Podcasts about Uncharted Territory

In the latest episode of our podcast, we take a fascinating journey into the world of music trends and data with Chris Dalla Riva, author of "Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves." This episode is a must-listen for anyone who has ever been curious about the stories behind the hit songs and the charts that track their popularity. This episode is a treasure trove of insights for music lovers and anyone interested in the intricate relationship between data and pop culture. Chris Dala Riva's "Uncharted Territory" serves as a compelling guide to understanding the numbers behind the music we love. Tune in now to discover what the charts reveal about ourselves and the biggest hits! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into this week's episode of Songs That Don't Suck, where host Mark Bradbourne geeks out over a new book that fuses music history with deep data—Uncharted Territory by Chris Dalla Riva. Plus, five must-hear new tracks from The Format, The Boondocks, Ugly UK, The Pale White, and Scarhaven. Data nerds and music lovers, this one's for you.To check out this week's songs on your platform of choice head to the website Songs That Don't SuckConnect with Songs That Don't Suck ~ ⁠⁠Instagram⁠ | BlueSky

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

In the latest episode of our podcast, we take a fascinating journey into the world of music trends and data with Chris Dalla Riva, author of "Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves." This episode is a must-listen for anyone who has ever been curious about the stories behind the hit songs and the charts that track their popularity. This episode is a treasure trove of insights for music lovers and anyone interested in the intricate relationship between data and pop culture. Chris Dala Riva's "Uncharted Territory" serves as a compelling guide to understanding the numbers behind the music we love. Tune in now to discover what the charts reveal about ourselves and the biggest hits! GET YOUR COPY OF THE BOOK HERE (which I highly recommended!):https://www.amazon.com/Uncharted-Territory-Numbers-Biggest-Ourselves/dp/B0F78P8RZN/ Chris Dalla Riva's newsletter "Can't Get Much Higher" can be found here:https://www.cantgetmuchhigher.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

As the U.S. government shutdown drags on, uncertainty continues to build for both investors and everyday Americans. In this episode of J.P. Morgan's Making Sense, Samantha Azzarello, head of Content Strategy, sits down with chief U.S. economist Michael Feroli and Jay Barry, head of Global Rates Strategy, to explore the impacts of the prolonged shutdown. How is it weighing on consumer sentiment and economic growth, and how are markets responding? Plus, have expectations for Fed policy changed as a result?    This episode was recorded on November 7, 2025.   This communication is provided for information purposes only. Please visit www.jpmm.com/research/disclosures for important disclosures. JPMorgan Chase & Co. or its affiliates and/or subsidiaries (collectively, J.P. Morgan) normally make a market and trade as principal in securities, other financial products and other asset classes that may be discussed in this communication. This communication has been prepared based upon information from sources believed to be reliable, but J.P. Morgan does not warrant its completeness or accuracy except with respect to any disclosures relative to J.P. Morgan and/or its affiliates and an analyst's involvement with any company (or security, other financial product or other asset class) that may be the subject of this communication. Any opinions and estimates constitute our judgment as of the date of this material and are subject to change without notice. Past performance is not indicative of future results. This communication is not intended as an offer or solicitation for the purchase or sale of any financial instrument. J.P. Morgan Research does not provide individually tailored investment advice. Any opinions and recommendations herein do not take into account individual circumstances, objectives, or needs and are not intended as recommendations of particular securities, financial instruments or strategies. You must make your own independent decisions regarding any securities, financial instruments or strategies mentioned or related to the information herein. Periodic updates may be provided on companies, issuers or industries based on specific developments or announcements, market conditions or any other publicly available information. However, J.P. Morgan may be restricted from updating information contained in this communication for regulatory or other reasons. This communication may not be redistributed or retransmitted, in whole or in part, or in any form or manner, without the express written consent of J.P. Morgan. Any unauthorized use or disclosure is prohibited. Receipt and review of this information constitutes your agreement not to redistribute or retransmit the contents and information contained in this communication without first obtaining express permission from an authorized officer of J.P. Morgan. Copyright 2025, JPMorganChase & Co. All rights reserved.

SUPPORT ME ON PATREON: https://www.patreon.com/c/taylorlorenz Buy a subscription to my Tech and Online Culture newsletter, User Magazine to support my work!!!!

SNAP benefits have stopped going out to 10 percent of the population. The size of the federal government is frighteningly big. Let's discuss. Plus PREDICTIONS!

We've got an update on the wounded hawk on Susie's property and an update on the wounded boobs in Susie's body. We hear how her second MRI went, and why she's mad as a hornet. Sarah had a breakdown about her haircut, but we cracked the case on what was really causing it. We debate what song we'd like to hear again for the first time. Susie is continuing her year of lesbian intrigue after she got hit on by a lady at a bar. We learn about the hack some people are using to beat the algorithm of dating apps that intentionally keep you from getting the people you really want for free. Susie discusses the John Candy documentary, why he was such a treasure, and how special it is when a man has a tender heart. We talk about the BTK serial killer documentary, and his relationship with his family. Plus, we welcome Chris Dalla Riva, author of Uncharted Territory: What the Numbers Tell Us About the Biggest Hit Songs and Ourselves, and hear what we can learn from all of the #1 hits in history.Brain Candy Podcast Presents: Susie & Sarah's SpOoOoOoOoktacular Spectacle, October 30, Oriental Theater, Denver, Colorado: Get your tickets! Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:Get $10 off your first month's subscription and free shipping when you go to https://nutrafol.com and enter the promo code BRAINCANDYThis episode is sponsored by BetterHelp. Get 10% off your first month at https://www.betterhelp.com/braincandyHead to https://airdoctorpro.com and use promo code CANDY to get UP TO $300 off today! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Can you feel it? The city is buzzing with Mariners fever. The M's are closer to the World Series than they’ve been in a long time. We'll talk about how they got here and what this means with Seattle Now sports correspondent Vaughan Jones. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online. See omnystudio.com/listener for privacy information.

The silver market is entering uncharted territory — and things are moving fast. Over the past few days, several U.S. dealers and refineries have halted silver purchases, sending shockwaves through the entire precious metals industry. Refineries have stopped buying, lease rates have exploded past 100%, and mints are struggling to keep coins flowing. In this episode, hear a candid discussion (on 10/13/2025) with SD Bullion's CEO and COO as they break down what's really happening behind the scenes — and what it could mean for silver prices in the days ahead. Tune in now before the market shifts again.

John C. Reilly joins to discuss Mr. Romantic, his theatrical tribute to the Great American Songbook that treats Irving Berlin and Tom Waits as equals in the canon of timeless American song. Reilly recorded live in one room with his band using vintage ribbon microphones, embracing the squeaks and imperfections while layering in cinematic sound effects—crickets outside a lover's window, a collect call from prison—to transform each standard into an immersive scene. But what makes a song from the 1920s feel eternal? Music data scientist Chris Della Riva, author of the forthcoming Uncharted Territory and the newsletter Can't Get Much Higher, breaks down how composers like the Gershwins wrote for amateur musicians playing sheet music at home, creating universal lyrics and AABA structures where the hook comes first. That accessibility is precisely what draws Reilly to this repertoire. He sees himself in the lineage of interpreters like Sinatra, not selling his own story but passing along music that already belongs to all of us, like holding up a seashell and saying, "Isn't this one beautiful?" More Get Chris Della Riva's book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves Subscribe to Chris Della Riva's Can't Get Much Higher Songs Discussed Taylor Swift "The Last Great American Dynasty" George Gershwin "I Got Rhythm" Village People "Y.M.C.A." Billie Eilish "Bad Guy" Frank Sinatra "On the Sunny Side of the Street" Judy Garland "Over the Rainbow" Ella Fitzgerald "My Romance" George Gershwin "But Not for Me" Elvis Presley "Are You Lonesome Tonight" The Beatles "We Can Work It Out" The Beatles "Get Back" The Beatles "Yesterday" John C. Reilly "Moonlight Serenade" John C. Reilly "Dreams" John C. Reilly "Johnsburg, Illinois" John C. Reilly "Falling in Love Again" John C. Reilly "What'll I Do" John C. Reilly "Picture in a Frame" John C. Reilly "Just Another Sucker on the Vine" Randy Newman "Ragtime" John C. Reilly & David Garza "What's Not To Love" Harry Nilsson "Coconut" Judy Garland "Somewhere Over the Rainbow" Dooley Wilson "As Time Goes By" The New Vaudeville Band "Winchester Cathedral" Andy Williams "The Days of Wine and Roses" Nat King Cole "The Frim Fram Sauce" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Why would Nehemiah choose to view the broken walls of Jerusalem while it was dark?

Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music. Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning. Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way. Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization. Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music. Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning. Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way. Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization. Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music. Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning. Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way. Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization. Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Popular music history collides with data analytics, charts, and numbers in this insightful and surprising look at the greatest hits and musicians, fads, forgotten artists, and much more. Data analyst and musician Chris Dalla Riva reframes everything you thought you knew about music. Did you know that hit songs in the late 1950s were regularly about gruesome death? That a US vice president wrote a number one hit? That while TikTok has spawned countless hits, it's made artists more anonymous than ever before? That pop songs have shaped race relations in the United States? That the key change died around 2003? And that's just the beginning. Coupling hard data with engaging anecdotes, Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Bloomsbury, 2025) is both a takedown and celebration of popular music and provides new ways to think about your favorite songs, genres, and artists from the last 6 decades using unexpected statistics and playful visualizations. This entertaining history is filled with the most popular musicians of all time from The Beatles and The Bee Gees to Michael Jackson, Mariah Carey, and beyond. Whether you danced the twist or the dougie at your senior prom, you're sure to never listen to music again in the same way. Chris Dalla Riva lives at the intersection of music and data. Playing in bands and recording music since his teenage years, Dalla Riva is currently a Senior Product Manager at Audiomack where he focuses on data analytics and personalization. Gregory McNiff is a Managing Director in the New York office of the Blueshirt Group, an IR firm focused on technology. Greg holds an MBA from the University of Chicago Booth School of Business, an M. Litt. in Shakespeare Studies from the University of St. Andrews and a B.A. in Classical Languages from Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

If the world didn't win, then has it lost? The world is overshooting 1.5°C, a level of global heating long seen as the marker of climate safety. But does that mean we're doomed? In this opening episode, we hear the extraordinary story of how the 1.5°C goal was set, and how it shapes the ways we think about climate change. We learn why some people are now turning to fatalism and what it might really mean to navigate a truly global climate crisis.***OVERSHOOT is a new four-part audio documentary hosted by climate researcher and policy advisor Laurie Laybourn. OVERSHOOT is produced by Planet B Productions and the Strategic Climate Risks Initiative.Listen and subscribe wherever you get your podcasts. For essays and bonus content, sign up at overshootpod.com or follow @overshootpod on social media.***Writer and presenter: Laurie LaybournResearcher: Ben Shread-HewittProduction coordination: Daniel NormanScript consulting: Daniel TrillingSound design and mix: Ben Heyderman and James FoxOriginal music by HaniellWith special thanks to Aaron Thierry, Mirte Boot, James Dyke, Henry Throp, Stephen Backhouse, and Sophia Lennon

A rocky mic check, a quick update on Scott, and a refreshed plan for the pod. In class, Fabian kicks off the year with a Salem Witch Trials “history mystery” and blackout poems; Jamie dials in summary writing with The Wild Robot and a write-first/map-after tweak to Uncharted Territories. We both talk about guarding contract hours (and sanity). And in our ever popular segment "Whatcha been playin'...?", Fabian talks about Onitama.Join ⁠@hofmannedu.bsky.social⁠, ⁠@jedijamie.bsky.socia⁠l and ⁠@findingmyaloha.bsky.social⁠ each week by subscribing to our podcast and rating and reviewing us on Apple Podcasts! Join our Discord on ⁠rebelteacheralliance.com⁠ or here. Find us on Instagram ⁠@rebelteacheralliance⁠, on BluSky ⁠@rtalliance.bsky.socia⁠l, and on TikTok ⁠@rebelteacheralliance⁠.Things mentioned on the show:- Onitama - Two player boardgame

Chiefs Radio Analyst Danan Hughes joins the show to preview the Chiefs game Sunday afternoon against the Ravens.

ReA Comics, a recently established publication focusing on graphic storytelling is presenting some of its inaugural publications to the readers this fall. Bedo Demirdjian, one of the co-founders of the publication, speaks not just of the vision behind the initiative, but of community, culture and the search for a new kind of an Armenian reader.

​despite how you may feel about Charlie Kirk - this censorship is unsettling ​Every American

Guy Adami and Liz Thomas discuss the immediate market reactions following a disappointing August jobs report. They delve into the implications of this data, including the anticipated rate cuts by the Federal Reserve and the potential impact on the labor market and inflation. The conversation covers historical context, the roles of small-cap stocks, the influence of federal policies, and the reactions of various sectors, including gold and healthcare. They also touch on the global economic outlook, the potential for a recession, and personal anecdotes. The episode emphasizes the complex interplay between economic indicators, market performance, and policy decisions. —FOLLOW USYouTube: @RiskReversalMediaInstagram: @riskreversalmediaTwitter: @RiskReversalLinkedIn: RiskReversal Media

Message from Rev. Dr. Clark Cowden entitled "We are in Uncharted Territory." For more information, visit sntandrews.org. © St. Andrew's Presbyterian Church.

In 2018, voters narrowly passed a ballot initiative, dubbed Proposition 4, to create an independent redistricting commission and redraw Utah's voting maps. State lawmakers, though, weren't having it. For the past six years, they've managed to thwart the implementation of Prop 4. But a judge's ruling last week could force their hands and alter the balance of power in Utah's congressional delegation.

The fastest American-born Black female marathoner. What a title, one earned when Erika Kemp ran a time of 2:22:56 at the 2025 Houston Marathon, and it's one that she wears proudly. For this week's conversation, I'm chatting with Erika before she heads out to Tokyo for the World Athletics Championships, representing Team USA in the marathon. We talk about it all: Her debut marathon, the magic that is Houston, what her recovery routine and support squad looks like, and what it feels like to be a Brooks athlete. Plus: How she stays positive, and what she thinks about to perform her best on the roads. IN THIS EPISODE(13:06) When did Erika learn to trust herself within training(13:15) What does “OYO” mean in running?(14:11) Erika talks about how running made her feel in high school versus now(22:54) How does Erika manage negative thoughts and what's her advice to others navigating difficult self-talk(25:16) What does Erika's support system look like(36:38) East does success look and feel like for Erika in Tokyo?(38:00) How does the Tokyo World Championships course work out to Erika's advantage(38:40) What was the hardest part of Erika's running career thus far(40:04) Erika talks about the difficulties she has working with an old coach shortly after Covid(41:30) What does Erika do for herself when everything feels out of her control(42:28) How to manage stress and what does 'superstitious' look like for Erika(44:34) Erika talks about joining Joan Benoit Samuelson as an Olympic gold hopeful(45:40) Erika talks about not loving to do hands-on body work, and what recovery looks like for her otherwise (48:20) Erika shares her “I am statements”(51:32) What about Erika the person makes her proud, beyond being an athleteSOCIAL@imtinyrik⁠@emilyabbate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hurdlepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OFFERSLMNT | Go to ⁠⁠DrinkLMNT.com/Hurdle⁠⁠ to get a free sample pack with your purchaseInsideTracker | Go to ⁠⁠⁠⁠InsideTracker.com/Hurdle⁠⁠⁠⁠ to and use code "ITHURDLE" to get 20% off.JOIN: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Daily Hurdle IG Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SIGN UP: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Weekly Hurdle Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ASK ME A QUESTION: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email hello@hurdle.us to ask me a question!⁠⁠⁠⁠

A.M. Edition for Aug 26. President Trump says he's removing Federal Reserve governor Lisa Cook, escalating his campaign against the central bank. The WSJ's Alex Frangos helps us make sense of whether he actually has the authority to fire Cook, and what this means for the Fed's independence. Plus, U.S.-China trade talks are set to resume this week. And WSJ correspondent Yaroslav Trofimov reports that Russia faces a fuel crunch, as Ukraine steps up its drone attacks on the country's refineries. Azhar Sukri hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

State Lawmakers have paved the way for Governor Newsom's redistricting plan to go before voters on a November ballot, but not all voters are sold on the idea of taking a partisan approach to draw up California's district map--even if Texas plans to do the same in an attempt to tip the mid-term elections in the GOP's favor. Some worry the move would take California into murky political waters down the line.  Wildfire victims in Los Angeles County are starting to rebuild their lives. A bill is making its way through Sacramento to make sure that renters are not excluded from help that is extended to home owners--however, it's facing mounting criticism from both landlords and tenants. Learn more about your ad choices. Visit megaphone.fm/adchoices

AWP Episode 234 “Uncharted Territory” w/the AWP Boys   Daniel Buitrago, Brandon Fifield & Jack Lau sit down and talk all things Bison hunting as they prepare for an epic adventure in the deep back country of Alaska in search of the mighty North American Plains Bison!   Float boat tool kit, Brian @ AK Raft Connections, gel blaster, Gotcha Paint Ball Alaska, snow ball menace kids, AK Farm Supply, Jerry'l Lau is a sneaky good golfer, Jack's big news, Mayors Small Batch Salsa is back!, time for hunting season geek out & prep mode, Captain Michael A. Healy, Jacks drama Bison Tag, Jeff Lund “On Step Podcast”, podcast back In the day Episode 104 w/Dave Brophy “Egypt Mountain & The Bison” Aire Series rafts, Daniels raft?, mapping & logistics, finding elevation, choosing later season hunting dates, building the hunting party roster, establishing float days & camps, must have gear, meat care on the raft      Visit our website - www.alaskawildproject.com Watch on YouTube - www.youtube.com/@alaskawildproject Follow on Instagram - www.instagram.com/alaskawildproject $upport on Patreon - www.patreon.com/alaskawildproject

An amazing conversation with musician and data analyst Chris Dalla Riva, whose new book "Uncharted Territory-What Numbers Tell Us about the Biggest Hot Songs and Ourselves" breaks down the Billboard Numbers one songs from 1958 to the present. Popular music colllides with analytics in this fascinating book, and delightful conversation. Enjoy!

On this episode of The Story & Craft Podcast, we sit down with producer,Danny O'Malley. Danny is a Grammy and James Beard award nominee. He just picked up an Emmy nomination for theNetflix series “Chef's Table”. Danny takes us on a culinary journey through his experiences. They also talk about everything from the impact of Anthony Bourdain, Chicago-style pizza preferences, memorable dining experiences, to the global influence of food and its power to bridge cultures. Danny also shares insights into his Greek heritage, his obsession with Chinese cuisine, and the making of compelling food stories. Tune in for an exciting conversation filled with delicious tidbits and behind-the-scenes stories that food lovers won't want to miss!SHOW HIGHLIGHTS01:34 Chicago Roots and Pizza Preferences04:10 Journey into Food Television07:19 Food and Cultural Connections08:58 Anthony Bourdain's Impact17:03 Memorable Culinary Experiences20:34 A Culinary Journey Through History25:18 Exploring Food Cultures and Personal Favorites27:47 The Uncharted Territory of African Cuisine29:19 The Evolution of Food Programming33:03 The Seven QuestionsListen and subscribe on your favorite podcast app. Also, check out the show and sign up for the newsletter at www.storyandcraftpod.com...#podcast #DannyOMalley #ChefsTable #Netflix #Alinea #GrantAchatz #AnthonyBourdain #JamesBeard #Proudcer #Producing #storyandcraft #Cooking #Restaurants #Chefs #FoodNetwork #FoodTV

Rev. Dr. Tod Bolsinger joins Kara and Matt to talk about adaptive leadership. Tod believes that congregational leaders can learn to engage in change practices that will relieve pressure and revitalize congregations. Resources AE Sloan Leadership, Inc. (organization) Canoeing the Mountains: Christian Leadership in Uncharted Territory by Tod Bolsinger (book) "Ronald Heifetz: The Nature of Adaptive Leadership" from Faith & Leadership (9 min video) Allyd (organization)

Sir David Attenborough, Miriam Margolyes, Nigel Planer, and others join us for a glimpse into Uncharted Territories, a new audio author showcase from John Murray publishers. This week we have a guest appearance from our friends at John Murray publishers who are sharing Uncharted Territories, their first ever audio author showcase. Here they've curated a collection of some of the best historians, memoirists, academics, critics and national treasures publishing on their 2025 non-fiction list to introduce and share clips from their current and upcoming audiobooks. You'll find some recognisable names and be introduced to some new voices. Listen to the legendary Sir David Attenborough reading from his top 10 bestseller Ocean, to playful provocateur Miriam Margolyes, to comedy legend Nigel Planer who shares an exclusive extract from his upcoming memoir, and discover some new voices along the way. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode is a bit of a departure from our usual lineup, and we think it's exactly what many of us are craving right now. We're joined by intuitive guide and founder of Soul-Speak, Cindy Aaker, who shares her deeply personal spiritual journey, from waking visions and archangel encounters to discovering the Akashic Records and connecting with guides beyond this realm. Recorded in the midst of global uncertainty and collective exhaustion, this conversation is an offering of meaning, stillness, and hope. Whether you're spiritual, skeptical, or somewhere in between, Cindy's story invites us all to pause, reflect, and consider what might be possible when we tune in to something deeper.We're already planning part two! There's so much to cover and we barely scratched the surface. Stay tuned!Chapters(0:00:07) - Finding Hope in Uncharted Territories(0:07:20) - Exploring Spiritual Paths and Beliefs(0:16:15) - Exploring the Akashic Records(0:20:42) - Awakening Through Spiritual Exploration(0:29:01) - Connecting With Archangels and Spiritual Awakening(0:36:36) - Exploring Personal Spiritual Connections(0:46:19) - Birthing a New Way of Being(0:52:46) - Visions of Supportive Symbols(0:57:50) - Embracing Joy and Kindness Through Adversity Visit us at InclusionGeeks.com to stay up to date on all the ways you can make the workplace work for everyone! Check out Inclusion Geeks Academy and InclusionGeeks.com/podcast for the code to get a free mini course.

Sunday sermons from Church Unlimited.

Canada is entering a new and unfamiliar chapter—one defined not by explosive population growth, but by a dramatic slowdown that could rewrite the country's real estate narrative. In fact, Canada just recorded one of the lowest levels of population growth seen in over 70 years. Only two other quarters in modern history have posted weaker numbers: the height of pandemic lockdowns in 2020 and the global energy downturn of 2015. But now, for the first time outside of a crisis, population growth is grinding to a near halt—and the implications for housing are massive.Ontario and British Columbia—two provinces that have long driven real estate demand—actually saw population declines in Q1 2025, with Ontario contracting by 5,700 people and B.C. by 2,400. That's virtually uncharted territory for regions that typically lead the country in net migration and property price acceleration. The federal government's 2024 decision to scale back immigration targets—both temporary and permanent—has now triggered six consecutive quarters of slowing growth. Meanwhile, non-permanent resident totals dropped by over 61,000, even as deaths outpaced births by more than 5,600. What we're witnessing is a foundational demographic shift—one that's sending ripples through every corner of the housing market.This episode of The Vancouver Life Podcast dives deep into what this demographic reversal means for real estate prices, rental demand, construction starts, and investor sentiment. With record-breaking levels of purpose-built rentals under construction and fewer people arriving to occupy them, we expect continued downward pressure on rental rates. In fact, Metro Vancouver rents have dropped $114 over the past year, including $52 in the last month alone, bringing average monthly rent to $2,223. Even furnished units now offer only marginal premiums, making furniture investments for landlords a poor ROI.As demand slows, so do housing prices. Canada's national benchmark price fell for the sixth consecutive month in May, landing at $690,900—the same level we saw in May 2021 and nearly 18% below the 2022 peak. Inventory is rising, with more than 200,000 listings on the market nationwide, yet buyer sentiment remains fragile. Though sales inched up in May, they are still down over 4% year-over-year. And the only provinces seeing real price gains are smaller markets like Manitoba and Newfoundland—while the heavyweights of B.C. and Ontario drag the national average down.Housing starts are falling too. In B.C., starts dropped 29% from April to May alone. Multi-family builds fell even harder—down 33% month-over-month and 19% compared to last year. The six-month moving average for starts has dropped 30% since its peak in 2023, and that trend is expected to continue. Cities like Nanaimo and Kelowna have seen construction plummet by as much as 75% and 45%, respectively. The result? The pipeline of new housing is drying up—just as rental supply is peaking and demand is waning. _________________________________ Dan's New Channel:  www.youtube.com/@VancouversTopRealtor Ryan's New Channel: www.youtube.com/@ryan_thevancouverlife  _________________________________ Contact Us To Book Your Private Consultation:

Loving our autistic children through their struggles isn't always simple — and it's definitely not always easy. In this heartfelt episode, Shannon opens up about the complex emotions many parents face when their child can't or doesn't express love in typical ways.Maybe your child doesn't say “I love you.” Maybe they don't come to you for comfort or push you away during meltdowns. Maybe you've quietly wondered, "Why does this feel so one-sided?" or "Am I the only one who feels this way?"You are not alone.As summer begins — a time that can feel overwhelming for families like ours — this episode is a soft place to land. It offers you an alternative perspective for those long, unstructured days when everything feels harder than it should. Come back to it whenever you need a reminder that you're not alone, and your love still matters — more than you know.You'll hear stories, strategies, and compassionate insights about what it means to love your child through their hardest moments — not despite them. You'll learn why their love may look different (but is still real), why grief and love can exist side by side, and how to hold space for both hope and heartache on this unexpected parenting journey.And don't forget — next week kicks off our BEST OF Summer Series! We'll be spotlighting some of our most downloaded episodes to make sure you haven't missed any favorites. With over 230 episodes, there's so much to take in, and what didn't apply when it aired might be exactly what you need today. Be sure to scroll through and find the episodes that speak to where you are now. We'll be back with brand new episodes later this summer!

In 2018, the U.S. Air Force awarded a $3.9 billion contract to Boeing for two new Air Force One planes. For a variety of reasons, including delays tied to the need for workers with proper security clearances, Boeing may or may not be able to complete the order before the end of President Donald Trump's second term. Meanwhile, the Qatari Prime Minister offered to gift the president a luxury 747 jet valued at $400 million. And the Department of Defense has just accepted it. There are questions about whether the Qatari plane can even be brought up to Air Force One's safety and security standards before Trump leaves office. But the bigger question may be whether it was lawful for the president to accept it. Richard Briffault, Professor of Legislation at Columbia Law School, joins us on The Excerpt to share his insights.Let us know what you think of this episode by sending an email to podcasts@usatoday.com.Episode Transcript available hereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(0:00) “I'm an expert on cats”(2:40) NFL 2025 Schedule Release: “It's a holiday!”(4:25) Primetime games: “The NFL is playing the hits”(8:00) Chiefs & Eagles: Which Super Bowl team has the tougher road?(18:30) Ravens & Lions: Which contender has the tougher road?(27:10) Commanders: Are they ready for primetime, all the time?(30:40) Soft Septembers: Bills, Steelers, Rams, Bengals, 49ers, Patriots, & Bears could all hit the ground running(52:25) DraftKings: Non-Playoff Teams with Best Odds to Return to Postseason(55:40) Texans: Can they cruise to another AFC South title?(59:30) Tough Septembers: Cowboys, Giants, Jets, & Browns could struggle out of the gate

Scripture: Acts 2:1-13

Scripture: Acts 1:1-11

Ben and Brent dive into uncharted territory for Maple Leafs fans as the team nears a first-round sweep. They break down the thrilling 3-2 OT victory, highlighting Simon Benoit as the unlikely hero, Auston Matthews finally scoring, and key lineup changes. The duo also discusses the rest of the NHL playoff first round, particularly the Panthers' success in Tampa. They wrap up with insights on the NFL draft, featuring an expected first pick, a surprise trade, and a notable omission (32:21).The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliate.

What do we do when we start to feel fear and doubt? In a special one-off message, Pastor Jon Chasteen preaches on the truth about fear and doubt and how to overcome it through Jesus. We pray this message will bring you joy and hope in whatever season you're in! Scripture references: John 11:4 (MSG) John 11:14-15 (MSG) John 20:19-29 (NIV) Connect With Us: To learn more about Victory Church and to get connected, visit us at https://victory.church/ Worship Gathering Times: To see locations & worship gathering times, visit https://victory.church/locations/ Prayer: We believe in praying big prayers to a big God and expecting big results. If you're in need of prayer, our team would be honored to pray with you. You can reach us for prayer at https://victory.church/prayer Giving: At Victory, we steward God's resources well and with radical generosity. If you'd like to give toward the mission of Victory Church, visit https://victory.church/give/ Follow Us: OKC Campus: Instagram: https://www.instagram.com/victorychurchokc/ Facebook: https://www.facebook.com/victorychurchok Edmond Campus: Instagram: https://www.instagram.com/victoryedmond/ Facebook: https://www.facebook.com/victory.churchEDM Grapevine (Texas) Campus: Instagram: https://www.instagram.com/victorychurchgrapevine/ Facebook: https://www.facebook.com/profile.php?id=100089341962919

In this chilling episode of Scary Stories Told in the Dark, five travelers cross unseen thresholds—into places that shouldn't exist, and truths that shouldn't be spoken. A locked door no blueprint will acknowledge. A midnight walk that leads through the city's forgotten skin. A voice that whispers your choices before you make them. Join Otis Jiry and Malcolm Blackwood as they explore forbidden places and vanished paths, where the only landmarks are your regrets—and the exit isn't always where you left it. To watch the podcast on YouTube: http://bit.ly/ChillingEntertainmentYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link! http://bit.ly/ScaryStoriesPodcast If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ScaryStoriesPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hour 1 April Fools email | Utah Jazz set franchise record with 60 losses NBA draft | Cooper Flagg Utah Hockey Club GM Bill Armstrong Hour 2 Utah Hockey Club future is bright Good, Bad & Ugly Whole World News Hour 3 Utah Jazz radio PxP David Locke Sports Roulette Final thoughts

Welcome to Shooting Sharp with Mike Rossi. This is Episode #4 - Opening the Beyond Mike has a special episode this week as he interviews Beyond Wrestling Owner and Founder Drew Cordeiro.  Drew runs down the history of Beyond, speaking to some of the concepts over the years including Uncharted Territory from the past and Wrestling Open of the Present and Future Whether an existing fan or Beyond or a potential new fan, learn about one of the longest running Independent Wrestling Companies in the United States and how different the Independent Wrestling world is now versus pre Pandemic.  Join us every Tuesday for Shooting Sharp on the North South Connection Podcast Network.

Tell us about your Adventure!Embarking on a journey to Mt. Everest Base Camp is not just a hike; it's a life-changing experience, a test of endurance, and an opportunity to forge lasting memories. For Cyrena and Phil, both in their 70s, this adventure was their second time in Nepal. This journey became even more special as they trekked to the base camp with their son and grandson. Against the majestic backdrop of the Himalayas, they embraced the challenge of trekking together, proving that age is not a barrier to adventure.

For Susan DeMersseman, having a core group of friends that help each other navigate traveling, health issues and aging makes all the difference.

March arrives as a powerhouse month, packed with significant astrological and numerological events signaling a period of intense transformation. This isn't just a regular month; it's a right of passage, a "pressure cooker" testing the depth of your spiritual practice. Expect a whirlwind of energies, potentially leading to disorientation as you're being fine-tuned for higher levels of consciousness. The law of attraction will be in full effect, reflecting your internal landscape externally, pushing you to rise, grow, and persevere. Prepare for a month of beginnings and endings, driven by eclipse season, Venus retrograde, the Spring Equinox, and Neptune's momentous shift into Aries. The numerology of March, with its 3 month and 9 year energy, creates a unique balance, blending extroversion with introspection. The 12 vibration emphasizes change, urging you to flow with the current, trust, and simplify to amplify. This month is a call to reflect on the lessons of January and February, using that "data" to set the stage for your future. Key Dates for March: March 1st: Venus retrogrades in Aries March 3rd: Mercury enters Aries March 11th: Mercury conjuncts Venus March 14th: Mercury retrogrades in Aries; Full Moon Eclipse in Virgo March 20th: Spring Equinox; Sun moves into Aries March 27th: Venus enters Pisces March 29th: New Moon Eclipse in Aries March 30th: Neptune moves into Aries This month is a test of faith, a quantum leap, reminding you that you are divinely inspired and exactly where you need to be. Your power lies in the present moment. Embrace the paradox, turn your logic upside down, and ask where you can be of service, demonstrating love, understanding, and hope. March excites and perplexes, but ultimately, it empowers you to step into uncharted territory and embrace new levels of consciousness. Additional Resources: 8 Year in Numerology Blog Your Guide to Venus Retrograde Podcast 2025 Astro-Numerology Guide 2025 Astrology Forecast with Hannah’s Elsewhere Send Amanda a DM: @SoulPathology or Email: Podcast@SoulSessions.meFollow Amanda on Instagram: https://www.instagram.com/soulpathology/See omnystudio.com/listener for privacy information.

Jesse wears a fuzzy hat and reads from The Game. Support Vanderpump Robs https://patreon.com/vanderpumprobs Brought to you By: The Sonar Network https://thesonarnetwork.com/

As the year wraps up, we're looking back at ten of the episodes that defined 2024 at The Take. This originally aired on November 21. None of the dates, titles, or other references have been changed. A new phase in the Russia-Ukraine war is continuing to escalate. Ukraine sent US and UK-made missiles into Russia this week, while the Kremlin has loosened its policy for using nuclear weapons. Where does the war go from here? In this episode: Yulia Shapovalova, Al Jazeera Correspondent Episode credits: This episode was produced by Ashish Malhotra, Sonia Bhagat, and Chloe K. Li with Phillip Lanos, Spencer Cline, Cole Van Miltenburg, Duha Mosaad, Hagir Saleh and our host, Malika Bilal. It was edited by Alexandra Locke. Our sound designer is Alex Roldan. Joe Plourde mixed this update. Our video editors are Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio.