American film and television composer and musician
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44 episodes with Nathan Barr
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2 episodes with Nathan Barr
2 episodes with Nathan Barr
2 episodes with Nathan Barr
3 episodes with Nathan Barr
The one about AI and Trust, The P for Product and Salem's Lot - TG121 00:00:00 Introduction Here are your hosts, Roger and Pascal. 00:03:09 In the News A selection of announcements and news releases from the world of marketing and technology that caught our attention. 00:14:48 Content Spotlights ROGER: Product is the P all marketers should strive to influence by Mark Ritson in Marketing Week: https://www.marketingweek.com/product-marketers-influence/ PASCAL: Customers don't trust AI, and the rift might be hurting business by Kristen Doerer, Editor at Marketing Dive https://www.marketingdive.com/news/customers-dont-trust-ai-hurt-business/727206 00:30:37 This Week in History Our selection of historical events and anniversaries from the world of science, technology and popular culture. 00:36:44 Marketing Tech and Apps ROGER: It's all about cameras and drones. DJI Neo Drone. https://store.dji.com/uk/product/dji-neo Insta360 Link 2 Webcam: https://store.insta360.com/product/link-2 PASCAL: It's all about using AI for better FAQs NotebookLM by Google https://notebooklm.google.com/ automatically generates summaries. ChatPDF https://www.chatpdf.com/ practise superior content curation using this AI-powered assistant that can read PDFs and answer your questions in any language. EXTRA: Meta AI https://www.meta.ai/ and check out the full overview at https://ai.meta.com Is this the biggest rival to the popular ChatGPT? 00:45:54 Film Marketing SALEM'S LOT (2024) Directed by: Gary Dauberman (It Part 1 and 2) Written by: Gary Dauberman Cast: Lewis Pullman as Ben Mears, Makenzie Leigh as Susan Norton, Pilou Asbæk as Richard Straker, Alexander Ward as Kurt Barlow and Alfre Woodard as Dr. Cody Music by: Nathan Barr and Lisbeth Scott Tagline: Be Careful What You Invite Inside. Much delayed, this adaptation of Stephen King's famous novel was rush released after a very short marketing campaign. We ask whether the film live up to the reputation of the original 1979 adaptation and what they could have done better in the marketing campaign. About Two Geeks and A Marketing Podcast Hosted by the two geeks, Roger Edwards and Pascal Fintoni, to keep you up to date with the latest news, tech, content and wisdom from the world of marketing. Roger is a marketing speaker and consultant who's spent his whole career helping his customers keep their marketing simple but effective. He's the author of Cats, Mats and Marketing Plans and...
We said we could build nuclear weapons to keep the peace. But we never understood that the human condition of envy, greed and violence would win out. In the future, when Iran and Israel use nuclear weapons the World will blame America for its failed Policy of Deterrence to keep the peace. The unimaginable will have become a reality. And so, America will be viewed as a pariah country, despised and ridiculed for having brought death and destruction. There will be a heavy price to pay for that with retribution leveled against America. It was so easy for us to have been so wrong. MUSIC David Shire, Nathan Barr
In our latest episode, I'm thrilled to be joined by Nathan Barr of Dance Principals United We delve into the crucial aspects of running a successful business that every owner and leader should know. Episode Highlights: - Know Your Numbers: Nathan emphasizes the importance of being on top of your financials. Understanding your numbers is key to making informed decisions and driving growth. - Invest in Yourself: We explore why personal development is not just beneficial but essential for business success. Growth starts with you! - Business Owner Tips: Packed with practical advice, this episode is a treasure trove for anyone looking to enhance their business and leadership skills. Tune in to this enlightening conversation on The Business Breakthrough Podcast, available on Apple Podcasts and Spotify. Don't forget to hit subscribe for more!
Finally, an actually GORY movie! We know you've all been waiting for one, and we're excited to talk about one... and which one better than this insane bloodbath?!!(And get ready, because this one's our long one!) Gore Maestro Eli Roth literally burst onto the horror scene back in 2002 at TIFF (and then in the US a year later) with his feature film debut, "Cabin Fever", and since then, it's garnered mad respect from the likes of Peter Jackson and it's spawned two sequels and a remake, all of which we discuss in our eighth episode -- but don't worry, we also talk about a list of other things, such as bi-polar disorder, the upcoming holidays, and our current theme: Six Weeks of Holiday Horror, which begins next week with the 1972 Sally Field Thanksgiving-set thriller, “Home For the Holidays". As always, we're excited to be here, and grateful for you to be listening. Don't hesitate to leave us a review, even if Stanley pretends to not handle constructive criticism (hahaha.) Comments and suggestions are always welcome! We love all of you!Instagram/Twitter: @thegorygaysE-mail: thegorygays@gmail.com
In this episode Nathan & Craig chat on procrastination, imposter syndrome, new music toys, Nathan Barr's epic theater organ, ADHD music, Charlie Clouser's studio, and much more. Subscribe to the Soundiron Podcast: https://anchor.fm/soundiron-podcast For more info, visit our website: https://soundiron.com/ Podcast notes: * (0:00) Intro * (1:25) 3 Questions to get Unstuck * (07:17) Komplete Kontrol MK3 * (10:43) Nathan Barr's Theater Organ * (16:14) Tycho selling his hardware * (19:30) Imposter Syndrome * (30:30) Cyborg Bytes & Sitarion * (35:00) ADHD Music * (38:10) Charlie Clouser's studio * (42:00) Where do all the broken guitars go? * (45:41) Recommendations Welcome to Soundiron, where the world is your orchestra! We create professional virtual instrument plugins and sample libraries for music, media, cinema, games and education. Whether you're a musician, songwriter, composer, producer, sound-designer, student or teacher, or just want to have fun making your own music, we've got you covered! #soundiron #musicpodcast #musictech
Q&A on Hulu's The Great with executive producer Marian Macgowan, costume designer Sharon Long, production designer Francesca di Mottola, and composer Nathan Barr. Moderated by Mara Webster, In Creative Company. A genre-bending, anti-historical ride through 18th-century Russia following the wildly comedic rise of Catherine the Nothing to Catherine the Great.
The world of the convent has given rise to some interesting and varied cinema - Black Narcissus, Agnes of God, Two Mules for Sister Sara, and not least, this week's new release, Prey for the Devil, a new horror from director Daniel Stamm with music by Nathan Barr. Matthew Sweet looks back at nuns on the screen, lavishly illustrated with the sound of music.
Interviews with some of those responsible for making the film including Daniela Avramova, Denis Crossan ,Elena Stoyanova ,Jonathan McKinstry,Nathan Barr,Robert Zappa, Tom Elkins,and Todd R. Jones & Earl Richey Jones
This week we dive into all things music with The Patient's score composer, Nathan Barr. From Straw Hut Media
In The Mix 108 DJ - Nathan Barr https://soundcloud.com/nathan-barr-530184542
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Sex, politics, and rock n roll. This week, Deborah and Kristin look at episode three “Mine,” written by Alan Ball and directed by John Dahl. They explore all the sex, magic, and vampire politics in the True Blood world. They also discuss the show's score and soundtrack with the music masterminds themselves, Nathan Barr and Gary Calamar. See omnystudio.com/listener for privacy information.
John Bleasdale talks to J Blake Fichera author of Scored to Death and Scored to Death 2, available here.Scored to Death collects 14 info-packed, terrifyingly entertaining interviews with renowned film composers who have provided music for some of the horror genre's greatest films and franchises, including Halloween, A Nightmare on Elm Street, Friday the 13th, Hellraiser, Maniac, The Fog, Prince of Darkness, Cujo,Dawn of the Dead, Deep Red, Suspiria, Santa Sangre, Zombie, The Beyond, Insidious, The Conjuring, Hostel, The Strangers, House of the Devil, and many more!Interviewed are director-composer John Carpenter; sound designer-composer Alan Howarth; Italian composers and members of the band Goblin (known for their scores for Dario Argento films) Claudio Simonetti and Maurizio Guarini; Hollywood composers Christopher Young, Tom Hajdu (of the composing team tomandandy), Charles Bernstein, Jay Chattaway, and Nathan Barr; as well as horror notables Fabio Frizzi, Simon Boswell, Joseph Bishara, Jeff Grace, and Harry Manfredini.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
Lisbeth Scott is a composer/ singer/songwriter/multi-instrumentalist and producer based in Los Angeles, California. She has recently completed scores for Universal's feature All My Life and their stunning silent film restoration of Stella Maris. Additionally, she has scored the gorgeous 2021 documentary “Gratitude Revealed “ by Moving Art/Netflix film creator Louie Schwartzberg. Lisbeth was twice nominated for an Annie Award for her score to Amazon's top children's show Tumble Leaf and also received critical acclaim for her score to Netflix's American Son. Scott has written music for over 50 films and television shows including compositions featured in Narnia, Concussion, and True Blood.Lisbeth has just released the first song off a new album she has created. It's so beautiful. Have a listen to it here and follow her work to stay up to date for when the rest of the album is released in May. Here's the link. After raising goosebumps on the skin of all who have heard her sing in the 150 plus films that feature her voice and songs, Scott began scoring films several years ago. Working for many years as a vocalist and collaborating closely with some of Hollywood's top-tier composers including John Williams, Hans Zimmer, John Debney, Nathan Barr, and Harry Gregson Williams, it was a natural progression to focus her talents on scoring films. Her inherent musicality and passion for the medium, along with years of classical training and performance experience are what make Lisbeth Scott such a revered film composer. Classically trained in piano, Lisbeth is fascinated with the textures of every instrument she lays her hands on. She began her keyboard studies at the age of 6 at the New England Conservatory and later added guitar, ukulele, harmonium, harp, dulcimer, and percussion. She has even been known to ‘saw” the strings of cello and violin now and then …(yes literally saw).Among her many instruments, Lisbeth has an extensive collection of Kalimbas, 15 guitars both acoustic and electric, a traditional Koto, an Array Mbira (an electric 4-octave version of an African thumb piano), a Mongolian mouth harp, traditional Didgeridoo (a beautiful gift from a tour in Australia!) and chests full of oddly shaped percussion instruments from around the world. The most treasured part of her collection is her 6 foot 1911 Steinway O grand piano. These cherished instruments are often woven textures in Lisbeth's scores. She also loves bringing the lyricism and emotional depth of her singing voice into her compositions.Lisbeth has studied string arrangement and orchestration and was also a participant in the BMI conducting workshop under the direction of Lucas Richman. She is a member as composer and publisher of BMI, SAGAFTRA, AFM, The Television Academy, and The Dramatists Guild. Her philosophy? Music makes the world go round…it's everywhere….in the touch of ocean spray-on skin, the padding of feet on soft pine needles in the middle of a forest, the high pitched scream of a hawk overhead, the quiet stumbling of a bee making its way through the middle of a sunflower…..The beauty of nature, sound, visual, story, and touch provides a connection between all beings.Much gratitude to the sponsors of Yoga Heart Mind!ww.solemechanics.com.au 15% off with promo code WATKINS6162 https://www.themilkcleanse.comPromo code STUARTWATKINS for 10% offhttps://sacredtaste.comPromo code STUARTWATKINS for 10% offhttps://blesSupport the show (https://stuartwatkins.org/podcast/)
Ringing in the “Old New Year” with literary supernovas Gary Shteyngart (Our Country Friends) and Sloane Crosley, whose forthcoming rom-com thriller, Cult Classic, takes on metaphysics, modern love, memory and mind control. PLUS Emmy Award-winning film and television composer Nathan Barr on his Mighty Wurlitzer and the music behind The Great. Huzzah!
En el condado de Hazzard se vive una vida tranquila y apacible, salvo que tu apellido sea Duke. Sus melodías suelen ser tranquilas y armoniosas, salvo que escuches esta banda sonora, donde en su variedad encontrarás ritmo frenético por doquier. En este episodio, os traigo el score y soundtrack de la adpatación de la serie El Sheriff Chiflado (The Dukes of Hazzard) a la gran pantalla, con composición de Nathan Barr. ¡¡¡Yijaaa!!!
John DeNicola is an American songwriter and producer. He is best known for co-writing the song "(I've Had) The Time of My Life", for which he won both an Academy Award and a Golden Globe Award, as well as receiving a Grammy nomination, in 1988. In 1989 he was the co-winner of ASCAP Awards' "Most Performed Songs from Motion Pictures" for "Time of My Life" as well as for "Hungry Eyes", another song from the film. Listen in as John tells Joseph about his latest release and the early days of analog recording.
How does one become a tech privacy attorney and a musician? How do you go to Mumbai to find your way? This is the story of Alan Chapell. Growing up on the multi-ethnic streets of Stamford, Connecticut, Alan Chapell was exposed to a multitude of music – playing piano and trumpet before the age of six and at age 15 recording with the legendary producer Jimmy ienner (Dirty Dancing, KiSS, etc) Along with his musical success, Alan has carved out a niche as an attorney . . . advising tech companies on privacy issues. When the producers of HBO's Silicon Valley consider creating a character to lampoon your role in the tech space, you know you've made it.
Richard Humann is a Brooklyn-based neo-conceptual artist whose work has been included in the Venice Biennale, represented the United States in the 2017 Karachi Biennale in Pakistan, and has had multiple national and international solo gallery and museum exhibitions. Richard was born and raised in the Lower Hudson Valley region of New York State. He divides his time between Brooklyn and Woodstock, NY. This podcast is not about art, it's about being an artist. Listen to Joseph and Richard talk it up.
Franke Previte: Academy Award and Grammy award winning songwriter, singer, talks with Joseph about his early childhood, selling cars in his driveway to earn money and how (I've Had) The Time of My Life and Hungry Eyes were written and how they found their way in movie Dirty Dancing.
Hosts: Andrew, De'Mya, & Antonio On Today's episode, the crew starts out with the "Red Fox Week in Review" segment where they talk Volleyball, cross country, and football. They are then joined by Hartsville High swim coach Jill Young. She talks about her background, coaching an individual team sport, and her goals for the program. Coach Young discusses her expectations for the team, the reason she got into coaching swim, and how a student that is interested in becoming a member of the swim team can get in contact with her. The crew then gets into the "Topic of the Week" segment. They are joined by former Hartsville High athletes Jamies Harry, Jordan Blue, Nathan Barr, and Justin Abraham; and talk about the effect of having or not having a father in your life. This and so much more in this episode. Follow the show on IG: @HartsvilleSportsNetwork To support the show Subscribe, Share, Like, Review ⭐️⭐️⭐️⭐️⭐️ rate
Joseph met Diana at a SAG-AFTRA workshop and have been friends since. Diana is an actor, voice actor and producer. Known for her recurring roles on "The Young and the Restless" and "Days of Our Lives", she has also done a number of TV Commercials. She began working in Group ADR in 2010, on "Eureka", and has been heard on "Alphas", "Defiance", "Code Black", "Quantico", "Midnight Texas", "Into The Dark" and more. The daughter of an avionics mechanic from Sri Lanka and a Danish mother, Diana's unusual ethnic background has granted her a strong sense of culture. Her love of travel began at a young age and she's been to over 30 countries. www,dianalansleen.com
Bill Schnee is an internationally renowned producer, engineer, and mix master. He has received over 125 gold and platinum records and more than 50 Top 20 singles that run the gamut from Barbra Streisand to The Jacksons, Rod Stewart to Steely Dan, and Whitney Houston to Dire Straits. This is my conversation with Bill about his journey and his art. Check out Bill's new book: Chairman at the Board: Recording the soundtrack of a Generation
Today's guest is Nashville music producer, singer, songwriter Aaron Ruiz. Aaron is an artist who has had hundreds of songs placed in tv shows. Joseph and Aaron talk about the work it takes to stay present, dealing with negative self talk and accepting that we are not in control of whether a song is a success or not. www.aaronandandrew.com https://soundcloud.com/skyline-brigade
Meridith and Joseph have a podcast (Are You Waiting For Permission) dedicated to those of us who have stood on the edge, waiting for others to give us permission to pursue our dreams. Today, Joseph interviews Meridith and Joseph about their creative journeys as actors, coaches and podcasters.
Today Cathy and Joseph wrap up their conversation. We learn of Cathy's acting opportunities; how she drove 3 hours each way for her auditions and how she views her creative process.
This week, Cathy and Joseph continue their conversation. We hear how Cathy moved forward with her education and started modeling. We also learn of the one woman who positively impacted her life.
Cathy is a first generation Vietnamese American born and raised in Seattle, WA. To say that Cathy grew up under difficult circumstances is an understatement. Her story is one of hard work, perseverance and survival. Cathy graduated with a degree in psychology from the University of Washington all the while working as a genetic researcher at the Fred Hutchinson Cancer Research Center. She earned her second degree in Graphic Design & Illustration. Cathy worked her way through various design specialties for Fortune 500 companies and found her sweet spot as an e-commerce User Experience (UX) / Product Designer. Cathy has appeared in GRIMM, LEVERAGE and is a recurring guest star for a series to be announced soon as well as a recurring guest star on an animated series. www.cathyvu.com
Thomas Laub is a producer currently represented on Broadway with David Byrne's American Utopia (Special Tony Award). Past work includes Slave Play (Tony Nomination), Seven Deadly Sins, and the site-specific Myths & Hymns. Upcoming: Douglas Carter Beane's Fairycakes, Selina Fillinger's POTUS, and Plaza Suite starring Matthew Broderick and Sarah Jessica Parker. Founder of Runyonland Productions and entertainment revenue management firm Standing Room Theatrical Solutions.
Katie Leigh is a voice actress, best known for her roles as Sunni Gummi in Disney's Adventures of the Gummi Bears, Zuzu in Poppy Cat, Alex in the first two seasons of Totally Spies!, and as Connie Kendall in the Focus on the Family radio program Adventures in Odyssey since 1987. This is her story.
Here is a NEW episode of The Celebrity Hour Podcast where the show is related to... The post Nathan Barr interview appeared first on Boomstick Comics.
Here is a NEW episode of The Celebrity Hour Podcast where the show is related to... The post Nathan Barr interview first appeared on Boomstick Comics.
Today's episode you'll hear Joseph talk about his decision to change markets - from NYC to Los Angeles; how a scoring rejection caused to him to reconsider his dreams and how he received the opportunity to compose the underscore music for American Sniper.
For the first episode of Pivot Point in year two, Joseph continues with an exploration of his own journey. This Pivot Point explores his years in Nashville, his time working at Belmont Church, his unsuccessful production company and how he dealt with difficulties in his personal life. This two-part series starts where he left off in bonus episode #4. Want to know more about his earlier journey? Listen to bonus episodes 1 - 4 in year 1.
Today's guest is Janay Woodruff. Janay is a powerhouse rock singer and songwriter. She hails from St. Louis where she cultivated her love for music at age 9 through the Opera Theatre of St. Louis. Known for her laser focus and unshakeable drive, Janay was unsurprisingly tapped to open for FloRida for NOW 96.3 NOW Night Out. The into features her successful song, Diamonds. www.janaesound.com
Kevin Brewerton is a 5 time world kickboxing champion, author, director, actor and painter. His story is one of seeking the truth both in his life and in his art. Kevin's book is called - These Are African Hands-A Memoir. You can find it on Amazon.
Beau Stroupe: Opera singer, actor and coach is my guest this week. Beau and I met 25 years ago in Nashville. A graduate of Manhattan School of Music, Beau's talent provided him opportunities as a professional opera singer. Listen in on how his path changed directions and why. In the podcast intro, hear Beau sing Che gelida manina from La Boheme.
April Cleveland is a director, educator, and the creator of THE EXODUS ENSEMBLE in Santa Fe, New Mexico, which creates wild and immersive theatrical events. April directs fast-paced thrillers across genres, from classics and contemporary adaptations to dystopian new work and large-scale musicals.
Kimber Terry is today's guest. She is know by her stage name, Kimber. She is a singer/song writer from Nashville, TN. From a young age Kimber has always been singing and writing songs. She would even sing her math homework and make the questions into lyrics. Today her lyrics and music go far beyond math equations. Check out her song: Used to Being Used in the podcast intro. For more info on Kimber go to https://www.kimberofficialmusic.com
Adele Cabot is a well-known voice coach in Los Angeles. Her clients are actors who have appeared on Broadway, in regional theatres, and in starring roles in films and on TV. Adele was also an actor and director of plays for many years in New York. She is the head of LAvoiceJOY, a studio she founded where she teaches Linklater Voice for actors and executives (speaking voice). Her MFA in Acting is from Brooklyn College and she is a Designated Linklater Voice Teacher. (Designated by Kristin Linklater in 1998.) Adele has taught and coached voice, acting, and acting Shakespeare in many places around the world - including at Shakespeare's Globe in London, Shanghai Theatre School, Shanghai, China, and National Theatre of Korea in Seoul, South Korea. She was the primary Voice and Speech Consultant at Arena Stage in Washington DC. See www.adelecabot.com for more info.
Today Joseph chats with Ed Hooks. Ed is an actor for almost thirty years. He's written several books on acting and became a respected acting coach. He was trained as an actor in New York, where he appeared in many stage plays plus TV Soaps and hundreds of TV commercials for major companies like AT&T, Bounce Fabric Softener, Dawn Dishwashing Liquid, Excedrin, Traveler’s Insurance and McDonald's. In 1996, Ed was invited to teach acting to animators at PDI/DreamWorks in Palo Alto, California, when that company was working on the movie “Antz”, starring Woody Allen. After the film was released, Ed wrote the book “Acting for Animators”, and it was quickly embraced by the entire animation industry. Today, it is available in a revised 4th edition, published by Routledge in London.
Dan Navarro is Joseph's guest this week. Dan is co-author of the song We Belong with his late partner Eric Lowen. Prior to Eric's illness, they toured together for years as Lowen & Navarro. Eric's illness from Lou Gehrig's disease had Dan eventually go solo. You can find Dan on Facebook at Dan Navarro Music.
Today's guest is Kyle Fritz.
Accomplished composer for film, television and theater, Cindy O'Connor is Joseph's guest today. You'll know Cindy's music from the show "Once Upon a Time" which ran for seven seasons. She also toured for four yeas as a keyboard player and BG singer with Pat Benatar. Kristen's Poem at Menacing Hedge - Unforgiven. http://menacinghedge.com/spring2021/entry-debeasi.php
Today's guest is Doreen Ringer-Ross. Doreen is best known as a supporter of artists and for her years at BMI (Broadcast Music Inc). She is responsible for starting programs such as BMI's conducting workshop, The Sundance Composer's Lab and many others. This is Doreen's journey.
Bianca Bethune is Joseph's guest this week. She is an actor on movies like Bad Boys ll & Bad Boys for Life and the TV show: Switched At Birth. Bianca and Joseph met at while working on BB4Life. Today she tells her story of how she went from dancing to acting and transitioning from a childhood actor to an adult actor. Bianca also has a podcast called What Else w/ Bianca Bethune.
This week features guitarist, Justin Derrico. Justin is a phenomenal player and is the guitarist sideman for P!NK for over ten years. You can also see Justin play on NBC's The Voice. Joseph met and worked with Justin on P!nk's documentary, P!NK: ALL I KNOW SO FAR debuting on Amazon Prime Video in May. This is Justin's story.
Today's guest is Joanie Diener. Joanie is an Emmy-winning music editor, with extensive experience in both feature films and television. The recipient of thirteen MPSE Golden Reel Award nominations and five wins. Classically trained, she earned a B.A. in Music at UC Berkeley, with continued graduate studies in Musicology at Boston University where she conducted the BU Women’s Chorus. After spending a number of years as a singer/songwriter, an interest in film led to her present career as a film music editor. Joseph and Joanie worked together on the Michael Mann show, Luck
Arranger/Orchestrator Jeff Atmajian is Joseph's guest today. Jeff is a highly sought after arranger and orchestrator for films. His steady clientele are well-known and highly successful composers such as James Newton Howard, Marc Shaiman, Rachel Portman and Gabriel Yared. In the past two years Jeff has been pursuing a more high profile composing career. Recently he scored the 90-minute documentary about the Armenian Genocide called Screamers. Joseph and Jeff first worked together on the Rachel Portman's score for BECAUSE OF WINN-DIXIE.
Matt Moran is Joseph's guest this week. Matt began his career in entertainment at the age of eight, singing radio jingles and appearing on various children’s television programs and recorded albums. Upon earning a degree in Communications and Film, Matt headed to Nashville, where he spent the next 12 years performing and hosting entertainment events, as well as penning songs for several Grammy-nominated artists, eventually garnering a 36th position on Billboard’s top 200 with his song, “For Freedom.” He recently released his first full-length solo album entitled, “Awakening,” and his music has been featured on Larry King Live, Good Morning America, Regis and Kelly, The View, Comedy Central, and ABC News with Bob Woodruff.
Shie Rozow is Joseph's guest today. Shie is a composer, music editor. He has taken a different path than most leading him to work on over 100 feature films. As a music editor, Shie has earned 17 Golden Reel Award nominations and winning of three. Some of his credits include Avengers: Age of Ultron, Oz: The Great & Powerful and Hustle & Flow. This is Shie's story.
Today's guest is Ari Solotoff, Esq. Yes. Ari is a music lawyer. Joseph met Ari when working on Sinfonia. In need of a music attorney, Ari was referred to Joseph from Lucas Richman (episodes 17 & 18). Trained as a classical musician, Ari focuses his law practice on serving clients in entertainment and intellectual property law, as well as related areas of practice. He represents leading musicians, composers, artists, and other creative entrepreneurs. This is Ari's journey. Ari's website: www.solotofflaw.com.
This week we hear how Don pivots from Hollywood, CA and find himself landing back at Berklee College of Music and developing one of the best Film Scoring music departments in the country. Also - please visit www.chla.org and support Shie Rozow's walk that is happening this Saturday, February 13, 2021 to raise money for Children's Hospital Los Angeles. I give you more details about it at the beginning of this weeks show. Thank you. direct link to Shie's support page: http://connect.chla.org/site/TR/DIY/DIY_Fundraising?px=2566762&pg=personal&fr_id=1090
This week on Pivot Point is Don Wilkins. Don and Joseph go way back. In fact, Don was Joseph's teacher and mentor at Berklee College of Music. Don and Joseph have worked professionally on two projects: Hometown, a CBS tv series and The First Killing Frost, an independent feature film. Though Don has taught and mentored hundreds of film scoring students over his 30 year career, Don's initial career path was to be a Hollywood composer. This two part conversation takes you on his journey of Pivot Points.
Today's guest is Michael Stearns. Michael and Joseph met each other while working together on Alpha, directed by Albert Hughes. Michael is a composer and soundtrack designer/producer. His credits include music and soundtrack production for television, feature films, planetariums, theme parks, twenty two IMAX films and seventeen solo albums. His music has been used for James Cameron’s “The Abyss”, “Titanic” and “Avatar”, as well as music for Disney Films, HBO, ABC, PBS, BBC, Discovery Channel, and Ron Fricke’s non-verbal 70MM films “Chronos”, “Sacred Site”, “Baraka” and “Samsara”. It has also been used by NASA, Laserium, and choreographed by the Berkshire Ballet. Michael has produced the soundtracks to Universal Studio’s themed attractions “Earthquake” and “Back To The Future, The Ride”. He produced the soundtrack to Paramount Picture’s ride film “Star Trek, The Experience” and produced music for World’s Fair/Expos in Korea, Japan and Spain. Michael works in his music and post production studio “The Guest House”, in Santa Fe, New Mexico.
Today Joseph speaks with picture editor Jett Sally. Joseph and Jett met when working together on NINJA ASSASSIN. Joseph “Jett” Sally is currently cutting Lana Wachowski’s highly anticipated THE MATRIX 4 starring Keanu Reeves. His most recent work can be seen on WORK IN PROGRESS, the unique Showtime comedy series executive produced by Lilly Wachwoski. Jett has also collaborated with the Wachowksis on the popular Netflix series SENSE 8. Jett is known for editing both James McTeigue’s Netflix series, MESSIAH, and his feature film, BREAKING IN.
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Sally Boldt is an experienced music editor whose credits include films from a wide array of genres, ranging from Groundhog Day, Hairspray, and L.A. Confidential to American Hustle, Tron: Legacy, and most recently Soul and Watchman. Equally adept at creating a temp score in a period drama as managing the complex logistics of a musical, Sally has skill and expertise that make her a go-to music editor for films of all stripes. Today Sally and Joseph talk about how her career unfolded from unexpected opportunities.
Today's guest is David Seltzer, the writer of The Omen, Willy Wonka & the Chocolate Factory (screenplay) and writer/director of Lucas and Shining Through. Joseph met David when working together in NYC on Shining Through. This is David's story.
Last week we left off with Frank having to make a major choice for his career. This week we hear how Frank made that choice and how that influenced his career. This is part two of Frank Montaño's journey.
9 time Oscar nominated re-recording mixer, Frank Montaño is Joseph's guest this week. Joseph and Frank have worked together on The Book of Eli, Alpha, The Revenant and Queen and Slim. Today Frank talks about his early days from being in sports as a boxer to thinking he would be a software engineer as his career choice. Sometimes life feels like it has it's own choices for us. Listen as Frank talks about his pivot points and those people who were there to help him along the way.
Well, 2020 has been quite the year and a difficult and stressful time for many. We thought it'd be a great idea to shake things up and have a little fun on this last episode of the year. Whadda ya say? You'll certainly understand how in the opening seconds of this episode.LA AGO member and renowned theatre organist Mark Herman is our guest this time on the LA AGO Podcast. Named the 2012 Organist of the Year by the American Theatre Organ Society (the youngest person ever to receive that honor), Mark will be playing for our LA AGO Virtual Holiday Party co-sponsored by LATOS (the Los Angeles Theatre Organ Society) on Monday, December 14th at 7pm from Bandrika Studios, the recording studio for film and television composer Nathan Barr which is home to the restored historic Fox Wurlitzer organ. This event will be streamed live via both the LA AGO YouTube channel and Facebook page (links below). Mark talks with host Thompson Howell about his first exposure to the organ back in his hometown of Fort Wayne, Indiana and the significance of the Embassy Theatre located there; the history of the theatre organ and the process of creating scores for silent films and the skills required to accompany them live; his interest in the silent-era films of Harold Lloyd; why he considers the theatre organ an "emotional instrument;" the legendary history of the Fox Wurlitzer organ which has been featured on many film soundtracks; his experience playing the organ parts at Bandrika for the soundtrack to the film The House with A Clock in Its Walls in 2018; and his recent appointment to the Adjunct Faculty of the University of Oklahoma's organ department teaching theatre organ classes to DMA students - and so much more!Listen at LAAGO.org...or subscribe wherever you get your podcasts.LINKS:Mark's website is here.Mark's YouTube channel is here.Mark's Facebook page is here."An Evening with Mark Herman: A Benefit for the Embassy Theatre" is here."The Mighty Wurlitzer" from The House with A Clock in Its Walls is here.The LA AGO YouTube channel is here.The LA AGO Facebook page is here.
Albert Hughes, part 2. Last week Albert left us with how he got his first directing job. Today Albert and Joseph continue their conversation. We'll hear who he met at his first job and how that was a pivot point for him. They also go deep into a discussion about the creative mindset. You'll hear about one of Albert's deep dives as he was preparing for The Book of Eli.
Albert Hughes - director of Alpha, Book of Eli, From Hell, American Pimp, Dead Presidents and Touching Evil. In this part 1 of a 2 part podcast, Albert talks about his life growing up in Detroit, how he became interested in film and how his first directing job happened.
This week's guest is Anthony Parnther. A multi-talented conductor and bassoonist. Anthony's credits as a bassoonist and conductor are unparalleled. He has played on most of the great film scores of the past 8 years in Hollywood and is musical director and conductor of 2 symphony orchestras, The San Bernardino Symphony in San Bernardino, CA and the Southeast Symphony in Los Angels. Over the last decade, Anthony has been in demand as a conductor for film, television, albums, jingles, and video game scores in the Hollywood Studio scoring stages. He has conducted hundreds of sessions for a long list of media composers including Jeff Russo, Edouard Brenneisen, Germaine Franco, Maclaine Diemer, Rob Simonsen, Nathan Barr, and Ludwig Göransson. Anthony has accepted invitations with orchestras internationally to conduct live film concerts, particularly the scores of John Williams, Bernard Herrmann, Michael Giacchino, and Jerry Goldsmith.
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Second episode of the program all about TV's 14th year on the air. Our guests: Adam Freeman, ThinkFactory Media executive and executive producer of What's It Worth?, the new A&E unscripted series; award-winning composer Nathan Barr, nominated for two 2020 Primetime Emmy Awards for the themes of Amazon's drama Carnival Row and Hollywood on Netflix, and Morwyn Brebner and Adrienne Mitchell, executive producers from Coroner, CW's new procedural series that launched this past Wednesday.
My Month In Streaming i "lynformat" er tilbage, hvilket giver anledning til blandede meninger om kvaliteten af den nye Steve Carrell-serie "Space Force" (der trods navnet mest foregår på Jorden)! Udover anbefalinger til de bedste og værste serier, kan du også høre Peter komme med en skideballe til en dansk(!) streamingtjeneste. I episoden har vi fokus på Cosmos: Possible Worlds (Viaplay), Defending Jacob (Apple TV+), Space Force (Netflix), Dead to Me (Netflix), The Great (HBO), The Midnight Gospel (Netflix) og Unsere Mütter, Unsere Väter (DR). NB! Der er spoilers til starten af Dead to Me - se eventuelt de første par afsnit, inden du hører denne episode, hvis du tror, det er en serie for dig! Vi høres på åen. Forresten... Vi er på Twitter/Instagram: @streamaaen / @streamaaen. Og Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - 1 tidligere rum-entusiast, 1 tidligere rum-nørd og 1 tidligere rum-organisator. Yderligere informationer:Citat fra film/serie: Cosmos (National Geographic, FOX, Cosmos Studios, Fuzzy Door Productions - Composer: Alan Silvestri), Dead to Me (Netflix, Gloria Sanchez Productions, Visualised Inc, CBS Television Studios - Composer: Adam Blau), The Great (Paramount Television Studios, Thruline Entertainment, Echo Lake Entertainment, Lewellen Pictures, Macgowan Films, Piggy Ate Roast Beef Productions, Civic Center Media, MRC - Series Music by Nathan Barr), Defending Jacob (Apple Inc, Mimir Films, Mark Bomback Productions, Paramount Television Studios, Anonymous Content - Theme music composer: Olafur Arnalds, Composer: Atli Örvarsson)
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Musique Mécanique par le Théâtre Électrique :: "I'll Fly for You" by Nathan Barr
Stuck in a cabin with all your asshole friends? Why not add a flesh-eating virus into the mix to spice things up a bit?! That's the recipe for Eli Roth's Cabin Fever and the start of a brand new franchise on Sequel Rights this week! Star ratings help us build our audience! Please rate/review/subscribe to us on Apple Podcasts or wherever you listen, and share us with your Dennis!! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises!
Episode 203: The Crew's spending the week in the woods with a flesh eating virus, while watching Eli Roth's Cabin Fever. Eli Roth's first feature is loaded with homages and started his own filmmaking career in the horror genre. In the early 2000's, Cabin Fever was a different type of horror film in the heyday of Scream. But to be honest, the film is more of a comedy with gore than a scary horror movie. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com
En cette période de confinement, le trio de "Tu L'As Vu ?", Gravlax – Papa(Gubi)da – Casa, est sorti de sa réserve durant la trève entre 2 saisons du podcast pour vous accompagner et divertir vos oreilles à travers le format "L.A. CONFINEMENTIAL". Dans celui-ci, chaque membre partage avec vous les films qu'il a pu voir durant ces premiers temps de la période que nous traversons. Soit 5 films chacun avec un métrage à tour de rôle. D'autres épisodes suivront, tant que la période n'est pas achevée. Pour cette première salve, voici le menu :– 1'20 / Gravlax : "BUG" de William Friedkin ( 2006 )http://www.allocine.fr/film/fichefilm_gen_cfilm=57476.html– 5'42 / Gubi : "SEIZE THE DAY" de Fielder Cook ( 1986 )http://www.allocine.fr/film/fichefilm_gen_cfilm=133427.html– 9'40 / Casa : "(500) JOURS ENSEMBLE" de Marc Webb ( 2009 )http://www.allocine.fr/film/fichefilm_gen_cfilm=128377.html– 12'30 / Gravlax : "WINTER KILLS" de William Richert ( 1979 )http://www.allocine.fr/film/fichefilm_gen_cfilm=34488.html– 17'55 / Gubi : "JE N'AI PAS TUÉ LINCOLN" de John Ford ( 1936 )http://www.allocine.fr/film/fichefilm_gen_cfilm=8812.html– 21'35 / Casa : "HÉRÉDITÉ" d'Ari Aster ( 2018 )http://www.allocine.fr/film/fichefilm_gen_cfilm=261860.html– 23'50 / Gravlax : "ELMER GANTRY" de Richard Brooks ( 1960 )http://www.allocine.fr/film/fichefilm_gen_cfilm=51887.html– 30' / Gubi : "VERS SA DESTINÉE" de John Ford ( 1939 )http://www.allocine.fr/film/fichefilm_gen_cfilm=3918.html– 33'25 / Casa : "LE JOUR D'APRÈS" de Roland Emmerich ( 2004 )http://www.allocine.fr/film/fichefilm_gen_cfilm=45361.html– 36' / Gravlax : "SERIAL MOTHER" de John Waters ( 1994 )http://www.allocine.fr/film/fichefilm_gen_cfilm=10103.html– 45' / Gubi : "ACCIDENTAL LOVE" ( ou "L'amour par accident" ) de David O.Russell ( 2015 )http://www.allocine.fr/film/fichefilm_gen_cfilm=132319.html– 47'15 / Casa : "LA CABANE DANS LES BOIS" de Drew Goddard ( 2012 )http://www.allocine.fr/film/fichefilm_gen_cfilm=137973.html– 49'10 / Gravlax : "THE HUNT" de Craig Zobel ( 2020 )http://www.allocine.fr/film/fichefilm_gen_cfilm=263711.html– 57'25 / Gubi : "OUVERT LA NUIT" d'Édouard Baer ( 2017 )http://www.allocine.fr/film/fichefilm_gen_cfilm=241693.html– 1H01 / Casa : "ASTÉRIX - LE DOMAINE DES DIEUX" d'Alexandre Astier et de Lionel Clichy ( 2014 )http://www.allocine.fr/film/fichefilm_gen_cfilm=187191.htmlMorceaux utilisés dans cet épisode :– Générique "Loud Pop" ( Gravlax )– Brian Tyler "Birth"– Brian Tyler "Life"– The Temper Trap "Sweet Disposition"– Jean-Pierre Sluys "The Case of the Poisoned Tea"– Colin Stetson "Rebirth"– André Prévin "Musique d'Elmer Gantry"– Alfred Newman "How Green Was My Valley"– Harald Kloser "Musique du jour d'après"– Basil Poledouris "Musique de Serial Mom"– Aileen Quinn "Tomorrow"– Your Laundry "The Dance"– David Julyan "We're Not The Only Ones Watching"– Nathan Barr "Kitchen Fight"– Nathan Barr "Hail of Fire"– Alain Souchon "Ouvert la nuit"– Philippe Rombi "Générique Astérix – Le domaine des dieux"Lien Twitter du podcast : https://twitter.com/TLVPodcastPage Facebook du podcast : https://www.facebook.com/M.Gravlax/Page du podcast : https://podcast.ausha.co/tu-l-as-vuNDLR : Le directeur de la photographie d' "Elmer Gantry" est John ALTON ( directeur photo attitré de Vincente Minelli ), et non John ALCOTT.
We are back with a brand new Geektown Behind The Scenes Podcast, and this week we are chatting with an old friend of Geektown, composer Fil Eisler.For those of you that have missed the five times we previously interviewed Fil, he is the brilliant composer behind tv shows such as 'Empire', 'Revenge', 'UnREAL', and 'What/If', along with movies such as 'The Titan', 'CHIPS', Marti Noxon's 'To the Bone', and Melissa McCarthy/Ben Falcone films 'Life of the Party' and 'Superintelligence'. Fil began his career as a touring musician, where he traveled, recorded and wrote with a multitude of artists, including Robbie Williams, with whom he has written a number of songs such as 'Superblind' and 'My F*ck You to You'. He also recently composed an original concerto performed by the brilliant violinist Sarah Chang, and worked with a group of fellow composers, including our old friend Nathan Barr, on 'Silent Films Live', adding original score to silent movies. As an advocate for gun control in the US, Fil has worked on various documentaries such as 'Newtown', about the aftermath of the mass shootings at Sandy Hook Elementary School, and 'Us Kids', following the students at Marjory Stoneman Douglas High School in Florida. It has been a couple of years since we last caught up with Fil, so we had lots to chat about, and for the first time, I got to do it face-to-face in his studio in LA. Unfortunately, I also was getting over a sore throat at the time, so I apologise for the croakiness of my voice in this recording! See acast.com/privacy for privacy and opt-out information.
As our Sundance converage rolls along, we're super excited to welcome Nathan Barr, composer of Uncle Frank to the show. Uncle Frank is one of the standout films of the festival, a heartwarming narrative for the LGBTQ community. Nathan shares some of his experiences crafting the film and collaborating with director Alan Ball again after seven seasons composing music for True Blood. You can follow Nathan on Twitter @composerbarr
This week's Geektown Radio podcast sees Matt from Entertainment Talk join me to chat through the usual weekly tv, film and gaming news, plus a look at the next week on tv. We also have an exclusive interview with the brilliant composer Nathan Barr, who has most recently been working on fantasy Amazon series 'Carnival Row'.'Carnival Row' is set in a Victorian fantasy world filled with mythological immigrant creatures whose exotic homelands were invaded by the empires of man. This growing population struggles to coexist with humans – forbidden to live, love, or fly with freedom. But even in darkness, hope lives, as a human detective, Rycroft Philostrate (Orlando Bloom – ‘Pirates of the Caribbean’), and a refugee faerie named Vignette Stonemoss (Cara Delevingne ‘Suicide Squad’) rekindle a dangerous affair despite an increasingly intolerant society. Vignette harbours a secret that endangers Philo’s world during his most important case yet: a string of gruesome murders threatening the uneasy peace of the Row.Two-time Emmy-nominated composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from musical cultures across the world. Alongside 'Carnival Row', Nathan scored the hit Amblin Entertainment/Universal Pictures family-horror film 'The House with a Clock' in its Walls, directed by Eli Roth and starring Jack Black and Cate Blanchett. this year also saw score the soundtrack for Emmy-winning biographical miniseries 'Fosse/Verdon'. Nathan's previous work includes brilliant Amazon series 'Sneaky Pete', the multi-award-winning drama 'The Americans', and the fangtastic vampire drama 'True Blood'. See acast.com/privacy for privacy and opt-out information.
In our latest episode of The Pop Disciple Podcast, we are joined by Nathan Barr, the striking two-time Emmy nominated composer behind Amazon Prime Video's neo-noir fantasy series, Carnival Row. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme & Outro Music: Goldo Cues Throughout Episode: Nathan Barr
Hosts: Jordan Blue, Nathan Barr, Jamie Harry & Cesare Edwards Topic: Back to School On today's episode, they reflect on last season. They talk about the highs and the lows. They discuss how it feels to be back in school and the first few days of workouts. They talk about the young crop of talent coming up at the school. They let you know who the funniest person on the team is. and the Cesare Chronicles. All this and more on today's podcast. Follow us on our facebook page: https://www.facebook.com/RedFoxBasketball/
Robert and Kenny begin the show by discussing the announcement of Settling The Score: David Arnold vs. Michael Giacchino concert and upcoming hot releases including The Lion King and The Art of Self-Defense. Then award-winning composer Nathan Barr (True Blood, The Americans, The House with a Clock in Its Walls, Carnival Row) joins to share the story of starting his path to film music world with a crazy trip of driving a school bus from New York to Brazil, restoring the original Wurlitzer organ from the Fox scoring stage that was used by Bernard Herrmann in Journey to the Center of the Earth and John Williams in Empire of the Sun, breaks down his writing process for The Americans and building the amazing Bandrika Studios. This episode is presented by Spitfire Audio Follow us on Twitter @ScoreThePodcast Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto Copyright 2019 Score: The Podcast
[Watch the video interview on our YouTube Channel] Nathan Barr's passion and curiosity in unique instruments from around the world, including one made from a human femur, has made him one of the most versatile composers working today. His scores for Cabin Fever, Hostel, Hemlock Grove and True Blood have secured his place as a horror composer. But his scores in various other genres like The Americans, Sneaky Pete, and The Son showcase his versatility as a storyteller across any genre. In this All Access we dive into Nathan's path to becoming a composer as well has his recent score for The House With A Clock In Its Walls, which sees him reuniting with director Eli Roth. Nathan also talks about what to expect in his upcoming score for Carnival Row on Amazon. Nathan also recently acquired and restored a 1928 Wurlitzer Theater Organ that used to be installed at 20th Century Fox Studios. He ended up building his studio around it, and Bandrika Studios is now home to some of the most interesting mechanical and automated instruments from around the world. Nathan talks about the history of the Wurlitzer and how it came to be at his studio, and how he's utilizing antique instruments in his modern workflows. Nathan's passion and curiosity as a storyteller is extremely engaging and contagious. By just spending a little time with him, you immediately want to jump down the rabbit hole into a wonderful world where the past meets the present. Stay tuned for an upcoming video where we will get a personal tour from Nathan Barr as he walks us through his studio and demos some of the amazing instruments at Bandrika, including the wonderful Wurlitzer. Interview Produced & Presented By: Kaya Savas
In this episode, Rene sits down with the cast and crew of the recent film The House with a Clock in its Walls to learn about their experience working on the movie and their favourite books. Rene chats to director Eli Roth about his experience directing a fantasy/horror movie geared towards a family audience, actor Owen Vaccaro about working with successful actors Cate Blanchett and Jack Black and music composer Nathan Barr, about incorporating old school horror-flick sounds into the movie’s score. Start self-publishing today with KWL. Join the platform that’s fast, free, easy. www.kobo.com/writinglife
Nathan Barr, who began his career with Hans Zimmer, has composed music for more than 30 feature films in addition to his television experience. Has scored all seven seasons of HBO's Emmy-winning series, TRUE BLOOD. He has worked with Alan Ball, gore-horror master Eli Roth, and many other highly respected directors. Roth and Barr have collaborated on HEMLOCK GROVE and five films: GRINDHOUSE, HOSTEL, HOSTEL 2, CABIN FEVER, THE LAST EXORCISM. In one of Nathan Barr's most recent projects, the composer reteams with director Eli Roth for the feature film adaption of John Bellair's children's classic, THE HOUSE WITH A CLOCK IN ITS WALLS.In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment. The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart. But his new town's sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead.In this episode, Nathan Barr talks about recording this score in his own new studio, including a 1928 Wurlitzer theater organ he had restored over four years. He talks about how this film became a great showcase for the inclusion his newly restored organ and how this score ended up being his most traditional score to date. While diving into the thematic development for principle characters of Lewis and Jonathan, Barr reveals the challenges of writing a horror-score for an Eli Roth film where children, instead of adults, were the target audience.ANNOTATED TRACKS AND SEGMENTS04:15 - "New Zebedee"08:18 - "Jonathan with Ax"09:48 - "Backyard Magic"11:35 - "Raising Isaac"14:18 - "Nickolodeon"18:18 - "Automotans Attack"19:12 - "Insect Book"SOUNDTRACKThe original soundtrack was release on September 21, 2018 by Back Lot Music. The score is available on Amazon.com , itunes, and streaming on Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Nathan Barr at his official site http://nathanbarr.com or follow him on twitter @composerbarrABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed
Gigi interviewed Adam Moseley, a long-time producer/mixer/engineer who is exploring new adventures in spatial audio, mixed reality, and sound technologies. Adam also teaches at UCLA's Music Industry Program at the Herb Alpert School of Music. Adam shares the blockages and doorways from learning saxophone to a wide door into audio engineering at Trident in the UK. He tells us how technology has touched nearly every major change in his career. He shares how designing with his synesthesia had led to his multi-dimensional "Sonic Field" perspective, beyond the speakers. Guest: Adam Moseley Adam Moseley is a multitalented producer, engineer, mixer, composer, music supervisor, and UCLA lecturer at the UCLA Herb Alpert School of Music. Among his many accomplishments, he establish Trident II Studios in London, and he is involved in R&D with several audio and software companies and is exploring new immersive mixing in Surround Sound and Ambisonics. Adam has built an impressive reputation for his eclectic work with solos artists, bands and in film score mixing. Credits include John Cale, Wolfmother, U2, Nikka Costa/Lenny Kravitz, Beck/Jack White, Claudio Valenzuela, Lucybell, Roxette, Maxi Priest, Richard Marx, Galliano, The Cure, Kiss, Visage, Rush, Wet Wet Wet, Ketama, Buffalo Tom, Marla Glen, The Buggles, The Blow Monkeys, AJ Croce,Jose Carreras, Michael Brecker, Talvin Singh, Branford Marsalis, Vernon Reid, Bill Bruford, Tina Turner, Baaba Maal, Earth Wind and Fire, Melba Moore, Hoagy Carmichael and Georgie Fame. Film and TV credits, that include “The Big Wedding” (Robert De Niro, Diane Keaton, Susan Sarandon, Robin Williams, Amanda Seyfried , Spike Jonze’s “I Am Here, “The Americans” (FX Channel), “True Blood” (HBO), “The Son” (AMC) and the multi award winning feature movie “The Dark Valley (2014). Various other credits include film and tv mixing with Nathan Barr, Lisbeth Scott, Matthias Weber, John Cale, Leonardo di Bernadini, Andrew Gross and Joel Douek. Website: www.adammoseley.net
Moderated by Michael Coleman, SoundWorks Collection Two-time Emmy-nominated composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from musical cultures across the world. Nathan recently completed construction on his new 8,000 square foot personal studio in Tarzana, California. The studio, named Bandrika, houses the original Wurlitzer pipe organ that was installed at Fox studios in 1928. With 1,500 pipes, its music can be heard in iconic films including "Journey to the Center of the Earth," "The Sound of Music," and "Patton." Nathan recently used the Wurlitzer to score Eli Roth’s upcoming adventure film "The House with a Clock in Its Walls" starring Jack Black and Cate Blanchett. The film's release on September 21 marked the Wurlitzer's 21st-century debut for movie audiences. Additionally, Nathan recently completed the score for the gritty dystopian action thriller, “The Domestics,” starring Kate Bosworth and Tyler Hoechlin, coming to theaters June 28. He is currently scoring season two of AMC’s multi-generational western epic, “The Son,” starring Pierce Brosnan and later in 2018, Nathan will score Amazon’s upcoming fantasy, period drama, “Carnival Row,” starring Orlando Bloom and produced by Guillermo del Toro. He also scored Columbia Pictures’ sci-fi drama, “Flatliners,” starring Keifer Sutherland, Ellen Page and Nina Dobrev, and both seasons of Amazon’s acclaimed con man drama “Sneaky Pete,” starring Giovanni Ribisi. Nathan’s hallmark adaptability has led him to scoring an eclectic roster of some of television’s biggest shows. He scored all six seasons of FX’s “The Americans,” starring Keri Russell and Matthew Rhys, which earned him an Emmy nomination for Outstanding Original Main Title Theme Music in 2013. Nathan’s music can also be heard on all seven seasons of HBO’s Emmy-winning and fan-favorite series, “True Blood” and Netflix’s “Hemlock Grove,” for which Nathan earned his second 2013 Emmy nomination for the main title theme. With two Emmy nominations for both “The Americans” and “Hemlock Grove,” Nathan has the distinction of being the first composer to have two nominations in the Main Title category in the same year. Alongside his extensive career in television, Nathan has a long record of scoring successful films, as he approaches his fortieth feature. A frequent collaborator with gore-horror master Eli Roth, Nathan scored Roth’s early cult-classics “Cabin Fever” and “Hostel.” Some of Nathan’s other feature scores include Jason Blum’s box office hit thriller “The Boy Next Door,” starring Jennifer Lopez, Warner Bros.’ “The Dukes of Hazard,” Lionsgate’s “The Last Exorcism,” and Stephen Moyer’s “The Parting Glass,” starring Anna Paquin. Nathan began studying music in Tokyo, Japan at four years old. He grew up surrounded by music ranging from Kabuki Theater to the sounds of his mother performing on the koto and piano, and his father playing the banjo, guitar and shakuhachi. In addition to writing scores, he performs many of the instruments heard in his compositions, and is skilled in many styles and genres ranging from orchestral to rock. Nathan is also known for his collection and inclusion of rare and unusual instruments from around the world such as: a human bone trumpet from Tibet, dismantled pianos, a rare Glass Armonica, gourd cellos and many others.
Welcome back to another episode of the Geektown Radio podcast. On the show this week we have all the latest UK TV news, air date information, and a great interview with returning guest, composer Nathan Barr.Emmy-nominated composer Nathan Barr makes his third appearance on the show and is always a delight to chat with. He has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from music cultures around the world, and has worked a huge array of tv and film projects. He recently completed scoring the multi-award-winning series ‘The Americans’ starring Keri Russell and Matthew Rhys, for which he received an Emmy nomination for Outstanding Original Main Title Theme Music. He also composes AMC’s multi-generational epic ‘The Son’, starring Pierce Brosnan, and Amazon’s brilliant con man drama ‘Sneaky Pete’. His previous work includes the emmy-winning and fan-favorite series, ‘True Blood’ and Netflix’s ‘Hemlock Grove’, for which Nathan earned his second Emmy nomination for the main title theme.His latest project sees him setting the musical tone for 'Carnival Row', Amazon's upcoming fantasy drama series. It's described as a fantasy-noir set in a neo-Victorian city in which mythical creatures fleeing their war-torn homeland have gathered, and tensions are simmering between citizens and the growing immigrant population. At the centre of the drama is the investigation into a string of unsolved murders, which are eating away at whatever uneasy peace still exists. The cast includes Cara Delevingne & Orlando Bloom and is due to come to Amazon Prime in 2019.Also On This Week's Show:Our film reviewer, Gray, returns the co-host chair once again, so we chat about tv shows and films we've been watching since he was last on.We take a look at all the latest tv & film news, including the latest renewals & cancellations, Patrick Stewart's return to 'Star Trek', Alex Garland's new sci-fi show, and the return of 'ALF'.We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.
Composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from musical cultures across the world. Nathan recently completed construction on his new 8,000 square foot personal studio in Tarzana, California that can house 50-60 musicians. The studio, Bandrika (named after the fictional country in Hitchcock’s The Lady Vanishes, which I had forgotten!), houses the original Wurlitzer pipe organ that was installed at Fox studios in 1928 that recently went through a four-year restoration. With 1,500 pipes, able to mirror hundreds of different instruments ("It's like Willy Wonka and the Chocolate Factory for music," he says.), its music can be heard in iconic films including Journey to the Center of the Earth, The Sound of Music, and Patton. Barr and his team are currently compiling a list of composers that have used the organ including Oscar winners John Williams, Jerry Goldsmith and Bernard Herrmann. I chatted with the two-time Emmy-nominated composer about his work on The Americans, how his pianist mother and banjo-playing father introduced him to music in Japan at five years of age and becoming a collector of rare and unusual instruments from around the world such as a human bone trumpet from Tibet, dismantled pianos, a rare Glass Armonica, gourd cellos, many of which you can hear on any number of his original compositions. We also talk about some of his favorite composers and film scores including The Third Man and its classic zither. Since the end of The Americans, Nathan scored the dystopian action thriller, The Domestics, starring Kate Bosworth and Tyler Hoechlin, which hit theaters June 29th and is currently scoring season two of AMC’s multi-generational western epic, The Son, starring Pierce Brosnan. He's also putting the finishing touches on his next collaboration with director Eli Roth, the upcoming adventure film The House with a Clock in Its Walls (see trailer below) starring Jack Black and two-time Oscar winner Cate Blanchett. The film's release on September 21 will mark the Wurlitzer's 21st-century debut for movie audiences. 2019 will find Nathan scoring Amazon’s upcoming fantasy, period drama, Carnival Row, starring Orlando Bloom and produced by Guillermo del Toro. Nathan Barr currently resides in Los Angeles, California.
Music is a big part of our family. It's either constantly playing, or we're trying to learn to play an instrument. Lately, Channing has been into the guitar and let me tell you, I'm already having visions of her in a rock band and it's awesome. So when I had the opportunity to interview someone truly influential in the music industry I jumped at the chance. Anne Cecere is the Senior Director, Film, TV & Visual Media Relations at BMI - a music rights company. Cecere is the visionary behind creating a platform at WonderCon of composers and creators. In 2009, she realized there was no discussion of any music at any of the Con festivals. So she championed for the opportunity to have BMI composers involved at WonderCon by giving them the opportunity to elaborate on the importance of music behind some of TV’s biggest shows, films and video games. L to R Gabriel Mann (Composer for “School of Rock”) Steven Vincent (VP of Music and Soundtracks- The Disney Channel) Anne Cecere (Co-moderator and Senior Director, Film, TV & Visual Media, BMI) Christopher Lennertz (Composer for Galavant) Chandler Poling (Co-Moderator and President of White Bear PR) Rachel Rusch (VP of Event Series at FOX – Oversaw Grease Live!) Jeffrey Hornaday (Director: Teen Beach Movie & Choreographer for films, Flashdance, A Chorus Line and Dick Tracy) She tells me that the Con people in power initially told her "no", citing that no one would come to a music panel. And in 2010 she proved them wrong by hosting the first BMI panel at WonderCon to a packed house. The BMI music panels are now some of the most anticipated and attended panels at both WonderCon and Comic-Con. Cecere believes, and rightly so, that music is just as much of a character playing alongside Wonder Woman, Superman, Spiderman, Rick & Morty and so many more cult classics. Anne Cecere congratulating Iconic BMI composer John Williams after one of his concerts at the Hollywood Bowl As the BMI panels grew in popularity at both WonderCon and Comic-Con, it attracted major TV networks and creators. The networks offered exclusive footage and the creators asked to join the conversation of the important of music’s role in TV, film and video games. Over the years, the BMI panels at WonderCon and Comic-Con have included exclusive footage from shows such as Arrow and Looper, included award-winning composers such as Blake Neely, Christopher Lennertz, Charles Fox, Nathan Barr, John Ottman, Tyler Bates, Laura Karpman, Lolita Ritmanis, Heather McIntosh and many more. In addition, top Film, TV and video game executives and creators have also participated. In addition to changing the culture of the Cons, she is also a new mommy to a baby boy. She tells me she and her husband are avid cosplayers and that her son Jackson has already dressed up for his first Con. It's so awesome to see moms working their passion into parenting. I do the same with Channing which is why she eats so much cheese! L to R Chandler poling (co-moderator and President White Bear PR) Harry Manfredini (Composer Friday the 13th) Charles Bernstein (Composer Nightmare on Elm Street) Tyler Bates (Composer Dawn of The Dead) Anne Cecere (Co-Moderator and Sr Director, Film, TV & Visual Media, BMI) Laura Karpman (Composer Carrie) Richard Band (Composer Re-Animator) Maurizio Guarini (of the group Goblin…composed the music for Suspiria) Douglas Tait (Special guest that introduced the panel…Actor who played Jason in the film Freddy vs Jason) I loved chatting with Anne and you will truly be inspired by her story too. If you'd like to catch the BMI panel at WonderCon and see the magic of music for your self, the schedule is here. WonderCon runs March 23rd-26th in Anaheim. You can follow the latest news from BMI on their Facebook, Twitter and Instagram.
Avec les musiques de MADAME de Matthieu Gonet, FLATLINERS de Nathan Barr, THELMA de Ola Flottum, BRIO avec Marvin Gaye
Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Un retour sur 2 B.O récentes ("Justice League", "Le Musée des merveilles"). - Les B.O des films à l'affiche les 22 et 29 novembre, dont "Thelma" de Ola Fløttum, "L’Expérience interdite" de Nathan Barr, "Madame" de Matthieu Gonet, "Bad Moms 2" de Christopher Lennertz, "Le Bonhomme de neige" de Marco Beltrami, "Coco" de Michael Giacchino, "La Promesse" de Gabriel Yared. - Invité : Matthieu Gonet (pour MADAME de Amanda Sthers), avec en exclusivité la musique de "Santa & Cie", prochain film de Alain Chabat. - Interview Gabriel Yared pour "La Promesse" - 1 avant-première : "Paddington 2" de Dario Marianelli - Vintage Vinyle, les raretés B.O de Manuel Bleton(spécial Eric Rohmer avec "Chassé-croisé" par Arielle Dombasle)
Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Un retour sur 6 B.O récentes ("Au revoir là-haut", "Carré 35", "Carbone", " The Secret Man - Mark Felt", "Jeune femme", "A girl is a gun"). - Les B.O des films à l'affiche les 8 et 15 novembre (dont "Tout nous sépare" de Gustavo Santaolalla, "La Mélodie" de Bruno Coulais, "Borg/McEnroe" de Jonas Struck, "La Montagne entre nous" de Ramin Djawadi, "The Foreigner" de Cliff Martinez, "Justice League" de Danny Elfman, "Happy Birthdead" de Bear McCreary, "Le Musée des merveilles" de Carter Burwell - Flashback BO : Interview de Maurice Jarre - La Question B.O : Faut-il composer des thèmes ? (par Vladimir Cosma, Rob, Gabriel Yared, René Marc Bini, Philippe Sarde) - 3 avant-premières ("L’Expérience interdite" de Nathan Barr, "Le Bonhomme de neige" de Marco Beltrami, "Bienvenue à Suburbicon" de Alexandre Desplat) - Vintage Vinyle, les raretés B.O de Manuel Bleton(spécial Eric Rohmer avec "Le beau mariage")
Nathan Barr is a busy man with projects like True Blood, Hemlock Grove and The Americans. Nathan recieved two Emmy nominations this year for the main titles of Hemlock Grove and The Americans. We discuss how he got into music including his first gig in Hollywood being an assistant to Hans Zimmer. He quickly started making a name for himself and that has led to nothing but success. We discuss what makes a great TV theme, and his approaches for his two Emmy nominated themes. Nathan shares his view on the success of the Netflix show model since Hemlock Grove is a Netflix original series. We also talk True Blood including his approach to the show and what his thoughts are on the upcoming final season. A fantastic interview with one of the most prominent composers working in film and television. Interview Conducted By:Kaya Savas Special Thanks:Nathan BarrAshley PattersonCW3PR
Nathan Barr is a composer’s composer. Not only does he love to compose and write music, he is passionate about the instruments that he plays, and seeks out the most unique and original instruments with which he creates his unforgettable compositions. Nate has already amassed more than 34 film credits to his name, numerous hit television shows including True Blood, The Americans, The Son, and Sneaky Pete, and is under construction on his dream studio, which will soon house the original Wurlitzer Theater organ from 20th Century Fox that he has been restoring for the last four years. Join me as Nate and I wind our way through his incredible career guided by vision, determination, and talent.
After last week's US Upfronts craziness, things return somewhat back to normal, as we bring you the latest in TV, film and gaming news, plus an interview with 'The Americans' and 'Sneaky Pete' composer Nathan Barr! Emmy-nominated composer Nathan Barr has received critical acclaim for his unmatched versatility, incorporating eclectic instruments from music cultures across the world. He is currently scoring the 5th season of award-winning series 'The Americans' starring Keri Russell and Matthew Rhys, for which Nathan received an Emmy nomination for Outstanding Original Main Title Theme Music. With the current political climate, 'The Americans' has had a meteoric rise in popularity, and has become a cultural benchmark. He also composes AMC’s multi-generational epic 'The Son', starring Pierce Brosnan, and Amazon’s brilliant con man drama 'Sneaky Pete'. His previous work includes the emmy-winning and fan-favorite series, 'True Blood' and Netflix’s 'Hemlock Grove', for which Nathan earned his second Emmy... See acast.com/privacy for privacy and opt-out information.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
Welcome to CINEMATIC SOUND RADIO’s annual Halloween Special. This is one of my favourite shows to produce featuring only music from Halloween themed film, TV and video game scores. This week’s show is a special one as I will be reading for you excerpts from a brand new book called SCORED TO DEATH: CONVERSATIONS WITH SOME OF HORROR’S GREATEST COMPOSERS. In the book, author J. Blake Fichera interviews 14 masters in the horror music genre including director/composer John Carpenter; sound designer/composer Alan Howarth; Italian composers (and members of the band Goblin, known for their scores for Dario Argento films) Claudio Simonetti and Maurizio Guarini; Hollywood composers Christopher Young, Tom Hajdu (of the composing team tomandandy), Charles Bernstein, Jay Chattaway, and Nathan Barr; as well as such other horror notables as Fabio Frizzi, Simon Boswell, Joseph Bishara, and Harry Manfredini. On the program today we are going to hear the music from six of those composers including HOSTEL by Nathan Barr, CUJO by Charles Bernstein, THE CONJURING 2 by Joseph Bishara, MANIAC by Jay Chattaway, THE FOG by John Carpenter and SINISTER by Christopher Young. And please stay tuned right ’til the end of the program as I will be playing a special suite of Halloween music from Sideshow Sound Theatre’s brand new Halloween themed album THEY LANDED ON HALLOWEEN composed by William Dodson and Wendell Jones. Sideshow Sound Theatre https://sideshowsoundtheatre.com/ Scored to Death: Conversations with Some of Horror's Greatest Composers by J. Blake Fichera Purchase https://www.amazon.com/Scored-Death-Conversations-Greatest-Composers/dp/193524714X Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com
Duración 78 min. País Estados Unidos Director Ruben Fleischer Guión Michael Diliberti, Matthew Sullivan Música Nathan Barr, Ludwig Goransson Fotografía Jess Hall Reparto Jesse Eisenberg, Danny McBride, Aziz Ansari, Nick Swardson, Michael Peña, Dilshad Vadsaria, Bianca Kajlich, Fred Ward, Elizabeth Wright Shapiro, Brett Gelman Sinopsis Nick (Jesse Eisenberg), un repartidor de pizzas, colisiona con los grandes planes de dos aspirantes a delincuentes (Danny McBride y Nick Swardson). Esta pareja de perdedores secuestra a Nick y le ata una bomba de relojería al cuerpo, amenazando con hacerla explosionar si él se niega a atracar un banco. Con tan solo un par de horas para hacer lo imposible, Nick pide ayuda a su amigo de toda la vida, Chet (Aziz Ansari). Según pasan los segundos, Nick y Chet tendrán que lidiar con policías, asesinos a sueldo, lanzallamas, y su propio pasado.
From the 2010 San Diego Comic-Con, audio from the "Behind the Music with CW3PR: Composing for Sci-Fi, Horror, and Fantasy Film & TV" panel, featuring Michael Giacchino, Wendy & Lisa Coleman, Nathan Barr, Jim Dooley, John Ottman, and Jeremy Zuckerman.
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