 years as a legal advisor to the Ford Motor Company. Jim served as the automaker's Washington Counsel and Global Director of Compliance. During Jim's tenure there, Ford was named one of the “World's Most Ethical Companies” for three consecutive years by Ethisphere Institute. Jim was also General Counsel to the Ford Motor Company Fund, the company's philanthropic arm. - Served as Deputy General Counsel and Acting General Counsel to the U.S. Department of the Treasury. - Served as Associate Counsel and Special Assistant to the President between 2002 to 2004. - Attorney at the Department of Justice, Office of Legal Policy. Selected as Assistant Ethics Counsel in the White House Office of Counsel to the President. - Served as Attorney Advisor to the Department of Justice, Executive Office for United States Attorneys. Jim began his legal career as a prosecutor in the Virginia Commonwealth Attorney's Office in Fairfax, VA. He went on to serve as Assistant Bar Counsel for the Virginia State Bar before transitioning his career to the federal level.
Fyre Festival Billy McFarland's new scam, Ethan Crumbley admits guilt, Gary Graff joins us, murder details of WWJ anchor Jim Matthews, Bob Carmack charges dropped, Olivia Wilde & Jason Sudeikis's loose lipped nanny, Clarktober, and the Kardashians weak anti-Semitism response.Drew was surfing the web and came across some retro Jim Carroll and Bozo the Clown D&M audio.Our Autoblows have arrived just in time for Autoblow Wednesday ™.Vinny Stubbs is living rent free in Trudi's ass™... and headThe World Series is set... for Friday: JV and the Houston Astros vs Nick "Apology Interrupter" Castellanos and the Philadelphia Phillies.Kanye West Madness: Creative Artists Agency parts with Ye. Johnny Depp's lawyer drops Ye. Ye declares Kim Kardashian the 'new Marilyn Monroe'. Kim sides with Jews over Ye (because of Boy George). Ivanka and Kim K are besties. Everybody cheats on the Kardashians.ABNN: Antonio Brown continues to troll Tom Brady.Follow 52 minutes of technical difficulties as we connect with Gary Graff to discuss the Revolver re-release, update us on his good friend Brian Johnson, rip on the Elvis movie, defend Chrissie Hynde's biography, comment on the Leonard Cohen tribute, review the CCR doc, answer Marc's questions about new Taylor Swift material, mention Charlie Watts book, Bono's deeeeep book, Rob Halford's book, comment on Kanye and more.Grab your EXCLUSIVE NordVPN Deal by going to nordvpn.com/dams to get up a Huge Discount off your NordVPN Plan + 4 months for free! It's completely risk free with Nord's 30-day money-back guarantee.James Corden is NOT sorry now. Meghan Markle is also a beast to restaurants. Dennis Rodman has been known to dine and dash. Tony Robbins and Naomi Campbell are terrible too.Olivia Wilde and Jason Sudeikis' nanny just will NOT shut up.Ethan Crumbley pleads guilty to all 24 charges. Meanwhile, there was another school shooting today in St. Louis.Hinck-Dogg has a new gig planned in Albany. It'll probably get canceled.Lionel Dahmer's son is so hot that women are tossing undies on his property.Murdered WWJ anchor Jim Matthews' girlfriend broke her silence. Arthur Williamson is charged with first-degree murder.ML Elrick has been airing Lee Chatfield's dirty laundry.Kids are really dumb now.San Francisco is a mess.This land is Bob Carmack's land!Uvalde teacher, Amy Marin, has finally been vindicated after footage was released from the school.Billy McFarland is back and ready for his next scam.Not too many new celebrities on Cameo these days.Reminder: The Detroit Lions still suck.Jim Harbaugh is tired of James Franklin and Penn State crying about the tunnel at The Big House.More Clarktober for your ear-holes.Social media is dumb, but we're on Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels and BranDon).
Sometimes, the title says it all! Jim Carroll, Senior Vice President & Portfolio Manager at Toroso Investments, stops by for a wide-ranging discussion. Jim talks developing trader psychology, misconceptions about VIX products (8:06), helpful terms when scrolling social media (12:22), and macro conversations he's had with clients (21:00) Jim also dishes on his favorite restaurants in the Lowcountry, and a jazz playlist for newbies! Click here to sign up for Schaeffer's Playbook of the Week Be sure to check out Toroso Investments
Joining a team of experienced wealth management professionals can be an extremely rewarding experience. Not only will you have the opportunity to learn from some of the best in the business, but you will also be able to help others achieve their financial goals. In this episode, Tommy talks with Jim Carroll, Senior Vice President & Portfolio Manager at Toroso Advisors. Before joining Toroso Advisors, Jim founded Long Run Capital Management in 2003 to manage investments for high-net-worth families, related trusts, and charitable vehicles. At Toroso, Jim specializes in systematic ETF strategies to achieve specific objectives. He also serves as a sub-advisor for an insurance dedicated fund and a multi-manager volatility strategy. Jim is passionate about helping people who don't have a lot of expertise in navigating the financial markets. Jim talks with Tommy about his transition from the military to the financial world, how he built a scalable business, and why he joined Toroso Advisors despite having his firm. Key Takeaways [02:01] - A brief overview of Jim's background. [03:52] - What made Jim switch from the military to business school. [13:17] - Jim's transition from the military to the financial world. [18:22] - How Jim built a scalable business. [25:23] - Jim's key role at Toroso Advisors. [28:14] - Why Jim joined Toroso Advisors despite having his own firm. [31:01] - What makes Toroso Advisors an ideal partner for independent advisors. [34:16] - Jim's favorite case study at Harvard Business School. Quotes [11:15] - "The best leaders are the ones who have the highest emotional intelligence, not just book smart. You have to be able to work with people and lead and get people to follow." - Jim Carroll [23:31] - "One of the reasons that a client may choose to work with multiple advisors is that the advisory business has begun to deliver canned solutions for most clients." - Jim Carroll [28:31] - "As a one-man registered investment advisor, I was limiting myself because there were opportunities to do business with people who weren't comfortable with a one-man show." - Jim Carroll Links Jim Carroll on LinkedIn Jim Carroll on Twitter Jim Carroll Email Toroso Advisors Harvard Business School Daniel Goleman Morgan Stanley Mary Meeker Merrill Lynch Bridgewater Associates Regina Herzlinger Connect with our hosts Mammoth Tommy on LinkedIn Subscribe and stay in touch Apple Podcasts Spotify Google Podcasts Learn more about Mammoth Scientific's Health & Tech Fund 1 When you move beyond the point of making sure your retirement goals are on track, your investment opportunities are wider than just publicly traded funds. Step into the world of investing in venture capital by learning more about Mammoth Scientific's Health & Tech Fund 1. Curated by some of the leading medical and fintech experts, Mammoth's Fund 1 is paving the way for health science and tech innovation. If you're interested in helping patient care, provider insight, and instrumentation go beyond possibility and into reality, check it out today at Mammoth.vc. Visit Mammoth.vc today!
In this week's episode of Between Two Amps, we talk to Jim Carroll (Spiral Heads, Burn, American Nightmare, Suicide File, Hope Conspiracy and many, many more) about growing up in Worcester, MA, his journey into punk, seeing Danzig on the 4P tour, working up to get a BC Rich Virgin, the evolution of his gear to where it is today, lots of stories from all of the bands that Jim has played in over the years, and LOTS MORE!!! Between Two Amps is now brought to you by Liquid Death! MURDER YOUR THIRST. Find out where to buy and get some sick merch at https://liquiddeath.com/ ----------------------------- Between Two Amps Intro Music written and performed by godcollider (Available here: https://www.indecisionrecords.com/ban... and on iTunes) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fred-ziomek/support
Social Yet Distanced: A View with an Emotionalorphan and Friends
A Taste of the Dial A Poet Archive. This episode includes Allen Ginsberg, William Burroughs, Anne Waldman, Diane diPrima, Jim Carroll, Frank Ohara, and John Giorno. Let's cover some groundwork. CREDITS: SOURCES- We have no claim or rights and are not copyright holders. This is an education, designed to entice further investigation. Not commercial use. We respect all parties and wish hope this applauds the efforts of those that are involved. Always let us know if there is an issue we can fix. Sourcing: UBUWeb Picture archives. Sounds Collection. AllenGinsberg.org GREAT resource Open Sources, like Archive.org, and other Free or Rights Approved content and media sources Ok, busted. We googled a lot... The whole point is to get the audience to learn more. To entice further investigation into a slice of American Lit History. Got beef? Let us know. We will fix it in the most Buddhist-vegan way! In keeping with the Dial A Poet tradition, I'd welcome you to visit our Anchor Podcasting site. Let's relive the moment... anchor.fm/socialyetdistanced select Message and leave feedback on this segment, and a poem of youd like. (1 min limit...sorry, they warned us about technology and free speech) This is only a sampling. Go. Listen, and join us. note: Allen Ginsberg, William Burroughs, Anne Waldman, Diane diPrima, Jim Carroll, Frank Ohara and John Giorno this episode. --- Send in a voice message: https://podcasters.spotify.com/pod/show/socialyetdistanced/message Support this podcast: https://podcasters.spotify.com/pod/show/socialyetdistanced/support
A little over four years since 2018's Volmageddon, and 2 years after TVIX got terminated – two new VIX ETF's were recently launched – the 1x short VIX exposure SVIX and 2x long VIX exposure UVIX by VelocityShares. What's different about them, how do they protect against another Feb of 2018 event. We're going straight to the source(s) to answer those questions and more; chatting up three musketeers of VIX expertise: Stuart Barton CIO of VolatilityShares, Jim Carroll of the @Vixologist Twitter handle, and Six Figure Investing blog writer Vance Harwood. They join us to talk through just what is innovative about this new approach, and why such innovation was necessary. This all-star trio talks us through the plumbing behind these new VIX products (including their new index construction/design, rebalancing methodology, and VIX vs.VIX futures), why all levered ETFs suffer from Volatility drag, why futures based ETFs suffer from Contango, and what can be done about those two issues, knowing the difference between ETPs, ETNs & ETFs, what's in store for volatility the rest of the year, and everything else having to do with VIX futures. Plus, we get an interesting insight into their hottest takes! Chapters: 00:00-01:28 = Intro 01:29-21:08 = The newly launched UVIX and SVIX – a new (better?) way to Rebalance Daily 21:09-33:21 = The Negative effects of Volatility drag & Leveraged ETFs 33:21-46:17 = The alphabet soup that is ETPs, ETNs & ETFs 46:18-01:01:59 = Benefitting from Volatility drag & the Gamma phenomenon 01:02:00-01:05:16 = Future of Volatility? 01:05:16-01:12:52 = Hottest Takes From the Episode: Check out The Derivate podcast episode: $TVIX gets Terminated – What^%$# Toroso Advisors | Six Figure investing Blog | Volatility Shares Follow along with the guys on Twitter: Jim Carroll @vixologist Vance Harwood @6_Figure_Invest and Stuart Barton @VolatilityStu Don't forget to subscribe to The Derivative, and follow us on Twitter at @rcmAlts and our host Jeff at @AttainCap2, or LinkedIn , and Facebook, and sign-up for our blog digest. Disclaimer: This podcast is provided for informational purposes only and should not be relied upon as legal, business, or tax advice. All opinions expressed by podcast participants are solely their own opinions and do not necessarily reflect the opinions of RCM Alternatives, their affiliates, or companies featured. Due to industry regulations, participants on this podcast are instructed not to make specific trade recommendations, nor reference past or potential profits. And listeners are reminded that managed futures, commodity trading, and other alternative investments are complex and carry a risk of substantial losses. As such, they are not suitable for all investors. For more information, visit www.rcmalternatives.com/disclaimer
Carl Hancock Rux's work crosses the disciplines of poetry, theater, music, and literary fiction in order to achieve what one critic describes as a "dizzying oral artistry...unleashing a torrent of paper bag poetry and post modern Hip-Bop music; the ritualistic blues of self awakening."Carl Hancock Rux is an American poet, playwright, novelist, essayist, recording artist, actor, theater director, radio journalist, as well as a frequent collaborator in the fields of film, modern dance, and contemporary art. He is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the Obie Award-winning play, Talk. WRITER/POETWorking as a Social Work Trainer while moonlighting as a freelance art and music critic, Rux became a founding member of Hezekiah Walker's Love Fellowship gospel choir and later found himself influenced by the Lower East Side poetry and experimental theater scene, collaborating with poets Miguel Algarin, Bob Holman, Jayne Cortez, Sekou Sundiata, Ntozake Shange; experimental musicians David Murray, Mal Waldron, Butch Morris, Craig Harris, Jeanne Lee, Leroy Jenkins, Odetta, Steve Earle, Jim Carroll as well as experimental theater artists Laurie Carlos, Robbie McCauley, Ruth Maleczech, Lee Breuer, Reza Abdoh and others.RECORDING ARTIST/PERFORMING ARTISTHis CD Rux Revue was recorded and produced in Los Angeles by the Dust Brothers, Tom Rothrock, and Rob Schnapf and voted one of the top ten alternative music CDs of 1998 (New York Times). Rux recorded a follow up album, Apothecary Rx, (selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 albums including 1954's "Lady Sings The Blues" by Billie Holiday, the work of Jazz artists Oliver Nelson, Max Roach, John Coltrane, rhythm and blues artists Otis Redding, Ike & Tina Turner, Curtis Mayfield, George Clinton; as well as individual impressions of Fela Kuti, Jimi Hendrix, and Mos Def.) His fourth studio CD, Good Bread Alley, was released by Thirsty Ear Records, and his fifth Homeostasis (CD Baby) was released in May 2013. Rux has written and performed (or contributed music) to a proportionate number of dance companies including the Alvin Ailey American Dance Theater; Bill T. Jones/Arnie Zane Dance Company; Jane Comfort & Co. and Ronald K. Brown's "Evidence" among others.THE BAPTISMThe recently Lincoln Center commissioned poemWritten and Performed by Carl Hancock RuxDirected by Carrie Mae WeemsAboutBaptism (of The Sharecropper's Son & The Boy From Boonville) by award-winning poet and artist Carl Hancock Rux is a three-part poem and the artist's tribute to the legacies of civil rights leaders John Lewis and C.T. Vivian. Written and performed by Rux, the Lincoln Center commission is also an 11-minute short abstract film in two iterations—The Baptism and The Baptism (rhetoric)—directed by artist Carrie Mae Weems.http://thebaptismpoem.org
Jim Carroll is one of Australia's most experienced media executives. Jim shares why it's important to "Be decisive and organized", why you should "Listen widely" and the importance of "Being a decent person". Hosted by Jeffery Wang. About Jim Carroll Jim Carroll is one of Australia's most experienced media executives having been the long serving Director of News and Current Affairs at both SBS and Network Ten and he also held senior roles at the Nine and Seven Networks. He has led editorial strategy and news teams for more than 30 years and travelled extensively to cover major international stories, including a period heading Seven's European Bureau. Jim has worked across all platforms starting his career in newspapers, moving to radio and then television and digital. He left journalism for several years to work as a senior advisor to the NSW Premier. Jim is a Director of the Australian Science Media Centre and a former member of the Australia Day Council (NSW). Jim holds a degree in economics and is a graduate and member of the Australian Institute of Company Directors. Show notes Jim Carroll Lesson 1: Play to your strengths and know your limitations 01m 51s Lesson 2: Building Alliances and Maintaining Relationships. 06m 64s Lesson 3: Be decisive and organized 11m 42s Lesson 4: Present strategic options and argue for your preferred position. 16m 54s Lesson 5: Don't tell me how good you are – Show me 22m 11s Lesson 6: Identify talent, promote quickly, be alert to the quiet achievers 28m 57s Lesson 7: Your best career path may not be what you think. 31m 21s Lesson 8: Listen widely 33m 32s Lesson 9: Beware the noisy, self-absorbed few 37m 08s Lesson 10: Be a decent person 43m 24s
Join me as on this episode of the podcast I have a frank discussion with entrepreneur Jim Carroll who is also a long time friend about American society and how crazy we're getting with cancel culture and wokeness .Website: www.wycethoughts.com Follow me on TwitterFollow me on Facebook
BGBS 058: Kris Fry | Smartwool | It's an Experiment Kris Fry is a brand pro in love with the magic of ideation and storytelling, armed with the awareness that nothing is more powerful than a well-planned strategy. He is currently the Global Creative director at Smartwool, but has had the opportunity to lead concept, design, and experience for incredible brands like Oakley, Wheel Pros, HEAD, SCOTT Sports, Coors, Eddie Bauer, Punch Bowl Social, and The North Face. As you'll hear in the episode, Kris is fascinated by finding the connection points between consumers and branding in order to find the right brand message that inspires consumers beyond just purchase, to join a community. Our interest in where it all began lead Kris down the path of explaining a world of self-expression, liberation, and rave-style jeans—otherwise known as skateboarding culture—which was pivotal for introducing him to brand expression and has remained an underlying current of inspiration to this day. We go along with the journey that enthralled Kris with the blend of visual language and storytelling, eventually leading him to an opportunity with Smartwool that he wears proudly today. Quotes [10:07] That balance of branding and consumers and how they interact is one of the greatest sociology experiments that I just love and nerd out on and I find it fascinating, like it's an experiment—this interaction and this back and forth. Sometimes breaking out a little bit of a crystal ball and doing some guesswork, having some data to throw in there. [Those] foundational elements help guide the creative to come up with that brand-right message that just connects with people and hopefully inspires them beyond just purchase. It inspires them to join a community. [10:49] One of our main goals is to get people outside. It's not about what you do outside or how well you do it, we just think there's this beautiful inherent thing about nature. [12:02] There's just so many powerful elements that I think brands have a responsibility to really drive with consumers. I think there's a lot of brands doing some really cool stuff and activating in cool ways and opening up conversations and exposing communities to things they've never seen before. I think brands are inspiring. [14:06] I think skateboarding and finding skateboarding and that community for me, essentially changed my life and made me really recognize brands—what they stood for. And I started to kind of badge and, with the little money I had, could adopt these brands, because they meant something and they said something about me. And so I might not have recognized the power of them then, or that I would want to pursue that as a career, but art has always been a part of it. [18:17] Another thing that I've always loved about skateboarding is they always find a way to get back underground and come back out with a new look, feel that's unique to the culture in that moment, and I can't think of another sport activity or movement that has been able to do that decade over decade over decade. Resources Instagram: @kfrydesign LinkedIn: Kris Fry Kris Fry: Smartwool Website: smartwool.com Podcast Transcript Kris Fry 0:02 Every generation a parent's right is trying to just not do what their parents did them. And I think for me, I've come to a place where I haven't felt that shame in a long time. That a lot of that is who you surround yourself with and things that you do that make you happy and build confidence in who you are as a person. And that's kind of been me like I've had to find a sense of worth and confidence in myself and value in myself that you know how to use quite a bit to get out of that kind of shameful feeling. But, you know, design and art and those things, music, especially like, those are all things that I think have really helped me figure out who I am. And you know where I want to go. Marc Gutman 0:52 Podcasting from Boulder, Colorado. This is the Baby Got Backstory Podcast, where we dive into the story behind the story of today's most inspiring storytellers, creators and entrepreneurs. I like big back stories and I cannot lie. I am your host, Marc Gutman, Marc Gutman, and on today's episode of Baby got backstory. We are talking to Kris Fry, global creative director. It's Smartwool. And before we get into my conversation with Kris, if you like and enjoy the show, please take a minute or two to rate review us over at Apple podcasts or Spotify, Apple and Spotify use these ratings as part of the algorithm that determines ratings on their charts. Better yet, please recommend this show to at least one friend who you think will like it. It may be even one enemy who will like it. It's time we bring the world together over the common love of the baby got backstory podcast. Today's guest is Kris Fry global creative director at Smartwool. And I'm gonna let you know right now, we don't talk a whole lot about Smartwool. That's because Kris took the conversation in a wonderfully raw and fascinating direction. Kris has had the opportunity to lead concept design and experience for some incredible brands like Oakley, wheel pros, head, Scott sports cores, Eddie Bauer, Punchbowl, social and the North Face. He is currently the global creative director at Smartwool, which is part of the Vf Corporation. And as you'll hear, he describes himself as a freelancer, a failure startup and an agency executive. He's worked brand side agency side, and more often than not somewhere in between. Kris says in his words. I'm in love with the magic of ideation and storytelling, but also believe that nothing is more powerful than a well planned strategy. This is a brand pro and marketer after my own heart. I've known Kris for years, we've worked together in the past. And I didn't know about 95% of what he shares in this episode. In this is his story. I am here with Kris Fry, the global creative director at Smartwool. Thanks for joining us, Kris. Really appreciate it. And as we get into the episode here, like what is a global creative director, it's Smartwool. Like what does that mean? Kris Fry 3:49 Thanks for having me. Great question. Well, essentially, I am a creative director at Smartwool. So I essentially drive all of the marketing materials, marketing materials, storytelling efforts, branding, really kind of drive the purpose and values of the brand globally. As you know, our brand is mostly us focused and based, you know, we are growing in some key markets, specifically Canada, Europe, em EA. And so my job globally, is to make sure that the brand is not only consistent, but compelling in all of those regions, and work with kind of different marketing teams within the regions to kind of help them you know, keep consistent and make sure that kind of those brand values and that purpose for the brand is really driven home at every communication point. Marc Gutman 4:40 Yeah, and just so our listeners know, and I'm sure about 99.9% of them are familiar with Smartwool but in case they're not, I want you to give us a little kind of blurb on who and what Smartwool is. Kris Fry 4:55 Awesome. Yeah, so Smartwool is a apparel company. So started in the sock business, they were the first ones to make merino wool based performance socks in steamboat, Colorado. And for 26 years, they have been kind of crafting and re crafting and kind of growing into other spaces like apparel and accessories, and really kind of taking this merino wool expertise and this knitting expertise that came from socks. And then growing that across many categories, base layer, mid layer, finding every kind of which way you can twist and knit wool. Marc Gutman 5:35 Yeah, and you know, that makes me feel dated, because I remember when Smartwool was like a new novel thing, you know, and Brian, Marina Marino sport socks were like, this, this crazy new concept. And now here we are 26 laters, I haven't realized it's, it's been that long. And let's get back a little bit to this description of global creative director. Because before we move past that, I really want to define that a little more like, what's your What are your days? Like? I mean, are you sitting around? Is that the way that I like to imagine the fantasy that you're in some studio? And you're splashing paint? And you're ripping up paper? And you're, you know, mocking up things? Or is it? Is it something completely different than that? Kris Fry 6:17 Well, I'm gonna be honest, some days are like that, for sure. You know, ideating generating ideas comes from all kinds of different spots, right? Whether that be gathering inspiration from books, but my main objective is to lead a team and inspire them. And to help them solve larger brand problems. I also worked very closely with the head of global marketing, to really kind of define the strategies, that kind of, you know, the strategies that essentially kind of define only the campaign's but you know, all of the kind of go to market product stories that we're going to tell seasonally. And so I work quite a bit with the product development team, as well, as our design directors suggests who really runs kind of the product design program, she's essentially kind of my, my peer and partner in crime to really kind of, at every angle, make sure that the aesthetic of the brand is coming through storytelling, those kind of bigger product thematics, and consumer insights, how they're kind of really driven into the product, as well as into all of our marketing efforts. And then, yeah, so a day like today, you know, I'll start off with a, you know, kind of a team leadership meeting, I guess, with, you know, a group of folks that I brought on to kind of help work on the team in a different way. So writers or directors, designers, and then you know, might slide into a strategy meeting, to really kind of define how we're going to be brief certain projects, and, and then I still take a pretty hands on approach to the work. So sometimes I'm, you know, blocking out a couple hours on the calendar to, as you say, like, rip up paper, get creative, get inspired. And then yeah, sometimes, you know, it's a larger leadership things. Right now, we have some kind of fundamental brand things that we're developing, specifically around kind of identifying our design target, who they are, what motivates them, and really kind of trying to drive this idea of being consumer and digital first, for smartwatches. Right? Smartwool is a brand that has largely been wholesale driven, and just with the changes, you know, even before COVID, right, the world of wholesale is changing. And so we're trying to identify ways to really support our wholesale and specialty partners, make sure the brand and that brand love is being generated and resonated from those partners, as well as taking an active look at strategically, you know, how we, how we bring more digital activations to life so we can really grow our brand and bring, you know, new consumers to it. Marc Gutman 9:03 And so you and I have talked about this before, you've mentioned it several times, just in that last, that last reply, talking about brand and brand aesthetics, and storytelling, and so you know, that those are all topics that are near and dear to my heart, like, like, what why is it important that your almost entire focus is is on that, like, why does that matter? Kris Fry 9:23 I think there's, for me a bunch of different reasons, like I think, I don't know, I think brands have an opportunity to, to do some pretty powerful and meaningful things beyond just selling products, right? I think there's opportunity, especially with, you know, culturally, the sea change that is happening, for brands to have a point of view, right, and I think to to become more than just kind of valuable products, right, and, and stories are really kind of the key driver for the for identifying kind of those connections. points with consumers, right. But I do think it's, you know, for me, I don't know the brand, that balance of branding and consumers and how they interact, I think is like one of the greatest, like sociology experiments that I just like, love and nerd out on. And I don't know why. But I find it fascinating, right? Like, it's an experiment like this interaction and this back and forth. And sometimes breaking out a little bit of a crystal ball and doing some guesswork, having some data to throw in there that's, you know, foundational elements to help guide the creative, to come up with that brand right message that just connects with people, and hopefully inspires them beyond just purchase, right inspires them to, to join a community and for smart goals, specifically, right, it's one of our main goals is to get people outside, right? It's, it's not about what you do outside or how well you do it, we just think there's this beautiful inherent thing about nature. And our products, you know, not only provide protection, but they also provide comfort. And hopefully those things, you know, are we like to say like, our main job is essentially to ignite transformative moments for consumers, right. And that come through in product and our communication. And to me, that's why branding is important, because it sets a path and a tone that everybody can rally behind. And hopefully, our customers and consumers feel that, you know, there's nothing like throwing on a snappy new pair of socks. And you know, when you pull that toe over, and you snap that Smartwool logo over the toes, that to me is a transformative moment, right? You, you feel all of the innovation that went into the sock that you may not be able to see, you feel the power of natural materials. And, you know, that should give you this sense of you're taking really good care of your feet by making you know, this purchase from this fun loving brand. Right? So very long winded answer to your question, as usual. But I don't know, there's just so many powerful elements that I think brands have a responsibility to really drive with, with consumers. And, and I think there's a lot of brands doing some really cool stuff and activating a cool ways and opening up conversations and exposing communities the things they've never seen before. I think brands are inspiring. Marc Gutman 12:23 And I couldn't agree more. I mean, you describe yourself as nerding out on brand and the social experiment. I agree. I think it's just this incredible dance, it's always changing. It sometimes is maddening. It's so fickle. But that's what I think also keeps us coming back for more. You know, it's never it's never static. And so where did you grow up? Kris Fry 12:43 I actually grew up in Littleton Colorado, not too far from home. Yeah. Marc Gutman 12:48 Colorado native, we don't we don't encounter those very often, not just on the baby gun, podcast, but just in, in real life, except this next generation, like all our kids will be the Colorado natives. But as you're growing up there in Littleton, Colorado, I mean, did you know that you were gonna be drawn to this, this idea of branding, and even in a broader sphere, being a creative? Kris Fry 13:12 I don't think I knew about, you know, or wasn't, I wasn't really attracted to brands or branding, until maybe, I'd say high school, junior high school level, right? Like before that, you know, didn't matter. It was just whatever I could throw on and go ride my bike, and get outside. But being a creative for sure. I was always into art, and drawing and painting, you know, in junior high moment was like, I always mean, my buddies always talk about like, junior high, I feel like is used to be this defining moment where you're either going to be go down a good path, or a bad path, right, and start experimenting a little bit like that seventh to eighth grade. And I chose, you know, to try some some things in my life at that moment, right. But I was also introduced to a totally different world that took, you know, drawing and painting to another level of expression, right? music changed, art changed. And I think skateboarding and finding skateboarding and that community for me, essentially changed my life, and made me really recognize brands, what they stood for. And, you know, I started to kind of badge and, you know, with the little money I had, right could can adopt these brands, because they meant something and they said something about me. And so I might not have recognized the power of them then, or that I would want to pursue you know that as a career, but art has always been a part of it. Being creative has always been a part of it. You know, Music has always, you know, been a key part of my life. I'm a failed musician many times over, right? Like, I would love to be able to play the guitar. I've tried many times and failed, right? But it's something that's always been like a underlying current and powerful inspiration point. forever. Marc Gutman 15:01 Well, and you and I share that in common. I have multiple guitars that I've purchased throughout the years that I've, you know, that I've started playing never successfully as well. And I've got a nice little collection. So we got that going. And as well, and I don't know if this is my bias, I don't know if it's who I tend to No, but there really does seem to be this interesting thread through the creatives that have been on this show that have all have gotten to a really great point in their careers where they were really inspired and informed by skateboarding. And then, you know, in another layer of that being music, that's come up a lot, too. But I mean, what do you think it is about that skate culture that lends itself to being this this foundational, either community or just inspiration for for creatives, especially those, you know, if our generation? Kris Fry 15:57 Yeah, I mean, for me, it was this idea of self expression. And just, I don't know, being a totally unique individual, like I felt that come through with, you know, every one of my favorite skateboarders, every one of the skateboard brands, right from the artists, they chose to do the graphics to the colors to the way they treated the logos, right. And that attitude was something that me and my group of friends tried to personify in our own way, you know, everybody had, like, intentionally was, you know, trying to cut their, their own style, right, like I came up in like the early 90s version of skateboarding, which was very much like, cut off ultra baggy jeans or going to thrift stores or buying, you know, 40 size pants when I was like a 28 waist, and they're massive, but I would cut off the bell bottoms, it wasn't quite like Genco like jinko level, you know, like the rave style jeans, but there was a DIY customization like, self expression, like, thing that just was artistic and kind of weird. And, and I think that also kind of alliance of the punk rock scene and DIY spirit of carving your own way, and having a voice and not being afraid to, to express yourself at that was very liberating, right? For me. And I don't know, it was just super influential. I think part of it too, was also, you know, what the environment I grew up in. Skateboarding was this pivotal thing that happened, and I got to experience and that was mine. And that was just a very different than what I had at home. Right. It was an escape for me, too. And I think, for me, that's what it was, I know, for my group of friends at the time, right? Like, that's what it was for them to. We had our we had our own community that we made, right, we could do, and talk and be ourselves and that little bubble, and it felt like a safe space. That was our stone, which I I really, you know, think is because of skateboarding. You know, I don't know if that was ever anybody's intent that got a skateboard, but they've been reinventing it and doing it for decades, right, like, and that's another thing that I've always loved about skateboarding is they always find a way to get back underground and come back out with a new look feel that's unique to the culture in that moment, you know, and that I can't think of another sport activity, you know, or movement that has been able to do that decade over decade over a decade, you know. Marc Gutman 18:41 Yeah, neither can I. And so, then at that age, in addition to skateboarding, like how was school going for you? Were you a good student? Or did you have any sense of where you were going with yourself? Kris Fry 18:55 Not at all. I was a terrible student. Some of it by choice, some of it by Yeah, most of it by choice, right? Like, uh, I gotta pick the things in the moments that I wanted to pay attention to. And you know, in high school in high school, kind of had my core group of friends and you know, we we were all into skateboarding and we kind of did our thing and I wasn't very good at math or you know, proper English I'm still terrible with grammar thank God for copywriters. But um, you know, I think those are the things I just didn't love and appreciate and I didn't put a value set to them. But art I did write I took every photo photography class, every drawing class, and I did really well in those classes. Like my dad used to always be like, You're like a half straight A student right? Like because I get perfect grades and all the art classes and then every other thing I was failing out of but you know, that was that. It was This was like, what I glommed on to, and I loved and again, I think a lot of it just felt like a, an avenue of expression for me more than anything, right. And I had some really supportive teachers in my high school that, you know, saw some talented me and nurtured it and supported it. And I just kind of kept on this art train. And, you know, I had another very influential high school teacher. His name is Bill stout. He's, he was just a rad Dude, I had him freshman year for I forget the name of the class, but English 101 or whatever. And, and he was so cool, because he got us into creative writing, in a very cool way, right? We'd have to write in journals. And at the beginning, it was like, Oh, God, here you go first. 10 minutes of class, right? You got to write in your journal and, and Mr. style was like, super into music as well. And so he'd always put on music. But it wasn't just like, Oh, I'm gonna put on, you know, some top 40 it was like, he was he was playing Pearl Jam, when like, Pearl Jam was new. He was like, and so every kid in the class was like, Fuck, yeah, this, this is amazing, right. And he's just was this cool, dude. And he, I learned a lot from him. And I actually had a chance my senior year, the only AP class I had was AP English. And Mr. style was like, I remember you from freshman year, even though you haven't been that successful. Like, I think, you know, this would be a good class for you. And I love that class. And he changed the rules. And that's what I loved about it, too, is it wasn't about curriculum, to him, it was about my goal is to make sure that you are expanding your brain as a young man. And so he'd be like, I, I want you to do the curriculum stuff, you're gonna get graded on it, for sure. He's like, but what I really want you to do is read. And he had this deal. If you read so many pages, essentially, it would, you know, take over what you didn't do in the curriculum. And so I was like, This is amazing. And so I, I adopted reading, and he, he would, you know, do these kind of book report interview style things, but the books he was given me were insane books, like catch 22, Catcher in the Rye, you know, those kind of standard ones that are like coming of age, great stories, but then it got into like, I don't know, cosmic Bandidos and some weird shit. And then he got me into the Basketball Diaries, and just some counterculture stories that were very real and gritty and raw, like, it was super inspiring to me. And it opened my mind up to like, things I had no idea existed, you know what I mean? Like, I don't know if you've read the gym, like Basketball Diaries by Jim Carroll. But like, they made a movie of it with Leonardo DiCaprio. But if you ever get a chance, go on Amazon order the book. It's fucking astounding, like, what was happening in New York and his artistry and who Jim Carroll became like, it's just like, I don't know, it's a period piece that is just iconic and resonates with me. But I don't know, I think maybe that ultimately helped me craft this love of Art and Design and the visual language with storytelling, right like that. I would have never found that without Mr. Stout. Marc Gutman 23:18 Yeah. And so at that time, I mean, did you have a sense of what was next? I mean, were was Mr. stau. And your parents were they like, Oh, hey, like, you should go with him? Or were they saying or what was your thought were we gonna do after high school? Kris Fry 23:33 Yeah, I mean, Mr. Stout. He was the kind of guy that was like, he was kind of, like, I'll support you with whatever you want to do, right. And I really had no idea that I wanted to pursue anything and kind of the, you know, advertising marketing, branding world. And all I knew art was something I was talented at, and wanted to pursue. I, you know, I ended up, you know, wanting to go to art school. My parents on the other hand, right, like they, I come from a pretty religious, strict religious background, that I grew up as a Jehovah's Witness, essentially, until about my junior year in high school, and I decided I wanted to smoke weed and date girls and have friends outside of the church. And, you know, that didn't vibe with my parents, too well, and so, you know, by that senior year, I was a bit at odds with them. And I had found all these really cool things and was starting to figure out who I wanted to be personally right outside of the parameters that have had essentially contained me since I was, you know, a young child. And, and so I felt like art school is like my thing, and they were supportive, for sure. Right. They were glad I had chosen something. They wanted me to, you know, apply my art to the larger church group and help the church group lunch. You know, what's their goal for everything and I wanted out, I was like, I gotta get the fuck out of here. So I applied to a ton of art schools, I ended up getting accepted to a few of them, including the Alberta College of Art and Design in Calgary, and spent a summer went up there visited the campus, it was awesome. Like, I remember just being, you know, high school kid and walking through this campus and going down the stairwells, and they were filled with graffiti, and they're like, Oh, yeah, this is like, the graffiti one on one class. And I was like, Oh, fuck this, like, this is this is it, you know, I mean, and I was there with my dad. And, and he was super into it. And I had, I had gotten a scholarship to go there and international students scholarship. And so I was primed and ready. But, you know, I was also not a very I wasn't very good at the details when it came to that stuff. And so I applied, got the scholarship, and I essentially messed up my visas, and my applications for the visas. And right before I was going to go there, I was informed that I had lost my scholarship. And, and I could apply again next year for the same scholarship and they would kind of happy and right now, I was pretty heartbroken at that point. And so I don't know, do you want me to keep laughing? But yeah, I think at that moment, my biggest goals were to somehow find a way to make art as a job. And also, part two of that big goal was to get as far away from Littleton Colorado as possible, which Canada had all the right things. Marc Gutman 26:44 So we're gonna come right back to that, but I want to talk a little bit, I want to just learn a little bit more like you, you use the, the phrase or the term the description to Hovis witness. And, like, I'm sitting here thinking, like, I don't really think I know, a fish, like, I couldn't tell you, I couldn't describe that back to you. And so if you could like, like, just kind of give me the one on one, like, what is that? And and how did that affect you is in your upbringing, and I also find it interesting as you as you describe this, that, you know, you spent some time talking about describing, being involved in the skate culture and, and, and getting into music, all these things, but yet you have this other influence from from your upbringing. And so yeah, if you could just kind of give us the one on one on Jehovah's Witness and, and what it was like, for you growing up in that environment? Kris Fry 27:32 Yeah, for sure. What's the best way to describe it? It's a, it's a Christian based religion. And it's a it's a, you know, it's a pretty large and growing religion, but essentially, the way most people would know by, you know, Saturday and Sunday mornings, you hear the kind of knock on your door, and somebody is, you know, trying to get you involved in reading the Bible, or having a study group or, you know, try to kind of get you involved in that religion, right. That's the most common thing. And you've probably seen it Saturday Night Live, all kinds of, you know, any comedic effort, right. Like, that's always the, the joke around Jehovah's Witnesses. But, you know, that wasn't, you know, I grew up, I was kind of born into it, essentially, I had the opportunity to celebrate my first birthday. But one of the big belief systems that the Jehovah's Witnesses have is around making sure that all of your kind of focus and energy is around paying tribute to, to God, that includes, you know, not worshiping yourself. So there was no birthdays, all common holidays were not celebrated. And, let's see, yeah, it was it was essentially, it was cult like, in the sense, I don't want to call it that, right, because I don't really believe that. I think the people there, my dad is still participating, right? Like, they're very kind of Christian based folks. And I think that they just are very disciplined in their belief system. Right. And for a long time, you know, was at odds with my dad, because I just didn't understand it, you know, but for him, it was, it was his truth. And it didn't work out for everybody else in my family, essentially. And I was kind of the catalyst for that change. But for him, it's it's what he believes in and he loves and I've come to, you know, to terms with that, and we kind of have a agree to disagree, right. I think the the fundamentals of that religion are rooted in, you know, truly the teachings of the Bible, in the sense of kindness and taking care of your fellow man. And their approach is to try and bring as many people into that, you know, you know, into their community as possible. They do that by knocking on doors. But, you know, for me, it was always so restrictive. It was, I mean, we we would go, you know, knocking on doors Saturdays on Sundays, Sundays we'd be at church, we also would have church Tuesday evenings and Thursday evenings. And then mixed in there were, you know, Bible studies, and it was just, it was always, such as Groundhog Day, I'll just call it right. Like, it was Groundhog Day, every day. But all based on on the same ideals and the same belief system. And as I was, you know, getting into skateboarding, and all of those things, and developing friendships, right, those are all, no no's inside of the church, right, you're supposed to hang with your community, because everybody else outside of that has different views that potentially will drive you away from the church. And for me, that was always like, a weird thing. And it always, like, rubbed me the wrong way to a point that it created a created defiance in me, right. And it was a was a perfect storm of me, being at that age, and pushing back against whatever all the normal things you're supposed to push back as a teenager, but also having this like, Governor on your life, your whole life, right. And I wanted to experience life, I, I wanted to experience friendships and adventures, and art, and music and culture and skateboarding and all of these things, you know, and they were the exact opposite of what my father's house was supposed to be. And so for a majority of my high school life, I would probably say that I lived a double life, you know, I'd go to school, and I'd be one person with my friends and, and then I'd come home, and, you know, I would tamp all of that stuff down, you know, and it was hard. And I remember, you know, we'd always dress up in suits and ties on Saturdays. And that was always like, the hardest day for me to remember, because my dad would be like, Okay, well, you know, let's go get our community hours in and, and, you know, do right by the religion, and try and go knock on some doors. And it was a gut wrenching feeling for me to go into a neighborhood where I knew my friends lived, and to be there next to my dad knocking on their door. And I just remember being so anxious, right, like, just waiting, waiting for that moment where I make eye contact with somebody I knew from school. And then just thinking in my head the whole time of like, the, the teenage terrorism that was about to take place that on when I got back on Monday. And anyways, long story short, that I think that had a lot to do with. I don't know, my, my love of, you know, skateboarding and the idea of a counterculture. And the idea of breaking free. Like, I don't know, that's why I like what I do now, because it's on adulterated freedom. And I think there's power in that, you know, sorry, I just took a deep. That was great. That Marc Gutman 33:06 It must've, thank you for sharing that. I mean, it must have been really hard living with that, that secret that at any moment, like, you could get busted, I can only imagine it would even be intensified by being like, Hey, I'm this cool. Skate counterculture guy. And that's a big contrast. Right? Kris Fry 33:24 Yeah, totally. I mean, I think that was it, you know, and I was never, at that age, you know, I kind of took it to the limit, I can take it to you. Right, like, definitely identified as a skateboarder identified with a certain group of kids. But, you know, there's no way I was, you know, bleaching my hair, or no way I was, you know, getting anything pierced or, or going to, you know, a level of extremism, I guess, at that time. Um, there's just no way there's no way my I could handle the consequences that when I got back to the, to the house, and also the jig would be up, right. Like, it was one thing to wear baggy pants and a skateboard t that I picked up at BC surfing sport, that whatever had a funny character on it that, you know, my mom thought was cute. It's another thing to come in guns blazing. And, and not have, you know, a job not not my dad would ever have kicked me out. But I, you know, I grew up as you did in that generation where, you know, corporal punishment and spankings were real deal. You know what I mean? Like, at the backside of mini wooden spoons and leather belts. And at that age, like, I was just trying to find my way. And so I was trying to find the best way I could survive to a point, you know, you know, it always bubbles up at one point, right? Like the, it always comes out, you know, and it took a while, you know, until I had some real freedoms in my own right. Like I was driving, if I could, I had a job I could spend my money the way I wanted to spend it. And that's when the the That's also when cowboys from hell by Pantera was out and like, full aggression just was like, boiling inside of me. And that's where, you know, the kind of first set of my push to my own kind of set of values and freedoms really, you know, came at odds with my dad's point of view, you know, and my dad was a, he's a very kind man still is to this day, right? And I can only imagine the torture, I put him through, right, because I think he was just like, man, I just wanna, I just wanna love you. And this is why I'm doing this for you and not blasting Pantera every night when I get home, and, you know, bring girls over and smoking weed and like, sure, fucking whatever, not a proud moment, but it was my moment. But eventually, it essentially caused the collapse of, you know, my tenure as a job as witness, they have this thing in the religion where, you know, essentially, they call it being disfellowshipped. And so essentially, if you, whatever break the rules of the community, or if you're identified as somebody that is, you know, not living up to the standards of their religion, and they just associate you, which is a weird thing as a 16 year old to think about, but that was disassociated, essentially, like, you're allowed to come to the, to the church as much as you want and pray and work on being a better Christian. But nobody's allowed to talk to you can't can't convene, you're kind of the like, you know, the people, the higher ups are allowed to kind of talk to you, but it's mostly about, you know, how you're coming back to the, to the religion outside of that, like, I wasn't invited to anybody's family, barbecues or I was, I was at home, and you know, my family would go do that without me, which was fine by me at the time, to be honest. , Marc Gutman 36:57 Well it sounds a little heavy. I mean, was that was it fine? Or was there like some shame involved in that? Kris Fry 37:04 I'm sure. Yeah, I'm sure there's some deep rooted shame in me, right. But I don't know. Like, I think I've now that I'm kind of in my 40s, I feel like I have a sense of who I am and what I want to be right. I have my own kids. And I think that shame as has helped me actually, you know, hopefully not fuck them up and protect them from making sure that you know, that they don't feel that same level of shame, right? I think that's, I mean, it's probably, it's cliche to say, but it's cliche, because it's true that every generation of parents, right, is trying to just not do what their parents did to them. And I think for me, I've come to a place for, you know, I haven't felt that shame, in a long time, that a lot of that is who you surround yourself with, and things that you do that make you happy and build confidence in who you are as a person. And, and, yeah, and I think that's kind of been me, like I've, I've had to find a sense of worth and confidence in myself and value in myself that, you know, had to use quite a bit to get out of that kind of shameful feeling. But, you know, design and art and all those things, music, especially like, those are all things that I think have really helped me figure out who I am. And you know, where I want to go, you know, to me? Marc Gutman 38:35 Absolutely, again, you know, thank you so much for sharing that. I think that, you know, I was gonna say, you're worried about not fucking up your kids. It's like, Hey, you know, newsflash, we're all we're all messing up our kids. So it's how much and so we try to try to minimize that. So we're doing our best we can, but Kris Fry 38:49 At least it won't be shame that I got them up another way, but Marc Gutman 38:54 Give him a different emotion. This episode brought to you by Wildstory. Wait, isn't that your company? It is. And without the generous support of Wildstory, this show would not be possible. Brand isn't a logo or a tagline, or even your product or brand is a person's gut feeling about a product service or company. It's what people say about you when you're not in the room. Wildstory helps progressive founders and savvy marketers build purpose driven brands that connect their business goals with the customers they want to serve, so that both the business and the customer needs are met. And this results in crazy, happy, loyal customers that purchase again and again. And this is great for business. And that sounds like something you and your team might want to learn more about. Reach out @ www.wildstory.com and we'd be happy to tell you more. Now back to our show. You know, kind of coming back to Calgary. So in Alberta School of Art, you'd missed your deadline, you'd missed the scholarship. Did you end up getting to go there the following year? or What happened? Kris Fry 40:12 No, I did not. So I decided All right, cool. Well, I'll come back to Littleton and, you know, I'll get a job for the summer, and then I'll essentially reapply for school and go back to school. Well, that kind of didn't work out because I started waiting tables. And I don't know, like, if anybody's ever seen that movie waiting with Ryan Reynolds, but like, every fucking moment in that movie is 100%. accurate. And I worked in multiple restaurants. And it's literally the exact like, it's, it's so true, the characters are so true. But go watch Ryan Reynolds waiting. And that'll kind of describe the next kind of year and a half of my life, right was waiting tables. And, and then, you know, my mom happened to actually work. She was working at the energy group, back before they were owned by Omnicom. And they were essentially like, had two clients. And it was, who was it cooler, like, well, they had coolers at the time that they had, I forget another kind of client, right. But they were kind of this, you know, advertising agency that was originally built out of Coors Brewing. And then they kind of broke off and became a manager and their, their biggest client was coolers and my mom worked in the merchandising department, which is essentially like the crew that comes up with all the RAD ideas that are the giveaway stuff. So like, the inflatable couch that you got, after buying, you know, so many packs of Coors Light, like, so. My mom was like, she was really creative. And it was awesome. And, you know, this was kind of her first, I guess, like, after having kids and kids going through school like job, right. So first, like a full time corporate kind of cool job, right. And so it was cool. So my mom actually got me a job at imager. And my first job at imager is they just built a new studio that was on the back of their building. And it was kind of separate from the main hub. And so they had all the art directors, writers, and kind of conceptual people on one side of the building, count people share that building. And then the studio folks that were doing all the, you know, CG stuff and all that kind of stuff. We're in this back building. And this is my favorite thing. There was it was maybe 50 yards across the parking lot. But they had decided that it was really complicated for people to run job jackets, this will date me a little bit, but job jackets, like in the advertising world, they're these huge plastic jackets that essentially had the brief in the front sleeve. And then at this, at this time, everything was printed, right? So you'd have every round of revisions, all the notes, all the copy editing notes, and they're all bundled together in this pocket of this like giant blue. I remember them being like powder, blue folders. And so my job, they gave me a pager, which was cool at the time, they would page me. And I would call and they'd be like, hey, it's such and such art director, can you run this job jacket over the studio? And essentially, that was my job. But I ran job jackets all day back and forth between our directors and the essentially studio design team. But that's when I found it. That's when I was like, so like, I don't know, like maybe one day in between a lot of pages. I was like looking around, and I was like, wait a minute. Like, what do you guys do here? Like, what what's going on here? And, and I saw like, and met and have a lot of people that were just super cool and nice. There's a dude, Jason wedekind. I think everybody knows me. Like, these are rad dude. But he owns this print shop called gagis current design for him. Jason's like, awesome, but he he worked there. When I was there, and he was like, one of the dudes that was like, always down to just chat me up, right? Like, I'm 18 something like that. Yeah. 1718 anyways, Jason was like, cool, dude. And he was he was doing he would do freelance projects for all these up and coming breweries and be like, yo, don't tell anyone and like, I'd go to the printer and help him like, grab the whole product. Maybe now it's been so long, he's not getting fired again. So, but Jason was rad but he exposed me to this really cool world of design and at that point, it was kind of still in its in like the starting phase. Right? Like we're talking about Photoshop and illustrators, like, not very high on the version list, right? Like we're definitely far from Creative Cloud like but, you know, watching I used to just sit in his cube and other folks, you And just rap and watch them design and watch them be able to like take their drawing or their concept or their idea and mold it and sculpt it and then use type and like, build cool shit like labels and advertisements. And I was like, Damn, this is badass. I, I had found my thing. And yeah, I was still like waiting tables at night. And then like running job jackets back and forth. But it was at this kind of integer group that I really and this is back, like, when integer was still pretty small. And that was very different. It still had a bit of that Mad, Mad Men culture, right? Like it was also my biggest client was beer. And so they'd have these rad parties and like, big announcements, and it was just a bunch of really cool people. And that was kind of when it all clicked in. And I was like, I want to have a job. You know, as an art director, I want I want to do what these guys are doing. There's some really cool people that really helped me get there. Tom pounders was another dude, legendary art director in Denver. And he was like, super old school ad guy didn't really know how to use all of the computer stuff. He was drawing, right. And all of his concepts were illustrated and like, but he had really cool ideas. And I just remember sitting in his office and like, he just like blow my mind. And another dude, Matt Holly, who was like, killer designer typographers, or, like, I don't know, things. Like, there was just a ton of really good people that had no problem, helping me, Excel, teaching me the programs, showing me how things come together. I guess I was kind of like, whatever. The orphan of integer studios, right? And they would like all help me and teach me things. And it was really cool. And that's what I decided that I wanted to do. And as I kind of moved up within the studio, right, like, they asked me to start doing, you know, studio production work, which at that time, they were still doing presentations on kind of black boards, right. So my job was essentially to take the stuff out of the printer and build their presentations before they go pitch a client, right? So I got very handy with an exacto blade and a ruler and perfectly mounting all these artboards and then turned into like building mock ups. So hey, can you make us a 3d version of this, whatever? beard in dial display, right. And so I build it out of paper, and they take it to a presentation and, and then they started kind of giving me some projects to work on, like Junior art director level projects. And yeah, I did a lot of work on the zema brand, if you remember zema. Oh, yeah, totally. How could you not iconic, right. And I remember like, at that time, Shepard Fairey was like, all the rage in the skateboarding world. And I straight ripped off. Not a pixel for pixel. But I essentially have ripped off the idea of using stencils, right to create these zema out of home boards. And there was another woman there, Monique van Asch, who actually has a really cool studio in Denver now. And she was also like, so rad at like helping me but she used to give me projects to like, Hey, you want to do a flyer for this event going on? It's Coors Light sponsored, and, and she'd be like, here's your inspiration. So she'd give me these, like mini briefs for these small projects that were just fun to work on. Because it was like, oh, cool, make a, you know, five by seven flyer, and you can use any style you want. And then she critique it. And I was just a really, at that time, it was a really cool place to like, learn from these, like, really talented people that were totally open arms in teaching me anything I wanted to know. And the only Crux was, you know, I didn't have a college education. And I remember, they were like, well, you should just put your book together from all the projects that you've done over the years. And I was like, Oh, cool. So I put it together my book and I went and talked to at that time, I forget what his title was. But, you know, Chief Creative Officer, I guess it'd be the contemporary title right now. But I sat down with a gentleman and he was super cool, super positive about my work, he loved everything. And essentially, he was like, I can't hire you. You need to have you know, I think you need some formal training and you know, foundational elements of design and, and, and art theory and all these other kind of things. And I was like, Oh, shit, I was heartbroken brain so sorry, I'm just talking Marc, so you're gonna have to just tell me to shut up. Marc Gutman 49:51 Never keep going and so what happened and you go to school, or did you tell that guy to to go pound sand? Kris Fry 49:58 Well, I did tell him No, I didn't. about pounds sand I was thankful for, you know, his critique and he kind of helped me lay out a clear path. And so I pivoted from there and was like, Okay, I'm gonna go back to school. And so I had some friends that were already enrolled in Montana State University in Bozeman. And I had some family in Billings, and my cousin went to MSU. And well, essentially, like, some of my best friends from high school are there and I, you know, I, I kind of was flying by the seat of my pants, because I was like, I just need to get a college degree so that I can get a job, you know, doing this thing that I love, right. And I didn't really look too hard at the, you know, the programs that they had at MSU lucked out, and you know, they had a really awesome art program. And so I kind of enrolled and was, you know, starting to pursue a degree in Fine Arts. And it was going really well. I was living in Bozeman and taking advantage of all the cool outdoor things that Bozeman has to offer, right, like ripping Bridger bowl and riding bikes. And essentially, it was like, there was, I think there's six of us living in a three or four bedroom house and I since I was the last one to join, lived in the tuff shed, in the back of the house had a full size Malamute, and two large space heaters that got me through winters. And it was awesome because I, I built like a little loft in there and did art and worked on my stuff. And then as much as I could, you know, when snowboarding or hiking or was just outside, right, like Bozeman, at this time, Bozeman was still pretty small college town. Now it's blown up and a little bit different, but it was it was a really cool place. And then one Christmas break, I came home, and I started working over the holiday break to make some extra money. And back to integer. So the studio manager, Studer shoemakers awesome. reached out to me, I was like, like, you want to do work part time while you're home from school and like you can whatever help us with some studio projects. And I was like, Yeah, totally. And I just got super into it. I was like doing cool projects again. And like, I don't know, I really loved Bozeman, but I just like had this burning desire to just like, jump as hard and as fast as I could into learning what I wanted to do. And so I just never went back to school. I went back that summer, to see my roommates. And I essentially pack up my tuff shed. And my dad actually had a trailer so you don't meet trailer at all back. And that was like living back at home and working editor and Marc Gutman 52:55 Did they ever hire you full time there? Kris Fry 52:58 They did kind of studio production manager. And so kind of that job evolved into actual need, right? And so they had a lot more projects that they needed copying and mounting and building. And so I kind of turned it like they turned it into a job essentially, based on the needs. And at that time, they had been bought by Omnicom. I think my mom was still working the time around. Yeah, my mom was still working there. She'd been there a while. And anyways, like it was cool. I like was working in this hub of essentially, like art directors Central. And I was like, 21 Yeah, 21 I'd have to be and he was about that age, right. And so now I can actually take advantage of all those parties that I couldn't before. And I was younger. And so it's like this whole world, another whole world opened up. And then at that time, when I came back integer had landed on airwalk as a client. And Matt Holly was kind of the lead our director and then they had this new dude that had just moved to Denver named Jeffrey Bice. He moved from California and he was like this. It's hard to describe like he is just this fucking infectious, awesome, design focused. Dude from California that just like, kind of came in, it was a bit of a wrecking ball integer, right, like they were kind of developing this corporate structure. And he was this dude that was just like, like blow through barriers. He was selling these amazing campaigns for all these beer brands that were like lightyears ahead of other work that was being done. And anyways, for me, I really was just like, oh my god, Jeff, and I headed off and he asked me to do a bunch of projects for airwalk. And so I started doing a bunch of stuff for airwalk specifically on like the genetic skate brand, which is like a sub brand they had built at that time and Like, you know, Matt and Jeff kind of really encouraged me and I was really authentic to that culture and knew it really well and could help kind of bridge the gap from that, like, agency world to, to that airwalk endemic world and, and then, yeah, and then that's when I met, you know, critical characters in my life that you know, as well. And anyways, so that thing happened anyways, that relation dissolved dissolved tre, like the airwalk couldn't pay their bills to the agency, and so they essentially got fired by an agency. But that also created an opportunity. Jeff, who I mentioned before, was asked to move in house to airwalk he offered me a job and I jumped at it. And yeah, at this time, airwalk was in Genesee, and I was the kind of in house graphic designer for airwalk and started working on all kinds of fun projects that were right in my wheelhouse and passion center, right, like airwalk, you know, at that time was not the iconic brand at once was but it was definitely picking up steam. They, you know, have brought on some critical players that became, you know, critical pieces of my life from that moment on, right. Mike Artz, one of them shared mutual friend of ours, right, like arts was the snowboard marketing manager at the time. My other really good friend Randy Kleiner, who was kind of the charge of snowboard boot and board development. And so that's kind of where I started as a graphic designer was like, in this really cool, kind of fading iconic skates or skate surf snow, culture, brand lifestyle brand, right. And I was embedded in the brand world in a very cool way. Marc Gutman 56:48 Yeah, then we know that, you know, Airwalk had a little bit of an untimely demise or a sudden demise. And so, you know, after that, where'd you go? Kris Fry 56:57 Well, that, that untimely demise, I lived through that. I mean, essentially, a lot of folks unfortunately got laid off. And they essentially kept 10 of us to kind of push the business into a licensing model where they were essentially licensing The, the rights of the brand out and that's where I really kind of developed a relationship with Randy Kleiner. And from there, you know, as we're working on this licensing structure became collective licensing, which is another company which owned a ton of different brands, some snowboards a ton of different kind of Lamar snowboards. They're just buying up these really iconic action sports brands and then licensing them. But that's where I met Randy, and a few other great folks, Mark Vitaly. And Jeff Bice was still there. And at this time, we were doing a ton of like consumer insights as a licensing brand. So we're trying to identify trends that were happening in the marketplace around footwear, specifically sneakers, and so part of our job was to essentially do trend reporting. So they would fly us to Miami, San Francisco, New York, LA at this time, you know, sneaker culture was this very kind of small counter subculture that was just starting to brew, right. I remember the first time I went to New York and went to a life Rivington club, it was the small, no signage, place where you bring a doorbell somebody like flies over a curtain looks you up and down, checks your sneakers. And then they let you into this like amazingly crazy boutique selling retro Jordans. And then there were some other ones that were there like Dave's quality meats and some of the iconic kind of ones. But there was a small bud of a culture that was happening on the coasts, essentially, that we were kind of influenced by and driving some of those things that were happening on the coast into these trend reports for all of our licensees in different countries to be able to say, Hey, you know, these kind of materials, these colors, this, this tone from an advertising perspective, is going to be a hit for you as you look at the whatever spring line of product and as you design for your audience, right. So that was really cool, too, because it helped me really understand, you know, taking what consumers were doing, and how they were adopting things through products and retail, and then being able to take that and then break out a bit of a crystal ball and, and use it as a way to inform other designers on how to develop product and communications. And so from that came an idea as we kept coming back to Denver, that Denver might be ready for its own sneaker boutique. And so Randy Kleiner and I left, excuse me, airwalk and we started a little boutique here in Denver. all based around sneaker culture and marketing and design. And so we started off 10th and bannock. And it was intentionally this kind of off the beaten path, like up and coming neighborhood, in the golden triangle of Denver, and we were gonna sell a limited edition sneakers and create, essentially a culture around sneakers in Denver. That was fucking awesome. It was like the best time of my life, it was amazing. You know, it was hard. from a business standpoint, like Nike didn't even have a rep in Denver at this time, right? Like I was selling the type of sneakers that we wanted to have, and to be able to sell and to build this community around. But we have some other really cool brands. And we created this really cool cultural thing in Denver, you know, and we had really awesome friendships with like minded people, and that we're also have kind of all these small businesses. And, you know, we used to throw parties, and we used to have an art gallery out front, which was really critical kind of marketing strategy for us, right, it was this idea of, well, we're part of this first Friday movement in Denver, people are out looking at art, like, let's bring this kind of lowbrow art style, to this sneaker culture. And let's expose some of our, you know, some of the Denver artists that we love to our new store, and vice versa, the audience that is following them, well know that we're here and probably find some sneakers that they want to pick up. So we used to have these incredible art shows with, you know, some really fun, awesome artists and made some insane relationships and felt like, you know, we were contributing to a new culture in Denver. And it was probably the funnest five years of my life. Marc Gutman 1:01:59 Yeah, but it also sounds like you didn't make any money or didn't make enough money. So what happened to that business? You had to wind it down? Kris Fry 1:02:09 Yeah, I mean, we actually were successful grew the business. It was, it was good. I mean, I think, you know, for Randy and I, we were paying ourselves what we needed to survive, which is enough, because, you know, we have faith in what we're doing. And eventually, it was gonna, you know, keep getting bigger, and we opened, you know, a couple different shops in different neighborhoods of Denver, specifically, I guess, I don't know what it's called now, but essentially, where the Rambo hotel is right now. Like 32nd on walnut. Anyways, that were that Billy's hot dog is that used to be the second 400 locations were there, I don't know, five years before that neighborhood fucking blew up. But it was cool. So we opened that neighborhood, we had a hole or we opened up that shop, we had a whole different style of sneakers there. And then we ended up closing down two stores and going to build a store off 15th and plat. This whole time, we were also doing, you know, tons of design work and marketing work and consumer research work, right. So essentially, our business attracted like the most exclusive social set in the Denver community. And so we had brands that would come to us and be like, Hey, can we do some, you know, product shopping with your crew? Can we ask them, like they used essentially, as a laboratory for them to gain consumer insights based on you know, this, you know, new consumer type and this new trend in limited edition sneakers and streetwear. And it was awesome. So we're doing all these insanely fun freeing projects and had this really cool business. But yeah, I mean, the economy took a dive, right? This was when the, the, I guess the ever the whole thing kind of went out. And, you know, Denver, you know, was just a beginning marketplace for this kind of, you know, limited edition culture. And so, you know, we, you know, weren't able to convince people that they needed to buy $200 pair of shoes instead of pay their rent. And so we made a choice to kind of, kind of close it down. We, you know, at this time, I think I was about to have my second kid Sam. And, you know, we didn't have an insurance, I had no adult things in my life at all outside of my children. That was the only thing that qualified me as an adult. And so Randy, and I, you know, bittersweet Lee, you know, like, I had to kind of close her down, and I would say, you know, Randy took, took the brunt of it right as the kind of head business owner and majority owner and, you know, I thank him a lot for that. I mean, but he was also he's older than me. So, you know, as my big brother, he, whatever helped guide that situation, and I believe it or not, when took a job at imager again. 30 time around. And let's see how short Do you need me to be here? Mark? tighten it up. Marc Gutman 1:05:06 Yeah, we do need to tighten it up. Yeah, you can just kind of bring me bring me up to speed. Kris Fry 1:05:11 Alright, so here's I went to integer for eight months, didn't really love the culture didn't feel like I was fueling ideas, the way I wanted to that time, I was kind of super corporate. And so at that time, you know, I got a call from my buddy Josh wills, and Steve Whittier at factory design labs. And so they asked me to come work at factory design labs, which was awesome, I was there. Six years worked on a ton of really iconic fun brands that became kind of the foundation of my portfolio and my knowledge set, specifically, you know, in the outdoor space, you know, the north face, we did a couple little projects for vans, but my main focus was working on the Oakley account. And, you know, from there, like, I went from, you know, a senior art director to a VP, creative director, and that six year span and did some really fun iconic work with some really awesome people, you know, Scott sports, and then, you know, factory less like airwalk, he kind of went and had some issues and ended up closing down. And at that point, you know, after kind of running, running, you know, six years of laughs at factory, I was toasted, and didn't want to, you know, work necessarily in advertising. And I was going to just freelance and so I freelanced in my basement for a bit, which was rewarding, but hard, and was also kind of working with capital goods as creative director on a few accounts, and that was, you know, about eight months, and I was still so burnt out, like, what happened at factory was really shitty for me, like I had to layoff a lot of people that I cared for deeply and valued. And being put in kind of this VP, creative director role, just the stress and the amount of like, things I was exposed to, from, like the pressure standpoint, at that age, and at the same time being like, Oh, well, we didn't get enough new business or whatever, we just this other thing happened, right, like having that, at that level. For me, it was difficult. And that shame thing, this actually might be where it comes full circle is really hard for me when it came to laying off my friends. You know, like, saying goodbye to people that I really respected for all the wrong reasons, right? That wasn't their fault. And it was like a weekly thing. And it became this like thing that just like, poisoned me for a little
ONDCP Director Carroll discusses the issues of addiction. For more information visit: Hightruths.com James “Jim” Carroll Director, White House Office of National Drug Control Policy The Honorable James W. “Jim” Carroll was sworn in as the Director of the White House Office of National Drug Control Policy (ONDCP) on January 31, 2019 following a unanimous confirmation by the United States Senate. Mr. Carroll previously served as the Acting Director and Deputy Director of ONDCP from February 2018 to January 2019. His strategic vision for the organization is best summarized in two words: “Be Relentless.” It's the advice President Trump gave Director Carroll when he nominated him to lead ONDCP, and the North Star that drives his vision in support of the organization's mission to stop the flow of illegal drugs in the United States and connect those suffering from substance use disorder with the tools they need to be put on the path to recovery. Under the leadership of President Trump and Director Carroll, the United States saw its first annual decrease in overdose deaths for the first time in 30 years; the amount of drugs seized by law enforcement at our Nation's borders stands at all-time highs; and record Federal grants have been awarded in support of drug interdiction and public health programs. In his role as “Drug Czar,” Director Carroll serves as the principal advisor to the President of the United States on drug policy and oversees a passionate staff of approximately 100 professionals. He oversees a budget of more than $35 billion and coordinates the activities and related funding of sixteen Federal government agencies and departments to reduce the supply of and demand for illicit substances. Prior to joining the Office of National Drug Control Policy, Director Carroll served as Assistant to the President and Deputy Chief of Staff at the White House. Previously in the Administration, Mr. Carroll served as General Counsel of the Office of Management and Budget and as Deputy Assistant and Senior Counsel to the President. Before joining the Trump Administration, Mr. Carroll served as Washington Counsel at the Ford Motor Company and as General Counsel of the Ford Motor Company Fund, the company's philanthropic arm that supports non-profit organizations and initiatives. This is Director Carroll's second time serving the American people in support of the President of the United States. During the George W. Bush Administration, Mr. Carroll held several positions including Special Assistant and Associate Counsel to the President at the White House, Deputy General Counsel and Acting General Counsel at the U.S. Department of the Treasury, and as an attorney at the U.S. Department of Justice. Mr. Carroll began his career as a state prosecutor in Virginia after earning his bachelor's degree from the University of Virginia and his J.D. from the George Mason University School of Law.
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