Podcasts about hoople

Send us a textHere in Episode 222 of the No Name Music Cast, it is Joy's turn to pick the topic and she chooses to talk about cover versions!We talk about Slade, Dee Snider, Metallica and David Bowie to name only a few.We also cover Minecraft, Mott the Hoople, Ringo Starr and Ian Husbands!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Shoutouts to friends I've haven't seen in a while, great to see you at the Arch Enemy last Wednesday! Happy Comic Expo weekend, may the powers protect you!Playlist: Goat Rider - Black Speed Metal ForceGoat Rider - Satanic Speed SamuraiGoat Rider - High Speed From HellBlood Feast - Menacing ThunderDream Evil - Thunder in the NightLoudness - Heavy ChainsFlotsam and Jetsam - Escape From WithinFlotsam and Jetsam - Saturday Night's Alright For Fighting (Elton John cover)Metal Church - The DarkMetal Church - Watch the Children Pray 2006Ross the Boss - This Is VengeanceManowar - Dark AvengerManowar - The Warrior's Prayer/Bood of the KingsParalandra - Look At Me NowCasandra's Crossing, featuring George Lynch - Closer To HeavenDokken - Just Got LuckyEntombed - Woverine BluesPowerglove - X-MenBonded By Blood - Teenage Mutant Ninja TurtlesGama Bomb - Return of the TechnodromeRavage - The ShredderIron Maiden - Be Quick or Be DeadBruce Dickinson - All the Young Dudes (Mott the Hoople cover)Great White - Once Bitten, Twice Shy (Ian Hunter cover)Def Leppard - Only After Dark (Mick Ronson cover)Queen - Hammer To FallQueen - Now I'm HereBrian May, featuring Eddie Van Halen - StarfleetVan Halen - Dirty MoviesDavid Lee Roth - That's Life (Frank Sinatra cover)UFO - Rock BottomSatan's Fall - Go Go Power RangersArch Enemy - We Will RiseBabymetal, featuring Alissa White-Gluz - DistortionBabymetal, featuring Poppy - From Me To UPoppy - Time Is UpWhite Lion - Wait

NOCHES DE VINILO, ESTELARES.Qué bandas y qué músicos nos acompañaran!!!Los ingleses : Fleetwood Mac.Todo el rock de :Hot Tuna.El mago de la guitarra :Jimi Hendrix.El sonido infernal de :Mott the Hoople.Grandes de verdad :The Band.El señor del blues :Muddy Waters.Los hippies presentes :The Mamás and The Papas.El trovador :Jim Croce.Juan y más de la genial Cristina Peri Rossi.No te lo pierdasEn la radio en la cual el rock es el motor de cada día.El Aguantadero.En sus jóvenes 15 años.

William's Channel - http://www.youtube.com/@UC8I_-lIus_Z-fNkvoCkJ4DA https://linktr.ee/ThePermacultureConsultant?utm_source=linktree_profile_share<sid=13182d07-8cfe-4e2f-9b52-aa564df0fcf6 Eric Seider's Youtube Channel - http://www.youtube.com/@EricSeider Living Soil Foundation GiveSendGo - https://givesendgo.com/GE2E8?utm_source=sharelink&utm_medium=copy_link&utm_campaign=GE2E8 If you would prefer to send a check: Living Soil Foundation PO Box 2098 Mars Hill, NC 28754 https://linktr.ee/permapasturesfarm Renewed Homestead Sheep Butchery Hands-On Workshop - https://www.renewedhomestead.com/homesteading-preparedness-life-skills Mountain Readiness Expo May 4-5, 2025 - https://www.mountainreadiness.com The Farm Connection - https://thefarmconnectionmadco.com/?bg_ref=DXSPR1mX46 Promo Code: PERMA - 10% Off WAVwatch - $100 Off - https://buy.wavwatch.com/?ref=billy100 Promo Code: BILLY100 Redmond Products - 15% Off - https://glnk.io/oq72y/permapasturesfarm Promo Code: perma Redemption Shield - 10% Off - https://www.redemptionshield.com/ Promo Code: perma Above Phone - https://abovephone.com/?above=160 Promo Code - PERMA $50 Off Get $50 Off EMP Shield: https://www.empshield.com Promo Code: perma Harvest Right Freeze Dryer: https://affiliates.harvestright.com/1247.html Online Pig Processing: https://sowtheland.com/online-workshops-1 Patreon: https://www.patreon.com/user

William's Channel - http://www.youtube.com/@UC8I_-lIus_Z-fNkvoCkJ4DA https://linktr.ee/ThePermacultureConsultant?utm_source=linktree_profile_share<sid=13182d07-8cfe-4e2f-9b52-aa564df0fcf6 Eric Seider's Youtube Channel - http://www.youtube.com/@EricSeider Living Soil Foundation GiveSendGo - https://givesendgo.com/GE2E8?utm_source=sharelink&utm_medium=copy_link&utm_campaign=GE2E8 If you would prefer to send a check: Living Soil Foundation PO Box 2098 Mars Hill, NC 28754 https://linktr.ee/permapasturesfarm Renewed Homestead Sheep Butchery Hands-On Workshop - https://www.renewedhomestead.com/homesteading-preparedness-life-skills Mountain Readiness Expo May 4-5, 2025 - https://www.mountainreadiness.com The Farm Connection - https://thefarmconnectionmadco.com/?bg_ref=DXSPR1mX46 Promo Code: PERMA - 10% Off WAVwatch - $100 Off - https://buy.wavwatch.com/?ref=billy100 Promo Code: BILLY100 Redmond Products - 15% Off - https://glnk.io/oq72y/permapasturesfarm Promo Code: perma Redemption Shield - 10% Off - https://www.redemptionshield.com/ Promo Code: perma Above Phone - https://abovephone.com/?above=160 Promo Code - PERMA $50 Off Get $50 Off EMP Shield: https://www.empshield.com Promo Code: perma Harvest Right Freeze Dryer: https://affiliates.harvestright.com/1247.html Online Pig Processing: https://sowtheland.com/online-workshops-1 Patreon: https://www.patreon.com/user

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This one starts with memories of Genesis at Farnborough Tech in 1972 – Batwings? Fox heads? - looks back at school bands and the early ‘70s and ends with the current Mike & the Mechanics tour. But it mostly centres on the first live shows Mike Rutherford ever saw and played which features … … his mum making him wash the Brylcreem from his hair before seeing Cliff & the Shadows when he was 17. … buying an electric guitar before you realised it needed an amplifier. … playing the same theatres he played with Genesis when he was 19. … Cream at the Marquee Club - “the volume was like an atom bomb!” … supporting Mott the Hoople at Farx in Southall, “the moment I felt we were getting somewhere”. … the contract for their £7 fee he still has for Genesis on the Eel Pie Island, “like ancient fading parchment”. … the non-competitive days of Yes, King Crimson, Rare Bird and the rock underground when there was room for everyone. … making an album in three days with Jonathan King in Regent Sound (where the Stones recorded). … Peter Gabriel developing his on-stage theatre because no-one could hear the words. … ‘Man up!' Note to self after breaking a hip skiing with his grandchildren. Mike & the Mechanics tour dates and tickets:https://www.ticketmaster.co.uk/mike-the-mechanics-tickets/artist/1673635 Pre-order Looking Back: Living The Years here:https://found.ee/MikeATM_LBLTYFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Bad Company hit the scene in 1974 in a big way. Signed to Led Zeppelin's Swan Song label and managed by Peter Grant, the supergroup composed of Paul Rodgers (Free), Mick Ralphs (Mott the Hoople), Boz Burrell (King Crimson) and Simon Kirke (Free) had a huge success with their self-titled debut which would go on to sell 5 million in the US. Many bands struggle to follow up a big debut with an equally good second effort but Bad Company weren't rookies and had made over a dozen albums individually. The question was how would the songwriting partnership of Ralphs and Rodgers develop and would any of them as individuals emerge as the lead songwriter. While not many will tell you Straight Shooter is as good or better than the debut, it is a solid rock record. Chart hits Feel Like Makin' Love and Good Lovin' Gone Bad got them all over the airwaves and Rodgers Shooting Star would go onto become a classic rock radio staple. They even showed their tender side with Simon Kirke's Weep No More (accompanied by strings) and Anna. Heavy riffs from Deal With The Preacher and the innuendo of Wild Fire Woman help round the album into an album that showed Bad Company had staying power and could deliver the goods. Released March 28, 1975, it would go on to sell 3 million in the US. Do you think Bad Company deserves to be in the Rock N Roll Hall of Fame? We do!!! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

El 7 de marzo de 1975, hace exactamente 50 años, se lanza “Young Americans”, noveno álbum de David Bowie y el disco con el que cambio de color hacia la música negra y el sonido soul de Filadelfia. A finales de ese mes (28 de marzo) Ian Hunter debuta en solitario con disco homónimo tras haber abandonado dos meses antes Mott the Hoople. En octubre de 1975 Roxy Music lanzan “Siren”, quinto trabajo de los británicos en donde dejaron atrás el rock arty y la experimentación de sus primeros años.Playlist;DAVID BOWIE “Young Americans” (Young Americans)DAVID BOWIE “Somebody up there likes me” (Young Americans)DAVID BOWIE “Fame” (Young Americans)IAN HUNTER “Once bitten, twice shy” (Ian Hunter)IAN HUNTER “Who do you love” (Ian Hunter)IAN HUNTER “Boy” (Ian Hunter)ROXY MUSIC “Love is the drug” (Siren)ROXY MUSIC “End of the line” (Siren)ROXY MUSIC “Just another high” (Siren)Escuchar audio

Bad Company hit the scene in 1974 in a big way. Signed to Led Zeppelin's Swan Song label and managed by Peter Grant, the supergroup composed of Paul Rodgers (Free), Mick Ralphs (Mott the Hoople), Boz Burrell (King Crimson) and Simon Kirke (Free) had a huge success with their self-titled debut which would go on to sell 5 million in the US. Many bands struggle to follow up a big debut with an equally good second effort but Bad Company weren't rookies and had made over a dozen albums individually. The question was how would the songwriting partnership of Ralphs and Rodgers develop and would any of them as individuals emerge as the lead songwriter. While not many will tell you Straight Shooter is as good or better than the debut, it is a solid rock record. Chart hits Feel Like Makin' Love and Good Lovin' Gone Bad got them all over the airwaves and Rodgers Shooting Star would go onto become a classic rock radio staple. They even showed their tender side with Simon Kirke's Weep No More (accompanied by strings) and Anna. Heavy riffs from Deal With The Preacher and the innuendo of Wild Fire Woman help round the album into an album that showed Bad Company had staying power and could deliver the goods. Released March 28, 1975, it would go on to sell 3 million in the US. Do you think Bad Company deserves to be in the Rock N Roll Hall of Fame? We do!!! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest Jacob T. Simons introduces us to the "loser rock" of Mott the Hoople. We listen to the album which followed in the wake of their success with All the Young Dudes (both the album and song) which finds the glam rock band coming to grips with the harsh realities of being in a band.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

Send us a message, so we know what you're thinking!In case you hadn't noticed, we love a good cover version! This episode, we're looking at covers - staples, covers from strange sources, and some songs that have had a LOT of covers, including a bunch of covers of Bowie's “Heroes”. Our Album You Must Hear before You Die is “Is This It?” by The Strokes. This punk/Britpop-influenced album got rave reviews on release in 2001 from Rolling Stone, The Village Voice, and New Musical Express.  We're not convinced.  In Knockin' on Heaven's Door, we mourn the loss of Wayne Osmond (of the Osmond Brothers), Chad Morgan, the Aussie country great, and Peter Yarrow, of Peter, Paul and Mary.  We hope they get to sing a rousing chorus of “Puff the Magic Dragon together.  As usual, there's heaps of fun.  Enjoy!! Playlist (all the songs and artists referenced in the episode) Playlist – “Heroes” covers  References:  Heroes, REM, Leonard Cohen, “Suzanne”, “Hallelujah", Bob Dylan, “All along the Watchtower”, "If Not for You”, Olivia Newton-John, Johnny Cash, American Recordings, “All the Young Dudes”, Mott the Hoople, Ian Hunter, XTC, White Music, “This is Pop”, Devo, “(I can't get no) Satisfaction”, Zoot, “Eleanor Rigby”, Rick Springfield, Howard Gable, Alison Durbin, 801, “Tomorrow Never Knows”, ” 801 Live, "You Really Got Me”, Ministry, “Lay Lady Lay”, Al Jourgenson, “Heartbreak Hotel”, Elvis Presley, John Cale, June 1, 1974, Slow Dazzle, Fragments of a Rainy Season, Nirvana, "The Man Who Sold The World", “Unplugged”, Mick Ronson, Linda Ronstadt, “Different Drum”, Stone Ponies, Mike Nesmith, “You're No Good”, “Poor Poor Pitiful Me”, Cowboy Junkies, “Sweet Jane”, Fine Young Cannibals, “Suspicious Minds”, Talking Heads, “Take Me to The River”, Elvis Costello, “(What's So Funny ‘Bout) Peace, Love, And Understanding”, George Benson, “On Broadway”, Mia Dyson, “The Passenger”, Siouxsie & The Banshees, Sara Blasko, “Flame Trees”, “Goodbye Yellow Brick Road”, Reg Livermore, “Celluloid Heroes”, The Kinks, Peter Gabriel, Scratch My Back, I'll Scratch Yours, Motorhead, David Hasselhoff, Blondie, Oasis, Nico, Moby (with Mindy Jones), Phillip Glass, “Superman”, Lifes Rich Pageant, “There She Goes Again”, “Pale Blue Eyes”, “First we take Manhattan”,  

Something happens when he walks out under the lights. He can never predict what but he's programmed to perform. As he has for over 60 years and will again when he sets out on a 63-date tour in April peppered with stories of an extravagant life and billed as ‘an evening of Francis Rossi songs from the Status Quo songbook and more'. He looks back here at the acts that showed him the way (Gene Pitney, Slade, ZZ Top, Mott the Hoople and “my uncles, the Stones”), Butlins in Clacton, the “elfin” David Bowie, the value of “dying on your arse”, the evolution of the Status Quo shuffle, the sight of a sea of denim, opening Live Aid (and why the other acts were envious) and memories of Dog Of Two Head and Ma Kelly's Greasy Spoon. “There's a handful who are talented,” he says, “and the rest of us are just winging it and getting by.” Order tickets here:https://www.francisrossi.com/tourFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Something happens when he walks out under the lights. He can never predict what but he's programmed to perform. As he has for over 60 years and will again when he sets out on a 63-date tour in April peppered with stories of an extravagant life and billed as ‘an evening of Francis Rossi songs from the Status Quo songbook and more'. He looks back here at the acts that showed him the way (Gene Pitney, Slade, ZZ Top, Mott the Hoople and “my uncles, the Stones”), Butlins in Clacton, the “elfin” David Bowie, the value of “dying on your arse”, the evolution of the Status Quo shuffle, the sight of a sea of denim, opening Live Aid (and why the other acts were envious) and memories of Dog Of Two Head and Ma Kelly's Greasy Spoon. “There's a handful who are talented,” he says, “and the rest of us are just winging it and getting by.” Order tickets here:https://www.francisrossi.com/tourFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Something happens when he walks out under the lights. He can never predict what but he's programmed to perform. As he has for over 60 years and will again when he sets out on a 63-date tour in April peppered with stories of an extravagant life and billed as ‘an evening of Francis Rossi songs from the Status Quo songbook and more'. He looks back here at the acts that showed him the way (Gene Pitney, Slade, ZZ Top, Mott the Hoople and “my uncles, the Stones”), Butlins in Clacton, the “elfin” David Bowie, the value of “dying on your arse”, the evolution of the Status Quo shuffle, the sight of a sea of denim, opening Live Aid (and why the other acts were envious) and memories of Dog Of Two Head and Ma Kelly's Greasy Spoon. “There's a handful who are talented,” he says, “and the rest of us are just winging it and getting by.” Order tickets here:https://www.francisrossi.com/tourFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

An iconic song with an origin story that defies all understanding, and a cover by a singer with more talents than any six people should be trusted with. All The Young Dudes, originally by Mott the Hoople, covered by Bruce Dickinson.  Outro music is Bang a Gong, by T.Rex, who makes a surprise appearance in this episode — let us know if you spot it.  

En el noveno aniversario de la muerte de David Bowie, Fernando Neira nos trae la historia del mejor regalo de la historia del rock, el que hizo Bowie a la banda Mott the Hoople al donarles "All the young dudes". Además, recibimos la visita de Soleado, el dúo formado por el sonido del "vetusto" Juanma Latorre y la voz de Ester Rodríguez. Presentan su primer álbum homónimo y demuestran que el acercamiento al folk no fue algo pasajero en "Cable a tierra", el último elepé de Vetusta.

Send us a textThis week we dig into the 1973 self-titled debut by Bad Company. Coming off of the success of Free, Paul Rodgers hooked up with Mott the Hoople guitarist Mick Ralphs, and along with former Free drummer Simon Kirk, and King Crimson bassist Boz Burrell, formed what may be the most American-sounding British band ever: Bad Company. Rodgers soulful and powerful voice and Ralphs crunchy guitars punctuate songs about the old west, ballads about sea birds, and tunes about physical love that don't take much work to interpret. Bad Company was a monster hit, topping the charts in US and reaching # 3 in the UK. It is not an album full deep thought and self reflection, but that doesn't matter because it is and album of catchy licks and high octane fun that helped define the radio-freindy heavy rock of the 1970's.Visit us at www.tappingvinyl.com.

Happy Holidays from the "Takin ' A Walk" podcast as we countdown the top five most downloaded episodes of 2024 and we welcome a member of rock royalty, Ian Hunter of Mott the Hoople fame. Thanks for supporting our podcast and spreading the word.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

This week, Terry powers through post-dental surgery, Ted cries over yacht rock and the boys discuss the importance of taking it up the hoople.Follow Terry: https://twitter.com/TerryDiMonte https://terrydimonte.com/ Follow Ted: https://twitter.com/manofbird Hosted on Acast. See acast.com/privacy for more information.

Ian Hunter – an image so familiar you'd recognise his silhouette - now lives in Connecticut and he's just released expanded versions of two of his best-selling solo albums, You're Never Alone With A Schizophrenic and Short Back N' Sides. He's 85, born before any of the Beatles. We talk to him here about life growing up in the ‘40s and ‘50s when your father's a copper and “music wasn't allowed in the house”, and touch upon … … the debt he owes Freddie ‘Fingers' Lee. … café jukeboxes full of Little Richard, Chuck Berry and Fats Domino. … beating 165 acts at a talent contest at Butlins. … the record that made the Beatles (which they didn't write). … “a two-piece corduroy suit, open-toed sandals, overweight …”: the Mott the Hoople audition. … Bowie playing All The Young Dudes – “a monster” – cross-legged on the floor in Denmark Street after they'd turned down Suffragette City. … why Hendrix was thrown out of Regent Sound studios. … playing the Reeperbahn in 1963. … recording ‘Schizophrenic' with three members of the E Street Band. … “Do you want a cuddle?” The Mick Ronson recording method. … the good thing about Covid. … watching punk bands with Mick Jones. … plus a ‘dyed-black' Ford Anglia and the Greatest Record Ever Made. Order Ian's re-released albums here:Buy link: https://ianhunter.lnk.to/sbnsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ian Hunter – an image so familiar you'd recognise his silhouette - now lives in Connecticut and he's just released expanded versions of two of his best-selling solo albums, You're Never Alone With A Schizophrenic and Short Back N' Sides. He's 85, born before any of the Beatles. We talk to him here about life growing up in the ‘40s and ‘50s when your father's a copper and “music wasn't allowed in the house”, and touch upon … … the debt he owes Freddie ‘Fingers' Lee. … café jukeboxes full of Little Richard, Chuck Berry and Fats Domino. … beating 165 acts at a talent contest at Butlins. … the record that made the Beatles (which they didn't write). … “a two-piece corduroy suit, open-toed sandals, overweight …”: the Mott the Hoople audition. … Bowie playing All The Young Dudes – “a monster” – cross-legged on the floor in Denmark Street after they'd turned down Suffragette City. … why Hendrix was thrown out of Regent Sound studios. … playing the Reeperbahn in 1963. … recording ‘Schizophrenic' with three members of the E Street Band. … “Do you want a cuddle?” The Mick Ronson recording method. … the good thing about Covid. … watching punk bands with Mick Jones. … plus a ‘dyed-black' Ford Anglia and the Greatest Record Ever Made. Order Ian's re-released albums here:Buy link: https://ianhunter.lnk.to/sbnsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ian Hunter – an image so familiar you'd recognise his silhouette - now lives in Connecticut and he's just released expanded versions of two of his best-selling solo albums, You're Never Alone With A Schizophrenic and Short Back N' Sides. He's 85, born before any of the Beatles. We talk to him here about life growing up in the ‘40s and ‘50s when your father's a copper and “music wasn't allowed in the house”, and touch upon … … the debt he owes Freddie ‘Fingers' Lee. … café jukeboxes full of Little Richard, Chuck Berry and Fats Domino. … beating 165 acts at a talent contest at Butlins. … the record that made the Beatles (which they didn't write). … “a two-piece corduroy suit, open-toed sandals, overweight …”: the Mott the Hoople audition. … Bowie playing All The Young Dudes – “a monster” – cross-legged on the floor in Denmark Street after they'd turned down Suffragette City. … why Hendrix was thrown out of Regent Sound studios. … playing the Reeperbahn in 1963. … recording ‘Schizophrenic' with three members of the E Street Band. … “Do you want a cuddle?” The Mick Ronson recording method. … the good thing about Covid. … watching punk bands with Mick Jones. … plus a ‘dyed-black' Ford Anglia and the Greatest Record Ever Made. Order Ian's re-released albums here:Buy link: https://ianhunter.lnk.to/sbnsFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Join @thebuzzknight for this Classic Replay with the great British musician Ian Hunter from Mott the Hoople fame.  Ian talks about his latest project, his time with David Bowie, Mott and even Ringo Starr. For suggestions or comments write buzz@buzzknightmedia.com Find Buzz on Twitter @tTheBuzzKnight and Instagram @takinawalkpodcast. Like this show? Share it with your friends and leave us a review here. ReviewSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

On S3, E4 of Grateful Dad & Friends, I'm proud to host a friend who could easily have a career in radio, one of my closest music, golfing, and paddle tennis wingmen, Mr. Mark Hamer.  Mark takes us back to his Texan roots and shares how and when he discovered his love of “music with an edge”, including The Clash, Traffic, Talking Heads, Mott the Hoople, and of course, the good ol' Grateful Dead.  Tune in as he tells his story of taking his 90-year old parents to a Dead & Company show… in a Rolls Royce, how he and his grown children share live music together, and how his two grandchildren light up his life.  Mark touches on his winning battle with cancer, and we close by dedicating the episode to my lifelong friend and amazing human, Mr. Rainer “TITAN” Jenss, who lost his battle with brain cancer and passed away on the day we recorded this conversation.  God Bless You, TITAN!  God Bless You, Mark!  Join us, and let's see where the energy takes us!  #IFE

On the July 28 edition of Music History Today podcast, Mott the Hoople, two popular artists make their debuts, and Summer Jam takes place. Plus, it's Soulja Boy's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday  --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 341 (Part 2 of 2): Singer-composer Brenda Bennett, best known for her work with Prince protege groups Vanity 6 and Apollonia 6. Their hits included “Nasty Girl” and “Sex Shooter,” and she also can be heard on Prince's “17 Days.” Having sung lead on songs like “Blue Limousine,” “Bite the Beat,” “Some Kind of Lover” and “A Million Miles,” as a member of those groups she also toured with Prince and appeared in the movie “Purple Rain.”  Prior to Prince, she was a member of the band Ken Lyon and Tombstone and performed on concert bills with Mott the Hoople and Queen. She is a two-time inductee of the Rhode Island Music Hall of Fame, and continues to release her own music. RECORDED MAY 2024 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 341 (Part 1 of 2): Singer-composer Brenda Bennett, best known for her work with Prince protege groups Vanity 6 and Apollonia 6. Their hits included “Nasty Girl” and “Sex Shooter,” and she also can be heard on Prince's “17 Days.” Having sung lead on songs like “Blue Limousine,” “Bite the Beat,” “Some Kind of Lover” and “A Million Miles,” as a member of those groups she also toured with Prince and appeared in the movie “Purple Rain.”  Prior to Prince, she was a member of the band Ken Lyon and Tombstone and performed on concert bills with Mott the Hoople and Queen. She is a two-time inductee of the Rhode Island Music Hall of Fame, and continues to release her own music. RECORDED MAY 2024 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Wir begeben uns ausnahmsweise mal in schlechter Gesellschaft – Bad Company. Mit ihrem Debütalbum, das den gleichen Namen trägt: Bad Company. Keine normale Band, sondern eine echte Supergroup.  Die Bezeichnung "Supergroup" wird traditionell dann verwendet, wenn sich Mitglieder oder ehemalige Mitglieder, die schon in großen Bands gespielt haben zusammentun und eine neue Band gründen. Bei Bad Company waren das Sänger, Pianist und Gitarrist Paul Rodgers und Drummer Simon Kirke von der Band "Free", Gitarrist Mick Ralphs von "Mott the Hoople" und Bassist Boz Burrell, der zwischendurch mal Grek Lake bei "King Crimson" abgelöst hatte. Und was die Herren dann zu bieten hatten, war zeittypischer Rock der Mittsiebziger mit großer Strahlkraft für die Weiterentwicklung des Rock. Schnörkellos könnte man auch sagen. Der größte Hit vom Album war "Can't Get Enough". Bei sogenannten Supergroups ist die Entstehungsgeschichte meistens auch ganz spannend, denn wer bereits in einer erfolgreichen Band spielt, der verlässt die oft nur aus guten Gründen um nochmal komplett von vorne anzufangen. Bei Paul Rodgers und Simon Kirke von "Free" hatte sich die Band so zerstritten, dass gefühlt keine Rettung mehr möglich war. Paul Rodgers und Simon Kirke gingen also gemeinsam auf die Suche nach neuen Mitmusikern. Mick Ralphs gefiel die musikalische Ausrichtung in die seine Band "Mott the Hoople" marschierte nicht so gut, da ging es zu sehr in die Richtung Glamrock. Und Bassist Boz Burrell von "King Crimson", der war sowieso sehr umtriebig. Vor der Zeit bei "King Crimson" war er schon mit seiner eigenen Band unterwegs gewesen, in der zum Beispiel Ritchie Blackmore, Ian Paice und Jon Lord spielten, die späteren Deep Purple. Bad Company sind schnell auf dem gleichen Label gelandet wie ihre Freunde von Led Zeppelin und konnten auch in deren Tonstudio Headley Grange ihr Debütalbum aufnehmen. Für SWR1 Musikredakteur Stephan Fahrig ist Bad Company eines seiner liebsten Rockalben, wie er im SWR1 Meilensteine Podcast erzählt: "Weil die Stücke [...] in einmaliger und genialer Art zeigen, wie viel mehr, weniger sein kann. [...] Die Arrangements auf diesem Album sind auf das Notwendigste reduziert und es ist auch diese einmalig, einfache und dann auch [...] raue Art an Rock heranzugehen, die ich so besonders finde an diesem Album." Wenn die Instrumente grundsätzlich auf das Nötigste reduziert sind, dann bekommen die einzelnen Instrumente auch immer wieder die Möglichkeiten sich auszubreiten und zu glänzen. Das gilt natürlich auch für die sensationelle Rockstimme von Sänger Paul Rodgers. Der Grundsatz von Bad Company war: Zu viel Kleinteiliges lässt eine Platte auch klein wirken. __________ Über diese Songs vom Album "Bad Company" wird im Podcast gesprochen (16:28) – "Can't Get Enough" (23:49) – "Ready for Love" (30:44) – "Don't Let Me Down" (34:29) – "Bad Company" (45:37) – "Seagull" __________ Alle Shownotes und weiterführenden Links zur Folge "Bad Company" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-bad-company-paul-rodgers-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Join your host @thebuzzknight on this Takin A Walk episode with British singer-songwriter Ian Hunter.  Ian is known for his work leading the classic band Mott the Hoople along with making great solo music throughout his career. If you have questions, comments or suggestions, share them at buzz@buzzknightmedia.com. Connect with Buzz on Twitter @TheBuzzKnight and Instagram @takinawalkpodcast. Like this show? Please leave us a review here. ReviewSee omnystudio.com/listener for privacy information.

Join your host @thebuzzknight on this Takin A Walk episode with British singer-songwriter Ian Hunter.  Ian is known for his work leading the classic band Mott the Hoople along with making great solo music throughout his career. If you have questions, comments or suggestions, share them at buzz@buzzknightmedia.com. Connect with Buzz on Twitter @TheBuzzKnight and Instagram @takinawalkpodcast. Like this show? Please leave us a review here. ReviewSupport the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Veteran front of house engineer Paul Bevan joins the show in Episode 253 and discusses his eclectic career that includes mixing a wide range of gigs, from regal (Boston Pops Fourth of July) to raucous (Mott the Hoople), and just about everything in between. This episode is sponsored by Allen & Heath and RCF.While his music mixing resume is extensive — including The Spin Doctors, Hall & Oates, The Chieftains, and more — and his corporate and broadcast resumes are equally vast, Paul is perhaps best known for helping create the genre of showing films with the score performed live by a symphony orchestra, a specialty that's led to mixing countless performances such as the Lord of the Rings and Star Wars movies, Amadeus, and doing both the live and broadcast mixes for the Emmy Award winning Danny Elfman's Music from the Films of Tim Burton — Live From Lincoln CenterEpisode Links:Paul Bevan WebsiteBatman Suite (excerpt from Danny Elfman's Music from the Films of Tim Burton — Live From Lincoln Center)Episode 253 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Ian started his career fronting the band Mott the Hoople who were best known for their hit, All the Young Dudes. After he left them to pursue a solo career, he has gone on to record over twenty studio albums. His most notable was You're Never Alone with a Schizophrenic which included the hits, Cleveland Rocks, Ships and Just Another Night.

Drumming legend Pick Withers shares fascinating insights into his illustrious career and selects his top five favorite songs. With captivating stories behind each choice, Pick tells stories about legendary bands such as Mott the Hoople, Bob Dylan, and Dire Straits. He discusses his experiences working at iconic studios like Rockfield, Muscle Shoals, The Power Station and George Martins AIR Studios, offering a unique perspective on the creation of iconic tracks. Check out the full career deep dive I did with Pick back in 2020 on Episode 12 of VRP Rocks! Learn more about your ad choices. Visit megaphone.fm/adchoices

Every now and again I pinch myself when doing this show. It's been four years and I've had some amazing guests. Yet this one—with all due respect to everyone who's been on—this one has been more than 30 years in the making. Because my guest is Ian Hunter, hands down my favorite singer-songwriter of ‘em all. Ian is best known for his time fronting the early to mid-70s band English band Mott the Hoople. Mott had a major hit in 1972 with All the Young Dudes—look it up on Spotify, trust me you've heard it. From there Ian's solo career has dotted nearly six decades, and he's still going strong. Ian joined me to discuss his latest album Defiance Part II: Fiction. The album follows Defiance Part I, both of which were recorded near the end of the pandemic. The songs are fantastic, but check out the roster of musicians who joined him: Ringo Starr, Brian May, Lucinda Williams, Jeff Tweedy, the late Taylor Hawkins, and so many more. We talk about the album, the pandemic, the staying power of music, and, well, the theme of both Defiance records—agism and not going quietly into the night. What else could you want? Dive into this interview with Ian Hunter.

On May 24, 1974, the world were introduced to new "supergroup" on Led Zeppelin's Swan Song record label with the self-titled debut of Bad Company. Sporting a world-class lineup of Paul Rodgers (Free) on vocals, Mick Ralphs (Mott the Hoople) on guitar, Boz Burrell (King Crimson) on bass and Simon Kirke (Free) on drums, Bad Company were seasoned veterans of the studio and the road. After becoming disenchanted with their previous bands, the guys got together to form a straight ahead hard rock act that was built for American rock radio and to play live. And while the record went gold in their home of the UK, Bad Company (1974) is 5x platinum in the US. Paul Rodgers provides can go from singing with raw power on Rock Steady to the sweet Seagull to the soulful lament in Ready For Your Love. Ralphs big guitar riffs would help define what 70s hard rock was and the rhythm section of Burrell and Kirke were steady and creative. Though only two songs were released as official singles (Can't Get Enough & Movin' On), US rock radio fans have become familiar with the entire album thanks to DJs digging into this record for half a century. The Wolf & Action Jackson had a fun time going down memory lane with this one! Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On May 24, 1974, the world were introduced to new "supergroup" on Led Zeppelin's Swan Song record label with the self-titled debut of Bad Company. Sporting a world-class lineup of Paul Rodgers (Free) on vocals, Mick Ralphs (Mott the Hoople) on guitar, Boz Burrell (King Crimson) on bass and Simon Kirke (Free) on drums, Bad Company were seasoned veterans of the studio and the road. After becoming disenchanted with their previous bands, the guys got together to form a straight ahead hard rock act that was built for American rock radio and to play live. And while the record went gold in their home of the UK, Bad Company (1974) is 5x platinum in the US. Paul Rodgers provides can go from singing with raw power on Rock Steady to the sweet Seagull to the soulful lament in Ready For Your Love. Ralphs big guitar riffs would help define what 70s hard rock was and the rhythm section of Burrell and Kirke were steady and creative. Though only two songs were released as official singles (Can't Get Enough & Movin' On), US rock radio fans have become familiar with the entire album thanks to DJs digging into this record for half a century. The Wolf & Action Jackson had a fun time going down memory lane with this one! Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It runs out the best way to throw your fellow podcast host off his axis, is to turn up to his house and proclaim “I'm here” with outstretched hands.After a couple of hundred of these over Zoom, there are consequences in jumping in the car and heading up to Heckmondwike for a face-to-face. Firstly there is no obvious improvement in the depth or quality of the content, and all that happened is that, basically, we buggered off out for lunch.Secondly in a strange, body-switch-kind-of-moment, I became the sane one as Ant had a bit of a wobble and not only got his albums in the wrong order, but pretty much forgot a whole load of TCD episodes (sorry Lucy) that we had recorded about FEAR.But being the old pros that we are, we powered on through and managed to start a bit of a chat about An Hour Before It's Dark. Ant then usefully came up with a plan for the next few weeks which I pondered whilst helpfully locating not 3, but 4 pieces in Ant's unfeasibly difficult jigsaw.After that I stuck some yellow stars on my face and went home.Love and Mott the Hoople, h x

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Paul Cook's post-Pistols band the Professionals were once, rather surprisingly, on the cover of Smash Hits - “the pinnacle of our success!” – and they're including the 100 Club on their upcoming tour, the location of another career highlight. He talks to us here about how the first time he played live was also the Pistols' first appearance (Saint Martin's College of Art - “utter chaos”), how their old Denmark Street rehearsal room is now an AirBnB (Rotten's cartoons still on the wall), old punks in the audience, Danny Boyle's TV series and the very slim chance of a reunion (“never say never”). But much of this is about climbing through back windows to see bands in the early ‘70s, Stevie Wonder, the Four Tops, Queen and Mott the Hoople among them. And seeing Alex Harvey on the day the whole of Scotland descended on London for the match against England at Wembley. The Professionals are playing four UK dates (and often chuck in a couple of Pistols' tunes):https://www.ents24.com/uk/tour-dates/the-professionals-1-1Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

I just realized how threatening the subheading on that graphic looks... I am not actually out for blood over Dabb's nonsense car things... >.> For those unfamiliar with our longstanding feud with Andrew Dabb over car and driving continuity issues, there's some pretty glaring examples in this episode. Obviously the Supernatural Universe is not OUR universe, they have cities we don't and vice versa, you know, like their Lebanon, Kansas is a thriving small town on the show and barely exists enough to mark on a map here, as just one example. But Hoople, North Dakota to Missoula, Montana is not a 7 hour drive. It's nearly 15 hours on a good day, on the highway. If that wasn't enough, they doubled down on looking for somewhere within a 300 mile radius of Hoople. And Missoula is over 900 miles away. So either take this as your occasional reminder that the Supernatural universe is not our universe, and it's kinda silly to make these sorts of comparisons because of that, or use it to fuel your personal vendetta against Mr. Dabb for not apparently knowing how to read a map. We've reached the penultimate episode of season seven though, and we're finally almost free of Gamble Era! Everything is coming together now, including a weapon they're hoping will finally be able to kill the Leviathan, so we get a lot of plot to plow through. LINKS! The Superwiki page My Tag My rewatch notes from July 2019 --- Support this podcast: https://podcasters.spotify.com/pod/show/spngeorg/support

Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box show features Bruce Springsteen, 38 Special, Mountain, Red Hot Chili Peppers, Los Lobos, Santana, El Chicano, Malo, Jimi Hendrix, Van Halen, The Marshall Tucker Band, The Police, The Georgia Satellites, Janis Joplin, Ozzy Osbourne, The Smiths, Everclear, Elvis Presley and a deep dive into the music of 1972 with David Bowie, The Rolling Stones, Mott the Hoople, Al Green, The Spinners, Deep Purple, Ricky Nelson and Elton John.

Peter Schickele was one of my idols. He died on Tuesday, January 16. His creation, P.D.Q. Bach, helped bring much needed self-effacing humor to the world of classical music. Links below to help you get into his (and Victor Borge's— another giant of classical music parody—) life and work:Peter Schickele's Obituary, NY TimesBeethoven's 5th announced as a baseball game (a classic!)The Short-Tempered ClavierReport from Hoople (full album- the Beethoven sketch is included)The Definitive Autobiography of P.D.Q. Bach (1807-1742?)and we should also mention,Victor Borge (anything you can find will amuse you!)Good Ol' Piano SlapstickMozart OperaInflationary LanguageTelevision Special (75+ Min) Get full access to WTF Bach at wtfbach.substack.com/subscribe

March 12-18, 1983 This week Ken welcomes comedian and man behind the new Blonde Medicine Comedy lp "Ice Cream vs. Everything", Paul Morrissey. Ken and Paul discuss Paul's excitement being on the show, why he picked 1983, the early 80s mix of famous people guest stars, The Love Boat, Smokey and the Bandit, Paul Williams, Milton Berle, cocaine, 70s Variety Shows, Solid Gold, Tim Thomerson, Top of the Pops, Steelers Wheel, miming, Richard Marx's Lionel Richie debut, cigarettes, David Bowie playing with Mott the Hoople, Robin Williams, Gen Xers vs. Boomers, buying awful products from TV Guide, horrifying children's decor, having to pay massive fines for ruining a VHS tape, Diff'rent Strokes, video games, Silver Spoons, Jason Bateman, Teen Wolf, how massive Bob Hope was, Jackie Gleason, never flying, Voyagers, the death of Jon Eric Hexum, on set accidents, getting bumped on Letterman so many times it becomes an inside joke, dry cleaning The Jeffersons, Newhart, Fritz Leiber, Jay Thomas, Square Pegs, production values, Little House of the Prairie, The A-Team, Happy Days, James Bond, Remington Steel, Pierce Brosnan, The Celtics vs. The Sixers, the Celtics 80s team, Facts of Life, baby death, Very Special Episodes, Fred Willard, Magnum PI, Vietnam, CHPs, Franken and Davis, Saturday Night Live, when everything was on Ice, Benson, Knight Rider, K.I.T.T. vs. K.A.R.R., Stephen Tobolowsky, Morgan Fairchild, $20k TVs, the power of the mustache, roasts, Beverly Hills Cops, action comedies, and why Real Genius is the greatest comedy of all time. 

Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box features Ian Dury, Uriah Heep, Thin Lizzy, Blood Sweat & Tears, Mott the Hoople, Jackson Browne, Jethro Tull, The Cars, Van Morrison, Peter Gabriel, Bob Dylan, Los Bravos, The Black Crowes, Ted Nugent, Rainbow, Rod Stewart, The Allman Brothers, Alice in Chains, Styx, Camel, Celso Salim and Elton John.

Art talks about his experience at the infamous April 9, 1977, Led Zeppelin show, when the concert had to be stopped and cancelled due to Jimmy Page collapsing on stage. He also tells us how a mere five dollars got him into Chicago's Riviera Theatre to see Rush. That night Rush played their new album, 2112, in its entirety.See and hear more at https://www.SeeingThemLive.com or https://www.SeeingThemLive.netBANDS MENTIONED: 38 Special, ACDC, Alice Cooper, Bruce, and Lang, Cinderella, Climax Blues Band, Dockin, Emerson Lake and Palmer, Foghat, Foreigner, George Lynch, Jack Bruce, Kiss, Jay Giles, LA Guns, Led Zepplin, Leonard Skinner, Mahogany Rush, Michael Schenker, Mott the Hoople, Mr. Big, REO Speedwagon, Rick Derringer, Rush, West, Scorpions, Ted Nugent, UFO.VENUES MENTIONED: Aragon Ballroom (Chicago), Chicago Amphitheater, Chicago Stadium, Comisky Park (Chicago), Desplains Theater, Riviera Theater (Chicago), World Music Theater (Chicago). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Brian Koppelman makes his living as the showrunner, co-creator and writer for the Showtime series Billions. Jim and Greg revisit their conversation with Koppelman about how he innovatively uses music in the critically acclaimed show. They'll also review new albums from Mitski, Low Cut Connie and Jaimie Branch. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Mitski, "Bug Like An Angel," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Mitski, "Buffalo Replaced," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Mitski, "I Love Me After You," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Mitski, "The Deal," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Low Cut Connie, "Tell Me Something I Don't Know," Art Dealers, Contender, 2023Low Cut Connie, "Art Dealers," Art Dealers, Contender, 2023Low Cut Connie, "King of the Jews," Art Dealers, Contender, 2023Low Cut Connie, "The Party's Over," Art Dealers, Contender, 2023Low Cut Connie, "Sleaze Me On," Art Dealers, Contender, 2023Mitski, "I'm Your Man," The Land Is Inhospitable and So Are We, Dead Oceans, 2023Jaimie Branch, "Baba Louie," Fly or Die Fly or Die Fly or Die ((world war)), International Anthem, 2023Jaimie Branch, "Burning Grey," Fly or Die Fly or Die Fly or Die ((world war)), International Anthem, 2023Jaimie Branch, "Take Over the World," Fly or Die Fly or Die Fly or Die ((world war)), International Anthem, 2023Jaimie Branch, "The Mountain (feat. Jason Ajemian)," Fly or Die Fly or Die Fly or Die ((world war)), International Anthem, 2023Tracy Chapman, "Talkin' Bout a Revolution," Tracy Chapman, Elektra, 1988Tom Petty and the Heartbreakers, "Even the Losers," Damn the Torpedoes, MCA, 1979Mink DeVille, "Spanish Stroll," Cabretta, Capitol, 1977Garrett T. Capps, "Born in San Antone," Y Los Lonely Hipsters, Suburban Haste, 2016Bob Dylan, "Visions of Johanna," Blonde on Blonde, Columbia, 1966Mott the Hoople, "I Wish I Was Your Mother," Mott, Columbia, 1973Johnny Cash, "Solitary Man," American III: Solitary Man, American Recordings, 2000Andrew Bird, "Oh No," Noble Beast, Fat Possum, 2009Echo & the Bunnymen, "The Killing Moon," Ocean Rain, Sire, 1984Sammy Davis Jr., "Mr. Bojangles," Mr. Bojangles (Single), MGM, 1972The Dictators, "The Next Big Thing," Go Girl Crazy!, Epic, 1975Eskmo, "Billions Title & Recap," Billions Original Series Soundtrack, Milan, 2017Mary Ocher, "Is Life Possible? (feat. Les Trucs)," Is Life Possible? (feat. Les Trucs) (Single), Copyright Control, 2023Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Episode #154 Ian Hunter, the famed multi-instrumentalist famous for his work with Mott the Hoople among other bands, and his many solo works has just released his latest solo album 'Defiance Part. 1' featuring everyone from Ringo, Billy Gibbons, Jeff Beck, Taylor Hawkins, Slash, Dean DeLeo, Joe Elliot, Johnny Depp, and so many more. Ian talks to Mistress Carrie about his musical upbringing, songwriting, his influence on Rock, the amazing artists on his new album, his pet cat, and so much more! Episode Notes Check out the custom playlist for Episode #154 here Find Ian Hunter online: Website Facebook Twitter Instagram YouTube Find Mistress Carrie online: Official Website The Mistress Carrie Backstage Pass on Patreon Twitter Facebook Instagram YouTube Cameo Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices