Podcasts about Hyams

On this episode of The Chad & Cheese Podcast, it's birthday hangovers, five liters of port, and one big "healthy budget" middle finger from Indeed. Maureen “Mo” Clough is back and just in time to witness Chris Hyams “decide” to leave his CEO chair... right before his old boss waltzes in and takes it. Coincidence? LOL.

If you're looking to up your game with Google Ads, you're in the right place. We're diving deep into the world of Performance Max, or PMAX, and sharing the five essential dos and five key don'ts for optimising your campaigns. Understanding what you aim to achieve with your campaign is crucial before you even set your bid strategy. With insights from Google Ads experts Becky Hopkin and Johnny Hyams, we'll equip you with practical tips to fill your optimisation to-do list for months to come.The 5 Dos of PMax OptimisationUnderstand channel performance: PMax campaigns run across various Google channels, so it's important to analyze performance on each to optimise effectively. Use scripts to get data on channel performance and understand where your budget is going.Test feed-only PMax: To prioritize shopping and limit placements, create PMax campaigns using only a product feed and no other assets. This gives you more control and focuses spend on shopping, which often performs best for eCommerce.Use high-quality assets: If you include images, videos, headlines, and descriptions, ensure they are high quality and relevant. All creatives should work well together, and asset groups should be used to maintain coherence.Use negative keywords: Add negative keywords to your PMax campaigns to refine targeting and prevent irrelevant traffic. Google now allows adding negative keywords at the campaign level, which gives you greater control.Align bid strategy with objectives: Choose the right bid strategy and set appropriate targets to achieve your campaign goals.The 5 Don'ts of PMax OptimisationOnly use PMax campaigns: Don't rely solely on PMax; continue to use other campaign types like search, remarketing, and display for better control and targeting.Bid on your brand name in PMax: Exclude your brand name from PMax campaigns to avoid paying higher costs per click, and use separate search campaigns for brand terms.Let campaigns be limited by budget: If possible, avoid budget limitations, and adjust targets or increase budgets to maximize potential.Overly segment campaigns: Avoid excessive segmentation, as PMax needs sufficient conversions to optimise effectively.Leave final URL expansion on: Turn off the final URL expansion setting to control which pages users land on and prevent traffic from going to irrelevant pages.Find the notes here: https://keepopt.com/259Download our ebook >> https://keepopt.com/ebook "500 Top Tips to Make Your eCommerce Business More Profitable" ****Get all the links and resources we mention & join our email list at https://keepopt.comLove the show? Chloe would love your feedback - leave a review here: https://keepopt.com/review or reply to the episode Q&A on Spotify.Interested in being a Sponsor? go here: https://keepopt.com/sponsor

In this nostalgic episode of Trailer Geeks and Teaser Gods, host Corey Nathan sits down with the legendary Robert Hyams, a pivotal figure in the evolution of movie marketing. From his start in the mailroom at Kaleidoscope to his influential role in both trailers and studio post-production, Rob shares fascinating stories of the people, technologies, and transitions that shaped the industry. With over four decades in the business and a reputation for never missing a deadline or going over budget, Rob offers unmatched insight into the trailer world's past and future. What We Discuss: How the trailer industry evolved from physical film to digital workflows What it was like working at Kaleidoscope, Picture Mill, and on the studio side The creative and technical challenges behind finishing trailers Why certain people in post became icons in the field Advice for the next generation entering the film and entertainment industry Episode Highlights: [00:01:00] Rob and Corey reflect on how they met — a chance call that launched a career [00:07:00] Rob's early days at Kaleidoscope and the family legacy that brought him to Hollywood [00:15:00] The revolutionary shift from film to video editing and Rob's role in the transition [00:24:00] Working with Hollywood legends like Ralph E. Winters and lessons learned in the cutting room [00:31:00] The introduction of Avid and how trailer editors embraced new tech faster than studios [00:39:00] Founding Picture Mill and the birth of a new kind of graphics/post company [00:44:00] Insights into the decline of film labs and the rise of digital intermediate [00:50:00] Rob's thoughts on the future of post-production and storytelling in the age of AI and streaming [00:56:00] The stories behind iconic trailer copy lines and Rob's gratitude for the community Featured Quotes: "You could take a 10-pound bag of crap and cut it down to a five-pound bag of crap. Still a bag of crap." — Robert Hyams, quoting Ralph E. Winters "We weren't just adapting to change—we were the change." — Robert Hyams "Working union? Live better. You get health benefits and a pension. It's huge." — Robert Hyams Resources Mentioned: Coming Attractions - A History of the Movie Trailer: www.youtube.com/watch?v=_FA3lgVcwFc Night on the Town (Rick Goldstein's film): www.youtube.com/watch?v=fzOsRBjtrLQ Our Sponsors:  The Golden Trailer Awards: goldentrailer.com/   Brent Allen Hagel: www.brentallenhagel.com Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review:  https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods!

Join host Emily as she interviews Philip Hyams, a college student who is passionate about volunteering and community service. Philip shares his journey from childhood volunteerism to co-founding a high school service organization and balancing college life with his ongoing dedication to helping others. Discover how service can be both fulfilling and stress-relieving, and hear Philip's tips for finding your own path in volunteering. Tune in for an inspiring conversation about passion, purpose, and the contagious joy of giving back.Read Philip's blog post at www.doinggood.tv/blog.View Philip's podcast by visiting Doing Good on YouTube.This podcast is brought to you by Doing Good, a 501c3 nonprofit. www.doingggood.tv. 

Im letzten Kapitel unserer Reise durch das Hyams'sche Schaffen hat man D'Artagnan einfach seine drei Mitstreiter weggenommen – und das mit unerfreulichen Folgen sowohl für THE MUSKETEER (2001) wie auch das Kinopublikum. Und auch für A SOUND OF THUNDER (2005) setzte man weniger auf (pixelige) Dinosaurier und stattdessen auf das nicht vorhandene Charisma von Hauptdarsteller Edward Burns. So oder so, beide Filme hatten zumindest konzeptionell eine Chance, unterhaltsam zu sein und gut auszusehen. Beim Gerichtsthriller GEGEN JEDEN ZWEIFEL (2009) ist nicht einmal dies der Fall, denn alles hieran stinkt nach 08/15-Drehbuch-Resterampe und einem schnellen Gehaltsscheck für Michael Douglas. Umso erfreulicher, dass Peter Hyams Dank der Unterstützung von Jean-Claude Van Damme und Sohneman John mit ENEMIES CLOSER (2013) zum Karriereende noch die Kurve kriegt und ein hübsches Actionbrett auf unsere Bildschirme zaubert. Phew!

Im letzten Kapitel unserer Reise durch das Hyams'sche Schaffen hat man D'Artagnan einfach seine drei Mitstreiter weggenommen – und das mit unerfreulichen Folgen sowohl für THE MUSKETEER (2001) wie auch das Kinopublikum. Und auch für A SOUND OF THUNDER (2005) setzte man weniger auf (pixelige) Dinosaurier und stattdessen auf das nicht vorhandene Charisma von Hauptdarsteller Edward Burns. So oder so, beide Filme hatten zumindest konzeptionell eine Chance, unterhaltsam zu sein und gut auszusehen. Beim Gerichtsthriller GEGEN JEDEN ZWEIFEL (2009) ist nicht einmal dies der Fall, denn alles hieran stinkt nach 08/15-Drehbuch-Resterampe und einem schnellen Gehaltsscheck für Michael Douglas. Umso erfreulicher, dass Peter Hyams Dank der Unterstützung von Jean-Claude Van Damme und Sohneman John mit ENEMIES CLOSER (2013) zum Karriereende noch die Kurve kriegt und ein hübsches Actionbrett auf unsere Bildschirme zaubert. Phew!

Im vorletzten Teil unserer Reise durch das filmische Schaffen von Peter Hyams haben wir ein paar echte Leckerlis dabei – allem voran seine zweite (und beste?) Zusammenarbeit mit Jean-Claude Van Damme als abgetakelter Feuerwehrmann, der sich zum unbezwingbaren Lebensretter mausert. Doch nicht nur Sudden Death (1995) glänzt mit einem unwahrscheinlichen Helden, auch Relic – Museum der Angst (1997) hat mit Penelope Ann Miller und Tom Sizemore zwei Hauptdarsteller zu bieten, die sonst eher selten Gelegenheit dazu haben, vor der Kamera die erste Geige zu spielen. Und wenn wir auch den ein oder anderen Kritikpunkt an Hyams' Horror-Actioner haben (mehr Licht bitteschön!), als charismatische Monsterjäger können die beiden Schnuckis auf jeden Fall überzeugen. Mit der Überzeugungskraft hat ausgerechnet Arnold Schwarzenegger zu kämpfen, der im betont düsteren und zynischen End of Days – Nacht ohne Morgen (1999) auf die für ihn typischen Sprüche und Bodycount-lastigen Schießereien beim Kampf gegen Satan höchstpersönlich verzichten muss. Ist Arnie da im falschen Film gelandet oder der richtige Film auf den falschen Hollywoodstar? Und: Kann das gutgehen?

Im vorletzten Teil unserer Reise durch das filmische Schaffen von Peter Hyams haben wir ein paar echte Leckerlis dabei – allem voran seine zweite (und beste?) Zusammenarbeit mit Jean-Claude Van Damme als abgetakelter Feuerwehrmann, der sich zum unbezwingbaren Lebensretter mausert. Doch nicht nur Sudden Death (1995) glänzt mit einem unwahrscheinlichen Helden, auch Relic – Museum der Angst (1997) hat mit Penelope Ann Miller und Tom Sizemore zwei Hauptdarsteller zu bieten, die sonst eher selten Gelegenheit dazu haben, vor der Kamera die erste Geige zu spielen. Und wenn wir auch den ein oder anderen Kritikpunkt an Hyams' Horror-Actioner haben (mehr Licht bitteschön!), als charismatische Monsterjäger können die beiden Schnuckis auf jeden Fall überzeugen. Mit der Überzeugungskraft hat ausgerechnet Arnold Schwarzenegger zu kämpfen, der im betont düsteren und zynischen End of Days – Nacht ohne Morgen (1999) auf die für ihn typischen Sprüche und Bodycount-lastigen Schießereien beim Kampf gegen Satan höchstpersönlich verzichten muss. Ist Arnie da im falschen Film gelandet oder der richtige Film auf den falschen Hollywoodstar? Und: Kann das gutgehen?

Coach Mathews and the Tennessean's jimmy Hyams discusses Tennessee men's and women's basketball, baseball and softball teams.See omnystudio.com/listener for privacy information.

Coach Mathews and the Tennessean's jimmy Hyams discusses Tennessee men's and women's basketball, baseball and softball teams.See omnystudio.com/listener for privacy information.

Happy Valentine's Day from The B-Side! Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we appreciate one of the great, under-appreciated Hollywood directors: Peter Hyams! Our B-Sides include Peeper, Hanover Street, The Star Chamber, 2010: The Year We Make Contact, and Running Scared. Our guest is Mike Ryan, great writer, interviewer, and deep fan of Hyams' eclectic body of work. Sudden Death is a favorite, along with 2010. We discuss the auteur versus the “workman director,” why some filmmakers gather an intense following and others don't, and the lasting effect many of Hyams' films have had on the culture as well as other filmmakers. There's much talk about Hyams' ability as a cinematographer, and how rare it is to be a director that films their own movies.  Mike makes the case that 2010 is more watchable than 2001: A Space Odyssey, Conor attempts to get over how corrupt Billy Crystal and Gregory Hines are as cops in Running Scared, and Dan sings the praises of Hyams' Narrow Margin. There's extended conversation about Robert Blake, co-star of Hyams' debut Busting, an appreciation of director John Badham (specifically Blue Thunder), and a reflection on the enormity of the production of End of Days. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

Mit Narrow Margin - 12 Stunden Angst (1990) beginnt die neueste Spielfilmen-Folge zu Peter Hyams gleich mit einem Actionthriller, den Patrick heiß und innig liebt und nach unzähligen TV-Ausstrahlungen in den 90er Jahren fast mitsprechen kann. Und glücklicherweise hat die atemlose wie abendfüllende Verfolgungsjagd mit Gene Hackman und Anne Archer in den letzten 35 Jahren kein bisschen an Reiz eingebüßt. Selbiges kann man von Stay Tuned - Mit der Fernbedienung in die Hölle (1992) nicht behaupten. Denn wer in den Jahren rund um das Erscheinen des Klamauks mit John Ritter nicht exzessiv viel US-Fernsehserien geglotzt hat, dürfte den meisten Gags über TV-Hits vergangener Tage nicht viel abgewinnen können. Aber auch der junge Millennial Dennis gibt sich allergrößte Mühe, die unzähligen Boomerwitzchen zu verstehen. Viel naheliegender sind da die Freuden von Timecop (1994), der Hyams' erste von dreieinhalb Zusammenarbeiten mit den Muscles from Brussels Jean-Claude Van Damme darstellt. Und selbst wenn es dramaturgisch hier und da etwas knirscht im Gebälk, sind unzählige Highkicks, Splits und Handkantenschläge doch eine mehr als adäquate Entschädigung für die etwas lahme Zeitreise-Story.

Mit Narrow Margin - 12 Stunden Angst (1990) beginnt die neueste Spielfilmen-Folge zu Peter Hyams gleich mit einem Actionthriller, den Patrick heiß und innig liebt und nach unzähligen TV-Ausstrahlungen in den 90er Jahren fast mitsprechen kann. Und glücklicherweise hat die atemlose wie abendfüllende Verfolgungsjagd mit Gene Hackman und Anne Archer in den letzten 35 Jahren kein bisschen an Reiz eingebüßt. Selbiges kann man von Stay Tuned - Mit der Fernbedienung in die Hölle (1992) nicht behaupten. Denn wer in den Jahren rund um das Erscheinen des Klamauks mit John Ritter nicht exzessiv viel US-Fernsehserien geglotzt hat, dürfte den meisten Gags über TV-Hits vergangener Tage nicht viel abgewinnen können. Aber auch der junge Millennial Dennis gibt sich allergrößte Mühe, die unzähligen Boomerwitzchen zu verstehen. Viel naheliegender sind da die Freuden von Timecop (1994), der Hyams' erste von dreieinhalb Zusammenarbeiten mit den Muscles from Brussels Jean-Claude Van Damme darstellt. Und selbst wenn es dramaturgisch hier und da etwas knirscht im Gebälk, sind unzählige Highkicks, Splits und Handkantenschläge doch eine mehr als adäquate Entschädigung für die etwas lahme Zeitreise-Story.

Coach Mathews talks with jimmy Hyams about Vols basketball and the loss to Vandy See omnystudio.com/listener for privacy information.

Coach Mathews talks with jimmy Hyams about Vols basketball and the loss to Vandy See omnystudio.com/listener for privacy information.

Sarah Bax Horton is a true crime writer and researcher who specializes in historical biographies. She is known for her work on the Whitechapel Murders, including her book One-Armed Jack: Uncovering the Real Jack the Ripper which re-examines the Jack the Ripper case and proposes that Hyam Hyams, a cigar maker from Whitechapel, was the Ripper. Horton's hypothesis is based on a match between Hyams and criminal profiles, as well as eyewitness accounts and his medical files. --- Support this podcast: https://podcasters.spotify.com/pod/show/out-of-the-blank/support

See omnystudio.com/listener for privacy information.

Eine neue Filmographie – ein neues Abenteuer. Selten war dieser abgeschmackte Spruch so wahrhaftig wie im Falle des Schaffen von Peter Hyams. Denn so manche frühe Perle im Oeuvre des Regisseurs hat herzlich wenig mit der Art von actionreichem Genrekino zu tun, mit dem Hyams später (seine) Hollywoodgeschichte schrieb. Dabei ist SPUR DER GEWALT (Busting, 1974) mit seinen spektakulären Verfolgungsjagden und den Testosteronbomben Elliott Gould und Robert Blake in den Hauptrollen noch der erwartbarste Gang auf unserem heutigen Film-Menü. Die tränenreiche Tragikomödie WINTER UNSERER LIEBE (Our Time, 1974) hat Dennis und Patrick aber mindestens ebenso beeindruckt, wenn auch eher aufgrund ihrer leisen, feinfühligen Töne. So gar nicht munden will hingegen der geschwätzige DIE FALSCHE SCHWESTER (Peeper, 1975), dessen Gags im Niemandsland zwischen Blödelkino und Film Noir verenden. Zu guter (und bester?) Letzt empfiehlt sich Hyams für die großkalibrigen Action- und SciFi-Filme, die den Rest seiner Filmgraphie bestimmen sollten: Denn UNTERNEHMEN CAPRICORN (Capricorn One, 1978) ist die verdammte Wucht in Tüten!

Eine neue Filmographie – ein neues Abenteuer. Selten war dieser abgeschmackte Spruch so wahrhaftig wie im Falle des Schaffen von Peter Hyams. Denn so manche frühe Perle im Oeuvre des Regisseurs hat herzlich wenig mit der Art von actionreichem Genrekino zu tun, mit dem Hyams später (seine) Hollywoodgeschichte schrieb. Dabei ist SPUR DER GEWALT (Busting, 1974) mit seinen spektakulären Verfolgungsjagden und den Testosteronbomben Elliott Gould und Robert Blake in den Hauptrollen noch der erwartbarste Gang auf unserem heutigen Film-Menü. Die tränenreiche Tragikomödie WINTER UNSERER LIEBE (Our Time, 1974) hat Dennis und Patrick aber mindestens ebenso beeindruckt, wenn auch eher aufgrund ihrer leisen, feinfühligen Töne. So gar nicht munden will hingegen der geschwätzige DIE FALSCHE SCHWESTER (Peeper, 1975), dessen Gags im Niemandsland zwischen Blödelkino und Film Noir verenden. Zu guter (und bester?) Letzt empfiehlt sich Hyams für die großkalibrigen Action- und SciFi-Filme, die den Rest seiner Filmgraphie bestimmen sollten: Denn UNTERNEHMEN CAPRICORN (Capricorn One, 1978) ist die verdammte Wucht in Tüten!

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Hiring is always high stakes for CEOs. The right hire can help drive an organization to new heights, and the wrong one can take years to recover from. So, most business leaders are keenly aware of how important it is to hire well. Yet, there's no silver bullet. On this week's episode of Leadership Next we speak to Indeed CEO Chris Hyams. According to Hyams, demand for in-person jobs is way up, while remote jobs, which gained in popularity during the pandemic, have seen fewer openings recently but continue to be sought after by job seekers. In addition, Hyams provided interesting perspective on the impact of generative AI on jobs, and shared insights from Indeed's treasure trove of data. Leadership Next is powered by Deloitte.

This week we're joined by comedian and Tik-Tok legend Matt Hyams as we talk about Trump's eventful weekend, the bodily fluids flying around our local 7-11, and a whole lot of dairy products.GUEST COMEDIAN: Matt Hyamshttps://www.instagram.com/matthyams/https://www.youtube.com/@matthyamshttps://www.matthyams.com/ABOUT THE PODCAST:The Weekday Comics is a live-stream comedy podcast that premieres every Tuesday at 8:00 PM with funny comedian guests and we have jokes ripped from the past week's news headlines.ABOUT YOUR HOSTS:Dan D'Aprile and Dave Primiano are 2 aging, balding, underachieving comedians from the Philadelphia area and now they have a podcast. Their goal is to make you laugh and cry, but most importantly, they want to keep you informed -- all the while remaining as uninformed as possible.FOLLOW PODCAST: https://linktr.ee/theweekdaycomicsFOLLOW DAN & DAVE:https://linktr.ee/daveprimcomedyhttps://www.instagram.com/dannydaprile/Producer and Comedian Neil Woodhttps://www.jameswoodart.com/A DropTent Media Network production - https://droptent.com/Check out our local Comedy Shows - https://droptent.com/biggest-little-comedy

Becky Hopkin and Jonny Hyams have both been on the show before – and this time we get them both! Our favourite Google Ads experts from advertising agency Digital Gearbox. In this episode, we discuss: What's new in Google Ads What's currently working And what's still working well Dive in: [04:56] Google can use AI to track user data. [09:36] Google AI chat box creates ad content. [10:49] Search ads now have single shorter headlines. [14:29] AI, smart bidding crucial for best results. [17:42] Tip for using Performance Max. [22:30] Insider Tips from Becky and Jonny! Find the notes here: https://keepopt.com/208 Request your Performance Data Audit from Leaf now >>> https://keepopt.com/leaf ****Get all the links and resources we mention & join our email list at https://keepopt.comLove the show? Chloe would love your feedback - leave a review here: https://keepopt.com/review or reply to the episode Q&A on Spotify.Interested in being a Sponsor? go here: https://keepopt.com/sponsor

Here's a short teaser of our brand new Patreon-exclusive episode of Uncut Gems Tie-ins, a monthly series where we take a classic movie and connect it to a film discussed on our main show. This month we are tying into our main show conversations about Peter Hyams by talking about his arguably first hit, Capricorn One. Over the course of our conversation you will hear us talk about Hyams' background in TV carrying over into his movie, how much it owes to All the President's Men and whether it is a bit too convoluted for its own good. We also talk about Hyams reflecting in his movies what he finds cool, Elliott Gould as an underrated lead and much more! Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows ⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠ Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠) ⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Subscribe to the TellyCast YouTube channel for exclusive TV industry videosSocial media superstars The Sidemen have launched an amazing array of new products in the past few years from chicken restaurants to trading cards and from hotels to vodka brands. And now they have their own Netflix documentary.Our guest this week is Luke Hyams, former YouTube Originals EMEA boss and now co-founder of indie Pangaea who have just produced the Netflix documentary The Sidemen Story - which is out now in the UK Luke tells us about how he got into TV, his experience making 'The Sidemen Story' and his new production company Pangaea.Support the showFollow us on LinkedInConnect with Justin on LinkedINTellyCast videos on YouTubeTellyCast websiteTellyCast instaTellyCast TwitterTellyCast TikTok

EPISODE 165: This week Jason and Joe from Reel Spoilers rank five films from director Peter Hyams. From the atmospheric "Outland" (1981) [22:28], to the sequel "2010: The Year We Make Contact" (1984) [49:22],  to the buddy cop drama "Running Scared" (1986) [1:22:21], to the thrilling actioner "Time Cop" (1994) [1:43:17], finally to the suspenseful horror novel adaptation "The Relic" (1997) [2:08:08]. Each film highlights Hyams' directorial versatility and ingenuity. Through insightful analysis, we uncover the thematic depth and visual motifs defining Hyams' style, resonating across audiences from eerie space stations to gritty urban landscapes. Join us as we rank and celebrate these cinematic treasures, paying homage to Peter Hyams' enduring legacy in filmmaking. HOST: Jason Binge Movies comes to you from the last video store in the universe. Store manager Jason and his guests rank and review movies to determine which are most worthy of preservation for all time. At Binge Movies the very strange, deeply analytical, and highly ridiculous meet to make a movie review show unlike any other. Become a Patron Binge Movies Merchandise  Elite Patrons: Heather Sachs Joe Buttice  Pete Nerdrovert  Dan Kawecki

The film writer Brandon Streussnig (Vulture, Fangoria, GQ) joins the pod for a discussion about the undersung director Peter Hyams through four of his science fiction movies across a career full of genre work, films that reveal a singular style can be applied to a craftsman, a former Chicago newsman turned director who also (controversially for his industry) served as his own cinematographer. His all-star conspiracy theory thriller Capricorn One (1977) established Hyams as a filmmaker who could fuse suspense and science-fiction. He would follow this with 1981's Outland, a hybrid of Alien and High Noon starring Sean Connery, criticized at the time for being derivative but which rips when seen today, a dystopic vision of a future world ravaged by capitalism on steroids that actually anticipated the themes and production design of Ridley Scott's Blade Runner the following year. Brandon and I make the case for 2010, Hyams' 1984 sequel to Kubrick's 2001: A Space Odyssey, as a worthy followup if not an essential work, offering a hopeful and utopic vision of man's future contrasted against Kubrick's colder take. Set against the topical US/Soviet arms race of the Reagan era and packed with thrills, it's a much better film than you've been led to believe. And of course there's Timecop, the biggest hit Jean-Claude Van Damme ever had. This episode means to introduce you to the work of Peter Hyams, solid entertainments across many genres and ripe for rediscovery. Plus: Brandon talks about the second edition of Vulture's annual Stunt Movie Awards! Become a patron of the podcast to access to exclusive episodes every month. Over 30% of Junk Filter episodes are exclusively available to patrons. To support this show directly please subscribe at ⁠⁠⁠⁠https://www.patreon.com/junkfilter Follow Brandon Streussnig on Twitter. The Stunt Awards Are Back, by Brandon Streussnig and Bilge Ebiri, for Vulture, January 17, 2024 David Letterman's Timecop joke, 1994 Peter Hyams trailers Capricorn One (1977) Outland (1981) 2010 (1984) Timecop (1994)

This week for What Where Wednesday, we discuss Cannery Hall with general manager Brent Hyams. The site off 8th Avenue South formerly known as Cannery Ballroom, Mercy Lounge and the High Watt, sold to a New York-based real estate company back in 2019. After undergoing renovations for the new space, the new Cannery Hall is set to start running shows starting tonight. Hyams discuss the process and vision for the venue.

l⁠inktr.ee/CatchingUpOnCinema⁠ This week on Catching Up On Cinema, Kyle and Trevor review Peter Hyams', Timecop (1994)! A time travel action thriller from director Peter Hyams, Timecop (1994) is often thought of as Jean-Claude Van Damme's most profitable film, released in what would go on to be a very successful year for “The Muscles from Brussels”. Produced by Sam Raimi and Dark Horse Entertainment, Timecop is an oddly tepid action film, lacking the flair or dynamism of many of its contemporaries. While the performances and dialogue are on point, executed and delivered with aplomb by a very capable cast of familiar faces and character actors, Van Damme himself often comes across as slightly checked out. While director/cinematographer Hyams' signature stark production design and murky black lighting schemes are of a high degree of craftsmanship, in some ways they hamper the tone, forcing the film to be perhaps more serious than it ought to be. Featuring some nifty CGI effects work for its vintage,Timecop generally has a high degree of polish in its presentation, however much of the action feels weightless and low stakes, with very few action beats being worthy of Van Damme's highlight reel. A middling JCVD film that likely earned its box office success through riding the 90's wave of sci-fi “techno thrillers”, and the promise of its star's muscular buttocks being featured prominently as co-star. Follow us on Instagram ⁠@catchinguponcinema⁠ Follow us on Twitter ⁠@CatchingCinema⁠ Like, share, subscribe, and we'll catch you next time!

In my final interview of this Ripper series, I chat with Sarah Bax Horton, author of a recently published book called "One-Armed Jack: Uncovering the Real Jack the Ripper". Her prime suspect is Hyam Hyams, whose distinctive physical characteristics (including a stiff arm) match period eye-witness descriptions of the killer. She also has a personal connection to the story - her great-great grandfather was a police sergeant in Whitechapel during the Ripper murders. The U.S. Amazon link to the author's book:  https://www.amazon.com/One-Armed-Jack-Uncovering-Real-Ripper/dp/178929536X More about the author and her book here:  https://www.mombooks.com/book/one-armed-jack/ Learn more about your ad choices. Visit megaphone.fm/adchoices

We are pleased to bring to you the speaker presentations from the 2023 East End Conference. Sarah Bax Horton- One Armed Jack: Was Hyam Hyams Jack the Ripper?

Chicago-based academic and horror obsessive Peter Raleigh joins to discuss reliable journeyman director Peter Hyams and his 1997 creature feature, 'The Relic'. Maligned critically and a failure at the box office upon its initial release, the film has endured as an example of the tactile, sturdy genre work of the 90s with capable hands on both sides of the camera, including brilliant creature designs from legendary special effects guru Stan Winston. We discuss the film's impressive balancing act, managing to glide over a host ludicrous genre tropes and plot holes with ease while maintining a keen pacing and immersion. Then, we praise the excellent directorial work of Hyams, who serves here as his own cinematographer and generates a mesmerizing, impressionistic array of horror imagery in stark, dimly lit spaces galore. Finally, we discuss the delights of the monster movie, its flattening of distinctions among people that make for compelling survival thrills, and why the sensibilities of the decade were uniquely attuned to the subgenre. Watch the 35mm trailer for The Relic. Follow Peter Raleigh on TwitterGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

In this week's episode, Chris sits down with Elizabeth Hinton. Elizabeth is an American historian and associate professor of History and African American Studies at Yale University, as well as a Professor of Law at Yale Law School. Her research focuses on the persistence of poverty and racial inequality in the twentieth-century United States. Hinton's book “From the War on Poverty to the War on Crime: The Making of Mass Incarceration in America” traces the rise of mass incarceration to an ironic source: the social welfare programs of Lyndon Johnson's Great Society at the height of the civil rights era. There are 80 million people in the US, or 1 in 3 Americans, that have an arrest or conviction record. Mass incarceration prevents these millions of people from fully participating in society when released. Hinton and Hyams will discuss how we got to this point in America, how the lack of job opportunities contribute to the cycle of police violence and social unrest and what policy recommendations are needed to break this cycle.

we back at the studio next week, forgive us. Mikey the Wop aka @mike_choch is the man. Subscribe to our Patreon for all bonus content plus one extra episode per week! https://www.patreon.com/duragandthedeertag @duragandthedeertag @matthyams @dru_montana @naim__ali @theattentionhorse @goodboy_comedy Intro edited by Rob Crews Produced by Danny Dubz

The inaugural episode of THE BRAIN DRAIN—the ghoulish DBBT aftershow—finds a guest in the tub! Author and critic Mike Thorn joins us to discuss horror, the creative process, the new audiobook edition of his first novel “Shelter for the Damned,” and his tub pick—SICK (2022), John Hyams' taut and clever COVID-set slasher. We dissect screenwriter Kevin Williamson's social diagnosis, Hyams' dynamic camera, and the engagement of pandemic-as-horror.   WARNING: This episode contains descriptions of violence, child abuse, and murder in the context of the films discussed. Listener discretion is advised.  DBBT Theme Song by James Pizziketti For questions, comments, or other information, send us an email at deadbodpod@gmail.com or visit us on Instagram at https://www.instagram.com/deadbodpod/  

State of Sound curator, Lance Tawzer interview Chicago Trax Recording President Reid Hyams on his amazing career operating an influential recording studio on the cutting edge of new music.

September 14, 1965. Coral Gables, Florida. After leaving work, 22-year old Judith Hyams vanishes without a trace and her rental car is found abandoned in Atlanta. It turns out that Judith had become pregnant and was seeking an illegal abortion from a shady doctor, but after he is arrested, he jumps bail and disappears. 24 years later, the case is suddenly re-opened after a police captain receives a series of bizarre anonymous phone calls stating that Judith is still alive. Even after investigators receive an anonymous letter which reveals what happened to Judith, she is never found and there are a number of unanswered questions. Additional Reading:https://unsolved.com/gallery/judith-hyams/http://unsolvedmysteries.wikia.com/wiki/Judy_Hyamshttp://charleyproject.org/case/judith-carole-himesThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4838527/advertisement

September 14, 1965. Coral Gables, Florida. After leaving work, 22-year old Judith Hyams vanishes without a trace and her rental car is found abandoned in Atlanta. It turns out that Judith had become pregnant and was seeking an illegal abortion from a shady doctor, but after he is arrested, he jumps bail and disappears. 24 years later, the case is suddenly re-opened after a police captain receives a series of bizarre anonymous phone calls stating that Judith is still alive. Even after investigators receive an anonymous letter which reveals what happened to Judith, she is never found and there are a number of unanswered questions..Patreon.com/julesandashleyPatreon.com/thetrailwentcoldAdditional Reading:https://unsolved.com/gallery/judith-hyams/http://unsolvedmysteries.wikia.com/wiki/Judy_Hyamshttp://charleyproject.org/case/judith-carole-himesThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4838527/advertisement

Jonny Hyams is the Head of Client Services at Digital Gearbox, the Pay Per Click agency that helps businesses generate more leads and sales with their PPC management services, across Facebook Ads and other channels. In this episode we discuss:Using AI tools to help with your Facebook ads management Chat GPT as a tool to generate copyAI image creationThe future of AI tools How to ‘train' AI to deliver optimal resultstext to follow Find everything Keep Optimising at KeepOptimising.com

Howard Jones, Charlie Bellmore, and Brian MacKay join me to break down the JCVD thriller Sudden Death!Sudden Death is a 1995 American action-thriller film directed by Peter Hyams and starring Jean-Claude Van Damme, Powers Boothe, Raymond J. Barry, and Dorian Harewood.The film pits a lone fire marshal against extortionists who hold unsuspecting NHL players and fans for ransom during game seven of the Stanley Cup Finals, and set payment milestones to coincide with the game's progress. It was Hyams' second directorial collaboration with Van Damme, after Timecop (1994) and before Enemies CloserSupport Our SponsorsIndie Merch Store - https://www.indiemerchstore.com use promo code JASTA10 at check outCentury Media Store - https://centurymedia.store/MNRK HEAVY - https://mnrkheavy.com/ use promo code 666Martyrstore - https://www.martyrstore.net use code MM2023 at checkoutMetal Blade Records - https://www.metalblade.com/us/Prosthetic Records - https://prostheticrecords.com/ use code mmf23Subscribe To The All New GaSDigital.comhttps://play.gasdigital.com/ItemDetail/636e2ce1dd63aac9e6684d12/USE PROMO Code JASTA for a 1 week free trial.Follow Jamey On Patreonhttps://www.patreon.com/jastaFollow The Show On Social Mediahttps://twitter.com/jameyjastahttps://www.instagram.com/jameyjasta/https://twitter.com/bmackayisrighthttps://www.instagram.com/bmackayisright/Musician, former television host, and podcaster Jamey Jasta (Hatebreed, Kingdom of Sorrow, Jasta and the former host of MTV's Headbanger's Ball) interviews your heroes every Monday and Thursday. The newest 20 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show a week before it comes out everywhere else -See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tune in as your motley crew of Dads voyage through the vast universe of cinema, sharing their thoughts, theories, and endless dad wisdom. Today, we are setting our sights on the cosmos with the intriguingly futuristic film, "2010: The Year We Made Contact".As the sequel to Stanley Kubrick's pioneering "2001: A Space Odyssey", this 1984 sci-fi thriller directed by Peter Hyams carries the torch forward, exploring humanity's relationship with the unknown. The narrative picks up nine years after the disastrous voyage of Discovery One, as a joint Soviet-American team embarks on a mission to unravel the enigma of the malfunctioning HAL and the monolith in Jupiter's orbit.We'll discuss Roy Scheider's portrayal of Dr. Heywood Floyd, burdened by the guilt of the doomed first mission, and his interactions with the equally compelling performances of Helen Mirren and John Lithgow. We'll explore the subtle shifts in the film's thematic approach, moving from Kubrick's philosophical musings to Hyams' focus on geopolitical tensions and humanistic themes.We delve into the stunning special effects that make "2010: The Year We Made Contact" a visual treat, the clever intertwining of Arthur C. Clarke's source material, and how the film, despite being steeped in Cold War anxieties, still resonates in today's context.So gear up for a cosmic journey as we unravel the mysteries of "2010: The Year We Made Contact". This is Bad Dads - Dads who love film, delving into the heart of what makes cinema special. Ready for blast-off? We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Sudden Death is a 1995 American action-thriller film directed by Peter Hyams and starring Jean-Claude Van Damme, Powers Boothe, Raymond J. Barry and Dorian Harewood.[3] The film pits a lone fire marshal against extortionists who hold unsuspecting NHL players and fans for ransom during game seven of the Stanley Cup Finals, and set payment milestones to coincide with the game's progress.[4] It was Hyams' second directorial collaboration with Van Damme, after Timecop (1994) and before Enemies Closer (2013).[5] Sudden Death was released in the United States on December 22, 1995 to mixed reviews, albeit better than most of Van Damme's earlier efforts.[6][7] It was a minor success, grossing $64 million at the box office on an announced budget of $35 million.[1][2] However, it fell short of Timecop's performance, especially domestically.[8]   There once was a French Canadian named Darren McCord A fire marshall with a  certain set of skills in store He's got three periods plus one to make a terrorist's plot undone And save a stadium of people plus two more -Spro   There once was a man named McCord His presence was sorely ignored He rescued his daughter Bad guys, he did slaughter All while players were crashing the boards -MC   It's Jean Claude vs Powers Booth Van Damme's behind the scenes playings sleuth Things are going to get dicey He'll kick the shit out of Icey And toss some guys off of the roof -Jeremy

In honor of Women's History Month, Indeed CEO Chris Hyams, speaks to Dr. Chela White-Ramsey, PhD, Senior Training and Development Manager, Enterprise Client Engagement at Indeed in this best of episode.Drawing on over a decade of experience, Dr. White-Ramsey has spent the bulk of her career training teams, individual contributors and senior leadership teams on topics including career development, crucial conversations, insights discovery and effective presentation and facilitation. A first-generation college graduate, Dr. White-Ramsey earned her Bachelor's degree and Master's degree from Louisiana State University and the University of West Florida, respectively. From there, she was awarded the prestigious Huel D. Perkins Fellowship and received her PhD in Human Resource Leadership from Louisiana State University.Hyams and Dr. White-Ramsey delve into how employees can navigate burnout, imposter syndrome and limiting beliefs like perfectionism — and what pottery can teach you about your career and life. 

We're talking The Relic on this episode of the Fan2Fan Podcast! Bernie and Pete are joined by Michele Brittany, Nick Diak, Scott Peterson, and Joshua Pruett to discuss this 1997 horror action monster movie. They go over the film's production, casting, special effects, book adaptation, Kothoga monster, 90s creature features, and more. For more info about the Fan2Fan Podcast, visit fanpodcast.com

In this episode, Skrinch Fitness CEO and president Bex Frimpton talks about shaping regular people into the smoothest possible sexual partners for herself. Plus, Mabel Rudds discusses her wildly successful #TradWife YouTube channel, United Wives of America.   ABOUT THE PERFORMERS Carmen Lagala (Bex Frimpton) is a New York based standup comedian who has appeared on the Late Show with Stephen Colbert and at festivals all over the country. Maddy Hyams (Mabel Rudds) is a standup comedian and writer who co-hosts “Fleetwood Mic” at Fred62 in Los Angeles, as well as the podcast OK, Fine, What? Nathan Hartswick (Dean Ardenfell) is a comedy performer, teacher, and the co-owner of Vermont Comedy Club in Burlington, VT.   ABOUT THE PODCAST The Corporation is a podcast hosted by Dean Ardenfell (Nathan Hartswick), a superfan of the global corporation “Hogswood Cooper Media.” Each episode, Dean interviews folks who work for the many different subsidiaries of Hogswood Cooper.* * This podcast is improvised satire, “Hogswood Cooper Media” is fictitious, and the employees are comedians. But don't tell Dean.   SUBSCRIBE TO THE PODCAST * Apple Podcasts * Spotify * Stitcher

Jonny Hyams is the head of client services at Digital Gearbox, driving sales and great ROAS for their clients across Google Ads and other channels. This is a bonus episode because we have so much to cover in Google Ads at the moment. In this special episode, we explore what affects everything on this topic… bidding strategies.Jonny talks about the different types of strategies, including Manual, Maximise Impressions, Maximise Clicks, Maximise Conversion and Maximise Conversion Value. We also discuss setting up your own Google Ads native tracking, learning from the Reddit community, what to do if you're hitting a ‘doom spiral' – and why you need to prepare more for automation.Digital Gearbox - grab one of 10 free one to one consultations here >> keepopt.com/digitalgearbox Find everything Keep Optimising at KeepOptimising.com This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

In this episode, Dr. Jane Tenterswell, the Lead Genetic Researcher for FoodGlut, LLC, talks about some of the rogue biological experiments she has been conducting, including several that fuse the DNA of human beings and household produce. Plus, Destiny Chogslow, president of Screen Time Network, explains why she likes to call the children who own her company's cell phones in the middle of the night and chat with them.   ABOUT THE PERFORMERS Maddy Hyams (Dr. Jane Tenterswell) is a standup comedian and writer who co-hosts “Fleetwood Mic” at Fred62 in Los Angeles, as well as the podcast OK, Fine, What? Lucy Haney (Destiny Chogslow) is an incredibly funny improviser and sketch comedian based in Vermont. Nathan Hartswick (Dean Ardenfell) is a comedy performer, teacher, and the co-owner of Vermont Comedy Club in Burlington, VT.   ABOUT THE PODCAST The Corporation is a podcast hosted by Dean Ardenfell (Nathan Hartswick), a superfan of the global corporation “Hogswood Cooper Media.” Each episode, Dean interviews folks who work for the many different subsidiaries of Hogswood Cooper.* * This podcast is improvised satire, “Hogswood Cooper Media” is fictitious, and the employees are comedians. But don't tell Dean.   SUBSCRIBE TO THE PODCAST * Apple Podcasts * Spotify * Stitcher

As we look forward to honoring Black History Month at Indeed, this best of episode revisits a conversation between Chris Hyams and Preston L. James II, CEO and co-founder of DivInc., a non-profit organization whose mission is to generate social and economic equity through entrepreneurship. Preston, who is a former 20-year veteran at Dell, served in executive leadership roles across Enterprise IT Sales and Consulting leading teams responsible for driving $250M+ in revenues. He also served as Managing Director for the Dell Global Center for Entrepreneurship, where he oversaw the $100M Dell Credit Fund. Hyams and Preston discuss Indeed's sponsorship of the 'Champions of Change' Awards and why entrepreneurship is the core of a good economy.

Quentin & Roger join LAPD's Vice Squad with Peter Hyams' Busting! Starring Elliott Gould & Robert Blake, these two LA vice cops find themselves up against corrupt superiors when they try to bring a crime boss to justice. The duo discuss where Busting fits into Hyams' career, how the film walks the line, and how the action sequences predate 80s Hong Kong cinema. Next up, the bet is on in Little Darlings. Two fifteen year old girls from different walks of life compete to see who can lose their virginity first at summer camp. Tatum O'Neal and Kristy McNichol star in an unexpectedly realistic portrayal of female youth in the 1980s. We'll explore what it means for a girl to become a woman, the anxieties of keeping up with your peers, and the beautiful Paramount Home Video box. Lastly, there's more to do than ski in the Swiss Alps, especially when it comes to the psychosexual romp Julia. Roger & Quentin dive headfirst into the tale of a sexually frustrated young man named Patrick whose problems come to a head on his Swiss vacation. Learn more about this week's films, get Video Archives merch and more at videoarchivespodcast.com. Follow us on Twitter @videoarchives, and on Instagram @videoarchivespod. You can also write us a question by sending a letter to The Video Archives Podcast, c/o Earwolf Media, PO Box 66, 5551 Hollywood Blvd, Los Angeles, CA, 90028.

The question Are you happy at your job? seems to be on the top of more people's minds than ever before. Employees are looking for employers whose values align with their own and who will care for them in moments of personal and global strife. Employees' changing priorities have revved up the War for Talent, where a shortage of workers in many industries has led companies to reassess how they attract and keep talented people. How has this shifting dynamic already changed hiring? How does hiring still need to change? Indeed CEO Chris Hyams explains. In this episode, Hyams joins hosts Alan Murray and Ellen McGirt for an in depth conversation about the changing nature of work and the resulting impact on the labor market. Hyams shares his insights on why talent is more important to companies than ever before and what leaders should focus on to meet the needs of the moment. He gives his thoughts on how to minimize bias and prioritize inclusivity in hiring. He also frankly discusses his own learning journey that has led him to be a more thoughtful, inclusive leader.