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Send us a textIf you're looking for a sonic palette cleanser from the mundane, Venamoris' new album To Cross or To Burn is the aural experience you didn't know you needed. Out now via Ipecac Recordings, the album is a seductive, shadowy, and soul-baring effort from the duo of Paula and Dave Lombardo. Yes, that Dave Lombardo—drum god behind Slayer, Mr. Bungle, Misfits, Dead Cross and countless other boundary-pushing projects. But this isn't thrash, metal, or hardcore. Instead, it's something far more intimate and atmospheric—part gothic lullaby, part cinematic fever dream, and entirely its own thing.Think: a darker, stranger Portishead raised on vintage synthesizers and heartbreak. And you're only halfway there.Venamoris, a name derived from the Latin vena amoris ("vein of love"), is a reflection of the real-life partnership between Dave and Paula Lombardo. The musical bond they've cultivated runs just as deep. Paula's roots include everything from backing up Las Vegas legends like Wayne Newton to chasing a singer-songwriter dream in Nashville. With this project, she brings a magnetic presence—equal parts elegance and eerie introspection—on vocals, piano, and synths. Every lyric feels lived-in; every melody, emotionally raw.Engineered and produced by Dave Lombardo, mixed by David A. Lombardo, and mastered by the acclaimed Golden Mastering team, To Cross or To Burn shimmers with sonic depth. Every note and nuance is deliberate, yet full of danger. The Lombardos handle all instrumentation themselves, with Paula on vocals and synths and Dave handling drums, guitars, and more.The album also features contributions from a formidable group of guest musicians, including:Trevor Dunn (Mr. Bungle, Tomahawk) – contrabass on “Stay With Me”Ra Diaz (Suicidal Tendencies, KORN) – bass on “Stain of Pain”Alex Skolnick (Testament) – guitar on “Stain of Pain” and “Burnt Paper”Gary Holt (Slayer, Exodus) – guitar on “Animal Magnetism”Each guest adds a unique brushstroke to the darkly emotional soundscape, enhancing but never overshadowing the central force: Paula's haunting voice and poetic songwriting.The album's opener, “Stay With Me,” is a cinematic dive into surrealist romance—starting in lo-fi crackle and ending in full digital immersion. "Holding On to Nothing" flexes Paula's lyrical teeth as she dissects betrayal with Ben Folds-style piano wrapped in Sabbath-inspired gloom.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn
In this episode, Alex welcomes pianist, composer, and educator Kenny Werner, author of the landmark book Effortless Mastery. Kenny's teachings have revolutionized the way musicians think about practice, performance, and creativity. Though widely respected for his playing, Werner's profound influence as a teacher has often eclipsed his musical output—something this episode sets out to correct. Alex and Kenny dive deep into the philosophy behind Effortless Mastery, a system of learning and unlearning that helps musicians quiet their inner critics, accept where they are, and move forward with intention and ease. They also explore how spirituality, rhythm, and breathing all play essential roles in accessing “the space”—that elusive zone where creativity flows freely. Follow Alex @alexskolnick and Moods & Modes @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick and the Alex Skolnick Trio. Artwork by Mark Dowd. Distributed by Studio Kairos. Resources & Links: Kenny Werner's website & music: https://kennywerner.com Effortless Mastery (book and courses): EffortlessMastery.com Berklee's Effortless Mastery Institute: Berklee.edu Alex's Patreon: patreon.com/alexskolnick Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode Chris Vos joins the podcast. Chris talks about The Record Company's current tour, The 4th Album, the status of the next TRC album, the greatness of Alex Stiff and Marc Cazorla, crafting a setlist, the band's writing process, performing with Social Distortion, Jimi Hendrix, Stevie Ray Vaughn, Jacob Tovar, Metallica, Guns n Roses, Farm Aid, growing up and working on a farm, Eddie Van Halen, Alex Skolnick, The Beach Boys, Keith Richards, Slayer, Led Zeppelin, Chuck Berry, traveling the US, Black Crowes, ZZ Top, and a ton more! Thanks for listening, and please share! #podcast #therecordcompany #allkillernofiller This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows including Rocklahoma performances from Dee Snider, Orianthi, Mike Tramp and more! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. Native owned, and a female tattoo artist in house. The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details. This episode is also brought to you by Rocklahoma Bitches! Rocklahoma Bitches have been supporting Rocklahoma every year since 2011. Cristy and Kendra have become synonymous with the party both in the campgrounds and inside the venue at ROK. They give away (never charge) an abundant amount of their merch, they MC major campground events, bid on charity guitar auctions, and have become a yearly sponsor of the Cancer Sucks benefit concert in Tulsa. Join their FB group and follow the Rockbitch page now! Stream us anytime everywhere podcasts are heard.
Interview aired the weekend of 1/10/25
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Alex Skolnick first became well known as the guitarist for Testament. Alex is not just a speed player however, and has a broad interest in different musical styles. He can certainly shred with the best of them, but there are many flavors to his playing. Alex joins us by phone to discuss one of his bands, Metal Allegiance, who have a live show coming up on January 23, 2025 in Anaheim California. We talk about his background, find out how he went from playing thrash to jazz, earning a degree in jazz, and talk about the forming of Metal Allegiance and discuss the two albums the band have released to this point, and whether a third album will be forthcoming. Alex picks out some Metal Allegiance music for us to crank up at the end. Alex has had such and interesting career and he was absolutely a pleasure to speak with. Check out our conversation and check out some killer music from Metal Allegiance! Rock and Roll music (and conversation) that DESERVES to be heard!
Alex welcomes Moon Zappa to discuss her book, Earth To Moon, which explores the complexities of growing up in families characterized by narcissism and fame. Alex and Moon reflect on the legacies of their fathers, the impact of parental influence on artistic expression, and the notion that genius does not always translate into practical life skills. Moon shares her experience of finding refuge in artistic expression during her upbringing, recounts her journey of self-discovery, and tells Alex about her latest creative projects. Moon Unit Zappa is the daughter of legendary musician Frank Zappa and his second wife, Gail. At the age of fourteen, Moon appeared in Frank Zappa's career defining music video, “Valley Girl,” which later helped jump-start her own career. Since then, Moon has worked as an actress, writer, comedian, artist, businesswoman, and podcaster. Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick and the Alex Skolnick Trio. Artwork by Mark Dowd. Distributed by Studio Kairos. Follow Moon @iammoonunitzappa Follow Alex @alexskolnick @moodsandmodes
Welcome to Borrowed Music, Volume 3! Join Alex as he dives into another fascinating mix of music "inspired by" others, uncovering hidden connections across genres from classical and country to iconic film scores, TV themes, and radio hits we all know and love. Alex illustrates the threads binding songs and styles—hear how Nazareth and Heart share an unexpected arrangement, how Van Halen took a cover song to new heights, and how a classic TV theme inspired a reggae legend. As always, there are plenty of surprises! Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick and the Alex Skolnick Trio (and in this episode, PAKT). Episode cover photo by Alex Skolnick. Artwork by Mark Dowd. Distributed by Studio Kairos. Cover photo by Alex Skolnick.
Rising Brooklyn heavy rock band DAS MOÖSE who will release their debut album, Moösehenge, on October 16th. Current Singles: “Jingleheim” Das Moöse has harnessed the sound of heavy metal/punk fused with jam band stylings to craft a sound all their own. Hailing from the savage stoops of brownstone Brooklyn, Das Moöse has become a neighborhood favorite with their powerful live performances and funny, hard-hitting songs. Singer/guitarist Adam Dubin brings his ample experience playing in The Stoned and filming multiple music legends (Metallica, Beastie Boys) to the fore with Das Moöse. His style is a blend of Ramones and Led Zeppelin with a dash of comic timing thrown in for good measure. The album track “Traction Park Massacre (Don't Cry For Me)" will be featured in the upcoming horror movie “Traction Park Massacre.” Their new debut album Moösehenge is powerful witches brew of heavy metal and punk rock with a healthy dose of southern twang soulful melody. In our new music video “Traction Park Massacre (Don't Cry For Me) coming out next week, Alex Skolnick of Testment introduces the song as his alter ego “Count Von Skolitor.” Alex played keyboards on the song. It's going to be a lot of fun. Besides playing the song, Joel (the other guitar player) and myself put on Luchidor wrestling masks and get in a fight that mimics the onstage ending of Jane's Addiction. The band attended the last full show of JA and they broke up in Boston the next show. And I don a gorilla suit and play the same beat up Gibson SG guitar that I played in the music video for “No Sleep Till Brooklyn.” Adam C. Dubin is an American filmmaker who co-directed the Beastie Boys music videos " Fight for Your Right" and "No Sleep till Brooklyn" with Ric Menello. "Fight for Your Right" is number three on MTV's all time funniest music videosSinger/guitarist Joel Bloom leans into his jam band influences to bring a loose good time vibe to the hard-hitting repertoire. Drummer Drew Haase, a veteran of the 90's Austin bar band scene, is the cool hand behind the drum kit giving the songs a powerful and driving pace. Rounding out the rhythm section on bass is Rob Kassabian with his fluid and melodic attack. Follow @pipemanradio on all social media outlets Visit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.
Rising Brooklyn heavy rock band DAS MOÖSE who will release their debut album, Moösehenge, on October 16th. Current Singles: “Jingleheim” Das Moöse has harnessed the sound of heavy metal/punk fused with jam band stylings to craft a sound all their own. Hailing from the savage stoops of brownstone Brooklyn, Das Moöse has become a neighborhood favorite with their powerful live performances and funny, hard-hitting songs. Singer/guitarist Adam Dubin brings his ample experience playing in The Stoned and filming multiple music legends (Metallica, Beastie Boys) to the fore with Das Moöse. His style is a blend of Ramones and Led Zeppelin with a dash of comic timing thrown in for good measure. The album track “Traction Park Massacre (Don't Cry For Me)" will be featured in the upcoming horror movie “Traction Park Massacre.” Their new debut album Moösehenge is powerful witches brew of heavy metal and punk rock with a healthy dose of southern twang soulful melody. In our new music video “Traction Park Massacre (Don't Cry For Me) coming out next week, Alex Skolnick of Testment introduces the song as his alter ego “Count Von Skolitor.” Alex played keyboards on the song. It's going to be a lot of fun. Besides playing the song, Joel (the other guitar player) and myself put on Luchidor wrestling masks and get in a fight that mimics the onstage ending of Jane's Addiction. The band attended the last full show of JA and they broke up in Boston the next show. And I don a gorilla suit and play the same beat up Gibson SG guitar that I played in the music video for “No Sleep Till Brooklyn.” Adam C. Dubin is an American filmmaker who co-directed the Beastie Boys music videos " Fight for Your Right" and "No Sleep till Brooklyn" with Ric Menello. "Fight for Your Right" is number three on MTV's all time funniest music videosSinger/guitarist Joel Bloom leans into his jam band influences to bring a loose good time vibe to the hard-hitting repertoire. Drummer Drew Haase, a veteran of the 90's Austin bar band scene, is the cool hand behind the drum kit giving the songs a powerful and driving pace. Rounding out the rhythm section on bass is Rob Kassabian with his fluid and melodic attack. Follow @pipemanradio on all social media outlets Visit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.
Thrash-metal icons Testament are currently on their "Klash of the Titans" Tour. We chat with guitar virtuoso Alex Skolnick about life on the road, what's next for Testament, The Simpsons, horror movies, podcasting, witnessing GN'R open for Aerosmith, and much more! More info: https://www.testamentlegions.com/ https://linktr.ee/TestamentLegions https://x.com/AlexSkolnick YouTube version: https://youtu.be/Xd1ZCmRrK2g Our website: afdpod.com
In this episode of Metal Mayhem ROC, host Metal Walt sits down with the legendary guitarist Alex Skolnick. As a founding member of Metal Allegiance and a key player in the metal scene with Testament, Alex shares his insights on the upcoming 10th-anniversary Metal Allegiance show in New Jersey, the creative process behind the supergroup, and his diverse musical career that spans both metal and jazz. Alex reflects on his time with Savatage, his involvement with the Trans-Siberian Orchestra, and the unique challenges and rewards of blending different musical genres. He also discusses the logistics and energy of performing live with Metal Allegiance, the intricate process of selecting vocalists and crafting songs, and the excitement surrounding the upcoming tour dates with Testament. Whether you're a long-time fan or new to Alex's work, this episode offers an in-depth look at the life and career of one of metal's most versatile guitarists. How to Support the Show: Subscribe to Metal Mayhem ROC on Apple Podcasts and leave a review. Follow on Spotify. Metal Mayhem ROC: Metal Mayhem ROC MERCH & SOCIALS: https://metalmayhemroc.etsy.com/ https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemR https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Alex Skolnick & Metal Allegiance SOCIALS: http://www.alexskolnick.com http://www.alexskolnick.net/podcast https://www.threads.net/@alexskolnick https://www.facebook.com/AlexSkolnickFanPage/ https://www.instagram.com/alexskolnick/ https://x.com/AlexSkolnick http://www.metalallegiance.com https://www.facebook.com/metalallegiancemusic/ https://www.instagram.com/metalallegiance/ https://x.com/metalallegiance Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Metal Mayhem ROC, host Metal Walt sits down with the legendary guitarist Alex Skolnick. As a founding member of Metal Allegiance and a key player in the metal scene with Testament, Alex shares his insights on the upcoming 10th-anniversary Metal Allegiance show in New Jersey, the creative process behind the supergroup, and his diverse musical career that spans both metal and jazz. Alex reflects on his time with Savatage, his involvement with the Trans-Siberian Orchestra, and the unique challenges and rewards of blending different musical genres. He also discusses the logistics and energy of performing live with Metal Allegiance, the intricate process of selecting vocalists and crafting songs, and the excitement surrounding the upcoming tour dates with Testament. Whether you're a long-time fan or new to Alex's work, this episode offers an in-depth look at the life and career of one of metal's most versatile guitarists. How to Support the Show: Subscribe to Metal Mayhem ROC on Apple Podcasts and leave a review. Follow on Spotify. Metal Mayhem ROC: Metal Mayhem ROC MERCH & SOCIALS: https://metalmayhemroc.etsy.com/ https://metalmayhemroc.com/ https://www.youtube.com/@metalmayhemroc1851 https://www.facebook.com/groups/metalmayhemroc https://www.instagram.com/metalmayhemroc/ https://twitter.com/MetalmayhemR https://metaldevastationradio.com/ http://pantheonpodcasts.com/ Alex Skolnick & Metal Allegiance SOCIALS: http://www.alexskolnick.com http://www.alexskolnick.net/podcast https://www.threads.net/@alexskolnick https://www.facebook.com/AlexSkolnickFanPage/ https://www.instagram.com/alexskolnick/ https://x.com/AlexSkolnick http://www.metalallegiance.com https://www.facebook.com/metalallegiancemusic/ https://www.instagram.com/metalallegiance/ https://x.com/metalallegiance Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Alex visits the iconic Carmine Street Guitars in New York City with his bandmates Percy Jones and Tim Motzer from PAKT. The shop, established by Rick Kelly, crafts distinctive guitars from reclaimed wood salvaged from the city's historic buildings. These guitars, known for their unique sound, have caught the attention of celebrated musicians such as Bob Dylan, Patti Smith, Jim Jarmisch, Jamie Hince, and Daniel Kessler, to name a few. During their visit, Rick Kelly and his apprentice, Cindy Hulej—who has since launched her own brand, Cindy Guitars—delve into the shop's history, their meticulous guitar-making process, and anecdotes about their custom instruments and notable clients. This episode offers a rare glimpse into a one-of-a-kind shop where each piece tells a story of New York's past, marrying craftsmanship with music history. Watch the Carmine Street documentary Listen to the Carmine Street podcast, The Bones of Old New York Follow Cindy Hulej @cindyguitars Follow Alex: @alexskolnick, @moodsandmodes, @alexskolnicktrio, @testamentofficial Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick and the Alex Skolnick Trio (and in this episode, PAKT). Episode cover photo by Alex Skolnick. Artwork by Mark Dowd. Distributed by Studio Kairos. See PAKT on tour! Upcoming dates: 8/26 at The Milestone Club, Charlotte, NC. 8/27 at The Grey Eagle, Asheville, NC. 8/28 at Kings Raleigh, Raleigh, NC. 8/29 at The Loft 129, Cumberland, MD. 8/30 at Sellersville Theater, Sellersville, PA. 9/1 ProgDay at Storybrook Farm, Chapel Hill, NC. 9/7 Williams Center, Rutherford, NJ.
Welcome to the Nothing Shocking Podcast 2.0 episode 254 with our guest Alex Skolnick of Testament (PAKT, The Alex Skolnick Trio, Metal Allegiance, Stratospheerius). We discuss PAKT's new album No Steps Left to Trace; Testament's tour and plans for a new album; The Alex Skolnick Trio; and more! For more information visit: https://alexskolnick.com/ https://www.testamentlegions.com/site/ https://pakt-moonjune.bandcamp.com/album/percy-jones-alex-skolnick-kenny-grohowski-tim-motzer Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/ Follow us on twitter at https://twitter.com/hashtag/noshockpod. Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org Nothing Shocking Podcast Best of 2024 Apple Playlist: https://music.apple.com/us/playlist/nothing-shocking-podcast-2024/pl.u-NP2Ws7135YR
Al Di Meola is a pioneer of blending world music, rock and jazz. His ongoing fascination for complex rhythmic syncopation, combined with provocative lyrical melodies and sophisticated harmony, has been the heart of his music throughout a celebrated career that has spanned over four decades. In this incredible episode, Al joins Alex to talk about his musical journey, the evolution of his guitar vocabulary, and the importance of work ethic. Alex and Al discuss the impact of technology on creativity, and Al reflects on the evolution of music and the enduring legacy of iconic musicians. Al Di Meola is a Grammy award winning musician who has achieved worldwide fame for both, being a solo artist and for his collaborations with Frank Zappa, Jimmy Page, Stevie Wonder, Chick Corea, Paco De Lucia, John McLaughlin, Jean-Luc Ponty, Stanley Clarke, Luciano Pavarotti, Paul Simon, Phil Collins, Santana, Steve Winwood, Herbie Hancock, and many more. Al Di Meola holds the highest amount of Guitar awards in different categories from Guitar Player magazine (US). Follow Al Di Meola Follow Alex @alexskolnick @moodsandmodes @alexskolnicktrio @testamentofficial Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick and the Alex Skolnick Trio. Artwork by Mark Dowd. Distributed by Studio Kairos.
114 - Stu Hamm In episode 114 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with bassist extraordinaire Stu Hamm. In their conversation they cover What Stu is up to currently including a project in Oregon “Guitars Under the Stars”, a tour with Greg Howe and a bass camp in Estonia called “the Estonia Bass Oasis”. They discuss Stu's family: his father, a well known composer and musicologist, Stu's brother Bruce who plays the Sarod and ran the Ali Akbar College of Music in San Rafael, California and Stu's mom who was a voice teacher and an opera singer. Stu takes us through his love/hate relationship with guitar players. They discuss Stu's musical relationship with guitarists Steve Vai and Joe Satriani as well as Alex Skolnick. They discuss Stu's Fender signature Urge bass and his signature Markbass amp and gear in general. . Stu has a website where you can find out more about everything Stu: dates, gear, recordings and how to go about getting lessons and Stu is very active on the socials. stuhamm.com . Please subscribe, like, comment, share and review this podcast! . #VintageGuitarmagazine #StuHamm #Bass #StuartHamm #bassguitar #FenderBass #Markbass #BassHero #UrgeBass #theDeadlies #JoeSatriani #SteveVai #haveguitarwilltravelpodcast #haveguitarwilltravel #hgwt #HGWT . . . Please like, comment, and share this podcast! Download Link
https://www.testamentlegions.com/site/ https://alexskolnick.com/ * Alex Patreon Page – patreon.com/alexskolnick * Alex Podcast – Apple Podcasts * Alex Photography – alexskolnick.net * Alex Facebook – facebook.com/AlexSkolnickFanPage * Alex Twitter – twitter.com/AlexSkolnick * Alex YouTube – youtube.com/TheRealAlexSkolnick * Alex Instagram – instagram.com/alexskolnick * Alex Photography Instagram – instagram.com/skolnickpics * AST Facebook – facebook.com/AlexSkolnick * AST YouTube – youtube.com/TheAlexSkolnickTrio * Planetary Coalition – planetarycoalition.com
"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995). Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty Of Credence Clearwater Revival fameLos LobosJoe Satriani an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO: Althea Track #3 4:51 – 6:21 From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece. Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story. Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end. It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money. Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing. The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business. Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town. By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time. There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group. Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions. There is a You Tube video of the entire Fogerty set that I encourage you to view. Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs. John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty. Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind. On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage. Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance. On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1: Down On The Corner (and Band introductions) John Fogerty (w. Jerry and Bobby) JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com) 10:49 – 12:42 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits. The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs. As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes. Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance. However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend. MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis. I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time. If so, there will be a big report in two weeks. Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album SHOW No. 2: Iko Iko w/Clarence Clemmons Track #5 5:09 – 6:11 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax. Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show. In '89 the Boss was as big as ever and Clarence was a big part of that success. But he enjoyed playing in the improv style embraced by the Dead. Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater. He also played a number of times with JGB. And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back. When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.” SHOW No. 3: Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence Track #6 2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead. Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First: March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: April 2, 1995 at The Pyramid Arena, Memphis, TN, USA MJ NEWS SHOW No. 4: Blow Away Track #11 7:37 – 9:10 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song) When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst: June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast: July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent OUTRO: Wharf Rat Track #17 3:59 – 5:26 Not the closer this night, or most nights, but it could have been a perfect closer. Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
In this episode, Alex welcomes filmmaker Adam Dubin, whose work includes iconic music videos by the likes of the Beastie Boys and Metallica, as well as documentaries such as Murder in the Front Row, about the SF Bay Area thrash scene of the ‘80s and “A Year and a Half in the Life of Metallica.” Adam discusses working with his former NYU roommate, producer Rick Rubin, and the creative process behind projects with both The Beastie Boys and Metallica. Adam and Alex explore the intersection of music and film, and we get a sneak preview of Adam's latest project, Traction Park Massacre, which includes Alex as composer of the film's score. Follow Adam Dubin Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Justin Thomas. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
Mohini Dey is a renowned bassist, producer, and vocalist who has gained international recognition for her extraordinary talent and versatility. She joins Alex to talk about growing up in an independently-minded musical family, the challenges she faced as a female musician in India, and the difficult decisions she had to make in the early days of her career. Mohini discusses the lessons she learned from her musical elders, explains her approach to teaching young musicians, and provides a track-by-track breakdown of her debut album “Mohini Dey”. Mohini Dey began performing at the age of 11 and first appeared on record at age 14 after being discovered by film composer and jazz drummer Ranjit Barot. Since then she has played alongside Alex Lifeson, Steve Vai, Marco Minnemann, Dewa Budjana, Jordan Rudess, A.R. Rahman, Jason Richardson, Zakir Husain and various other notable figures in international jazz, rock, and classical Indian music. Her first, self-titled solo album (featuring her husband, saxophonist Mark Hartsuch, as well as Minnemann and other famed fusion drummers Narada Michael Walden and Simon Phillips) was released in 2023. This episode is dedicated to Jerome H. Skolnick and Sujoy Dey. Follow Mohini Mohini Dey and @dey_bass Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
Welcome to the Nothing Shocking Podcast episode 230 with our guest Joe Deninzon of Stratospheerius and Kansas. In this episode we discuss their Behind the Curtain (Live at Progstock) boxset. We also discuss joining Kansas for their 50th Anniversary tour, and more! For more information visit: https://joedeninzon.com/ https://stratospheerius.com/ https://stratospheerius.bandcamp.com/album/behind-the-curtain-live-at-progstock https://kansasband.com/announcing-the-addition-of-violinist-guitarist-joe-deninzon-to-kansas/ Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/ Follow us on twitter at https://twitter.com/hashtag/noshockpod. Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org
Welcome to this preview of the February shows and here is a short feature with award-winning guitarist and composer Jane Getter who releases her new album "Division World" this month. The full feature will follow in the next edition of the podcast. Led by guitarist, composer and singer Jane Getter, the album follows on from her acclaimed ‘Anomalia' album and features Jane's all-star band including keyboardist Adam Holzman, guitarist Alex Skolnick, bassist and singer Paul Frazier and drummer Gene Lake. Randy McStine (McStine & Minnemann, Porcupine Tree) also guests on vocals. Jane's band has carved out a niche at the intersection of rock, jazz, singer-songwriter, and metal styles with her masterful playing and complex and dynamic compositions and has dazzled audiences internationally. Packed with inspired songwriting and blazing instrumentals, ‘Division World' is the strongest album yet from Jane Getter Premonition. Jane says: "This album is a bit more song oriented than my previous work. The songs were written during the pandemic and the lyrics in a lot of the songs are reflections of the divisiveness and divisions happening in the world today. My regular band is featured - keyboardist Adam Holzman, guitarist Alex Skolnick, bassist and singer Paul Frazier and drummer Gene Lake. Randy McStine also guests on vocals. I feel Division World may be JGP's strongest album yet!" "Jane Getter's new album Division World is something quite notable in the multiplicity of genres & sub genres focused on progressive rock fusion guitar, modern jazz rock -contextual songs which do not shy away from a world of trouble as it's context for her outstanding, fiery, & nuanced guitar playing - sung in her courageous, melodic, distinctive voice” - Vernon Reid. --- Send in a voice message: https://podcasters.spotify.com/pod/show/classic-rock-news/message
Metal Allegiance member Alex Skolnick zoomed in to talk about their 10th anniversary concert on 1/25/24 at House of Blues in Anaheim. Here's what we talked about: Metal Allegiance 10th anniversary concert (0-6) Leslie West tribute for Music Cares (6-11) RIP Trevor Strnad (11-16) new Testament music? (16-19) Souls Of Black album (19-23) Mandatory Metallica (23-end)
In this first episode of 2024, Alex welcomes a trio of guests who are among the most important and influential players of electric guitar - Joe Satriani, Steve Vai, and Eric Johnson. They are also the original lineup of the iconic G3, a tour organized in 1996 by Satriani that has featured legendary players like Robert Fripp, Ynwgie Malmsteen, Phil Collen, and many more. Ahead of this year's tour, they sit down with Alex to discuss the origins of G3, what they've learned from the experience of performing together, and weigh in on how to keep egos in check when playing alongside fellow giants. They commiserate over growth moments that resulted from musical projects created during the pandemic, and do a deep dive into the equipment they're using, from string gauges to amp modelers. Conceived in 1995 by the multi-Grammy nominated guitarist, Joe Satriani, the inaugural G3 Tour took place in 1996 bringing together three of the most iconic and virtuosic guitarists of their time: Satriani, Eric Johnson and Steve Vai. Known for their incredible technical prowess, musical innovation and unique styles, the G3 tour was a celebration of guitar mastery and proved extremely popular, captivating audiences worldwide. Though the line-up has continually changed over the last 29 years since its inception, Satriani is celebrating G3 in 2024 by reuniting the original trio: Satriani, Johnson and Vai. The tour is set to begin on January 23, 2024 in Tucson, AZ hitting eleven cities before winding up with a pair of shows at the Orpheum Theatre in Los Angeles, CA. Get G3 Tour information here Follow Joe Satriani, Steve Vai, and Eric Johnson Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Final Mixes by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
Joe Deninzon & Stratospheerius and is the new violinist for Kansas. 3 songs on his new double live box set w/ DVD and Blu-Ray “Behind the Curtain (Live at ProgStock)” are creative covers. “Spain” is a trio with Joe on acoustic violin, Rachel Flowers on piano and flute, and Testament's Alex Skolnick on acoustic guitar. Joe and Stratospheerius play a Queen-esque version of Muse's “Hysteria,” which was in the top 10 on Relix/Jamband Radio's charts as a studio release. Live, Joe and the band play King Crimson's “Frame by Frame.” There are tons of great originals on “Behind the Curtain,” that the prog community has adored all these years. You'll enjoy talking with Joe, who, also, has lots of great advice for growing as a musician
Doc welcomes David Ellefson, Mark Menghi, and Alex Skolnick to the show to discuss all things Metal Allegiance. This episode features the songs "Sever" by Lockjaw and "Bound By Silence" by Metal Allegiance featuring John Bush. Follow David on Instagram @DavidEllefsonBass Follow Mark on Twitter @MarkMenghi and Instagram @MarkMenghi Follow Alex on Twitter @AlexSkolnick and Instagram @AlexSkolnick Follow Doc on Instagram and Twitter @DocCoyle Check out this week's sponsor Lockjaw at Lockjawlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices
As we look toward 2024, we are excited to build on our history as a nonprofit storytelling community that educates and entertains through food-focused podcasts. And with your support, we will continue to empower the next generation of food systems storytellers through our unique education programs.On December 13, at Roberta's, the duo of virtuoso guitarist Alex Skolnick (Testament, Alex Skolnick Trio) and award-winning 7-string jazz guitarist Ron Jackson brought together the HRN and Osiris families for a night of great music, great food, great drink, and great conversation.Listen into this special episode recorded live from the event, including a conversation with Brandon Hoy, co-owner and founder of Roberta's and member of the HRN family since the very beginning. Proceeds from the event will support HRN's work in 2024 and beyond, including innovative content from your (new) favorite food folks, expanded education programs, delicious events, and more. Please consider supporting HRN.HRN on Tour is powered by Simplecast.
Legendary bassist Stu Hamm joins Alex on this episode to talk about Hold Fast, Stu's latest album, on which Alex is a featured player. Recorded in Estonia during Stu's Bass Oasis, the two discuss the tracks on the album, the role of bass in musical composition, and Stu shares his approach to playing and collaboration. Alex reflects on the first time he saw Stu perform and how he handled auditioning to tour with Stu, and the two reminisce about touring together in the nineties. Stu Hamm is known for his technical prowess, melodic creativity, and a commitment to pushing the boundaries of the bass. He rose to prominence as the bassist for Joe Satriani and his playing became synonymous with innovative tapping and slapping techniques, setting him apart as a trailblazer in the world of bass guitar. He has also had a prolific solo career and has worked with a wide array of artists, including Steve Vai, Frank Gambale, and many others. Stu is also a music educator and leads clinics and workshops around the world. Listen to Hold Fast here Follow Stu at stuhamm.com and @stueybass Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media
Thanks for joining us as we wind down our 40 for 40 series, hitting Charlotte on 6/21/19. 12/13 — Brooklyn show with Alex Skolnick and Ron Jackson 12/15 — Ardmore show with Tom Hamilton 12/29 — NYC show with The Dude of Life Please give us a call at (484) 416-0488 and leave us your thoughts and questions! And give us a review wherever you listen to podcasts. The Helping Friendly Podcast is hosted and produced by Brian Brinkman, Megan Glionna, Jonathan Hart, and RJ Bee. Brought to you by Osiris Media. Learn more about your ad choices. Visit megaphone.fm/adchoices
The lead guitar player of Testament isn't your typical metalhead. He's had a long, varied, and surprisingly moving career in music. In this episode, Alex talks with Discograffiti about: Whether he prefers the classic early Testament records or the later stuff; His search for more adventurous musical landscapes, and the resistance it initially caused within the band; And his most ambitious project ever—the amazing Planetary Coalition! Listen: https://podfollow.com/1592182331 2-3 podcasts / week: Patreon.com/Discograffiti There are now over 100 Patreon episodes. That's an entire universe of indispensable music podcasts available to you for the price of a cup of coffee a week. Please Pledge/Share: Gofund.me/d316c87c Coming Monday: Allan Arkush's Fillmore Feast Pt 6: The Finale #alexskolnick #testament #thrashmetal #chuckbilly #ericpeterson #heavymetal #testamentband #metal #metalhead #thrash #testamentlegions #genehoglan #gregchristian #bayareathrash #testamentofficial #stevedigiorgio #testamentfans #bayareathrashmetal #bayarea #bayareametal #thealexskolnicktrio #metalforever #metalforlife #louieclemente #thrashforlife #thrashforever #openthepit #raiseyourhorns #metalmachinemuzak #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support
On this episode, renowned guitarist and improviser Adam Levy joins Alex at a cafe in Brooklyn to talk about the incredible list of artists he's worked with, including Norah Jones, Tracy Chapman, and Ani DiFranco. The two discuss his approach to playing as well as the styles of the world-class musicians they both know and love, and the instrumental project that Adam led during the pandemic that inspired some of Alex's new music. Adam and Alex dive into the early days of Adam's career, and Adam explains how he's seamlessly moved between being a player, a writer, and a guitar educator. Adam Levy is a session guitarist who has played on releases by Norah Jones, Ani DiFranco, Amos Lee, Jill Sobule, Tracy Chapman, Allen Toussaint, and many others. He's also a respected writer and educator, and has written numerous articles for Guitar Player, Fretboard Journal, and other top guitar magazines. Follow Adam at adamlevy.com and @adamlevyguitar Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
The lead guitar player of Testament isn't your typical metalhead, as you'll soon hear. He's had a long, varied, and surprisingly moving career in music. In this episode, Alex talks with Discograffiti about: The evolution of the types of guitars he's played through his life; The exciting road to becoming Testament's lead guitar player; And the epiphany he experienced in the late 1980s watching a Miles Davis gig, and the profound effect it had on his career. Listen: https://podfollow.com/1592182331 2-3 podcasts / week: Patreon.com/Discograffiti There are now over 100 Patreon episodes. That's an entire universe of indispensable music podcasts available to you for the price of a cup of coffee a week. Please Pledge/Share: Gofund.me/d316c87c Coming Monday: Alex Skolnick: Bonus Shredding CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram: https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe #alexskolnick #testament #thrashmetal #chuckbilly #ericpeterson #heavymetal #testamentband #metal #metalhead #thrash #testamentlegions #genehoglan #gregchristian #bayareathrash #testamentofficial #stevedigiorgio #testamentfans #bayareathrashmetal #bayarea #bayareametal #thrashtilldeath #metalforever #metalforlife #louieclemente #thrashforlife #thrashforever #openthepit #raiseyourhorns #metalmachinemuzak #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support
Karina Rykman plays bass, sings, jumps around, and laughs a lot. Straddling the worlds of jam rock and indie pop drenched in psychedelia, Karina's effervescent presence comes to life in musical form. She joins Alex on this episode to talk about the making of her debut album Joyride, learning to hustle as a musician at a young age, and the impact that Pat Metheny had on her playing. Karina tells Alex about working with Trey Anastasio on the new record, and the unexpected moment that led to a special gift from Rush. Listen to Karina's debut album, Joyride. Follow Karina karinarykman.com and @karinarykman Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
Comedian Dave Hill is here to talk about his new book, The Awesome Game: One Man's Incredible, Globe-Crushing Hockey Odyssey, in stores now. He also talks about a recent dinner he had with Dave Mustaine and Alex Skolnick. We show Dave the infamous Vince Neil zamboni commercial and Dave reveals to us his hockey goals. Plus. Rob discusses seeing the new Mission Impossible movie after learning it freaked out our president.Watch the episode on Youtube for free. Buy the new Dave Hill book here.Join our Patreon and get two bonus episodes each month, and other behind-the-scenes goodies. More info here.Follow us on: Twitch, Instagram, Facebook, Twitter, Youtube and our Discord Chat. Also don't forget about our Spotify playlist. We also have merch if you're into that kind of sharing. Hosted on Acast. See acast.com/privacy for more information.
Four-time Grammy Award winner Antonio Sánchez joins Alex to talk about his latest release, Shift, and how he connected with the incredible list of musicians who contributed to the album. The two discuss Antonio's recent move to Spain, his approach to building drum parts, and where he got the inspiration to use the term “Bad Hombre”. Antonio Sanchez began playing the drums at age five and performed professionally in his early teens in Mexico's rock, jazz and latin scenes. Since moving to New York City in 1999, Antonio has become one of the most sought-after drummers in the international jazz scene. One of the most revered collaborators with guitarist/composer Pat Metheny, Antonio has also recorded and performed with many other most prominent artists like Chick Corea, Gary Burton, Michael Brecker, Charlie Haden and Toots Thielmans. Sánchez's new album SHIFT (Bad Hombre Vol. II) on Warner Music features Sánchez playing virtually every instrument on the album — in addition to being its producer. SHIFT features Trent Reznor, Dave Mathews, Kimbra, Ana Tijoux, Meshell Ndegeocello and more.. Follow Antonio at AntonioSanchez.net and @antoniodrums1 Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
Chris Shiflett is best known as the lead guitarist for the Foo Fighters, but he's also an acclaimed solo artist and longtime podcast host. On this episode, Chris joins Alex for a conversation about guitars and the players that have influenced him, from Randy Rhoads to Mattias Jabs to Nile Rodgers. The two discuss why evolving as a musician means pushing boundaries, the importance of being exposed to different genres, and agree that it's a good move to be the worst player in the band. Follow Chris at ChrisShiflettMusic and @shifty71 and check out his podcast Shred With Shifty. Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer Kirsten Cluthe. Edited by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media. Moods & Modes will be live at The Cutting Room in NYC on Thursday, October 19! Get tickets and more info here / thecuttingroomnyc.com
In 1998 and 2001, Tim Alexander teamed up with guitarist Alex Skolnick and bassist Michael Manring to create records under the name Attention Deficit. We are honored to have Michael Manring join us to document and sample those two records, as well as his work with Tim on Michael's records Thonk and Book of Flame. We also get into Michael's latest record, Small Moments, to discuss his mindset when composing for solo work contrasted with composing for group work. Great talk with a brilliant musical mind. If you haven't heard Michael Manring's music yet, you're missing out.Find him on Facebook, Instagram, Youtube, and manthing.comThe Attention Deficit CDs can be hard to find, but discogs is your friend!Get involved:InstagramFacebookEmailBurn your money
Always great to catch up with Ron "Bumblefoot" Thal. The dude is a beast on the guitar and a creative force! We talked about a project he did with Sons of Apollo bandmate, Derek Sherinian. He talked about playing with Queen's Brian May. "Such a wonderful guy, yeah." He went onto say "There's nothing not to love about that guy!" The reason for the conversation was about his band, The Art of Anarchy, and their upcoming third album. The new album drops next February, called Let There Be Anarchy. The story of how this latest album started is a crazy one. Bumble talked about the severe health challenges that faced guitarist Jon Votta, to the point where he was literally dying. That story is unreal! He told me that they have about two albums worth of music written. He also talks about recruiting Jeff Scott Soto to the band. Of course, he is in S.O.A. with JSS, so it was an easy transition. "We have years of working together." Ron said. He told me about the video for their first single, Vilified, which you can see below. Cube Gooding Jr. is in the video, along with Geoff Tate narrating (which is killer). He said that video has a real "Joker" vibe to it on purpose, including the band playing on the famous stairway from the movie. How did they get those two guys on the video? "We asked!" Easy enough. He went on to talk about what the rest of the album sounds like, including a track with a guitar solo from Alex Skolnick. As far as other things he's working on, he's got a solo album he'll be dropping. Plus, he's working with and producing a band called The Dodies. What's going on with Sons Of Apollo? He answered that. He also talked about his style of producing, and how he approaches the studio. During the pandemic, he mentioned that he would probably not tour anymore. Has he changed his mind on that? Always fun to talk with one of the true good dudes in this business, as well as one of the most talented guys I know. -Meltdown-
Eric Johnson, the prolific Grammy-Award winning, Austin-based songwriter and guitarist, joins Alex to talk about his latest release - two separate albums: The Book of Making and Yesterday Meets Today. Alex and Eric discuss the process behind the making of the albums as well as the music that influenced his sound early on, the impact that Jeff Beck had on the world of guitar, and how he created the iconic opening to Cliffs Of Dover. Eric Johnson has been traveling on a prolific odyssey over the course of more than four decades. Along the way, his creations have encompassed repertoire that cross-pollinate genres which include rock, blues, jazz, fusion, soul, folk, new-age, classical and even country. Among Johnson's many accolades are a Grammy award for "Cliffs of Dover ", ten Grammy nominations, a lifetime induction into the Guitar Player Gallery of Greats and his listing among the "100 Greatest Guitarists of the 20th Century" by Musician magazine. In his hometown of Austin TX, a city full of guitarists, the readers of the Austin Chronicle have voted him the city's "Best Electric Guitarist" and "Best Acoustic Guitarist" in their yearly poll year after year. They also named him "Electric Guitarist of the Decade" and one of the top five "Musicians of the Decade". Listen to Eric's two new albums here, catch him on tour this fall, then in early 2024 on the G3 tour with Joe Satriani and Steve Vai. Follow Eric @officialericjohnson Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer is Kirsten Cluthe. Edited and Mixed by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
"He's one of these guys who's not necessarily a household name to music appreciators, but among people who were in the game and really know their stuff, there's a universal respect. It goes without saying that Vic was the real thing.” - Scott Metzger In this jam-packed episode, Alex remembers the late Vic Juris with special guest Kate Baker, who was Vic's musical partner and wife. Kate discusses her partnership with Vic, how he approached working with other musicians, and the two discuss the last album they recorded together, 2022's Return To Shore. Alex is also joined by Joe Russo's Almost Dead guitarist Scott Metzger, who shares his experience of being a student of Vic's; and, licensed attorney and guitarist Mark Hanna tells Alex about his time spent learning from Vic, and explains how a keyboard solo from a Vic Juris song ended up on a classic hip hop track. Listen to Kate Baker and Vic Juris' album Return To Shore Listen to music from the episode on Spotify Follow Alex on IG and Twitter Moods & Modes is hosted and produced by Alex Skolnick. Additional production by Kirsten Cluthe. Edited by Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
It's been a while since we had an unhinged one but here we go: Joe fucked up the settings on his new mic / We discuss The Shredderz - a Gorillaz-rip off NFT scam cooked up by The Orchard, being pushed by musicians like Alex Skolnick and Dave Davidson, and publicized by metal outlets that The Orchard owns. / David Draiman is divorced, on Tinder. / LiveNation made 3 billion dollars thanks to awful white women / Paul Stanley has stupid thoughts about trans kids. Not to be outdone, Dee Snider has even dumber thoughts about trans kids. Let's talk about an absolute void of a man. / Vulvodynia's now former vocalist assaulted the fuck out of their drummer, seems deeply unpleasant / Ted Nugent somehow got cancelled in Birmingham, Alabama lol. Music featured on this ‘sode: Vintersea – Unveiling Light This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.
This week we look to the stars for inspiration for our show theme. Oh yeah! We are talking about bands that have rock stars in them: Supergroups and Offshoots. A band consisting of well-known artists from other bands does not always equal great success. We dive into some of the more obscure supergroups and offshoots that didn't break with huge mainstream success or stay around very long.What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we talk exclusively about Supergroups featuring famous solo artists and band members along with, Offshoots which are bands who contain the bulk of a previous incarnation of a famous band. Our hope is that we turn you on to something new.Songs this week include:Chequered Past – “A World Gone Wild” from Chequered Past (1984)California Breed – “Midnight Oil” from California Breed (2014)BackBeat Band – “Rock & Roll Music” from BackBeat – Original Motion Picture Soundtrack (1994)Brides Of Destruction – “Brace Yourself” from Brides Of Destruction (2004)Robin Trower - “Life On Earth” from BLT (1981)Down ‘N' Outz – “By Tonight” from My ReGeneration (2010)Metal Allegiance – “Wait Until Tomorrow” from Metal Allegiance (2015)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/
In this episode, Alex takes us on another journey into songs that sound the same. Borrowed Music, Volume 2 showcases tracks that possess similar musical qualities from artists like Nirvana and Yes, Leonard Cohen and Pink Floyd, Metallica and King Crimson, Phish and Pantera, and other combinations that will surprise you. As in Borrowed Music Volume 1 (Episode 20), Alex compares and contrasts the tracks throughout the episode and provides analysis on what makes the elements of the songs similar. He also discusses a legal battle that's currently being fought over one of the featured songs and shares some thoughts on the ethics of “borrowing” music.Listen to music from the episode on SpotifyFollow Alex on IG and TwitterMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
In this episode, Alex chats with guitarist Jim Campilongo, who has been called a “Master of the Telecaster”. Jim and Alex discuss what it means to be a musician in New York, their shared influences and how the standards of guitar playing have evolved, and Jim tells Alex about the time that he ended up walking home with Lou Reed after a gig. Jim then flips the script and asks Alex some questions, and shows Alex a few tricks that he uses to get his unique sound, including one inspired by Johnny Marr of The Smiths.Billboard Magazine calls Jim Campilongo, "an American treasure", an accolade this guitarist's artistry and influential career has richly earned him. With seven albums of original material and guest appearances on dozens of recordings, he's also a published guitar teacher and contributing editor for Guitar Player Magazine. Campilongo's virtuosity and originality has inspired a generation of guitar players. His songwriting uses a palette of the best in Blues, Country, Jazz and Rock with a sensitivity and wit that has also earned him a broad and devoted fan base.To hear the extended version of the episode, go to Alex's Patreon pageMentioned in the episode: Gruber GuitarsRead Jim's monthly column in Guitar Player Jim Campilongo websiteFollow Jim on Instagram @jimcampilongoFollow Alex on IG and Twitter @alexskonickMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Over a remarkable 50-year career, Jeff Beck's style of guitar playing reshaped the world of music. One of the essential guitarists of the British Invasion, Beck possessed a mercurial, lyrical style that sounded equally at home in thunderous blues-rock and soft-focus fusion. He played both styles in his long career, channeling psychedelia, heavy metal, and jazz-rock as he did so. In this episode, Alex pays tribute to the late, great guitarist with a few special guests. Vernon Reid joins to talk about the impact that Beck had on the world of music, including his work with Stevie Wonder and the complicated story behind the song Superstition. Carmine Appice shares stories from their days in Beck, Bogert, and Appice, the legendary supergroup they formed in the early 70's, and explains his decision to pass on being part of Jeff's ‘Blow by Blow' album and tour in order to join Rod Stewart's band. Beck's longtime publicist Melissa Dragich joins the conversation and reminisces about a missed opportunity between Beck and Prince, and music journalist Dave Rubin describes that one time he saw Beck put BB King on notice.Listen to the playlist inspired by this episode on Spotify, curated by Alex SkolnickRead Alex's essay on Jeff Beck: “Goodbye PorkPie Strat”Watch the 2018 documentary on Jeff Beck: “The Jeff Beck Story: Still On The Run”Follow Alex on IG and Twitter @alexskonickMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
This week, Alex visits Roger Sadowsky of Sadowsky Guitars, one of the preeminent names in handmade guitars and basses. As they walk the shop floor, Roger shares stories of some of his famous customers, explains the challenge of using endangered woods in the process of instrument building, and discusses the moment when he decided to make the shift from repairing guitars to building his own. Bassists Tanya O'Callahan and Nathan Peck also drop into the episode, to talk about the instruments that Roger has created for them.Roger Sadowsky is one of the most highly respected instrument makers in the world. His instruments are played by many of the world's greatest artists including guitarists Jim Hall, John Abercrombie, Pat Metheny, Lee Ritenour, Chuck Loeb and bass players Marcus Miller, Will Lee, Rickey Minor, Michael Rhodes, Verdine White and Jason Newsted.Roger Sadowsky websiteSadowsky on YouTubeFollow Alex on IG and Twitter @alexskonickMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Editing and mixing by Justin Thomas. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Laugh again while looking back at the highlights that made up the year of 2022 for the Cobras & Fire Podcast. Bakko whipping shitty's. LC goes on a cruise. Alex Skolnick turns to rap. Ozzy gets in the NFT game. Dave Grohl makes a movie with Bakko's ideas. Eric Church is a dick. Some random Loverboy talk & more. Music:Blur - Song TwoLetters To Cleo - Here & NowU2 - OneAlice In Chains - Right TurnVeruca Salt - SeetherSoundgarden - Burden In My HandSheryl Crow - All I Wanna DoREM - IgnorelandRadiohead - CreepStone Temple Pilots - Big Bang Baby Golden Smog - Red Headed Step ChildSeven Mary Three - CumbersomeGreen Day - LongviewBeck - LoserThey Eat Their Own - Like A DrugNine Inch Nails - Head Like A HoleFoo Fighters - Stacked ActorsFoo Fighters - Learn To FlyMarilyn Manson - Beautiful PeopleOasis - WonderwallBelly - Feed The TreeHootie & The Blowfish - Hold My HandPantheon PodcastsReach out to us!Rate, review and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple PodcastsJoin our fanpage on Facebook: (2) Cobras ON Fire: Private Group | FacebookClick like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | FacebookFollow us on Twitter: Best Hard Rock & Metal Podcast (@CobrasFire) / TwitterSubscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTubeEmail us: loosebakko@gmail.comBuy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirtsStitcher: Cobras & Fire: Comedy / Rock Talk Show on StitcherSpreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneInFind it all here: Cobras and Fire Podcast - Comedy Rock Talk Show
Halestorm's Lzzy Hale and Joe Hottinger join Moods & Modes this week to talk about the making of their latest album, Back From The Dead. Lzzy and Joe discuss their approach to writing songs in response to the pandemic, and explain some of the “happy accidents” that occurred during recording, including the broken tuning mechanism that turned into a riff. Lzzy recalls some of the emotionally charged moments she had in the studio, and explains the “Miller Halftime Show” moment that happens during their concerts.Grammy-award winning Halestorm was formed in 1998 by Lzzy and Arejay Hale. They released their self-titled debut in 2009 and their latest album, Back From The Dead, was released earlier this year. Lzzy Hale is Gibson Guitar's first female brand ambassador. Halestorm websiteFollow Halestorm on IG @halestormrocksHalestorm on SpotifyHalestorm on tourFollow Alex on IG and Twitter @alexskonickMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe and Matt Dwyer. Editing and mixing by Justin Thomas. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
Before heading out on tour with Jane Getter Premonition, Alex sat down with Jane to talk about her new album Anomalia, the diverse musical influences that are woven into her music, and the evolution of her sound. Jane reminds Alex of the time when he taught her how to play metal and shares the story of the New York moment that inspired the song Train Man, from her album “On”.NYC-based Jane Getter is a “triple-threat” (Geoff Wilbur)—guitarist, singer, and award-winning composer. Getter's 6th release, Anomalia, coalesces a lifetime of musical exploration into intricate arrangements, powerful playing, and killer solos. Her band, Jane Getter Premonition, has carved out a niche at the intersection of jazz, metal, rock and singer-songwriter with masterful playing of Getter's “complex, sophisticated, and dynamic” compositions (All About Jazz). On tour, JGP has dazzled audiences at ProgStock, Outreach Music Festival (Austria), San Francisco Jazz Festival, bFlat Bar (India), Guitar City (Poland), Borderline (UK), North Sea Jazz Club (Netherlands) Iridium, and opened for Allan Holdsworth and Brand X.Catch Alex on tour with Jane Getter thru November 13Get Jane's new album Anomalia hereFollow Jane on IG @janegetter and Twitter @janegetterJane Getter websiteFollow Alex on IG and Twitter @alexskonickMoods & Modes is presented by Osiris Media. Hosted and Produced by Alex Skolnick. Osiris Production by Kirsten Cluthe. Editing and mixing by Justin Thomas. Music by Alex Skolnick. Artwork by Mark Dowd. Hosted on Acast. See acast.com/privacy for more information.
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