Podcasts about Thirdstory

Twenty years ago, “Al otro lado del río" became the first Spanish-language song to win an Academy Award for Best Original Song. Written by Jorge Drexler in a single day while staying in Madison, Wisconsin, and recorded in a mix of home and studio settings, the song's journey was as unexpected as its lyrics suggested. At the time, it felt like an anomaly. This year, when “El Mal” from Amelia Perez won the same award, it barely registered as unusual. That alone says something about how much can shift in 20 years—culturally, personally, globally. Here we revisit that historic night through conversations with Jorge Drexler, Ana Laan, Amanda Sidran, Ben Sidran, and the song's co-producer: me. From the song's humble origins, its Oscar nomination, and the moment when Drexler—barred from performing his own song during the ceremony—made a quiet but profound statement by singing his acceptance speech a cappella. But this episode isn't just about the song. It's about the river crossings—literal and metaphorical—that define our lives. It's about memory, and how we revise and re-tell our stories over time. It's about fate, timing, music, and how small decisions can ripple outward in ways we could never expect. It also looks at the aftermath: how the win transformed Drexler's career, leading to 15 Latin Grammys and three Song of the Year awards by 2024, and how it marked a turning point for me, prompting me to move to New York and ultimately leading to the creation of The Third Story podcast. But even in retelling the story, memory plays tricks—Jorge and I recall that night differently, highlighting a key theme of The Third Story: within every version of events, the truth always lies in the spaces between. This episode is an exploration of music, memory, and history—how a single event can reshape multiple lives in different ways. www.third-story.com www.leosidran.substack.com

Jorge Drexler is the latest guest on The Third Story podcast hosted by Leo Sidran

Suzanne Vega is the latest guest on Leo Sidran's "The Third Story" podcast

Arturo O'Farrill is the latest guest on The Third Story podcast with Leo Sidran

On this episode of The Third Story, host Leo Sidran chats with Max Pollak

Raul Midón is the latest guest on The Third Story podcast hosted by Leo Sidran

On this episode of The Third Story, host Leo Sidran chats with Stephin Merritt

On this episode of The Third Story, host Leo Sidran chats with Nels Cline

Explore three chilling firsthand accounts sourced from Reddit, each story bringing unique and unsettling experiences to light. Dive into these narratives for an intense journey through real-life horror tales. 0:00: Introduction0:15: First Story6:10: Second Story11:30: Third Story #disturbingstories #Redditstories #truehorror #darkstories #firsthandaccounts Learn more about your ad choices. Visit podcastchoices.com/adchoices

Leo Sidran is a multi instrumentalist musician, producer, arranger, composer, recording artist, and podcast host.The Third Story podcast features long-form interviews with creative people of all types.Their stories of discovery, loss, ambition, identity, improvisation, risk, and reward are deeply moving and compelling for all of us as we embark on our own creative journeys.He was born and raised in Madison, Wisconsin, which is sometimes referred to as 70 square miles surrounded by reality. His father, Ben Sidran, another multifaceted music man, provided my early musical sustenance. His mother, a weaver and travel agent, provided texture and safe passage.He got his start writing songs professionally as a teenager when the Steve Miller Band recorded four of his songs for their 1993 Wide River album. His father was working with Miller at the time, which is how he made the connection, but even then, at the ripe old age of 15, he was interested in production. So, Steve invited him to play keyboards, guitars and drums on the record. He co-produced the Academy Award Winning song, "Al Otro Lado Del Rio" from the film The Motorcycle Diaries with Jorge Drexler in 2005. After the Oscar win, he made a move to Brooklyn and not only started producing records for other artists, but also composing music for film and television commercials amassing a catalog of 100s of major TV ads for clients like Coca-Cola, Visa, Lincoln, McDonalds, Stella Artois, Ford, Garnier and over a dozen film scores for outlets such as ESPN 30 for 30, Discovery, IFC, Sundance, and PBS. As a drummer, he has played and recorded with jazz luminaries including Phil Woods, Howard Levy, David Fathead Newman, Clark Terry and Dave Grusin, and as an engineer he has worked with artists ranging from Snarky Puppy to Massive Attack.To learn more about Leo and his music and work, visit http://www.leosidran.comTo learn more about Leo's podcast, visithttp://www.third-story.com

On this episode of The Third Story, host Leo Sdiran chats with Steven Greenberg

On this episode of The Third Story, host Leo Sidran chats with Makaya McCraven

Daily QuoteI am no bird; and no net ensnares me: I am a free human being with an independent will. (Charlotte Bronte)Beauty of WordsThe Snow Queen in Seven StoriesHans Christian AndersenThird StoryThe Flower Garden of the Woman Who Could Conjure

On this episode of The Third Story, host Leo Sidran chats with Jacob Collier

On this episode of The Third Story, host Leo Sidran has conversations with Aaron Parks and Marta Sanchez

On this episode of The Third Story, host Leo Sidran chats with Samora Pinderhughes and Jack DeBoe

On this episode of The Third Story, host Leo Sidran chats with photographer Allan Tannenbaum

Join us in this One on One interview with Robert Ellsberg and authors, Brian Swimme & Monica DeRaspe-Bolls, as they discuss "The Story of the Noosphere".Get your copy today at https://maryknoll.link/p35Get 25% off  The Story of the Noosphere through 30 November 2024Brian Thomas Swimme is Director of the Third Story of the Universe at Human Energy, a public benefit non-profit that focuses on scientific and interdisciplinary research on the future of human collective consciousness. Swimme did his doctoral work in gravitational dynamics at the University of Oregon. With Mary Evelyn Tucker, he authored the book and film Journey of the Universe, www.journeyoftheuniverse.org.Monica DeRaspe-Bolles is a doctoral student at the California Institute of Integral Studies and a consultant at The Human Energy Project, Orinda, CA. With Brian Thomas Swimme and Devin O'Dea, she created the popular YouTube video series "Story of the Noosphere." She lives at Blueberry Front, Snohomish, WA, a research center for time-developmental cosmology.Watch the YouTube series!

The latest episode of The Third Story features Andrew Bird

On this episode of The Third Story, the joy, community and resilience of Lucy Kalantari

Riley Mulherkar is the latest guest on The Third Story

On the next edition of The Third Story podcast, host Leo Sidran profiles singer-songwriter Jesse Harris

When Geiger counters all over America went into too-high gear, Dr. David Murfree knew there was only one man to see–Bud Gregory, the hillbilly genius of the atom! The Deadly Dust by Murray Leinster, that's next on The Lost Sci-Fi Podcast.Thanks to Peetee Bee who gave us a 5 star rating and review on Apple Podcasts Great Britain. “Well narrated. My go to for old sci-fi brilliantly narrated - no need for sound effects or background music. Keep ‘em coming I'm almost up to date. Thank you for a brilliant podcast.” Thank YOU Peetee Bee! Your review on Apple Podcasts is a great way to support The Lost Sci-Fi Podcast.Bud Gregory is back. This is the third story in the Bud Gregory Saga written by Murray Leinster. All of them can be enjoyed individually, but if you want to go back and listen to all of the stories in the order that they appeared in 1947, The Gregory Circle was first, followed by The Nameless Something and today's story, The Deadly Dust.Let's turn back the hands of time exactly 77 years ago to August 1947. The story we are seeking can be found on page 11 of Thrilling Wonder Stories Magazine, The Deadly Dust by Murray Leinster…Next on The Lost Sci-Fi Podcast, It wasn't that Kroll enjoyed watching the traitors broken in body and spirit. But why did they keep insisting they were innocent before—The Inquisitor. By Robert Silverberg☕ Buy Me a Coffee https://www.buymeacoffee.com/scottsVYouTube - https://www.youtube.com/@VintageSciFiAudiobooksFacebook - https://www.facebook.com/TheLostSciFiPodcastTwitter - https://twitter.com/lost_sci_fi=========================== ❤️ ❤️ Thanks to All Our Listeners Who Bought Us a Coffee$200 Someone$75 James Van Maanenberg$50 Anonymous Listener$25 Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Third Story podcast, host Leo Sidran talks with Ella Rae Feingold, guitar player, composer, orchestrator, educator and content creator.

To learn more about Leo and his music and work, visit http://www.leosidran.comTo learn more about Leo's podcast, visithttp://www.third-story.comLeo Sidran is a multi instrumentalist musician, producer, arranger, composer, recording artist, and podcast host.The Third Story podcast features long-form interviews with creative people of all types.Their stories of discovery, loss, ambition, identity, improvisation, risk, and reward are deeply moving and compelling for all of us as we embark on our own creative journeys.He was born and raised in Madison, Wisconsin, which is sometimes referred to as 70 square miles surrounded by reality. His father, Ben Sidran, another multifaceted music man, provided my early musical sustenance. His mother, a weaver and travel agent, provided texture and safe passage.He got his start writing songs professionally as a teenager when the Steve Miller Band recorded four of his songs for their 1993 Wide River album. His father was working with Miller at the time, which is how he made the connection, but even then, at the ripe old age of 15, he was interested in production. So, Steve invited him to play keyboards, guitars and drums on the record. He co-produced the Academy Award Winning song, "Al Otro Lado Del Rio" from the film The Motorcycle Diaries with Jorge Drexler in 2005. After the Oscar win, he made a move to Brooklyn and not only started producing records for other artists, but also composing music for film and television commercials amassing a catalog of 100s of major TV ads for clients like Coca-Cola, Visa, Lincoln, McDonalds, Stella Artois, Ford, Garnier and over a dozen film scores for outlets such as ESPN 30 for 30, Discovery, IFC, Sundance, and PBS. As a drummer, he has played and recorded with jazz luminaries including Phil Woods, Howard Levy, David Fathead Newman, Clark Terry and Dave Grusin, and as an engineer he has worked with artists ranging from Snarky Puppy to Massive Attack.

Ten years ago, on a bit of a whim, I invited bassist Will Lee to come over to my home studio in Brooklyn to do an interview with me for a new project I was starting: a podcast. A year or two earlier, my friend Michael Fusco-Straub had turned me on to Marc Maron's WTF podcast, and I was totally hooked on the concept of casual long form interviews among peers. At the time Maron spoke almost exclusively to comics, and I thought there might be a space for something similar but focused on music. Although I didn't have any real experience as a journalist or a broadcaster, I knew I could do it. In fact, maybe more than anything else I've ever done professionally, it was the most natural decision I can ever remember making.  But the format was a bit of a mystery. Who was I supposed to be? An expert on music? A friend of my guests? I thought maybe we would perform together. Or maybe they would demonstrate something. Or maybe it would be a document of the local scene in New York - in the early episodes I asked my guests “where are you coming from today” and “where are you going after this”. Actually, those are pretty good questions. Maybe I should go back to asking them again.  I spent a month futzing with my Will Lee interview, carefully editing each pause and “um”, working and reworking the introduction. I designed a crude logo based on a Google Earth image of my house in Park Slope, and built a website on Squarespace.  I posted the episode and sent an email to my friends to explain the new project. I wrote:  Since moving to New York nine years ago, I have tossed around the idea of conducting informal interviews with musicians in my studio when they come in to record. Over the years so many great players and singers have shared tremendous insights and history with me, and it seemed like such a missed opportunity not to record it. Of course, everything changes when the “red light” is on, so the question for me became how to maintain that same level of spontaneity and candor in a somewhat more formal setting. Then I sat nervously with a pit in my stomach, not knowing what I had just done. Would anyone like it? Would anyone care? Was I any good at it?  Ten years and 268 episodes later, I continue to refine, to tweak and futz, to agonize and scramble to the finish line every time. As I write these words it is 12:30am, and I sit in my darkened studio - essentially an extension of my bedroom - with my wife, Amanda asleep just a few feet away, and our daughter asleep in the next room. That is to say that The Third Story has become an extension not only of my life, but of my entire household. Fortunately the initial nausea has passed but it has been replaced by a constant sense of urgency to get the next episode finished.  I have also developed a style, an unstructured but intentional approach to talking to people, in search of a narrative thread in each journey, an attempt to get somewhere together. Sometimes it's more technical, sometimes it's more esoteric, sometimes it's personal. There is no real theme to the show, and there is no real dogma. If it's interesting to me, the hope is that it will be interesting to others too.  The good news about an ongoing show like this one is that there's always another episode to make, so you can never get too precious about any of them because there will be more. The bad news is the same as the good news: no matter how much time you spend on one episode, or how good it was, you still have to make another one, and you're probably already behind schedule. The project has become a way of moving through both space and time for me. It provides a kind of structure when I travel - nearly everywhere I have gone over the last decade, I have returned home with at least one interview.  Whether talking to Gabriela Quintero in Mexico, Jorge Drexler in Spain, Madeleine Peyroux in Paris, Butch Vig in Los Angeles, Howard Levy in Chicago, David Garibaldi in Oakland, David Maraniss in Madison, or Jack Stratton in Cleveland, the interviews have provided purpose to my movement through the world.  I have traveled specifically to cover jazz festivals like Copenhagen, Newport, Montreal and Umbria, and chronicled my own tours too. I have used the platform to mark the passage of time and significant events along the way. From The 2016 and 2020 Elections to the Covid outbreak, from my 45th birthday to my father's 80th, from the 2015 terrorist attacks in Paris to memorializing lost friends like Tommy LiPuma, Clyde Stubblefield, Tim Luntzel or Richie Cole.  I have captured both first and final conversations with some remarkable people. I did the first long form interview with Jacob Collier in his house in London in 2014, and the last long form interview with Creed Taylor in his New York apartment 2015. Interviews with Peter Straub, Howard Becker, Clifford Irving, George Wein and Al Schmitt now live on as part of their legacies.  While The Third Story has never become what you might call “popular” it has become kind of a cult show. I continue to be astounded when I meet someone who knows the show. It happens more often than I expect, and I have made more than a few real meaningful friendships that way too.  When several years ago I was invited to publish my episodes on All About Jazz, I knew I was making credible content. When in 2022 I was asked to partner with WBGO Studios, it was an acknowledgement that I was on the right path, and when we won a Signal Award in 2023 I was further encouraged.  By the way, my logo was eventually redesigned by a real graphic designer, Michael Fusco-Straub (the same guy who turned me on to Marc Maron to begin with). Last month, on another whim, I called Will Lee again to see if he would like to meet up for a reunion and to help me celebrate my tenth anniversary. When I first talked to Will for episode one, he was still performing nightly on The Late Show with David Letterman and we talked about his career as one of the most recorded bassists in history, his early education, playing on Letterman, his solo projects… the kind of general overview conversation that has come to loosely define what I do here. This time was more casual and more conversational. We sat on the couch in his Manhattan apartment and traded quips, and I managed to gently extract some new information from him.  Then I asked my wife, Amanda, to join me to help process this anniversary in more domestic terms: how does it look and feel to live with someone who is constantly in the process of mining another life story for content and making podcast episodes? What are the similarities between her career as a yoga teacher and mine as a… whatever I am? What do raising a child and producing a podcast have in common? It was extremely entertaining, as is usually the case when Amanda joins me on the show.  At the risk of getting too sentimental, I will simply say that making The Third Story is one of the great privileges and joys of my life, I am grateful to all of the extraordinary people who have shared their stories with me, and I am even more grateful to you for listening to it. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios www.leosidran.substack.com  

This is a story about living in a dorm 

After another heartbreaking loss on Underdog, Matty and the bois return for an extra long episode to make up for last week. Wild week of "Do We Care's" and a hilarious Top 5! Enjoy! Sleepers: Colby: "Fighting Fishes" by Benjamin Gibbard Fost: "Landmines" by Sum 41 Matty: "G Train" by Thirdstory and Pusha T

Olivia and Aran take on their greatest challenge to date: two bags of doritos. We attempt to answer with as much rigour as possible the question of whether a medieval peasant would be knocked dead by a taste of the delightful snack. Then, we explore why medieval people loved spices so much that they took over half the world looking for them. Also discussed are the secrets to good soup, the ports and gals of Portugal, and where Italians go when they die. For more information about what we cover, check out:Boccacio's Decameron translated into modern English (see "THE THIRD STORY" for a description of parmesan cheese mountain, or just Ctrl-F for "parmesan")https://www.gutenberg.org/files/23700/23700-h/23700-h.htmA fun list of prices of various goods in medieval Europe, including several spices, compiled by Berkeley professor Kenneth Hodgeshttp://medieval.ucdavis.edu/120D/Money.htmlA quick look at salt in the Middle Ages on medievalists.nethttps://www.medievalists.net/2016/01/using-salt-in-the-middle-ages/A more detailed look at the social role of spices in the Middle Ages by Stefan Halikowski Smithhttps://www.jstor.org/stable/40110784An English Translation of Le Viandier de Taillevent, one of the most significant medieval cookbooks, featuring recipes such as "bright green soup" and "red deer testicle"https://jpnet.ca/data/viandier/viandier1.html Follow us on Twitter!Weird Medieval Guys @WeirdMedievalOlivia @olivia__msAran @aranptappers

Writer, blogger, podcaster, pundit, and reporter Ana Marie Cox joins her good friend John Moe for a conversation about writing. Ana teaches what she calls Third Story Workshops that are dedicated to helping people get their stories out of their minds and onto the page. She says you can look at your story in three parts: what it was like before, what happened, and what you are like now. It's that third bit that she really concentrates on with students. John, who published a memoir in 2020, shares his thoughts about the self-discovery that can take place through the act of writing about your own experiences.Learn more about Ana Marie Cox by visiting her website, www.AnaMarieCox.com. Learn more about the Third Story Workshop by visiting www.AnaMarieCox.com/ThirdStory.Thank you to all our listeners who support the show as monthly members of Maximum Fun.Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com!Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlinesThe Depresh Mode newsletter is available twice a week. Subscribe for free and stay up to date on the show and mental health issues. https://johnmoe.substack.com/John's acclaimed memoir, The Hilarious World of Depression, is now available in paperback. https://us.macmillan.com/books/9781250209566/thehilariousworldofdepressionFind the show on Twitter @depreshpod and Instagram @depreshpod.John is on Twitter @johnmoe. 

GRAMMY award winning Leo Sidran is a multi instrumentalist on drums, percussion, bass, guitars, keyboards, piano and vibraphone. He's a lead and backing vocalist, producer, arranger, composer, recording artist, and podcast host of ‘The Third Story' who - in his spare time - just released his 8th solo album titled ‘What's Trending.'       There is so much to this mind bogglingly diverse man that one episode simply isn't enough, so look for a “to be continued” in the future. But for now, Leo and I chose to focus on the rich backstory of ‘What's Trending.' It's a fast-paced, fun and fascinating conversation, with highlights from the tracks we know you'll enjoy.

In this episode of Words on a Wire Juan Ignacio Stewart talks with host Tim Z. Hernandez about family, teaching, music and salsa. In this edition of the "Third Story", Juan shares some stories of starting a food company.

Ahead of World Pride 2023 in Sydney, SBS Russian gathered stories of the Ukrainian LGBTQI+ community members. In the third episode we talk to Svetlana from Berlin-based organisation Quarteera. Since the start of the war, Quarteera have been helping Ukrainian queer-refugees and also queer Russians running away from persecution. - В преддверии World Pride 2023 в Сиднее мы собрали для вас несколько историй представителей украинского сообщества ЛГБТК+. В третьем эпизоде серии мы разговариваем со Светланой, представительницей сообщества Quarteera, объединяющего русскоязычных ЛГБТК+ людей в Берлине.

A collection of Art of the Story pieces for WBGO News by Leo Sidran / The Third Story Podcast from 2022, including coverage of the Montreal and Umbria jazz festivals (featuring Dave King, Julian Lage, Samara Joy, Matt Pierson, Terence Higgins, Gregory Porter, Kurt Elling, Dave Koz and more) as well as short profiles on Lau Noah, Michael Thurber, Tomasz Stanko, Tyshawn Sorey, Jesse Harris, Jorge Drexler, Christian McBride and Larry Goldings.  www.third-story.comwww.patreon.com/thirdstorypodcast https://www.wbgo.org/podcast/the-third-story

Every year, The Third Story collects more interviews and conversations than we are able to publish as full episodes, and 2022 was certainly no exception.  Finally, we have found a solution: THE ONES THAT GOT AWAY, 2022 HOLIDAY EDITION. Conversations with saxophonist Bill McHenry, keyboard player/producer Didi Gutman, pianist Jon Dryden, pianist Dan Tepfer, trumpet player/graphic designer Jamie Breiwick, and pianist Randy Ingram with singer Aubrey Johnson, collected around the world this year. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/podcast/the-third-story  

Brian Thomas Swimme did his doctoral work in gravitational dynamics in the Department of Mathematics at the University of Oregon. From the publication of The Universe Is a Green Dragon to the Emmy Award–winning PBS documentary Journey of the Universe, Swimme has articulated the cosmology of a creative universe, one in which human intelligence plays an essential role. For three decades as a professor in the Philosophy, Cosmology, and Consciousness program at the California Institute of Integral Studies in San Francisco, he taught evolutionary cosmology to graduate students in the humanities. Currently he is director of the Third Story of the Universe at Human Energy, a nonprofit public benefit organization. A detailed description of his books and media works can be found at storyoftheuniverse.org. About the documentary, Journey of the Universe. Human Energy presents Story of the Noosphere Discussion of this interview in the BatGap Community Facebook Group. Transcript of this interview Interview recorded September 18, 2022 Video and audio below. Audio also available as a Podcast.

In this episode, listen to a new series ”The Third Story” created by host Tim Z. Hernandez,  featuring Dominic Prado, who, after serving time in prison, headed out into his community to organize cultural events in Central California, attended the University of Santa Cruz to serve as the city council for his community, and opened his own business Tacos El Ultimo baile.

Every healthy and authentic community has conflict. While conflict is inevitable, how we resolve conflict is up to us. How do we approach conflict in a healthy, mature, and Christlike way? This week, we explore key principles that will help us navigate our conflicts well.

Within about a week of home quarantine in March 2020, pianist Emmet Cohen started live-streaming shows every Monday night from his apartment in Harlem. At first it was just Cohen and his bandmates, drummer Kyle Poole and bassist Russell Hall, set up in Cohen's living room. Eventually they started inviting guests, and Emmet's Place became one of the spots for live jazz in pandemic New York. Six months in, it had really caught on: the Emmet's Place performance of “La Vie en Rose” featuring singer Cyrille Aimée has over 4 million views on Youtube. Since then, Emmet's Place has become a kind of jazz incubator in New York; featured guests have included legends like Houston Person, Victor Lewis, Joe Lovano, Sheila Jordan, Randy Brecker, Regina Carter, Christian McBride, Nicholas Payton, and dozens more. Cohen has one foot planted in the future and the other in the past. Maybe that's why he chose to call his most recent record Future Stride: as a nod to the stride piano that he loves and the modern world in which he lives. That tension between these two impulses, the old school and the new, is at the heart of the Emmet Cohen phenomenon. He's deeply rooted in the jazz tradition, and believes in the importance of oral history and intergenerational connection. When he was in his 20s (not so long ago!) he made a series of albums, live interviews, and performances featuring jazz masters Jimmy Cobb, Ron Carter, Benny Golson, Albert “Tootie” Heath, and George Coleman. He called it the Master Legacy Series. Meanwhile, he's an active digital citizen. He was quick to embrace streaming, NFTs, and direct-to-fan connection. (He offers a subscription service to his fans to support his work directly.) He's a product of the 21st century and he understands how to thrive in both physical and virtual space. We got together recently to talk about how he straddles the line between tradition and modernity, starting out as a prodigy in Miami, being a “repertory player,” his community in Harlem, “blues therapy” and the common lesson he learned from all his mentors. The Third Story is made in partnership with WBGO Studios. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

After a two-year slowdown due to COVID, the Montreal International Jazz Festival came back this year. I had been there a couple times, in and out, as a musician. I went this year to cover the festival's full return for WBGO and The Third Story. When you're a musician at a festival like MJF, the job is actually pretty clear. You get to the gig, play the gig, pack up and go to the next gig. But what does a member of the press do in this situation? I was given a credential badge to wear with the word JOURNALISTE written on it and an assignment to “find the story.” Pretty quickly, a narrative started to reveal itself. Or rather, several narratives, all classics. The story of the young versus the old. The story about the past versus the present. And ultimately, the story of today's community of musicians, what's on their mind as they travel this Silk Road of Rhythm which is the summer jazz festival circuit —from Montreal to Marciac, from North Sea to Umbria and beyond. Conversations with Dee Dee Bridgewater, Bill Charlap, Scott Colley, Aaron Goldberg, Samara Joy, Allison Miller, Gregory Porter, and various concert-goers, festival organizers and locals all helped to fill in the story. Self-expression, politics, social media, technology, and conservationism were all part of the fabric, but the common thread between all of them was one of empathy and communion. “This Music,” as so many of the musicians call it, represents human potential. And humans are complicated beings. But at our core, we are social beings and that is reflected in this Montreal Jazz Festival experience. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

When Julian Lage plays guitar, it's hard not to get swept up in it. His relationship with the instrument is natural and contagious. Maybe that's because it's been with him for most of his life. When he was just 8 years old, Julian was the subject of an Academy Award nominated documentary film called Jules at Eight. Before he entered his teens, he had already performed with Carlos Santana and jazz vibraphonist Gary Burton. While still in highschool he was a faculty member of the Stanford Jazz Workshop.    Lage plays like someone in love. Despite his productive personal relationship with singer-songwriter Margret Glaspy - who produced his forthcoming album on Blue Note View with a Room - perhaps the deepest love affair of his life may in fact be with the guitar itself.    In this conversation from last year, we talked about his 2021 release Squint, which Glaspy produced with Armand Hirsch - his first on Blue Note, which he recorded with drummer Dave King and bassist Jorge Roeder. He told me how he traversed those murky waters of youthful exceptionalism and came out on the other side - with more sensitivity, to the music, to his audience, and to himself. During the course of the conversation, Julian also described  the connection between the artist and the audience and how he thinks about notes as having the weight of speech. “I want it to feel like I'm talking to you when I play.” The Third Story is a collaboration with WBGO Studios. www.wbgo.org/studios

Singer Stacey Kent says she tends to be attracted to the “feeling of unrest,” and she thinks that her fans like to feel it too. Over the course of a 30 year career that has produced over 20 albums (including  including the Grammy-nominated Breakfast On The Morning Tram), Stacey has mined that feeling again and again in different ways.  Maybe she understands how to express the complicated emotions around identity, romance, displacement and longing because she has lived them so fully herself. Raised in New Jersey, Stacey moved to England for graduate school. Almost immediately she met saxophonist Jim Tomlinson and the two set out together to build a life both personal and professional.  As Stacey describes it, meeting Jim was a major inflection point in her life and it's clear that the relationship between the two is at the center of the story. Eventually, they befriended the Japanese born British novelist Kazuo Ishiguro, which has led to an ongoing creative partnership between Tomlinson and Ishiguro who compose original songs for Stacey's repertoire.  In this conversation, recorded on location at Ronnie Scott's jazz club in London we talk about why she's a fatalist, escaping from New Jersey and from the bounds of category, crossing borders (in many senses), and her latest release Songs From Other Places. The Third Story is made in partnership with WBGO Studios. www.wbgo.org/studios www.third-story.com www.patreon.com/thirdstorypodcast

Just when you think you know all there is to know about Donald Fagen, he surprises you. There are legendary stories, traded like playing cards in chat rooms, fanzines, and merch lines. Along with his musical partner, the late Walter Becker (who passed away in 2017), Fagen influenced countless musicians, producers and songwriters by setting the gold standard in record production and arrangement with his band Steely Dan. This is known. There are the solo records, including The Nightfly (released in 1982), which was nominated for seven Grammys and continues to serve as a reference for hi-fi aficionados around the world 30 years on. This is known.  Much is known about Donald Fagen and his work, it's true. But much is still left to be revealed. Stage fright, a general aversion to appearing on television (he and Becker lacked the large heads and “swaths of cheek” that they felt necessary to really make it on the small screen), and nearly 20 years with no touring created a mystique that endures to this day, despite the fact that they've toured regularly since the mid 90s.  So Donald can surprise you. He does it not by telling you what happened, but rather what he thinks about it. Or more to the point, how he thinks about it. He tells you that Steely Dan has “more in common with punk than with the confessional California singer songwriters” that they were often compared to. He tells you why Stravinsky was a precursor to funk music. He tells you what's postmodern about his music, why making his first solo record was so personally disruptive to him, how he falls asleep, when he decided to finally grow up, and who he never wants to see again. This conversation was recorded in summer of 2019. This summer, Steely Dan is back out on the road playing to crowds of delighted fans around the country. The Third Story is now a collaboration with listener supported WBGO Studios. Visit www.wbgo.org/studios to find out more about their award winning podcasts. If you like what you hear, please consider leaving a review wherever you listen to podcasts. www.third-story.com www.patreon.com/thirdstorypodcast

When Lionel Loueke was coming of age as a young guitar player in his home country of Benin in West Africa, there were no music stores of any kind. He would have had to travel to Nigeria, the next country over, just to get his hands on some new strings. So he made due with what he had, cleaning and soaking, reusing his strings and even going so far as to tie knots in them when they broke.  Loueke's story is the stuff of legend. After finally getting his hands on a guitar as a teenager, he put together enough technique and understanding to get himself to the Ivory Coast to attend music school, and then managed to get to Paris for further musical study. Eventually he went to Berklee College of Music in Boston, and then to the Thelonious Monk Institute of Jazz Performance at UCLA in Los Angeles, now called the Herbie Hancock Institute, where he had the opportunity to study and work with luminaries like Hancock, Terence Blanchard and Wayne Shorter. Soon he began to work with those same mentors, appearing on albums by Blanchard and Hancock. Since then, he has gone on to play with an incredible list of the most creative and influential players alive. Today he lives in Luxembourg, teaches at the Jazz Campus in Basel, Switzerland, and in non-COVID times, tours and records relentlessly.  A brief scan of his recent solo work tells the story: In 2019 he released an ambitious album aptly named The Journey — the title referring to his odyssey while also mirroring his musical development. He followed that up in 2020 with a much more intimate album called HH, featuring solo guitar performances, punctuated by vocals and vocal percussion, of Herbie Hancock compositions. And last year saw the widespread release of Close Your Eyes, originally issued only on vinyl several years ago; it's a more loosely structured blowing record of classic repertoire, in musical conversation with bassist Reuben Rogers and drummer Eric Harland.   Loueke tells me that after trying as hard as possible to remove the African influences from his playing and sound more like his jazz heroes, he ultimately realized that they were all compatible, and began to reintroduce more of the sounds of his childhood into his approach. The result is a very personal, musical, and emotional sound. I think maybe that's what makes him such an appealing collaborator. His voice is so identifiable and personal, but you can feel the road that he has traveled in his playing.  In fact, he ends up telling me exactly that. “Our story is what we play,” he says, “the story of somebody from the beginning to the time they play; that's what we are presenting.” We spoke recently about growing up in Benin; discovering the guitar, and eventually jazz, by way of a George Benson record; making his way out of Africa, through France, to America; finding his voice and his style; how he sees his contribution as a teacher; and much more. This is the final in a month of encore episodes as part of a new partnership between The Third Story and WBGO Studios. In June, new episodes will drop every other week.  www.wbgo.org/studios www.third-story.com

We're back with another classic episode from the archive in honor of the new partnership between this podcast and listener supported WBGO Studios. All month I'm revisiting some of my favorite episodes from over the years, and starting in June I'll be back with all new fresh episodes. You can find these at www.wbgo.org/studios where you will also discover their ever expanding selection of hipster content. And if you want to dig on the full Third Story archive, you can find that at www.third-story.com where we've always been.  Eric Harland thinks about time. He thinks about taking time, he thinks about giving time, and he thinks about sharing time.  He'll tell you: “Time is a joint effort. It's everybody at once. You want to talk about synergy, alliance, brotherhood and sisterhood? Just watch people getting together and having to play time. So much shows up in that. There's so much judgment, so much blame. But then you get to these points of surrender and ecstasy. Something wonderful happens because you went on this journey together. It's so revealing and it's so fulfilling.” Eric Harland is one of the most in demand jazz drummers of his generation. He has played with everybody. Betty Carter, McCoy Tyner, Joe Henderson, Michael Brecker, Terrence Blanchard, Wayne Shorter, Wynton and Branford Marsalis, Esperanza Spalding, Taylor Eigsti, Julian Lage, Robert Glasper, Joshua Redman, Dave Holland, Chris Potter, Charles Lloyd, John Mayer, and on and on and on. He has appeared on over 400 recordings, and continues to appear at the top of critics' and readers' polls. Plus he once played a solo so intense that it sent my wife to the hospital.  Here he shares his incredible story of growing up in Houston and how he came to weigh 400lbs by the time he was 16 (he eventually lost the weight in college), attending the Manhattan School of Music, becoming an ordained minister, living with singer Betty Carter (“not like that”), learning from legendary mentors, and exploring “time”.  He also shares his thoughts on practice, community, natural wine, and what you can learn about a person by how they drive. 

What do A Tribe Called Quest, David Byrne, The Roots, D'Angelo, Pat Metheny, Erykah Badu, Jason Moran, Me'Shell N'degéocello, India.Arie, J Dilla, Run DMC, and Theo Croker have in common?  They all benefited from the sound of Bob Power's recording, mixing or production.  Bob has had a profound effect on the sound of Hip Hop and modern music in general. Despite the fact that he says “I learned early on from working in television that if someone notices your work, you're probably screwed,” I did notice what he was doing and I think a lot of people did. He has degrees in classical composition and jazz performance, and spent his early professional years both gigging and composing music for television. He was 30 years old and living in San Francisco when he decided to move to where the action was in the music business at the time: New York.  An unexpected gig as a recording engineer for early rap sessions ended up re-orienting Bob's career. He says he thinks he was one of the few people in the recording establishment who took the new music seriously and cared enough to make it as good as possible, even though it was being made in a different way (using samples, drum machines and intuition). He tells me, “Great music is made by people who either don't care or don't understand what is ‘normal' so they do something extraordinary.” And he says, “In popular music, wrong has become right, and we love it.” Talking to Bob, one gets the sense that his contribution has been multi-fold. Part of it is indeed the sound that he gets. It's undeniable that his records have a sound: it's in the depth of his mixes, the way they round and present, deep and forward at the same time. They have dimension. He tells me, “Just being able to hear everything in a mix is a lifetime of study.”  But the other part of what he offers in the room is his way. It's his personality. Bob is happy to talk about his technical approach, the way he thinks about recording, mixing, and mastering. But he is equally happy - maybe even more so - to talk about pop sociology, Marshall McLuhan, Malcolm Gladwell, Timothy Leary and larger cultural trends of the the last 50 years. He says, “The state of the art in electronic media, the bar is very high. So making things fluid in the creative atmosphere is the thing.”  Bob teaches at NYU and it would seem that teaching and producing are related to him. He tells me, “I want my students to see that there's all different flavors of good.” And he says, “A lot of artists want to show all the different things they can do. No! Show the one thing that you do that is totally yours and no one else can do, and then find every way in the world to exploit and enrich that.” We got together in his studio back in February of 2020 to talk about history, technology, fat beats, staying in your lane, and keeping things fluid.  This is the third in a month of encore episodes as part of a new partnership between The Third Story and WBGO Studios. During the month of May, you'll find another episode from The Third Story archive at wbgo.org/studios and then in June, new episodes will drop every other week.  www.wbgo.org/studioswww.third-story.com

Jason Moran is so prolific and multifaceted that any attempt to summarize his career poses a daunting challenge. Now think about what it's like preparing for a conversation with him. He's a composer, conceptual artist, educator, and public intellectual with a critical disposition — critical in the sense of challenging the status quo, while still respecting the accomplishments of his mentors. First and foremost, he's a piano player who straddles avant-garde jazz, the blues, classical music, stride piano, and hip-hop. In other words, he's just an incredibly thoughtful person. Moran is interested in reframing and reassessing the relationship between music, history, and place. When we spoke for this episode of The Third Story, in the spring of 2020, he was in the midst of curating an exhibition at the Louis Armstrong House Museum. Given that fact and what was happening at the time, I was particularly interested to know how he was dealing with social distancing and isolation. Our conversation is both a snapshot of that moment in time and a sweeping consideration of many of the larger themes in his work. Among other things, he talks here about coming up in Houston among a generation of jazz innovators; the idea of truth versus passion; promoting the “Freedom Principle”; America's unfortunate way of forgetting the past; what it means for African American musicians to move freely “from the stage to the table”; the power dynamic within choosing repertoire; what Thelonious Monk and KRS-1 have in common; what we still have to learn from Louis Armstrong; and what it means to be the “personal embodiment of your history.” This is the second in a month of encore episodes as part of a new partnership between The Third Story and WBGO Studios. During the month of May, you'll find another episode from The Third Story archive at wbgo.org/studios and then in June, new episodes will drop every other week.  https://www.wbgo.org/podcast/the-third-story www.third-story.com

Before he reigned supreme at the Grammy Awards, before he was an Oscar-winning composer (for Pixar's Soul), before he was bandleader for The Late Show with Stephen Colbert, and well before he'd become one of the rare jazz artists considered a household name, Jon Batiste was simply a rising star of the piano, making what he called “social music.”  Batiste hails from Kenner, Louisiana, a suburb of New Orleans. He was born into a musical family, and thrust into the mix at an early age, singing and playing drums. At around 11, he switched from drums to piano, and never looked back. Eventually he moved to New York to go to Julliard. But while he was still in New Orleans, he studied and played with Alvin Batiste, who he says taught him to “Be you, even if it's the most obtuse thing. Do that rather than imitate something else...” And that original lesson has guided him throughout his life and career. While he was still in school, Batiste started to work as a sideman for jazz artists including Abbey Lincoln, Roy Hargrove, Cassandra Wilson, and Wynton Marsalis. He learned about leadership and collaboration from all of them.  And it's in this space of artistic awakening in his 20s, when he begins to assert himself fully, that we find him in this episode. Recorded in 2014, our conversation tells Jon's origin story, his early influences and experiences, his philosophy of music and of leadership.  This episode also marks the beginning of a partnership between The Third Story and WBGO Studios. During the month of May, you'll find another episode from The Third Story archive each week at wbgo.org/studios and then in June, new episodes will drop every other week.  www.wbgo.org/studioswww.third-story.com

For this week's band to food pairing, we examine the history of California's 80's rock staple, Huey Lewis and The News. My partner for the journey is none other than Oscar winning producer, multi-instrumentalist, Grammy nominated composer, as well as host of the podcast The Third Story, Leo Sidran. Together we will discuss the deep roots of Huey's upbringing as a child of two parents on different coasts of the country, the history of Huey's first major band Clover and how they got the gig of backing Elvis Costello for his first record, the controversy surrounding Ghostbusters and it's similarity to one of The News's biggest hits, as well as how the band is currently dealing with their frontman's recent hearing loss diagnosis. All the while, we pair the band up with an amazingly delicious meal. Thanks to our sponsor Izzy's Coffee, as well as bread provided by Bakeri in Brooklyn.    Please review us on Apple Podcasts!   @hueylewisandthenews #huelewisandthenews #hueylewis #ghostbusters #80s #johnnycolla #seanhopper #billgibson #mariocipollina #chrishayes #backtothefuture #clover #marincounty #sanfrancisco #foodandmusic #leosidren @leosidran 

In this week's "Clinging to God & Guns" show Lloyd and Pastor Bennett dissect look at some recent crime stories and try to put the best construction on the actions of the perps and see what lessons we can learn. If any. Segments [00:00] - Blooper [00:36] - Opening and welcome [02:27] - Thanks to our Members [05:32] - First Story from Fort Wayne, Indiana [12:58] - Second Story from Boynton Beach, Florida [27:22] - Third Story from Alexandria, Louisiana [34:51] - Final Story from Martindale, Texas [52:44] - Wrapping Up [53:54] - Show Close Armed Lutheran Radio is a listener-supported podcast. If you value the information and entertainment we provide, consider supporting the show by joining our membership site, The Reformation Gun Club! http://gunclub.armedlutheran.us Thank You to this Week's Members! Kevin from Fairfax, MO Kaleiokalani from Boronn, CA John from SPOKANE, WA Frank from LAKE CITY, MI Vincent from TULARE, CA Eric from BUCKEYE, OH Tony from LITTLE ELM, TX Kevin from MARION, IA Links of Interest MSN.com - https://www.msn.com/en-us/news/crime/fwpd-murder-suspects-claims-of-self-defense-do-not-add-up/ Yahoo News - https://news.yahoo.com/defense-tells-jurors-boynton-beach-225344865.html MSN.com - https://www.msn.com/en-us/news/crime/federal-judge-to-make-decision-soon-if-kayla-giles-owed-self-defense-insurance-money/ Armed Citizens Legal Defense Network - https://www.armedcitizensnetwork.org 13WMAZ.com - https://www.13wmaz.com/article/news/local/caldwell-county-man-indicted-murder-adil-dghoughi/ The New Armed Lutheran Book "Duty to Defend" is now available! In Paperback: http://www.armedlutheran.us/duty/ For Kindle: http://www.armedlutheran.us/kindle Prayer of the Week O Lord, mercifully hear our prayer and stretch forth the right hand of Your majesty to defend us from those who rise up against us; through Jesus Christ, Your Son, our Lord, who lives and reigns with You and the Holy Spirit, one God, now and forever. Amen. Use these Links to Support Armed Lutheran Radio Armed Lutheran Radio is a listener-supported podcast. If you value the information and entertainment we provide, consider supporting the show by joining our membership site, or shopping at your favorite online stores using the links below. Join the Reformation Gun Club! - http://gunclub.armedlutheran.us Check out the other Great Armed Lutheran Books - http://www.ArmedLutheran.us/Books Shop at Amazon* - http://www.armedlutheran.us/amazon Shop at GunMagWarehouse* - http://www.armedlutheran.us/mags Get Regular Refills Coffee Subscriptions at Dunkin' Donuts* - www.ArmedLutheran.us/Coffee Get in Touch Visit our Feedback Page - http://www.armedlutheran.us/feedback Please tell your friends about us, leave an iTunes review, and like us on Facebook Join our Facebook group - http://www.armedlutheran.us/facebook Subscribe to us and follow us on Youtube - http://www.armedlutheran.us/youtube And search for us on Instagram - http://www.armedlutheran.us/instagram Check Out More at our Website- http://www.armedlutheran.us Disclaimer The links above which are indicated with an asterisk (*) are affiliate links, which means that if you choose to make a purchase, I will earn a commission. This commission comes at no additional cost to you. Please understand that I have experience with all of these items, and I recommend them because they are helpful and useful, not because of the small commissions I make if you decide to buy something. Please do not spend any money on these products unless you feel you need them or that they will help you. Keep Shooting, Keep Praying, We'll Talk to you Next time!