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90 episodes with whadda
2 episodes with whadda
2 episodes with whadda
2 episodes with whadda
2 episodes with whadda
2 episodes with whadda
2 episodes with whadda
Happy Holidays to all! ✨and thank you for waiting for us. We've just returned from a three month European‑style sabbatical. We feel rested, restored, and just smug enough to pretend this was all part of a carefully executed life plan. In truth, our “surprise” 50th Wedding Anniversary trip to Vienna, Austria was launched by Beauty & The Beast, a bathroom faucet, and Billy Joel. One stormy afternoon while playing Five Crowns, Billy Joel crooned Vienna through the Bose. Carmen tenderly took my hand and flashed "the look" – eyebrow arched, sideways smile, the one that makes me wonder if she's Elvis' secret love child. This look has ended arguments, redirected life plans, and once caused me to apologize for something I hadn't done yet. She said... "No more bloody knuckles for you. Let's do something crazy for our 50th wedding anniversary. In early Spring, we'll limp slowly up the coast to Vinnie's. His new place has secure Airstream storage. Then I grab our backpacks and call Uber, while you hand over the keys and that *gosh-darned Fix-It list. Thirty minutes later we're at the Sacramento airport heading toward our plane. Vinnie and Vienna! Whadda ya say?" She'd clearly been rehearsing this. Hey, 50 years of marriage is a big deal. Life has been good to us. We should celebrate. Fifty years together taught us this: love endures, homes evolve, and the right song - or city - can still change everything. The post Vienna Waits For Y’all appeared first on Living In Beauty.
Game 1 of the biggest World Series in HISTORY goes down tonight in Toronto. And, breaking news: Lekter has a controversial opinion on a movie you might love.
We're dishing up a real treat on Second Helpings this week - she'd been on the hit list since day one and finally we had her! The one the only Dame Joanna Lumley popped over to Clapham for a vegetable pie & some poached pears and it was quite frankly absolutely fabulous. Joanna talks to us about growing up in India being addicted to limes her love of the Queen & cocktail nights at home. Speaking with experience she talks us through her desert island meal & being Patsy Stone. Whadda woman. Hosted on Acast. See acast.com/privacy for more information.
Tom Reilly is a dynamic artist whose work has brought to life The Thing, Ant Man, and now the exciting new G.I. Joe series! We talk about all kindsa things, but especially about The Thing. We love The Thing. It's one of the Things we have in common. I'm not trying to do this, it just happens. Anyway, one of the long-running debates in comics is ... does The Thing have teeth? Some artists draw him with, some draw him without. Whadda you think? ( now you need to go Google Ben Grimm Thing teeth or no teeth so you can see for yourself, right...? )
Whadda you lookin' at? It's Johnny Da Big, Bankadelic's official Wise Guy of Debatable Talent, lending his nit-so-dulcet tones and storytelling to the holiday classic "Do You Hear What I Hear?" Or "What I Hoid," as he likes to say in his South Philly patois. Listen if you dare, maybe even share, it's better than being a grinch and far more satisfying. Ya got a problem wit day?
We didn't have a ton of time to record tonight, so it's mostly Roma trash talking me. Good times. Also rolled out a new intro. Whadda ya think?
Whadda you get when you cross Warlords with Tetris?!? You get Atari's Rampart! Can the multiplayer arcade classic make the journey to the shores of the Amiga, or is this ship sunk!?
Whadda you get when you cross Warlords with Tetris?!? You get Atari's Rampart! Can the multiplayer arcade classic make the journey to the shores of the Amiga, or is this ship sunk!?
TeamClearCoat - An Automotive Enthusiast Podcast by Two Car Nerds
He did what? In his WHAT?!?!? In this week's episode we dive into the Qatar Grand Prix and the insane conditions it (and the FIA) subjected the drivers to. We also discuss the various ways we're able to observe cars through other's eyes. We love you!!!
While Jim Sharpe thinks a new study on screen time and kids is pretty guilt-inducing, but he also sees a lot of loopholes for lazy parents in it.See omnystudio.com/listener for privacy information.
“You are my number one guy – tickle me!” Removing a grappling gun from their utility belt(s) before aiming and shooting it skyward, the panel of peril zip up to an overhead gantry to watch this week's film Batman (Tim Burton, 1989). Batman (Billy Crystal/Michael Keaton) is emerging from the shadows of Gotham City as conspiracy theories about him find their way into the news. Gotham's police force is riddled with corruption. And local, mid-level gangster Jack Napier (Jack Nicholson) has just taken a tumble into a vat of chemicals, courtesy of Bats. The collision course is set; who shall prevail? Watch the trailer here: https://www.youtube.com/watch?v=dgC9Q0uhX70 ********PLOT SPOILER ALERT******** Love that Joker! He's only throwing a big parade, with entertainment, and $20m in cash being redistributed amongst Gotham's working class! Whadda guy! Or is he? What about that Smylex chemical he's put in cleaning products that causes people to die laughing? Batman doesn't think it's a very nice thing to do, and neither do we! Can the Caped Crusader stop the Clown Prince of Crime becoming the city's newest top dog, mob boss? What did the panel think of this week's movie? How can they improve upon the villain's masterplan? And who will be anointed this week's most diabolical? Sound Effects from Pixabay Sound Effect by Music_For_Videos from Pixabay Music by Humanoide_Media from Pixabay Sound Effect by UNIVERSFIELD from Pixabay Sound Effect by SUBMORITY from Pixabay
You have heard the proverb “cheaters never prosper.” Whadda load! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimsalvucci.substack.com/subscribe
Masks of Nyarlathotep marches on through the Peru Chapter, in this session of DICELORE's The CTHULHU FILES. Our heroes spend the day in Lima, Peru buying all kinds of goodies for their upcoming excursion to find an ancient temple in the Andean Highlands, including deadly poisons, a bullet-proof vest, machetes, and rosaries. Then bad things happen and Rocco kills a guy. Whadda ya gonna do?
Game on! This week the ol' gang gets together to jam out to more "Scott Pilgrim vs. The World," by Bryan Lee O'Malley! Enjoy some movie talk and our discussion of Scott Pilgrim chapters 9 - 11. Now come up to the front and dance! 02:17 - Whadda ya see, whadda ya say? 15:25 - Scott Pilgrim! "Black Sheep," by Metric used for educational purposes only. Banner image by Matt Strackbein - https://linktr.ee/TheLetterhack Logo by Ross Radke https://www.rossradke.com/ opening and closing theme by https://onlybeast.com/
We are Bookclub Members! 1,2,3,4! Rock out with the bookclub this week, check out some listener feedback and check out our discussion of Scott Pilgrim vs. The World! Who let Aubrey's dogs out?! 04:37 - Listener Feedback 13:50 - Whadda ya see, whadda ya say? 28:18 - Scott Pilgrim vs. The World "The Horse," by Cliff Nobles, "Love Theme for Romeo and Juliet," by Tchaikovsky, "Final Fantasy 4 Theme," by Uematsu, and "Ramona," by Beck used for educational purposes only. Banner image by Matt Strackbein - https://linktr.ee/TheLetterhack Logo by Ross Radke https://www.rossradke.com/ opening and closing theme by https://onlybeast.com/
In today's episode of Catholic Family Matters: Paul shouts this week Betsy wobbles, but she doesn't fall down What does God want with us Paul reflects on where we find God Betsy's song is Suscipe(tious) Links: How to Discern God;s Will in 1 Minute by Fr. David Michael Moses The God Minute: July 19th - The Father's Will (Sr. Carol) Take, Lord, Receive by St. Louis Jesuits Click below to follow us at: Facebook Twitter On the Web Email
A town with a strange secret, ripe for the picking by three petty criminals. Sounds a bit too easy, doesn't it? Written and produced by Julie Hoverson Cast List Claude - Shawn Connor Lenny - Cole Hornaday Charlie - Risa Torres Host - Bob Noble Bank Teller - Beverly Poole Little Girl - Krystal Baker Waitress - Angela Kirby Music by Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Cover Design: Brett Coulstock "What kind of a place is it? Why it's a cheap fleabag motel, can't you tell?" ******************************************** AN HOUR TO KILL Cast: [Opening credits - Olivia] Claude, a thug Lenny, a dumber thug Charlie, Claude's greedy wife Host Bank Teller Little Girl Waitress OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a fleabag motel in the early 50s, can't you tell? MUSIC SOUND DRIPPING OF BAD SINK, DISTANT RADIO TALKING LENNY [hushed, excited] I tell you, Claude, it's a done deal! It was Artie told me, and-- CLAUDE [resigned] And Artie's never wrong. Yeah, I know. [up] Whatchoo think, Charlie? CHARLIE Zip it. I'm listening. CLAUDE To what? CHARLIE Whoever's next door has a radio, [barbed] unlike some, and they got the stories on. If youse two mugs can keep yer traps shut, I can just barely make out what happens to be transpiring. LENNY [quiet] It's just over the hill, Claude. Hop skip and a jump. CLAUDE [quiet] Good thing, too, Lenny. That car we nabbed ain't good for much but skipping. LENNY [quiet] And jumping. CLAUDE [chuckles halfhaertedly] So Artie said this town was ripe for the picking? LENNY Yeah, he said it was real weird, but-- CHARLIE [upset] No! What is wrong with this world? CLAUDE [flat, uninterested] I don't know, what's wrong with it? CHARLIE Them on the other side, they turned it off!! And just when Cynthia was about to reveal the name of the guy who ran off and left her with two kids, then changed hs name and married someone else. LENNY What a bum! CLAUDE [undertone] Don't encourage her. [up] Can we talk normal now? CHARLIE Makes no nevermind now. CLAUDE Apparently Artie told Lenny something in stir last week. LENNY And Artie's never wrong! CHARLIE [hard sarcasm] If he ain't never wrong, why's he in the joint? CLAUDE [snorts] LENNY That ain't the point. He found the perfect score. CHARLIE And he told you about it? CLAUDE Yeah, that does seem a little cuckoo. Artie never did like you much. LENNY But he still likes Cherlie there just fine. I think he told me cuz he knows I'd tell you, and that would help her get some of the nice things she deserves. CHARLIE [cutesy] Really? That big a score, then? Artie might have something going for him after all. Maybe I shoulda married him. CLAUDE You said you didn't like monkeys. CHARLIE I was joking. Just cuz he's kinda short and shriveled and stuff don't mean he might not make a good husband. Ugly guys don't run off so often. LENNY Nobody wants 'em. CHARLIE You would know. CLAUDE [long suffering sigh] Let's get back to the job? LENNY It's this town, see? He says the whole town is like loopy, cuz one day a year, for an hour in the middle of the day, the entire town [slow, with import] just falls asleep. CLAUDE [snort] You're loopy. Artie's throwing you a knuckle ball, knucklehead. LENNY No, he was serious - I could see it in his face. CLAUDE The whole town? LENNY Yeah! CLAUDE And how does Artie know this? LENNY He says he was there. Couple years back, said he was hiding out and saw it happen, so he went back again the next year to see, and it happened again. CLAUDE Why ain't he in there robbing the place? LENNY Says he meant to, this year, but he's gonna be sporting stripes for a nickle. [5 years] CLAUDE It makes no damn sense! Why would everybody fall asleep? CHARLIE Maybe it's something in the water. Or get this-- [ramping up] Maybe it's a curse or something, like in that episode of One Step Too Far!! CLAUDE You've gone one step too far if you're gonna believe Artie and this idiot. [to Lenny] Nuttin' personal, Lenny. LENNY Gotcha. CHARLIE What can it hurt? If it's so darn close, why don't we drive over there and see? We can be ready, and if this "see-ester" [siesta] thing happens, then we take advantage. If not... what's it gonna hurt? CLAUDE What day's it supposed to be, Len? LENNY Tomorrow. Or I should say the longest day of the year, since that's what it is - tomorrow is, I mean, but Charlie, you can't come! CHARLIE And why pray tell not, ya big goon? LENNY Artie only told me on account of I promised I'd see to it that you don't go. I think he wants you to come and visit him instead. CLAUDE That's crazy talk. But you shouldn't come, babe. You'll just get in the way. CHARLIE [incensed] I'll just WHAT? CLAUDE I mean-- there might be guns. I wouldn't want you getting shot or nothing. CHARLIE They gotta be pretty talented in this town to shoot ...in their sleep! Besides, you need someone along who can actually tell time, if all you got is just one hour! [fades out] And if this is supposed to be tomorrow, since I have it on good authority - meaning the morning news - that tomorrow is the longest day of the year - then we had better get our sweet little selves ready to move! LENNY [over her diatribe] But I promised Artie-- CLAUDE [over, too - miserable, to Lenny] Just drop it. Trust me. Once she starts with this, she can't even hear no more. CHARLIE You hear me? LENNY [really quiet] Maybe you shoulda let Artie have her. MUSIC AMB IN CAR CLAUDE Whadda we do if it's all a big put-up job? LENNY It ain't - Artie is-- CHARLIE Stifle! If they don't sack out, you mean? In that case, we're just honest, but weary travellers going on our merry way. Zat so hard to buy? CLAUDE We gotta do something. This flivver's on its last legs. CHARLIE There's always something. LENNY You believe in magic, Charlie? CHARLIE Like Houdini stuff? Hah! Back when I was on the stage, the only thing them clip artists could make disappear was my hard earned simoleans. LENNY But this-- CHARLIE [loud] BUT! Dontchoo interupt me there, Lenny. It ain't polite! [quieter] Hmph. I was tryin to say I could maybe believe in magic like miracles and genies and stuff. Just always figured maybe it was all run out in the world, like the electricity in the meter when you're outta slugs. Ya know? CLAUDE [amused hmph] Oh, that's a nice turn of phrase you got right there, Charlie. CHARLIE [smug] And you thought you only married me for my legs. MUSIC AMB OUTSIDE, RURAL SOUND ONE SET OF STEPS ON GRAVEL CLAUDE [relieved and tired] Finally. [sighs] SOUND DOOR OPENS WITH A JINGLE CHARLIE [already arguing] I don't care what kind of hokey-pokey yer pullin here! I want a room and I want it pronto - savvy? CLAUDE [quiet] Oh, lord. [up, weary] What's the noise, sweetcheeks? CHARLIE This fellow says ain't no rooms to be had, not today tonight or any time soon. CLAUDE Yer full up? Out here in the middle of squat all? HOST [old rustic] The young lady misunderstood me. I was trying to explain that this is just a bad day to be here in Lafayette. We got rooms, ayuh, but I wouldn't feel right about just putting you up without warning you folks first. CLAUDE Warning us? Where's Lenny? LENNY [off] I'm pretending I'm somewehre's else. CLAUDE Some help you are. You was saying, pops? HOST [cheerful horror] It's the day we run the hogs. CHARLIE That's disgusting! CLAUDE Hold on, dearest. Let's hear the man out. Hogs, you say? HOST Ayup. Local tradition. Them hogs gets loose all over the town. [self-satisfied] Raise a lotta havoc. Tranple anything that moves, pretty much. CLAUDE It'd be safe in the room, wouldnit? HOST Well, 'spect it oughtta be, but you have to shut the doors and not move an inch. Don't want to call no attention to yerselves. [ominous] Folks round here don' like strangers watching our ways. CLAUDE [sigh] Well, pops, I dunno if you noticed it, but we rode in in the grease monkey's tow. Our heap ain't taking another step, and neither are we. HOST [a little too smug] One room or two? CHARLIE Just get one. Lenny can sleep in the bureau drawer for all I care. HOST [chuckles] CLAUDE Since it's looking we'll need to get a new car soon, I guess one room's all we can spring for. MUSIC SOUND DOOR SHUTS, BAG THROWN DOWN CHARLIE Artie better damn well be right. CLAUDE [hushed] Charlie! Keep it quiet. LENNY [hushed] Even if it works, how we gonna get out of town? CLAUDE We get a new car-- LENNY How? CLAUDE How'd we get the last one, pea-brain? LENNY Oh, right. There must be one or two, even in a boondock like this. CHARLIE The landlord says we got a couple of hours before we gotta hole up [aping his speech] "just enough time to get around some flapjacks". Flapjacks, my eye. They better have a hootch parlor in this flyspeck. CLAUDE Just enough time to case the place. LENNY Oughtn't we to bring the heaters, Claude? CLAUDE Hmm. Nix on that. Don't wanna get caught on the street heeled. CHARLIE Whaddaya mean? So what if someone suspects something? CLAUDE You may hate these chuck towns, Charlie, but their jails ain't nothing to write home about neither. They make our first digs look like the ritz. CHARLIE [disgusted] Oh! MUSIC AMB OUTSIDE. RURAL [note - they're all talking out the side of the mouth] LENNY There's the spoon where the clerk said we could get us some-- CHARLIE Flapjacks? Puh-lease. We got more important things-- LENNY But he got me all hungry, with all his flapjack jabbering. CLAUDE [under his breath] Flapjabbering. [up] Look, we need to split up anyway, cover the ground. Lenny can pick up the skinny at the diner as well as anywhere else. CHARLIE Where you wanna ronder-voo [rondezvous] later? CLAUDE Well... [consdiering] Guess the motel's as good as any place. CHARLIE In forty-five minutes. No more, you big moose! LENNY No sweat - sides, they ain't gonna give me no forty-five minutes worth of flapjacks. Not for what I got on me. SOUND WALKS AWAY CLAUDE And you? CHARLIE I say you and I take the-- [softening] I mean, make a visit to the bank. CLAUDE Who'm I to argue? MUSIC SOUND DOOR OPENS, DING, A COUPLE STEPS LENNY Hello? SOUND FLAP OF DOOR, HEELS WAITRESS Goodness! I guess I really wan't expecting to see nobody in here today! LENNY Guess not. [pitifiul] Zat mean you're out of food? WAITRESS Mercy, no! We been cooking all day! They'll go through plenty later on, but we can spare a bite or two. What you want? LENNY Flapjacks? WAITRESS [chuckles] You came to the right place. My momma's recipe has taken blue ribbons at the fair for thirty years. Set yourself down, and I'll sling you a stack. SOUND DOOR FLAPS, MUFFLED COOKING NOISES WAITRESS [off some] You want some Java with that? LENNY That'd be real nice. SOUND DOOR FLAPS OPEN, QUICK STEPS WAITRESS Here's your joe, the jacks will be out lickety split. LENNY Hey, uh, the goon at the hotel was saying something about something going on today? WAITRESS Oh, yes. It's the strangest thing, but nothing you gotta worry about - you're just passing through, right? LENNY Oh, no, we're staying at the hotel. WAITRESS [a bit upset] Oh. "We?" Nevermind. You should stay inside, then. It ain't safe being out. LENNY Oh, yeah, he said-- WAITRESS I mean, they're just frogs, right? But they are some vicious slimy little devils. LENNY [baffled] Frogs? WAITRESS Course. Every year they just fall from the sky. No one knows why. Oops-- [sniffs] that's your jacks. Be right back. MUSIC AMB OUTISDE CLAUDE [undertone] Take a peep at the cadillac. CHARLIE That brown heap? CLAUDE Dat ain't brown, ya gob, dat's cham-payne colored. CHARLIE Who you calling a gob, you mug? LITTLE GIRL [off] Hey lady? Would you like a kitten? CLAUDE [[startled] Huh? Oh, Hello little girl. [really false hearty] No, thanks. No kittens for us. You have a real nice day, there. CHARLIE [whispered] Do I look like the kind of chickie who wants some damn animal hanging around? Apart from you, anyway, darling? CLAUDE Watch yer language, there's a kid present. CHARLIE She's probably heard it all. CLAUDE People got manners out in the country. Here's the bank. Stick to the script, babe. CHARLIE Have I ever done you wrong? SOUND DOOR OPENS, SLIGHT ECHO CLAUDE This is nice. CHARLIE [sweet and fake] Oh, honey, maybe everything will be o-k after all! CLAUDE We'll see, dearest. TELLER Can I help you? CHARLIE I'll just have a seat while you handle all that financial mam stuff. CLAUDE [annoyed sigh] You do that. [hearty again] Hello. Sorry about that. TELLER No problem, sir. What can I help you with? CLAUDE We had some car trouble coming into town, and I need to find out if we can arrange to cash a check here. TELLER Do you have an account with our bank, sir? CLAUDE No, I'm afraid I don't. We're with the Merchant Chinatown Association Farm Worker's Union Branch out of Miami. TELLER That's pretty far away. CLAUDE Yeah. TELLER That's going to have to go through my manager. He won't be back until this afternoon. CLAUDE Really? Well, that shouldn't be a problem - we're kinda stuck here. TELLER [strange] Are you over at the motel? CLAUDE You bet. TELLER Ohhh. CLAUDE What? TELLER Nothing. He'll be back in about four hours. CLAUDE Is he part of this whole thing you got going on today? TELLER [nervous] What do you-- whatever do you mean? CLAUDE The clerk was telling us-- TELLER [urgent] Just stay inside and you'll be safe! CHARLIE [coming on] Safe? From-- TELLER THEM! CLAUDE Them? The runners? TELLER The ghosts. CLAUDE AND CHARLIE WHAT? TELLER I'm not from around here, and I'm scared to death. I get to lock myself in the vault for the whole thing, or else I wouldn't even'a come to work today! CHARLIE In the vault, eh? TELLER Yes! CLAUDE Wait a dang minute. Ghosts? TELLER Yes. A bunch of soldiers from back in the civil war. They run through town on this day every year, and destroy everything in their path! CLAUDE Have you... seen the ghosts? TELLER Of course not! I stay shut up tight! CLAUDE Right. [heavy thinking sigh, the working to sound chipper again] Well, maybe we'll see you later then. When your manager's back. TELLER Okey-doke. You stay safe now! MUSIC SOUND EATING SOUND [OFF] FEET APPROACH CLAUDE [outside] wait til we-- CHARLIE What's that smell? SOUND DOOR SLAMS OPEN CHARLIE You! LENNY I brought you some! CHARLIE I'm watching my figure, you mope! CLAUDE More for me. Pass that. LENNY Trudy at the diner, she gave me some extra butter too. She did it up right fine. CHARLIE Don't eat so much you slow down! We'll leave you behind. LENNY [talking around a mouthful] Oh, come on, they're real good. CLAUDE [licking his fingers] They are. Look, Lenny, there's something real hinky here-- LENNY You don't need to tell me, Claude! I heard all about-- CHARLIE The ghosts? LENNY The what? CLAUDE According to the girl at the bank, it ain't pigs, it's ghosts. LENNY That don't make no sense! There ain't no such things as ghosts. CHARLIE But you do believe that there might be a town where everyone falls asleep for an hour. LENNY Anyway, it ain't ghosts, it's Frogs. CLAUDE Like frog frogs, or french folks? LENNY Like ribbit, ribbit. They rain down, like in the old weird part of the bible. CHARLIE Yeah, ghosts is lots more nuts than frogs. CLAUDE Why would everyone have a different story? CHARLIE Are you just a moron or what? They're all covering up! Anything to scare us who ain't part of it into keeping shut up for the time they all fall asleep, excepting that they forgot to get their damn story straight. I'd almost'a bought the one about the pigs, but FROGS? LENNY And ghosts. CHARLIE Oh, don't even. CLAUDE It still feels hinky. Like we should-- SOUND TAP ON THE DOOR CLAUDE Stifle. [up] Yes? LITTLE GIRL [off] I have to tell you something! LENNY That's some sneaky girl scout. CLAUDE Shh! Just keep quiet! SOUND DOOR OPENS SOUND MEWING OF KITTENS CLAUDE Yeah? LITTLE GIRL I have to tell you this. You have to listen! CLAUDE I'm listening, little girl. Watch out for your kittens, there. LITTLE GIRL You don't get one. CLAUDE Just tell me what you wanted to--? LITTLE GIRL [solemn] In 15 minutes, the monsters come out. If you leave your rooms, they will eat you. CLAUDE [almost laughs, stops himsefl] Monsters? LITTLE GIRL Yes. CLAUDE What kind of monsters? LITTLE GIRL [exasperatied] The kind that eat people. I have to go home now. CLAUDE Before the monsters get you? LITTLE GIRL Oh, they won't get me. They'll be too busy chasing you. SOUND SHE WALKS AWAY CHARLIE Little street rat! Get her back here, I'll show her what for! CLAUDE No! Let the kid go. LENNY Claude? You think maybe she's right? CLAUDE It's not like she'd make something up like that. CHARLIE Someone told her to tell us. CLAUDE The same someone who couldn't get their stories straight? That don't make no sense. There's something behind all this. CHARLIE So what now, you want to give this all up and sit on your face like an ostrich or something? CLAUDE I never said nothing like that. We should-- we just gotta keep our eyes open is all. MUSIC SOUND CLOCK CHIMES CLAUDE Ready? LENNY [a little shaky] Yeah. CHARLIE Hmph. Yes. CLAUDE Keep cool. If this is all some kind of joke, we need to be ready to act like there ain't nothing going on. CHARLIE Keep your gun handy, Lenny, in case of frogs. SOUND WALKS AWAY LENNY [muttered] Same to you. I would say in case of pigs, but I know how you feel about family. CLAUDE [almost laughs] CHARLIE [sharp] What? LENNY [trying to keep a straight face] Nuttin. SOUND DOOR OPENS, PAPER CRACKLES CLAUDE What's this? CHARLIE Aah - Must be the bill. Give it. We can look it over later. SOUND PAPER SHOVED INTO PURSE MUSIC AMB OUTSIDE, BUT MUTED. LENNY Weird, ain't it? Everything so quiet. CHARLIE So everyone's gone to sleep. Or they're messing with us. CLAUDE [shocked] No! Look at this! LENNY Oh, gee! Think we should move her? CHARLIE What are you--? Holy knots! The kid! LENNY And all the kittens! Are they ok? CLAUDE [grunt as he kneels] Well, I ain't gonna hold a mirror up to all them tiny little noses, but they look like they're just sleeping. LENNY They're so cute - you shoulda took one. CHARLIE Are you done yet? LENNY Shouldn't we move her, though? What if the pigs hurt her? CHARLIE Leave the stupid kid! She's the one decided to take a nap in the middle of the street. We got a bank waiting! LENNY I'll-- I'll catch up to ya. I wanna lug the little tyke up onta the porch. CHARLIE Aargh!!! [exasperated noise] Fine! Pick uppa car while you're at it, potater head! MUSIC SOUND BIG DOOR CREAKS QUIETLY OPEN SOUND OUTDOOR NOISES, OFF SLIGHTLY; VOICES HAVE MODERATE ECHO CLAUDE [whispering] The lights are all on. CHARLIE Why are you whispering? CLAUDE I still got that weird feeling about this - like it's all gonna turn out to be a big joke or something. There's a hook somewehres. There gotta be. CHARLIE We'll ditch it when we see it. For now, let's go to work on that vault. SOUND [OUTSIDE] WEIRD ANIMAL NOISE CLAUDE What was that? CHARLIE [snide] Not a pig, for crying out loud. If you're so damn worried, shall we promenayde to the vault? CLAUDE It was really - strange. I ain't never heard no animal like it before. CHARLIE That just rules out the zoo and Mel Blanc. They're the only animals you ever heard in your whole stupid life. SOUND [OUTSIDE] WEIRD ANIMAL NOISE CLAUDE I just wanna take a look, see if Lenny's coming. CHARLIE Fergit him! I'm your wife - you should be here, lookin after me! CLAUDE [sharp] Did you see that? CHARLIE I see a grown man scared of some owl or something. CLAUDE [on edge] No, there was this dark shape, went behind that buildign over there. Watch! CHARLIE [putting her foot down] No! I want to go inside! [hissed] And I plan to lock the door, whatever side you happen to be on. SOUND DOOR SLAMS AMB OUTSIDE SOUND RUSTLING CLAUDE [calling quietly] Lenny? Zat you? SOUND WEIRD ANIMAL NOISE CLAUDE [gasp] Dammit Lenny! SOUND RUSTLING NOISE, OFF RIGHT SOUND GUN READIED CLAUDE [moving right] Come out, whatever you are. MOMENT OF SUSPENSE, A COUPLE OF FOOTSTEPS CLAUDE [gasp] LENNY [gasp] What's wit the heater, Claude? I ain't done nuttin! SOUND PUTTING GUN BACK CLAUDE Nah, Lenny, it's-- did you hear something weird out there? LENNY Birds. Something. I guess. CLAUDE Charlie's inside. Come on. LENNY Why do you put up with her? CLAUDE What? We're married. LENNY If she was my wife, I'd'a smacked her to kingdom come years ago - I wouldn'a been able to help myself. CLAUDE I love her. [shrugs] And I hate her sometimes too. What can you do? SOUND BIG DOOR STARST TO OPEN SOUND [CLOSE] WEIRD ANIMAL NOISE SOUND BOTH MEN TURN, DRAW GUNS SOUND DOOR SWINGS SHUT AGAIN LENNY That's the noise you was talking about? CLAUDE Yeah. Shh. [whispered] Can you tell where it is? LENNY Nuh-uh. MOMENT OF JUST CAUTIOUS BREATHING, THEN SOUND DOOR SLAMS OPEN BEHIND THEM LENNY and CLAUDE [gasp] CHARLIE Get your keisters in here, you nitwits! Time's a-wasting! MUSIC AMB INSIDE BANK, ECHOEY SOUND COMBINATION LOCK BEING TURNED CHARLIE [whispered] Hurry! LENNY [whispered] That ain't gonna help! CLAUDE Zip it! I'm almost there! SOUND A COUPLE OF CLICKS, HANDLE CLAUDE [angry noise] Agh. Nope. Damn. Charlie, give me something to write on. CHARLIE What do I look like, your secretary? CLAUDE Just find me something, or I'm gonna forget the numbers I already got! SOUND FEET GO OFF SOUND ROOTING AROUND IN A PURSE CHARLIE Here's some paper. LENNY [coming back] I got a pencil from the desk. It's getting kind of dark outside. CHARLIE Great - a storm. CLAUDE Good thing you got that kid under cover. She don't need to catch penumonia. CHARLIE Oh, listen to Mary Curry over here. CLAUDE [sighs] SOUND WRITING SOUND DISTANT ECHOEY WEIRD NOISE CHARLIE What the hell? CLAUDE That's what I've been trying to tell you about. Cept now it sounds like it's inside here with us. CHARLIE Get that vault open, before they find us. LENNY They? Don't you mean it? CHARLIE It's got to be some sort of Okie joke. These hicks are messing with us. SOUND CLOSER ECHOEY WEIRD NOISE CHARLIE [shrieking] Get it open! CLAUDE My hands won't stop shaking, Charlie. I can't concentrate-- CHARLIE I can NOT believe I am hearing this! CLAUDE [voice rising to a yell] --and you ain't helping! SHUT UP! CHARLIE huh! [affronted] Hmph. CLAUDE [long deep breath, trying to calm down] SOUND CLICKING of DIAL BEGINS SOUND DISTANT ECHOEY WEIRD NOISE SOUND CLICKS TURN WILDLY CLAUDE Yah! LENNY [nervous, but trying to be helpful] I-I could go and look? CLAUDE No, I think-- CHARLIE Yeah, you do that, knucklehead. Go and kick some heads on these nutballs. CLAUDE [definitive] No. SOUND DIAL TWIRLS QUICKLY CLAUDE We're getting out of here. CHARLIE [angry] Don't you chicken out on me now, Claude! [wheedling] Come, on baby! We're this close to the big score. I can taste it! The only thing in our way is this door. SOUND ECHOEY WEIRD NOISE COMES AROUND CORNER, SKITTERING LENNY And th-th-th-that! [a shriek] Them! SOUND RUNNING FEET MUSIC ALL PANTING BREATHING IN A CLOSE SPACE LENNY What the hell? What were they? CLAUDE I dunno! All I saw was teeth and fur. CHARLIE They're like shrews or something. CLAUDE Nah, they was more teeth than anything else. Even shrews ain't like that. These ain't nothing natural. CHARLIE Well they ain't ghosts, frogs, or pigs. LENNY That just leaves monsters. CHARLIE [after a beat] What? LENNY The little girl, she said it was monsters. SOUND SCRABBLIONG AT THE DOOR BEGINS, GETS LOUDER THROGUHOUT LENNY Oh, holy crap! CHARLIE Sounds like they're eating their way through! CLAUDE And there ain't excatly a dozen ways out of this closet here. CHARLIE There gotta be something! I ain't going out like this. Boost me up! CLAUDE Boost? CHARLIE I think I see something up there. Just like in gramma's attic. CLAUDE [grunt of boosting] Lenny, give me a hand here, wouldja? LENNY Yeah, here - uh! Careful! [he has a kitten in his coat] BOTH [grunt as they push her up] CHARLIE Yeah! I thought so! SOUND GRIND OF WOOD SHIFTING CHARLIE This probably goes to a roof access. [ugh! As she climbs up] CLAUDE Don't kick! Damn! LENNY Watch out! Uhhh! SOUND HER SCRAMBLING STOPS CHARLIE [calling down] Big help you two are. I see cracks of light - bet there's a vent and I can get out onto the roof. CLAUDE And then what? CHARLIE Well, they don't look much like climbers, do they? We can wait it out up there! CLAUDE How the hell are we supposed to get up there? LENNY Whatever we do, we better do it quick! Sounds like they're getting through! CLAUDE Here, I'll boost you. LENNY Nah, Claude - If you get killed, then I'm alone with her, and I can't take that. CLAUDE You dumbo! LENNY Besides, you can pull me up better. Okay? CLAUDE Let's do this. SOUND GRUNST, RUSTLES, THUMPS CLAUDE [long grunt, pulling himself up] SOUND MOVES UP TO THEM ABOVE SOUND DISTANT WOOD CRACKING LENNy [distant] Claude? Come on! My turn! [continues under] CHARLIE oh, Claude! [kisses him] CLAUDE MMm! [surprised, but enjoying the kiss] SOUND WOOD QUIETLY SHIFTED, LENNY CUTS OUT CLAUDE What was that for? CHARLIE Just happy. LENNY [off, screams!!!] CLAUDE shit! You closed the hatch! CHARLIE It's too late for him! LENNY [Scream cuts out] CLAUDE How could you do that? CHARLIE If I didn't you woulda died wit him! I'm protecting you, ya bastard. CLAUDE Where's this damn vent? CHARLIE Say you love me. CLAUDE There it is. CHARLIE What the hell's gotten into you? CLAUDE You're my wife, and I'll get you out-- CHARLIE Out of what? CLAUDE Out of here. Out of this town. But don't expect to ever see me again after that. CHARLIE [freaked] Cluade? How can you even-- SOUND KICKING OUT THE VENT MUSIC AMB OUTISDE CLAUDE [cold] Give me your hand. CHARLIE [meek] all right, Claude. SOUND SCRABBLING CLAUDE and Charlie [grunt as he pulls her up onto the roof] CLAUDE [breathing hard with exertion] [runs his hand over his face] CHARLIE You still got the combination? Just in case? CLAUDE I don't even care no more. CHARLIE Can I see it? CLAUDE No. Where's that pencil? Ah. SOUND PAPER RUSTLES CHARLIE What're you doing? CLAUDE Writing my will. CHARLIE Will? What you got to leave? CLAUDE I dunno, but there must be something I can-- whoa. CHARLIE What? CLAUDE Where'd you get this paper? CHARLIE That? Oh I think that was the note on our door. CLAUDE Damn. CHARLIE What? CLAUDE This woulda been good to know. "So sorry to put you in harm's way, but the boggins is hungry, and if it ain't an outsider, then it's someone in town, and we can't have that. But we did warn you, as tradtion demands, and you had every chance to leave. Thank you for staying!" CHARLIE So it must be over, right? CLAUDE Are you flapping your lips for a reason? CHARLIE [whine] Claude! The note makes it sound like it's just one they need. One outsider. So Lenny-- CLAUDE [cold, hard] You need to shut your trap. Now. CHARLIE [sweetie again] You gonna forgive me, arentcha? CLAUDE [not quite sure] No. CHARLIE Oh, come on, Claudie. We're better off, ain't we? Just you and me, like the old days? LENNY You want old days, I was his friend first. CHARLIE [gasps] SOUND SHE LOSES HER BALANCE A BIT, FEET SLOWLY APPROACH CLAUDE Len! [pleased] I'll be damned! What... happened? It sounded like-- LENNY [freaked out] They were...everywhere. I dunno why they didn't just take me down. They took some chunks out of me, man, but they... stopped. SOUND MONSTER NOISES START SNEAKING IN, UNDER CHARLIE [insincere] What a relief! LENNY Don't you start! I heard everything. CLAUDE Can you forgive me, Lenny? LENNY Yeah, probably. Jeez I hope Peahces is OK. SOUND UNZIP WIDNBREAKER CLAUDE What? LENNY You think we're safe up here? CHARLIE [spiteful again] Apparently, you're safe anywhere. Must taste bad. LENNY Oh, look, he's still asleep. CLAUDE [laughing a little] A kitten? You took you a kitten? CHARLIE You did what? You are SUCH a shit-for-brains. LENNY Leave off, Charlie, or I swear I will-- SOUND NOW BECOMING OBVIOUS, THE MONSTERS ARE DOWN BELOW CLAUDE Shh! It's those things! CHARLIE The shrews? CLAUDE Whatever they are. CHARLIE Can you see them? CLAUDE The roof slopes wrong, I can't get close enough to get a look down. CHARLIE Well, crawl out there! Surely you don't expect me to do it! LENNY I can't leave Peaches. CHARLIE Peaches? SOUND SNATCH, THUMP AS SHE THROWS THE KITTEN AT A WALL CHARLIE [uh! As she throws] There's your damn Peaches. LENNY Peaches!! SOUND SCRAMBLE ACROSS THE ROOF LENNY You killed him! He was justa baby kitten! He never din't do nothing to you! CHARLIE Stop bawling and start helping! LENNY I'll help. Yeah, I know what I can do to help. SOUND MOVING CLOSER LENNY [unh! Shoving] CHARLIE Lenny? What are you doing? Ahh!!! Claude! LENNY Stay back, Claude. CLAUDE I'm just a bit too damn tired to stop you. CHARLIE Claude?!? Ahhhhhhhhh [scream as she goes off the roof] SOUND ROAR OF MONSTERs, grinding chewing CHARLIE [Horrible screaming.] LENNY [calm again] Sorry you had to see that. SOUND MONSTER NOISES DISSIPATE CLAUDE Sorry about your Peaches, Lenny. We'll get you another kitten. LENNY Okay. [pause] Claude? Let's not get you another wife, though, okay? SOUND CLOCK CHIMES 1 O'CLOCK CLOSER OLIVIA Now that you know how to find us, you'll have to come back. Maybe next week? Don't be a stranger - we have enough of those already... __________________ LENNY Funny thing, though - Why'd Artie tell me about this? CLAUDE I have a feeling he... well... meant for us to come to a bad end. LENNY But he carries a torch for Charlie! CLAUDE Yup. And he said she shouldn't come. LENNY Oh! [musing] Artie's never...wrong. _________________ CLAUDE If anybody who's asleep is safe, I think maybe Peaches saved your life. By sleeping. LENNY [wailing] Peaches!!! CLAUDE Lenny, just hold on to the good times. THE END
Whadda you wanna do with your life???
We've got a lot to get to the bottom of on this week's episode. Whadda you know about werewolves? Huh? You ever seen Predator 2? WHY NOT?! @IDS616 @TheArtist616 FreelanceWrestling.com This week's song: 'Loveletting' - VV (2022) We love you.
We have wanted this woman since the start of Table Manners.. she's been on the hit list since day one and finally, we have her! The one, the only, Dame Joanna Lumley popped over to Clapham for a vegetable pie & some poached pears and it was quite frankly, absolutely fabulous.Joanna talks to us about growing up in India, being addicted to limes, her love of the Queen & cocktail nights at home. Speaking with experience she talks us through her desert island meal & being Patsy Stone.Whadda woman. Her new TV show ‘Cities of the World' starts tomorrow Thursday 17 March at 9pm See acast.com/privacy for privacy and opt-out information.
The happiest of holidays from all of us at Studio Banter! Before you do your present opening and your gift wrapper toss, we invite you to hear the best of season 2. It's our annual clip episode of Banter Banter's yesteryears. We hope that you have a great holiday and we'll see you in season 4! Cover art is provided by @easylouisy (based on art by @Bobbin_Goblins on Twitter) The music for the season 2 intro and outro is called Bad Attraction by Brad Sucks off of his album I Don't Know What I am Doing.
Sid knows what you're thinking. His consumer reward app, HYKE harnesses math and psychology to delve deep into the subconscious. Originally from Iran, Sid discovered St. John's to be the perfect place to start a new life and a business, even though the local dialect and weather took some getting used to. Carol sits down with Sid and learns how he's harnessing tech to understand why we make the decisions we do, and why he sees poetry in numbers.
In Which Our Heroes Obsess Over MY BLUE HEAVEN (1990) FEATURING: He's got a system for everything! It's a veg-e-table! What the frig is the address here?! I thought Wankel invented the rotary engine! I was your pallbearer! The shoes are tragic! Whadda great day! Who's Terry?! AND it's a popoverrrr!!!
HALLOW'S EVE Good intentions may pave the way to ruin, but when Fran - a precocious 11-year old - sets out to rescue what she fervently hopes is a kidnapped child, Halloween may never be the same! Written and produced by Julie Hoverson Cast List Fran - E. Vickery Bobbie - M. Lane Officer Hooper - S. Connor Grigg - C. Hornaday Bool - B. Poole Kidnappers - J. Harvey & Mr. Synyster Timmy & Billy - B. Lomatewama & R. LeBoeuf Mrs. Hooper - A. Kirby Thompson - S. Hoverson Ari & News Report - J. Hoverson Music: Kevin MacLeod (Incompetech.com) Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound: Julie Hoverson Cover Photo: Jeff Mackay (courtesy of Stock Xchange.com) "What kind of a place is it? Why it's a suburban street, where else would you find...goblins?" ***************************************** This was one of the original episodes I had ready for the 2008 Halloween season. It's set in a sort of 1950s era of classic monster movies. I never actually specify that, but references to bobby socks and Corliss Archer (an old time radio show) should be a bit of a clue. One silly thing I should note in here is Fred and Bob (and in other episodes June and Kathy as well) - these are my generic names for extra characters who speak but don't really have personalities, and show up in surprising numbers if you look over the cast lists for a lot of my shows. I found that I would waste time trying to come up with interesting names for all these background characters, and lose my train of thought and it would stall my writing, so I just dub the first such characters Bob and Fred for males and June and Kathy for females, and move on. Later, they may become more specific and get real names, but often enough they just remain half generic. I also find it makes them slightly easier to keep track of than "man1" or "woman B" Naming characters is often half the fun. You see me play with names in many of my shows - D. Meeks in "A Stitch in Time", where Dougie jokes about "D. Meeks inheriting de Earth," or the way so many people in the vampire world of "The Big Dark" took new "vampire names" that are some variation on the characters from Stoker's Dracula. The names of episodes are often some kind of pun or inference, as well. Not so much Hallow's Eve, but The Big Dark is a riff on The Big Sleep (which was a euphemism for death, in the Chandler novel), and the most difficult title to explain "Crumping The Devil" - crumping being a sort of hip hop adjacent challenge dance, conflated with my vague memory of story about an old woman Mrs. Crump who was so awful the devil wouldn't even take her. ***************************************** ALL HALLOW'S EVE Cast: Olivia, host Barbara "BOBBIE" Chandler [16], babysitter TIMMY Martin, child [9] FRAN Hooper, child [10] BILLY Jones, child [8] OFFICER HOOPER [30s] HOOPER [30s] GRIGG [alien] [adult] BOOL [alien child] FRED [30s], a thug BOB [30s], a thug ARI [8], kidnapped child THOMPSON [50s] RADIO VOICE MUSIC OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's a suburban street, can't you tell? Where else would you find "goblins"? MUSIC SOMETHING CHILDLIKE SCENE 1. OUTSIDE, STREET SOUND FOOTSTEPS, COSTUMES BOBBIE There you go, that one's got a light, now shh! SOUND CRUNCHING OF LEAVES, THEN FOOTSTEPS ON WOOD. BILLY [giggles] TIMMY Shh! SOUND DOORBELL RINGS. DOOR CREAKS OPEN. THOMPSON [deep spooky voice] Yeeees? CHILDREN Trick or Treat!!! THOMPSON [regular voice, pleased] Well, you kids! Hey Martha, come and look, we've got a ghost and a clown and -- and what are you, little boy? FRAN I'm a girl. And I'm a Martian. THOMPSON [amused] Well, fancy that! An invasion right here on our street! Martha...? MUSIC SCENE 2. INSIDE, HOUSE MRS. HOOPER Looks like we've got more goblins coming, dear! SOUND FOOTSTEPS RADIO VOICE --in the five county manhunt for-- OFFICER HOOPER Just a minute, hun. Gotta see what they're saying-- RADIO VOICE --involved in the Stanopopolus kidnapping-- [continues under] MRS. HOOPER It's not your case. And it's Halloween. Just because Bobbie was kind enough to take Fran with her doesn't let you off for holiday spirit. At least until you go on shift. SOUND SNAP. RADIO OFF. SOUND DOORBELL. MRS. HOOPER Well? MUSIC SCENE 3. OUTSIDE, STREET BOBBIE Come on punkins, you must be getting tired by now! BILLY [very tired] I'm not! TIMMY I slept all day. FRAN [raring to go] I only have half a bag. We can't stop yet! BOBBIE It's almost 9 o'clock! No one will be up much longer. CHILDREN Please! BOBBIE All right. Three more houses. That's all. FRAN Big houses always have the best treats. We should go to the Palmer's, the Winchell's and that big one on the corner. BILLY On the corner? But, that's ... that's the haunted house! TIMMY Scaredy cat. FRAN Phooey! It was just empty. I saw someone moving in yesterday. BOBBIE If they just moved in, they're probably not-- TIMMY Let's make Billy go into the haunted house! BOBBIE No! Timothy-- BILLY No! I don't wanna-- FRAN Shut up! It's not haunted. Boys are dumb. BILLY Not haunted? BOBBIE Look, it's getting cold out here, so let's get a move on, whichever houses you plan to go to. OK? MUSIC SCENE 4. ON PORCH SOUND TENTATIVE KNOCK ON THE DOOR BILLY [scared, but hiding it - relieved] No one home! FRAN I hear something! SOUND DOOR OPENS SLOWLY CHILDREN [Gasp] BOBBI Well, he looks normal enough. GRIGG [weird foreignish accent] Help you may I? TIM [giggles] He's funny. FRAN We're here for candy. Trick or treat. GRIGG Please? BOBBIE Oh, gosh, you're foreign aren't you? They might not even DO trick or treat where he comes from. FRAN You have to give us candy or we have to play a trick on you! BOBBIE That's hardly fair if he doesn't know the rules. Plus, you said it yourself, they just moved in. GRIGG Candy? Schweets? I have-- BOOL [child's voice, off mike, accented] I want to go home! I hate it here! Take me home! [Tails off into gibberish with lots of Ls and Ss] GRIGG [agitated] My child. He wants to go back to our old home. He is not used to this one. I should go to him. SOUND DOOR SHUTS TIMMY [beat] I don't want any foreign candy anyway. FRAN Bobbie? BOBBIE No arguments. Time to go home. MUSIC SCENE 5. BOBBIE'S ROOM SOUND TAP ON WINDOW BOBBIE Hank? SOUND FOOTSTEPS BOBBIE Hank, this is hardly-- SOUND WINDOW OPENS BOBBIE Who's that? You're too short for Hank. FRAN [whispered] It's me. BOBBIE [sarcastic] So it's The Whisperer? FRAN Me! Fran! BOBBIE Fran? By Crosby, this is way too late for you to be out playing Halloween jokes, even on a Saturday night. You need to get home - your parents will be worried sick. FRAN Dad's on patrol. BOBBIE Oh, great, then he'll be the one to arrest you for something. FRAN Did you listen to the radio at all tonight? BOBBIE Only Corliss Archer. Gee, she has some trouble with-- FRAN Argh! The news? BOBBIE Why? FRAN The kidnapping news! BOBBIE Look, let me get my penny loafers on and I'll walk you home. FRAN The son of a Greek raccoon was kidnapped today. No, that's not right. Raccoon, typhoon-- BOBBIE Tycoon? FRAN A rich guy. He was kidnapped from their hotel room. BOBBIE Was he a tycoon, or just a millionaire? FRAN [whispered with emphasis] IT DOESN'T MATTER. We heard him, and we need to go rescue him. BOBBIE We did what? FRAN The kid at the haunted house. Screaming "I want to go home"? Does that maybe put some thought into that teased-up skull of yours? BOBBIE They did sound awfully foreign, but I'm not sure if it's Greek. FRAN Well it ain't Spanish or Chinese. Or French. What else is there? BOBBIE Don't say "ain't" - it ain't in the dictionary. FRAN Are you coming, or am I going by myself? BOBBIE Why me? FRAN Who else? Timmy? [dismissive noise] Besides, you're the only one tall enough to see in the windows. MUSIC SCENE 6. OUTSIDE, YARD SOUND CREEPING THROUGH BUSHES BOBBIE OK, this is silly. And dirty. I'm walking‑‑ FRAN No, we have to crawl! They'll see us! BOBBIE No one's looking! FRAN But the window's open, they'll hear us. [panic] Shh! Did you hear that? BOBBIE [beat, listening, then dismissively] No. FRAN [grumpy] Ok. Walk to the window. Get spotted. See if I care. SOUND WALKING CAREFULLY ON GRAVEL. BUSHES RUSTLE BOBBIE Fran? FRAN [off, loud whisper] I'm coming. Keep your hair on. BOBBIE Don't worry-- Shh! SOUND LOUD RUSTLE SOUND [FROM INSIDE] CLICK, FOOTSTEPS NOTE: BOOL AND GRIG ARE INSIDE, HEARD THROUGH A WINDOW, WHILE BOBBIE AND FRAN ARE OUTSIDE. EAVESDROPPING BOOL I down wanna be here. Go home. GRIGG "don't", not "down", child. You need talk some good words, living here. BOOL No talk. No stay. Home! GRIGG Home is soon enough. Soon as requirement is received. FRAN [coming on, loud whisper] What are they saying? BOBBIE Shh! BOOL [speaks foreign] BOBBIE Is that Greek? FRAN Oh, sure, I'm the expert. GRIGG [angry] English. Need to hear normal! BOBBIE [muttered] Like your English is so good, mister. GRIGG People must not apprehend you are strange. FRAN Shh. GRIGG Sleep, child. Dream of home. BOBBIE Now that's just mean. SOUND DOOR CLOSES FRAN See? We've got to rescue him! BOBBIE But what if--? FRAN What if he turns up dead like little Charlie Lindburgh? How you gonna feel then? BOBBIE You need to stop reading those crime books. FRAN Argh! Fine. Boost me up, and you can go. I'll figure something out! BOBBIE No. I-- I'll help, but only if the kid wants to come. That's where I draw the line - if he wants to stay, then we'll just... let your dad know and leave it at that. FRAN Fine, but who's gonna ask him? Better do it now, or he might fall asleep. BOBBIE [sigh, then voice raised a bit, calling quietly] Little boy? BOOL [off, gasp] BOBBIE We're here to -- FRAN [prompting, whisper] --to take you home. BOBBIE We're here to take you home! BOOL [off] Home? SOUND SCUFFLE AS HE ROLLS OUT OF BED AND RUNS TO THE WINDOW FRAN Yes, home! Don't you wanna go home? BOBBIE Your parents must be worried sick about you. BOOL What is *lala* parents? Want home! FRAN Come on then, we'll get you out of there. Bobbie, give him a boost. BOBBIE [sigh] MUSIC SCENE 7. OUTSIDE SOUND NIGHT NOISES, WALKING ON SIDEWALK BOOL [squeak] SOUND MILD SCUFFLE FRAN Put it on! They won't look twice at us if we got masks on! BOBBIE It is a little late for-- FRAN So they'll worry, but they won't-- GRIGG [way off, unearthly shriek] FRAN Eep! That sounds like-- BOOL [squeak] BOBBIE What if he has a car? FRAN Then we duck into the bushes - honestly, does every girl lose her brains when she grows into angora? BOBBIE It's Acrilon. GRIGG [slightly closer, shriek] FRAN Run! BOOL [squeak, ends in gasp] SOUND RUNNING FOOTSTEPS MUSIC SCENE 8. OUTSIDE, A LITTLE LATER BOBBIE [whispered] Do you hear anything? FRAN [listens, then whispered] Nope. BOOL [whispered squeak] BOBBIE [comforting whispers] Shh. It'll be o-k, kid. All we have to do is get you safe and then-- [sudden thought] Say, Fran, what is the plan? Where are we taking this poor kid? FRAN [whispered, sarcastic] I thought we'd just lie here under this bush until morning and hope it doesn't rain. BOOL [a bit too loud] What is *lala* rain? BOBBIE Rain makes-- [whispered] Rain makes you wet. We should take him to your father. He'll know what to do to get him home. BOOL [plaintive wail, way too loud] Home! FRAN [whispered] Great. Now you've set him off again. We can't go to pop, cause - being a cop and all - he might just deduce I sneaked out. BOOL Holme! Home! BOBBIE [whispered] Well, you did. FRAN [exasperated noise, then] Ssh! BOOL Home-- [cut off in mid-word as a hand is clapped over his mouth, then a squeak] FRAN [whispered] His parents must be worried sick about him-- we need to get him h-o-m-e. BOBBIE [whispered] To Greece? [sarcastic] I'm pretty sure my folks' car doesn't have that much gas. FRAN [whispered] See? There's still a little smarts under all that fluff! They're stopping at a hotel downtown. BOBBIE [whispered] Which one? FRAN [whispered] The news didn't say - there can't be that many, can there? BOBBIE [exasperated] Ohhhh! BOOL [muffled squeak] GRIGG [distant, shriek] FRAN [whispered] What is that weird guy doing? He's not exactly sneaky. BOBBIE [whispered] Someone's going to-- SOUND CAR PULLS UP, SINGLE WHOOP OF SIREN FRAN [normal voice, resigned] --Call my dad. BOBBIE It's probably for the best - this bush isn't doing my Acrilon any good. FRAN All right, but-- GRIGG [closer, shriek] BOOL [squeak] BOBBIE It's all right little boy, we won't let the scary man take you away. MUSIC SCENE 9. INSIDE, HOUSE SOUND RADIO PLAYS IN BACKGROUND FRED No way! How could they have found us? BOB Stay cool. It's Halloween, it could be anything. SOUND WINDOW SASH GOES UP BOB [worried] Stop it. SOUND REVOLVER HAMMER CLICKS BACK FRED But it's parked right outside! I'm not going down for this! Go check on the kid. MUSIC SCENE 10. OUTSIDE, STREET GRIGG [shriek] OFFICER HOOPER Ok, that's enough. GRIGG [caught in mid-shriek] *Haysa?* [deep breath] What? OFFICER HOOPER It's much too late, even on Halloween, to be running around screaming. Time to go home and sleep it off, pal. GRIGG Sleep, what? I am missing child. Must find. Child will listen me. [starts to shriek] OFFICER HOOPER [cutting off the shriek] Hey! I'm figuring you're new around here, so you may not understand how we do things in the U-S of A, but if your kid's gone missing, you need to let the authorities - that's me - know about it, so we - I - can help you. GRIGG Help? Too many wordsssss. [wail] Bool! BOOL [slightly off, squeak] OFFICER HOOPER Eh? FRAN [slightly off] SHH! OFFICER HOOPER What the--? GRIGG Bool! OFFICER HOOPER Fran? SOUND GUNSHOT BOBBIE [Scream] BOOL [squeak, quickly muffled] GRIGG Bool! OFFICER HOOPER Get down! FRAN Bobbie, get the kid out of here! OFFICER HOOPER That you, Barbara Chandler? Don't you move a muscle! SOUND GUNSHOT GRIGG [voice no longer sounds remotely human] WHAT IS THAT NOISE? OFFICER HOOPER Stay down, sir, and let me handle this. SOUND QUICK GRAPPLE GRIGG [intense] YOU ME TELL - IS WEAPON? HURT MY CHILD? BOBBIE Heavens to Bette Davis, Fran, it's the kid's real dad! FRAN Phooey. BOOL [long squeak] OFFICER HOOPER [forced calm, but furious underneath] As long as they stay behind my car there, they will be fine, now let go of me and let me stop the idiot who's been shooting up my town. GRIGG SHOOT ARE GUN ARE DANGER? OFFICER HOOPER That's my job. You stay here, and when it's clear, you can go to your kid. [raising his voice] Bobbie! You get those children down behind the car, you hear? BOBBIE Yes, sir, Officer Hooper! OFFICER HOOPER [calling] You're still in trouble. [to Grigg] You. Stay. MUSIC SCENE 11. INSIDE, HOUSE SOUND RADIO PLAYS UNDER BOB You idiot! They weren't here for us! FRED They won't take me alive! Federal pen? Uh-uh! BOB Fine. You play at O-K Corral. I'll be out of the line of fire. FRED [cold, commanding] Don't. BOB What? You gonna shoot me, now? FRED Bring the kid out here. We can still do this. BOB Yeah, we give him back, and they take us alive. I like that - the being alive part. FRED Get him! MUSIC SCENE 12. OUTSIDE HOUSE OFFICER HOOPER Throw out your guns and come out with your hands up! FRED [calling from inside] We've got the kid. Walk away or we kill him. OFFICER HOOPER [calling to off] That's not going to happen. Let the kid go and I'll put in a good word for you. FRED [from inside] I've got all the words I need, copper! ARI [from inside] ow! FRAN That must be the real Greek tyfoon's son, OFFICE HOOPER [warning] Fran!? I told you to-- FRAN Pop! I'm going to be a policeman when I grow up, so I figure I should start learning. OFFICER HOOPER No, you're not, and you shouldn't. This isn't a game. Get back over there-- SOUND GUNSHOT BOTH [react] FRAN He hasta run out of bullets ... eventually. OFFICER HOOPER And how many guns does he have? FRAN Huh? [shrug] I dunno. [realizing] Oh. OFFICER HOOPER See? Now, get back-- SOUND GUNSHOT OFFICER HOOPER [fading out] Oh, heck. Stay right here. On this spot, young lady. MUSIC SCENE 13. INSIDE, HOUSE, BUT HEARD FROM OUTSIDE SOUND RADIO PLAYS UNDER BOB [fading in] You've got the kid, you've got the gun. Let me go. FRED Like you say, I've got the kid and the gun - what do I need you around for, ya bum? BOB Good. [raising his voice] I'm coming out coppers! I'm giving myself up! SOUND FOOTSTEPS, DOOR OPENS SCENE 14. OUTSIDE, SHIFT OF PERSPECTIVE, BUT NO ACTUAL SCENE BREAK BOB Don't shoot! SOUND BOB TAKES THREE MORE STEPS, THEN-- SOUND GUNSHOT BOB Argh! SOUND BODY FALLS SOUND DOOR SLAMS MOMENT OF SILENCE FRAN Is that guy ... dead? OFFICER HOOPER Dammit, I can't even go check. GRIGG [incoherent, alien tongue] OFFICER HOOPER Oh, jeez, not you too? [speaking slow] Go back. Your child is safe. Bobbie has him, over there. GRIGG [deep breath, then equally slowly] This you child? FRAN I'm Fran. I'm really really sorry about-- OFFICER HOOPER Yes. Much as I may want to deny it, she has my nose. FRAN [not getting it] Huh? GRIGG Much words. You child? FRAN He don't speak much English, do he? OFFICER HOOPER [sigh] Yes. Mine. BOOL [squeak] SOUND SKITTERING FOOTSTEPS SOUND GUNSHOT BOOL [Screamy squeak] SOUND BODY DROP FRAN [running off] Hey! Kid! OFFICER HOOPER Fran! No! SOUND [after a moment] SCUTTLING COMING CLOSER FRAN [breathing hard] Here. I think he's OK. BOOL [whimpering] GRIGG My child! OFFICER HOOPER Fran, dammit! FRAN What? He coulda got shot! MUSIC SCENE 15. INSIDE, HOUSE SOUND RADIO ON IN BACKGROUND FRED Kid, you speak English? ARI A little. FRED You know I'm gonna shoot you if you don't do everything I say? ARI Yes. FRED Good. MUSIC SCENE 16. OUTSIDE GRIGG Your child is brave heart. OFFICER HOOPER That's one word for it. GRIGG She bring safe my Bool. OFFICER HOOPER Um, yeah. Dammit. I can't tell where that guy is. GRIGG Some child is hurted there? FRAN Stolen. Like we did, except we were only trying to help. GRIGG [decisive] I help bring child to home. OFFICER HOOPER At least you're an adult, even if you can't understand English. [talking loud again] We go in. You go left - that way - I go right. Get to wall, up against it, then to door. GRIGG Ahhhh. OFFICER HOOPER Does he understand? FRAN I guess. He's nodding. OFFICER HOOPER You don't come with us. FRAN But I-- OFFICER HOOPER Give me your hand. FRAN Are you giving me a gun? OFFICER HOOPER [heavy sigh] SOUND HANDCUFFS SLAP ON WRIST, THEN ON DOOR HANDLE FRAN Hey! OFFICER HOOPER Now you'll stay put. [sigh] I'm leaving the key here, in case. SOUND KEY PUT DOWN ON CAR OFFICER HOOPER Out of reach. [loud, to Grigg] We go. SOUND RUNNING FEET, OFF IN TWO DIRECTIONS SOUND AFTER THEY LEAVE, JINGLE OF STRUGGLING WITH HANDCUFFS FRAN [grunting] Uun uun. Darn it. SOUND SCRABBLING ON THE CAR HOOD, TRYING TO STRETCH FRAN Hey, Bool? BOOL Bool! FRAN Yeah, [talking slow] I'm Fran. BOOL Flan? FRAN Good enough. Can you hand me that? BOOL [Hmm noise] FRAN [slowly again] Give to me? BOBBIE [coming on] You're still here! Let's get going. SOUND REACTION INCLUDING RATTLE OF THE HANDCUFFS FRAN How'd you--? BOBBIE I went around the block. I'm no dummy. FRAN Brilliant! We should-- BOBBIE You are not talking me into any more shenanigans. FRAN [whispered] Bool, get the key! [Up] Huh? No, of course not... I -- BOBBIE Are you -- chained to the car? BOOL Kaaaay? FRAN [too bright] No! Whatever gave you that idea? [whispered] Bool! BOBBIE Oh-- SOUND SMALL METAL SCRAPE BOBBIE --so this isn't the key? FRAN Oh -- Drat! BOOL [squeak] FRAN Boo-ul! MUSIC SCENE 17. OUTSIDE, AROUND HOUSE SOUND RUSTLE IN A BUSH OFFICER HOOPER [muttered] Ok, mister rat bastard kidnapper, let me get a look atcha. GRIGG [off] Go? OFFICER HOOPER [muttered] Oh, good, you know one word. [up, calling very quietly] Make a noise! GRIGG [shriek] SOUND [OFF] CLATTER INSIDE FRED [from inside] What the hell--? OFFICER HOOPER Come out of there with your hands up! FRED [from inside] What's that noise? GRIGG [shriek] OFFICER HOOPER [sudden idea] Uh, what noise? I don't hear anything. FRED [from inside] What do you mean--? You didn't hear that-- GRIGG [shriek] FRED [from inside] --that "THAT"? OFFICER HOOPER [very pleased] Nope. Don't hear anything. They say some people are bothered more than others by [slight chuckle] haunted houses. FRED [a bit disturbed] Haunted--? MUSIC SCENE 18. OUTSIDE AT CAR BOBBIE If I unlock it, you have to come home. FRAN [sounding almost teary] But- but our dads are in there. BOBBIE That's what your dad does. It's his job. FRAN But it's not Bool's dad's job. BOBBIE Bool? Is that your name? BOOL [sounding mournful] Chob. FRAN See? He's upset too. BOBBIE Is he? Tell you what, I'll get you home and then we'll call for more police. FRAN [sniffing] But I was thinking... tsch. ohhhh. SOUND THREE METAL TAPS - key on car BOBBIE [thinking...] What? FRAN [sounding really down] Nothing. Unlock me and we'll go home - [offhanded] even if we maybe COULD help. BOBBIE Right. FRAN Even if maybe our dads end up shot. [long sniff] BOOL [squeaky sniff] SOUND UNLOCKING HANDCUFF BOBBIE Come on. MUSIC SCENE 19. INSIDE, HOUSE SOUND SHUFFLING FEET AS FRED PACES NERVOUSLY, DRAGGING ARI BACK AND FORTH WITH HIM SOUND RADIO IN BACKGROUND FRED [to self] Haunted? Of course. That explains so much. ARI Maybe there is ghosts? FRED That's what haunted means, ain't it? And it's Halloween. OFFICER HOOPER [from outside] It's late, pal. Almost the witching hour. Let's get this sorted out. FRED Witching--? OFFICER HOOPER [from outside] You know, midnight. Let's settle this and get that kid home safe and sound. FRED You're going to tell me I can still get out of this, huh? What about Bob out there? OFFICER HOOPER Oh, your friend here? FRED Friend. [snort] yeah. OFFICER HOOPER Hmm. Killing him on the doorway of house like that might a been a bad move. FRED Whadda you mean? Oh! GRIGG [long, drawn-out shriek] FRED Oh!! SOUND RUSTY CREAK OF DISTANT DOOR, INSIDE FRED What the heck? ARI [scared] Oh no! FRED Shut up, kid. I'm trying to listen, you hear me? ARI [gasp and sniff- trying to stay quiet] FRED [trying to convince himself] It's those cops. They're doing this - [up, calling] You're doing this, aintcha, copper? OFFICER HOOPER Doing what? FRED [clinging to control] Making the damn noises! OFFICER HOOPER [pleased with himself] What noises? MUSIC SCENE 20. INSIDE, HOUSE, UPSTAIRS [NOTE, THEY WHISPER THROUGHOUT SCENE] SOUND CREAKING MOVEMENT BOBBIE [whispered] Frannie, if any of us end up dead, it is entirely your fault. That door was so loud. FRAN On purpose. C'mon, the stairs are over here. BOBBIE How do you know? This house-- FRAN Sleepover two years ago, when Jennie and Sam lived here. BOBBIE Your father is going to kill me. FRAN We'll be upstairs - well out of the line of fire. Now c'mon. BOOL 'mon. FRAN See, Bool agrees with me. BOBBIE Yeah. Like a parrot. [sigh] SOUND TIPTOEING FOOTSTEPS MUSIC SCENE 21. INSIDE, HOUSE, DOWNSTAIRS SOUND RADIO MUTTERS IN BACKGROUND FRED [muttering] They've probably got the back door covered... ARI [small voice] You should let me go. FRED [about to hit him] Ahh! SOUND CREAKING FOOTSTEPS SOUND IN WALL AND CEILING FRED Shh! Hell! What's that? ARI [scary whisper] Evil spirits. FRED [gulp] Really? ARI Maybe it is your dead friend. He is very angry, I think. FRED [weak] Shut up. SOUND THEIR SCUFFLING FOOTSTEPS FRED We'll just - Let's go check it out, eh? I bet even ghosts don't like getting shot. MUSIC SCENE 22. INSIDE, HOUSE, UPSTAIRS [NOTE: STILL WHISPERING] FRAN OK, Bool, you see this vent? BOOL See. BOBBIE Great, now he's Spanish. FRAN Sh. Bool, lean in and make a scary noise, like this... [she does, and the noise echoes through the vents] BOOL [like a laugh] Ah! [leans in, mimics her noise, but it ends in his standard squeak - all echoey] BOBBIE Did we ever figure out where Bool and his dad come from? FRAN This isn't the time. C'mon. Now, Bobbie, you creak this door - not too often, just from time to time. Got it? MUSIC SCENE 23. OUTSIDE NEAR FRONT DOOR OFFICER HOOPER OK, fella, time to come out. [a beat] Are you in there? [beat] Oh, darn it all to--, they're gone. Come on - [slow] help me break in the door. GRIGG [yes] *Heh*. MUSIC SCENE 24. INSIDE, HOUSE, UPSTAIRS FRAN I'll be right across the hall - now start. SOUND DOOR OPENS FRAN Eep! BOBBIE Oh, no! BOOL [squeak, which echoes] FRED Ghosts, eh. Looks like I got me a bunch more bargaining chips. All of you move out here in the hall, real slow. [snarls] Get over there-- ARI [gasp] SOUND THUD AS HE HITS THE WALL FRED Keep your hands where I can see 'em! FRAN [sarcastic] Of course, I might just have a gun. SOUND SMACK FRED Keep your mouth shut! FRAN [gasps in real pain] BOOL [mimics her gasp] FRED You, too! BOOL Flan! [squeaky growl] Lalalala! FRED What the hell's wrong with that kid? BOOL [growl builds] FRED [starting to get freaked out] Stop it. What the hell? BOBBIE Fran, is Bool glowing? FRAN [sniff, then uncertain] Um, I think so. BOOL [shriek which is a childish echo of Grigg's] FRED [scream of terror] SOUND GUNSHOT BOBBIE, BOOL, FRAN, ARI - scream, gasp, etc. SOUND POUNDING FEET COMING UP THE STAIRS GRIGG [full-on shriek, deeper and very alien] OFFICER HOOPER Holy cow! What the--? FRED The light! No! [drawn out scream, which fades into a weird little popping noise] BOBBIE I guess we--[gasp] might know--[gasp] where they came from, now. OFFICER HOOPER [suspicious] Where'd he go? GRIGG I made him nothing. He try my child hurt. Your child also. OFFICER HOOPER Yeah, I, uh, noticed-- FRAN [excited] Are you guys Martians? OFFICER HOOPER [exasperated] --but she's clearly fine. GRIGG I know not Marchan. BOOL [Part muffled, satisfied] Flan! FRAN [just as pleased] Bool! BOBBIE I don't know what to tell you, Mister - officer, I mean - Hooper. OFFICER HOOPER Don't worry, I blame my daughter. [Back to Grigg] So we don't have to worry about him coming back? GRIGG Nothing. No colme back. OFFICER HOOPER And what exactly - well - are you? ARI They saved us, is that not enough? FRAN Yeah. They're "good people," as mom would say. GRIGG No concern, Hooper man. We no stay now, you see us be do that. We find more - uh - new home. BOOL Home? No! [plaintive] Flan! GRIGG [softly] No, Bool. Go. OFFICER HOOPER Tell me one thing, Grigg. You planning to invade? GRIGG *Haysa*? FRAN He means are you gonna bring a bunch of people here and try and take over the planet - like in the movies? GRIGG We hide - no one come with. Bad place come away. Alone. FRAN There! BOBBIE Are you thinking--? OFFICER HOOPER [considering] I'm thinking I don't want to try writing this up. Much easier if we just didn't see anything. The one guy shot the other, then when he saw it was hopeless, he skedaddled. BOBBIE But-- what--? FRAN I didn't see anything. You, Ari? ARI No. I was much too frightened. He threw me against a wall and then ran off before my head cleared. FRAN See, Bobbie? BOOL Bah-bee? BOBBIE That's kinda cute. Good thing I-- I didn't see anything else. Besides, anyone who would do whatever it takes to protect their kid - well, they can't be too bad. OFFICER HOOPER You're still not babysitting for Fran ever again. BOBBIE [truly relieved] Oh! Thank you! FRAN Hey! MUSIC, CLOSING OLIVIA Now that you know how to find us, don't be a stranger - we have enough of those already...
Did you watch their first game? Check out their first win? The Seattle Kraken look like a team that will hang around all season. Between their players and Head Coach, it should be an exciting year for them. Whadda think?
Frames and Cabin 3 host this week's episode of WHADDA WEEK! We've started off Mini Camp/Shaver Specialty Week with tons of fun and we look forward to packing our next few days together with activities and special events. The post Whadda Week! August 23, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Bravo, Soap, and the members of Cabin 24 (with a guest appearance by some of Cabin 22) host this week's episode of WHADDA WEEK! Find out what's happening at GAC this second week of Session #4, learn about some highlights of camp so far for these kids, and hear about some of the friendship skills […] The post WHADDA WEEK! August 14, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Chlo and El spill all beans re; Chloes engagement, hens and wedding extravaganza… including the infamous bride stacking down the isle moment.The girls were thrilled to have their favourite sunglass brand sponsor this episode - Luv Lou are offering a generous 30% off to our listeners using code: “DARLINGSHINE30”Link: www.luvlou.com.au
Bravo and Cabin 24 host this week's episode of Whadda Week. Find out what's going on this second week of Session #3, 2021! The post Whadda Week! August 2, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Our Session 3 JCs (Junior Counselors) host this week's episode of Whadda Week! Get to know them and hear their goals for Session 3. Links: Junior Counselor Program info Subscribe to Gold Arrow Camp's Whadda Day Podcast. The post Whadda Week! July 25, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
It's the second week of Session #2 here at Gold Arrow Camp. With help from Hooper and Sunshine, Olivia, Hadley, Lindsay, & Dove (Cabin 18) host this week's episode of Whadda Week! The post Whadda Week! July 18, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Hosts Bravo and Frames, along with Cabin 27, kick off Session #2 with this week's episode of WHADDA WEEK! The post Whadda Week! July 12, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
What's happening this week at GAC? Find out on WHADDA WEEK – Your weekly look into life at camp! We're halfway through Session 1. Here's an update from campers on what's happening this week and what we're learning about being BETTER TOGETHER and friendship at GAC. Listen to more episodes about camp at https://goldarrowcamp.com/podcast-2/. The post Whadda Week! July 4, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Today's Whadda Day! features Cabin 0 before they departed for Shaver. Read more about today's friendship skill! The post Whadda Day! June 28, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
It's the first day of Session 1, 2021! This is WHADDA DAY! The post Whadda Day! June 27, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
It's the HAPPY FATHER'S DAY edition of Whadda Day, featuring some of the Shaver Watersports Specialty Campers! The post Whadda Day! June 20, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Part Two! Whadda-ya-do? Check out Cristen on the Tucson Improv Movement's socials @tucsonimprov. There are many funny people from Arizona, not just us!
It's the first day of GAC 2021. Cabin 28 kicks off Whadda Day! The post Whadda Day! June 13, 2021 appeared first on Gold Arrow Camp - California Summer Camp and Traditional Sleepaway Camps for Children.
Most of the time when I record this podcast it is morning time which is my best time of day. Today, I'm recording at 6pm and I'm just feeling a bit drained, depressed and nervous. What do you do when you feel off or low or just irritable? I am finding ways to cope w/ these feelings and not giving them so much credit. These feelings are NOT me...they are just chemical reactions in my brain and body that will pass. It's processing these feelings and letting them go. It's a practice and a process that I'm literally working through in this episode.
Helen Wood beef, remembering Nikki, smug Sunsetters, cowards, The Sauce, divine intervention, Kief gets grief, TikToks, representation, night vision, chillis and the binned blue line...Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Shart stories about pooping pants, feeling burned out, Godzilla v. Kong review, Whadda hell going on in the world, Helen Keller revisited.
Whadda you get when Taiwan makes a British microcomputer!? BAM, it's the Tatung Einstein, the subject of ARG 148! This time out we take a look at this capable but obscure machine and learn about what made it a powerful component of the golden age of British computing...BEHIND THE SCENES! Then we dive into some wacky games, as we try out Escape from Merlin 8 and LAZY JONES! --- Send in a voice message: https://anchor.fm/amigospodcast/message
Whadda you get when Taiwan makes a British microcomputer!? BAM, it's the Tatung Einstein, the subject of ARG 148! This time out we take a look at this capable but obscure machine and learn about what made it a powerful component of the golden age of British computing...BEHIND THE SCENES! Then we dive into some wacky games, as we try out Escape from Merlin 8 and LAZY JONES! --- Support this podcast: https://anchor.fm/arg-presents/support
Well, 2020 has been quite the year and a difficult and stressful time for many. We thought it'd be a great idea to shake things up and have a little fun on this last episode of the year. Whadda ya say? You'll certainly understand how in the opening seconds of this episode.LA AGO member and renowned theatre organist Mark Herman is our guest this time on the LA AGO Podcast. Named the 2012 Organist of the Year by the American Theatre Organ Society (the youngest person ever to receive that honor), Mark will be playing for our LA AGO Virtual Holiday Party co-sponsored by LATOS (the Los Angeles Theatre Organ Society) on Monday, December 14th at 7pm from Bandrika Studios, the recording studio for film and television composer Nathan Barr which is home to the restored historic Fox Wurlitzer organ. This event will be streamed live via both the LA AGO YouTube channel and Facebook page (links below). Mark talks with host Thompson Howell about his first exposure to the organ back in his hometown of Fort Wayne, Indiana and the significance of the Embassy Theatre located there; the history of the theatre organ and the process of creating scores for silent films and the skills required to accompany them live; his interest in the silent-era films of Harold Lloyd; why he considers the theatre organ an "emotional instrument;" the legendary history of the Fox Wurlitzer organ which has been featured on many film soundtracks; his experience playing the organ parts at Bandrika for the soundtrack to the film The House with A Clock in Its Walls in 2018; and his recent appointment to the Adjunct Faculty of the University of Oklahoma's organ department teaching theatre organ classes to DMA students - and so much more!Listen at LAAGO.org...or subscribe wherever you get your podcasts.LINKS:Mark's website is here.Mark's YouTube channel is here.Mark's Facebook page is here."An Evening with Mark Herman: A Benefit for the Embassy Theatre" is here."The Mighty Wurlitzer" from The House with A Clock in Its Walls is here.The LA AGO YouTube channel is here.The LA AGO Facebook page is here.
Trump vs. Biden, cage match? Ellen cancelled? Video game movies. Male monthlies... Genital specific water closets. Unicorn farm!! Weaponized dolphins. Sundown towns... Consent condoms. Dead arts. Idiots in America!!! Who's a minority?
He didn't wear the hat, but Lennie still loved having James Bay round for dinner. The 'Hold Back The River' heart-throb joined us at mum's for Some Coq Au Riesling (thanks for the recommendation Mr McIntyre), a Passionate Eton mess and plenty of the most delicious red wine courtesy of James. We spoke about busking, his legendary Grammys performance, jumping up and down on a trampoline with Rosie Huntingdon Whiteley, writing his 3rd album and eating cold Heinz Five Beanz. Whadda guy, what a gent. Go and have a listen to James’ wonderful new single Chew On My Heart now. See acast.com/privacy for privacy and opt-out information.
Ten Nobel laureates in 45 years for Israel...a country with only 7.8 million people...A country with more engineers per capita than any other nation in the world...A country second only to the US in the number of NASDAQ-listed companies... Israel..."Whadda country!!..." Also on todays show: Speaking of Israeli brainpower...a profile of Mooly Eden, president of Intel Israel. He was recently named by Fortune magazine as one of the world's 10 most brilliant technological minds... Also...The technological and academic achievements start with Israel's young students... Israeli high school team "The Pink Eagles" takes first place in an international robotics competition... Southern Israel's yeshiva high school team collects the silver for second place in another international contest...this time, it's the FLL Global Innovation competition... And...A France-based Israeli company will be providing ultra-high-tech security technology for more than 200 French organizations...including the world's largest museum...The Louvre... Also...Mind-boggling success in Israeli healthcare...Israel is a world-leader in life expectancy and treatment of and survival from catastrophic diseases...Details of the good news on medical treatment, health and disease in Israel... All this and more on The Marty Roberts Show
A little energetic cup of energy to start (or end) your day!! Whadda ya say!! Let's MOVE THE ENERGY!! What INSPIRES YOU??? What are you attracting? Join UER founder and co-creator, Anna Banguilan, for a moment of "inspired action" shifting and expanding!! Wooo Hooo!!
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