Podcasts about Romo

On today's episode of The Ultimate Assist, John Stockton and Ken Ruettgers sit down with NFL icon Bill Romanowski, one of the toughest and most durable players in league history — and a man whose career was shaped as much by unconventional recovery as it was by raw intensity.Romanowski opens up about the real secret behind playing 243 straight NFL games: his devotion to soft-tissue work, hyper-focused training, and the groundbreaking chiropractic method known as AMIT (Advanced Muscle Integration Technique) developed by Dr. Craig Buhler. From emergency late-night treatments to miracle recoveries that defied team trainers, “Romo” shares how Buhler became his hidden weapons — helping him bounce back from injuries that should have ended seasons, if not careers.He also discusses his obsession with preparation, hiring Olympic sprint coaches, demanding better nutrition for teammates, building in-house recovery teams, and pioneering what NFL performance could — and should — look like.An inspiring, candid, and high-octane conversation with a man who refused to let pain, age, or expectations define his limits.

El futuro de los autos se está reescribiendo a una velocidad nunca antes vista, un giro que nos lleva a preguntarnos hacia dónde va la industria y qué significa para quienes estamos detrás del volante. En este episodio, Tzuara De Luna, reportera de Empresas, Ivet Rodríguez, editora de Empresas en Expansión, y Héctor Romo, socio de Impuestos y líder de la Oficina Querétaro de KPMG México, explican por qué sucede esta transformación y qué están haciendo las empresas para salir bien libradas, pero también te cuentan la forma en que estos cambios pueden afectarte o beneficiarte como usuario y comprador.  Escucha un episodio nuevo cada lunes en todas las plataformas. Puedes leer más sobre las alianzas de las empresas automotrices en la edición de octubre de la revista Expansión.

Dibawakan oleh Hendrik Monteiro dan Meri Kaona dari Komunitas Kongregasi Bunda Hati Tersuci Maria di Keuskupan Maumere, Indonesia. Yesaya 2: 1-5; Mazmur tg 122: 1-2.3-4a; Matius 8: 5-11.PANGGILAN TUHAN DIDENGAR DARI SEGALA PENJURU  Tema renungan kita pada hari ini ialah: Panggilan TuhanDidengar dari Segala Penjuru.Kotbah Romo paroki dalam Misa hari Minggu pertama Adven berpusat pada temapersiapan diri. Pada kesimpulannya, Romo mengatakan bahwa akhirnya ada duakelompok orang yang memberikan tanggapannya atas panggilan Tuhan untukpersiapan diri. Mereka yang mempersiapkan dirinya adalah mereka yang sungguhdan sepenuh hati menyambut Tuhan. Sedangkan mereka yang tidak mempersiapkandiri adalah yang tidak dengan sepenuh hati. Setelah Misa terjadi diskusi di sebuah rumah keluarga. Ibumenyampaikan sebuah kabar baik bagi seluruh keluarga. Suami dan anak-anaknyahampir percaya kalau rencana Ibu adalah persiapan perayaan Natal di rumah,tamu-tamu yang akan diundang, dan sampai ke perayaan Tahun Baru bagi segenapkeluarga besar. Tetapi ternyata kabar baik dari ibu justru di luar dugaanmereka semua. Kabar itu tidak akan mengurangi perayaan suka cita keluargamereka. Kabar baru itu ialah bahwa tetangga mereka yang terdiridari suami-istri dan tiga anak memutuskan untuk masuk menjadi anggota GerejaKatolik. Ibu yang juga sebagai pengurus lingkungan akan membantu keluarga ituuntuk pendaftaran katekumen dan selanjutnya persiapan seperlunya. Betapa kabarbaik itu datang pada permulaan masa Adven! Secara khusus, pada hari inibacaan-bacaan kita mewartakan tentang segala penjuru dunia mendengarkan suarapanggilan Tuhan, dan mereka mengikutinya. Dalam pandangan yang sempit, mereka yang biasanyadiharapkan mendengarkan Tuhan dan menunjukkan kepatuhannya ialah mereka yangsudah percaya dan tercatat sebagai anggota di dalam jemaat atau Gereja. Hal itusama dengan anak-anak yang dituntut sikap yang menuruti dan menyayangi keduaorang tua mereka. Mengharapkan sikap seperti itu dari anak-anak di luarkeluarga sendiri bahkan orang-orang asing jelas tidak mungkin. Kitab nabiYesaya terang-terangan menggambarkan bahwa sekelompok orang terpilih dan bertahanadalah kaum penerus yang mempertahankan kemuliaan rumah Tuhan. Di dalam rumah Tuhan itu berjayalah Kristus sebagai rajayang mulia, raja semua orang. Tuhan Yesus menyempurnakan panggilan itu kepadasemua orang di bumi. Ia diutus Bapa untuk semua orang, dan bukan hanya bagisegelintir orang. Maka orang asing dan tidak beriman Yahudi seperti perwira diKapernaum juga mendapat tempat di hati Tuhan. Justru ia mewakili umat manusiadari seluruh penjuru bumi yang mendengar dan datang berjumpa dengan Tuhan.Perwira ini mengingatkan kita semua agar di masa Adven ini kita tekunmendengarkan dan datang kepada Tuhan untuk mendapatkan berkat-berkat dari-Nya. Marilah kita berdoa. Dalam nama Bapa ... Ya Tuhan, semogadengan merayakan hari Minggu pertama Adven ini, kami tetap giat membuatpersiapan-persiapan untuk menyambut hari raya Natal. Kemuliaan kepada Bapa …Dalam nama Bapa …

Hour 3: Jack explains how Pitt can upset Miami this weekend. The guys do a Rivalry Week nickname quiz. And Dom wants Tony Romo as the next Steelers head coach.

En la 1439-a E_elsendo el la 25.11.2025 ĉe www.pola-retradio.org: • Nian hodiaŭan felietonon ni dediĉas al la varsovia verdaĵplena kvartalo Marysin Wawerski, en kies tombejo okazis ĉi matene la lasta adiaŭo de la konata pola esperantisto, Roman Dobrzyński. Nian programinformon akompanas foto pri „Sobieski-arbaro”, la dua plej granda komplekso de arbaraj parkoj en Varsovio, troviĝanta i.a. najbare de Marysin Wawerski; • En la kulturtema kroniko – post la kalendarfoliaj informoj, ligitaj kun historiaj eventoj de  25.11 – ni informas pri ekspozicio de skulptaĵoj de Szymon Ołtarzewski en Romo; pri la premio Živa, plia nunjara distingo por la Muzeo de Siberiekzilitoj en Bjalistoko; pri la varsovia ekspozicio de Adam Kossowski, kies 120-a naskiĝdatreveno pasos la 5-an de decembro; • En la E-komunuma segmento ni informas pri Erasmus+ por studi Esperanton kiel interfakan kampon por transnacia novigado; pri TEJO en la estraro de CoNGO; pri kelkaj E-eldonaĵoj kun hispanlingva tradukparto prezentitaj al la ekstera publiko de Madrido; • Muzike akompanas nin fragmente la kanto de TEAM „Rakonta silentado”'; • En unuopaj rubrikoj de nia paĝo eblas konsulti la paralele legeblajn kaj aŭdeblajn tekstojn el niaj elsendoj, kio estas tradicio de nia redakcio ekde 2003. La elsendo estas aŭdebla en Jutubo ĉe la adreso: https://www.youtube.com/results?q=pola+retradio&sp=CAI%253D Ineralie pere de Jutubo, konforme al individua bezono, eblas rapidigi aŭ malrapidigi la parolritmon de la sondokumentoj; eblas transsalti al ajna serĉata fragmento de la elsendo.

Well Sh*t. It really is that simple - Episode 182 - "How to find the balance between creating and allowing" is now LIVE!Full Show notes: https://bit.ly/WellShitEpisodeGuideOften when we expect or want something to look a certain way, we set out to create it...even if its not what's actually present. On today's episode we're going to talk about the difference between creating, forcing and allowing and how when we allow what is present, we can actually create something even better than we ever expected.In this episode we cover:The festival experience Claire wasn't able to create and the surprising resultChasing something that just isn't presentCreating through allowing (the choice you have as creator)Forcing emotions because we want to feel themBeing present with what is presentAllowing things that don't seem to make senseIgnoring the red flagsFinding things you never knew existed or were possibleHow Claire's brain almost stopped the podcast from existingEmbodying and deepening into creator modeExpanding our view of what something "working out" looks likeHow to begin allowingEpisode References:The Interaction Dynamics episodes - Episodes 159-169The Drama Triangle episodes -The Victim Approach episode - Episode 159 - How to know if the way you're meeting your needs is disempowering (Shapes 1) - The Victim Approach The Persecutor Approach episode - 160 - How to know if the way you're meeting your needs is disempowering (Shapes 2) - The Persecutor Approach The Rescuer Approach episode - 161 - How to know if the way you're meeting your needs is disempowering (Shapes 3) - The Rescuer Approach The Rescuer Approach harm episode - Episode 162 - How to know if the way you're meeting your needs is disempowering (Shapes 4) - Why the Rescuer Approach is so harmfulThe Empowerment Dynamic episodes - The Creator Approach episode - Episode 163 - How to meet your needs in empowering ways (Shapes 5) - The Creator Approach The Supporter Approach episode - Episode 164 - How to meet your needs in empowering ways (Shapes 6) - The Supporter Approach The Contributor Approach episode - Episode 165 - How to meet your needs in empowering ways (Shapes 7) - The Contributor ApproachThe other "shapes" episodes - Moving from disempowering to empowering - Episode 166 - How to meet your needs in empowering ways (Shapes 8) - How to move from a disempowering approach to meeting your needs to an empowering one The Harm Dynamic episode - Episode 167 - The Harm Dynamic (AKA the abuse dynamic) - focusing on actual harm and the impact of it (Shapes 9) Episode 168 - How do the Interaction Dynamics apply to children and power dynamics? (Shapes 10) Episode 169 - Understanding the shapes in the context of moviesThe FOMO episode - Episode 140 - FOMO, ROMO, SOMO and JOMOThe options episode - Episode 177 - What to do when you're stuck between two crappy choicesPodcast Episode guide and full show notes: https://bit.ly/WellShitEpisodeGuideFind our website and connect with us on Social Media: https://linktr.ee/theuniversalneeds Hosted on Acast. See acast.com/privacy for more information.

Mix Name: DJ Sencillo – Bachata Pa' Beber Romo Website: https://www.iamlmp.com/ Join Our Discord: https://discord.com/invite/iamlmp Join Us DJs New Remixes & Blends: https://www.iamlmp.com/recordpool Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/djsencillonyc/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp #bachata #iamlmp #bachatamix

La historia completa de Ximena Romo está llena de coincidencias, riesgos y decisiones inesperadas que, sin buscarlo, la llevaron a convertirse en una de las actrices más sólidas de su generación. Pero hay un detalle en su trayectoria que pocos conocen… y aquí lo revelamos. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

Charlamos con GORILA FLO y anticipamos, en exclusiva, sus nuevos temas, estrenamos en primicia lo nuevo de PARANOYA y repasamos lo mejor del indie, las bandas emergentes y la música alternativa... 120 minutos donde escucharemos a... MARSELLA, VOLAVENT, DENISDENIS, NAPONIA, SUPERCREMALLERAS, JUSTDIEGO, LEPANTO, COPERNIKAL & PEDRO DEL MORAL, ROMO, SCB TRINIDAD, PINK FLAMINGOS & THE CHERRY LOVERS, MACACA RADIATA, ZABRISKIE, CABO VENTURA, ATK EPOP & VALERIA C, CARAJO BABY, CANAESTÉREO, CANSANCIO... y tendremos en el recuerdo a CLIMIE FISHER... ¿Alguien da más? Y si no aguantas la espera... Hazte FAN en Ivoox y escucha el programa de cada semana antes que nadie y mucho más contenido exclusivo! 87.7 FM en Cantabria y arcofm.com/escuchar para el resto del mundo. Y en todas las redes sociales para que no pierdas detalle de la música más emergente y alternativa. Sigue nuestros podcast en Ivoox!

An NBA star defends the Mavs recently departed GM, plus our kick-ass Romo clip of the week and a couple of October TV News bloopers

Seth and Sean assess what a reasonable line for Texans-Bills would be at this point and discuss Tony Romo's seeming regression in the booth over the years.

Ari Meirov's Spotlight Guest of The Week is former Cowboys Guard & 7-time 1st-Team All-Pro Zack Martin! Zack joins us to talk about playing at Notre Dame, importance of playing entire career with Cowboys, transitioning from Tony Romo to Dak Prescott, 1-on-1s with Jerry Jones & a whole lot more! 00:00 - Cold open 00:48 - Welcome in! 02:06 - Zack Martin joins us 02:52 - How retirement is going 03:45 - How Zack got into football 04:55 - Choosing Notre Dame 06:30 - Going from tackle to guard 08:29 - Reflecting on 2014 NFL Draft process (Aaron Donald) 10:00 - Draft night, thinking he was going to Giants/Rams 13:32 - Adjusting to attention with Cowboys 14:33 - Rookie season 16:05 - FanDuel.com/33rd / TNF Game Pick 18:58 - Reflecting on Dez Bryant “no catch” game 20:34 - Biggest “what ifs” of career 21:46 - How good Cowboys OL was 22:48 - DeMarco Murray leaving for Eagles 24:04 - Going from Tony Romo to Dak Prescott 27:10 - Tired of OL not getting enough attention? ------------------------------------------- Sign up for FanDuel Sportsbook today! New customers visit FanDuel.com/ARI & if you win your first $5 wager, you get $300 in bonus bets! ———————————— Visit Root.com and find out how you can get rewarded for safe driving with Root Insurance. NFL Spotlight is dedicated to shining a light on those in the NFL that deserve a spotlight with top-notch insight and research from Ari Meirov. Follow Ari on X: https://x.com/MySportsUpdate Follow Ben on X: https://x.com/BenAllenSports Follow The 33rd Team on X: https://x.com/The33rdTeamFB Learn more about your ad choices. Visit megaphone.fm/adchoices

(0:00) Felger and Mazz react to a win for the Patriots in Tampa. (14:33) The callers have mixed opinions on the Pats game yesterday.(23:59) Felger enjoyed the TV broadcast.(36:23) Stefon Diggs has been big for the team plus some questions on the end of game operations.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Seth and Sean get petty and listen to others being petty in this week's Petty Cast.

In the 2nd hour of today's show, the guys discuss the decision to cut Parker Romo. Falcons capable of stopping Colts run game, but will they?

Carl and Mike come back and get into NFL headlines and react to some of the trades that have taken place today and share some thoughts on whether or not the Falcons will make any moves before the deadline and why they believe the Falcons had to make the decision to cut Parker Romo and sign Zane Gonzalez.

From snakes to owls — Schottenheimer's home is wild, and Romo's strange sound will make you do a double take.

Andy and Randy talk about the Falcons season-long issues in the kicking game never being addressed and how unlikely it is to get solves at the halfway point of the season.

For this episode — the first to feature RBP's editorial co-ordinator William Pike — we're joined by Melody Maker legend Simon Price for a discussion of his career, his championing of Manic Street Preachers, and Radiohead's first tour since 2018. Beginning in the South Wales town of Barry, we hear about Simon's boyhood, his formative pop passions and the first of his distinctive sartorial metamorphoses. He recalls his late '80s move to London and the years at Melody Maker that took in his first interviews with fellow Welshmen the Manics and his integral involvement in the Neo-glam sub-genre known as Romo. Our guest's review of the first Radiohead album provides the cue for clips from Amy Linden's 1997 audio interview with Thom Yorke and Jonny Greenwood. We hear Thom talking about the just-released OK Computer and about his beef with Melody Maker itself: this prompts a general discussion of the band's standing as they prepare for the first date of their European tour. After reflecting on the 13 years he spent reviewing gigs for the Independent on Sunday, Simon discusses the gestation of 2021's Curepedia, the "Cure A-Z" he assembled for White Rabbit books. We conclude the episode with tributes to jazz drummer Jack DeJohnette and keyboardist David Ball, phlegmatic foil to Soft Cell frontman Marc Almond. Many thanks to special guest Simon Price. Curepedia: An A–Z of the Cure is published by White Rabbit and available from all good bookshops. Pieces discussed: Articles, interviews and reviews from Simon Price, Manic Street Preachers: Drags to Riches, Radiohead: Pablo Honey, Radiohead audio (1997), Jack DeJohnette: More Than One Way, Soft Cell: Cell Division and The Tainted Life of Soft Cell

Mike Johnson, Beau Morgan, and Ali Mac let you hear Atlanta Falcons Head Coach Raheem Morris talk about kicker Parker Romo missing the game-tying extra point, react to what Coach Morris had to say, and explain why they think the Falcons failing to convert on 3rd down lost them the game and not Parker Romo's missed extra point.

DJI launched the Romo robot vacuum in Europe, offering three models with transparent and opaque designs and prices between $1,500 and $2,200. The Romo features both vacuuming and mopping functions, a transparent casing in certain models, and a self-cleaning base station. DJI applies its navigation technology from drones to the Romo for efficient cleaning. The vacuum is available through DJI's online store and follows its earlier debut in China.Learn more on this news by visiting us at: https://greyjournal.net/news/ Hosted on Acast. See acast.com/privacy for more information.

"Is Jim Nance's laugh the most sinister sound in sports broadcasting?"In this wildly entertaining episode of The Ben and Skin Show, Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray take listeners on a hilarious ride through the weekend's biggest moments — from the grand opening of Rollertown Beerworks to Tony Romo's bizarre broadcast behavior.

In this Episode of Just Wondering, Norm tackles a frustrating reality for Cowboys fans: Dak Prescott might be having the best season of his career… and it still might not matter.With surgical precision (and a dash of disbelief), Norm dissects how the Cowboys' historically bad defense is wasting an MVP-caliber performance from Dak — a quarterback now rivaling Aikman, Romo, and Staubach in the record books. He also zooms out to explore wasted potential across the sports landscape — from the Texas Rangers' pitching perfection with no playoffs to college football chaos, where high expectations and the transfer portal are chewing up coaches faster than you can say “buyout.”Smart, sarcastic, and packed with stats, this episode is a masterclass in how great seasons get squandered — and what it says about modern sports.⏱️ Chapters00:00:00 - Wasting Seasons: Setting the Scene00:01:20 - Rangers Pitching Greatness, Offensive Misery00:02:03 - Dak Prescott's Best Season Yet00:03:46 - The Cowboys' Defensive Collapse00:05:23 - Can the Cowboys Be Fixed?00:06:46 - Dak's Legacy & Hall of Fame Talk00:07:30 - A Lone Star Offense Surrounded by Chaos00:08:26 - Are We Watching a Hall of Famer in Real Time?00:08:52 - College Football Coaching Carnage00:12:00 - The $49 Million Buyout Club00:12:51 - NIL, Portals & the New Coaching Pressure Cooker00:13:37 - Playoff Dreams Already Dead00:14:26 - The SEC Cannibalization Schedule00:15:17 - Why Rankings Are About to Explode00:16:09 - Wrap-Up: Expect the Unexpected  Check us out: patreon.com/sunsetloungedfwInstagram: sunsetloungedfwTiktok: sunsetloungedfwX: SunsetLoungeDFWFB: Sunset Lounge DFW

Carl and Mike come back with more football talk and share thoughts on whether or not they are concerned with Parker Romo moving forward after he had a field goal blocked against the Bills on Monday. They then get into other NFL headlines including Rashee Rice returning to the Chiefs following a six game suspension and Jerry Jones saying the Cowboys are open to a trade that boost their defense as he believes they are 'still in the hunt'.

In the 2nd hour of today's show, the guys discuss the faults still with Parker Romo, and the confidence you have him.

Ich gehe shoppen, es gibt viele Punts in Virginia und Jake Moody ist wieder da.

Fish for Breakfast | Dak's New Plan: On Romo, Super Bowls and 'Playing 'Til I'm 40!' ✭ STRAIGHT DOPE. NO BULLSH. ✭ ✭ Fish Podcast - https://www.fanstreamsports.com/show/the-dallas-cowboys-fish-report/ ✭ PLEASE LIKE, SUBSCRIBE AND SHARE! ✭ More at www.CowboysCountry.com ✭ FISHSPORTS Substack - https://mikefishernfl.substack.com/ ✭ UNCLE FISH STORE - https://tinyurl.com/f82dh9sd ✭ FISH Premium Club - https://www.youtube.com/c/MikeFisherDFW/community

Martin Romo has spent more than 30 years at Capital Group — starting as an intern and now serving as chair and chief investment officer. In this conversation with Mike Gitlin, he shares lessons from his journey and explains the three pillars of The Capital System™: collaborative research, diverse perspectives and a long-term view.  You'll hear Martin's take on:  What many investors misunderstand about today's markets  Why he focuses on the “what” instead of the “when”  The warning signs he looks for in the research process  How Capital Group's culture and history shape decisions   A rare behind-the-scenes look at leadership, investing discipline and the mindset that drives long-term client outcomes. #CapGroupGlobal   For full disclosures, go to capitalgroup.com/global-disclosures.     For our latest insights, practice management ideas and more, subscribe to Capital Ideas at getcapitalideas.com. If you're based outside of the U.S., visit capitalgroup.com for Capital Group insights.   Watch our latest podcast, Conversations with Mike Gitlin, on YouTube: https://www.youtube.com/playlist?list=PLbKcvAV87057bIfkbTAp-dgqaLEwa9GHi    This content is published by Capital Client Group, Inc.    U.K. investors can view a glossary of technical terms here: https://www.capitalgroup.com/individual-investors/gb/en/resources/how-to-invest/glossary.html    To stay informed, follow us   LinkedIn: https://www.linkedin.com/company/capital-group/posts/?feedView=all     YouTube: https://www.youtube.com/@CapitalGroup/videos    Follow Mike Gitlin: https://www.linkedin.com/in/mikegitlin/   About Capital Group   Capital Group was established in 1931 in Los Angeles, California, with the mission to improve people's lives through successful investing. With our clients at the core of everything we do, we offer carefully researched products and services to help them achieve their financial goals.    Learn more: capitalgroup.com   Join us: capitalgroup.com/about-us/careers.html   Copyright ©2025 Capital Group

Josh Molina interviews Ben Romo about the housing crisis and what can be done to build more affordability in Santa Barbara. Romo also talks about how he and a team saved the archives of the Santa Barbara News-Press and have led an effort to relaunch the historic newspaper. Joshua Molina is an award-winning journalist who creates compelling conversations with dynamic individuals on the topics of housing, education, culture, art, politics and so much more. Please consider a contribution at www.santabarbaratalks.com to support these podcasts and following him on instagram at @motownjoshnews.com

Hey Lifers! You’re with Britt and Keeshia today because Laura has officially had her little Poppy! We’ll be bringing you an episode all about Poppy’s birth soon! Britt has been reunited with Ben and is back to enjoying marital life. Britt has been seesawing on the decision of whether to have kids or not for a while now, and this experience with breast milk has surprisingly not brought her any closer to the decision. Did you/do you feel an intense ‘maternal pull’ or are you still ‘waiting’ for it to ‘kick in’? Do you have ROMO (relief of missing out)? Or is there a part of you that misses some of the chaos that used to be in your life? We speak about Cillian Murphy’s new ROMO phase and how our new joy in life comes from high pressure hoses. There’s a new reality TV show where “true crime meets true love and judgement meets redemption.” We speak about whether we’ve gone too far with reality TV. Would you date someone with a criminal record? Would it depend on what the record was for? We unpack a video posted by Emma Paige; “your toxic traits are the opposite of your love languages.”It seems to check out in our lives! We also speak about a substack written by Lauren Talulah titled What The Cool Girls Are Quietly Doing Right Now . There seems to be a shift in the way people are showing up online especially with LinkedIn, wearing outfits that don’t try to be flattering, romanticising platonic dependence and posting much less. Have you felt a shift in what is “cool” online? You can watch us on Youtube Find us on Instagram Join us on tiktok Or join the Facebook Discussion Group Tell your mum, tell your dad, tell your dog, tell your friend and share the love because WE LOVE LOVE! Xx See omnystudio.com/listener for privacy information.

Mike Johnson, Beau Morgan, and Ali Mac let you hear some of Atlanta Falcons Head Coach Raheem Morris' conversation with Dukes and Bell yesterday where he's talking about kicker John Parker Romo's status for this week's game against the Washington Commanders, react to what Coach Morris had to say, and explain why John Parker Romo's bad game against the Panthers shows why they didn't cut kicker Younghoe Koo right away.

Carl and Mike get back to Falcons talk and react to Raheem Morris announcing Parker Romo as the kicker against the Panther to which they both agree that is the right decision for the team until he proves otherwise by not performing as well as he did against the Vikings.

Another week, another Craft Brewed Sports episode loaded with NFL chaos, college football drama, and just enough random weirdness to keep things interesting

During the 3pm hour of today's show Chuck & Los talked about Georgia beating Tennessee, Georgia Tech beating Clemson, the Falcons defense flexing on the Vikings during a Sunday Night Football injury, Raheem Morris, Parker Romo, Kirby Smart and Gunner Stockton before the guys were joined by MLB Hall of Famer and former Braves great, Tom Glavine. Later in the hour Chuck talked about LSU's win over Florida. See omnystudio.com/listener for privacy information.

Andy and Randy discuss some of today's top stories in the National Football League.

Carl and Mike close out the show with final thoughts on the Falcons win over the Vikings and discuss why the Falcons may be holding onto Younghoe Koo after they did not take him to Minnesota and Parker Romo had a solid debut going 5/5 on field goals on Sunday. They then take calls from listeners to allow them to call in and react to the Falcons win.

In the final hour, the guys discuss the kicking game improvements with Parker Romo.

We celebrate ROMO, BOOB TUBE: "aka Charlie Sheen," would you remove your partner's skin tag, Hilary Duff's return to music, and boy band memoriesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Seth and Sean assess how the Astros' core stacks up to the rest of the AL, if CBS is grooming JJ Watt to eventually replace Tony Romo on the first team, and react to Nick Caserio explaining what's perhaps the least surprising game day superstition ever.

Seth and Sean discuss how JJ Watt did in the booth this past weekend, and dive into the theory that JJ Watt's a rising star on CBS and they're working him into eventually replacing Tony Romo on the first team in the booth.

(1) "Cap or No Cap" on UGA vs. UT, Jalen Carter & Eagles, & JJ Watt vs Romo (2) Around the NFL on Kittle going to IR, Raiders down? Chargers up?

September 8th, 2025 Follow us on Facebook, Instagram and X Listen to past episodes on The Ticket’s Website And follow The Ticket Top 10 on Apple, Spotify or Amazon MusicSee omnystudio.com/listener for privacy information.