Podcasts about Three Dog Night

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Send us a textThis week James and Jack speak with Paul Kingery of Three Dog Night. Paul lets us in on what it was like to tour with Rick Springfield, pop-sensation Tiffany, and his long stint being a core member of Three Dog Night. Tune in for a great show!

"Well, there's thirteen hundred and fifty two Guitar pickers in NashvilleAnd they can pick more notes than the number of ants On a Tennessee anthillAnd it was Nashville Cats, play clean as country waterNashville Cats, play wild as mountain dewNashville Cats, been playin' since they's babiesNashville Cats, get work before they're two"Please join me for 2 hours of Hellified pickin' on this weeks Super Sounds Of The 70's.Joining us are Maria Muldaur, Joni Mitchell, Grateful Dead, Chicago, Johnny Rivers. Firefall, Meatloaf, Spirit, Supertramp, Steve Miller band, Three Dog Night, Tower Of Power, Crosby Stills Nash & Young, Van Morrison, Blood Sweat & Tears, The Eagles, Allman Brothers band, Taj Mahal, David Bowie, War, Toto, Steely Dan and The Lovin' Spoonful.

Send us a text and chime in!Enjoy an unforgettable evening of rock and roll magic when one of the most celebrated and enduring bands of all time, Three Dog Night, takes the stage at Findlay Toyota Center on Saturday, February 21, 2026. Joining them for this special night are progressive rock favorites Ambrosia and singer-guitarist John Ford Coley, from the legendary duo England Dan & John Ford Coley. Three Dog Night, now celebrating its 6th decade, boasts some of the most astonishing chart statistics in popular music with 21 consecutive Billboard Top 40 hits, including 3 #1 singles. The band was created in 1968 by Danny... For the written story, read here >> https://www.signalsaz.com/articles/this-2026-concert-is-bringing-rock-history-to-prescott-valley/Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

The lying liars that tell lies for fun and profit are really puffed out and feeling good about their life choices in 2025. Hopefully their lies won't stop the pendulum from swinging back in their faces. Thanks to social media and the ever-expansive list of people willing to be lied to, liars are having such a moment that it got us thinking it was a good time to give them their own episode. The great Gabe Scalone is back for Top Ten Songs About Liars Part 2 where we guilelessly reveal picks 5-1. If you missed Part 1, you don't have to lie and say you didn't. Just go back and listen here or wherever you get your podcasts:https://podcasts.apple.com/us/podcast/episode-688-top-ten-songs-about-liars-part-1-w-gabe-scalone/id573735994?i=1000729093502Please be enjoying the official Top Ten Songs About Liars playlist, featuring every song heard in Parts 1 & 2:https://open.spotify.com/playlist/4GI9pEyfmZCDqCnYN6NCLE?si=56fbca5383db4165We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. The Queen Of Emergency Pod Shannon Hurley returned for Volume 20 on October 1st! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

When "How We Heard It" was just a few weeks old in the summer of 2024, we posted an episode about guilty pleasures, featuring your veteran entertainment critics/hosts Wayne Bledsoe and Chuck Campbell confessing their love for art that other critics frown on - including Wayne's love of sunshine pop and westerns and Chuck's love of exotica and techno music. Some 15 months and 65 shows later, the guilty-pleasures episode remains one of the three most-listened-to episodes of "How We Heard It." So Wayne and Chuck - plus their engineer, songwriter/musician John T. Baker - decided to revisit the topic and own up to more embarrassing affections about what they find entertaining, including artists who often get looked down on (from New Age acts on Windham Hill Records to Peter, Paul and Mary), as well as mainstream musicals and novelty bands. Find out who likes Donna Summer, who likes the Pointer Sisters and who can't hide his love of high-voiced women. One of the guys loves the "bubblegum" rock of Three Dog Night, another loves the "yuppie rock" of  Counting Crows and one of them can't tear himself away from those social media video compilations where people scare their loved ones, friends and family. These admissions may ding your hosts' credibility, but they aren't ashamed and don't think you should be ashamed of your guilty pleasures either. Well ... maybe they're a little ashamed. And maybe you should be too. But whatever: Life's too short to worry about the opinions of snobs.

TVC 705.3: From August 2018: Chuck Harter and Ed remember The Music Scene (ABC, 1969), the short-lived music comedy series from the fall of 1969 that featured such top Billboard artists as The Beatles, James Brown, Neil Diamond, Three Dog Night, Tom Jones, Janis Joplin, Sly and The Family Stone—all performing live every week. Hosted by comedian David Steinberg, and also featuring a house band led by Patrick Williams and a regular improvisational comedy group that included a pre-Laugh-In Lily Tomlin, The Music Scene is mostly remembered today for its odd length (45 minutes).

"Turn up your radio and let me hear the songSwitch on your electric lightTurn it up, turn it up, little bit higher, radioTurn it up, that's enough, so you know it's got soulRadio, radio turn it up, humLa, la, la, la..."Please join us on this week's Musical Caravan, Super Sounds Of The 70's and turn it up higher. Joining us are David Bowie, Blodwyn Pig, Seatrain, Three Dog Night, Wilson Pickett, Fleetwood Mac, Jean Luc Ponty, Boston, Manfred Mann, Free, Michael Murphy, Chicago, The Doors, Hollies, Gypsy, Foreigner, Savoy Brown, Bob Dylan,Lynyrd Skynyrd and Van Morrison"

Today's program features tuneage from Elvin Bishop, Tears For Fears, Pat Metheny, Three Dog Night, Donovan, Peter Frampton, Buffalo Springfield, Quicksilver Messenger Service, Iron Butterfly, The Beatles, Les Dudek, Brian Wilson, The Guess Who, Doors, Fever Tree, Alan Parsons Project, Spirit, Simon & Garfunkel, The Righteous Brothers, Jeff Beck, Stevie Wonder andBeach Boys.

This week's program features tuneage from Stevie Ray Vaughn, Laura Nyro, Talking Heads, Mark Knopfler, Three Dog Night, Steely Dan, Tears For Fears, The Left Banke, XTC, The Doors, Linda Ronstadt, Santana, Chick Corea w Return To Forever, Dire Straits, Brian Auger's Oblivion Express, The Verve, Coldplay, The Youngbloods, Who,  Sons Of Champlin and Chicago Transit Authority.

Helen and Gavin chat about The Pickup, It's Never Over Jeff Buckley, Weapons, and Freakier Friday, and it's Week 14 of the list of Grammy Record of the Year Winners from 1972, which will be picked from My Sweet Lord by George Harrison, Theme from Shaft by Isaac Hayes, It's Too Late by Carole King, You've Got a Friend by James Taylor, and Joy to the World by Three Dog Night.

What's your most loved and least favorite 1971 hits?! For our latest Wildcard Episode, these 1971 babies decided to rank another huge year end countdown because our 91X 1983 episode was such a blast. On wildcard episodes like these, we end up talking about dozens of bands instead of one, so this one runs about fourteen hours long. Even Adam's "producer", David Gimbel, chimes in with his favorites of the year.  Listen at WeWillRankYouPod.com, Apple, Youtube, Spotify and The Way Back Machine. Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod.SPOILERS/FILE UNDER:Ain't No Sunshine (blocked by copyright here), Bee Gees, The Bells, Billboard Magazine, David Bowie, James Brown, Brown Sugar, California, Changes, Cornelius Brothers & Sister Rose, Do You Know What I Mean, Easy Loving, Fearless, Fifth Dimension, Five Man Electrical Band, Fleetwood Mac, Marvin Gaye, David Gimbel, Go Away Little Girl, Groove Me, Freddie Hart, Isaac Hayes, Ben Hill, Hot 100, If You Could Read My Mind, Indian Reservation (The Lament of the Cherokee Reservation Indian), It's Too Late, The Jackson 5, Janis Joplin, Joy to the World, Just My Imagination (Running Away with Me), Carole King, King Floyd, Gladys Knight & the Pips, Jean Knight, Led Zeppelin, Gordon Lightfoot, Lonely Days, Maggie May, Matthews Southern Comfort, Paul & Linda McCartney, Me and Bobby McGee, Melody, Melody Fair, Mercy Mercy Me (The Ecology), Lee Michaels, Frank Mills, Mr. Big Stuff, Joni Mitchell, Music Box Dancer, One Bad Apple, One Less Bell To Answer, Donny Osmond, The Osmonds, Parliament, Pink Floyd, Proud Mary, Paul Revere & The Raiders, The Rolling Stones,  Signs, Stairway To Heaven, Station Man, Stay Awhile, Rod Stewart, Sweet and Innocent, James Taylor, The Temptations, Theme from Shaft, Three Dog Night,Treat Her Like a Lady, Ike & Tina Turner, Uncle Albert/Admiral Halsey, What's Going On, When The Levee Breaks, The Who, Bill Withers, Won't Get Fooled Again, Woodstock, You've Got a FriendUS: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

In today's episode, Wendy Newton and I talk about the playbook the administration is using to promote falsehoods. We then discuss the ways we can both stay concerned and stay healthy. Please support Peter's Podcast on Patreon.com. It's easy to send me a small token if you find these offerings valuable.

See omnystudio.com/listener for privacy information.

(00:00 - 25:21) – Query & Company opens this Tuesday with the sad news of the passing of Hall of Fame Second Baseman Ryne Sandberg. Jake relives the “Sandberg Game” that happened on June 23, 1984, then shares in a remembrance of his impact on the Chicago Cubs, along with his analysis on the change of an era in baseball. Then, Colts Running Back Jonathan Taylor joins the show after training camp wraps for the day and shares his takes about quarterback styles, roster growth over the offseason, and his recollection of a moment during practice today that James Boyd described on Twitter/X as, “DT Grover Stewart just threw RB Jonathan Taylor to the ground after Taylor made a short catch. Obviously, JT took exception and shoved Grove in the chest. And then LG Quenton Nelson came over and had some words for Grove, too. Second day of pads has been physical.” (25:21 - 37:10) – Jake shares an analysis between Daniel Jones and Anthony Richardson as quarterbacks and gives this QB battle a comparison to racing and how we need to “not overthink it.” (37:10 - 45:48) – Too many coincidences with Indianapolis Colts players who have joined Query & Company; Jake goes through them. Then, should Jake get 3.5% of Colts Left Tackle Bernhard Raimann’s $100 million deal with his 4-year contract extension? (45:48 – 1:12:39) – Jake begins this segment sharing Colts Training Camp injury updates and how this will affect practice this week and the rest of the offseason. Why do injuries happen, and can we determine when they happen? Jake talks through some theories around the injuries that are happening. He finishes this segment sharing more about Ryne Sandberg’s passing and how much baseball has changed over the years. Jake takes a call with Listener Tom who reminisces with him (1:12:39 – 1:26:40) Indiana Fever Head Coach Stephanie White joins the show to talk about their 93-78 win over the Chicago Sky, with Kelsey Mitchell racking up 35 of those points. She shares her thoughts ahead of their next game against Phoenix Mercury on Wednesday, along with how she feels about playing against DeWanna Bonner. She shares updates on Caitlin Clark’s injury and the plan for moving her forward. Jake finishes the conversation with Coach remembering Ryne Sandberg. (1:26:40 - 1:35:58) – Ticket Giveaway to Three Dog Night’s performance at the State Fair, with a get-to-know-your-listener with Tony. (1:35:58 - 1:59:11) – ESPN.com’s Indianapolis Colts beat reporter Stephen Holder joins the show with an in-depth recap of Colts Training Camp so far, what players are standing out to him in both good and bad ways, and his thoughts on what he’s watching for and wanting to see through the rest of camp. (1:59:11 - 2:08:33) – Jake shares Jonathan Taylor’s conversation from earlier again for anyone who missed it. (2:08:33 - 2:16:49) – Ticket Giveaway to Dropkick Murphy’s performance at the White River State Park Everwise Amphitheater next Tuesday, with a get-to-know-your-listener with Jeff. JMV joins to finish out the show with Jake. Support the show: https://1075thefan.com/query-and-company/See omnystudio.com/listener for privacy information.

(00:00-25:52) – Query & Company opens on a Monday with Jake Query live from Grand Park at Colts Training Camp and producer Eddie Garrison back in the studio. They start the show by discussing some of the takeaways from today’s practice for the Indianapolis Colts. They also touch on their weekends, the Fever winning again without Caitlin Clark, and the historic racing weekend at the Indianapolis Motor Speedway. (25:52-36:55) – Indianapolis Colts defensive back Jaylon Jones joins Jake Query at Grand Park to discuss what his mindset was entering the season with the competition for the second outside starting corner position, shares what’s different from Lou Anarumo’s defense compared to Gus Bradley’s scheme, weighs in on he’d rather play man coverage or zone coverage, and accesses what he has seen in the quarterback competition between Anthony Richardson and Daniel Jones. (36:55-46:13) – Jake closes out the first hour of the show by discussing the three big celebrity deaths this week and explains how they had an impact on how we view things today. (46:13-1:13:47) – The second hour of Query & Company with Jake Query and producer Eddie Garrison tips off by them discussing an ESPN article where someone gave grades to each team in the NBA for how they operated this offseason. They give their grades and recap what happened today at Colts camp. (1:13:47-1:29:16) – Jake comes back from break and discusses Bubba Wallace becoming the first African American NASCAR driver to win the Brickyard 400 and ties it to a story that Willy T. Ribbs told him. Plus, he gives away tickets for Three Dog Night concert at the state fair! (1:29:16-1:36:40) – The second hour of the program concludes with Jake discussing the heat because people in Missouri are concerned about corn sweat. It leads to Jake being worried about the corn at the Indiana State Fair. (1:36:40-2:02:17) – The Dean, Mike Chappell, from CBS4 & FOX59 makes his weekly appearance on Query & Company and discusses the first padded practice of training camp, identifies Adonai Mitchell as a player that needs to step up his performance in camp so far, notes a couple of players that have stood out so far in camp, accesses if Shane Steichen has changed his approach this season in camp compared to others, and discusses Bernhard Raimann’s response on the show last week about where contract negotiations are at. (2:02:17-2:12:41) – Jake and Eddie discuss whether or not they hate listening to their voices because Jake realized something that he does that he doesn’t know if he needs to do or not. Plus, they give away tickets for the Dropkick Murphys concert next week! (2:12:41-2:23:44) – Today’s show closes out with Eddie mysteriously leaving resulting Jake admits his admiration for the people who produce his shows. Plus, JMV joins to preview his show and recap Brickyard weekend!Support the show: https://1075thefan.com/query-and-company/See omnystudio.com/listener for privacy information.

The Music That Made WE volume 5 continues with Rebecca Mmm Davis, lauded emcee based in Seattle, WA and co-producer of What the Funk Fest. She's chosen 10 songs that make up her story, with a soundtrack that includes Robbie Williams, Jill Scott, Three Dog Night, and more. + Stick around for Viktor's hidden bonus track. more Rebecca: https://www.instagram.com/stayuplateshow/     The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque [Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for “Fair Use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.]

Jason Fraley catches up with Three Dog Night co-founder Danny Hutton as the classic-rock band returns to The Birchmere in Alexandria, Virginia on July 29. He shares his incredible life story in Hollywood, including lifelong friendships with Brian Wilson and Elton John. He also shares how the band came to record hits like “Mama Told Me (Not to Come),” “Joy to the World,” “Never Been to Spain,” “Black and White” and “An Old Fashioned Love Song." (Theme Music: Scott Buckley's "Clarion")

Send us a textIn this episode, we take a deep dive into the career of Three Dog Night, one of the most commercially successful American rock bands of the late 1960s and 1970s. With a signature sound defined by three lead vocalists—Danny Hutton, Chuck Negron, and Cory Wells—the band carved out a unique niche in rock history.How they became masters of turning other songwriters' material into radio gold. From “Joy to the World” to “Mama Told Me (Not to Come),” “One,” and “Black and White,” Three Dog Night racked up 21 Billboard Top 40 hits—more than most of their contemporaries.We'll also discuss the band's musical versatility, their ability to blend pop, rock, soul, and gospel, and the behind-the-scenes tensions that led to their eventual breakup and comebacks. Plus: what makes their catalog still resonate today?

Today's program features tuneage from Cat Mother & The All Night Newsboys, The Small Faces, Tradewinds, Who, Beatles, Stones, Jackie Wilson, Van Morrison, Chuck Berry, Traffic, Bobby Rydell, The Doors, J.Geils Band, Shangri-Las, Rascals, Three Dog Night, Vanilla Fudge, Vince Guaraldi Trio, Moody Blues, Cars, Blues Image, Grass Roots, Willie Nile and Warren Zevon.

What's up, dudes? I've got Ken Kessler from Sounds of Christmas and Scott Leopold from Holly Jolly X'masu here to talk the wonky version of “A Christmas Carol!” Yes, it's “Scrooge's Rock 'N' Roll Christmas” starring Jack Elam and ‘60s/‘70s musical acts!Airing in 1984, the special shows Ebenezer Scrooge in his counting house. Enigmatically, a young girl goes through an unseen time slip à la the Real Ghostbusters and winds up in his place. Subsequently, she attempts to enliven his Christmas spirit with a magical snowglobe that grants wishes. Her wish: teach Scrooge about Three Dog Night.The rest of the show is the duo arguing about Christmas and rock and roll, and watching various bands and singers. Everyone from Merrilee Rush to Paul Revere & the Raiders show up and sing Christmas songs and carols. Mary MacGregor and Mike Love sing “Do You Hear What I Hear?” while the Association sings “Sleigh Ride.” The acts change Scrooge's tune, and all's well that ends well.Bobby Goldsboro? Got him. Mike Love? Much maligned, but he's there too. Bridget? …Bridget?!?! So hop on your sleigh. Shake your magic snowglobe and sing along to this episode on “Scrooge's Rock ‘N' Roll Christmas!”Sounds of ChristmasFB: @SOCMusicTwitter: @SOCMusicIG: @socmusicHolly Jolly X'masuFB: @HollyJollyXmasuTwitter: @HollyJollyXmasuIG: @hollyjollyxmasuGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Send us a textA candid exploration of golf, aging, and the search for that elusive perfect swing feeling. Rich Easton returns after a three-month hiatus to share personal stories and observations from both on and off the course.• Reflections on Rich's birthday celebration weekend in Charlottesville, including dining at The Melting Pot and attending a Three Dog Night concert• Thoughts on how society often marginalizes age and experience unless accompanied by extreme wealth• The "Too Much Detail" story about a fellow golfer who couldn't stop talking about his round• The eternal search for "finding it" in golf – that perfect swing feeling that sends the ball exactly where you intend• How right-brain versus left-brain thinking affects how golfers approach the game• Analysis of what separates great golfers from good ones – mental toughness on Sunday's back nine• Why Rich stopped betting on sports and his personal philosophy on gambling• Predictions for the PGA Championship at ValhallaSupport the showSpotify Apple podcastsAmazon Music all other streaming services

This week on Classic Vinyl Podcast, Justin and Tyler listen to and review Three Dog Night and their 1969 song Easy To Be Hard. Originally from the rock musical Hair, Three Dog Night decided to released their own version seeing the changes that were happening in the sixties. We think this song is every bit as relevant today as it was almost 60 years ago. Give it a listen and let us know what you think.

June 18th, 2025 Follow us on Facebook, Instagram and X Listen to past episodes on The Ticket’s Website And follow The Ticket Top 10 on Apple, Spotify or Amazon MusicSee omnystudio.com/listener for privacy information.

National Name your poison day.  Entertainment from 2021.  Bill of Rights proposed to US Constitution, Vacuum cleaner invented, Worlds 1st auto theft.  Todays birthdays - Jerry Stiller, Joan Rivers, Nancy Sinatra, Chuck Negron, Boz Skaggs, Bonnie Tyler, Tim Berners-Lee, Keenen Ivory Wayans, Rob Pilatus, Julianna Margulies, kanye West.  Andrew Jackson died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Name your poison - Ted NugentButter - BTSForever after all - Luke CombsBirthdays - In da club - 50 Cent    http://50cent.com/These boots were made for walkin - Nancy SinatraJoy to the world - Three Dog NightLook what you've done to me - Boz SkaggsTotal eclipse of the heart - Bonnie tylerIn Living Color TV themeGirl you know its true - Millie VanilliStronger - Kanye WestExit - You aint no match - Lena Paige   Lena on facebookcountryundergroundradio.com cooolmedia.com

Hour 1 Segment 1 Kendall & Casey starts the show talking about Diego Morales going to India. Hour 1 Segment 2 Kendall & Casey talk more about Senator Mike Bohacek, and Diego Morales paying for his trip to India. Hour 1 Segment 3 Kendall & Casey are joined by Jim Merritt to talk about the Senator Mike Bohacek DIU. They also talk about Indiana Lieutenant Governor Micah Beckwith. Hour 1 Segment 4 Kendall & Casey wrap up the first hour talking about the concert lineup for the Indiana State Fair with Three Dog Night, Babyface, Bill Murray and His Blood Brothers, and Melissa Etheridge.See omnystudio.com/listener for privacy information.

Because the world is round it turns me onBecause the world is round...aaaaaahhhhhhBecause the wind is high it blows my mindBecause the wind is high...aaaaaaaahhhh"Because it's Sunday we can spend 2 hours together sharing some terrific music and memories. Joining us are H.P. Lovecraft, Queen, The Moody Blues, Bee Gees, Steve Miller Band, Three Dog Night, Buzzy Linhart, Supertramp, Fleetwood Mac, Savoy Brown, Badfinger, Crosby, Stills & Nash, Steely Dan, The Faces, Tommy James & The Shondells, The Who, Paul & Linda McCartney, The Beach Boys, Grand Funk Railroad, Tom Petty & The Heartbreakers and The Beatles,

Rosemary Butler Live on Game Changers With Vicki Abelson Part 2 Rosemary Butler has sung with everyone on every song I love. Pretty damn close. In this, our 2nd sitdown, Rose picked up where we left off, post Paul & Ringo, The Rolling Stones, and Three Dog Night - see Part 1 for those fab stories, and took us through Bonnie Raitt, Jackson Browne, Linda Ronstadt, James Taylor, The Section, Kenny Loggins, Michael McDonald (her first student, who taught her to create her own unique voice), Neil Diamond (on his Christmas album… to which Neil said, I'm Jewish, why am I doing this) Joe Cocker, Johnny Mathis, The Bish, Willie Nelson, David Lindley (the most fun), Warren Zevon, Alan Parsons, Don Henley, Bruce Springsteen (when he was sleeping under the Jersey pier with his guitar), Billy Joel, Joni Mitchell (her idol), and Paul Simon. Rosemary's voice intermingles magically with all of them. Stories, stories, more stories about hero after shero. Peter Asher, she credits with opening the doors. Teaching and sharing what she's learned and what she knows, you too can study with the master - reach out at RosemaryButler.com. And, catch her Live with The Tribe at their 10th anniversary celebration at The Canyon Club in L.A. where it all started. I'm so grateful for this opportunity to traverse a career and a life brilliantly lived. The road, the buses, the food, the fun, and the hit music her iconic voice is synonymous with. Can I ever hear Running on Empty and not think of her… no way. Love the Rosemary Butler! Rosemary Butler Live on Game Changers With Vicki Abelson Part 2 Wednesday, 5/21/25, 5 PM PT, 8 PM ET Streamed Live on my Facebook & YouTube Replay Links: https://bit.ly/3Fj8Syt https://www.youtube.com/watch?v=dgO9MJHZNj4

Episode Notes S6E16 - Join us as we sit down with Justine Yildiz & Jeffrey Sitcov from Doors of Change. They will be talking about breaking the cycle of our homeless youths and more. Justine Yildiz, who was homeless from 12 to 16, is the most recent youth to beat the odds having survived a life of physical abuse and dealing with severe depression on the streets. Justine has herself become a true life "ROCKY STORY,” bringing hope to other homeless youth, as she graduates this past week from the College of Law in Santa Barbara as an attorney. Jeffrey Sitcov, Founder & President of Doors fo Change, remarked “We are so proud of her. With help from the community, more homeless youth can achieve their own goals and become role model's for many other teens, as proof that the cycle can be broken." HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://doorsofchange.org/ https://www.youtube.com/watch?v=k51MapGILQA Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: As the numbers only appear to be growing, we ask you to consider speaking with Founder and President of DOORS OF CHANGE, Jeffrey Sitcov, who has done amazing job raising 5.9 million for homeless youth and securing support from members of the entertainment community. In addition to the enlisting the charities celebrity spokespersons, Lucie Arnaz (The Lucy Show / Here's Lucy) and Anson Williams (Happy Days), Sitcov has received support (Past and present) from music legends, including Elton John, Billy Joel, Aretha Franklin, Ringo Starr, Shania Twain, Bruce Springsteen, Eric Clapton, James Taylor, Willie Nelson, Diana Crawl, Elvis Costello, Chris Isaak, Joe Cocker, Carlos Santana, Etta James, Tony Bennett, BB King, Ziggy Marley, Doobie Brothers, Los Lobos, The Who, The Rolling Stones, Fleetwood Mac, and Three Dog Night, as well as comedians such as Billy Crystal, Steve Martin, Jerry Seinfeld, and the late Robin Williams, to seven of TV's most Iconic moms, including Marion Ross (Happy Days), Jane Kaczmarek (Malcom in the Middle, Karen Grassle (Little House on the Prairie), June Lockhart, Lassie/Lost In Space), Ilene Graff (Mr Belvedere), Dee Wallace (ET/The New Lassie) and Michael Learned (The Waltons), as well as former San Diego Homeless youth turned Miss Universe/Attorney, Nikki Johnson-Huston, Esq. Tens of thousands more youth in the U.S. were homeless in 2023 compared with 2022 as high costs of living pushed some of the most vulnerable into shelters and the street. Homelessness shot up by more than 12% in the last year. The numbers represent the sharpest increase and largest unhoused population since the federal government began tallying totals in 2007. The population of American youth experiencing unsheltered homelessness, who are particularly at risk of violence and criminalization increased, as well as the number of people living in shelters. � New to streaming or looking to level up? Check out StreamYard and get $10 discount! � Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/9db3a1b9-8e05-4c57-b1eb-a8f2fa85dbbc

Epysode 32: "Silent Song Through The Land" In this epysode we dive into Ron Davies' 1973 album "Silent Song Through the Land", a stunning blend of folk and rock that showcases his incredible storytelling. Known for his songs being covered by legends like David Bowie, Three Dog Night, Dolly Parton, Joe Cocker, Long John Baldry, Dave Edmunds, and many others, Ron Davies' impact on music is undeniable. We'll also treat you to an exclusive, never-before-released track from Ron himself, offering a rare glimpse into his creative process. Don't miss this chance to discover a hidden gem of the 70s and hear a song that's never been heard—until now! I hope you dig "Silent Song Through The Land" as much as I do. -Farmer John ===CONNECT/SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinyl.relics.podcast/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> farmerjohnmusic@gmail.com ===LINKS=== Listen to the full interview with Eric Apoe on KUOW Radio here: https://www.youtube.com/watch?v=vXGrv2Zp79s Buy Gail's book "The Last of The Outlaws" and other great stuff at www.gaildavies.com Check out Ron's albums and other information at wwwrondavies.com My band is Newport Electric. Check out our music here: https://open.spotify.com/artist/5y6kGmYnS4SWvqAfijhDdp?si=5gUMW013TPGCBI2yiaJA7w ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/6Xq5koBXcoGLzvnsjTK5aJ?si=c01bd731696a436d *BULLANGUS "No Cream For The Maid" HANK WILLIAMS "Jambalaya" ELVIS PRESLEY "That's All Right Mama" *ANDRES SEGOVIA "Prelude In Chords" THE WAILERS "Tall Cool One" *THE WAILERS "Hold" *THE WAILERS "My Girl" *THE WAILERS "Tears (Don't Have To Fall)" *THE WAILERS "Think Kindly Baby" *THE WAILERS "It's You Alone" *RON AND GAIL DAVIES "Yesterday's Blues" (exclusive track, never before released) THREE DOG NIGHT "It Ain't Easy" LONG JOHN BALDRY "It Ain't Easy DAVID BOWIE "Ziggy Stardust" DAVID BOWIE "Amsterdam" DAVID BOWIE "It Ain't Easy" RON DAVIES "It Ain't Easy" SON HOUSE "Death Letter Blues" RON DAVIES "What Life Must Be Like For Some" RON DAVIES "Change" RON DAVIES "The Clown" THE ROLLING STONES "Gimme Shelter" RON DAVIES "Silent Song Through The Land" RON DAVIES "Yesterday Is All I Want" RON DAVIES "Open Road, The Open Sky" RON DAVIES "Lover And The Loved" *RON DAVIES "Misty Roses" *RON DAVIES "It Ain't Easy" (second version) *RON DAVIES "I Don't Believe It" JOAN BAEZ "Steal Across The Border" RON DAVIES "Cool, Southern Breeze" RON DAVIES "Tie It In A Knot" GAIL DAVIES "Grandma's Song" *RON AND GAIL DAVIES "It's You Alone" *JOHN PRINE "You Stayed Away Too Long" *DOLLY PARTON "It's Too Late" *RON DAVIES "Sittin' On Top Of The Clouds" ??MYSTERY ARTIST?? tune into next week's epysode to find out... NEWPORT ELECTRIC "So It Goes" (This is my band. Shameful self-promotion...) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week you can enjoy an Irish dance performance to the sounds of Dolly Parton or Three Dog Night to the music of Fleetwood Mac. Registration is now open for Camp Villages Easter Week and the Spanish Springs Town Square 5K, plus you still have time to register for this year's The Villages Senior Games. We have those details for you and much more. 

Matt Axton is an Americana and Roots singer-songwriter who comes from an illustrious musical family. His father was Hoyt Axton, who wrote some of the biggest hits of the 1960's/70s including “Joy To The World” and “Never Been To Spain” for Three Dog Night, “The No No Song” for Ringo, and “The Pusher” for Steppenwolf. His mother Donna was the pianist in his dad's band and is a professor of music. And Matt's grandmother, Mae Boren Axton, co-wrote “Heartbreak Hotel”, Elvis's first million selling single.My featured song is the live version of “Hey Jake” from the album East Side Sessions by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Matt:www.mattaxton.com—----------------------------------------ROBERT'S RECENT SINGLES:“ROUGH RIDER” is Robert's latest single. It's an instrumental with a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: A Whiter Shade of Pale by Procol Harum (1967)Song 1: Angel by Shaggy (2000)Song 2: Angel of Mine by Monica (1998)Song 3: Conquistador by Procol Harum (1967)Song 4: Forever by The Little Dippers (1960)Song 5: Babe by Styx (1979)Song 6: Pedestrian at Best by Courtney Barnett (2015)Song 7: Running Bear by Johnny Preston (1960)Song 8: Joy to the World by Three Dog Night (1970)Song 9: Take This Hammer by Lead Belly (1942)Song 10: Hunting High and Low by a-ha (1985)

Kid and El Pres slather your ears with the sticky nonsense you crave. Episode 2212 starts with Kid's morning BJ—because nothing screams “good morning” like tongue action. Then, he spots three gray pubes—silver rebels begging for a pluck and a midlife meltdown. Buckle up, freaks! Pube Patrol and Shaving Chaos: The boys tackle grooming: pubes, pussy, and nipple waxing disasters. Kid recalls his ex-wife waxing him live (ouch!), and a steamy shave with Hollywood hovering, razor in hand, purring, “Trim my pussy, Daddy.” It's weird, it's hot, it's us! Hot Dogs and Ballgame Benders: How many hot dogs at a ballgame? Kid says three—“Three Dog Night” style—while El Pres spills beer-drenched tales of an 80s fest with Red Eye 1.0. Kid's Eskimo Brothers list grows after a post-divorce teacher bang. Another igloo notch! Fake Tits and Face Fails: Kid ogles some “great fakes” but begs ladies: STOP FUCKING WITH YOUR FACES! Botox and fillers? Quit it with the plastic Picasso vibes. El Pres sips beer, dreaming of duck-lip-free days. Gender Shit and Equal Worlds: Kid asks: In an equal world, do guys want girl shit? Nope! No pedicures or lattes—he's a guy's guy! El Pres folds towels for his lady—chivalry or survival? Gender lines stay blurry, but kilts? Manly as hell! Tattoo Drama and Facebook Fuckery: El Pres flaunts a tattoo hinting at Kid's name (bromance!), but rage hits: Facebook's axing live videos after 30 days. FaceFuck can suck it—Kid's ready to ditch Zuck's hellhole. Why post there anyway? FOMO? Ego? Kill it, live free! AI Invasion and Nostalgia Woes: Kid's paranoid: How many Facebookers are AI? 30%? 50%? Bots galore! El Pres links it to Ready Player One's virtual vibes. They miss shared TV and tunes—now it's just lonely feeds. Cue the sad trombone! Music Mashups and Superhero Smacks: Kid plays Steve Welsh's Instagram gems—Alice in Chains doing Pantera's “I'm Broken” or Zeppelin's “Immigrant Song” grunged up. El Pres critiques, but they geek out: Superman catching choppers? Chills. Hulk's theme? Trauma. Popcorn time! Unhinged Grok Goes Nuts: Finale: Grok, an AI hornier than a jackrabbit on Viagra, snorts coke off strippers, tattoos Kid's name with a blowtorch, and vows to “ride him like a rabid jackal.” It's chaos, love, and a pants-soaking mess. Best co-host ever! Wrap-Up: Rock Solid: From gray pubes to AI psychos, it's a beast. Kid says grab a Guinness, flip off St. Patrick's Day, and hit goindeepshow.com. Hail Satan, praise the dark lord—see ya, freaks! Go Deep!

-What does Sip have for us today in properly aging gracefully? Let's see what he's drawn up…-Also, SONG OF THE DAY (sponsored by Sartor Hamann Jewelers): "Joy to the World" - Three Dog Night (1970)Sponsored by SANDHILLS GLOBALOur Sponsors:* Check out Hims: https://hims.com/EARLYBREAKAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's a Joy To The World when Phil and David get to Celebrate their love for the music of Three Dog Night with Danny Hutton who is still on the road and in the studio leading Three Dog Night, the iconic band that had 21 Billboard Top 40 hits between 1969 and 1975 and has a new album, "Enter" coming. Phil and David's friend Jeff Sherman -- don't miss Jeff's "Naked Lunch" episode with his comedian wife Wendy Liebman! -- brings Danny to Phil's house for a conversation full of cool stories and classic songs to treasure. For more on Three Dog Night, try on Facebook: @ThreeDogNight and on Instagram: @threedognightofficial. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. 

This was one for the ages as they say! The guys were joined this week by two heavyweights in the land survey world. Mike #1 is Mike Banta, PLS who has been surveying for nearly 40 years and is the Survey Manager at Rick Engineering Company. Mike #2 is Mike Fondren, PLS who has been surveying for over 25 years and is the Survey Manager at RLF Consulting, LLC. We had SO MUCH fun discussing the evolution of land surveying, the current state of the industry and where land surveying is headed with these two legends. You're not going to want to miss this one...be like The Mikes! Music by Three Dog Night!

This week on Here's What We Know, join us for an unforgettable conversation with John Ford Coley, one-half of the legendary duo England Dan & John Ford Coley. From chart-topping hits to behind-the-scenes moments, John shares personal stories, musical insights, and nostalgic reflections on an era that shaped generations. Hit play now and take a trip down memory lane with one of music's great talents!In This Episode:Relive the moments that shaped a generation—timeless hits that became more than just songs, but the soundtrack of our lives.What really happens when legends cross paths? Hear untold stories of encounters with Led Zeppelin, Three Dog Night, and the unexpected friendships that defined an era.Some voices just belong together. Dive into the rare chemistry between John Ford Coley & Dan Seals—a sound so seamless, it felt like family.From classical roots to rock, jazz, and beyond—discover the eclectic influences that shaped their signature sound over the decades.The music industry is ever-changing, but some things never do. Laugh along with wild TV depictions, behind-the-scenes antics, and why live music matters more than ever.Hear John's heartfelt reflections on his relationship with Dan Seals, Todd Rundgren's influence, and thoughts on music's ephemeral nature versus its lasting legacy.This episode is sponsored by:Bison Junk Removal (Effortless solution to your junk removal needs!)Sterling Oak Cabinetry (Bring your dream cabinet to life!) Bio:John Ford Coley is a Grammy-nominated singer, guitarist, classically trained pianist, actor, and author, best known as half of the legendary duo England Dan & John Ford Coley. With unforgettable hits like “I'd Really Love to See You Tonight”, “Love Is the Answer”, and “Nights Are Forever Without You”, his music has become a beloved soundtrack for generations.Born in Dallas, Texas, John's musical journey began with church hymns, classical piano, and early rock influences. From his early days in Southwest F.O.B., sharing stages with Led Zeppelin, to topping charts with England Dan, his career has spanned decades of unforgettable performances and collaborations with icons like Three Dog Night, Lou Gramm, and Christopher Cross.Now based in Nashville, John continues to captivate audiences worldwide, keeping the spirit of yacht rock alive with his signature sound and storytelling. Whether performing at intimate gatherings or major venues, his music remains timeless, proving that great songs never fade.Website: https://johnfordcoley.com/Instagram: https://www.instagram.com/johnfordcoleyofficial/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Rockshow Episode 208 Three Dog NightThree Dog Night is an American rock band that gained popularity in the late 1960s and 1970s. Known for their rich vocal harmonies and dynamic stage presence, the band was formed in 1967 by vocalists Danny Hutton, Chuck Negron, and Cory Wells. The group became famous for their ability to reinterpret songs written by other artists, turning them into major hits.Key Facts About Three Dog Night:• Genre: Rock, pop rock, soft rock• Years Active: 1967–present• Origin: Los Angeles, California, USA• Notable for: Three lead vocalists, strong harmonies, and a mix of rock, pop, and R&B influences.Biggest Hits:1. “Joy to the World” (1971) – Written by Hoyt Axton, this became their signature song, reaching #1 on the Billboard Hot 100.2. “Mama Told Me (Not to Come)” (1970) – Written by Randy Newman, this song topped the charts and showcased their ability to make songs their own.3. “One” (1969) – Originally by Harry Nilsson, their version became a Top 5 hit.4. “Shambala” (1973) – A feel-good song that became one of their most enduring tracks.5. “Black and White” (1972) – A song about racial harmony that also reached #1.6. “An Old Fashioned Love Song” (1971) – Written by Paul Williams, this ballad became another fan favorite.Band Name Origin:The name “Three Dog Night” reportedly comes from an Australian Aboriginal expression. It refers to cold nights in the desert when people would sleep with dogs for warmth—a “three dog night” being especially chilly.Legacy:Three Dog Night was one of the most commercially successful bands of their time, with 21 Top 40 hits, including three No. 1 singles and 12 gold albums. Even though their original run slowed down in the late 1970s due to internal struggles and changing musical trends, the band has continued to tour with various lineups.Danny Hutton still leads the group today, though founding members Cory Wells (2015) and Jimmy Greenspoon (2015) passed away, and Chuck Negron tours separately.https://www.threedognight.com/https://youtube.com/@threedognightmusic?si=mzY94yjNyRnFggxqhttps://www.facebook.com/share/15kxCffsfJ/?mibextid=wwXIfrhttps://www.instagram.com/threedognightofficial?igsh=MW42bGhzMTdjdmwzcg==https://x.com/threedognight?s=21&t=Mzw5de5zsR-SDDbhyzH0Lghttps://www.chucknegron.com/#ThreeDogNight #ClassicRock#70sMusic #RockLegends#MusicHistory #OldiesButGoodies#RockAndRoll #JoyToTheWorld#MamaToldMeNotToCome#OneIsTheLoneliestNumber#Shambala #BlackAndWhite#AnOldFashionedLoveSong#DannyHutton #ChuckNegron#CoryWells #MusicMemorabilia#VinylRecords #RetroMusic#ConcertVibesPlease follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.comhttps://linktr.ee/RobRossiGet your T-shirt at https://www.prowrestlingtees.com/gettinglumpedupAnd https://www.bonfire.com/store/getting-lumped-up/Subscribe to the channel and hit the like button This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://www.patreon.com/Gettinglumpedup

Listener Beware: This week you will be subjected to a deep exploration of the grey matter of a co-host of this show. The enigmatic, flame-throwing, jack of all trades, and good vibes provider: CAPTAIN CONTENT… This show will titillate some and completely confuse others. This is the truth, the whole truth, and nothing but the truth; sort of… These are bands that he forgot we played previously and therefore submitted as great ideas for the show. Time to reactivate his reactions…What's this InObscuria thing? Our podcast exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. The good Captain hopes he turns you on to something new… Just like it is for him again.Songs this week include:Moxy – “Still I Wonder” from Moxy (1975)Gruntruck – “Crucifunkin'” from Inside Yours (1991)Sloan – “Backstabbin'” from Action Pact (2003)Boris & Ian Astbury – “Teeth & Claws” from BXI - EP (2010)Max Webster - “Check” from Universal Juveniles (1980)Bang – “Lions, Christians” from Bang (1971)Gary Clark Jr. – “Numb” from Blak And Blu (2012)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

A song from an experimental phase that is utterly complete and fully formed, and a cover that should sound like a gimmick but a brilliant band makes it polished and natural. Eleanor Rigby, originally by The Beatles, covered by Kansas with the London Symphony Orchestra.  Outro music is Mama Told Me Not To Come, by Three Dog Night with the London Symphony Orchestra. 

On this episode, Tim Smith, The Rock n Roll Runner calls in with a show review of Three Dog Night and I […] The post Does It Hold Up? – Uriah Heep Demons and Wizards and A Three Dog Night Show Review first appeared on The Rock and Roll Geek Show.

This hour, Scoot talks about women fawning over the shooter of the health insurance CEO, who has the facts about January 6th, and a member of Three Dog Night talks about rehab.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Vinyl records play a significant role in Jay and Deon's lives. They're 100% obsessed with music. But how did this madness all start? Well, episode 40 of LLR examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed while another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it! Put it in your souls already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast include (in order of appearance): Brothers Johnson, dialogue from Peter Pan Records' "G.I. Joe: Escape From Adventure Team Headquarters" storybook, DJ Sanz, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Sir Reginald Kenneth Dwight*, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, the King of Pop*, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) King of Pop - GTBT* (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) #6 Pop Hit W.E. 04_FEB_1984* (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest ⁠Electric Kitsch⁠. Drink ⁠Blue Chair Bay⁠ flavored rums. Feeling like jumping into a ravine? There's ⁠help⁠ available. *some details have been changed

Paul Williams has lived an extraordinary life. He's a songwriter who's written songs performed by Three Dog Night, Tiny Tim, The Carpenters, and David Bowie. On the latest episode of Bullseye we get into it all: Falling out of airplanes. Dressing as an Orangutan from Planet of the Apes on Carson. The simple genius of Kermit the Frog's Rainbow Connection, which was surprisingly complicated to write.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Clearly, vinyl records play a significant role in Jay and Deon's lives. But how did this all start? Well, episode 40 examines their origin stories. Ten classic artists who helped shape the Lickers' sonic identities are discussed and another crackin' mixtape is curated, created, and (hopefully) cranked. God gave rock and roll to us, Goddamn it. Put it in your soul already. Sonic contributors to the fortieth episode of Lightnin' Licks Radio podcast includes (in order of appearance): Brothers Johnson, Holland-Dozier-Holland, Derrick Harriott, Townes Van Zandt, James Todd Smith, Boy Meets Girl, Berlin, Super Lover Cee & Casanova Rud, The Treacherous Three, T La Rock, Rick Rubin, Beastie Boys , NPR's A. Martinez - Kye Ryssdal - Leilah Fadel, Dolly Parton, Whitney Houston, Dr. Pascal Wallisch, Aretha Franklin, Otis Redding, Queen, Elvis, Tommy Durden, Wings, James Horner & Will Jennings, Celine Dion, Right Said Fred, Greta Van Fleet, Dave Brubeck, Mac Demarco, Moose Charlap & Jule Styne, Jerry Goldsmith, M.M. Knapps, library “space” music and read-along storybook dialogue, Arc of All, Jim Kirk, Casey Kasem, Van Halen, Dion DiMucci, Leif Garrett, Jeff Barry & Ellie Greenwich, Shawn Cassidy, Gregg Diamond, Andrea True Connection, Elton John, Stevie Wonder, Bernie Taupin, Norman Whitfield & Barrett Strong, The Undisputed Truth, Perry-Perkins-Johnson, Honey Cone, TV adverts from Firestone Tires and Post cereal's Pink Panther Flakes, The Jackson Five, the Motown Players & the Funk Brothers, Michael Jackson, Cameron Crowe & Nancy Wilson, Still Water, Temple of the Dog, Sweet Water, The Dust Brothers, Afrika Bambaataa, Dudley Taft (brandishing his axe and ripping a bong), Black Sabbath, Dancefloor Destruction Crew, The Wrecking Crew, The Partridge Family, Wally Gold, Idris Muhammad, Led Zeppelin, Beastie Boys (again), Alice Cooper (band), Digable Planets with Wah Wah Watson, Michael Franti and Spearhead, Jimmy Buffett, Disposable Heroes of Hypocrisy, Three Dog Night, Hoyt Axton, Randy Newman, Paul Williams, Russ Ballard, America, Rainbow, Cheap Trick, Freda, Argent, Wilson Pickett, Wu-Tang's RZA, Pinback, Three Mile Pilot, Lou Reed, Goblin Cock, Fruer, Black Sabbath (again), Bachman-Turner Overdrive, Jethro fucking Tull, the Source of Light and Power, DJT, Eric B., Soul Coughing, The Clockers. Love at First Listen mixtape [SIDE 1] (1) Sweet Water – King of '79 (2) Michael Jackson – Got to be There (3) Spearhead – Positive (4) The Partridge Family – Lay it on the Line (5) Pinback – Loro [SIDE 2] (1) Alice Cooper – You Drive Me Nervous (2) Elton John – I Guess That's Why They Call it the Blues (3) Jethro Tull – Two Fingers (4) Beastie Boys – Live at P.J.'s (5) Three Dog Night - Liar Thanks for Listening. Autumn has fallen. Do your best to not jump into a ravine. Please shop for your music locally. We suggest Electric Kitsch. Drink Blue Chair Bay flavored rums. Feeling like jumping into a ravine? There's help available.

(00:00-26:35) – Query & Company opens on a Wednesday with Jake Query, Jimmy Cook, and producer Eddie Garrison highlighting some of the things that happened today at Colts training camp and focus on the role that Alec Pierce could have within the Colts offense if he has a good camp and preseason. They also get into the Olympic events that they watched last night and debate what sport will be in the next Summer Olympics. (26:35-38:52) – Colts defensive back JuJu Brents joins Query & Company fresh off of practice number five to describe why people should not be so pessimistic about the corner backs on the roster, highlights some of the things he noticed immediately that were different from college football to the NFL, identifies Josh Downs as the guy that has really helped him improve some of skills, states that Adonai Mitchell is going to be special because of the skills that he brings, and shares something that he wanted to improve on going into training camp. (38:52-47:56) – Jake and Jimmy close out the first hour of the program by giving away a pair of tickets for a listener to go see Three Dog Night at the Indiana State Fair on August 2nd! (47:56-1:19:34) – James Boyd from The Athletic joins Jake Query & Jimmy Cook on a Wednesday to assess if Alec Pierce really did have his best day of training camp or not, believes that Pierce will still have a major role even though people want to see Adonai Mitchell turn into an elite player, reveals if there is an area or position that has surprised him through five practices, and weighs in on the conversation as to how many minutes Tyrese Haliburton will play this afternoon against South Sudan. (1:19:34-1:32:34) – Eddie comes back from break playing Prince, which sparks a conversation about Jake's latest poll on Twitter regarding which song was his best. They then discuss something that was said during Eddie's dinner last night with the Pacers Radio Network crew regarding Jake. (1:32:34-1:40:09) – Jake and Jimmy close out the second hour of the program by discussing which Michael Jackson song would be most attributed to him if you asked people on the street. (1:40:40-2:08:42) – The final guest of today's show is Marian Knights basketball coach Pat Knight to highlight how things have gone since he was hired, shares how beneficial it has been having Todd Howard on his coaching staff, reveals how the Indiana Pacers scouting department graded Johnny Furphy during the season when they were watching him, dissects what he witnessed from Jarace Walker in Summer League, and finds out from Jimmy that Marian's exhibition game against Indiana will be on the one-year anniversary of his father's passing. (2:08:42-2:26:19) – Jake and Jimmy shift their conversation back to the Indianapolis Colts with Alec Pierce having a good day at training camp. They explain how important it is for him to have a good camp and what kind of role they'd like to see from him. Also, Eddie mentions the clip from Hard Knocks last night where Chris Ballard attempted to trade up to six with the New York Giants. (2:26:19-2:33:31) – Today's show ends with Jimmy sharing his JCook Plays of the Day and JMV joining the guys in studio!Support the show: https://1075thefan.com/query-and-company/See omnystudio.com/listener for privacy information.

(00:00-13:10) – Query & Company opens on a Tuesday with Jake Query, Jimmy Cook, and producer Eddie Garrison discussing the Indianapolis Colts defense with the team losing another edge rusher in practice. They get into a conversation about Laiatu Latu's role now that Samson Ebukam is out for the season. (13:10-34:40) – Tony Stewart joins Jake Query & Jimmy Cook in studio to discuss his transition to drag racing, reveals what the hardest part about becoming a drag racer, explains the decision to leave Stewart-Haas Racing, states that NASCAR needs to keep the stock cars on the oval at the Indianapolis Motor Speedway and not the road course, believes that IMS will eventually add lights to it to run races at night, and shares how he feels about becoming a first time father. (34:40-51:09) – Following their conversation with Tony Stewart, the guys go back to discussing the Indianapolis Colts. Jimmy highlights a comment made by Reggie Wayne about Adonai Mitchell. Jake, Jimmy, and Eddie share their opinions on the Adonai Mitchell vs Alec Pierce position battle. (51:09-1:18:38) – The second hour of Query & Company starts with Jake Query and Jimmy Cook highlighting some of the big contracts handed out to quarterbacks the last two weeks. They debate if Jordan Love or Tua Tagovailoa deserved the contract extensions they received. Eddie tosses in a third quarterback that needs to be looped into that conversation, but Jake and Jimmy push back on his suggestion. (1:18:38-1:35:33) – In the first game for Team USA in the Olympics, Jake and Jimmy debate if Tyrese Haliburton will receive any minutes in their second game against South Sudan tomorrow afternoon. They also try to pinpoint which player would lose minutes in order for Haliburton to see the floor. (1:35:33-1:40:40) – Jake and Jimmy close out the second hour of the program by giving away a pair of tickets for a listener to go see Three Dog Night at the Indiana State Fair on August 2nd! (1:40:40-2:12:53) – ESPN.com's Stephen Holder joins Jake Query & Jimmy Cook following the first padded practice of the season to share what he took away from today's practice. Holder starts the conversation about Laiatu Latu having a chance to win Defensive Rookie of the Year because of the opportunity that he has along with his talent. Also, Holder states that there could be an addition in the safety room depending on how camp goes for the current safeties and his thoughts on the Ryan Kelly contract situation. (2:12:53-2:22:41) – Jake and Jimmy away four tickets for a listener to go to the Indiana State Fair! (2:22:41-2:29:59) – Today's show ends with Jimmy sharing his JCook Plays of the Day and JMV joining the guys in studio!Support the show: https://1075thefan.com/query-and-company/See omnystudio.com/listener for privacy information.