Podcast appearances and mentions of dana terrace

Slow week on anime news but we have plenty of other things going on this week for better or worse!Join us as Aray & Aunn go over this weeks news!Anime+ is a new pod that embodies everything anime and anime related.We're available anywhere that you listen to your podcasts:Apple Podcasts, Spotify, Google Podcast, Stitcher, and so much more!Youtube: The East Coast Brown CastTwitter: @Anime_Plus_PodIG/Tiktok: @animepluspodcastJoin Our Community on Discord: https://discord.gg/YZQUZQAKWaWebsite: https://animeplusnetwork.comhttps://dropclic.com/https://grandlineglowie.com/Discount code: animeplusSupport us on Patreon - patreon.com/user?u=90088772https://discord.com/invite/anime-plusArticles used in this episode:Sentenced to Be a Hero Anime Reveals Main Cast, Confirms 2025 Debuthttps://www.animenewsnetwork.com/news/2025-01-14/sentenced-to-be-a-hero-anime-reveals-main-cast-confirms-2025-debut/.220022Komi Can't Communicate Manga Ends in 2 Chaptershttps://www.animenewsnetwork.com/news/2025-01-14/komi-cant-communicate-manga-ends-in-2-chapters/.219933Bleach Anime Used in Defense in New Zealand Murder Casehttps://www.animenewsnetwork.com/interest/2025-01-14/bleach-anime-used-in-defense-in-new-zealand-murder-case/.220030'With You, Our Love Will Make it Through' Shōjo Manga Gets TV Anime This Fallhttps://www.animenewsnetwork.com/news/2025-01-14/with-you-our-love-will-make-it-through-shojo-manga-gets-tv-anime-this-fall/.220047Katana Maidens: Toji no Miko Exhibition Meets Crowdfunding Goal in 87 Secondshttps://www.animenewsnetwork.com/interest/2025-01-14/katana-maidens-toji-no-miko-exhibition-meets-crowdfunding-goal-in-87-seconds/.220031JoJo's Bizarre Adventure Creator Hirohiko Araki Designs Yebisu Beer Canshttps://www.animenewsnetwork.com/interest/2025-01-15/jojo-bizarre-adventure-creator-hirohiko-araki-designs-yebisu-beer-cans/.220054 Teogonia Anime Announces April Premierehttps://www.animenewsnetwork.com/news/2025-01-15/teogonia-anime-announces-april-premiere/.220049Dorohedoro Sequel Season Reveals Returning Staff, 2025 Debut in New Visualhttps://www.animenewsnetwork.com/news/2025-01-12/dorohedoro-sequel-season-reveals-returning-staff-2025-debut-in-new-visual/.219951Undead Unluck Manga Enters 'Climax' Next Weekhttps://www.animenewsnetwork.com/news/2025-01-19/undead-unluck-manga-enters-climax-next-week/.220210Hitsuji Gondaira's Mission: Yozakura Family Manga Endshttps://www.animenewsnetwork.com/news/2025-01-19/hitsuji-gondaira-mission-yozakura-family-manga-ends/.220208Nintendo Unveils Bigger Switch 2 System for Launch This Yearhttps://www.animenewsnetwork.com/news/2025-01-16/nintendo-unveils-bigger-switch-2-system-for-launch-this-year/.220108Owl House creator Dana Terrace unveils sci-fi series Knights of Guineverehttps://tribune.com.pk/story/2522917/owl-house-creator-dana-terrace-unveils-sci-fi-series-knights-of-guinevere

Whelp, looks like Clownfish TV was actually RIGHT about indie animation being the future of the animation industry. Disney vet Dana Terrace (The Owl House) has joined a long list of other professionals who are joining the indie revolution outside of the Burbank studio system. Put another nickel in the jar, please. Disney veteran Dana Terrace joins indie animation revolution with Glitch Productions, signaling a major shift away from traditional studio systems and potentially threatening the dominance of established animation powerhouses. Netflix is distributing indie content without taking rights, allowing creators to maintain full creative control and reach millions of fans, challenging the traditional studio model of content ownership and distribution. Renowned creators like Tom Ruegger, Paul Dini, and more are launching their own indie projects, suggesting a mass exodus of talent from major studios and potentially destabilizing the industry. The animation industry's recent struggles, including LA fires and economic factors, are pushing creators towards indie projects, potentially leading to a decentralization of animation production. The success of indie animation mirrors trends in the gaming industry, where AAA studios are struggling while indie games thrive, indicating a broader shift in entertainment consumption patterns. The rise of indie animation challenges the long-held belief that hit cartoons require large studio resources, potentially democratizing the industry and opening doors for new, diverse voices.

Pour a tall, cold glass of apple blood and snuggle up with your favorite palisman, because Saturday Morning Adventures is back to wrap up their retrospective on Disney's The Owl House. Pop Break writer and podcaster Randy Allain is joined by his Media/Lit co-host Kris Ingersoll and Pop Break television editor Avani Goswami to bid farewell to Dana Terrace's unique and groundbreaking fantasy series about a young girl escaping her conventional life to become a witch.  After taking a closer look at the flash forward montage from the end of season three, the hosts dig into some of the most important talking points they didn't cover in the first three episodes, craft their own palismen, and celebrate the most popular “ships” in the Owl House fandom. Additionally, each host discusses their dream vision for a hypothetical new season or spinoff. Please tune in for more Saturday Morning Adventures in a couple of weeks, when Amanda Rivas kicks off a two-week reflection on 80's classic Jem and the Holograms!

Prep some glyphs (or grab the nearest baseball bat), because Saturday Morning Adventures is back to explore Season Three of Disney's The Owl House. Pop Break writer and podcaster Randy Allain is joined by his Media/Lit co-host Kris Ingersoll and Pop Break television editor Avani Goswami to explore Dana Terrace's unique and groundbreaking fantasy series about a young girl escaping her conventional life to become a witch.  After a quick discussion about Amity, Willow, and Gus adjusting to life in the human realm, the team recaps the third season, discusses more core characters, and explores why they believe Disney missed a golden opportunity when they walked away from the rich potential of The Owl House. Additionally, each host explores their favorite humorous moment and favorite emotional moment from the third season. Please tune in again next week, when your hosts build their palismen, award some series superlatives, and share their parting thoughts on a very special series.

Find some Titan's Blood and reopen that portal door, because Saturday Morning Adventures is back to explore Season Two of Disney's The Owl House. Pop Break writer and podcaster Randy Allain is joined by his Media/Lit co-host Kris Ingersoll and Pop Break television editor Avani Goswami to explore Dana Terrace's unique and groundbreaking fantasy series about a young girl escaping her conventional life to become a witch.  After checking in about how The Owl House has influenced some of their other recent media consumption, the team recaps the second season, discusses more core characters, and shares some of their favorite episodes from the second season. Additionally, each host explores their favorite humorous moment and favorite emotional moment from the second season. Please tune in again next week, when your hosts will continue working their way through the cast list and provide a deep dive into the final season of this beloved series.

Grab your palisman and hop through that portal to the demon realm, because for the next four weeks, Saturday Morning Adventures is headed to Bonesborough for a retrospective on Disney's The Owl House. Pop Break writer and podcaster Randy Allain is joined by his Media/Lit co-host Kris Ingersoll and Pop Break television editor Avani Goswami to explore Dana Terrace's unique and groundbreaking fantasy series about a young girl escaping her conventional life to become a witch.  After an exploration of how each host found their way to the show, the team recaps the first season, discusses the core cast/characters, and shares some of their favorite episodes from the first season. Additionally, each host explores their favorite humorous moment and favorite emotional moment from the first season. Please tune in again next week, when your hosts will continue working their way through the cast list and provide a deep dive into season two of this beloved series.

Hello and welcome to another exciting episode of "Read with Me Light Novel"! Today, we're diving into all the fantastic details about MomoCon 2024, happening from May 24th to May 27th. Plus, we'll talk about a special contest we're hosting that includes a great prize. MomoCon started from the dedication of a small, passionate group of fans. With a focus on animation, gaming, comics, and costuming, MomoCon aims to bring the best aspects of these fandoms to everyone. Based in Atlanta, they extend Southern Hospitality to all attendees, from curious newcomers to dedicated long-time fans. MomoCon has seen tremendous growth, becoming one of the largest anime conventions in North America, reaching over 10,000 attendees in 2011 alone. This year, MomoCon features an incredible lineup of guests: - **Jodi Benson**, voice of Ariel from "The Little Mermaid". - **Steve Blum**, known for voicing Spike from "Cowboy Bebop" and characters in "Mortal Kombat X and 11". - **Dana Terrace**, the creator of "The Owl House". - **Beau Billingslea**, known for roles like Jet Black in "Cowboy Bebop" and Barrett in "Final Fantasy Advent Children". - **Toru Furuya**, a legendary Japanese voice actor famous for roles in "Sailor Moon", "Dragon Ball", and "One Piece". - **Tony Weaver, Jr.**, the creator of the award-winning manga series "The UnCommons". - **Mark Brooks**, an acclaimed comic illustrator known for his work on "X-Men", "Spider-Man", and "Star Wars". There will also be exciting panels and performances, including: - **BABYBEARD**, featuring LADYBEARD, SUZU, and MAHRI, performing on Saturday. - **Caleb Hyles**, known for his YouTube cover of "Let It Go", with over 1.5 million subscribers. - **The Triforce Quartet**, playing video game music in a traditional string quartet style. - **CARA MCGEE**, an illustrator for companies like Marvel, Comixology, and DC. - **Jason Griffith**, the voice of Sonic the Hedgehog. - **Peter Raymundo**, a character animator for Disney films like "Mulan" and "The Lion King". One of the highlights will be Takuya Suzuki, who will be discussing "GUNDAM: Requiem for Vengeance" on Sunday at 5:30 PM. Now, about the contest! We're giving away a fantastic prize to the lucky listener That will be a random drawing live. From a list of names of people that follow the Apple or Spotify podcast and follow on YouTube or TikTok, and like any video, and comment "done" on that video. The prize will be something from MomoCon, potentially an autographed pop from one or all of the guest of momo con or something even better. I want to see what I can get for my special fans. That's all for today's episode. We hope to see you at MomoCon 2024 and don't forget to participate in our contest. Thanks for listening, and stay tuned for more exciting content on "Read with Me Light Novel"! Social Media and Links • Email: read.with.me.light.novels@gmail.com • Facebook: MomoCon Facebook • Instagram: Read with Me Light Novels • YouTube: Read with Me Light Novels • Spotify: Read with Me Light Novel Podcast • Apple Podcasts: Read with Me Light Novel on Apple Podcasts https://linktr.ee/zedbundee Stay connected for more updates and exclusive content!

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=7471LA STRATEGIA LGBT DELLA DISNEY NON PAGA di Giuliano GuzzoLa strategia Lgbt non paga. Anzi. È controproducente perché il massiccio e martellante indottrinamento arcobaleno porta famiglie, genitori e in generale utenti (ma anche i dipendenti) a "scappare" da chi si rendere protagonista di tale ideologia, finendo quindi per mettere a rischio la stessa vita di determinate aziende. Lo sa bene la Disney, il colosso dell'intrattenimento per bambini, che ormai da anni è sempre più Lgbt ma ora sta vivendo, fortunatamente, una stagione di costanti flop, boicottaggi, licenziamenti e critiche di massa.Fortunatamente? Beh, forse la fortuna e il caso c'entrano poco. Non è una coincidenza, infatti, perché si può a ragione dire come sia tutto merito di genitori e famiglie e di chi (dipendenti o semplici utenti) si discosta da certi diktat Lgbtqia+. Tanto in Italia quanto all'estero, infatti, le famiglie sembrano evidentemente stufe di prestare il fianco alla propaganda gender ed esporre i loro figli a questo martellamento mediatico. Purtroppo, però - e anche qui il caso c'entra ben poco - questo bombardamento deve far riflettere e non far mai abbassare la guardia. E' vero, infatti, che i flop della Disney sono ormai costanti e che la strategia Lgbt non paga (e ora lo vedremo nel dettaglio), ma è vero anche che la Disney - dopo i molti annunci dei suoi dirigenti di voler promuovere l'agenda Lgbtqia+ - non si è più fermata in tale direzione.Dunque l'appello è quello - e non lo ripeteremo mai abbastanza - di stare con gli occhi aperti sempre, per difendere l'educazione e la crescita (e il divertimento!) dei nostri figli e non prestare mai il fianco a questa nuova, ma ormai già rodata, industria dell'intrattenimento Lgbt. Che ora, però, sta iniziando a scricchiolare.Quella della Disney è una crisi confermata non solo, appunto, dall'allontanamento di famiglie, genitori e utenti, ma che emerge inesorabile anche dai bilanci e dalle grandi perdite in termini economici. Ulteriore prova, dunque, che le istanze "progressiste", woke e pro gender non pagano e anzi fanno andare addirittura in perdita. A quasi cento anni dalla fondazione (li festeggerà nell'ottobre 2023) la Walt Disney Company arriva infatti con i rattoppi e ha già previsto una "ristrutturazione", o almeno così viene definita dall'interno, che prevede tagli dei costi per addirittura 5,5 miliardi di dollari, eliminando 7.000 posti di lavorocirca il 4% del totale). C'è poi il capitolo, anche questo amaro, dello streaming, del quale la multinazionale ha fatto un suo punto nevralgico dopo il lancio di Disney+. Ebbene, se alla fine del 2022 contava ben 161,8 milioni, dal momento della sua fondazione (nel 2019) ad oggi le perdite si attestano intorno ai 10 miliardi di dollari. Avete capito bene, 10 miliardi!PESANTI FALLIMENTIQuando ai vertici di una grande azienda, infatti, ci sono avvicendamenti o cambiamenti significativi non è mai un caso. C'è sempre qualche ragione. E spesso è una ragione che ha a che vedere con mancati obiettivi raggiunti o addirittura dei flop. Sembra essere questo il caso di Latondra Newton, chief diversity officer e vicepresidente senior della Disney che, dopo sei anni di onorato servizio, è stata allontanata. Motivo? Per il capo delle risorse umane, Sonia Coleman, Newton deve ora «dedicarsi ad altre attività». Però altre fonti raccontano un'altra storia: quella secondo cui alla base dell'allontanamento della donna ci sono almeno due recenti e pesanti fallimenti.Stiamo parlando della Sirenetta e di Elemental, che ha messo a segno il peggior esordio al botteghino nella storia di casa Pixar. Entrambi, c'è da notare, erano e sono due prodotti fortemente ideologizzati e politicizzati in chiave progressista: nel primo, per la protagonista è stata scelta un'attrice di colore - cosa che ha scatenato da subito forti polemiche - nel secondo c'è il primo personaggio non binario all'interno di un film Disney Pixar. Ma Elemental non è stato certo un caso isolato, dal momento che i prodotti della celebre casa di animazione paiono da anni piegati all'agenda arcobaleno.Prova ne siano le serie tv Star Wars Resistance (2018-2020) - i cui creatori hanno confermato che lo show ha una coppia gay - e The Owl House - Aspirante Strega (2020-2023) - la cui la protagonista Luz è stata dichiarata bisessuale dall'autrice Dana Terrace. Oppure si pensi a Toy Story 4 (2019) - prodotto insieme alla Pixar Animation Studios - in cui si mostrano due madri lesbiche che accompagnano e lasciano il figlio all'asilo; o lo stesso Lightyear - La vera storia di Buzz (sempre del mondo di Toy Story) dove si vedono due "mamme" e un bacio gay tra le due; ma anche a Onward - Oltre la Magia (2020), dove c'è il primo personaggio Lgbtqia+ ad apparire in un film Disney, la poliziotta Specter; a Red (2022) - dove si vede Priya, un personaggio queer d'inclinazione bisessuale.Ma questi, attenzione, sono solo i casi più recenti. [...] Non è un caso che già cinque anni or sono una importante testata internazionale, il Telegraph, dedicasse un apposito servizio ai «personaggi gay» presenti nelle opere della Disney. Oltre alle istanze Lgbt la celebre casa di contenuti per bambini è attenta anche alle istanze woke e femministe, come provano per esempio il nuovo Peter Pan «antisessista» - con i «bambini perduti» che sono diventati delle ragazze - o il sostegno dato dall'azienda al sedicente movimento antirazzista Black Lives Matter. Tuttavia, è soprattutto sul fronte Lgbt che Disney - destinataria non a caso del plauso della Glaad, acronimo di Gay & Lesbian Alliance Against Defamation, sigla arcobaleno attiva nel monitoraggio dei media - sta spingendo e spingerà sempre di più.ALMENO IL 50%Questo, almeno, se si deve credere a Karey Burke, presidente della Disney's General Entertainment Content, la quale in una call aziendale su Zoom, successivamente pubblicata su Twitter, ha ricordato che a breve «almeno il 50% dei» personaggi Disney dovrà essere arcobaleno. Le famiglie sono dunque avvertite, anche se in realtà dei segnali di partigianeria pro Lgbt della celebre azienda di contenuti per bambini c'erano da anni. Basti pensare al video di una conferenza tenuta nell'ormai lontano 1998 all'Università della California da Elizabeth Birch, dirigente dal 1995 al 2004 della Human Rights Campaign, la più grande organizzazione Lgbt americana.Ebbene in quel filmato, dopo essersi accertata che tra il pubblico non vi fossero giornalisti - e probabilmente senza sapere di essere ripresa - la Birch riferisce di uno scambio di battute avuto con Michael Eisner, amministratore delegato della Walt Disney Company per oltre vent'anni, cui lei disse che il 30 per cento dei suoi dipendenti era gay, prima d'esser da costui corretta: «Ti sbagli, Elisabeth, sono il 40 per cento». Lo ricordiamo: parliamo del 1998, dunque di un'era geologica fa rispetto ai progressi e alle conquiste Lgbt degli ultimi anni. La Cnn fissa invece addirittura al 1984 l'anno in cui in casa Disney è iniziata una metamorfosi di apertura verso il pubblico Lgbt.Ma in realtà anche prima la produzione disneiana, come ho raccontato nel mio libro Propagande - segreti e peccati dei mass media (2017), era segnata da un tratto abbastanza caratteristico: l'assenza o la morte delle due figure genitoriali del protagonista, mamma e papà. Una cosa che, beninteso, può avere varie spiegazioni (inclusa quella del mero espediente narrativo, per favorire una crescita attraverso le difficoltà dei personaggi), ma che non può indubbiamente non suggerire una riflessione. Ad ogni modo, non devono stupire, tornando a noi, le parole di Karey Burke, che comunque sul fronte arcobaleno ha anche motivi personali per impegnarsi, dato che si presenta come «madre di due bambini queer».C'è dunque da crederle quando dice che a breve «almeno il 50% dei» personaggi Disney dovrà essere arcobaleno. Il fatto è che tutta questa politicizzazione arcobaleno dei cartoon non sembra portare molto bene, a livello economico. Lo dimostrano non solo il licenziamento di Latondra Newton, ma anche quello di un esercito di ben 7.000 dipendenti. Se si è arrivati a tanto è anche perché il 2022 ha inflitto pesanti perdite un po' a tutti i grandi media arcobaleno. A farlo presente, è stato una fonte di sicura autorevolezza come il Financial Times, secondo cui lo scorso anno la Walt Disney Company, ma pure Netflix e Comcast e altri giganti dei media hanno perso più di mezzo trilione di dollari di valore di mercato.Ciò nonostante, c'è da escludere che nel breve periodo Disney - che peraltro ha sponsorizzato anche il recente Roma Pride - possa fare autocritica e smettere di fare politica attraverso i cartoon. E questo perché una volta presa una strada ideologica così potente come quella pro Lgbt essa non è affatto semplice da abbandonare, se non si vuole passare per "omofobi", per "transfobici" o comunque per intolleranti.Aspettiamoci, dunque, altri spot disneiani alla causa dei movimenti queer ed Lgbt. [...]

Pride Month continues, and the queers of PridEmpire return to you with another Under Queer Review, this time discussing The Owl House on Disney Plus! The Owl House was created by Dana Terrace and ran for 3 seasons from January 2020 to April 2023. There's plenty of casual queer representation littered throughout the show, but does it pass the Queer Review? 0:00 Intros3:22 What is the Owl House?4:41 Luz's Coming Out10:19 Tone and Humor11:40 The Pacing of Season 119:05 Favorite Characters & The Best Character Arcs30:52 Was There Good LGBTQIA Representation?32:59 The Final Season42:09 The Eda vs Lillith Duel44:49 Other Powerful Moments in the Show48:09 Amity and Luz, Rivals to Lovers50:42 Belos as the Main Antagonist57:28 King as Comedic Relief1:03:07 Camilla's Portayal Between Seasons1:05:25 The Queer ReviewThis linktree has links to all our content and socials, including Twitter, Twitch, Mastodon, and Discord! https://linktr.ee/pridempireCheck out our other podcast, What Do The Gays Think? https://podcasts.apple.com/us/podcast/what-do-the-gays-think/id1537422750?app=podcastIntro and Outro Music:"On My Way" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=7437LA DISNEY E' UNO DEI PRINCIPALI SPONSOR DEL GAY PRIDE DI ROMA di Giuliano GuzzoTra le conferme di questo mese di giugno ce n'è una abbastanza scontata, ancorché significativa: è quella che vede la Walt Disney company tra gli sponsor del Roma Pride 2023, la manifestazione Lgbt in queste ore finita al centro delle polemiche per la revoca, dopo la denuncia di Pro Vita & Famiglia, del patrocinio alla stessa da parte della Regione Lazio. La dimensione significativa di tutto ciò sta nel fatto che colpisce - e non può che essere così - vedere una grande casa produttrice di contenuti per bambini sostenere una manifestazione che, appoggiando l'utero in affitto, sostiene di fatto una pratica neoschiavista come la compravendita di bambini.L'aspetto «abbastanza scontato», invece, consiste nel fatto che purtroppo sono anni che Walt Disney sostiene il movimento Lgbt al punto da farlo anche con i suoi prodotti di punta: i cartoni animati. Prova ne siano le serie tv Star Wars Resistance (2018-2020) - i cui creatori hanno confermato che lo show ha una coppia gay - e The Owl House - Aspirante Strega (2020-2023) - la cui la protagonista Luz è stata dichiarata bisessuale dall'autrice Dana Terrace. Oppure si pensi a Toy Story 4 (2019) - prodotto insieme alla Pixar Animation Studios - in cui si mostrano due madri omosessuali accompagnano e lasciano il figlio all'asilo; o lo stesso Lightyear - La vera storia di Buzz (sempre del mondo do Toy Story) dove si vedono due "mamme" e un bacio gay tra le due; ma anche a Onward - Oltre la Magia (2020), dove c'è il primo personaggio Lgbtqia+ ad apparire in un film Disney, la poliziotta Specter; a Red (2022) - dove si vede Priya, un personaggio queer d'inclinazione bisessuale.Inutile dire che si tratta di un elenco incompleto e destinato a crescere, se si deve credere a Karey Burke, presidente della Disney's General Entertainment Content, la quale in una call aziendale su Zoom, successivamente pubblicata su Twitter, ha ricordato che a breve «almeno il 50% dei» personaggi Disney dovrà essere arcobaleno. Ma se queste sono le tendenze che si delineano, vale la pena di ricordare come esse non siano affatto recenti; rispecchiano infatti agganci nell'ambito dei cartoni animati che i militanti arcobaleno hanno in modo stabile non da anni, ma addirittura da decenni. Un episodio, in tal senso, appare illuminante.Si tratta del video d'una conferenza tenuta nell'ormani lontano 1998 all'Università della California da Elizabeth Birch, dirigente dal 1995 al 2004 della Human Rights Campaign, la più grande organizzazione Lgbt americana. Ebbene in questo video, dopo essersi accertata che tra il pubblico non vi fossero giornalisti - e probabilmente senza sapere di essere ripresa - la Birch riferisce di uno scambio di battute avuto con Michael Eisner, amministratore delegato della Walt Disney Company per oltre vent'anni, cui lei disse che il 30 per cento dei suoi dipendenti era gay, prima di essere da costui corretta: «Ti sbagli, Elisabeth, sono il 40 per cento». Lo si ripete: parliamo del 1998, dunque di un'era geologica fa rispetto ai progressi e alle conquiste Lgbt degli ultimi anni.Per quanto riguarda Disney oggi, oltre al patrocinio del Roma Pride, si può segnalare come Disneyland California abbia recentemente annunciato addirittura il suo primo Pride americano in un Parco a tema; un evento notturno ad hoc ideato e pensato per «celebrare la comunità Lgbtqia + e i suoi alleati». Dunque la celebre casa di produzione rilancia più che mai, ad ogni occasione, il suo appoggio al movimento arcobaleno; e lo fa con una passione e una convinzione che colpiscono, se si pensa che proprio la Walt Disney Company - per far fronte ad un 2022 economicamente difficile e a un momento parimenti duro - ha iniziato draconiani processi di decimazione del personale, che porteranno al licenziamento di 7.000 persone.Se ne potrebbe dunque concludere come l'appoggio all'ideologia Woke, al progressismo più estremo e alle rivendicazioni Lgbt, a lungo andare, non porti affatto bene ad una azienda. Anche perché esistono altri casi simili di aziende - da marchi di birra a grandi magazzini - che stanno pagando caro, specie negli Usa, il loro sostegno all'agenda arcobaleno. Eppure c'è chi perseverà, fino a quando dovrà rendersi definitivamente conto che la realtà, ecco, rischia di essere molto più dura ed amara di un cartone animato.

We're diving right backing into the incredible, vibrant world Dana Terrace created with The Owl House. The story really picks up in season 2, and we get some very interesting revelations. There's a lot going on, and the characters are really put through the paces. What did you think? Let us know! Intro & Closing track: Water Lily by the 126ers - https://youtu.be/BQm22usqKds Follow us on social media! Instagram: @nerdypodcats Tumblr: www.nerdy-podcats.tumblr.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/nerdy-podcats/message

Jamie and Kelly are back with the long-awaited Owl House finale! This show has meant so much to so many fans, so join in on this geeky discussion!Support the showListen and learn more about Fanimated. E-mail: fanimatedpodcast@gmail.com Facebook: Fanimated Podcast instagram: @fanimatedpodcast Twitter: @FanimatedP YouTube: Fanimated Media

The Owl House, creada por Dana Terrace, ha sobrevivido para finalizar con su tercera temporada el 8 de abril de 2023. Se ha vuelto particularmente notable por su representación LGBT, en comparación con otros medios de Disney, lo que la llevó a un lamentable final apresurado y dejando cabos sueltos en su historia. A pesar de esto, se ganó por siempre el corazón de la audiencia, pero... ha dejado un vacío extraño, ¿no? ¡Sígueme en Twitter!

Tras soportar recortes, censura y poca promoción, la serie creada por Dana Terrace llega a su fin, y la verdad con un final sorprendente.

Jamie and Kelly are back to geek out about the penultimate episode of The Owl House by Dana Terrace.Support the showListen and learn more about Fanimated. E-mail: fanimatedpodcast@gmail.com Facebook: Fanimated Podcast instagram: @fanimatedpodcast Twitter: @FanimatedP YouTube: Fanimated Media

Thanks to Them opens Season 3 of The Owl House in spectacular fashion, and Kelly and Jamie can't wait to geek out about it.Support the showListen and learn more about Fanimated. E-mail: fanimatedpodcast@gmail.com Facebook: Fanimated Podcast instagram: @fanimatedpodcast Twitter: @FanimatedP YouTube: Fanimated Media...

Jamie and Kelly finally get a chance to geek out about The Owl House, a Peabody award-winning series by Dana Terrace.Listen and learn more about Fanimated.E-mail: fanimatedpodcast@gmail.comFacebook: Fanimated Podcastinstagram: @fanimatedpodcastTwitter: @FanimatedPYouTube: Fanimated MediaSupport the show

Here on Determination, Deliberation, and Dragons, we love diving into a story and analyzing everything about it. So, we decided to do an episode by episode analysis of one of our favorite shows, The Owl House, created by Dana Terrace! On this first episode, Peter is joined by their cousin, Tess, as they begin to pick apart the series premiere. They talk about the various characters, the setting of The Boiling Isles, what magic is shown to be, and why giraffes were banished.Follow us on Twitter: @DetDelDragonsInstagram: @determinepodCheck out our Patreon: https://www.patreon.com/DetDelDragonsHost/Producer/Editor: Peter MarkotsisCo-Host: Tess MarkotsisMusic: JulieArt: Gloria Hosted on Acast. See acast.com/privacy for more information.

Well, folks. We missed it by a week... but the only way to really end pride month is by talking about one of the greatest shows to hit the airwaves with The Owl House! Listen on as Megan and Scottye desperately vie to fit every single bit of information they can in on this episode about Dana Terrace's lovely witch show! After that, Megan decides to take a trip into the mind of the Collector while Scottye decides Hooty needs to give King some House Training lessons. Link to the Discord: https://discord.gg/NNJCANfMbG (https://discord.gg/NNJCANfMbG) Support us on Patreon and get EARLY ACCESS to the show: https://www.patreon.com/ALoadofBS Get dat Merch: https://merch.aloadofpurebs.com/

Un poco tarde, pero hacía falta hablar de la maravilla que fue la temporada 2 de "La casa búho", serie de Dana Terrace trasmitida por el señor Disney, y el final que nos teja a la espera de los últimos 3 especiales que le darán fin a esta serie tan genial que ahora nos da mucho de qué hablar.

I give my spoiler thoughts for Owl House S2: E20 Clouds on the Horizon. Written by Emmy Cicierega and Mikki Crisostomo. Storyboarded by Hayley Wong, Daun Han, Cat Harman-Mitchell, Ben Holm, and King Pecora. Directed by Bosook “Bo” Coburn. And E21 Kings Tide. Written by Zach Marcus and Dana Terrace. Storyboarded by Luz Batista, Rhea Dadoo, and Yasmin Khundari. Directed by Bridget Underwood. Follow me at quinten_dick on Twitter, Instagram, Tik Tok. Thank you Quinten Spangler for the intro song! You can follow his work at Almost Honest on Facebook. Thank you Josh Mann for the spoiler alert song! You can follow his work at Manns Ego on YouTube

I give my SPOILER Discussion for Owl House S2: E15 Them's the Break Kids. Written by Zach Marcus. Storyboarded Sabrina Cotugno, Rhea Dadoo, Yasmin Khudari. Directed by Bridget Underwood. E16 Hollow Mind. Written by Madeleine Hernandez and John Bailey Owen. Storyboarded by Mike Austin, Hayley Foster, and Catherine Harman-Mitchell. Directed by Amelia Lorenz. E17 Edge of the World. Written by Mikki Crisostomo. Storyboarded by Daun Han, Ben Holm, King Pecora. Directed by Bosook “Bo” Coburn. E18 Labyrinth Runners. Written by Dana Terrace and Luz Batista. Storyboarded by Yasmin Khundari, Rhea Dadoo, Emmy Cicierega, and Luz Batista. Directed by Bridget Underwood. E19 O Titan, Where Art Thou. Written by Zach Marcus. Storyboarded by Mike Austin, Hayley Wong, Catherine Harman-Mitchell. Directed by Amelia Lorenz. You can follow me @quinten_dick on Twitter, Instagram, and Tik Tok. Thank you Josh Mann for the spoiler alert song! You can find his work at Mann's Ego on YouTube. Thank you Quinten Spangler for the Intro Song! You can find his work at Almost Honest on Facebook

I give my SPOILER thoughts on Owl House S2 E14 Reaching Out. Written by Dana Terrace. Storyboarded by Daun Han, Ben Holm, and King Pecora. Directed by Bosook “Bo” Coburn. Follow me @quinten_dick on Instagram and Twitter!

On another Creator Spotlight episode, the Ani-Mates discuss Owl House creator Dana Terrace. They talk about problematic Disney mandates, dark animation styles, and the future of the industry being in gay--I mean, GOOD--hands. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

I give a SPOILER thoughts & theories of Owl House S2: E11 Follies at the Coven Day Parade. Written by Dana Terrace. Storyboarded by Daun Han, Ben Holm, King Pecora. Directed by Bosook “Bo” Coburn.

Uma adolescente fora do padrão, uma bruxa procurada pela polícia, uma casa falante e o Rei dos Demônios estão no Walt Diz Podcast. Chegou a hora de falar de A Casa Coruja, animação de Dana Terrace que chamou muito a atenção desde o seu lançamento. Para falar do tema convocamos a Ray (@_ray_a_off), uma adolescente que nem a protagonista da série que sabe tudo sobre as Ilhas Escaldantes, seus habitantes e magias. Dá o play e vem ver como os desenhos de hoje em dia são legais! E já sabe: procure o @waltdizpodcast no Twitter e no Instagram para não perder nada nessa nova temporada.

Florida's “Parental Rights in Education Bill” is ripe for Governor Ron DeSantis' signature, but activists like The Trevor Project's Amit Paley and U.S. Treasury Secretary Pete Buttigieg's husband Chasten, Walt Disney workers Dana Terrace and Benjamin Siemon and their boss Bob Chapek, state Senators Anna Eskamani and Chevron Jones, and the ACLU's Chase Strangio still insist on the right to say “gay” in classroom discussions. Plus: lesbian Saturday Night Live icon Kate McKinnon suggests a way around the “Don't Say Gay” bill! And in NewsWrap: Guatemala's president rejects marriage equality ban, Ukrainian queers band together against Putin's invasion, hackers strike Bulgaria broadcasters with Putin clown image, basketball star Griner's Russian detention concerns U.S. congress members, Texas and Biden clash over state anti-trans witch hunt, Idaho and Oklahoma bills target trans youth gender healthcare, South Dakota and Tennessee catch “don't say gay” fever, and more international LGBTQ news reported this week by Marcos Najera and David Hunt (produced by Brian DeShazor). All this on the March 14, 2022 edition of This Way Out! Join our family of listener-donors today at http://thiswayout.org/donate/

Happy holidays! We hope that you all are staying safe, and having a fantastic and restful holiday season. We would like to present you with a little gift. In this episode, Peter talks a bit about one of the best fictional characters of all time: Luz Noceda, from the fantastic show, The Owl House, by Dana Terrace. This is a short, fun, and quickly made episode about some of the reasons why Luz is fantastic.We may drop some similar episodes every so often that don't follow our main format. We're still experimenting with podcasting and learning more about what we want to do. We hope you enjoy this episode.Thanks!Host/Editor/Producer: Peter MarkotsisCover Art: GloriaMusic: Julie WilsonPlease check out our new Patreon! You can find it at this link: https://www.patreon.com/DetDelDragonsFollow us on Twitter at @DetDelDragonsInstagram: @determinepod Hosted on Acast. See acast.com/privacy for more information.

Episode Notes Witches, demons, potions, curses, magical sports with needlessly complicated scoring systems, and an incredibly cute budding relationship between Luz the human and Amity Blight. This show has it all! In this first episode, Chloe and Val talk about one of the best Disney animated series in years, The Owl House created by Dana Terrace. www.inmediales.com Twitter: @inmediales Instagram: @inmediales Reddit: www.reddit.com/r/inmediales Music by tatianagladetsk Find out more at http://inmediales.com

We watched season 1 and the first 10 episodes of season 2 of ‘The Owl House' on Disney +. It's a charming animated fantasy series created by Dana Terrace, who previously worked on Gravity Falls and Duck Tales. Leave a comment! Or, send us suggestions (that are appropriate for a 12-year old) at wereact677@gmail.com. Join our Facebook group! We React Podcast Tweet us @wereactpodcast We now have an Instagram! @wereactpodcast Join our discord and get access to our bonus Hamilton episode! https://discord.gg/3Rh3vuQ

Episode 29 of So Here's What Happened! has LaNeysha and Carolyn dive into discussion and review of all the things they watched and read during the month of July, which includes the manga Demon Slayer: Kimetsu No Yaiba Volume 23, The Owl House, and Black Widow. Featured books for this episode: Demon Slayer Volume 23, Dark Blood Volume 1.Demon Slayer: Kimetsu No Yaiba Volume 23 (Demon Slayer Volume 23) is the final installment to the action-adventure fantasy manga created by Koyoharu Gotouge and published by VIZ Media. The series follows Tanjiro Kamado, a young man trying to support his family following his father's passing. Suddenly disaster strikes when a demon slaughters Tanjiro's family and leaves his younger sister Nezuko into a demon. Now Tanjiro and Nezuko must set out to defeat the demon that killed their family and find a cure for Nezuko to regain her humanity.Created by LaToya Morgan (The Walking Dead, Into The Badlands) Dark Blood Volume 1 is an intriguing introduction to Avery Aldridge, a former member of the famed Red Tails - an elite squadron of African-American fighter pilots who conducted missions during the WWII as members of the allied forces. Set in 1955 Alabama, the readers will follow Avery on his scary and revealing journey as he discovers he's no ordinary man who may have been changed more than he through by his experiences in the war. Dark Blood can be purchased through BOOM! Studios.Featured television shows for this episode: The Owl House, Hospital PlaylistThe Owl House is an American animated fantasy series, created by Dana Terrace. The series follows Luz, a self-assured teenage girl who accidentally stumbles upon a portal to a magical world where she befriends a rebellious witch, Eda, and an adorably tiny warrior, King. Despite not having magical abilities, Luz pursues her dream of becoming a witch by serving as Eda's apprentice at the Owl House and ultimately finds a new family in an unlikely setting.Hospital Playlist is a Korean drama that focuses on the hilarious and sweet friendship between five surgeons and the doctors, interns and patients they interact with on a daily basis. Written and created by Lee Woo-jung, the show now in it's second season, is just as hilarious and smartly written as first and definitely worth the watch as they encounter new and complicated procedures, terrified patients, not so great love lives, and the emotional toll this all takes on them.Other Asian dramas recommended by Carolyn: The Devil Judge on Viki, and You Are My Glory on WeTV.Featured film shows for this episode: Black WidowIn the long-awaited solo film, Black Widow, featuring the form spy turned Avenger. Starring Scarlett Johansson as the titular character and is joined by a stunning cast Florence Pugh as Yelena, David Harbour as Alexei/The Red Guardian, and Rachel Weisz as Melina.Directed by Cate Shortland, with a story by Jac Schaeffer and Ned Benson, screenplay by Eric Pearson. See acast.com/privacy for privacy and opt-out information.

Dana Terrace graduated from the School of Visual Arts in New York during the spring of 2013 and subsequently moved to Los Angeles after getting hired as a storyboard revisionist for Gravity Falls. She became a director on the first season of DuckTales and is currently creating and executive producing her own series, entitled The Owl House, for Disney Channel.More about Eureka at eureka.baronfig.comPlease leave us a review wherever you are listening! Consider leaving your Instagram handle so we can thank you personally!Tools for thinking at baronfig.com _Producer & editor - John BalderstonMusic - Chandler Reed

Dana Terrace is our guest today! Max, Nick and James are joined by Dana to discuss how to navigate a production to make sure that your vision and ideas are communicated and understood by the whole team, as well as how to manage the inevitable compromises that come with collaboration. You can follow Dana Terrace at: @danaterrace --- Contact us at: Hello@negativespacepod.com Follow us on Twitter: https://twitter.com/NegSpacePod Music by Francisco Ojeda: https://www.instagram.com/ojedabass/

In this episode of Casual Chats, Patricia and special guests Arun Mehta, Michael "Fusionater" McKinney, Paul "Gunterfan1992" Thomas, Timothy Murphy from A Look at Disney, and Rebecca Rose discuss about the 1st season of the 2020 Disney animated series The Owl House created by Dana Terrace in honor of Season 2's premiere on June 12, 2021. They discuss about their introductions of the show, their favorite characters, their favorite episodes, crazy fan theories, and what they expect in Season 2.  --- Support this podcast: https://anchor.fm/old-school-lane/support

Chosen by premium Patreon subscriber Duckmeat, we're chatting about one of Disney's best recent cartoons, The Owl House! We first cover the career of series creator Dana Terrace and the show's many interesting inspirations. Then we cover the fourth episode of the series which is full of excitement and lore. So give a hoot and listen! Support this podcast and get dozens of bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow our official Twitter account, @TalkSimpsonsPod!

Who needs summer camp when you can spend the summer in another world and become a witch apprentice? Chandler is joined by Diego Lacamara and Ryan O'Reilly to talk all about the pilot episode of Dana Terrace's incredible fantasy adventure show: The Owl House! Hoot hoot!