Podcasts about bernd alois zimmermann

Su mundo interior—inquietante, tenebroso, apocalíptico, espejo de los horrores de la guerra que ha vivido—queda plenamente patente en su obra. Amplia es su paleta de intereses y técnicas, que va del serialismo al collage, del cine a la electrónica, del jazz a la radio._____Has escuchadoConcerto for Trumpet and Orchestra: Nobody Knows the Trouble I See (1954). Hakan Hardenberger, trompeta; SWF Sinfonieorchester Baden-Baden; Michael Gielen, director. Philips (1993)Concerto pour violoncelle et orchestre en forme de “pas de trois” (1965). Siegfried Palm, violonchelo; Rundfunk-Sinfonieorchester Saarbrücken; Hans Zender, director. CPO (1997)Die Soldaten. Primer acto, primera escena: Strofe (1991). Milagro Vargas, mezzo-soprano; Nancy Shade, soprano [et al.]; Chor des Staatstheaters Stuttgart; Staatsorchester Stuttgart; Bernhard Kontarsky, director. Teldec (1991)Requiem für einen jungen Dichter. Prolog a Ricercar (1967-1969). SWF-Sinfonieorchester Baden-Baden; Michael Gielen, director. Sony (1995)_____Selección bibliográficaBERGÉ, Pieter et al., “Bernd Alois Zimmermann: Requiem für einen jungen Dichter”. En: Dies Irae: Kroniek van Het Requiem. Leuven University Press, 2021*EBBEKE, Klaus, Sprachfindung. Studien zum Spätwerk Bernd Alois Zimmermanns. Schott, 1986GRUHN, Wilfried, “Integrale Komposition. Zu Bernd Alois Zimmermanns Pluralismus-Begriff”. Archiv für Musikwissenschaft, vol. 40 (1983), pp. 287-302HELLEU, Laurence, “Les Soldats de Bernd Alois Zimmermann”; une approche scénique. Éditions mf, 2011HIEKEL, Jörn Peter, Bernd Alois Zimmermanns “Requiem für einen jungen Dichter”. Franz Steiner, 1995KONOLD, Wulf, Bernd Alois Zimmermann (1986). Michel de Maule, 1998KORTE, Oliver, “Zu Bernd Alois Zimmermanns später Reihentechnik”. Musiktheorie, vol. 15 (2001), pp. 19-39LOSADA, C. Catherine, “Between Modernism and Postmodernism: Strands of Continuity in Collage Compositions by Rochberg, Berio, and Zimmermann”. Music Theory Spectrum, vol. 31, n.º 1 (2009), pp. 57-100WENZEL, Silke, Text als Struktur. Der Kohelet im Werk Bernd Alois Zimmermanns. Weidler, 2001ZIMMERMANN, Bernd Alois, Écrits. Editado por Philippe Albèra. Contrechamps, 2010 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Interview mit einer Persönlichkeit des Düsseldorfer Musiklebens. Das Gespräch führt der Komponist Thomas Blomenkamp. Interviewgast ist diesmal Oskar Gottlieb Blarr. Der aus Ostpreußen stammende Oskar Gottlieb Blarr kam 1961 ins Rheinland und wurde Kirchenmusiker an der Neanderkirche. Er studierte Komposition u.a. bei Bernd Alois Zimmermann, Krzysztof Penderecki, Milko Kelemen und Günther Becker. Über vier Jahrzehnte organisierte er die erfolgreiche Konzertreihe „3 x neu“ mit neuer Musik sowie Komponisten und Interpreten aus Düsseldorf und aller Welt. Viele seiner Kompositionen sind von Aufenthalten im vorderen Orient – insbesondere in Jerusalem – geprägt. Er pflegt aber auch enge Beziehungen nach Ostpreußen, ins heutige Polen, wo er sich für den Erhalt alter Orgeln einsetzt. Am 6. Mai 2024 feierte Oskar Gottlieb Blarr seinen 90. Geburtstag.

Das 100jährige Radiojubiläum hat uns dazu inspiriert einmal durch unsere eigenen Archive zu gehen. Dabei haben wir diesen bemerkenswerten Radiobeitrag von 1965 gefunden. Damals zu Ehren des langjährigen Dirigenten des Südwestfunk-Orchesters Hans Rosbaud entstanden, erinnern dort berühmte Komponisten wie Bernd Alois Zimmermann und Györgi Ligeti an seine Arbeit und zahlreiche besondere Momente mit ihm. Nun also zurück in das Jahr 1965...

Res no em sembla just si no és del meu gust. Crítica teatral de l'obra «La gran farsa (els jutges no porten botons vermells a la toga)», de Santiago Fondevila. Dramatúrgia: Santiago Fondevila i Ramon Simó, amb la participació dels actors. Intèrprets: David Bagés, Jordi Martínez, Santi Ricart i Xavier Ripoll. Escenografia: Ramon Simó. Il·luminació: Quico Gutiérrez. Vestuari i caracterització: Mariel Soria. Música i espai sonor: Joan Alavedra. So: Ramon Ciércoles. Direcció producció: Júlia Simó Puyo. Producció executiva: Guillem Albasanz. Una producció de Cassandra Projectes Artístics, Santiago Fondevila i Temporada Alta. Amb el suport de Generalitat de Catalunya – Departament de Cultura – ICEC. Ajudantia de direcció: Teresa Petit. Direcció: Ramon Simó. Preestrena: Festival Temporada Alta, Teatre El Canal, 14 octubre 2022. Estrena: Sala Beckett, Barcelona, 15 desembre 2022. Veu: Andreu Sotorra. Música: Músique poir les soupeurs du Roi Ubu. Interpretació: Peter Hirsch, WDR Sinfonieorchester Köln. Composició: Bernd Alois Zimmermann. Àlbum: Zimmermann: Sinfonie in einem Satz, 2016.

Nobody knows - Das Trompetenkonzert von Bernd Alois Zimmermann ist ein erstaunliches Werk: Auf dem Umschlag der Partitur ist gar nicht ersichtlich, für welches Soloinstrument es ist. Da steht nur: «Zimmermann. Konzert. Nobody knows de trouble I see. 1954.» Ein Konzert zwischen Jazz, Zwölftontechnik, grosser Sinfonik und Spiritual. Eine Betrachtung mit der Musikwissenschaftlerin Doris Lanz.

Bernd Alois Zimmermann (1918–1970) hat sich immer wieder mit elektronischer Musik beschäftigt, am avanciertesten wohl in seiner Komposition /Tratto/. Darin geht es um die klanglichen Geheimnisse von Sinus-Tönen, aber auch um die Frage, ob man auf dem Tonband die Zeit schneller, langsamer und sogar rückwärts ablaufen lassen kann. Dazu und zur ausgestellten Junghans Labor-Stoppuhr hören Sie ein Audiofeature von und mit Musikwissenschaftlerin und Akademiemitglied Dörte Schmidt und ihrem Forschungsteam: Patrick Dziurla, Hemma Jäger, Ole Jana, Adrian Kuhl, Felix Marzillier, Kai Paschen, Matthias Pasdzierny, Katharina Schlosser, Jeruscha Strelow, Judith Treumann. Ein Beitrag des Akademienvorhabens „Bernd Alois Zimmermann-Gesamtausgabe. Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/sophie_charlotte_2135

Bernd Alois Zimmermann (1918–1970) hat sich immer wieder mit elektronischer Musik beschäftigt, am avanciertesten wohl in seiner Komposition /Tratto/. Darin geht es um die klanglichen Geheimnisse von Sinus-Tönen, aber auch um die Frage, ob man auf dem Tonband die Zeit schneller, langsamer und sogar rückwärts ablaufen lassen kann. Dazu und zur ausgestellten Junghans Labor-Stoppuhr hören Sie ein Audiofeature von und mit Musikwissenschaftlerin und Akademiemitglied Dörte Schmidt und ihrem Forschungsteam: Patrick Dziurla, Hemma Jäger, Ole Jana, Adrian Kuhl, Felix Marzillier, Kai Paschen, Matthias Pasdzierny, Katharina Schlosser, Jeruscha Strelow, Judith Treumann. Ein Beitrag des Akademienvorhabens „Bernd Alois Zimmermann-Gesamtausgabe. Historisch-kritische Ausgabe seiner Werke, Schriften und Briefe”. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/sophie_charlotte_2135

Das GrauSchumacher Piano Duo spielt seit über vierzig Jahren zusammen - die Chemie stimmt einfach, so die beiden Musiker übereinander. Beim Mozartfest Würzburg stellen sie nun Mozart, Bernd Alois Zimmermann und Isabel Mundry gegenüber.

I'm very exciting to have international violin soloist Leila Josefowicz on the show for the second time. Leila shares incredible wisdom in our conversation, including: Her outlook for how things are going to be like in the coming months How her recent incredible project at The Metropolitan Museum of Art unfolded, from where it originated to the vision coming to reality The significance of her performing Bach, and how she sees Bach as the music of infinite possibilities What she calls the performance headspace Thoughts about performance preparation and performance anxiety What having fun in performance means to her And many other wonderful musings !   This discussion is a window on the way artists like Leila approach a project - the power of the intention and the thoughtfulness they put behind each decision. How each aspect is carefully evaluated, weighed, and curated, and very angle crafted with care and love.   Partita   for Leila Josefowicz   Unseen in the field a sapling trembled naked. You touched   its slim trunk with flayed fingertips, tenderly and hard,   and it gave forth a cry, oh. Sun ran like water on line upon   line of buds. Bare, you stood, electric, head in this world,   feet planted. We heard what we never knew before. _________ Natania Rosenfeld Writer Independent Scholar Professor Emerita of English, Knox College     Frustrated with your playing?  Unsatisfied with you career?  Ready for a change? Whatever your challenge, you don't have to go at it alone, and I can help.  Visit www. https://www.mindoverfinger.com/workwithme to learn more and book your call and let's discuss how to get you from where you are to where you want to be!   THE MUSIC MASTERY EXPERIENCE will be back in June 2021!  This is my LIFE CHANGING, highly personalized group coaching program where I show you how to implement mindful & effective practice techniques, how to make them habits, and how to get RESULTS. Save your spot at http://www.mindoverfinger.com/mme and get access to some really cool bonuses!     MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ YouTube: https://www.youtube.com/results?search_query=Leila+Josefowicz Facebook: https://www.facebook.com/LeilaBJo Leila Josefowicz at the The Metropolitan Museum of Art: The Condo Concerts: Fred Sherry String Quartet: In Performance: Leila Josefowicz at Hauser & Wirth  Leila's first conversation on the Mind Over Finger Podcast: Episode 82 - The Art of Authentic Music Making Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Join the Mind Over Finger Tribe for access to my weekly live videos and to exchange with a community of like-minded musicians   Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights.   If you enjoy the show, leave a review on Apple Podcast or your favorite podcast provider!  I genuinely appreciate your support!     THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you! Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home.   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

I'm very excited to have world-renowned violinist Leila Josefowicz on the show for you today! As you'll hear in our discussion, Leila is a profoundly passionate and dedicated musician who approaches her craft with great depth and she shares incredible wisdom with us. Among many things, Leila elaborates on: The power of memorization What the “practice of violin playing” means to her How exploring new repertoire helped her transition out of her “child prodigy” years Her advice to all musicians suffering from lack of motivation The importance of desire and dedication in the cultivation of talent How our need to feel comfortable while performing is counterproductive Vivid mindful practice This is a particularly powerful conversation, and I know you'll find inspiration and incredible value in this episode.   MORE ABOUT LEILA JOSEFOWICZ: Website: https://www.leilajosefowicz.com/ Facebook: https://www.facebook.com/LeilaBJo   Find all the details for Leila's World Premiere performance of ‘la linea evocativa. un disegno per violino solo' by Matthias Pintscher HERE. On the occasion of ‘George Condo. Internal Riot' we are honored to host classical violinist Leila Josefowicz in the gallery to perform a new piece of original music in response to ‘George Condo. Internal Riot,' an exhibition of the artist's new paintings and works on paper that runs through 23 January 2021 at Hauser & Wirth New York. ‘Music is such a huge part of my life, without it I don't know if I'd ever have painted anything. There are so many great pieces of music that have inspired me to paint…My favorite thing is to put on a record in the studio and to still be painting without noticing the fact that the music has stopped playing for hours and is just running through my head.'–George Condo The performance comes at an incredibly challenging time for professional musicians. Condo is deeply aware of the adversity they face, and this specially organized event signifies his support for live music and for new ways in which it can reach people. Join us on Friday 20 November 2020 11 am PST / 2 pm EST / 7 pm GMT.  Click here to register. The performance will be streaming live from New York City on hauserwirth.com     Leila's last Pre-Covid performance in Prague, Performing the Alban Berg Violin Concerto with the Prague Radio Symphony Orchestra:  https://prso.czechradio.eu/leila-josefowicz-and-prso-8179758   Biography Leila Josefowicz's passionate advocacy of contemporary music for the violin is reflected in her diverse programmes and enthusiasm for performing new works. In recognition of her outstanding achievement and excellence in music, she won the 2018 Avery Fisher Prize and was awarded a prestigious MacArthur Fellowship in 2008, joining prominent scientists, writers and musicians who have made unique contributions to contemporary life. Highlights of Josefowicz's 2019/20 season include opening the London Symphony Orchestra's season with Sir Simon Rattle and returning to San Francisco Symphony with the incoming Music Director Esa-Pekka Salonen to perform his Violin Concerto. Further engagements include concerts with Los Angeles Philharmonic, NDR Elbphilharmonie Orchester, Orchestre de la Suisse Romande, Chicago Symphony Orchestra, City of Birmingham Symphony Orchestra and the Cleveland and Philadelphia orchestras, where she will be working with conductors at the highest level, including Susanna Mälkki, Matthias Pintscher and John Adams.   A favourite of living composers, Josefowicz has premiered many concertos, including those by Colin Matthews, Steven Mackey and Esa-Pekka Salonen, all written specially for her. This season, she will perform the UK premiere of Helen Grime's Violin Concerto with the BBC Symphony Orchestra and Dalia Stasevska. Other recent premieres include John Adams'Scheherazade.2 (Dramatic Symphony for Violin and Orchestra) in 2015 with the New York Philharmonic and Alan Gilbert, and Luca Francesconi's Duende – The Dark Notes in 2014 with Swedish Radio Symphony Orchestra and Susanna Mälkki. Josefowicz enjoyed a close working relationship with the late Oliver Knussen, performing various concerti, including his violin concerto, together over 30 times. Alongside pianist John Novacek, with whom she has enjoyed a close collaboration since 1985, Josefowicz has performed recitals at world-renowned venues such as New York's Zankel Hall, Washington DC's Kennedy Center and London's Wigmore Hall, as well as in Reykjavik, Chicago, San Francisco and Santa Barbara. This season, they appear together at Washington DC's Library of Congress, New York's Park Avenue Armory and Amherst College. She will also join Thomas Adès in recital to perform the world premiere of his new violin and piano work at Fondation Louis Vuitton in Paris and the Japanese premiere at the Tokyo Opera City Cultural Foundation. Recent highlights include engagements with the Berliner Philharmoniker, Royal Concertgebouw Orchestra, Washington's National Symphony Orchestra, Tonhalle-Orchester Zürich and Boston and Finnish Radio symphony orchestras. In summer 2019, Josefowicz took part in a special collaboration between Los Angeles Philharmonic, the Royal Ballet, and Company Wayne McGregor featuring the music of composer-conductor Thomas Adès. Josefowicz has released several recordings, notably for Deutsche Grammophon, Philips/Universal and Warner Classics and was featured on Touch Press's acclaimed iPadapp, The Orchestra. Her latest recording, released in 2019, features Bernd Alois Zimmermann's Violin Concerto with the Finnish Radio Symphony Orchestra conducted byHannu Lintu. She has previously received nominations for Grammy Awards for her recordings of Scheherazade.2 with the St Louis Symphony conducted by David Robertson, and Esa-Pekka Salonen's Violin Concerto with the Finnish Radio Symphony Orchestra conducted by the composer.     Visit www.mindoverfinger.com and sign up for my newsletter to get your free guide to an exceptionally productive practice using the metronome.  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights. You can check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday by visiting: www.mindoverfinger.com/resources!   And click here for details on how to work with me: https://www.mindoverfinger.com/workwithdrg   And don't forget to join the Mind Over Finger Tribe for additional resources on practice and performing!   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support!     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to Susan Blackwell for the introduction!  You can find out more about Susan, her fantastic podcast The Spark File, and her work helping creatives of all backgrounds expand their impact by visiting https://www.susanblackwell.com/home. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/

„Ich kann nicht mehr komponieren.“ Der Komponist Bernd Alois Zimmermann beginnt 1970 die Arbeit an einem Requiem. Zu dieser Zeit leidet er an schweren Depressionen und einem unheilbaren Augenleiden. Noch im selben Jahr begeht der Komponist Selbstmord. Fünfzig Jahre später ist nun in einer Kooperation des Wolke Verlags und Schott Music die Textsammlung des Komponisten in der Neuauflage „Bernd Alois Zimmermann — Intervall und Zeit“ erschienen. Georg Waßmuth hat das Buch gelesen.

Das Klavierduo GrauSchumacher ist bekannt für seine ausgeklügelten Programme und begibt sich am 14. Dezember im "Late Night"-Konzert der musica viva auf die Suche nach den künstlerischen Bezügen zwischen den beiden Klangvisionären Claude Debussy und Bernd Alois Zimmermann. Im Interview mit BR-KLASSIK sprechen die Pianisten unter anderem über die Bedeutung ihres Duo-Namens und die gemeinsame Zusammenarbeit.

Andres Pfister hat Alexander von Schlippenbach während den Proben vor dem Konzert der „Befristeten“ im Progr getroffen und mit ihm kurz über seine Zusammenarbeit mit Bernd Alois Zimmermann gesprochen.

Der Schweizer Komponist Michael Pelzel hat ein neues Stück für Cello solo komponiert, als Antwort auf die Cellosolosonate von Bernd Alois Zimmermann. Das Stück wurde am Musikfestival Bern 2018 uraufgeführt. Michael Pelzel arbeitet als Organist in Stäfa, gehört aber längst zu den meistexportierten Komponisten der Schweiz. Zurzeit lebt er in Südindien. Dort hat ihn Thomas […]

Was sich der Komponist Bernd Alois Zimmermann mit seiner „Kugelgestalt der Zeit“ gedacht hat, hat er einmal knapp in einem Interview zusammengefasst. Danach eine seiner Kompositionen, in der diese Idee zum Ausdruck kommt: die Monologe für zwei Klaviere. Susanne Huber uund André Thomet spielen das Stück am Freitagabend am Musikfestival.

Der Composer-in-Residence des Musikfestival Bern, der vor 48 Jahren verstorbene Bernd Alois Zimmermann, hat den Begriff „Kugelgestalt der Zeit“ geprägt. Was steht dahinter? Darüber hat sich Thomas Meyer mit Festivalphilosophen Christian Grüny unterhalten.

Unter dem Motto "Rituale, Zeremonien, Aktionen und Symphonien" beginnt am 31. August das Musikfest Berlin. Das Festival wird in seiner neuen Ausgabe anlässlich des 100. Geburtstages von Bernd Alois Zimmermann und des 100. Todestages von Claude Debussy zentrale Werke dieser Komponisten im Programm präsentieren. Über das Musikfest spricht der Künstlerische Leiter Winrich Hopp.

Bettina Zimmermann versteht es, Persönliches über ihren Vater immer auch in Verbindung mit seinem Werk zu thematisieren. So entsteht eine Einheit von Leben und Werk, die dem Leser die Musik dieses faszinierenden Komponisten auf authentische Weise näher zu bringen vermag. Ein außergewöhnliches Buch, dem man viele Leser wünscht.

Þýskir 20. aldar tónsmiðir í bland við tónlistarfólk frá Afríku og mið-austurlöndum. Bernd Alois Zimmermann og York Höller voru fulltrúr tveggja kynslóða þýskra tónhöfunda. Tónlist þeirra kemur til tals í þættinum. Einnig er hugað að því sem skarar fram úr í tónlist mið austurlanda og Afríku þessa dagana. Maya Youssef, Oumou Sangare, Ousmane Ag Mossa og Msafira Zawose spila og syngja fyrir hlustendur Hátalarans.

Þýskir 20. aldar tónsmiðir í bland við tónlistarfólk frá Afríku og mið-austurlöndum. Bernd Alois Zimmermann og York Höller voru fulltrúr tveggja kynslóða þýskra tónhöfunda. Tónlist þeirra kemur til tals í þættinum. Einnig er hugað að því sem skarar fram úr í tónlist mið austurlanda og Afríku þessa dagana. Maya Youssef, Oumou Sangare, Ousmane Ag Mossa og Msafira Zawose spila og syngja fyrir hlustendur Hátalarans.

Mit Musik von: Bernd Alois Zimmermann, Hans-Joachim Hespos, Richard Strauss, Wolfgang Amadeus Mozart

With Music by: Bernd Alois Zimmermann, Hans-Joachim Hespos, Richard Strauss, Wolfgang Amadeus Mozart

In a program from 2010, Andrew Patner features music of modern and contemporary composers Bernd Alois Zimmermann, Richard Wernick, and David Rakowski from recent recordings by Augustin Hadelich, the Juilliard String Quartet, and Chicago pianist Amy Briggs [...]

Dit weekend in Vrije Geluiden op Radio 4 allerlei mooie voorbeelden van jazz-in-klassiek. Met op zaterdag: Variants for jazz quartet and orchestra uit 1960 van Gunther Schuller, het Concert voor trompet en orkest "Nobody knows de trouble I see" van Bernd-Alois Zimmermann, en het gitaarconcert van Malcolm Arnold dat eigenlijk best wel ‘in memoriam Django Reinhardt' had kunnen heten. Wat een fraaie jazz-invloeden in een klassiek concert!

Dit weekend in Vrije Geluiden op Radio 4 allerlei mooie voorbeelden van jazz-in-klassiek. Met op zaterdag: Variants for jazz quartet and orchestra uit 1960 van Gunther Schuller, het Concert voor trompet en orkest "Nobody knows de trouble I see" van Bernd-Alois Zimmermann, en het gitaarconcert van Malcolm Arnold dat eigenlijk best wel ‘in memoriam Django Reinhardt' had kunnen heten. Wat een fraaie jazz-invloeden in een klassiek concert!

Sinfonie in einem Satz (1. Fassung) | "Giostra Genovese" | Konzert für Streichorchester | "Musique pour les soupers du Roi Ubu" | WDR Sinfonieorchester Köln | Leitung: Peter Hirsch