Podcast appearances and mentions of Donna Lewis

A mix of Top 40 hits from the 1960s through the 2000s that peaked at #2. Artists include Foreigner, Eddy Grant, Joe Tex, Lifehouse, Donna Lewis, Gerry Rafferty, Wang Chung and more! 

Welcome back to the SLO County Real Estate Podcast, where we break down the trends, tools, and insider strategies shaping today's Central Coast housing market. On this episode, Hal Sweasey and John Turner, sit down with mortgage veteran Donna Lewis from Rate Mortgage to unpack a truly game-changing FinTech lending product that's giving sellers instant access to cash — helping them prep their homes, increase value, and sell faster. You'll hear how homeowners can apply online, get approved instantly, and receive funding in as little as a week… plus how they're using this money to make smart upgrades that bring in stronger offers. Donna also shares the latest on mortgage-rate trends, creative financing solutions, and what first-time buyers should be thinking about right now. Whether you're selling, buying, or advising clients, this episode is packed with practical insight you can use today.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban's debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song's performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.”  Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don't Mean Nothing,” “Should've Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989's Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard's songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo's Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard's songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My guest today is Jia Tolentino. Jia is the author of the essay collection Trick Mirror, which was named one of the best books of 2019 by The New York Times Book Review, NPR, The Paris Review, and more. She won a National Magazine Award for her work at the New Yorker, where she's been a staff writer since 2016. Her writing covers so many different topics, from Roe V. Wade to the internet to pop culture and music. And today, we're going to talk about the 1996 pop hit “I Love You Always Forever” by Donna Lewis. For more, visit songexploder.net/jia-tolentino.

Laughers,  you're in for a treat as we chat with the hilariously bold Donna Lewis, a stand-up comedian, sketch writer, and improv comedy powerhouse who's shared stages with legends like Maria Bamford and Marsha Warfield. Hear how she went from improv beginnings to rocking major festivals with her all-Black female sketch troupe, slaying crowds at DC Sketch Fest and Toronto Sketch Fest. We'll also get into the nitty-gritty of her writing process, how sketch comedy shapes her stand-up, and the importance of bouncing back when gigs don't go as planned. Plus, get Donna's take on Virginia's evolving comedy scene and empowering advice for up-and-comers. Stick around for our new "Laugher Lightning Round" where we rapid-fire fun questions and learn even more about what makes Donna comedy mind tick. Then don't miss her perform live at the new Comedy Club at Massanutten Resort—and be sure to follow her on socials for updates, show dates, and daily doses of Donna. Cheers! Comedian Donna Lewis Instagram: @hrlmgyrl Facebook: Comedian Donna Lewis See Donna Lewis LIVE on June 19th! NEW! Massanutten Resort Comedy Club ~ Massanutten, VA Buy Tickets: www.massresort.com/dine/dining-events/comedy-club — This podcast is brought to you by: FWAF [f-wahf] = The Funny Womacks & Friends We offer comedy shows, classes & this podcast! thefunnywomacks.com Facebook & Instagram: @thefunnywomacks YouTube: The Funny Womacks Get some free stuff & discounts to support this podcast!  Love Podcasts? Love Audiobooks? Get a Free One on Us!

On this episode of the SLO County Real Estate Podcast with Hal Sweasey. dive into the turbulent mortgage market with Donna Lewis from Rate.com. Donna shares strategies to navigate rising rates, emphasizing why homeownership still trumps renting in today's economy. She also reveals key trends impacting the market, from insurance shifts and credit score challenges to how tariffs could influence mortgage rates in the coming months. Team Sweasey also gets a call from a frustrated resident who has been on the sideline for way longer than she had expected, and we'll hear from Morgan before we get started with this episode of the SLO County Real Estate Podcast. To reach Donna and her team at rate.com with any questions you might have contact her at teamslo@rate.com. And to keep track of current rates and tips be sure to check out rate.com/teamslo Have your question featured on an episode of the SLO County Real Estate Podcast by texting it to 805-244-1170 or if you'd like to have a conversation with the team about your unique situation call Team Sweasey at 805-781-3750 and you can always email Hal at Hal@teamsweasey.com for any questions you might have about real estate CA DRE #01111911

Phil Allen is joined by co-host Jess to hear remixes of an absolute gem of a one hit wonder from 1996. The Donna Lewis ditty “I Love You Always Forever.”

Découvrez l'histoire captivante de « I Love You Always, Forever » de Donna Lewis, tube emblématique des années 90. Inspirée par la littérature, cette chanson d'amour a surmonté bien des défis pour s'imposer dans l'industrie musicale.Malgré son immense succès, elle n'a jamais atteint la première place des classements, éclipsée par « La Macarena ». Pourtant, elle figure parmi les 10 morceaux les plus joués au monde en 1996. La voix de Donna Lewis, souvent comparée à celle de Kate Bush, et son ajustement à l'époque rendent son parcours encore plus fascinant.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.

What an honor to chat with the ICONIC Donna Lewis about her amazing career and of course, I love you always forever! The post Donna Lewis – I love you always forever appeared first on idobi.

**DJ Ricky K Show Replay on www.traxfm.org. Ricky Featured 70's, 80's, 90's & Dance Classics tracks From Taio Cruz, The Kooks, Lighthouse Family, Fergie, U2, Tina Turner, Donna Lewis, Rosie Gaines, Nelly & Kelly Rowland, Shaggy, Coolio, No Doubt, Amber, Irene Cara, Michael Gray & More. #originalpirates #80music #90smusic #danceclassics #popmusic Catch Ricky K Live Every Sunday From 11AM UK Time/9PM Australia Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Spotlight on Scottsdale school issues, candidates There are six candidates running for three seats on the Scottsdale Unified School District's governing board in an important election this year. We had a chance to catch up with three of them: Donna Lewis, Matt Pittinsky and Mike Sharkey. Listen in as they discuss some of the critical issues facing the district and their ideas on how they would deal with them and build on SUSD's continued success as one of the state's outstanding districts.

MIKHAELIZE – Elle était l'océanRISE – Here I AmCARSTEN SCHNELL – Heiss!The StrangerS - In VainSusanne TruVandi Bjarnason – BadmouthingPoison Politix - Eat out your HeartJoe Lington – PinkeenJoe Lington – Move your bodyDetox From Grey - Altitude RushVienna CC – Ended Love Affair Shamar Na'il Star - Just A Touch Of Love (dance mix) Tendertwin -The RunnersGirl Next Door – CTRLhigh jump – CLIIALJuicy Lemon Club 21 – Night Of MayDerrick Washington – Sexy LadyAdam Leon – Little SecretsNikitaa - Delirious Summer BIRTHE - Strangers YOUMAN – Secret TonightLAMIA – CobraEEF (Early Ettringite Formation) – Faded memoryShelby Blondell – Torn DownAce Diamond – Baby You're So AwesomeThe Beauty of Gemina "Whispers of the seasons"Megges – ErwartungshaltungsbluesCATLEA – LyingTHE MARGARET HOOLIGANS – The StoneHengersTja – Things you can't hearPLANG – My Little CityGet Go Getter – Wait OutsideSoFL – FuegoGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterJesse Means - Be YourselfJoe Lington – She Episode Three

We had the pleasure of interviewing Donna Lewis over Zoom video!The new album ‘Rooms With A View' is a collaboration between celebrated singer and songwriter Donna Lewis and renowned electronic artist and producer Holmes Ives.More than just an album though, the record documents Donna's year long journey through breast cancer: “Cancer was the un-invited messenger, the darkdweller who I sought to banish with the love of my family, brilliant doctors and my art”.In 2021 Donna Lewis was about to celebrate the 25th Anniversary of her breakthrough smash hit single ‘I Love You, Always Forever' and her debut album, ‘Now In A Minute' when a routine medical check up, (delayed by the pandemic), brought her the news that no-one ever wants to hear.All plans in place to mark the anniversary, the tour dates, the live TV special, the remixes, were all put on hold to deal with more urgent matters. Donna then spent the next year or so undergoing treatment and surgery, all the while actively writing and recording, before finally late in 2022 she felt ready to prepare for releasing new music once again.Donna had been introduced to the work of electronic artist and producer Holmes Ives in 2021 when he had created a reworking of a piano vocal track she had released called ‘I Told You So'. Since then she had always wanted to further collaborate with him so when it came time to get creative again she suggested they write maybe 2 or 3 tracks together as a potential release for the two of them.All done remotely, they have yet to meet in person, musical ideas were passed back and forth and Holmes worked up tracks for Donna to write lyrics to.As Donna began the creative writing process, she soon realised that without any intent to do so, every set of lyrics going down on the page all represented a different chapter of what she had experienced over the preceding year. Some cryptically capture the trauma and the fear of the diagnosis and treatment while others were observational recollections of more mundane aspects, such as her favorite nurse or the different views from the various treatment rooms. What had been intended to be a four track EP now became an album as how the chapters of the story unfolded made it impossible to convey this momentous journey in anything less.“The instrumental tracks that Holmes Ives sent me coaxed the lyrics from the pages of my journals and inspired an album of stories, unlocking fears, and the climb to a healthier me -mind, body and spirit”Donna's strong and inspiring lyrics, enhanced by her expressive vocal prowess which she has become famous for, married seamlessly with the driving rhythmic dimensions of Holmes Ives stunning sound-beds and has resulted in an awe -inspiring testament of strength, gratitude and facing fears. As well as providing an immensely satisfying musical listening experience, it also relays support and inspiration to anyone who needs it, no matter whatever the reasons in this ever more challenging world of today.“It is an offering of hope for anyone going through a dark tunnel. I am forever grateful to share it with you”.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #DonnaLewis #ILoveYouAlwaysForever #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

Kate Pending – Pigmented Reality (Iron Curtis Augmented Remix)Shelby Blondell – Torn DownCORNELIUS EADY TRIO – The Way You LeaveMIKHAELIZE – Elle était l'océanRISE – Here I AmCARSTEN SCHNELL – Heiss!The StrangerS - In VainPoison Politix - Eat out your HeartJoe Lington – We still hereJoe Lington – Because of you RemixAce Diamond – Baby You're So AwesomeCATLEA – LyingTHE MARGARET HOOLIGANS – The StoneHengersTja – Things you can't hearPLANG – My Little CityDerrick Washington – Sexy LadyThe Family Grave – No ReturnGet Go Getter – Wait OutsideAce Diamond – Flat Out of GasAdam Leon - Little Secret Shelby Blondell – Torn DownCollinhenryzx – love i need you SoFL – FuegoGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfBigMay202 – OnmysideSusanne TruVandi Bjarnason – BadmouthingPoison Politix - Eat out your HeartDetox From Grey - Altitude RushLuigui Bleand – Gomelo

Ace Diamond – Baby You're So AwesomeCATLEA – LyingBAD BUBBLE – This is for PriscillaTHE MARGARET HOOLIGANS – The StoneHengersKate Pending – Status quoVIA MODESTA VALENTI – OriginsKAREN SALICATH JAMALI - Angel Hanaels BeautyERINÇ – Seni Görmeye GeldimMYLITTLEBROTHER – You Know BetterNEODYM – G-Spot (it's getting hot)SALT – MonstersMYAH – notice youTja – Things you can't hearPLANG – My Little CityDerrick Washington – Sexy LadyThe Family Grave – No ReturnGet Go Getter – Wait OutsideAce Diamond – Flat out of gasAdam Leon – Little SecretsShelby Blondell – Torn DownCollinhenryzx – love i need you SoFL – FuegoGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetBigMay202 – Onmyside

Get Go Getter – Wait OutsideAce Diamond – Flat out of gasQ3 - NomadsIan Mathias-Baker – Man Mowing the Lawn Across the Way From MeTartan Army ‘24 - We Are The Tartan ArmyBroken Composers - Solid RevolverGreg Foat - Spider Plant BluesVispa- Walking Into The Light´Dr. Dawsound – DeadlineCATLEA – LyingNADINE MAKALEW – The Other SideRAE LOU – PeopleHEXAGON CAT – Ice BurstJORDAN POPKY – Comfort In StrangersTHE MARGARET HOOLIGANS – The StoneHengersKate Pending – Futile ResistanceVIA MODESTA VALENTI – Bazar BluesKAREN SALICATH JAMALI - Angel Hanaels DreamPLANG – My Little CityAlessio Corrias – MutoNora Marte – InchiostroDerrick Washington – Sexy LadyThe Family Grave – No ReturnMegges – ErwartungshaltungsbluesGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Toy Taha – Thrill Is Gone

Dr. Dawsound – BlueCATLEA – LyingHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetLisa Orefice – InseparabiliThis Side of Wednesday – Do you rememberALI – Trick of the LightHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioGabriele Saro – Run awayJS aka The Best - SINGLE FRANÇOIS MARIUS – I Shot The SheriffTHE MESS:AGE – MR W.H.OIVAN HAGEN- HAPPINESSIVAN HAGEN: UNGRATEFUL ON THE PHONEIl Vagabondo Detto Houston – Femme FataleSophia Stephens – FervorJason Shand – The Haircutter's WifeHarry Kappen – One LifeCARNIVAL MIND – RainbirdYuri Rydkin – PocketShyfrin Alliance – UnconditionalLouise Burke - Artist's RutRussell Oliver Stone – We Gotta Wake Up (Radio Edit)Adam Lanceley - Thank You & Good NightErik Hansen - Send Me a SignAce Diamond – Elvis, Jerry Lee and Me

Dr. Dawsound – Girl in a Hurry (D.R Mix)CATLEA – LyingHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetLisa Orefice – InseparabiliThis Side of Wednesday – Do you rememberALI – Trick of the LightAnthony Casuccio - Life Goes OnHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioSophia Stephens – FervorJason Shand – The Haircutter's WifeHarry Kappen – One LifeCARNIVAL MIND – RainbirdYuri Rydkin – PocketShyfrin Alliance – UnconditionalLouise Burke - Artist's RutRussell Oliver Stone – We Gotta Wake Up (Radio Edit)Adam Lanceley - Thank You & Good NightErik Hansen - Send Me a SignHollywood Beyond – What's The Colour Of MoneyZach Blew - Bicycle Gina Larner - Sin Sis - Bow To Your Wilderness Roy Lucian Baza - Aim For The Heart JS aka The Best - SINGLE FRANÇOIS MARIUS – I Shot The SheriffAce Diamond – She Left Me On the 4th (Now I'm Drinkin' By the 5th)

Dr. Dawsound – In My House (Good Vibes)CATLEA – LyingGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetLisa Orefice – InseparabiliThis Side of Wednesday – Do you rememberALI – Trick of the LightAnthony Casuccio - Life Goes OnHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioGina Larner - Sin Sis - Bow To Your Wilderness Roy Lucian Baza - Aim For The Heart JS aka The Best - SINGLE FRANÇOIS MARIUS – I Shot The SheriffTHE MESS:AGE – MR W.H.OIVAN HAGEN- HAPPINESSIVAN HAGEN: UNGRATEFUL ON THE PHONEIl Vagabondo Detto Houston – Femme FataleCARNIVAL MIND – RainbirdSophia Stephens – FervorShyfrin Alliance – UnconditionalAce Diamond – Baby You're So Awesome

MYAH – always want youFXRRVST – LavenderJEFF LUDOVICUS FEAT. LADY FANNY & ASA – Back in timeTHE HYBRIS – On The Day We Met The KingNATALIA PARDALIS – Who Knew!THE MARGARET HOOLIGANS – The StoneHengersDr. Dawsound – Amor de VeranoCATLEA – LyingHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetLisa Orefice – InseparabiliThis Side of Wednesday – Do you rememberALI – Trick of the LightAnthony Casuccio - Life Goes OnHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioAlen Hit - Remember MeFirst Principle - Suffering MindGinko Bugs - My Eyelash GirlLance Mitchell – StandSophia Stephens – FervorCosme De La Cruz – New DembowJason Shand – The Haircutter's WifeTHE MESS:AGE – MR W.H.OMurmurer – Automata

ARI JOSHUA – One DubJOHN TAGLIERI – Oh, There You ArePOWERS OF THE MONK – Puffy HeadNADINE RANDLE – WingsSKYCALL – WendyMELANIE WEHBE – In Your EyesDADDY DRWG – I'm your waste of timeTWIN SOLITAIRE – Last of the LineZOAX – Infinite HarmonyCHAPEL OF ROSES – Cast out to SeaDr. Dawsound – Electric HeartbeatCATLEA – LyingHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfThis Side of Wednesday – Do you rememberALI – Trick of the LightAnthony Casuccio - Life Goes OnHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioCHYSE - KEEP THE BLAMEAnima Nera - Cani randagiJason Shand – The Haircutter's WifeHarry Kappen – One LifeCARNIVAL MIND – RainbirdYuri Rydkin – PocketShyfrin Alliance – UnconditionalLouise Burke - Artist's RutRussell Oliver Stone – We Gotta Wake Up (Radio Edit)Adam Lanceley - Thank You & Good NightAce Diamond – Color Daddy Lonesome

HOW TO LOOT BRAZIL – Valley GirlsDEEP DIVE SPECIES – Salt and WaterDOVE-I – MetamorphosisMOON METRO – Time to ResignNINA ANTO – Show Me Your ScarsINDIANREDLOPEZ – ObstaclesMY SATELLITE – DenialDARLING FITCH – ShiverBREATHLESS – False ProphetsLOTTE BMFEE – Friday NightDr. Dawsound – Stellar PulseCATLEA – LyingGabriele Saro – Run awayHunzgrippe & Eva Claus - Hör zua (Wenn du oiwei mi nur oschaust)Donna Lewis, Holmes Ives - The ImposterOriginal Pairs – Love CollisionBig Yard - Happy DayJesse Means - Be YourselfAntonia K. Moore - Elizabeth TaylorSad Act - Do U Know (Peach Tree Remix)Laura Musgrave – Anytime26 Hold'n – Last NameStefan Schulzki - Specially Designed Snzae – ResetLisa Orefice – InseparabiliThis Side of Wednesday – Do you rememberALI – Trick of the LightAnthony Casuccio - Life Goes OnHot Ice feat. Alessia Toffoli e Mala Tempora – A mio agioCHYSE - KEEP THE BLAMEAnima Nera - Cani randagiTHE MESS:AGE – MR W.H.OCosme De La Cruz – New DembowMartyrs - Where Did You Go?

Preview indie music by ​Reverend Genes, Alexis de la Rocha, Adult Leisure, Darren Burdis, Jonah Kagen, Pete International Airport, Donna Lewis, Deadset, The Noise Who Runs and Jody and the Jerms. 

Join Kris Kington Barker as she speaks with guests with Downtown SLO (San Luis Obispo), Bettina Swigger, CEO, and Donna Lewis, Board President, and Branch Manager & VP of Mortgage Lending at Guaranteed Rate in San Luis Obispo. They will discuss how Downtown SLO is working to ensure the downtown is positioned as vital to our city, county, and regional economy and identity.Broadcast date: 7/27/23Central Coast Voices is sponsored by ACTION for Healthy Communities in collaboration with KCBX.

Filmmaker, director, and Valencia guitarist Brendan Walter was one of thirty-two students sued by the RIAA for downloading music while he was attending Drexel University, and we have to wonder if one of the songs he LimeWired was the 1996 Donna Lewis pop gem “I Love You Always Forever”. This Welsh artist took a nursery rhyme chorus and made Billboard history, which was clearly a magical time full of exotic sweetness that made an impact on Brendan as he laid under a blue sky with pure white stars. If you like the show, be sure to rate, review, and subscribe. Email us at onehitthunderpodcast@gmail.com. Also, follow us on our social media: Twitter: @1hitthunderpod Instagram: onehitthunderpodcast Wanna create your own podcast? Contact us at www.weknowpodcasting.com for more information. Visit punchlion.com for Punchline tour dates, news, and merch. Sign up for more One Hit Thunder on our Patreon www.patreon.com/OHTPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

We're making Friday GOOD again! In this special Friday 'sode, Bryan and Dirk talk to a crypto scammer and try to get Bryan some restitution after it's revealed a certain fast food chain copied his Donna Lewis voice.⭐ Like what you hear? Leave us a five-star review wherever you listen!

Laughers, be sure to catch this humorous and authentic chat with Donna Lewis, a national touring comedian who opened for Marsha Warfield and Maria Bamford. Listen to stories about what she does for NASA by day and discover what prompted her to pursue comedy later in life. Find out about her favorite places to perform across the country. Listen to experiences of competing and receiving a standing ovation to a sold out audience at Court Square Theater in Harrisonburg, VA pre pandemic that advanced her in the World Series of Comedy. Discover what prompted her to start the diverse POC Improv Troupe Lemon Pepper & Sazón and found the Push Diversity Scholarship program as an outreach to reach diverse performers and audiences. As a sketch comedy writer, hear about the kinds of sketches she writes. Discover if she has a preference doing standup, sketch comedy or improv. Plus, don't miss her fun descriptions about what she loves about each of them & more! Cheers! Comedian Donna Lewis Facebook: Comedian Donna Lewis Instagram: @hrlmgyrl Website: linktr.ee/comediandonna April 15th Spring Show in the 2023 X2 Comedy Series at Court Square Theater 41-F Court Square, Harrisonburg, VA USA Doors Open 7pm; Show Starts 7:30pm $20 Advanced | $25 at Door Chris Womack, Dawn Davis Womack, Jay Zehr, Donna Lewis & Melissa Douty https://courtsquaretheater.org/event/x2-comedy-series-2023/ Great group discounts available just contact the theater at 540-433-9189  X2 Comedy Series Season Tickets: https://checkout.square.site/buy/HUQVI44OQHQ3BXW6USNFI3K7 Laughers, enjoy delicious PrePOPsterous Gourmet Popcorn! Located in Bridgewater, VA ~ Use code LAUGH15 To purchase to visit:  https://www.prepopsterous.com/ To learn more about X2 Comedy & Buy Tickets to a show: Visit: https://www.x2comedy.com/ Facebook & Instagram: @x2comedy

Laughers, be sure to catch this humorous and candid chat with Melissa Douty, a national touring comedian who opened for Arsenio Hall, Maria Bamford and made the Top 101 Comics in the Country for the World Series of Comedy Main Event held in St Louis, MI finishing Top 9. Raised in Clifton Forge, VA and known for her downhome charm and quick wit she appeals to fans young and old. Hear a fun story about when she first realized she was funny. Listen to an entertaining story of her start in stand up comedy. Hear her share experiences of performing around the country including some of her favs and most unusual places. Hear why she works as a clean comedian exclusively and much more!  Plus, don't miss out on her answer to Dawn's question “If you had to create a comedy super-group with three comedians, including yourself, who would you choose and what would you call the group?” Cheers! Comedian Melissa Douty Facebook: Melissa Douty Comicmd Instagram: @comic_md Website: http://www.melissadouty.com/ April 15th Spring Show in the 2023 X2 Comedy Series at Court Square Theater 41-F Court Square, Harrisonburg, VA USA Doors Open 7pm; Show Starts 7:30pm $20 Advanced | $25 at Door Chris Womack, Dawn Davis Womack, Jay Zehr, Donna Lewis & Melissa Douty https://courtsquaretheater.org/event/x2-comedy-series-2023/ Great group discounts available just contact the theater at 540-433-9189  X2 Comedy Series Season Tickets: https://checkout.square.site/buy/HUQVI44OQHQ3BXW6USNFI3K7 Laughers, enjoy delicious PrePOPsterous Gourmet Popcorn! Located in Bridgewater, VA ~ Use code LAUGH15 To purchase to visit:  https://www.prepopsterous.com/ To learn more about X2 Comedy & Buy Tickets to a show: Visit: https://www.x2comedy.com/ Facebook & Instagram: @x2comedy

Trevor and Ryan are back with another Verse of the Day episode! In case you're new to the podcast, we don't look at the verse of the day until the cameras are rolling, the mics are recording, and there's no help for us outside of the Bibles in front of us and everything we can remember from Bible college years ago. In this episode, after a short plug for our annual and upcoming "Blessed To Bless" series, the guys dig into Matthew 6:14, covering its importance in the middle of the Sermon on the Mount, the nuance of forgiveness, and how forgiveness is a dangerous doorway into true healing. Rather than joining in the conversation like normal, let us know that you've chosen someone that you're going to work toward forgiving because you have been forgiven by God or by emailing us at ryan@kingswaymo.com For more information about our previous Blessed To Bless mission partners, check out episodes 94-96 linked below. Episode 94 (Firewind Ministries in Kenya): https://anchor.fm/kingsway/episodes/Episode-94-Blessed-to-Bless---Kenyan-Missions-Interview-w-Maurice-and-Erica-White-e19vha4 Episode 95 (Holiday Central in Mount Vernon): https://anchor.fm/kingsway/episodes/Episode-95-Blessed-to-Bless---Holiday-Central-w-Brandy-Jameson-e1a12u0 Episode 96 (Pregnancy Resource Center in Aurora, MO): https://anchor.fm/kingsway/episodes/Episode-96-Blessed-to-Bless---Pregnancy-Resource-Interview-w-Donna-Lewis-e1a4h20

Host, Mary Upchurch, interviews comedian, Donna Lewis live at the Big Pine Comedy Festival in May 2022 at Mic Drop Comedy!

For the first time in Wild 'Til 9 history, Donna Lewis makes her debut to the podcast to reveal one of her most shocking memories.Shop the most protective and sustainable phone cases at CASETiFY by using my code 15wild or by using this unique link http://cst.fyi/i0Ocd to get 15% off your order!Catch a new episode of Dare We Say every Thursday, wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the first time in Wild 'Til 9 history, Donna Lewis makes her debut to the podcast to reveal one of her most shocking memories. Shop the most protective and sustainable phone cases at CASETiFY by using my code 15wild or by using this unique link http://cst.fyi/i0Ocd to get 15% off your order! Catch a new episode of Dare We Say every Thursday, wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another mix of nostalgic 90s favorites. Artists include Hootie and the Blowfish, Jennifer Paige, House of Pain, UB40, Donna Lewis and more!

Apparently there were issues with the upload so lets try this again:   An all new episode of Hey Hey It's The Podcast is here! Join Criss Fresh, Mitch and Jonesy as they recap episodes of Australian TV institution Hey Hey It's Saturday. This episode looks at the 38th Hey Hey of 1996. It features Jimmy Barnes, Mark Michael Flatley, Donna Lewis and more.   Please subscribe to us on iTunes and you can find us at: Hey Hey It's The Podcast Twitter: @heyheypodcast Instagram: @heyheypodcast

Therapy of the Absurd Ep.59 Our special guest tonight is Comedian Donna Lewis. Plus our weekly therapeutic shenanigans! Guest: Comedian Donna Lewis @hrlmgyrl on IG Hosts: Stephen Bowman: @Comedian_Stephen on IG Danna Kiel: @dannakiel on IG Subscribe to our YouTube to keep up to date on our live broadcasts and so much more. Like, Follow, Share and remember to hit that notification bell. Thank you so much! We go live every other Thursday night at 8 PM PST. Watch it on YouTube, Twitch & Facebook! Also, follow us on Instagram.

Kevin plays Mark in this Tuesday edition of the PopMaster Podcast, hosted by Scott Mills.

Cette semaine on parle d'une one-hit wonder qui s'est offert un tube hyper cul-cul mais terriblement efficace qui a pris le monde par surprise en 1996. C'est I Love You Always Forever de Donna Lewis!Si vous étiez parmi nous en 96, nul doute que vous avez chantonné ce refrain hyper-simple et feel-good en rêvant du grand amour. Au cœur de l'automne, une jeune auteure-compositrice-interprète nous arrive du pays de Galles sans prévenir et balance son tout premier single. La ritournelle aux paroles naïves et mélo sur l'amour, le vrai, le pur que l'on peut ressentir pour sa moitié, s'impose immédiatement comme un tube mondial. Liens et référencesClip I Love You Always Forever - Donna LewisClip I Love You Always Forever - Betty Who5 Seconds Of Summer - No ShameEve - Gotta ManDonna Lewis dans Beverly Hills (S7E15)_______CD2Titres est écrit, produit et incarné par Loïc Dumoulin-Richet.Retrouvez moi sur Twitter et Instagram @CD2Titres_podPlaylist et infos complémentaires sur www.cd2titres.comN'hésitez pas à donner 5 étoiles à ce podcast et à laisser un commentaire s'il vous a plu !Générique et jingles composés exclusivement pour CD2Titres par Rod Thomas @brightlightx2 

In this episode, we discuss:How he landed the drum chair at Moulin Rouge.What he does to avoid drumming injuries. Advice he would give to people interested in playing drums for Broadway musicals.Playing Giant Steps on the oboe.His experience recording the cast recording for the revival of Pippin.What are the things a drummer should never do in a Broadway pit.Grammy-Award winning drummer, composer & bandleader Jared Schonig has toured and/or recorded internationally with Nicholas Payton, Dr. Lonnie Smith, Donny McCaslin, Darcy James Argue & Secret Society, The 8-Bit Big Band, Miho Hazama & m_Unit, Laurence Hobgood, Tim Hagans, Fred Hersch, Wycliffe Gordon, Tom Harrell, Joe Locke, and Ernie Watts among others. A favorite among vocalists, Schonig has toured with Grammy Award-winners Kurt Elling, The New York Voices, Kristen Chenoweth, Cynthia Erivo, and singer/songwriter Donna Lewis, in addition to rising vocal supergroup Duchess, Spencer Day, Laila Biali and Shayna Steele. He has performed around the world from Carnegie Hall to festivals in Zimbabwe. Schonig co-led The Wee Trio, which released five critically-acclaimed albums over the past 8 years. The group received praise from numerous publications and toured internationally. He recently recorded two solo albums of original music (one quintet and one big band) in the fall of 2021 to critical acclaim.  When at home in New York City, Schonig is a fixture in both the jazz and Broadway scene- he recently held the drum chair for the critically acclaimed Tony, Grammy and Emmy-award winning Broadway Revival of The Color Purple and is currently playing drums and percussion for the 10-time Tony-winning Moulin Rouge! The Musical. He also is an in-demand drummer/percussionist for studio recordings, jingle sessions and other commercial music recordings. Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Let's kick off 2022 with a hot combination of insight and nonsense. Roll those into one big fat sheet and jump in for some talk about traveling to Minnesota, Sun Country's misery, experiencing the rare motion disorder called MDDS, Viktor Frankl's wisdom on humor, tapping techniques for mental health, Enya's absurd sounds, Donna Lewis's beautiful sounds, fevers, and Ohhhhhmicron. Stream it, guilt-free, then repeat until the residue comes off. On Twitter kinda @jrosenberg957. Logo art by Brandon Lai Music by Micah Julius Sweatpants addiction by simply living in a winter wonderlandemic

King's Way is in the middle of our Blessed to Bless Generosity Campaign, where we are doing our best to follow God's call to bless others with what we have been given. We want to give out of love and compassion, and what better way is there to foster that love than to hear from the people we want to bless as a church! In this episode, Trevor and Ryan interview Donna Lewis from the Tri-County Pregnancy Resource Center in Aurora, MO. The biblical call for believers to be pro-life is more than simply being pro-birth, and the TCPRC is displaying that conviction with their time, effort, and love in real ways. The TCPRC exists to support and advocate for women going through unplanned pregnancies, having their first baby, or having a baby without the resources they need, as well as educating local schools and the public on reproductive health issues, all for free. From counseling to parenting classes, pregnancy tests to diapers, this organization helps guide men, women, and children toward being healthy families. For more information about the Tri-County Pregnancy Resource Center, check out their website: https://www.tcprc.com/

In this episode, rising indie-pop artist Claire George shares stories as an upcoming producer/ performer, and favorite production tools in the studio. She also shares workflows including vocal processing, favorite plugins, her dream live setup, and how her music was influenced by unexpected life experiences. Claire George is a songwriter, producer and vocalist originally from Seattle, WA. Following the release of Bodies of Water on Cascine in 2018, Claire toured the US & Canada with DRAMA, in addition to supporting Diane Coffee, The Midnight, and Kllo on shorter runs and headlining her own West Coast tours. In 2019 she released the stunning piano ballad “Alone, Together,” along with an alternate uptempo rework of the track produced by Josh Burgess of Yumi Zouma. Most recently, she released a lowkey, bubbly cover of Donna Lewis' 1996 classic “I Love You Always Forever.” Follow Claire below: Website: claire-george.com Facebook: facebook.com/clairegeorgeofficial Instagram: @clairegeorgeofficial Twitter: @clairegeorge EPISODE SUPPORTED BY MELODICS.COM Melodics is a desktop app that helps you build your skills playing MIDI keyboards, pad controllers, or electronic drums. Check out the free trial and start having more fun while practicing at: melodics.com/ Join the Ableton Live 11 Beta Online Event (11/11/2021) bit.ly/3H5HSi4 Save money purchasing the latest version of Ableton Live: liveproducersonline.com/buyableton Join Discord and connect with other Ableton nerds: discord.gg/ceb9CgAFFj Join the newsletter and be the first to receive new podcast episodes, as well as Ableton Live downloads, special events, and more: liveproducersonline.com/newsletter

Which 90s one hit wonder jam do you think was the better tune? Today we have I Love You Always Forever from Donna Lewis vs. Better Days by Citizen King. See omnystudio.com/listener for privacy information.

Donna Lewis - I Always Love You Forever George Ezra - Blame It On Me Adele - Rolling in The Deep The Bangles - Walk Like An Egyptian Jet - Are You Gonna Be My Girl Spin Doctors - Two Princes Portugal The Man - Feel It Still Pharrell Williams - Happy Beach Bunny - Cloud 9 Panic! At The Disco - High Hopes Travis - Sing Lenny Kravitz - Fly Away Kaisier Chiefs - I Predict A Riot Keziah Jones - Rhythm Is Love The Weeknd - Blinding lights Green Day - Boulevard Of Broken Dreams The Script - Superheroes

Our title this week is thanks to the heeeeavenly Donna Lewis! Taking us out on this fine day in lockdown. We have so much this week, from a green smoothie/risotto recipe by a curly-haired goat farmer, to a fun game for nights in, two podcasts for long walks, very cool posters for kid or adult rooms and a real estate website you will be addicted to from here on out. Hold onto your hats. Sign up to our free Friday newsletter for links to everything mentioned in this episode, or become a paid subscriber for an extra themed newsletter once per month! Join the convo/DMs on Instagram @highlyenthused, and email us if you wish at highlyenthused@gmail.com This episode is supported by Liminal*, a free online series event coming up from August 16-20 for women curious about diving headfirst into the world of startups. Register now, and get ready to seize your dream job.

(Are you signed up for our National Conference in November? Get all the details here!)Did you know that 83% of pastor's wives wish their husbands would choose a different profession?Donna Lewis and her husband, Bobby, have been in ministry for decades and are church planters of RiverPoint Church. Bobby is actually a coach and conference facilitator here at 95Network, and Donna has a huge passion to support pastors' wives. In this episode, she openly shares about the loneliness of feeling unseen, what it's like to feel like the church is the "other woman," why avoiding the issue isn't a solution, her encouragement to both male pastors and pastors' wives, and more.(In this episode, we are specifically talking to male pastors. If you're a female pastor, we see you and do hope you still get value from this episode!)Pastors, this is so important. Your marriage is more important than your ministry. We hope this episode is a reminder for you of exactly that.Show Notes: https://www.95network.org/donna-lewis-87/Support the show

If you combine the sizable talents of Donna Lewis and Pamela Sue Mann then mix in a little David Baron magic then you've got QueenTown.  Lewis and Mann illuminate the Rick Z Show with there light-hearted banter and loving rapport. If you think that sounds fun wait till you hear the intriguing songs and sounds on their debut EP Post Apocalyptic Lullaby.  

Donna Lewis on the Rick Z Show. Think you know Donna Lewis?  Think again.  With one of the biggest hits of the last 25 years "I Love You Always Forever" it would be easy to misperceive Donna as merely a Pop Princess, but there is so much more to this multidimensional artist.  Penning nearly half a dozen diverse albums and side projects.  This angelic voiced singer influenced the likes of Taylor Swift though she was born in Cartiff, Wales.  She is the Hudson Valley's own Donna Lewis.

Donna Lewis on the Rick Z Show. Think you know Donna Lewis?  Think again.  With one of the biggest hits of the last 25 years "I Love You Always Forever" it would be easy to misperceive Donna as merely a Pop Princess, but there is so much more to this multidimensional artist.  Penning nearly half a dozen diverse albums and side projects.  This angelic voiced singer influenced the likes of Taylor Swift though she was born in Cartiff, Wales.  She is the Hudson Valley's own Donna Lewis.

Tom tries to prove himself by bringing #1 artist Donna Lewis to the Peach Pit After Dark, though David has his doubts; Donna Martin embarks upon a new career as a fashion-focused meteorologist, immediately attracting unwanted attention from a mysterious creep; and Steve's stint on the maintenance crew puts him on a collision course with a homeless student who somehow has the leisure to engage in pointless mischief. JOIN THE AWT CLUB