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4 episodes with Malcolm Young
4 episodes with Malcolm Young
4 episodes with Malcolm Young
2 episodes with Malcolm Young
2 episodes with Malcolm Young
3 episodes with Malcolm Young
2 episodes with Malcolm Young
2 episodes with Malcolm Young
4 episodes with Malcolm Young
1990 is an odd time for a hard rock band from the late 70's to make a comeback. Hair metal was declining rapidly, and music that would form the grunge movement was percolating up in the pacific northwest. But that is exactly what AC/DC did with their album The Razors Edge. The album reached number 2 on the Billboard 200 chart and number 4 on the UK albums chart, and it would become AC/DC's third highest selling album behind “Back in Black” and “High Voltage.”After concluding their 1988 world tour the band had some changes and interruptions. Drummer Simon Wright left the group to join Dio, and was replaced by Chris Slade who would be with the group until 1994. Front man and songwriter Brian Johnson took some time off to finalize his divorce, which left brothers Malcolm Young (rhythm guitar and backing vocals) and Angus Young (lead guitar) to write all the songs for the album. They would continue to be the songwriters for the band through 2020.Critical reviews of the album were mixed, with negative comments revolving around the idea that this album was nothing new for the band. With the benefit of hindsight it may be that the consistency with AC/DC's previous works is actually a strength of the album. In a period of big shifts in rock music, AC/DC provided a point of stability and a return to hard rock origins.Friend of the show Julie Doran joins us to bring us this high energy hard rock masterpiece with Rob. Are You ReadyThe anthem that leads of side 2 of the album reached number 16 on the US charts, and became the band's only number 1 hit in New Zealand. It is used in a number of sports events and is also familiar as the official theme for WWE SmackDown on Fox.ThunderstruckThe lead off track and lead single to the album is a signature song for the band. It started as a "little trick" Angus Young played on guitar, and Malcolm built the rhythm guitar behind that riff. It has been performed in almost every live show the band has performed since its release. MoneytalksThis track reached number 23 on the Billboard Hot 100, making it the first top 40 hit for AC/DC since Back in Black in 1981. Interestingly, the song has not been performed live since the band toured The Razors Edge. Part of the appeal of AC/DC on this album could have been the downturn in the economy at the time, striking a cord with blue collar employment struggles. If so, money really does talk!The Razors EdgeWhile this song is the title track it was not released as a single. This dark track talks about the fine line between success and failure, good and evil, life and death. "You're running out of lives, and here comes the razor's edge." ENTERTAINMENT TRACK:Have Yourself a Merry Little Christmas by Mel Torme (from the motion picture "Home Alone")This Christmas classic saw its debut from Judy Garland in the motion picture "Meet Me in St. Louis". Mel Torme's version was used in the Christmas movie "Home Alone" which was in theaters in 1990. STAFF PICKS:Keep On Loving Me Baby by Colin JamesWayne starts out the staff picks with a Canadian blues singer-songwriter. This cover from James' second album, Sudden Stop, is a high energy cover of a tune originally written by Otis Rush in 1958. James benefitted from the blues revival of the time, as well as the soon-to-come swing revival in the early- to mid-90's.Chain of Fools by Little CaesarLynch brings us another cover originally performed by Aretha Franklin and written by Don Covay in 1967. Little Caesar is a hard rock band formed in the late 80's which had a short career before problems with their label, and the eclipsing of hard rock by grunge contributed to their decline. This cover from their debut single was their most memorableDiabolic Tastemaker by the Cherry Poppin' DaddiesBruce's staff pick is a deep cut off the Daddies' debut album "Ferociously Stoned." This horn-heavy track first appeared on their 1989 demo tape before it was added to their album. The band at the time was an amalgam of punk, funk, jazz, ska, and swing at the time, thought future albums would move heavily towards swing.If You Needed Somebody by Bad Company Julie features the second single off Bad Company's ninth studio album, Holy Water. It was their first top 40 hit since “Rock and Roll Fantasy” back in 1979. The rock ballad hails from BadCo's days with Brian Howe as the front man, as Paul Rodgers had left the group in 1982 and was performing solo at the time. Been Caught Stealing by Jane's Addiction Rob finishes off the staff picks with the third single from Ritual de lo Habitual, and the biggest single, topping the Billboard Modern Rock charts for four weeks. The dog barking is Perry Farrell's pet Annie, who was brought to the studio. The barking was not planned, but the coincidence was included on the track. COMEDY TRACK:Do the Bartman by The SimpsonsBart Simpson closes us out this week with this lost epic. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
They are one of the most successful bands of all time, with one album enshrined as the second-biggest selling album in history.But do we value AC/DC here? Or are we embarrassed by the band that Rolling Stone Magazine once heralded as embodying “all the blood, sweat and arrogance” of rock’n’roll?Because less than two months ago, the childhood home of AC/DC founders Angus and Malcolm Young was bulldozed.Today, conservation expert James Lesh, and head of creative video, Tom Compagnoni, on which cultural sites we protect, in Australia, and which we don’t. And what this says about us. You can read Tom's opinion piece here: Congrats Sydney, you just bulldozed your own legacySubscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.
They are one of the most successful bands of all time, with one album enshrined as the second-biggest selling album in history.But do we value AC/DC here? Or are we embarrassed by the band that Rolling Stone Magazine once heralded as embodying “all the blood, sweat and arrogance” of rock’n’roll?Because less than two months ago, the childhood home of AC/DC founders Angus and Malcolm Young was bulldozed.Today, conservation expert James Lesh, and head of creative video, Tom Compagnoni, on which cultural sites we protect, in Australia, and which we don’t. And what this says about us. You can read Tom's opinion piece here: Congrats Sydney, you just bulldozed your own legacySubscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.
Dirty Deeds The AC/DC Experience is on The Adventures of Pipeman discussing their appearance at the South Florida Fair. This tribute band is on point with an explosive live show where they look the part. Dirty Deeds celebrates the thunderous energy of the Bon Scott and Brian Johnson era delivering a power-packed performance that takes the audience on a journey through the story that is AC/DC.Reminiscent of the legendary Australian rockers, Dirty Deeds, captures the essence of the band that defined a genre.Channeling the electrifying guitar riffs of Angus and Malcolm Young, Dirty Deeds, recreates their chemistry and signature stage moves paying a fitting tribute to the rock ‘n' roll band who ignited a global musical revolution.Unlike most tribute acts, Dirty Deeds uniquely creates an immersive, authentic, and interactive AC/DC experience, transporting fans back to the glory days of classic Rock N Roll all while paying tribute to the unique history that is AC/DC.Their attention to detail and dedication to capturing the spirit of the original songs makes every performance an unforgettable celebration of AC/DC's legacy.Dirty Deeds has set stages ablaze at sold-out venues and festivals all across the US, earning a reputation for their explosive live shows and unwavering commitment to delivering an adrenaline-fueled performance that honors the history and legacy of the rock gods themselves.So, if you're seeking an electrifying journey through the golden era of rock ‘n' roll, let Dirty Deeds be your guide as they pay homage to the unrivaled legends that are AC/DC.Prepare yourself to be taken on a sonic and visual adventure that will leave you chanting for more. Let there be rock!Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com and pipemanradio.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
Dirty Deeds The AC/DC Experience is on The Adventures of Pipeman discussing their appearance at the South Florida Fair. This tribute band is on point with an explosive live show where they look the part. Dirty Deeds celebrates the thunderous energy of the Bon Scott and Brian Johnson era delivering a power-packed performance that takes the audience on a journey through the story that is AC/DC.Reminiscent of the legendary Australian rockers, Dirty Deeds, captures the essence of the band that defined a genre.Channeling the electrifying guitar riffs of Angus and Malcolm Young, Dirty Deeds, recreates their chemistry and signature stage moves paying a fitting tribute to the rock ‘n' roll band who ignited a global musical revolution.Unlike most tribute acts, Dirty Deeds uniquely creates an immersive, authentic, and interactive AC/DC experience, transporting fans back to the glory days of classic Rock N Roll all while paying tribute to the unique history that is AC/DC.Their attention to detail and dedication to capturing the spirit of the original songs makes every performance an unforgettable celebration of AC/DC's legacy.Dirty Deeds has set stages ablaze at sold-out venues and festivals all across the US, earning a reputation for their explosive live shows and unwavering commitment to delivering an adrenaline-fueled performance that honors the history and legacy of the rock gods themselves.So, if you're seeking an electrifying journey through the golden era of rock ‘n' roll, let Dirty Deeds be your guide as they pay homage to the unrivaled legends that are AC/DC.Prepare yourself to be taken on a sonic and visual adventure that will leave you chanting for more. Let there be rock!Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness. Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment Subscribe to The Adventures of Pipeman at https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast? Contact the Pipeman:Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com Follow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com and pipemanradio.com. Download The Pipeman Radio APPThe Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).
On tap this week: Natural Light made a double-sided fridge you share with your neighbor, Buddy the Elf showed up at a hockey game not looking so good, A popular Japanese actor fired from beer ads after getting drunk, Dogfish Headwants you to give up your New Year's resolution with their new IPA, Busch Light is letting you "Speed Date" at theDaytona 500, A year of free beer on the line in city-wide treasure hunt in St. Paul, A developer accidentally destroyed the boyhood home of AC/DC's Angus and Malcolm Young, all this and soooooo much more presented by Cask Branding. Enjoy the show, cheers!
In This Episode:FL Man Claims Alien Abduction During Alleged Nude Carjacking;Escaped Spider Monkey Turns Up on Side of MO Highway In A Pink Tutu;A Developer Accidentally Demolished the Boyhood Home of AC/DC's Angus & Malcolm Young!
Skunk Anansie arrive avec un nouveau single, "An Artist Is An Artist" qui précède la tournée européenne du groupe, qui passera par la Belgique en mars prochain, avant TW Classic. Le groupe 4 Non Blondes se retrouvera pour un premier concert en 30 ans au BottleRock Napa Valley Festival. Metallica, par le biais de sa fondation All Within my Hands, qui ajoute 500.000 $ pour soutenir les efforts de lutte contre ces incendies de forêt. Dave Evans, le chanteur original d'AC/DC, a révélé comment le groupe a trouvé son nom. La chanteuse d'Alabama Shakes est désormais dans un groupe de hardcore, Brittany Howard a présenté son nouveau groupe de hardcore, Kumite, lors d'un concert de bienfaisance à Nashville. Suite à la blessure au larynx du chanteur d'Aerosmith : Steven Tyler ; le bassiste, Tom Hamilton, a fait le point sur l'état de santé du chanteur, tout en laissant la porte ouverte à un retour du groupe sous une forme ou une autre. Mots-Clés : chanteuse, Skin, paroles, univers, new wave, saxophone, produit, David Sitek, TV On The Radio, Programmation, tube, What's Up, exception, prestation, unique, collecte de fonds, Los Angeles, show , officiel, split, initiatives, communiqué, communauté, ordre d'évacuation, brûlé, structures, commerciales, résidentielles, détruit, chiffres, ampleur, angoisse, catastrophe, familles, moyens de subsistance, événement, Malcolm Young, belle-sœur, frère aîné, George, nom, appareils électriques, alternate current, courant alternatif, direct current, courant continu, publicité gratuite, puissance, unanime, Snooper, Inner Peace, Second Spirit, esprit hardcore, prouesses vocales, AM/PM, Boston, American Nightmare, tournée, interview, processus, guérison, rythme, futur, direction, avenir. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx
Tre og et halvt år har gått siden den famøse "Æ va jo kjærest med Cliff Burton, æ"-episoden som satte en støkk i undertegnede, og sikkert noen tusen lyttere også.Kjære Mor. Kan du komme tilbake til Gammal Maiden?Jaaada, sa Mor.For vi hadde visst mer å snakke om, vi. Møtene, anekdotene og samarbeidene:Paul Di Anno, "kortvokste" Angus og Malcolm Young som ble nekta ølservering på Smuget, Springsteen, Eagles, Michael Jackson, One Direction, Dave Murray, Steve Harris, Amy Winehouse og den kjipe kjæresten.Sett over kaffen. Finn gjerne fram noe blankt også, og bli med på reisen.For det er jo reisen som er målet, for sånne som oss;)(NB! Episoden ble innspilt i slutten av oktober 2024)
The construction crew that mistakenly tore down the historic home where Angus and Malcolm Young of AC/DC grew up!
The construction crew that mistakenly tore down the historic home where Angus and Malcolm Young of AC/DC grew up!
La maison de Sydney dans laquelle Angus et Malcolm Young, membres d'AC/DC, ont grandi, a été démolie, alors qu'elle était inscrite au registre des maisons historiques du National Trust d'Australie depuis 2013. Franz Ferdinand a sorti un nouveau single intitulé ‘'Hooked'', ultime extrait avant la sortie de l'album attendue ce vendredi 10 janvier. Robbie Williams s'est exprimé après la disqualification de son titre ''Forbidden Road'' de la liste des Oscars 2025, dans la catégorie ‘'meilleure chanson originale''. Bruce Springsteen a entendu Jeremy Allen White chanter dans le prochain film biographique, réalisé par Scott Cooper, ‘'Deliver Me from Nowhere'', et il approuve l'acteur dans cet exercice. Debbie Harry, la chanteuse de Blondie, a évoqué les 80 ans qu'elle fêtera le 1er juillet 2025 et a parlé de la ‘'beauté du vieillissement''. Certains grands noms du rock'n'roll prennent doucement de l'âge, Ian Paice (Deep Purple), Rat Scabies (The Damned) et Paul Cook (Sex Pistols) ont tous trois parlé de la manière dont les batteurs font face aux exigences physiques de la scène, en vieillissant. Mots-Clés : famille, frère aîné, George Young, The Easybeats, album, Easy, adresse, société, origine, site, Noël, projet résidentiel, millions, dollars, statut historique, promoteurs, bar, café, matériaux, fans, célébrer, héritage, frontman, Alex Kapranos, rôdeur, nocturne, live, origine, présélection, règles, éligibilité, extraits, I Got a Name, Jim Croce, écrit, Charles Fox, Norman Gimbel, décision, adaptation, livre, 2023, Deliver Me From Nowhere, années 80, enregistrement, album, Nebraska, 1982, star, série, The Bear, efforts, distribution, mère, habitude, tête, couple, Dieu, relation, Chris Stein, applications en ligne, informée, existence, rencontres, célébrités, tester, secret, Phil Collins, documentaire, batterie, Nicko McBrain, Iron Maiden, bons et loyaux services, témoignages. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx
We're back with our regular audio installment which covers the past, present, and future of the genre we love with the Decibel Geek Times! Aaron Camaro has compiled a thorough list of artists and albums to remember as well as a look to the future with exciting upcoming rock releases! Artists lost that we're remembering this time include Eric Carr, Malcolm Young, Kevin Dubrow, and more. A number of albums are celebrating anniversaries including Aerosmith's 'A Night in the Ruts,' Pink Floyd's 'The Wall,' the self-titled debut from Rough Cutt, and a bunch more. Looking ahead, there are great new and upcoming releases by Mark Farner, Crossbone Skully, Demon Bitch, and more. It's a bunch of fun rock talk from your favorite geeks. We hope you enjoy the latest edition of the Decibel Geek Times and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back with our regular audio installment which covers the past, present, and future of the genre we love with the Decibel Geek Times! Aaron Camaro has compiled a thorough list of artists and albums to remember as well as a look to the future with exciting upcoming rock releases! Artists lost that we're remembering this time include Eric Carr, Malcolm Young, Kevin Dubrow, and more. A number of albums are celebrating anniversaries including Aerosmith's 'A Night in the Ruts,' Pink Floyd's 'The Wall,' the self-titled debut from Rough Cutt, and a bunch more. Looking ahead, there are great new and upcoming releases by Mark Farner, Crossbone Skully, Demon Bitch, and more. It's a bunch of fun rock talk from your favorite geeks. We hope you enjoy the latest edition of the Decibel Geek Times and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
Der beste Gitarrist der Welt ist: Jimi Hendrix, Jeff Beck, Lita Ford, Andres Segovia, John Frusciante, Chuck Berry, Paco de Lucia, George Harrison, Bonnie Raitt, Catharina Valente, Charlie Christian, John McLaughlin, Tom Morello, Sister Rosetta Tharpe, Muddy Waters, Buddy Guy, Eric Clapton, Joan Jett, Nile Rodgers, Nancy Wilson, Jimmy Page, Malcolm Young, Brad Paisley, Mark Knopfler…und alle anderen, die eure Herzen höher schlagen lassen! Henning und Till erzählen was über ihre Helden der Saitenzunft! Die Songs der Sendung: 1) Something / The Beatles2) Know your enemy / Rage Against The Machine3) Up to my neck in you / AC/DC4) Give it away / The Red Hot Chili Peppers5) I´m coming out / Diana Ross 6) Where´s life? / Keziah Jones7) Close my eyes / Lita Ford8) Pinball Wizard / Pete Townshend Links zur Sendung: Guitar heroes on George Harrison:https://www.guitarworld.com/features/george-harrison-greatest-guitar-moments Jimi Hendrix in der Dick Cavett–Show:https://www.youtube.com/watch?v=RJxiCZwP_GI Hosted on Acast. See acast.com/privacy for more information.
Gli AC/DC sono una delle band più iconiche e influenti nella storia del rock. Fondati nel 1973 a Sydney, Australia, dai fratelli Angus e Malcolm Young, sono noti per il loro stile musicale grezzo e potente, caratterizzato da riff di chitarra energici e ritmi martellanti.
There is no more solid, more rockin' guitar duo than AC/DC's Angus and Malcolm Young. Whether they make you want to brawl or crank up your amp, if you're listening to this podcast, you know what we're talking about. The band's catalog is so famously consistent, do they have a best song? A worst song? (No.) And what's the real secret to the brothers' 6-string chemistry?For a limited time get the SoloDallas Storm pedal 20% OFF! Use code: PGDEAL20 at http://solodallas.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331
Für die australische Hardrock Band AC/DC war ihr sechstes Album "Highway To Hell" ihr großer, internationaler Durchbruch. Mit diesem Album sollte sich für die Band alles verändern. Mit "Highway To Hell", dem sechsten Album von AC/DC ist der Band endlich der große Wurf gelungen. Für den hat die fünfköpfige australische Band hart arbeiten müssen. Um sich einen Namen zu erspielen hat die Band alleine in den Jahren 1977 und 1978 über 300 Konzerte gespielt. Das war auch absolut notwendig, denn mit dem ungewohnten harten Rock konnte die Band von den Radiostationen nichts erwarten. Dort haben AC/DC einfach nicht stattgefunden. Mit dem sechsten Album sollte sich dann für AC/DC endgültig alles ändern, aber zu einem Preis, den die Band nicht gerne bezahlt hat. Denn die Plattenfirma von AC/DC strebte nach Veränderung, damit es endlich klappt mit dem Erfolg. Die Lösung: Personelle Veränderung. Nicht innerhalb der direkten Band, aber an den Reglern davor. Für Malcolm und Angus Young ein Schlag ins Gesicht, denn da saß ihr Bruder George Young. Am Ende saß dann Produzent Mutt Lange an den Reglern. Die richtige Wahl, wie sich rausstellen sollte. Eine der wichtigsten Dinge, die Mutt Lange für die AC/DC getan hat: Er hat den Sound der Band aufgeräumt und reduziert. Darüber hinaus hat Mutt Lange vor allem Sänger Bon Scott geholfen beim Singen richtig zu atmen und noch mehr aus seiner Stimme rauszuholen. So konnte Sänger Bon Scott auch in den hohen Tonlagen mit einer kräftigen Bruststimme singen, was damals ein wichtiger Bestandteil für den Sound von AC/DC war. Das Herzstück von AC/DC sind, wenig überraschend, die Gitarren. Das geht schon beim Equipment der beiden Gitarristen Angus und Malcolm Young los. Leadgitarrist Angus Young spielt fast ausschließlich eine Gibson SG-Gitarre. Kaum eine Gitarre ist so eng mit einem einzigen Gitarristen verknüpft wie dieses Modell. Vom Sound her ist die Gitarre sehr direkt, bissig und mittenlastig. Das bedeutet, die Gitarrensoli und -riffs von Angus dringen durch und stehen immer im Vordergrund. So wie Angus auch selbst auf der Bühne. Die Gitarre von Malcolm Young gibt den Songs die satte Basis. Mit der massiven, großen und schweren Gretsch-Gitarre, die er gespielt hat, hat er das wuchtige Fundament der Songs gegeben. Sein Sound "schiebt" oder "drückt", wie man auch sagt. Dazu passt auch, dass einer seiner häufig gespielten Gitarrenverstärker schon im Modellnamen "Super Bass" stehen hat. "Highway To Hell" war für AC/DC nicht nur das Album, dass der Band den großen Durchbruch beschert hat, sondern auch mit das prägendste Album der Band. Diese zehn Songs haben der Band den Weg geebnet und die Richtung vorgegeben, die sie zu einer der größten Rockbands aller Zeiten machen sollte. __________ Über diese Songs vom Album "Highway To Hell" wird im Podcast gesprochen: (12:31) – "Highway To Hell"(30:24) – "Night Prowler"(40:16) – "Girls Got Rhythm"(47:25) – "Touch Too Much"(56:37) – "If You Want Blood (You Got It)"__________ Alle Shownotes und weiterführenden Links zur Folge "Highway To Hell" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-acdc-highway-to-hell-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de
In this Video I'm Joined by CHRIS SLADE best known for his time with one of the biggest bands EVER!! AC/DC ! We go through Chris's incredible journey from his early days with Tom Jones & Manfred Mann`s Earth Band to joining The Firm with Jimmy Page & Paul Rodgers! And of course his time in AC⚡DC Grab a copy of Chris Slade's New Album here! - https://www.amazon.com/dp/B0D3FJ2FQN/ref=cm_sw_r_as_gl_api_gl_i_DNP8KSSX78QFNWXWS2Y0?linkCode=ml1&tag=stephenadika-20 Ordering in the UK - https://www.amazon.co.uk/Timescape-Chris-Slade-Timeline/dp/B0D3FJ2FQN/ref=sr_1_1?dib=eyJ2IjoiMSJ9.v-awmt4MxW7qvjHr28hSyA.jt1d6ADgZdt83NpiBh5nwW93eESTRCJyM8ZvFXo1aqI&dib_tag=se&qid=1721221827&refinements=p_32%3AChris+Slade+Timeline&s=music&sr=1-1
Interview by Kris PetersWhile the term family is often bandied about in the world of music, it is generally used as more of an affectionate term when used to describe the bond that develops between band members.Not often is it used in the literal term. But when it is, you can be sure that you are in for something special.Think Angus and Malcolm Young from AC/DC, Andrew Farriss, Jon Farriss, and Tim Farriss (INXS), Eddie and Alex Van Halen to name but a few, but while the natural chemistry of siblings is a powerful force when harnessed by verse, it is an all too rare occurrence.Looking through that list, there are a few bands with three family members spread here and there, but I have yet to come across a band from the rock persuasion that is made up of four members of the same family. Until now.Australia's own Sisters Doll, (Brennan, Austin and Bryce Mileto) have expanded their numbers by one to include younger brother Sage as part of their line-up moving forward, with the newest devotee to rock and roll showcasing his wares on the new track Don't Give Up On Us, with the music video announcing his addition to the band's legions of fans.Brennan and Austin both sat down with HEAVY to talk about the new song and… well, family."It's done really well so far," Brennan enthused of the new track. "We did a bit of a livestream before the video dropped to build the suspense and build the hype, because we really believe in this song. It's kind of been one of our favourites from the album. It is more of the ballad from the album, but so far we've got a great response. A lot of good responses on the video too, which is exciting. Obviously, it unveils our new bass player, which is kind of the talking point at the moment. Having Sage in there has sparked a few more people to jump on and have a look - especially people back home. Compared to the last one Change, which we did last year, it's probably doing a little bit better."In the full interview, the boys discussed a range of personal and professional topics. They talked about the positive response to their new album's ballad and the unveiling of their new bass player, Sage. They also discussed the strategic decision to release the audio before the video to boost streaming numbers and create anticipation for the music video.Additionally, they highlighted the need to strategically unveil Sage to maintain the surprise for the show. They also delved into the meaning behind their new song Don't Give Up on Us, highlighting its dual significance related to relationships and the band's perseverance.Furthermore, they provided insights into their plans for the album launch show at Max Watts on January 25 next year, indicating that it will feature a mix of new and existing songs, with a focus on gauging audience reception for future performances. They also discussed the evolution of their performances, emphasizing their dedication to delivering high energy shows and their commitment to creating a memorable experience for the audience. The conversation also covered the band's upcoming plans, including the release of their new single, pre-orders for the new album, and their upcoming shows and tours, showcasing the band's excitement for the future.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Though AC/DC are one of the most revered and successful bands in the history of rock n roll, in 1979 they hadn't cracked the Top 100 in the US. The killer riffs laid down by Malcolm Young had gained them a strong following in Europe and their native Australia but they had yet to breach the great big U-S-of-A. So in 1979 they brought in a new producer, Robert John "Mutt" Lange to give them an edge. And though they were all skeptical after giving Eddie Kramer a shot, once Mutt showed them he knew how to sing, how to get the most out of Angus's guitar and how to put together songs, they were all on board. However, though this would be their big breakthrough in America with Highway To Hell reaching the Top 20, the celebration wouldn't last as lead singer and primary antagonist Bon Scott would soon die while living that rock n roll life. But before he left he gave us some of his patented sexual innuendo (Walk All Over You, Love Hungry Man, Touch Too Much) and his description of his lifestyle in the title track. Cliff Williams had settled in on the bass after Powerage and the live album If You Want Blood You Got It and Angus Young came of age with the help of Mutt Lange in the studio. The result is some of their greatest riffs (Highway To Hell, If You Want Blood (You've Got It), fan favorites (Girls Got Rhythm, Shot Down In Flames) and controversy (Nightprowler). It marked the end of an era with Bon Scott but the start of working with Mutt Lange who would help their next album become the 2nd biggest selling album of all time. This is a fun one that all hard rock and heavy metal fans love!!! Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Though AC/DC are one of the most revered and successful bands in the history of rock n roll, in 1979 they hadn't cracked the Top 100 in the US. The killer riffs laid down by Malcolm Young had gained them a strong following in Europe and their native Australia but they had yet to breach the great big U-S-of-A. So in 1979 they brought in a new producer, Robert John "Mutt" Lange to give them an edge. And though they were all skeptical after giving Eddie Kramer a shot, once Mutt showed them he knew how to sing, how to get the most out of Angus's guitar and how to put together songs, they were all on board. However, though this would be their big breakthrough in America with Highway To Hell reaching the Top 20, the celebration wouldn't last as lead singer and primary antagonist Bon Scott would soon die while living that rock n roll life. But before he left he gave us some of his patented sexual innuendo (Walk All Over You, Love Hungry Man, Touch Too Much) and his description of his lifestyle in the title track. Cliff Williams had settled in on the bass after Powerage and the live album If You Want Blood You Got It and Angus Young came of age with the help of Mutt Lange in the studio. The result is some of their greatest riffs (Highway To Hell, If You Want Blood (You've Got It), fan favorites (Girls Got Rhythm, Shot Down In Flames) and controversy (Nightprowler). It marked the end of an era with Bon Scott but the start of working with Mutt Lange who would help their next album become the 2nd biggest selling album of all time. This is a fun one that all hard rock and heavy metal fans love!!! Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10%! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Send us a Text Message.Her på Let There Be Pod fortsetter vi jakten på "Tidenes AC/DC-låt," og vi hadde den store gleden av å ha Petter Baarli fra Backstreet Girls og Tor Ivar "Angus" Johansen fra Dirty Deeds som gjester. Etter at vi var ferdig med å spille inn episoden, uttalte Petter Baarli: "Har aldri hatt det så moro i ett radiostudio NOEN gang!!"
Dweezil Zappa returns to The Vinyl Guide to share stories of Frank, the recordings, Frank's record collection, an unreleased track with Eddie Van Halen, discuss his tour celebrating 50 years of "Roxy & Elsewhere", "Apostrophe'" and more! The changing world of touring 50 years since “Roxy & Elsewhere” & “Apostrophe” Memories of the making of Roxy and Apostrophe "Roxy and Elsewhere" arrangements and approach for live shows Frank's approach to being “in the moment” in a guitar solo Dweezil's live interaction with other band members The Rox(postroph)y touring band Did Dweezil recognize the uniqueness of his upbringing? Dweezil's history with playing guitar Seeing the guitar neck as shapes Working with his dad and musicians that were around the house Frank's response to Dweezil becoming a musician How did Frank look back on “Roxy & Elsewhere” and “Apostrophe”? Various entry points to Frank's music Does Dweezil have his father's archivist mentality Dweezil has had no involvement for Zappa Family Trust releases Thoughts on the recent Roxy box sets What Zappa music is Dweezil still aspiring to play? ROX(POSTROPH)Y tour plans, international tour dates? Dweezil's version of “Stayin' Alive” with Ozzy Osbourne Frank and Ozzy's interactions Frank's vinyl collection and listening habits When the Zappa family would receive Frank's latest album Did Dweezil have any time with Randy Rhoads? The unreleased “What The Hell Was I Thinking?” track w/ Eddie Van Halen, Brian May, Angus and Malcolm Young & lots more Dweezil is remixing projects for ATMOS (Deep Purple ‘Machine Head' recent project) The history and future of “What The Hell Was I Thinking?” Working with Brian May, Joe Walsh and Eddie Van Halen Any special guests on the ROX(POSTROPH)Y tour Dweezil's podcast “Running with the Dweezil” Interview wrap up Check out Dweezil's tour dates here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
Le groupe australien AC/DC a mis en ligne une vidéo haute définition remastérisée de "Jailbreak" en live à Londres en 1976. Plus de 50 ans après leur séparation, les Beatles font toujours parler d'eux avec la publication d'un nouveau livre intitulé "All You Need Is Love", il paraîtra le 11 avril avec des interviews du livre "The Love You Make", paru en 1983. Trent Reznor (Nine Inch Nails) s'en prend aux plateformes de streaming, le chanteur estime que les grandes sociétés de streaming ont blessé mortellement énormément d'artistes à cause de leurs conditions de paiement. Dans l'État de Washington, 30 ans après le décès de Kurt Cobain, Aberdeen, sa ville natale fait parler d'elle, ou plus exactement, le pont "Young Street Bridge" est devenu une sorte de sanctuaire du défunt chanteur, recouvert de graffitis et de messages depuis 1994. Le groupe KISS a mis en vente son catalogue musical, son nom et son image pour 275 millions d'euros, le bassiste/chanteur Gene Simmons, explique que cette vente était la "chose naturelle" à faire, insistant sur le fait que le groupe "ne cherchait pas à faire ça au départ. Dolly Parton reprend une chanson de Tom Petty, "Southern Accents" apparait sur la compilation ‘'Petty Country : A Country Music Celebration of Tom Petty''. Mots-Clés : Planifier, retraite, soleil, concerts, tournée, siècle, déambulateur, réseaux sociaux, clip, promo, HD, Bon Scott, guitaristes, Angus Young, Malcolm Young, batteur, Phil Rudd, bassiste, Mark Evans, publication, contenu, Steven Gaines, Times, Paul, Linda, McCartney, cheminée, page, omerta, code, silence, vérité, Spotify, annonce, démonétisation, officiel, écoutes, politique, entrée en vigueur, temps, chanteur, référence, paroles, Something In The Way, subvention, fédéral, millions, dollars, honorer, structure, origine. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Le tube "Rock You Like A Hurricane" de Scorpions fête ses 40 ans, le morceau avait un autre titre à l'origine raconte l'ex-batteur de Scorpions, Herman Rarebell. Roger Daltrey des Who se fiche de ce que les gens pensent de lui, il explique que les réseaux sociaux, les likes, et les commentaires sont "juste là pour satisfaire l'ego". Une lettre ouverte contre l'utilisation de l'intelligence artificielle dans la musique a été signée par Robert Smith, Greta Van Fleet, Pearl Jam, Bon Jovi…, au total plus de 200 signatures d'artistes. AC/DC, non, il n'y a pas eu que Bon Scott et Brian Johnson au chant, début des années 70, Dave Evans, un chanteur britannique, déménage à Sidney et est officiellement recruté en tant que chanteur du groupe puis renvoyé un an après à cause d'une dispute avec Malcolm Young. Bientôt un nouvel album de Lynyrd Skynyrd ? Le guitariste Rickey Medlocke a parlé de nouveaux titres de la part du groupe lors d'une interview avec Scott Itter sur sur Youtube. Joan Baez a confirmé le titre et la date de sortie de son premier livre de poésie ‘'When You See My Mother, Ask Her to Dance'' le 30 avril. Mots-Clés : poèmes, paroles, interdites, titre original, Fuck You Like A Hurricane, maison de disques, fou, rire, chansons, Motherfucker, asshole, diffusé, Amérique, époque, monde, événement, caritatif, Teenage Cancer Trust, critiques, concert, Twitter, communiquer, personnes, vivre, voler, voix, image, professionnels, violer, droits, créateurs, détruire, écosystème, musique, question, modestie, membres, fondateurs, histoire, Johnny Van Zant, décès, Gary Rossington, guitariste, tonne, matériel, Last Of A Dyin' Breed, autobiographique, art, famille, carrière, journal intime. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
El año 2017 fue un año aciago para la música. Ese año nos dejaron figuras mayúsculas como Chuck Berry, Gregg Allman, Chester Bennington, Glen Campbell, Tom Petty, Fats Domino o Malcolm Young. Ninguno congregó a tanta gente en su adiós final como Johnny Hallyday. Casi un millón de personas acompañaron su cuerpo sin vida por los Campos Elíseos de París para despedir a un ícono francés. Una leyenda que moría a los 74 años y que vivió cada uno de ellos como si fuese el último ya fuese pisando el acelerador de su deportivo como esnifando hasta la última raya.Hallyday representó mejor que nadie ese ideal del rock de vivir de deprisa y morir joven, pero vivió demasiado para esa máxima y su carrera y su figura se instalaron en una montaña rusa que tanto le subía al cielo de lo música como lo convertía en un paria, en algo obsoleto pasado de moda. Pero Johnny siempre volvía, se reinventaba y cuando no sabía qué hacer copiaba alguna nueva moda. Muchas de esas jugadas le salieron bien y su legado fue enorme.Johnny coleccionó excesos, deportivos, mujeres, amantes, depresiones, pero sobre todo fue un hombre de escenarios. Nadie giró más que él o al menos nadie giró como lo hizo él. "En el escenario me evado. Estoy en mi propio mundo, puedo hacer de todo. Ya no soy yo mismo. No estoy allí. Olvido quien soy e intento interpretarme. Me da la confianza que no tengo como persona cuando no trabajo. Olvido quién soy en la vida real”, contaba Johnny en el documental de Netflix.La carrera de Johnny Hallyday no tiene comparativa, Johhny lo hizo casi todo y fue único intentando ser otros. El adolescente que empezó copiando a Elvis y luego a las bandas inglesas, acabó siendo algo inimitable. Con una voz potente, unos profundos ojos azules y su melena rubia, Hallyday se comió Francia y también el mundo. Se puede decir que no inventó nada o que no fue el mejor en nada y sin embargo esto no quizá un ápice de mérito a su carrera. Hoy queremos recordar parte de su viaje y hemos puesto el ojo en Rivière Ouvre Ton lit su disco de 1969, un trabajo que se mueve entre el blues rock y la psicodelia de la época y que fue uno de sus trabajos más ambiciosos. Para recordar la obra de Johnny y sus canciones nos acompañan el músico Igor Paskual y Lucía Taboada con sus reportajes.
With special guest: Jeff Apter… in conversation with Bill Kable Malcolm was a younger brother of George Young guitarist and songwriter with The Easybeats. Music was definitely in the family but in such a fickle industry could lightning strike twice after the enormous success of brother George? The Young family story starts in an economically deprived part of Scotland. Then seven of the eight members of the family became Ten Pound Poms and settled in a migrant hostel in Australia. One of the elder children continued to work as a musician in Europe. After years of playing guitar in his bedroom Malcolm joined a band and later agreed to let Angus in, recognising at that early stage the genius of his younger brother. It was his sister who came up with the name for the band and that was never changed. It is arguable that their choice of music style never changed either, always driving rock’n’roll. Podcast (mp3)
As AC/DC announce a tour, we look at their resurgence from the 90s to now & what the future looks like for the band.AC/DC remain one of the most influential bands of all time, five decades into their stellar career. They've sold over 300 million albums yet have never diverted from their trademark sound or sold out, inspiring countless musical artists along the way.50 years since their first gig, this is the final act of our 3-part series telling the story of AC/DC. You'll hear the story straight from Angus and Malcolm Young, Brian Johnson and Phil Rudd plus music industry legends Dave Gleeson, Michael Chugg, Molly Meldrum, Michael Browning, John Watson, Mark Opitz and Fifa Riccobono.Famous fans like Linkin Park's Mike Shinoda, Chris Cheney from The Living End, Jimmy Barnes, Def Leppard's Phil Colleen, Paul Stanley and Gene Simmons from Kiss and Daryl Braithwaite will speak about how they've been influenced by ACDC.Hosted by Triple M's Matty O.Episode 1 AC/DC: The Bon Scott Era and Episode 2 AC/DC – The Brian Johnson Era are available now.Warning: This series contains language and drug references.See omnystudio.com/listener for privacy information.
From the death of Bon Scott to the launch of Brian Johnson, Ep 2 looks at how AC/DC became one of the biggest rock groups on the planet.As the 80s dawned, AC/DC verged on world domination. They'd achieve it, but without the man who made them. This episode examines the intrigue over Bon Scott's death, how AC/DC not only survived tragedy – but triumphed, and became even more popular than ever before. Half a century since their first ever gig, this is the second part of our 3-part series telling the story of ACDC. You'll hear the AC/DC story straight from Angus and Malcolm Young, Bon Scott and Brian Johnson plus music industry legends Dave Gleeson, Michael Chugg, Michael Browning, Mark Opitz and Fifa Riccobono. Hosted by Triple M's Matty O. Episode 1 – AC/DC: The Bon Scott Era – available now Episode 3 – AC/DC: Beyond a Band of Brothers – coming 20 December 2023Warning: Language and drug references. See omnystudio.com/listener for privacy information.
David Lowy may be Australia's busiest rockstar, but it's not all music related. As founder of The Dead Daisies, David also balances a full schedule of leading a private equity organization for the Lowy Family Group, as well as a keen interest in aviation and philanthropy. Today David talks about his history with The Dead Daisies and balancing it alongside his other interests. Interview start How does David balance his various interests Early interest in music 1st record was the Easybeats Parental expectations and personal desires Rediscovering music, spontaneously buying a guitar Connecting with Doc Neeson Origin of the name “The Dead Daisies” Creating the band, the rotating cast of musicians Joining with some Guns & Roses tour musicians Why release a “Best of” album now? David's involvement and contribution to band decisions What would he like to see the Dead Daisies do next? What thrills David these days? History with aerobatics What does David collect? David's record collection and listening habits 1st band to play in Cuba Did David ever get into the Sydney punk scene? Has his father, Frank Lowy, ever seen a Dead Daisies show? Will we see The Dead Daisies in Australia next year? Does David fly the band on tour? Ever spent time with Malcolm Young? Interview wrap up Check out the "Best of The Dead Daisies" vinyl here. Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Orígenes: AC/DC es una legendaria banda de rock australiana formada en Sídney en 1973. Los hermanos Malcolm y Angus Young fueron los cofundadores de la banda. Malcolm se convirtió en el principal guitarrista rítmico y Angus asumió el papel de guitarrista principal. Juntos, desarrollaron el característico sonido de AC/DC que se basa en guitarras potentes y riffs pegajosos. Primeros años y Álbumes Debut: En 1975, AC/DC lanzó su álbum debut, "High Voltage", que tuvo un éxito moderado en Australia. Sin embargo, fue su segundo álbum, "T.N.T." (1975), el que comenzó a atraer la atención internacional. La banda ganó seguidores en todo el mundo gracias a su energético estilo en el escenario y sus letras directas. Éxito Internacional: A mediados de la década de 1970, AC/DC comenzó a girar por Europa y América del Norte, ganando una base de fanáticos leales. Su álbum "High Voltage" fue lanzado internacionalmente en 1976, y el sencillo "It's a Long Way to the Top (If You Wanna Rock 'n' Roll)" se convirtió en un himno del rock. Era de Bon Scott: La banda alcanzó el estatus de ícono del rock con el lanzamiento de "Highway to Hell" en 1979, pero esta época estuvo marcada por la tragedia. En 1980, el carismático vocalista Bon Scott falleció trágicamente a causa de una intoxicación alcohólica. La banda decidió continuar y reclutó a Brian Johnson como su nuevo cantante. La Era de Brian Johnson: Con Brian Johnson como vocalista, AC/DC lanzó "Back in Black" en 1980, que se convirtió en uno de los álbumes más vendidos de todos los tiempos. Sencillos como "You Shook Me All Night Long" y la pista principal, "Back in Black", se convirtieron en clásicos del rock. Éxito Continuo: AC/DC continuó lanzando álbumes exitosos a lo largo de las décadas de 1980 y 1990, incluyendo "For Those About to Rock We Salute You" (1981), "Flick of the Switch" (1983), "Blow Up Your Video" (1988) y "The Razors Edge" (1990). Su música seguía siendo un elemento básico de las estaciones de radio y los conciertos en vivo eran inmensamente populares. Retornos y Giras Épicas: La banda tuvo períodos de inactividad y regresos a lo largo de su carrera, pero siempre atrajo a multitudes masivas en sus giras mundiales. Uno de los retornos más notables fue en 2008 con el álbum "Black Ice" y la posterior gira "Black Ice World Tour", que se convirtió en una de las giras más exitosas de la historia del rock. Legado y Continuación: AC/DC ha dejado una marca indeleble en la historia del rock con su estilo distintivo y su actitud inquebrantable. A lo largo de los años, la alineación ha experimentado cambios, pero la banda ha mantenido su esencia. Malcolm Young falleció en 2017, pero su legado perdura en la música de AC/DC. La banda continúa tocando y lanzando nueva música, manteniendo viva la llama del rock 'n' roll. Su historia es un testimonio de perseverancia, talento y pasión por la música, y AC/DC sigue siendo una de las bandas de rock más influyentes y queridas del mundo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
New Year's Eve parties with ACDC's Malcolm Young, secret concerts in the brewery with Dandy Warhols and private brewery tours with Hanson. These are just some of the stories that Jessie throws in during our awesome chat. Seriously, we both loved this one so much that we have already agreed we want to do a follow-up at some stage.Stop reading this and press play!Check out Young Henry's Beer Here
jD, Pete, and Tim welcome Paul Langlois to the show to talk about his new record Guess What.TracksWill to FightDesperation Calling638 MainGuess WhatTranscriptTrack 1:[0:03] Well, I would see him working away in Timothee's from time to time, like I would walk past Timothee's and there would be Gord Downie sitting there on a laptop and, you know,my reaction as a super fan is like, I got to go in and say hi. And then, and then as the same super fan, I'm like, what if he's writing? Well, what if he's writing the next fucking great song? And I'm the asshole who interrupts that, right? Track 6:[0:28] Well, he would have been writing something, but he kind of put the songs together after. Track 1:[0:35] Oh, gotcha. Okay. Okay, gotcha. Track 6:[0:38] So, how is my signal? Because I can hotspot. It could be better. Track 1:[0:41] No, this is good. You're coming through great. Track 4:[0:43] It's great. Track 5:[0:44] Okay. Track 1:[0:44] It looks like a nice day. Are you outside? Track 6:[0:47] I'm outside. Track 1:[0:49] That's great. Track 6:[0:49] These are my little sister's paintings. Yeah, I sort of had a thing built where I can live outside and just be Oh, man Shelter shelter up there, you know, yeah So I spend a lot of time outhere. So I'm in downtown Kingston ish like about five blocks from the center of downtown and Cool. Yeah, so I like it here. We've been here like five years ever since the kids left Nice, nice. Track 5:[1:23] Just the two you have? Sorry. Track 6:[1:26] Two girls, yeah. And they're both kind of making their way in Toronto, 27 and 23, and in their separate career paths. Track 5:[1:34] Okay. Track 6:[1:36] So they're kind of, you know. Fairly entry-level and where they're working, but Sure. All right, and we just thought we Give them a break and they pay us far less rent than they would have to pay. Track 5:[1:49] Yeah. Track 6:[1:49] No, that's good I said and we've actually used the place because I have to be in Toronto More than I ever thought I thought I was retired and now I have to be in Toronto all the timeand So we stay there every time Cool. Ah. Toronto hotels these days, you're saving 600 bucks every time. Track 1:[2:07] Toronto hotels are insane right now. They're totally insane. So the premise of this podcast was, I found these two friends of mine that are from different parts of the world, but they both grew up in Southern California, and they had not heard ofThe Hip. So this is getting hip to The Hip, where we're taking them from not having heard them, and We go through the discography and sort of get their reactions as to what they're hearing. Because you know, you guys are a cultural phenomenon and it's strange sometimes when you meet people who aren't aware of this thing that is like 11 million people watched the lastconcert. You know, that's staggering when people don't know. Track 6:[2:51] I've got to say, great concept for a podcast. I did notice the title and I didn't really catch, like I didn't really know what it meant. Yeah, I love it. I love it. Track 5:[3:03] We're of the we're of the same generation pretty much here And you know Pete and I grew up with Southern, California radio you know, that's what got us into music and You know80s 90s. Track 4:[3:15] Yeah the radio. Track 5:[3:16] Yeah, I was making mixtapes off the radio and Middle school and yeah, you know, we didn't we didn't have the the hit playing on 91x in San Diego No, not a lot of radio play inCalifornia. Track 6:[3:28] There's a San Francisco station, uh, K-Fog? I forget the name of it. That's not K-Fog. There was a San Francisco station that played us, which is why we were able to, you know, eventually play the film or, you know, a couple,couple of days in a row kind of thing and sell that out. But that, I think it's K-Fog, something like that. Track 1:[3:50] It sounds very San Francisco. Yeah. There you go, actually. Track 6:[3:55] Our radio play was random. Dallas, we got played in the early days, and Chicago, we got played. So all the non-border towns, like, you know, Buffalo, they have Canadian radio. So we're always, we ended up in arenas there. Seattle, not as much, but then it was just random. You know, we'd get play in some American cities and no play whatsoever in others. So it takes so much longer by word of mouth than it does if you've got a song on the radio. Track 4:[4:29] Sure, you know, so so so Paul, this is something that I are you guys recording, by the way? Track 1:[4:35] Sorry, recording? Yeah, it's right. Track 6:[4:37] Yeah, I just wanted to make sure you're not losing all the all the goal. Track 5:[4:42] Okay, so we pretty much hit go and do no, no. Track 4:[4:45] Um, because we're talking about this too. And this has come up a number of times on the podcast, right? And obviously, you just were talking about some radio stations, you got random and play in certain cities, this and that. And Tim and I grew up at a time prior to streaming. We saw that switch. So essentially, whatever we were listening to, unless you were in some like super niche underground group with the cool kids and shit, you were listening to what wasbeing played on the three main stations, right? And we saw all the takeover with Clear Channel. We saw all that shit happen. Yeah, us too. The thing that I noticed, and I'm not trying to blow smoke up your ass here, Paul, but I'm going to maybe do a little bit, so clench if you got to. [5:39] I thought about a lot over the nine months we've been recording this podcast, is that good music is good music, and there's probably so much shit that falls through the cracks. Here you got Tim and I, who never heard of the hit before. We both have a lot of similar bands in common that we like, but J.D. Put us on this mainline IV drip of the Tragically Hip since we started this, and at first it was a slow burn, but But now it's like, I cannot imagine my life without your guys' band. And again, I'm sorry to blow smoke at you. No, that's not. I'm not trying to do that. No, I love it. I love it. But it's just like, good music is good music. And I had a deep dive into Guess What too, and we'll talk about that, I'm sure. Yeah, just it's if you're not exposed to it, man, then you're not exposed to it. Track 6:[6:43] You know, I really appreciate that like it's it's like and And the slow burn part as well. Like I think It was a slow burn for many people just because I Don't think it was that obvious like, you know, the early days were kind of like Oh, it's kind of like more a barroom bumpkind of you know know, um, really kind of not boring, but, you know, simple. [7:15] And so, but I know that when we were writing and recording, When we were writing and recording, we meant to do that. For these songs, the songs that we chose for each record, we believe that they would stand the test of time, that you'd probably have to listen to it four, five, six times before you start to,before it starts to grow on you, as you said, slow burn. And I think that's better. I mean, there are certainly songs I love that immediately it's kind of like, wow, okay, that's a hit. But a lot of times there's, even back then, you know, in the 80s and 90s, sometimes it's kind of spoon-fed stuff. I mean, it smells like Team Spirit right away. I loved it. That's not spoon-fed. We're just doing this thing. They're doing their thing. But there's many more examples of where it's more spoon-fed, where it lasts about nine or 10 listens, and then it's like, okay, I've had enough of this. Track 4:[8:18] Moving on, when I do when I when I press play on in violet light, I remember and I told JD and Tim this I was like, dude, I'm not I this is not gonna work. This is gonna be a shittytwo weeks. We're listening. And then like it ends up like, I just it just starts. It's like a cicada man. It just burrowed its way into my head. And then, like, at some point a week and a half into it, I'm rolling down the highway here in Spain, just like fucking windows down just like what? Where have you been all my life? Track 6:[8:50] That starts with Use It Up, right? Oh yeah, Use It Up. Track 1:[8:54] Oh yeah, yeah. Track 4:[8:56] Oh dude, Use It Up. Oh fuck. Track 1:[8:57] That was the song he picked. Yeah. Because every album I make them pick a song and Use It Up was for that record. Track 6:[9:05] It's so funny because I didn't like that song at first. I was like... You didn't? Yeah. Now what? We're reaching here, it's no good. And then it grew on me as we were sort of all learning our parts and playing it together. It was like, oh, I get it now. Use it up. Yeah, this is the best thingfor later. But at first, I was just like, this is going to be a horrible record. Track 4:[9:31] Oh, dear. Track 5:[9:32] Well, I even said to my kid, I have a 21-year-old, I have 21 and 18-year-old sons, and my 21-year-old plays drums and an amazing drummer and he's getting into other stuff too. But I played him some of the, you know, I don't remember which album, but he looked at me and he's like, are you sure you can do this? What is this band? And the guy, does he sing weird? What are you doing? And I'm like, I hope so, bro. Let's see what happens. But no, since then, I've played in bits here and there. And my whole family, of course, has been subject to the hip. Yeah, same here. And they're now recognizing the hip when they come on. I haven't forced them to sit down and hear an album, but that'll happen eventually, I'm sure. But yeah, the slow burn has been awesome. And for you guys to accomplish that, I mean, you were in high school, right? When you... Shortly after high school? Track 6:[10:34] Just after, yep. So there's a university here, Queen's, so three of the guys were at Queen's. Johnny was still in high school, drummer. Okay, that's right. He was in grade 13, which they don't have grade 13 anymore, but... Yeah, so it was kind of Yeah, a long long time Yeah, I mean for that to happen. Track 5:[10:55] It's like you know I have a My brother-in-law told me at one point like what are you gonna? Do bro? You know you're 19 You're not doing anything is like I'm gonna be a pro skateboarder And I'm like dude you got a one and what 40 million shot to be a pro skater Yeah, come on.I mean, but you guys you guys were young and you kept at it, and you didn't go after careers I don't think I mean, I'm sure some of you held like part-time jobs or something But you guysjust kept going at it. Track 6:[11:24] We all had parents that were kind of like very supportive but at the same time everyone was in University and You know, what's the backup plan my dad said all the time and I'mlike no backup plan dad These guys because I joined a bit later like a year and a half in they were covered in And I love them and Gord Downer is my best friend and he asked me to joinbasically because I was Leaving. I mean I didn't think of it as a threat, but he thought it was a threat that I was just gonna go down Try my luck as a songwriter and He was like he didn't like that at all. And so that's the other And when I joined, my dad was like, yeah, but, um, you're going to go back to school and you'll have a backup plan. I'm like, I don't need one. Track 1:[12:20] And so I'm just going to ask you what's the moment, what the moment was where you knew you didn't need a backup plan. You knew that early on, like that it was like you guyshad lightning in a bottle. Track 6:[12:31] I knew when I joined, I went to all their gigs and, um, but whenever I could, like I I was driving cab, but Gord would always have me on the list. And they were just like small in-town gigs, either at the university or at a biker bar or whatever, a few bars that they were playing. And... I knew, like, and it wasn't just Gork. I knew that Robbie and Johnny and Sinclair, like, that they were just doing something different. Now, mostly they were playing covers, but they had songs that never made it even to our first baby record. Great songs, Heart Attack Love and Baby Blue Blood and, you know, all these songs were Reformed Baptist Blues, which was on Thaskadelphia, but surprising. [13:21] But it was just like, God, they know how to write songs. Gord is unbelievable. Nothing like the friend I had. Like as soon as he got up on stage, it was just kind of like, wow. And so I just felt like, you know, they have it. And word of mouth already just in Kingston. You know, they say you can't, if you're in a band and you can't draw a crowd in your hometown, then chances aren't great. [13:53] But if you can, you can take that. And so we just would just gradually take it to the next town over, Belleville or, you know, Brockville, then Cornwall and, you know, Oshawa, justsort of like just took it up and down the 401, which is a highway around here. And just, we relied on word of mouth. And then we started booking things that way. Let's do three nights. So we'll play Thursday, Friday, Saturday, and by Saturday we'll have it full because everyone's gonna be going home saying, okay, the singer's crazy and the band isheavy and tight. And so we built it up that way. I'm not sure if you could do it these days. I mean, there's still venues. So I think you actually could still do it our way. It was the only way we knew how to do it, but we always felt like, we were always like. We all had a couple of hundred bucks in general, you know, so it wasn't like, um, we were, we weren't, uh, not making money, you know, we were able to, and our parents weresupportive, you know, Gord's parents got us a van and et cetera. It just kind of, um, we knew very early on that we could just keep doing it. Let's just keep doing it until it goes south. And it never did. Track 1:[15:10] I guess not. Track 4:[15:11] Holy shit. Track 1:[15:11] Amazing. Track 4:[15:13] It's an understatement. Track 1:[15:14] Yeah. Track 4:[15:17] So I want to, I don't know if it's cool fellas, but I want to dig into the to guess what a little bit. Track 1:[15:23] Yeah, let's do it. Yeah, yeah, yeah. Track 4:[15:27] So first off, you guys recorded the bathhouse. Yeah, we talked to we talked to Gord. What was it like three months ago? We talked to Gord. Track 1:[15:35] Oh, yeah. Yeah. Track 5:[15:37] Let's go. Yeah. Track 1:[15:39] When his record dropped, he came on. Track 6:[15:41] Pardon me? Track 1:[15:41] When his record dropped, he came on. Track 6:[15:44] I really love that record. I've told him many times. He's so funny. You know, he's just like... He's such a sweet dude. Yeah, he is. And he's, you know, we complain mutually about having to be the singer and, you know, and just all the complications. But I love his record. I've told him all the time. It's just like, it's classic him. just such variety. But we're not talking about his record, I guess. Sorry. Track 4:[16:15] No, no. No, he kind of said some of the same stuff, but your vocals on, I love the vocals on it. And then I was kind of reading about what you did with the, in terms of choosing the band and what's his name? His name is, oh, Billy Anglin. That dude is a, he's a freak on the drums, man. Track 6:[16:45] Desperation calling oh yeah yeah when he does that yeah like what the hell is that he's a giant in real life I don't know if you knew that's crazy he's like I don't know I think he's sixfive Oh he's easily 250 must be I don't know how much away but well hey he's a giant and he was a kid that we heard about Johnny mentioned him to me. I remember back when we first started, Johnny was like, there's a kid over at Elsie, which was another high school. We were at Casey and they were at Elsie and there's a kid, Billy Anglin, and he's like five years younger than us. He's like, they had the same drum teacher and he's like, that kid's really good. And he played into his 20s and then he started a construction company and hadn't played for 20 some years. And another The other guy in the band, Joe Carscallon, is kind of like a family friend of his. And he was like, you know, Bill Anglin would do it if he asked and I'm like, seriously? And anyway, he is great. We just played a show just out of town. There's a little quaint little town, Guananacue. I'm not sure if you've been there, JD, but it's a beautiful little summer town, Thousand Islands. Track 1:[18:00] Okay. Track 6:[18:01] And we played a gig on Saturday night. And I was just like, for some reason, I was just kind of really focused on Bill and the stuff he was doing. I'm very lucky. And the same with everyone else in the band, of course. Oh yeah. He just hits them so hard and he's so big. And he has a huge drum kit too, like huge. Where it's like, oh my God. We pull into a little club a couple of weeks ago just to have a warmup show. Track 4:[18:32] And the club owner's like, You know, the drums basically took up the whole, it's like, is this a Russian, is this a Russian cover band? Is Neil Curtin? Yeah. Track 6:[18:43] Anyway, I'm going to tell Bill you mentioned him because he's amazing. Track 1:[18:49] The big toms at the beginning of Will to Fight as well. Track 6:[18:52] Right. That's what I thought. That's what I thought Pete was going to say. Track 1:[18:55] Those big toms right off the start, it's like, oh fuck, this song has a bone to pick with me. It's like, it's challenging me right now, this song, it's. Track 6:[19:09] We've been opening with that one. Oh yeah. And Bill loves it, you know, he's had a setlist. Track 5:[19:14] Cool. Track 6:[19:16] Oriented and I always put Will to fight first and he's quite happy with it, he loves starting. Like he is not short on confident. For a guy who hasn't played, he's played on his own but who hasn't played with anybody for 20 years, It's pretty amazing. Track 4:[19:31] That's crazy, man. You know, you, well, it's because we're talking about drums. This is something that's that came that came up a couple times in the podcast. I don't know what record it was that we're talking about. But I had mentioned and I said it and I said it exactly like this. I was like, Paul Langlois is a fucking drummer. Track 1:[19:52] Yes. Yeah. I remember you remember that? Track 4:[19:55] Yeah. And and I said that because I don't remember what song and what record it really hit me like a Like a freight train, man. Track 1:[20:02] It was in between evolution is what you said it. Was it? Track 4:[20:06] Was it in between evolution? Track 1:[20:07] Yeah. Track 4:[20:07] Yeah. Just your, the tone of that, bless Paul, and just the chunk, chunk, chunk that was, I can't remember the song that it was on where it hit me and I was like, dude, I don't knowwho's drumming here. Is it Paul or is it Johnny? Because I'm getting, because I've done that. I've done that thing where you listen to each member of a band individually. Like, I don't know if you've ever done that, like next time you, next time you want to have a good time listening to your, if you like Rush, I mean, I like Rush. Who doesn't? Track 6:[20:40] I love Rush. I love Rush. Track 4:[20:42] Take it, take a Rush tune or watch maybe a live, live recording and focus on one. Watch it three times and focus on one musician each time. And you'll just see something new every time. Track 6:[20:54] I love that idea. Yeah. I love that idea. And thanks for that. On my first solo record, because I always thought... I got a drum kit when I was 30 as a birthday present, and it was Johnny's kit. Well, he set it up. And so my wife got it for me, Joanne. And then, so I was just drumming secretly in the basement, just because I always wanted to try it. And so my very first record, Fix His Head, which was like, I don't know, 15 years ago or something. Track 1:[21:27] 2010, yeah. Track 6:[21:30] Yeah, so 13 years ago and... I was just on my own. It was just me. And really, I was in there, in our studio, just with the engineer. Like, it's quite awkward, really. Because it's just the two of us, you know? I'm like, Aaron, you go outside or go do what you're going to do. Just give me the song on a loop. And I'm just going to play the song. And if I get a good one, I'll run into into the control room and push the space bar and stop it. And so that's how I drummed, really, because I just didn't like him kind of just being bored in there, probably on his phone. Yeah. Track 5:[22:10] Hovering. Track 6:[22:11] So anyway, I did all the drumming on Fix His Head. And it's not stellar drumming, but I was happy enough with it that it passed. I mean, it would have been way, if Johnny or Billy Anglin was playing, obviously, it would have been way, way better. But I wanted it to be a private record. I didn't really want to put it out. Track 1:[22:33] That's crazy. That's so crazy. But it's interesting you say that. I have a question for you that's been bothering me since your new record came out. Your new record is called Guess What, and it's the Paul Langlois band. But I go back into my old records that I have. I have them in Apple, so they're digital. And they say, like, fix this head, says Paul Langelois band now on it. But wasn't it just Paul Langelois before? Track 6:[23:02] Yes. Track 1:[23:03] Oh, so I'm not going crazy. Track 6:[23:06] Yeah, no, you're not crazy. You're not going crazy. I mean, it drives me a bit crazy, really, the thought. And Joanne hates, hates Paul Langlois Band, hates that there's no the. Oh, really? Track 1:[23:19] She's like, Jake. Track 6:[23:22] Yeah, the hips are my manager. My manager is also the hips manager, Jake Gould. He does a great job, but he was kind of, he was very in favor of just Paul Langlois Band. And I'mlike, okay, that's awkward, though. Wouldn't you say the Paul Langlois band? Track 1:[23:39] Yeah. Track 6:[23:40] Two guys in the band, Greg Ball especially, was like, no, Paul Langlois. Don't say Paul Langlois band, your first two records were Paul Langlois, so just Paul Langlois. And through the agents and all the people booking and stuff, it's like, well, the Paul Langlois band would probably be more appealing as an act to book, because I was trying to playfestivals this summer. And so I was like, okay. And then it's like, oh, by the way, we gotta go back. And it's all because of Spotify. Everything's because of Spotify these days. Track 1:[24:15] Oh, God. Track 6:[24:17] You gotta go back and call your first two records Paul Langlois banned because if someone searches, I don't understand it, but the algorithm, whatever it is, if someone searches,guess what, Paul Langlois banned, my first two records aren't gonna come up. And so that convinced me. I'm like, I want my first workers to come up. Track 5:[24:36] It happens. Track 4:[24:37] But that's the same thing with Malcolmus and the Jicks. Do you guys, I don't know if you guys know that. He has the same, that's a weird thing on Spotify. They want it to come up. They wanted to come up the other records so everybody can access all the music. And I get it because you also want people to listen to your, you know, your other records. But it's also like that. Track 6:[24:59] Yeah, I would like that. But I get it. But I hate it. You know, it's, it's, it's silly. It's silly. Track 4:[25:04] Me too. Track 6:[25:05] Paul Langlois would come up. Just if I call this the Paul Langlois band, which is- Change the algorithm, man. Track 4:[25:13] Change the search bar. Like make them both come up. Track 1:[25:16] Jesus Christ. Track 5:[25:18] That's funny you mention that Paul, at one point during our discography review of you guys I said, yeah, I love this whole process but the hip has totally fucked up my algorithm inSpotify. Like every time I play something now it's like something associated with the hip. It's like all these other bands but I have discovered some other bands. Track 1:[25:39] We were talking one day, Tim and I were talking, I was out for a walk and he's like, you're going to get a kick out of this, Paul, cause he's like, who is April wine? Oh, really? And I was like, April wine is like a seminal Canadian. Track 5:[25:52] Absolutely. Many, many hits. Track 6:[25:53] Big band. Good hits. Good. Yeah. Track 5:[25:59] Yeah, they're, they're fucking cool. Like I would, that was a fun surprise for me. That was, you know, thanks to the algorithm. So, but that, but that was, that was one of those things, you know, So 10 years, 10 years between Not Guilty and Guess What? Track 1:[26:18] Yeah. Not Guilty was 2013. Obviously that was a fucking giant 10 years in your life. What changed singer-songwriter wise? What did you take from that 10 years of experience and put onto this record? Is there anything you can lay down for us? Track 6:[26:47] You know, I think I got the… Lyrics are my toughest. That's the toughest. It's like finishing the bathrooms, you run out of money. And so, oh yeah, let's go for the vinyl shower. And so that's what I would do with lyrics. I'd kind of almost get, I get somewhere, but then I just stop and I didn't know where to go. So I think time passing more than anything. Gord, Gord passing. Track 1:[27:18] Yeah, yeah, of course. Track 6:[27:19] Time passing, the way the tour was so special, such an achievement on all our parts, but especially for Gord. Of course. The achievement on his part was unbelievable. It was unbelievable to watch, like from the inside, just how hard he worked and how driven he was. Was, like he didn't stop. And so I think that kind of affected, that helped me just with lyrics. Time passing, the girls moving out, my daughters, you know. And you know, now it's like in my 50s. And it's kind of like, I think that sort of just came through in the songs, Will to Fight, you know, just anything, just kind of like. So there was that. I didn't think I would ever, like I just was not interested in songwriting until I got offered a gig. And it was a few months away. And Joanne said, well, you've got to do it. And I'm like, well, I've got to put a band together. I'm not fucking into that. Who would I get? [28:34] Anyway, so then I thought of they're all buddies, Kingston buddies, and musicians, but they all have other jobs. And, um... Yeah, and then we started rehearsing and playing and and It was fun and so I decided I had a couple of songs Okay, maybe I'll finish those and we'll have a couple of You know new recordsongs. I was just playing my first two records kind of thing and then that was the end of August last year and and I booked the studio for November 7th, I think or 8th and And so then I had adeadline, so in September and October, I just kept throwing songs at them and I kept writing. And so it was the first time I'd written anything in 10 years. Like I just, I hadn't written anything. And then it was like, oh, wow, this is fun. These guys are good. And so the whole record is live. I mean, I play guitar and at the same time, I didn't do anything except one scratchy vocal. I redid one vocal, but we're playing live and there were very little fixes and very little overdub. Joe overdubbed a couple of solos. [29:54] So it was just kind of exactly how I wanted it to be and it was very reminiscent of how the hit recorded. You know, we like to not make mistakes, go into the control room and be like, yeah, this is a one. Of course, we'd leave it mostly up to Johnny, because the drums have to be right. He would always pick the ones that we wanted, without even talking about it. Okay, we like take number three. That was a very similar process to recording in the hip or in the bathhouse, so it was all very inspiring. So I'm a new person, honestly. I really thought I was done. Gord died, I just thought, well, we had a good run. It's sad. Yeah. But it was like 32 naturally years actively together. It's been longer now, but you know, all of us together playing and it wasn't like a five-year run, you know? And so I just thought, okay, that's good. But you know, yeah, we did it. And I'm just going to move on and come up with other things. Track 4:[31:07] I just didn't come up with anything else. No, but 638 Main says, like, I got a window into the song where you were at with this record and what kind of the question that JD asked. Like that I was like, okay, I see kind of where Paul's Brain was at with this record and like that's fucking cool, man. I'm so happy for you, dude I don't know. I had the same shit too before we recorded like before I Jumped in with this band that I'm in man. I was just kind of like, all right, I'm done playing music and then you fall in and then you get a band together and then you're like Like, oh, this is fucking, this is fun, man. This is rightwhere it should be. Track 6:[31:52] Yeah, you forget how fun it is. I did. And it's funny you mentioned 638 Maine. Not many people, but I have a couple of quirky friends that are like 638 Maine, man. I love that one. Whereas most of my friends, I'm sure they've never mentioned that song. I don't think it's necessarily a skipper, but it's an odd one. Track 4:[32:14] And basically- That's what's cool about it. Track 6:[32:17] Yeah, it's, you know, to me, it's cool, because I made it up on the spot. I didn't have anything written down. And I just pictured myself. Track 1:[32:26] What? Track 6:[32:26] Like I'm talking about what it's like to be in a studio. And we were in there eight days. And Greg and I, those guys were going, like there's a firefighter, construction, a factory shiftworker. Greg's a waiter, so he took the eight days off. And I don't have another job, so I did too. So Greg and I were out there the whole time. And a couple of nights, it was late. They were all latenights. And I was just sitting there, just like, oh, it'd be good if I could set myself in a bar to describe what it's like being in a studio. I didn't know if it was Monday or Tuesday. It was kind of like, you're lost in the music. You're lost in the recording. So I thought, and we only had nine songs, or nine that I liked. And so I was like, I want to try this one. And I just made it up. I just like set myself on fire. And then I'm kind of chasing the song. You know, it's all turning out like it should or whatever the words are. Track 4:[33:29] But it paints the picture, man. There was a hip song like that too. Do you remember, Tim, the apartment where Gord was describing the apartment? You know what I'm talking about? Track 1:[33:40] Apartment song. Track 4:[33:40] But that 638, man, it paints the picture, man. Track 6:[33:44] Oh, well, thanks. Thanks. Yeah. I was, I was very, uh, very happy with that. And Greg and Joe were asleep on the couch in the control room. So it was just, I just laid it down on acoustic and then, um, and saying it. And... And Bill and Matt, drums and bass, they played. And Joe and Greg were kind of pissed off because I missed it. So I allowed them to add a guitar and backup vocal. Track 4:[34:23] So anyway, I'm glad you mentioned that. It's cool, man. It's a deep cut. Deep cut. Yeah, we're going to Kingston. And for the finale we're doing is September 1st, but I think the day before or the day after we're going to Kingston. Yeah, August 31st. Track 1:[34:41] We're doing it. They're flying in August 30th. And uh, we're doing a road trip to Kingston. Track 6:[34:48] You're kidding. Track 1:[34:50] No. Oh, yeah, we're gonna do it. Yeah. I've got it right. Track 4:[34:54] Like I mean, yeah, I'm gonna be so dragon ass, man. Track 5:[34:59] It's all part of this process. Track 6:[35:00] That's what are you? Are you kind of Just doing it for fun. I'll meet up with you either way whether you're recording something or not That would be amazing to buy you a beer yeah, yeah, that would be absolutely amazing Yeah, we check the redhouse. Just get in touch with me. Track 4:[35:19] All right Let's do it, man. Let's do it. Track 5:[35:22] Let's do it Yeah, we're flying into town and we have an event at the rec room in Toronto on September 1st. So that's that's like our Our grand finale of the pod is we're meeting up and there's a tribute band, 50 Mission, playing at the Rec Room and we're doing this fundraiser for the DanielWinsor Fund. Track 6:[35:45] Oh cool. And so are you going to be, is it an event where you're not sort of talking together or are you guys going to get up and sing? Track 1:[35:54] We're going to record the final episode of the podcast at this event. Track 6:[35:58] Oh cool. Track 1:[35:59] So they'll finally reveal whether or not they're hip bands, which they've done a poor job concealing it. It's so funny at the beginning, they would be like, Pete would be like, oh, yeah, there's this lick that the rhythm guitarist plays. And you know, then later on, it's like, Paul Langlois, am I saying his name right? And then later on, it's just Paul. You know what I mean? Track 4:[36:21] I had no concept of your existence, man. I mean, I was like, what's this guy's, who's this guy's name? Now it's like, everything's off the tongue, man, but I, by the way, I gotta ask you, and I know they're for different things, but what do you prefer about it? Do you like your telly or do you like the Les Paul? What's the, what's the one that you're, that you, if you die with the guitar in your hands, the one you want in the hands? Track 6:[36:45] I mean, it would kind of, it would have to be to tell you, I'm playing the telly on the solo band shows. Okay. So, I've gone back to the telly. I don't regret playing a Les Paul. I started Les Paul day for night on. And that was a black one, Black Beauty. But then I switched to a Sunburst, which I love that guitar. That's my second favorite. That's my second favorite. But the Tele for sure. That was the first electric I bought, like officially bought to play in the band. And I'm using it now. And yeah, it would be the Tele for sure. Track 4:[37:28] I never played a telly ever until about six months ago when I visit my family in California. I walked into a guitar center and I went into the expensive room that you're not supposedto go in. I sat and there was nobody there. It was just a ghost town. I sat with a telly for like an hour and I was like, jeez, man. I got it because I always played a Strat. I got a Jazzmaster, and an SG, but I never, and I've never played, I mean, I played a Les Paul once, twice, but I never owned a Les Paul. That's thenext on the list. But a Tele was, I liked it. Track 6:[38:05] Yeah, well, see, it's funny, because I find a Strat the most different guitar, and because Robbie played it already, and he was like, he had 15 years of experience on me, because Ididn't start playing until I was 19, and he started playing, he was small. And he was playing a Strat. And so I was like, I mean, I started out playing acoustic and after a while I was like, fuck this, I can't fucking hear. And I had a big train ramp and it was just like, it was impossible to, I'd turn it up to, and I got electrocuted all the time because it was a old shit. Well, I finally said, I'm playing electrocute It's a lot of telly and because I figured that telly is kind of the opposite of a strat almost and I've never really ever tried to play a strat, like Ireally honestly never have. Les Paul's and Telly's I find are way more similar. The Strat to me is a different one. It's super cool, but it's just not my thing. Track 4:[39:13] I just like the pickups, man, like that Steve Miller tone, that Buddy Holly, those 57s and those 59s, those pickups are just so tinny and, you know. I don't know, I like that. Yeah, no, it's amazing. Track 5:[39:31] So, when we were just getting into Saskadelphia, right, and I'm listening to Crack My Spine the other day with my headphones on, you know, because I want to hear everything, andyour guitar on that was just like, it kind of just sounded like, it reminded me of the Ramones, like you were just kind of playing some power chords through there. It just reminded me of like 80s kind of punk rock, you know, and I just, I just loved that about it and it's been such an interesting thing hearing you guys playing guitar because, you know,most bands you got bass and drums kind of linked up as the backbone and you might have a lead guitarist but you might not or a rhythm guitarist but you guys were just like playing guitardoing your thing and it works and I think that's just such a cool rare thing about a band that you guys pulled off. And then it's been so fun to then go on and listen to your solo stuff and hear your evolution too, because we don't get this opportunity with bands very often in general. Like how many bands are still around or guys still around? Well, that's so cool to hear. Track 6:[40:43] You know, what I would credit that the most, or whom I would credit, is Don Smith, who produced Up to Here and Road Apples, because he handled us, he hard panned us, left andright, Robbie and I. So listen, I listen to ACDC, and sorry, but Malcolm Young isn't loud enough. Like, it's like the guitars are like this. Track 5:[41:12] It's true. Track 6:[41:14] So Don panned us. And so then every producer after that, and our guy, Mark Breakin, who actually helped us produce our only record we did without a producer was Trouble at theHen House. And Mark Breakin still mixes, you know, he mixed Saskatoon, he's been our sound man and our live sound man for the whole time. Although he did leave to bigger and better things for a good chunk of 15 years or so, but he's back with us and he pans them too. So he, so you can hear one in one ear, one in the other. I'm deaf in my right ear, So I have to listen to it twice just to. You know, hear what Robbie's doing, the odd time I'm interested. [42:03] But I credit Don because Don did that and he was super cool and we were so, he was unbelievable and we couldn't believe we were working with him. He'd done Traveling Wilburys and he did everything and he was Mr. Cool and he was just like, you guys just do your thing. And this is when we were young, impressionable, you know, we wanted to do our thing, but we figured, you know, people are going to tell us, you know, you should be a bit more countryand people did, you know, a bit more country, maybe or something. Don was just like, just do your thing. And he panned the guitars. So basically, he, he, I credit him with my job. Because people can hear me if they want, you know, if they're taking a closer listen, and like you guys do, it's kind of like all my parts are just naked on one side. At one point though, I made a list, and it's an ongoing list of songs where I'm in the right speaker if you're looking at it. I'm always on the left, and Robbie's always on the right. Except more and more, I'll check it, and I have like a list of about 12 songs where I'm on the right and Robbie's on the left. My producer decided to switch it. Track 1:[43:20] Oh, funny. Track 6:[43:23] Which is curious to me. Because when I put on headphones, so I can only hear out of this ear, 100% deaf in this one. Wow. I always put the left ear, because that's me. Oh, shit. Track 4:[43:37] And then you go. Track 6:[43:39] And then the odd hit song I'll run into, and it's kind of like, that's not me. That's Robbie. Track 4:[43:44] Who's this shitty guitar player? Track 6:[43:46] We didn't listen to each other at all, by the way, not at all. Track 4:[43:53] It's funny, dude. Paul, when you guys did Trouble, man, and that was a record, I think Tim and I, I don't know, I'm speaking for Tim here, but for me, that was the record where I was like, it finally openedfor me. And I got everything prior to that too, but that record was like, okay, this band doesn't give a shit about what anybody thinks, man. Just gonna do their own thing. And that's where I was like, you guys grew into this just animal that nobody knew existed. I don't know, man, that was a that was a break. That was the record that JD when JD flew to Malaga for primavera sound last year, he brought a vinyl and this is me still not knowinganything about you guys. And he brought me trouble at the house. And I was like, Yeah, I do you remember? Track 1:[44:48] Do you remember I mailed you trouble at the hen house on CD. And you're like, I don't have a CD player. I was like, who doesn't have a CD player? Track 4:[44:56] We moved here and I and then yeah, because we moved from the state. Anyway. Yeah, yeah. Track 6:[45:07] It's it's funny. Just to add something, because I thought of it earlier, very early on this chat, you were saying something, Pete, that I thought of, and I'm like, oh, fuck, I thought ofsomething good to say, and I forgot, but now I remember. So there was this band, there's this, I don't know that they're a band anymore, they're from Philly, and they're called Marah, M-A-R-A-H. [45:36] And they're a couple of brothers. And anyway, out of the blue, the day after our last show, the singer writes Robbie a letter. And he's like, and he describes, the letter makes me cry. me cry like it he describes his life and you know they got signed to, Maybe Steve Earle had a label, someone like that. Oh, nice. Nashville person. So they had some success, but they just ruined everything all the time. That was just their nature. You have brothers, and any time things started to go well,they would kind of blow it up. And then he described, he goes on to describe, he was out in the country on a TV at a cabin he doesn't use, but he happened to throw on the TV, and the CBC covered that show live, youknow, so it was live on the air, and he describes, you know, watching the show and what's about to happen, and what was my point? Well, there's this thing in the doc that Robbie quotes him, like, what's going to happen here? You know, are they gonna all bands either explode on the way up or on the way down everything? [47:01] Burn out nothing works out and What are you telling me? These guys are gonna pull the he compared it to a You know an air balloon, whatever they're called parachute No, like a balloon, you know, oh, yeah hot air balloon what they're all gonnapull it down and and land safely, like win rock and roll or something. It's just kind of like, anyway, it was just an amazing letter years ago. And I've always had the intention to kind of reach out to him and say, fuck your letter, man. Cause he, it's way more than that. Another thing he said is he would try, cause this is quite like this podcast that you're doing JD. He would, he learned not to play the hip to people, to his friends, to anyone, various girlfriends. He was like, I'd never do it. If he found a real hip fan, he said, like because they're touring, right, in New York or London or wherever, as soon as he realized it's a real hip fan, they'd be at the back of the bar. He'd take them to the back of the bar, and they'd have pints, and they'd talk about all things hip. [48:18] And anyway, so he said, if someone came over to my house, and I trusted them enough to play the hip, And they started talking over the music. That's it. Christmas lights off. Everyone's going home. [48:34] He's an amazing writer. Track 4:[48:38] It's so true. I said that to JD a couple of weeks ago when I was in California this last time in May. We were driving to Joshua Tree. And I fucking hate when people put on music and they're like, listen to this band. You're going to love this band. And it's like, you build it up, right? I didn't do that. I grabbed my buddy's phone, we're driving down, I don't know, 64 or whatever it is, down in Joshua Tree, 29 Palms, and I just grabbed his phone and I put on Trouble atthe Inn House. Yeah. And he's like, who the fuck is this? Track 6:[49:10] That's how to do it. Yeah. Track 4:[49:12] That's all I did. I played a couple tunes and he's like, who's this band? I was like, oh, it's... And then, you know, cause you don't set the expectations. Yeah. Track 6:[49:23] Yeah, no, exactly. That's how to do it. That's the downy way, actually. Did Gord and all his brothers. You surprise somebody. If you give people warning, it's not the same, you know? Yeah. It's just like, no, no. Track 1:[49:38] Expectations. Track 6:[49:39] Yeah, and when Gord was sick. Track 5:[49:41] It's true, it's true. Track 6:[49:42] His brother was looking after him mainly, and I was mainly there to help Pat. Someone would be, I wanna come over and see Gord, you know, because there was no tour in the future. Like, we all just thought this is it. And I was like, oh, this guy wants to come by. And Pat's like, well, just don't tell Gord about it. Tell them to come but we won't tell them about it. It'll just get surprised. That's how the Downies do it. It's like, oh we're here. Track 5:[50:10] That's cool. Track 1:[50:15] Paul, I know we said 45 minutes and we're over so I'm sorry for taking more of your time than we should have. No problem. Track 6:[50:20] I still got seven minutes before the next one. Track 1:[50:26] Oh wow, you're on junket mode, eh? Track 6:[50:28] Yeah, three today. Track 1:[50:32] Oh wow. Well, any chance we'll see you on the road in the fall? Or is it just take it as it comes? Track 6:[50:43] Take it as it comes, yeah. Sort of trying to stick to festivals, but obviously they start disappearing when the fall comes. So, unknown. So, I've got two more gigs in August and like one in Windsor-ish, Kingsville, and one in Bath, where our studio is, and those are both in August. Track 1:[51:08] It's been great talking to you. So great. Track 6:[51:10] Yeah, great talking to you guys. It's nice to meet you too, as well. Track 4:[51:13] Nice to meet you, Paul. Thanks for your time, man. Track 6:[51:17] Hey, we'll talk again. Track 5:[51:18] Yeah. Track 6:[51:18] Good luck with everything. Track 5:[51:19] For sure. Track 4:[51:20] Take care. Track 5:[51:20] Thanks. Track 6:[51:21] OK. See you guys. Track 5:[51:22] All right. Cheers! Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In this episode, we discuss AC/DC's fifth album, 'Powerage,' in celebration of its May '78 release. You may recall that we did the same for its predecessor, 'Let There Be Rock,' just over a year ago in Episode 92. I also reviewed 'Power Up' upon its November 2020 release, way back in Episode 22...Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com
Let There Be Rock (1977)es el cuarto álbum de estudio de la banda australiana de hard rock AC/DC, publicado en Australia en marzo de 1977.1 De este álbum destacan las canciones «Bad Boy Boogie», «Hell ain't a Bad Place to Be», «Let There Be Rock» y «Whole Lotta Rosie», que lograron repercusión radial y han sido tocadas en concierto de manera frecuente.2 Todas las canciones fueron escritas por Angus Young, Malcolm Young y Bon Scott. El disco fue originalmente publicado por el sello discográfico Albert Records. Una edición modificada fue publicada por el sello Atlantic Records en julio de 1977.
Scott Ian is the guitar player and songwriter from Anthrax, who is part of the 'Big 4' in Heavy Metal. Anthrax is currently out on the road with Black Label Society and Exodus, and Scott checked in with Mistress Carrie to talk about his guitar career, songwriting, the new Roadrunner United release, Eddie Van Halen, Malcolm Young, where musical ability comes from, Meat Loaf, sandwiches, Everything Everywhere All at Once, Sliding into his DM's and so much more! Episode Notes Check out the custom playlist for Episode #139 here Hear Frank Bello from Anthrax on Episode #109 of The Mistress Carrie Podcast! Find Scott Ian Online: Instagram Twitter Facebook Cameo Website Find Anthrax Online: Website Instagram Facebook Twitter Youtube Find Mistress Carrie online: Official Website The Mistress Carrie Backstage Pass on Patreon Twitter Facebook Instagram YouTube Cameo Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
This week Bernie sits down with Dallas-based guitarist, Ramiro Noriega. Ramiro plays Malcolm Young in the premiere AC/DC tribute band, “Back In Black”. He also plays in the Van Halen Tribute band, “Mean Street”. They talk about Back In Black's new documentary, “My Stupid Tribute Band”, which just premiered on Amazon Prime Video. The conversation then took an interesting turn toward struggles with depression, anxiety and not feeling good enough. Although this interview went a little differently than expected, Bernie and Ramiro really connected and had a great time. Watch the documentary on Amazon Prime by clicking here. backinblack.info instagram.com/realbackinblack facebook.com/BackinBlack.info twitter.com/RealBackInBlack facebook.com/MeanStreetDFW
Sometime around 2016, I got the sense that we were entering into a new era of rock history: a period when the musicians we loved and admired began to die... Listen, there had been many deaths before then, but they seemed reasonably few and far between...but 2016 seems to have been the year—for me, anyone—when I realized that many of our most beloved musicians were getting older and starting to die off... That one year alone we lost David Bowie, Glen Frey of The Eagles, Prince, Leonard Cohen, and George Michael....we lost both Keith Emerson and Greg Lake of the prog band Emerson, Lake, and Palmer...Paul Kantner of Jefferson Starship...Maurice white of Earth, Wind, and Fire...Beatles producer George Martin...and that's only a partial list... In 2017, it was Gord Downie, Tom Petty, Gregg Allman, Chris Cornell, ac/dc's Malcolm Young, Walter Becker of Steely Dan, and Chuck Berry, among others.... The following year, we lost Dolores O'Riordan of The Cranberries, Mark E. Smith of the fall, Avicii, Aretha Franklin, and Pete Shelley of The Buzzcocks. Then in 2019, Keith Flint of The Prodigy, Mark Hollis of Talk Talk, Ranking Roger of The English Beat and General Public, Ric Ocasek of The Cars, drumming legend Ginger Baker...I could go on, but you get the idea... The one thing that binds all humans on this planet together is that some day, we're all gonna shuffle off into the great beyond... No one is getting any younger...and over the next decade, we're going to lose some of the personalities who have always been with there for us over the last 30, 40, 50, or even 60 years... With that grim reality in mind, I think the time has come for an annual look back for those whom we've lost in the last 12 months as a way to recognize their contributions to the world of music...this is 2022 in memoriam... Learn more about your ad choices. Visit megaphone.fm/adchoices
Nous allons revenir en 1973. Il y a 49 ans, le groupe de hard-rock AC/DC donnait son tout premier concert, à Sydney. Les frères Angus et Malcolm Young se produisaient avec des amis sur la scène du Chequers de Sydney.
Cheap Trick singer Robin Zander says he would be willing to stand in with AC/DC on tour if asked, but on one condition -- Brian Johnson, his neighbor in Florida, would have to give his blessing. Zander tells Rolling Stone: "I wouldn't go there as a slap in the face to him. But if he said, 'Go ahead,' I would do it. And I'd donate the money to somebody. They're AC/DC. People want to hear those songs. Sure, they want to hear them with Brian. But if Brian isn't there, they can get someone else. I don't know what else to say, but I know I'd be heartbroken if something happened to me and I couldn't sing in Cheap Trick." Axl Rose has been rumored for the slot, an idea that doesn't sit well with Zander or his bandmate Rick Nielsen. "I don't know about that. That's weird. Malcolm [Young] left, and if he was still there this wouldn't be happening, I don't think. We love Angus [Young] and all that stuff and Brian's my neighbor for god's sake and I'm afraid to walk over and say hello. To see this happen is sort of like a death in the family."
Cheap Trick singer Robin Zander says he would be willing to stand in with AC/DC on tour if asked, but on one condition -- Brian Johnson, his neighbor in Florida, would have to give his blessing. Zander tells Rolling Stone: "I wouldn't go there as a slap in the face to him. But if he said, 'Go ahead,' I would do it. And I'd donate the money to somebody. They're AC/DC. People want to hear those songs. Sure, they want to hear them with Brian. But if Brian isn't there, they can get someone else. I don't know what else to say, but I know I'd be heartbroken if something happened to me and I couldn't sing in Cheap Trick." Axl Rose has been rumored for the slot, an idea that doesn't sit well with Zander or his bandmate Rick Nielsen. "I don't know about that. That's weird. Malcolm [Young] left, and if he was still there this wouldn't be happening, I don't think. We love Angus [Young] and all that stuff and Brian's my neighbor for god's sake and I'm afraid to walk over and say hello. To see this happen is sort of like a death in the family."
Bienvenidos a un nuevo programa de Los Vinilos de Barbarella, en esta ocasión queríamos sorprenderos con un disco y un grupo vulgar, poco conocido y pero evolucionando. Bromas aparte, hoy tenemos a uno de los más grandes de este estilo musical. 28 de febrero del año 2000, llega Stiff Upper Lip, el decimocuarto álbum de estudio realizado en dicho año por la banda australiana de hard rock AC/DC. 'Give It Up' y 'Can't Stop Rock n' Roll'. Fue esa su vuelta a los estudios de grabación, después de años de ausencia. Hablemos de la banda, aunque creo que no es muy necesario: AC/DC es una banda de hard rock británico-australiana, formada en 1973 en Australia por los hermanos escoceses Malcolm Young y Angus Young. Sus actuaciones en vivo, vibrantes y exultantes espectáculos de primer orden se debe al extravagante estilo de su guitarrista principal y símbolo visual, Angus Young, y sus despliegues escénicos uniformado de colegial callejero. En 1974, la llegada del cantante Bon Scott se convertiría en una pieza clave del éxito del grupo. Su presencia en escena, lo convirtió en uno de los personajes más carismáticos de la historia del hard rock. La formación se estabilizaría con Cliff Williams (bajo) y Phil Rudd (baterista). Con cuatro décadas de trayectoria, la banda ha superado los cambios en la alineación, la pérdida de históricos miembros, la controversia sobre su imagen y letras, y el constante cambio de las tendencias musicales, para convertirse en la actualidad en una de las bandas más importantes e influyentes de la historia. La idea por parte de DRO Eastwest era convocar ese día a todos los fans en el Madrid Rock de Gran Vía (ya desaparecido) con la golosina de que, por cada CD que se comprase, te entregaban un formulario donde, poniendo tus datos, podías entrar en el sorteo de una Gibson SG firmada y... ¡¡atención!!, esto es lo importante: una estatuilla en dos dimensiones muy, muy rara (existen muy pocas), de donde, a partir de ella y una litografía en una dimensión, los diseñadores sacaban la portada del álbum como producto final.
“In the beginning…back in 1955…” While it's the first album sporting the trademark lightning bolt logo (and the last album with Mark Evans on bass), AC/DC's 1977 masterpiece LET THERE BE ROCK remains a quintessential chapter in the AC/DC catalog and is without question one of the most blistering albums of their legendary 70's output. Featuring the furiously unrestrained lyrical genius of Bon Scott, the limitless kinetic headbanging and scorching guitar pyrotechnics of Angus Young, and the rock-solid rhythm section of Mark Evans, Malcolm Young and Phil Rudd reinforcing the backbeat, LET THERE BE ROCK represents the ferocious next step in the evolution of hard rock and heavy metal and contains all of the requisite sleaze and debauchery you'd expect from the lads down under. It's high time you “put on your jorts…grab a banana” and “strap in for the ride” as you prepare to receive numerous “parking lot” employment opportunities and all the “all-you-can-eat crabs” your junk can withstand. Pop the cassette in the tape deck of your “8-dawg”, turn it up to angry, and JOIN US as we reflect on the Aussie angst and blazing riffs that culminated in the miracle of music known throughout the world as LET THERE BE ROCK. Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Check out AC/DC on the InterWebs: https://www.acdc.com/ Show Notes: (00:01): “You keep it right there…” / #fartmistress / “Peanut butter or cinnamon?” / #strangerinthetub #thisepisodesclinkyoftheepisode #SkrewballPeanutButterWhiskey ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** WARNING #listenerdiscretionisadvised / “We are training for #TheChronicles” / #RussellsReflections and a #HalloweenPartyStory / “Like #Gettysburg or #Arlington?” / #massivefartnoise / “Hangovers are hard in your #middleages” #stopfortherightreason / #thisepisodesbeeroftheepisode and #alcoholetiquette / “Beer is proof that God loves us and wants us to be happy” #sourceneeded #eternalhappiness / Always choose wine, more mileage out of your buzz and less abdominal gas. #imgoingwinebar / (But for the purpose of this episode…) #wickedweedbrewing #PerniciousIPA #sophomoricASMR / “I can't not see it…” #sevenpointthreepercentABV #highergravity / #RussellsReflectionsASMR (NOTE: this was recorded #prehalloween, hence the #horrortalk) #greatthememusicASMR ***#shoutout to the #DevilTownPodcast for this segment of #RussellsReflections #thatswhywerenumbertwo *** #SatansBumpkins and #fielddressing (not what some of us thought it meant…) / “Don't blame me…” / #ChristianTestamentPodcastASMR / ***NOTE: Go check out our Sabbat “Dreamweaver” episode!!!*** / “That's the reason why…” / #itsgonnahappen (17:37): “Is it #docketthirty?” / #thevoicemailsegment ***GIVE US A CALL AND LEAVE US A VOICEMAIL AT 980-666-8182!!!*** #pissingpost and a horrible Robert Plant #TheSongRemainsTheSame impression / “Do it, do it, do it, do it…push, push, push…” / We've got #worldwidecoverage. And a pretty huge crowd in and around the #IcelandicTriCountyArea as well as everywhere else. / No jingle this week (and #noshittah for WE'LL PLAY YOUR SHIT-TAH!!!) but if you want us to play your #shittah you can hit us up on #instagram or #facebook or email us at metalnerdery@gmail.com / We're gonna grab something else from #KingVolumeRecords #HouseOfTheDead #Ordos THE WITCH / “I want the rabbit with the #boobs” / #TheWorshipOfSilence (IT'S NOT BETTER THAN THE) DRUGS / #loadthebowl, fellow #bowlloader/ #proggyspacedoom #grabitinthemiddle / This is for all the #chainsmokingweedsmokers / #iwanttherabbitwiththeboobs #MetalNerderyTechnoMix (26:00): #TheDocket: “And on the 8th day…” / AC/DC: LET THERE BE ROCK and a trip down #memorylane back to #childhood / “If that's EVEN imaginable…” #alotofimagination / “Remember #ColumbiaHouse?” / “How did highschoolers actually attend high school HIGH on #psychedelics?”/ Thinking back to our initial #ACDC purchases / “I might like this one better than Highway to Hell” / The AC/DC logo on #LetThereBeRock is the first Bon era album with that classic logo and the logo that stuck / Poorly orchestrated #BlackAlbumReference / “It's their #MasterOfJustice…or their #JusticeOfPuppets…” / A note regarding this record from the #VanHalen family / #morefoodreferences #steakanalogyASMR #thethrashofrock (36:57): GO DOWN (“Where you been, Ruby?”) / “Now I understand…” / Problem Child appeared on #bolth #DDDDC and #LTBR / DOG EAT DOG (“Do you know who you can trust?”) / Music heard in childhood prior to hearing AC/DC / “Yeah you did…” / Easily the heaviest thing ever heard in childhood prior to the discovery of metal / The punk energy of AC/DC (#FuckYouInThreeChords) / The dual front man concept of Bon + Angus / Other releases from 1977… (46:23): #Inthebeginning LET THERE BE ROCK (***Go and watch and enjoy the #musicvideo for this!!!***) #turneduptoangry “He's missing a tooth too…” / “And the music was good and the music was loud…” / “I've never seen Angus play guitar without doing that…” / #AngusYoung is a verb because he's always #Angusing / Matt's impression of a #scythe / #RIP to #JerryLeeLewis and some sound advice to headlining #headliners acts regarding how to treat your opening #openers acts #benice #dontbeanasshole (56:21): BAD BOY BOOGIE (aka the #killercloser of #sideone) #goodoldfashionedgoodness ***Check out the live version from their “Let There Be Rock” #concertvideo filmed in Paris in 1979!!!***/ PROBLEM CHILD (cut or top?) #metalnerderymegamix “It's actually ‘Cop this'” #STFUASMR #taketwo / #freakingoutASMR / “How about a side 3?” / CRABSODY IN BLUE (it's the “Ride On” of Let There Be Rock…this is from the Australian version…and it's also about #crabs and/or #pubiclice) #stdtragedy / OVERDOSE (the mighty #Exodus did a killer cover of this as well) #introASMR #init #yeah #ExodusCrushedThisASMR / “A more pissed off ZZ top…?” (1:06:40): HELL AIN'T A BAD PLACE TO BE (almost has a #BackInBlack vibe to it) / An update from Damone / #killercloser / “This is the third thrash song ever written?” / Rosie's dimensions are a lot (42-39-56) / #comfortride (“It was all me in there…”) #pleasureride and #togoboxreprise / NOTE: Delta 88 and Delta 8 are NOT the same thing! / Well, she weighs nineteen stone according to the lyrics, and a stone is 14 pounds, so roughly 266 lbs. Actually, she was also over 6 feet tall!!! #pleasedont #amazonlady / WHOLE LOTTA ROSIE (“That's like a #sixflagsride”) / #orgasmnoiseASMR #cricketASMR / Track listing changes and an example of songs that don't “fit” on an album / #killerclosener / There's the #blackdog … / #ParanormalActivityASMR and #ghostballs / The punk, hard rock, and metal elements embodied within the sound of AC/DC… / “I've gotta go home and #washmyballs…for the #parkinglotblowjobs” / #ShroomChroniclesAreComingASMR / #TheNewNORML and #crimesagainstnature / THANK YOU FOR JOINING US FOR THIS EPISODE OF METAL NERDERY PODCAST!!! ***Please visit our 33rd Floor I.U.B.P.S. #GiftShoppe at metalnerdery.com/merch *** #untilthenext #ShelbyASMR #outroreel #hehahuh #washingmyballsASMR
With all of the products you hear about these days that are promising to make you look younger, you may be wondering about the benefits of taking advantage of anti-aging treatments. You may be even more curious about these treatments if you have tried some of the over-the-counter remedies and have been disappointed with the results. Today Dr. Nichola Conlon, the CEO and Founder of Nuchido, joins me to talk all about anti-aging and the research she's done about it. She also shares her company's new product, Nuchido TIME+, and its benefits. Nichola is an accomplished molecular biologist specializing in the study of aging as a biologically complex disorder. She received her Ph.D. in Physiology from Newcastle University, home to the largest institute for aging research in Europe. She is also a trained Cosmetic Scientist. Building on her expertise in molecular biology and years focused on early-stage drug discovery with a leading biotech firm, Nichola co-founded Nuchido with Prof. Malcolm Young to bring potent, life-enhancing scientific discoveries and education to the public with speed and transparency. Connect with Nichola at: Website: https://nuchido.com/ LinkedIn: https://www.linkedin.com/in/nichola-conlon/ In This Episode: [1:27] The basics: why does aging happen? [7:25] What are some of the basic practices to delay aging? [13:15] What kind of foods should people avoid for a healthier lifestyle? [15:02] DNA tests and nutrition [18:17] Biological vs. chronological age [20:40] How can you see where you're at on a cellular level? [26:37] What is the research they've done in her company? [29:35] What are NADs? [33:51] How can you measure NAD levels? [35:45] On the measurable results that they have seen in the product that they developed [39:50] What does she think of the NAD IV craze? [48:44] Where to learn more about Dr. Nichola and Nuchido [50:36] Outro Links and Resources: Peak Performance Life Peak Performance on Facebook Peak Performance on Instagram
On our first show we explore the 1980 death of AC/DC lead signer Bon Scott. Known for his hard drinking lifestyle, Scott's energy and unbridled showmanship had helped drive AC/DC to the brink of massive stardom by the close of 1979. Yet Scott wasn't happy with the band or his party lifestyle. Having just scored their first true success in America with the "Highway to Hell" album and prime touring dates, the band set apart and Bon ended up hanging out in London. He'd never make it out alive. GUEST: Author Jesse Fink's updated biography of the enigmatic singer, Bon: The Last Highway, exhaustively researches Bon's time in the U.S. that previous summer and follows it through to his last moments in the backseat of a car in London. Fink's investigative work uncovers never-before heard statements and stories from key players who were present the night of Scott's death who all prove the rock icon didn't die from too much alcohol but a drug overdose instead. Also, Fink's research uncovers Scott's writing and contribution to the band's breakout album "Back in Black", released several months after his death. Could Scott's lyrics be on the album uncredited? Please visit us at rockmysteries.com and help support Season 1 and beyond. Show Links: Author Jessie Fink NEW EDITION: Bon: The Last Highway Support the Show!: https://patreon.com/rockmysteries See omnystudio.com/listener for privacy information.
Fifa started in the music industry at 16, and worked her way up the ranks of Albert Music to become CEO. In the 1970s she formed a beautiful friendship with AC/DC's wild lead singer, Bon Scott (R)
In this episode of Aftershocks TV, we chat with Cannibal Corpse guitarist Rob Barrett. Barrett called in to talk about the latest from Cannibal Corpse, VIOLENCE UNIMAGINED. Barrett chatted about working with new member Erik Rutan, what it will be like getting tours booked post-pandemic, writing and recording the new release, and even how Malcolm Young of AC/DC influenced him as a guitar player. Get all our episodes at www.aftershockstv.com. THE CMS PODCAST NETWORK: https://www.cmspn.com CMStv: https://www.fviewpal.com RUMBLE: https://rumble.com/c/cmspn BITCHUTE: https://www.bitchute.com/channel/cmspn/ ODYSEE: https://odysee.com/@ClassicMetalShow:d --- Send in a voice message: https://anchor.fm/cmspn/message
This week I'm talking to the world's first female roadie, Tana Douglas. We talk how she became a roadie - a calling that was 100% male until very recently and about working with some of the 20th century's biggest icons of music including Neil Diamond, AC/DC, Status Quo and more! Tana has also released a book, LOUD, which details 30 years of her career in the music industry from coiling cables after a show covered in puke, to wearing the wrong shoes when meeting the Queen of England, to rescuing Malcolm Young's precious Gretch guitar from a pack of rabid AC/DC fans - it's available on Bookdepository.com and any eBook store NOW, and I highly recommend giving it a read. tanadouglas.com -- This episode is sponsored by Northern Powerhouse Media. To find out more about Northern Powerhouse Media's extensive range of products, go to npmedia.co.uk. Use promo code SODSPOD for a 50% introductory discount on your first order. If you'd like to support Sod's Law you can become a Sod's Law patron at patreon.com/sodspod from as little as £1 /$1 a month - there are different tiers including ad-free episodes, giveaways and more!
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