Podcast appearances and mentions of David Paich

Det här är berättelsen om bandet som fått skit för att de är för bra på att göra musik. Lyssna på alla avsnitt i Sveriges Radio Play. Det är en avslagen stämning i studion. Skivbolaget har gett Toto ett ultimatum: gör en hitskiva eller lämna bolaget. Bandmedlemmarna var inte riktigt beredda på detta. Första skivan gick så bra. Publiken älskade den, skivbolaget hyllade dem. Kanske blev de lite för självsäkra? Skiva två och tre har båda floppat och kritikerna gnuggar i detta nu sina händer i väntan på att få skriva den sista sågningen, den som ska begrava Toto en gång för alla.David Paich står vid sin keyboard och stryker sig över skägget. De stora brillorna med ljusbrunt glas döljer hans ögon och gör det svårt för hans bandkompisar att veta vad han tänker på, trots att de känt varandra så länge. Han har precis skrivit klart en låt - den som ska bli plattans första. Han har försökt fånga en slags idealbild av en kvinna i texten, en sådan kvinna som alla blir kära i. Låten är bra, det är inte det. Men det är någonting i refrängen som saknas. Plötsligt kommer bandets andra keybordist, Steve Porcaro in i rummet. Med sig har han sin flickvän, den förtjusande skådespelaren Rosanna Arquette. David Paich känner på namnet: Rosanna. De vet inte om det där och då, men de här tre stavelserna kommer att rädda Totos karriär.Medverkande: Janne Schaffer, Stefan Sundberg och Micke StorkProgrammet är gjort av Alexandra Sannemalm våren 2025Producent Joanna KorbutiakExekutiv producent Lars TruedsonSlutmix Fredrik NilssonProgramledare Siri HillP3 Musikdokumentär produceras av Tredje Statsmakten MediaLjudklippen i programmet kommer från dokumentären Yacht Rock, Los Angeles-radiokanalen KMET, CBS, SVT's musikrprogram Casablanca, och Youtube-kontona ​​Marty Walsh, Grace T, Ghiro, och Steve Lukather.

Potterhouse - "Troppo" - Songs About Troppo https://www.wfmu.org/playlists/shows/151784

Six-time Grammy winner and Toto co-founder David Paich joins us to talk about his life as a hit songwriter for his own band and others.PART ONE:Scott and Paul talk about their visit with David Paich and other bits of tomfoolery.PART TWO: Our in-depth conversation with David PaichABOUT DAVID PAICH:David Paich is best known as one of the founding members of Toto, and the writer of some the group's classic hits such as “Africa,” “Rosanna,” “Hold the Line,” “Georgy Porgy,” “99,” and “Pamela.” In addition to his success with the band, David collaborated with Boz Scaggs on the multi-million-selling Silk Degrees album, including the hits “Lowdown” and “Lido Shuffle,” and he co-wrote and produced the Cheryl Lynn hit “Got to Be Real.” Additionally, David composed much of the score for the David Lynch film Dune as well as the theme music for the 2008 summer Olympics. He is a six-time Grammy winner—including for Album of the Year, Record of the Year, and Producer of the Year—and he won an Emmy Award for Best Song or Theme. David's songs have been recorded by Glen Campbell, Chicago, Weezer, Mary J. Blige, Anderson .Paak, and many others. As a studio musician he contributed to legendary recordings, including Michael Jackson's Thriller album and “We Are the World.” David released his debut solo album, Forgotten Toys, in 2022. 

Episode 71: Harvey Mason Sr. You've heard Harvey Mason Sr., whether you realize it or not. From the iconic grooves of Herbie Hancock's Head Hunters to the GRAMMY-winning “Kiss From A Rose” by Seal, Harvey's drumming has shaped music history across genres, decades, and mediums — albums, film scores, and TV alike. He's not only a musical powerhouse, but a dear friend, and in this episode, we finally sat down to dig into his legendary run — especially his work with Herbie Hancock and the Head Hunters album. Harvey shares the story of how that band came together, the sessions behind Chameleon and Watermelon Man, and why he chose not to tour with them at the height of their success. We also dive into his solo career — how it started, how it evolved, and the surprising role Clive Davis played in making it all happen. Harvey opens up about his long-standing friendships and collaborations with Quincy Jones and Chick Corea, his approach to fatherhood (including raising his sons Harvey Mason Jr., CEO of the Recording Academy, and Max Mason, former VP of Quincy Jones Productions), and how he built a legacy both on and off the kit. Fun fact: Vic Firth was Harvey's teacher — and Harvey still receives royalties from the early days of Vic Firth drumsticks! We also get into his stunning new album Changing Partners: Trios 2, featuring the likes of Chick Corea, Gonzalo Rubalcaba, James Genus, Dave Grusin, Stanley Clarke. This conversation is a masterclass in musicianship, legacy, and love for the craft. Enjoy my sit-down with the incomparable Harvey Mason Sr. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) Intro (0:02:35) Harvey's New Album (0:05:26) Head Hunters (0:06:29) Getting the Call from Herbie Hancock (0:09:20) Making the Head Hunters Album (0:10:59) Studio vs. Touring Musician, Harvey's Background (0:14:06) Berklee, Studying with Alan Dawson (0:15:33) Vic Firth taught Harvey (0:17:55) Moving to L.A., Lucille Ball Show (0:19:41) Session Work in the 1970's (0:21:24) Working with Quincy Jones on the Bill Cosby Show (0:22:51) Instrument Collection, Harvey's Foundation (0:24:23) Session Work, Touring (0:28:00) “Chameleon” Session (0:30:56) Herbie's Hollywood Bowl Show (0:32:55) What Herbie was like in the 70's (0:33:47) “Watermelon Man” (0:35:15) The “4 A.M.” Session, Jaco Pastorius (0:36:41) Jaco Stories (0:38:22) The “4 A.M.” Session Continued (0:38:45) Focusing on Goals, Family Life (0:41:18) Harvey Mason Jr. (0:41:59) Max Mason (0:44:18) Learning from Clive Davis, Quincy, and others (0:48:22) Biggie, T.I., and Lupe Fiasco Sampled Harvey's Music (0:49:05) Funk in a Mason Jar (0:49:39) “Till You Take My Love,” David Foster, David Paich (0:51:40) Clive Davis (0:55:59) Touring with Carole King (0:57:30) Chick Corea (0:58:55) Losing Chick and Quincy (1:00:44) What Harvey is Doing Now (1:02:05) How to Keep Creativity Going (1:02:54) Playing Piano in Church (1:06:42) Playing with Duke Ellington (1:08:07) The Quincy Jones JammJam (1:09:12) Advice (1:10:47) “Changing Partners Trios II” (1:11:49) Vic Firth Stories (1:18:55) Residuals, Pension, Royalties, and Sessions (1:21:31) Sharing Stories Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Harvey: https://www.instagram.com/harveymasonsr/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

Keyboardist: Gail NoblesStory by: Gail NoblesCover Art by: Gail NoblesLadies and gentlemen, lend me your ears because we're about to get into a real gem from the disco era that's gotten under our skin and into our hearts—Cheryl Lynn's "Got to Be Real"! The track wasn't just another song; it was an anthem, a call to authenticity in a world that sometimes wanted us to be anything but ourselves!Released on August 14, 1978, "Got to Be Real" was created by Cheryl Lynn, along with talented songwriters David Paich and David Foster. Can you feel that groove? When the disco beat starts, it's like a burst of joyful energy fills our souls.We all know that disco was facing its trials and tribulations, especially as the '80s loomed on the horizon, but this track carved its own legacy. It reached number 12 on the Billboard Hot 100 and rocketed to the top of the Hot Soul Singles chart. You could hear it echoing through the clubs when some of us were still listening to AM radio. It was joy that helped drown out the noise of doubt and uncertainty.And let's take a moment to talk about Cheryl Lynn's powerful vocals. When she belts out that chorus, you can't help but feel truth and sincerity. It's all about being real and embracing who you truly are!As we reminisce about those days of glitter and groove, remember that “Got to Be Real” is not just a chapter in disco history; it's a timeless reminder to live authentically, to dance without reservations, and most importantly, to be real in every sense of the word. So let's keep the spirit alive, and when that song plays, get up, stand proud, and remember: it's got to be real!I'm Gail Nobles. You're listening to AM Memories on the Cat Bear.

Here comes that Santa Ana wind again, blowing us right into the slightly skewed world of Steely Dan.It was never a question whether Strong Songs would do a Steely Dan episode, it was more a question of which song to focus on. In the end, Kirk chose "Babylon Sisters," a culmination of the band's incredible 1970s run that exemplifies Fagen and Becker's brand of pristine, laser-focused groove. It's also arguably the definitive recording of Bernard Purdie's signature Purdie Shuffle.Written by: Walter Becker and Donald FagenAlbum: Gaucho (1980)Listen/Buy: Apple Music | Amazon | SpotifyALSO FEATURED/DISCUSSED:“Sloop John B,” Bahamian folk song as recorded by The Beach Boys on Pet Sounds, 1966“Papa Was a Rollin' Stone” by The Temptations from Law of the Land, 1972“Cousin Dupree” by Becker/Fagen from Two Against Nature, 2000“Reelin' in the years” by Donald Fagen from Can't Buy a Thrill, 1972“Rikki Don't Lose That Number” by Fagen/Becker from Prezel Logic, 1974“Black Friday” by Becker/Fagen from Katy Lied, 1975"Peg," "Aja," and "Home at Last" by Becker/Fagen from Aja, 1977“Sing Sing Sing (With a Swing)” by Louis Prima performed by the Benny Goodman Orchestra, 1936“Cissy Strut” by The Meters from The Meters, 1969"Rosanna" by David Paich as recorded by Toto on Toto IV, with Jeff Porcaro on drums (and Tom Scott on alto sax!)Rob Brown's Purdie Shuffle tutorial: https://www.youtube.com/watch?v=g41Ab8iDaD0OUTRO SOLOIST: Kyle MolitorKyle is a Portland-based trombonist who plays in all sorts of bands, and was also featured on the year three Strong Songs theme msuic. Find him on Instagram @tbonemolitor and check out his latest single here: https://distrokid.com/hyperfollow/kylemolitor/the-jazz-feat-toranpetto----LINKS-----RECAST RECOMMENDATION: "Nite Crawler" by Larry Carlton from Larry Carlton, 1978 and Yacht Rock: A DOCKumentary  streaming on Max, 2024SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman Graphics--------------------DECEMBER 2024 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeCesarBob TuckerCorpus FriskyBen BarronCatherine WarnerDamon WhiteJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationDave FloreyDECEMBER 2024 HALF-NOTE PATRONSChristopher Selby SpinkPhilip KellyDaniel NervoKevin StaffordLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattle Trans And Nonbinary Choral EnsembleKevin MarceloSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzSuzanneRand LeShayMaxeric spMatthew JonesThomasAnthony MentzJames McMurryEthan LaserBrian John PeterAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiLee R.Chris KotarbaLynda MacNeilDick MorganBen SteinSusan GreenGrettir AsmundarsonSean MurphyRandal VegterKaya WoodallRobert Granatdave malloyTim RosenwongAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyBonnie PrinsenLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemonCookies250Angela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

This Throwback Thursday episode of Chris DeMakes A Podcast revisits Episode 133, originally aired on December 12th, 2022, featuring the legendary David Paich of Toto. With the recent release of the HBO Original Yacht Rock: A DOCKumentary, in which Paich is prominently featured, this conversation about Toto's iconic hit "Africa" feels more relevant than ever. Paich shares the story behind the 1982 smash hit, detailing its writing, recording, release, and enduring legacy as one of the most beloved songs of all time. The episode also includes a surprising moment when Chris brings a subtle detail in the song's intro to Paich's attention—something the songwriter had never noticed before. It's an insightful and entertaining exploration of a timeless classic. Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/demakes  For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at http://www.ChrisDeMakes.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week we are talking about bands that have rock stars in them: Supergroups and Offshoots. Captain Content reminds us that a band consisting of well-known artists from other bands does not always equal great success. We dive into some of the more obscure supergroups and offshoots that didn't break with huge mainstream success or stay around very long.What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we talk exclusively about Supergroups featuring famous solo artists and band members along with, Offshoots which are bands that contain the bulk of a previous incarnation of a famous band. We hope that we turn you on to something new.Songs this week include:Neurotic Outsiders – “Nasty Ho” from Neurotic Outsiders (1996)Thrasher – “Bad Boys” from Thrasher (1985)Heavy Bones – “4:AM T-M” from Heavy Bones (1991)Ultra Bomb – “Time To Burn” from Time To Burn (2022)Saints Of The Underground - “Tomorrow Never Comes” from Love The Sin, Hate The Sinner (2008)Mad Season – “Lifeless Dead” from Above (1995)Far Corporation – “Stairway To Heaven” from Division One (1985)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

As a founding member of the Grammy-winning, platinum-selling rock band TOTO, songwriter/keyboardist Steve Porcaro had huge pop hits with "Hold the Line," "Rosanna," and "Make Believe." He also co-wrote "Human Nature" which is featured on Michael Jackson's 30 million-selling Thriller album. Steve's other band mates in Toto were his brothers Jeff and Mike Porcaro, David Paich, David Hungate, Steve Luthaker, Bobby Kimball, Fergie Fredericksen, and Joseph Williams. Each of these guys also became in-demand session musicians, playing on numerous records. Born in Connecticut, Steve's musical roots run deep in his family tree. He started taking piano lessons when he was four years old. With his brothers began playing in various bands. The Porcaro brothers met David Paich when their fathers worked together on Glenn Campbell's TV variety show. The boys became friends and started making music together. As the youngest brother, Steve couldn't compete with his brothers and found a niche playing the synthesiser and the keyboard. He got his break when he toured both with Gary Wright ("Dreamweaver") and Boz Scaggs around the time of Boz's Silk Degrees album. It was the members of Boz's touring band who would later form Toto. Their self-titled LP was released in 1977. Going platinum, it yielded the gold single "Hold the Line," "I'll Supply the Love," and "Georgy Porgy" --a favourite sample source for rap/hip hop groups in the '90s, as was "Human Nature." 1982 would prove to be a huge year for the group. Their million-selling LP Toto IV cleaned up at the Grammys winning Album of the Year, Record of the Year ("Rosanna" ), and Producer of the Year. After seven albums, Toto disbanded in 1988. Steve went on to launch a film scoring career and contributed to many popular films. However, he continued working with Toto in various supporting capacities, assisting with keyboards, drum looping, synthesizers and arranging/composing. He has also done session musician work for many other acts, including Yes (on Union) and Jefferson Airplane (on their self-titled 1989 reunion album). He was also a member of Chris Squire's short lived band, The Chris Squire Experiment, in 1992. Steve returned to play with Toto at live performances since 2010, when they decided to reform the band and tour in Europe to support an ailing Mike Porcaro. He performed on the band's 2015 studio album, co-writing and singing lead on "The Little Things" and co-writing/singing lead on the Japan-only bonus cut, "Bend". This was only the third lead vocal performance from him on a Toto album. When the band dissolved in 2019 and regrouped in 2020, Porcaro did not return. Steve Porcaro joins us this week to share stories of his fascinating musical journey. If you'd like to know more abotu him, head to his facebook page https://www.facebook.com/steveporcaromusic/ Please don't hesitate to get in touch with me - all comments, feedback and requests for future guests - gratefully received. Simply send me a message https://www.abreathoffreshair.com.au I hope you enjoy this episode!

A special episode in honor of Jeff Porcaro's 70th birthday! I'm joined by Robyn Flans, author of "Moments In Time: Jeff Porcaro Stories" available through Hudson Music, and legendary Steely Dan producer, Gary Katz! Gary shared some wonderful stories about Jeff, including the first time he met Jeff and David Paich when they were brought in to record "Night By Night" for Steely Dan's "Pretzel Logic" album. We also played a few of Jeff's many incredible recordings, and much more! So come along for the ride and please subscribe! To order "Moments In Time": https://hudsonmusic.com/product/moments-in-time-jeff-porcaro-stories/?wcacra=5620323Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher" gives the audience an insider's view that only John can offer. And no drummers are harmed during any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Yes, you are right - Toto IV was released in March of 1982, not April of 1985.  However, the rock group Toto was a celebrity phenomenon in 1985, particularly in Japan.  In April of 1985 MTV broadcast a special episode showcasing a Toto concert from Japan.Toto IV was both a commercial and critical success.  Three of the singles would be top 10 hits, and the album would achieve triple Platinum status as it became known as one of the best albums of the year.  Critically, the group would earn six Grammy awards including Album of the Year, and Record of the Year for the single “Rosanna.”The group would spend much of 1982 and 1983 on tour, though there would be some changes in personnel.  Bassist David Hungate left the group shortly after the release of Toto IV, sensing that the success of the album and the fame of the group would negatively impact time with his family.  Lead singer Bobby Kimball was in and out of court fighting prosecution on drug-related charges.  Those charges would eventually be dismissed in late May 1983, but he would be released from the band after missing many recording sessions.The album is a soft-rock masterpiece, with balanced synth and keyboard sounds and soaring harmonies.  Songs have a jazzy feel, interspersed with piano-based ballads.Lynch has been lobbying for a long time to do this album, and we hope you enjoy it for this week's podcast. RosannaThe biggest hit from the album was often thought to be inspired by actress Rosanna Arquette who was dating keyboardist Steve Porcaro.  However, writer David Paich says the lyrics were based on various girls he had known in the past rather than a single individual.  The shuffle drum pattern is reminiscent of both Bo Diddley rhythms and John Bonham's groove on "Fool in the Rain."Make BelieveThis sunny-feeling single hit number 30 on the Billboard Hot 100.  It describes a time of looking back with an old lover, remembering the moments they shared.  It was the second US single from the album.  David Paich wrote the song, and Bobby Kimball is on lead vocals.I Won't Hold You BackThe piano-oriented ballad peaked at number 10 on the Billboard Hot 100, and held the number 1 spot on the US Adult Contemporary chart for three weeks.  It looks back on a failed romance as the singer lets go of what he had.  Guitarist Steve Lukather takes lead vocals duties for this track, and Eagles alumnus Timothy B. Schmidt provides backing vocals in the chorus. AfricaWhile this song did well as a single, it has grown into a cultural icon.  It did top the Billboard Hot 100 in 1983, but would see a resurgence in popularity over time, particularly after Weezer's cover in 2018.  The lyrics depict a man struggling between his love for the continent and returning to his relationship elsewhere.  ENTERTAINMENT TRACK:Main theme from the motion picture “Ladyhawke”This fantasy movie starring Rutger Hauer, Michelle Pfeiffer, and Matthew Broderick hit the big screen in April of 1985. STAFF PICKS:Walking on Sunshine by Katrina and the WavesWayne starts us off with a popular and optimistic song that got the band Grammy-nominated for Best New Artist.  It is off their debut and eponymously named album.  It was first released in Canada, though the band was out of England.  It went to number 9 on the Billboard Hot 100.Summer of '69 by Bryan AdamsBruce brings us this well-known song from Adams' album "Reckless," which was released in April of 1985.  The original name was going to be "Best Days of My Life," and in the first draft the lyric "summer of '69" only appeared once.  With the name change, "Summer of '69" replaced several appearances of the phrase "best days of my life," in the track.High On You by SurvivorRob's staff pick is an ode to the intoxication and infatuation of new love.  It is the first top 10 single from their album "Vital Signs," and arose from a jam during touring sound checks.  Mickey Thomas from Jefferson Starship and Peter Wolf from the J. Geils Band are supporting musicians on this track.Silent Running by Mike + the MechanicsLynch finishes the staff picks with a synth-heavy song with science fiction lyrics.  The singer is a father who has journeyed into the future and is now communicating back to his son with instructions for mitigating the coming war and catastrophe.  This is the first single released by Mike + the Mechanics, and it went to number 6 on the Billboard Hot 100. INSTRUMENTAL TRACK:Moments In Love by Art of NoiseThis largely instrumental piece is a signature song from the art rock group. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Seattle-based musician, singer, rapper and songwriter Michael Wansley (aka Wanz) drops in on YMAAA for the first of two episodes to talk about Earth, Wind & Fire's 1979 album, I Am. Wanz talks about his lifelong EWF fandom, what he loves about I Am, and how it compares to other EWF albums. He also explains how the album is a reflection of the changes in the music industry that were occurring in the late ‘70s. Wanz and Al also discuss other bands that were popular around the same time, including Toto, The Police and Rush.Wanz' TEDx Talk, "You, Too, Can Be a Unicorn," is outstanding. Watch it here: https://www.youtube.com/watch?v=JGPy-bbpRfMAl mentioned that he had interviewed Steve Lukather, David Paich and Joseph Williams of Toto. The interviews were for a couple a pieces for American Songwriter, which are linked below.https://americansongwriter.com/toto-talks-toto-to-celebrate-their-debut-albums-45th-anniversary/https://americansongwriter.com/6-toto-songs-that-are-miles-away-from-yacht-rock/Wanz is on Instagram and Threads at @teewanz!Also be sure to check out Want's music and more at thewanz.comAl is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/1:36 Wanz joins the show2:26 Wanz has worked many different jobs to support his music3:52 Wanz has a collection of EWF t-shirts6:17 An EWF promo poster connected Wanz with an early bandmate7:58 Wanz paid close attention to EWF over a span of 10 albums8:51 Wanz talks about EWF's progression through the albums leading up to I Am15:20 EWF was the first concert Wanz ever went to19:10 Wanz and Al talk about the Police and Sting's Bring on the Night documentary21:35 Wanz blames one album for changing radio23:16 Wanz singles out the decision EWF made that led to their commercial demise26:24 Maurice White's death gave Wanz a reason to deep-dive into the EWF catalog again27:21 Wanz talks more about how radio changed in the late ‘70s31:10 Wanz remembers how he was introduced to Rush32:51 Wanz explains what makes “Boogie Wonderland” a perfect song36:09 Wanz loves the whole second side of I Am39:15 Wanz explains why I Am is a different-sounding EWF album43:01 Did the right tracks get released as singles?46:34 Transcribing “Rock That!” in the pre-digital era was not an easy task48:12 Al and Wanz talk about the Toto connections to I Am49:57 Wanz explains how Phil Collins got connected with EWF53:57 Steve Lukather's memoir changed the way Wanz understands how the recording industry used to work57:34 The interludes are one of Wanz's favorite parts of I Am1:01:10 Wanz finds some interesting names in the album creditsOutro music is from Wanz, “Go Where the Love Is.”Support the show

David Paich is a prolific musician and songwriter who's perhaps most well known for writing and co-producing Toto's classic song, “Africa.” Before David co-founded Toto with drummer Jeff Porcaro in 1977, he was an innovative keyboardist and session player. David honed his chops early growing up in L.A. where he worked under the tutelage of his father Marty Paich—an esteemed composer who worked with artists like Ella Fitzgerald, Ray Charles and Mel Tormé. While in college at USC David started playing keyboard professionally and touring with Sonny & Cher. From there he went on to co-write and play on Boz Scaggs' multi-platinum album Silk Degrees. He also worked extensively with Quincy Jones, playing on multiple iconic albums including Michael Jackson's Thriller and Bad. All throughout his work as a session musician, David also served as Toto's principal songwriter and wrote chart-topping hits like “Rosanna,” “Hold The Line,” and of course, “Africa.” On today's episode Justin Richmond talks to David Paich about what it was like to be such an accomplished player at such a young age. He shares crazy stories about working with Michael Jackson and Quincy on Thriller, and how he came up with the intro to Michael Jackson's “Human Nature,” a song written by Toto's drummer, Jeff Porcaro. He also plays parts from some of the best songs he's written, and talks about how they came to be. You can hear a playlist of some of our favorite David Paich songs HERE.See omnystudio.com/listener for privacy information.

Steve Lukather Live on Game Changers With Vicki Abelson Hold the Line! Steve Lukather may be a bonafide rock star, but he's also down-to-earth, self-effacing, self-aware, open-minded, hearted, reflective, enthusiastic, passionate, thoughtful, generous, and perhaps sweetest of all, a fanboy like us of his heroes. From the 6-year-old boy blown away by The Beatles on Ed Sullivan, George's guitar specifically, to the grown man who came to play and friend not only George, but Paul, and closer than close with Ringo, his “boss” for the past decade. Fab stories of all three, not to mention much about Steve and then Jeff Porcaro, David Paich, with whom he began being a serious musician whilst still in high school. Stories about Steely Dan and their various incarnations, one which almost included him, Boz Scaggs, his first major gig, the formation of Toto, sessions, sessions, and more sessions, Dean Parks, Ray Parker, Jim Keltner, Larry Carlton, touring, alcohol, drugs, wild times, Michael Jackson, Thriller, Eddie Van Halen, Elton John, solo albums, his latest - Bridges https://bit.ly/40I9PH2 which is in heavy rotation in my kitchen, and his memoir, The Gospel According to Luke https://bit.ly/3QFLPPZ an unputdownable, crazy fun read. Just like Luke himself. The time flew. I feel like I've known him forever. And, like all great things, left me wanting more. Steve Lukather Live on Game Changers with Vicki Abelson Wednesday, November 15, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/47eCXbf

Season 2, Episode 2: In Review - Fahrenheit by TOTO (with commentary from Steve Porcaro)   In this week's episode, join us as we sit down with the 3-time Grammy Award-winning keyboardist, songwriter, and founding member of TOTO, Steve Porcaro. In this in-depth interview, Steve details his prolific career working with his former bandmates in TOTO, as well as Michael Jackson, Don Henley, Boz Scaggs, Gary Wright, among others. Steve walks us through working with Quincy Jones on the sessions for We Are the World, and of course, helps us review the album of the week: TOTO's Fahrenheit from 1986. This is a very in-depth episode that you won't want to miss.   (Originally released on September 23, 2023)   Sam's 3 of the Week Picks... 1.) Lowdown - Boz Scaggs, 1976 2.) My Love's Leavin' - Steve Winwood, 1986 3.) Maggie May - Rod Stewart, 1971   Luke's 3 of the Week Picks... 1.) Gap - The Kooks, 2008 2.) Rosemary - Deftones, 2012 3.) Here Comes My Girl - Tom Petty & the Heartbreakers, 1979   Follow us on Instagram @obu.fm.pod for updates! https://www.instagram.com/obu.fm.pod/?hl=en   We do not own any music included within this episode of OBU-FM. This episode is a Questone Entertainment Production in association with the Signal.

Steve Porcaro Live on Game Changers with Vicki Abelson I loved every second with 3x Grammy Winner, founding member of Toto, Steve Porcaro. A down-to-earth sweetheart of a guy who just happens to be one arm of the iconic legendary musical Porcaro family. These ain't no lip-sinking, TV frontmen, the Porcaros define chops. World-renowned drummer, Joe, who left sticks and skins around, brother Jeff, who picked them up and banged them to new heights, Mike who segued to bass, and Steve who found his passion and his niche with keyboards, programming, and sythns. Separately, and together they made musical history. We talked beginnings influences, The Beatles, Keith Emerson, from playing school proms to clubs with David Paich, Hungate, and Lukather, to Boz Skaggs to Toto, Bobby Kimball, Hold The Line, Rosanna, Arquette, and the song, success fulfilling all childhood dreams and then some. Sessions and side work for all of them, Bette Midler, Chaka, Earth, Wind & Fire, Quincy Jones, which led to Micheal Jackson and Human Nature on Thriller, thrilling! There was James Newton Howard, playing and scoring for film and TV… Justified. Leaving Toto, rejoining Toto with new appreciation. Drugs, alcohol, and loss took their toll, solo work, Someday/Somehow, collaborations, Allee Willis, writing with his daughters, The Covid Kid, doing what he loves, where he loves. A life well being lived and art continuously created. I really really like this man, and his music. Grateful for this opportunity to get to know. Steve Porcaro Live on Game Changers with Vicki Abelson Wednesday, October 11, 5 PM PT, 8 PM ET Streamed Live on my Facebook Reply here: https://bit.ly/3ZUQBxu

Episode 106 Electronic Music of Dune Playlist Toto, “Main Title,” “Robot Fight,” and “Dune (Desert Theme)” from Main Title / Robot Fight / Dune (Desert Theme) (1984 Polydor). A single produced from the soundtrack of the David Lynch film version of Dune (1984). Toto, with its big synthesizers, created most of the soundtrack, although Brian Eno, Roger Eno and Daniel Lanois had one track (included later in this podcast). Bass, David Hungate; Drums, Percussion, Jeff Porcaro; Guitar, Steve Lukather; Keyboards, David Paich, Steve Porcaro. 6:36 David Matthews, “Part I: Arrakis,” “Part II: Sandworms,” “Part III: Song Of The Bene Gesserit,” “Part IV: Muad'Dib” from Dune (1977 CTI Records). Arranged by David Matthews and produced by Creed Taylor for his CTI jazz label, this was an extended work inspired by the novel by Frank Herbert. Cliff Carter plays the solo synth (mini-Moog?) on the first track and other places. The work is jazz with bits of electronic music blended into the instrumentation. It remains an interesting artifact partly because of the legal problems CTI faced once they released the album. Because CTI had not secured writer Frank Herbert's authorization to use his novel Dune as the thematic center piece for the album, Herbert filed a law suit against CTI and won, forcing the label to delete it from catalog. For this reason, that interesting album was never reissued in the USA. Enjoy. Alto Saxophone, David Sanborn; Bass, Mark Egan; Bass Trombone, Dave Taylor; Concertmaster, Sanford Allen; Drums, Andy Newmark, Steve Gadd; Flute, Piccolo Flute, Dave Tofani; Guitar, Eric Gale, Hiram Bullock; Keyboards, Cliff Carter; Oboe, Clarinet, Lew Del Gatto; Percussion, Gordon Gottlieb, Sue Evans; Tenor Saxophone, Soprano Saxophone, Grover Washington, Jr.; Trombone, Jerry Chamberlain*, Sam Burtis, Tom Malone, Wayne Andre; Trumpet, Flugelhorn, Burt Collins, Jim Bossy, Joe Shepley, John Gatchell, Jon Faddis, Lew Soloff, Randy Brecker; Vocals, Googie Coppola. Recorded at Electric Lady Studios, June 1977. The first side is the Dune suite, the second side features interpretations of other sci fi film themes (Silent Running, Star Wars, etc.). 20:29 Frank Herbert reading Dune from Dune, The Banquet Scene (1977 Caedmon Records) combined with a track by Alan R. Splet, “Space Travel W/ Changing Choral Textures” (2003 Sub Rosa) from An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003. The recording of Herbert was made at the height of the Dune craze, the late 1970s. When David Lynch made his film for release in 1984, he was working with Splet who is not credited by whom may have contributed some electronic and ambient sounds. This track appears to confirm that and I've combined it with the Herbert reading. 5:07 Brian Eno, Roger Eno and Daniel Lanois, “Prophecy Theme” from Dune (Original Soundtrack Recording) (1984 Polydor). This little track was the only one that remained of Eno's contributions to the Dune soundtrack, although he reportedly composed an entire movie's worth of music for the film. Some was used as incidental music. 4:21 Zheani, “The Litany Against Fear” from Eight (2018 Sleepcvlt). Cassette release from this Australian rapper, electronic musician, model and actress.This is a famous quote from Herbert's Dune and seemed fitting to have it represented by a musician for the podcast. 0:36 Klaus Schulze, “Dune” from Dune (1979 Brain). Yes, Schulze, too, was infected with the Dune craze and created this ambitious 30-minute work to acknowledge it. This is a truly lovely electronic work from those days when Schulze was largely still working analog synthesis, and synthesize voices and orchestral sounds, much like his earlier album X. The cello is played by Wolfgang Tiepold, produced by and all keyboards by Klaus Schulze. The first side comprises the piece called Dune and the second side features an unrelated work with vocals by Arthur Brown. An intriguing album all around! 30:05 Graeme Revell & The City Of Prague Philharmonic, “Seduction” from Frank Herbert's Dune (Original Soundtrack From The Sci-Fi Channel Mini Series) (2001 GNP Cresendo). Composed by Graeme Revell; executive producer, Neil Norman; orchestra, chorus, The City Of Prague Philharmonic. This is the soundtrack for a Sci Fi channel mini-series back in 2001. The music is primarily orchestral, being performed in the Czech Republic and arranged by Neil Norman, Hollywood veteran of science fiction films. But Revell did compose it and there are a few tracks, such as the one featured here, that have clearly electronic elements that stand out. 1:51 Grimes, “Caladan” from Geidi Primes (2011 No Pain in Pop). Grimes' first album was a concept album based on Frank Herbert's novel Dune and David Lynch's 1984 film adaptation of the book. This track is about the fictional home planet of the Atreides, the protagonist clan in the novel. Produced by, written by, played by Grimes. She used relatively simple sounds, overdubs, and interesting vocal mixes to tell these tales. 2:23 Kurt Stenzel, “Parallel World” (1:42), “Parallel World (Outro)” (1:04), “Leap Of Faith” (0:43), “Time And Space” (2:04), “Optical World” (2:56), “Nebula” (2:26), and “Invitation” (excerpt) from Jodorowsky's Dune (Original Motion Picture Soundtrack) (2014 Cinewax). This is a bit of a side-hustle because Alejandro Jodorowsky's much hyped film version of Dune, which he sought to make in the 1970s, does not exist. It is one of the most famous movies that never existed. Still, the Chilean-French film director, producer, composer, actor stuck with the idea for quite some time until the David Lynch movie was produced in the 1980s and sucked all of the available Dune oxygen out of the room. But Jodorowsky's passion for the project inspired others, including guitarist and synthesist Stenzel who produced this soundtrack to a 2014 documentary about Jodorowsky and the ill-fated project. Stenzel composed music inspired by the book. This double LP has 33 tracks and I focused on a selection of connected synth tracks from the first album. Moog Source, CZ-101s, Roland Juno 6, toy Concertmate organ, Ninendo DS, voice, Kurt Stenzel. 11:56 Klause Schulze, “Side E—"Der Hauch Des Lebens (The Breath of Life) Pt #1” from Deus Arrakis (2022 SPV Recordings). Dune remained a lifelong source of fascination for Schulze. This, his final album, was also inspired by the novel he loved so well. This is a three-LP set, but the first LP is single-sided. Because of his ill health, Schulze knew that this might be his final project. In the liner notes he wrote directly to his fans, saying, “Thank you for your great support over all these years. This is for you! May the spice be with you. Always.” Recorded and written by Klaus Schulze; Cello, Wolfgang Tiepold; Voice, Eva-Maria Kagermann. 16:24 Han Zimmer, “Arrakis” from The Art And Soul Of Dune (Companion Book Music) (2021 WaterTower Music). Zimmer composed the soundtrack for the Denis Villeneuve released in 2021. Villeneuve has praised Zimmer's work on the film and that he had spent,"months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope." In addition to a soundtrack for the film itself, Zimmer released two companion releases that provide an extended listen to the sounds and experiments that were created for the project. Three albums were released for the film by WaterTower Music, including The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune on September 3, September 17, and October 22, 2021, respectively. This work is from the reading companion to the film. 13:28 Opening background music: Hans Zimmer, “The Shortening Of The Way” from The Dune Sketchbook (Music from the Soundtrack) (2021 WaterTower Music). This track is from a companion 2-CD set that accompanied the actual soundtrack. Zimmer called these sketches and they represent his sound experiments as he formulated the music for the film. This grand combination of acoustic instruments and synth sounds from Zimmer's private studio is stunning in its scope and virtuosity and highly recommended. Synth programming by Hans Zimmer. 11:14 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

The incomparable and complete legendary figures of musician songwriters David Paich and Steve Porcaro can only be told in "Wow". Sunset Sound was the tracking recording studio for Toto IV, Hydra and about a 1000 other sessions with these two guys playing massive roles. The idea of the Sunset Roundtable is to have a free discussion about memories at this legendary facility, as well as learning about the person's growth in life and their career throughout the time period making records here at the studio. David Paich speaks sincerely on his father Marty, as well as Steve with Drum legend father, Steve Porcaro. We all agree that Jeff Porcaro might be the greatest drummer ever and that there is an everlasting magic of this recording studio which is still alive today. Steve and David both share on working with Don Henley , Michael Jackson , Quincy Jones and the absolute praise for their brother guitarist Steve Lukather. Toto IV stories are the best ever & they set the record straight on drug use in the 1980's and this is one of the funnest, coolest roundtables around one of the most significant bands and people to grace this series. ALSO.... 25 Limited Edition Toto "Africa" Work Orders!!! LINK BELOW... https://sunsetsoundstore.com/collecti... Host: Drew Dempsey: https://www.instagram.com/dfdproducti... Merchandise: WWW.SUNSETSOUNDSTORE.COM Filmed at Sunset Sound Recorders Studio 2 Instagram: https://www.instagram.com/sunsetsound... Facebook: @sunsetsoundrecorders Website: www.sunsetsound.com #toto #recordingstudio #stevelukather #1980s #1980smusic

Pat welcomes Steve Lukather to the show for the 3rd time to promote his brand new studio album "Bridges."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

More details at Steve Lukather's official site http://www.stevelukather.com/Check out Toto's official site https://totoofficial.com/Get your own “Rock History Music” baseball cap https://rock-history-music-store.creator-spring.com/listing/rock-history-music-hatIf you would like to donate to "Rock History Music"https://www.paypal.com/donate/?hosted...Support “Rock History Music” on Patreonhttp://patreon.com/rockhistorychannelsCHECK OUT MANY INTERVIEWS ON OUR INSTAGRAM ACCOUNThttps://www.instagram.com/rockhistorymusic/?hl=enCHECK OUT OUR TIKTOK CHANNEL https://www.tiktok.com/@johnbeaudin80HELP SUPPORT ROCK HISTORY MUSIC..CHECK OUT OUR STORE FOR T-SHIRTS, MUGS ETChttps://rock-history-music-store.creator-spring.comOUR NEW INSTAGRAM ACCOUNT https://www.instagram.com/rockhistory...Check out the ‘Rock History Book' Podcast https://open.spotify.com/show/0LYdVTf...https://podcasts.apple.com/ca/podcast...https://www.iheart.com/podcast/269-ro...https://tunein.com/podcasts/p1419168/We have 4 active YouTube CSupport the show

On this episode of Inside MusiCast, we welcome back a perennial favorite, Steve Lukather. We all know Luke as one of the finest guitarists and musicians in the recording industry, but he's also one of the most candid and honest that you'll ever meet. He wears his heart on his sleeve and is as forthcoming about his perspective on music as he is about life. His new solo album “Bridges” drops this coming Friday, June 16 and he's turned to his lifelong bandmates, David Paich and Joseph Williams, to assist with creating this incredible collection of eight new songs. The album includes contributions from other musicians and writers Toto fans will recognize, such as Simon Phillips, Shannon Forrest, Lee Sklar, his son Trev, Randy Goodrum, Stan Lynch, and several other stellar musicians. Inside MusiCast is pleased to welcome back to the show, Steve Lukather.

Toto co-founder and keyboardist David Paich guests on the Fake Show with host Jim Tofte...enjoy!!!

If you would like to donate to "Rock History Music"https://www.paypal.com/donate/?hosted...Support “Rock History Music” on Patreonhttp://patreon.com/rockhistorychannelsHELP SUPPORT ROCK HISTORY MUSIC..CHECK OUT OUR STORE FOR T-SHIRTS, MUGS ETChttps://rock-history-music-store.creator-spring.comOUR NEW INSTAGRAM ACCOUNT https://www.instagram.com/rockhistory...Check out the ‘Rock History Book' Podcast https://open.spotify.com/show/0LYdVTf...https://podcasts.apple.com/ca/podcast...https://www.iheart.com/podcast/269-ro...https://tunein.com/podcasts/p1419168/We have 4 active YouTube Channels featuring John Beaudin Subscribe to this (RockHistoryMusic) Channel https://www.youtube.com/channel/UChUv...RockHistoryBook -Top 10 Rock & Pop Hit Lists https://www.youtube.com/channel/UCDKU...RockHistoryCanada‚  Interviews & Current Music News From Top Canadian Acts. Support the show

David Paich sits down with Simon and Brian to talk about his songwriting process, his recent solo debut Forgotten Toys, and his classic hits with Toto. The legendary songwriter, keyboardist and session musician discusses his early musical life, the influence of his father, and collaborations with Boz Scaggs, David Foster and more.

Power ballads riddled with strings! These tracks are unique and triumphant in many ways, but that doesn't mean we necessarily like them all that much.We powered ourselves through and got in touch with something we might have been neglected...OUR FEELINGS. That's right, we still have them somewhere... just need to jump start them a bit. And this album will do that. David Paich and Jeff Porcaro and crew are some of the most renowned studio musicians of this time period and deserve mad props for crushing it in their own style. If you're in our camp, we have some funny bevis and butthead-esque moments that will keep you from hurling. If you're a Lord of the Rings fan, Tim would prefer the screech of the witch king of Angmar, leader of the Nazguls, over a lot of these songs, especially "I Wont Hold You Back".Enjoy!Support the show

David Paich from Toto joins the show to talk about writing so many hits in the early days with Boz Skaggs, Cheryl Lynn, Michael Jackson, Paul McCartney and others. He reflects on recording some of Toto's biggest hits and what he's up to these days.  Check out his recent EP Forgotten Toys here:  https://open.spotify.com/album/1naTEH3Cu2zp1hzcsoArFN?autoplay=trueSee omnystudio.com/listener for privacy information.

David Paich from Toto joins the show to talk about writing so many hits in the early days with Boz Skaggs, Cheryl Lynn, Michael Jackson, Paul McCartney and others. He reflects on recording some of Toto's biggest hits and what he's up to these days.  Check out his recent EP Forgotten Toys here:  https://open.spotify.com/album/1naTEH3Cu2zp1hzcsoArFN?autoplay=true

Toto is an American rock band formed in 1977 in Los Angeles, CA and are known for a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B, blues, and jazz. Having released 14 studio albums and sold over 40 million records worldwide, the group has received several Grammy Awards and was inducted into the Musicians Hall of Fame and Museum in 2009.David Paich and Jeff Porcaro had played together as session musicians on several albums and decided to form a band; David Hungate, Steve Lukather, Steve Porcaro, and Bobby Kimball were recruited before the release of the band's eponymous debut album in 1978. Led by the Top 5 single "Hold the Line", the album brought the band to mainstream attention but it was their fourth album Toto IV (1982) which brought them global attention. "Africa" topped the Billboard Hot 100, while "Rosanna" reached number 2, helping Toto become one of the best-selling music groups of their era.The Jersey Guys take a trip through the bands studio efforts and history so we hope you will enjoy this episode as much as we did making it for you!

This gem from the archives was thought lost forever, but thanks to the wonders of technology we've been able to recover our chat with the great Boz Scaggs. It was recorded around the time of Boz's last album, Out of the Blues, and highlights his contemporary approach to music making, as well as the creative process behind timeless classics like 'Lowdown' and 'Hollywood'. The singer-songwriter and guitarist also speaks about gaining vocal confidence, collaborating with David Paich, David Foster and Marcus Miller, and finding your passion when it's gone.

We have an outstanding start to 2023 thanks to an extra special guest on the Voices of Russ Ballard Podcast with Ian and Sven, the one and only Leo Sayer who just celebrated 50 years in the music business. This is part 1 of two Podcasts with Leo himself before we feature a fascinating conversation with Leo and Russ in the final episode. We start here with the early years and many of Leo's hits are featured, as well as recollections of his first taste of fame thanks to Roger Daltrey recording his songs. Hear Leo describe his career in detail playing with amazing musicians in LA (Steve Lukather, Larry Carlton, Jeff Porcaro, David Hungate, Leland Sklar, David Paich and Tom Scott to name but a few) when he was at his peak as a household name and “TV personality”. And with Leo there are always some great stories to tell. The Podcast finishes with a Voices of Russ Ballard exclusive……is it true that Toto asked Leo to be their lead singer even before their first album was released? Join us and find out! Roger Daltrey (talking about Leo Sayer) “You wait until you hear this guy, he's a better singer than me….” Leo Sayer (on Russ Ballard) “He not only plays guitar but also mind-blowing piano. He's very wise and very cool”

Generation after generation has enjoyed the feel-good sound of Toto's "Africa", making it one of the most beloved songs of all time. In this episode, vocalist and keyboardist David Paich discusses the writing, recording, release, and legacy of this 1982 smash hit single. For weekly bonus episodes of Chris DeMakes A Podcast, sign up for the Supporting Cast at http://www.ChrisDeMakes.com Learn more about your ad choices. Visit megaphone.fm/adchoices

David Paich is the primary songwriter, keyboardist and a vocalist in Toto. He also co-wrote Boz Scaggs's "Lowdown" and "Lido Shuffle," and worked on Michael Jackson's "Thriller" and too many other records to count. David talks about what it was like growing up the son of legendary Hollywood arranger Marty Paich, what it's like working your way up in the business, on the road with Sonny & Cher and in the studio, and the success of Toto. Paich has just released his first solo album, "Forgotten Toys," we talk about the record and so much more!See omnystudio.com/listener for privacy information.

There's much more to George Benson's “Turn Your Love Around” than initially meets the ear. John and Tom do a deep-dive study on the history, theory, production and performances that made the George Benson classic. If you don't know the story of how this song was written, there are a few details that add to the song's lore, which you might not wanna miss. Courtesy of a listener suggestion submitted via Viewer Mail, we had a blast breaking this one down, so thanks for the suggestion! And keep ‘em coming! WATCH: Video of someone playing the David Paich synth bass line on the Mini Moog Lightning Round: Does It Float Your Boat? Buried Treasures Off the Map References and Related: John's Spotify Yacht Rock Playlist Tom's Spotify Yacht Rock Playlist Yacht or Nyacht? The Official Yachtski Scale Playlist of songs featured on Out of the Main Intro/outro music: Lifeline by Page99 Find and Follow: The Mainland: YachtRockPodcast.com Facebook: https://www.facebook.com/yachtrockpodcast Twitter: https://twitter.com/yachtrockpod YouTube: https://www.youtube.com/channel/UCFZBG_7u5LO5Px94fzyO7ig Anchors Aweigh: https://anchor.fm/yachtrockpodcast --- Support this podcast: https://anchor.fm/yachtrockpodcast/support

Toto co-founder David Paich guests on this brand new Fake Show with host Jim Tofte...enjoy!!!

Today's Oddcast - I Bless The Rains Down In Africa (Airdate 9/19/2022) David Paich may be best known for being in the band Toto, but his legacy extends far being writing the song "Africa." From working with Paul McCartney and Michael Jackson, to releasing his own album in 2022, Paich talks about how being introduced to music through his brilliant father has helped him remain a driving force in the music industry for decades. The Bob & Sheri Oddcast: Everything We Don't, Can't, Won't, and Definitely Shouldn't Do on the Show! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisToto “Africa” from the 1982 album "Toto IV" released on Columbia. Written by David Paich and Jeff Porcaro and produced by David Paich.Personel:David Paich lead and backing vocals, synthesizer, pianoBobby Kimball - lead and backing vocals, percussionSteve Lukather – electric guitar, backing vocalsSteve Porcaro - synthesizersDavid Hungate - bass guitarJeff Procaro – drums, cowbell, gong, additional percussionGuest musiciansLenny Castro - congas, shakers, additional percussionTimothy B Schmit - 12-string acoustic guitar, backing vocalsJoe Porcaro – percussion, marimbaJim Horn - recordersCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.

As Yes tours Japan, join us in talking about the latest activities by members past and present! Topics include guesting on David Paich's Forgotten Toys album, updates on Rick Wakeman's activities, a recap of Jon Anderson's recent Q&A, Yesshift listener questions, and more! Relevant Links: -Yes shirt auction that took place: https://vipfanauctions.com/shop/jerry-and-marge-go-large/featured-jerry-and-marge-go-large/lot-177-jerry-and-marge-go-large-bill-rainn-wilson-screen-worn-shirt-set-hat-ch-5-sc-92-93/ -http://lobatescarp.bandcamp.com -https://fernandoperdomo.bandcamp.com/album/covers -http://sonicelements.bandcamp.com -WELCOME BACK MY FRIENDS- THE RETURN OF EMERSON LAKE & PALMER OFFICIAL PROMOTIONAL VIDEO: https://youtu.be/S2pYeyJCykc -ELP Singles box set: https://elp.lnk.to/SinglesPR -Oliver Wakeman anniversary post: https://www.facebook.com/OliverWakeman/posts/pfbid0oSncpc21V1svYMdKyXTNkrrCLKUZXY2Wy349KnBea5qAFTdpUAjjLiVhs9SVUnjql -http://totalmassretainband.com -http://awakentheband.com -http://tormatobook.com -David Paich's Forgotten Toys album: https://www.youtube.com/playlist?list=OLAK5uy_nGWzB4SpEju8-VmDqQr0QUvnZsgqMb00o -https://somethingelsereviews.com/2022/08/17/david-paich-forgotten-toys/ -https://somethingelsereviews.com/2022/09/01/david-paich-forgotten-toys-interview/ -https://www.guitarworld.com/features/chris-squire-close-to-the-edge-50th-anniversary#l721uavip6rvvt1gqq -https://www.guitarworld.com/features/chris-squire-bass-tone -Bill Bruford's YouTube channel: https://www.youtube.com/channel/UCGCjL570rm8Gs8j2d5yenZw/videos -DSL show review: https://www.thebatavian.com/steve-ognibene/photos-dire-straits-legacy-at-batavia-downs/614606?fbclid=IwAR3n-QDIzzDdi615WKRZllcrB3MBSaUE28TutMbZsWXqk9JvKmvD-4-AGdo -Nile Rodgers post: https://www.facebook.com/watch/?v=440616788006325 -Tom Brislin interview: https://cvindependent.com/2022/08/contributing-to-a-legacy-tom-brislin-the-newest-member-of-kansas-coming-to-fantasy-springs-talks-about-writing-songs-with-legends/ -https://www.rwcc.com/gorrarchive/gorr_2209.php -https://mediamax.am/en/news/science/48513/ -Jon Anderson - Opus Opus: You Are Everyone: https://youtu.be/CHm87cmRwqg --- Support this podcast: https://anchor.fm/yesshift/support

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Host: Russ DavisToto “Africa” from the 1982 album "Toto IV" released on Columbia. Written by David Paich and Jeff Porcaro and produced by David Paich.Personel:David Paich lead and backing vocals, synthesizer, pianoBobby Kimball - lead and backing vocals, percussionSteve Lukather – electric guitar, backing vocalsSteve Porcaro - synthesizersDavid Hungate - bass guitarJeff Procaro – drums, cowbell, gong, additional percussionGuest musiciansLenny Castro - congas, shakers, additional percussionTimothy B Schmit - 12-string acoustic guitar, backing vocalsJoe Porcaro – percussion, marimbaJim Horn - recordersCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:They Might Be Giants “Flood”Faith No More “Angel Dust”Faith No More “Epic”They Might Be Giants “Particle Man”M83 Band of HorsesNeil YoungThe Flaming LipsWayne CoyneEx VoidJoanna GruesomeAlanna McArdleJourney “Don't Stop Believing”The Outfield “Your Love”Bon JoviSteely DanBoz SkaggsQueenELOToto “Rosanna”Led Zeppelin IVBeach BoysMax HeadroomThe EaglesMax MartinSteely DanSoft CellJackson BrowneNew OrderTaylor SwiftDuran DuranCulture ClubChicagoThrillerWeezerThird Eye BlindPanic! at the DiscoThe Tubes “She's a Beauty”Steve PerryThe Clash “Rock the Kasbah”Men at WorkMad MaxREO SpeedwagonPeter GabrielSteve WinwoodAngel City CorrallPeter Bence

David Paich of Toto joined the show today to talk about his debut solo album "Forgotten Toys."  http://www.kggo.com https://totoofficial.com/ https://www.facebook.com/paich99  See omnystudio.com/listener for privacy information.

Support the show: https://www.klbjfm.com/mattandbobfm/See omnystudio.com/listener for privacy information.

Best known as co-founder of the rock outfit Toto, David Paich's debut solo album 'Forgotten Toys' has finally arrived. He and the Steve Cochran Show talk about the challenges of creating a solo album, his tight relationship with the members of Toto, and the inspiration behind his hit, 'Rosanna'. Stream 'Forgotten Toys' now on your favorite music streaming platform.See omnystudio.com/listener for privacy information.

Pat welcomes founding member of Toto, David Paich, to the Zoom Room to discuss his first ever solo album "Forgotten Toys."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For decades, David Paich has been an icon in the LA music scene, having composed, arranged, written, produced, and performed on hit songs for some of the biggest artists in the music business. Then there's his legendary band, Toto, which he's poured his heart and soul into for the past 45 years. Despite this incredible resumé, he's never released a solo project, until now. David's debut solo album, “Forgotten Toys”, is set to release on Friday, August 19. With contributions from his Toto bandmates, Steve Lukather and Joseph Williams, the EP contains seven tracks and enlists an incredible cast of musicians, friends, and even family that make this a memorable musical experience. Here to talk to us about this brand new collection of songs is our good friend, David Paich.

In this episode, John remembers the great Jeff Porcaro whom we lost August 5, 1992. Joining John is a legendary group of Jeff's friends and contemporaries and a literal “who's who” of the drumming community, including Jim Keltner, Vinnie Colaiuta, John Robinson, Rick Marotta, Stan Lynch, Gregg Bissonette, Gary Mallaber, Jody Cortez, David Garfield, John Good, Rich Mangicaro, Robyn Flans, Harry McCarthy, Ross Garfield and Paul Jamieson. They discussed Jeff's incomparable body of work, his incredible time and feel, and the deep love and respect he had from everyone. John also read messages from Jeff's brother, Steve Porcaro, “Toto" keyboardist and co-founder, David Paich, and legendary session bassist, Bob Glaub. Some heartwarming and funny stories were shared by all, with the common thread being Jeff's sense of humor, and his incredible generosity, both as a musician, and as a person.

In this episode, John remembers the great Jeff Porcaro whom we lost August 5, 1992. John is joined by a legendary group of Jeff's friends and contemporaries and a literal “who's who” of the drumming community, including Jim Keltner, Vinnie Colaiuta, John Robinson, Rick Marotta, Stan Lynch, Gregg Bissonette, Gary Mallaber, Jody Cortez, David Garfield, John Good, Rich Mangicaro, Robyn Flans, Harry McCarthy, Ross Garfield and Paul Jamieson. They discussed Jeff's incomparable body of work, his incredible time and feel, and the deep love and respect he had from everyone. John also read messages from Jeff's brother, Steve Porcaro, “Toto" keyboardist and co-founder, David Paich, and legendary session bassist, Bob Glaub. Many heartwarming and funny stories were shared by all, with the common thread being Jeff's sense of humor, and his incredible generosity, both as a musician, and as a person.           

We sit down to launch season 2 of Staring at the World Podcast, with legendary guest David Paich of ToTo. We discuss his incredible career and solo album Forgotten Toys. Boz Scaggs. Mötley Crüe. Steely Dan. Bryan Adams. George Martin. Michael Jackson. Quincy Jones. P!NK. Aretha Franklin. Miles Davis. The Doobie Brothers. Stevie Nicks. Dolly Parton. Jessie J. Cher. Rod Stewart. Tina Turner. Michael McDonald. Joan Baez. Ray Charles. Elton John. Barbra Streisand... and countless others. If you've listened to music in the last 50 years, including any of the iconic artists above, you were hearing David Paich. Music is the soundtrack of our lives, and David is one of its architects. He initially embraced music by his father—jazz icon, musician, and arranger Marty Paich. “I met Jimmy Webb when I was 10 years old, when my father was working with him,” he recalls. "My dad nudged me towards songwriting because I had the ability to write poetry. Somehow, my father saw my lyrical potential. I followed in Jimmy's footsteps until Elton John's first record came out in 1970. That really cemented my musical path. I continued to soak up all the great songs from then on.” Together, Paich and his father notably co-wrote “Light The Way” for Ironside, winning an EMMY® Award for “Best Song or Theme” back in 1974. With Boz Scaggs, he co-wrote the songs "Miss Sun", "Lido Shuffle", and Grammy Award-Winning "Lowdown" from the multi-platinum album Silk Degrees. Around that same time, Paich and childhood friend, iconic studio drummer Jeff Porcaro wiggled their way onto two Steely Dan albums, which helped form some of their musical direction. Paich and David Foster co-wrote “Got To Be Real” with Cheryl Lynn, catapulting her to disco stardom. All of these accolades solidified him as one of the go-to studio musicians for music's A-list. Paich decided it was time for him and Jeff to form their own band, which you now know as Toto. With his TOTO bandmates, David arranged and performed songs on Michael Jackson's legendary albums, Thriller and Bad. “One of my greatest memories is collaborating with Michael Jackson, on the bestselling album of all time, Thriller, Helping arrange the Jackson/Paul McCartney duet, “The Girl is Mine”, is still a musical highlight in my career.” Over the past several years, David, along with TOTO has had a major renaissance in popularity like few bands at this point in their career and now have a multi-generational global fan base. In fact, “Africa” has amassed over 1 billion streams worldwide and is one of the most covered and sampled songs in music history, including by Jay-Z, Pitbull, Ellie Goulding, and Weezer. As a six-time Grammy® Award Winner, Paich has contributed to over 2,000 albums, shaping the sound of popular music as a songwriter, performer, producer, arranger, vocalist and primary composer of the seminal band TOTO. With TOTO, Paich has released 17 albums, sold over 40 million records and garnered over 3 billion streams worldwide. Paich wrote or co-wrote TOTO's biggest hits, "Hold the Line", "Rosanna" and “Africa”. A very special thank you to our sponsor BeBOLD Bars, all natural energy bars from the founder of Stacy's Pita Chips. Check them out at http://www.BeBOLDbars.com and use code BOLD for 20% off your order

Welcome aboard Yacht Rockers! Climb aboard!!! We've got some New Yachty finds...that are Yachty as hell!!! NOS Yachty finds...Eddie & Joe discuss Tom Scott's classic album " Keep This Love Alive" Chicago's "Fire Cracker" State Cow's latest single "Hold On" from the album "High & Dry" Donny Osmond's latest..and we've got TOTO's David Paich on board with his first ever solo album "Forgotten Toys" A Canadian group Straight Lines from 80' Plus Jason Scheff & Jay Demarcus of Rascal Flatts...in a new group Generation Radio (this is for the Rock in Yacht Rock...get on board!