Podcasts about interfilm

Stāsta kinokritiķe, Rīgas Starptautiskā kino festivāla (Riga IFF) radošā direktore Sonora Broka. Kino festivālu vēsture ir aizsākusies ar kādu sarīkojumu jau 1898. gada 1. janvārī Monako. Vēlāk tam parādījās līdzinieki Turīnā, Milānā, Palermo, Hamburgā un Prāgā. Savukārt pirmā balva tika pasniegta itāļu kinofestivālā, ko organizēja Limjēru brāļi 1907. gadā. 1932. gadā ar filmu “Doktors Džekils un Misters Haids” tika atklāts Venēcijas kinofestivāls, kas bija pirmais no regulāri, ik gadu notiekošajiem plašiem starptautiskajiem festivāliem. 1939. gadā Parīzē tika izziņots, ka septembra sākumā gaidāms pirmais Kannu kinofestivāls, bet Otrā pasaules kara norises ieviesa drūmas izmaiņas arīdzan festivālu vēsturē, un pirmoreiz Kannas pulcēja kino zvaigznes no visas pasaules vien 1946. gada oktobrī. Tajā piedalījās delegācijas no 19. valstīm, tika izrādītas pēdējos sešos gados tapušas Amerikas filmas, notika dažādas pieņemšanas un svinības. Uz Kannu iedvesmas viļņa pirmajos pēckara gados tika izveidota virkne joprojām pastāvošu, ievērojamu festivālu Lokarno, Karlovivaros, Edinburgā, Briselē, un 1951. gadā arīdzan Berlīnē. Berlīnes starptautiskais kino festivāls jeb Berlināle tās dibināšanas brīdī pildīja divas funkcijas. Pirmkārt, vācu kino industrija, īpaši Berlīnē bāzētās producentu kompānijas, piedzīvoja dziļu krīzi, tādēļ festivālu redzēja kā kino tradīciju atjauninātāju un Berlīnes kā kino metropoles popularizētāju. Otrkārt, tā bija stratēģiska amerikāņu investīcija Vācijas pēckara kultūras dzīvē – festivāla organizētājiem nācās cieši sadarboties ar Berlīnē esošajām amerikāņu institūcijām, notikumam bija jākļūst par Rietumvācijas un Berlīnes atdzimšanas simbolu, par nozīmīgu Eiropas kultūras centru. 1971. gadā Berlināles programma tika papildināta ar sadaļu Forum des Jungen Films, kas mūsdienās ieguvis saīsinātu nosaukuma versiju – Forum. Tam tiek atlasīti avangarda, eksperimentālie kino darbi, esejas, ilgtermiņa novērojumi, politiskās reportāžas un vēl neatklātas kinematogrāfiskās ainavas. Tieši Forumā pagājušogad tika izrādīta un INTERFILM žūrijas balvu saņēma Dāvja Sīmaņa filma “Marijas klusums”. Sākotnējais festivāla izveides mērķis ir piepildīts ar uzviju – kopš 1951. gada Berlināle ir transformējusies no Aukstā kara instrumenta par vienu no trim Eiropas nozīmīgākajiem kino festivāliem, līdztekus Kannām un Venēcijai. Ik gadu tajā tiek izrādītas ap 200 filmu, kuras noskatās ap 500 000 skatītāju. Nemierīgā pēckara perioda un sadalītās pilsētas unikālās situācijas radītā Berlināle ir kļuvusi par starpkultūru apmaiņas vietu un platformu sociālo problēmu kritiskai kinematogrāfiskai izpētei. Līdz šai dienai Berlināle tiek uzskatīta par vispolitiskāko no visiem lielākajiem kino festivāliem. Tas nereti atspoguļojas arī žūrijas lēmumos – pagājušogad festivāla galveno balvu – Zelta lāci saņēma Francijas un Senegālas dokumentālā filma “Dahomejas republika” par kolonizācijas mantojumu.

Par redzēto un pieredzēto 74. Berlīnes starptautiskajā kinofestivālā un Latvijas dalību tajā; par Eiropas vērtībām un institūciju politisko atbildību dažādos ģeopolitiskos satricinājumos Kultūras rondo pārrunājam ar Nacionālā Kino centra vadītāju Ditu Rietumu un kinokritiķi, festivāla FIPRESCI žūrijas pārstāvi sadaļā, kas vērtēja konkursa "Encounters" filmas, Dārtu Ceriņu un kinokritiķi, "Riga IFF" radošo direktori Sonoru Broku. "Atdot nozīmē atjaunot taisnīgumu," – Berlīnes starptautiskajā kinofestivālā uzsvērusi režisore Mati Diopa, kuras dokumentālā filma "Dahomeja" ieguva festivāla galveno balvu. Filma vēsta par kultūrvēsturisko vērtību atdošanu Āfrikas valstij Beninai. Bet režisora Dāvja Sīmaņa filmai "Marijas klusums", kas veidota Latvijas filmu studijā "Mistrus Media" kopprodukcijā ar Lietuvas filmu studiju "Broom Films", piešķirta festivāla Ekumēniskās žūrijas balva. "Esmu dziļi aizkustināts un patiesi pagodināts saņemt šo balvu, jo ar to tiek novērtēta universālā un humānā pieeja, ar kādu veidotas filmas. Šobrīd mēs dzīvojam laikā, kad tumsa cenšas gūt virsroku. Mums jābūt stipriem, un mēs nedrīkstam zaudēt spēju atpazīt ļaunumu un cīnīties ar to. Šī balva stiprina manu pārliecību, ka mūsu filma spēj motivēt cilvēkus saglabāt modrību," tā filmas režisors Dāvis Sīmanis par filmai piešķirto žūrijas balvu. Ekumēniskās žūrijas balva tiek piešķirta tām Berlīnes festivāla oficiālās programmas filmām un filmu veidotājiem, kuri savos darbos aktualizē garīgās, cilvēcīgās un sociālās vērtības. Šī balva festivālā tiek pasniegta kopš 1992.gada un to veido starptautiskā katoļu un evanģēliskās baznīcas organizāciju "Interfilm" un "Signis" kino organizāciju atlasīta žūrija. Ekumēniskā žūrija Berlīnes kino festivālā piešķir balvu gan galvenā konkursa filmai, gan izvēlētai filmai no festivāla "Foruma" un "Panorāmas" programmām. Piešķirot balvu filmai “Marijas klusums”, žūrija atzinīgi novērtēja galvenās varones pārvērtības, kura kļūst par liecinieci sistēmas ļaunumam un galu galā nolemj izvēlēties klusēšanu kā pretošanās veidu pret nežēlīgo vardarbību. Latvija šajā Berlināles piedalījās ne tikai ar filmām, bet mūsu valsts pārstāvji strādāja arī festivāla žūrijās: Ekumēniskajā žūrijā, kas vērtē galveno konkursu filmas, strādāja producente Marta Romanova-Jēkabsone, bet "FIPRESCI žūrijas sadaļā, kas vērtēs konkursa "Encounters" filmas, bija iekļauta Dārta Ceriņa.    

Few professionals experience career highs and lows as drastic as creatives who put their heart and soul into their work. Fortunately, Bob Bejan, Microsoft's Corporate VP of Global Events, Production Studios & Marketing Community, has had a lot of highs — from turning the Ninja Turtles into rock stars (his voice may sound familiar to you) to signing a 5-picture interactive movie deal with Sony (a concept well before its time). Yet despite these impressive accomplishments, Bob firmly believes the quality that defines creative success is the ability to choose excellence in times of adversity. In this episode of the podcast, Bob shares his experience and advice around maintaining your self worth amidst creative criticism, meeting challenges with a positive attitude, and allowing your greatness to shine regardless of mistakes. As Michelangelo would say, cowabunga! Key Takeaways: We discuss what it means to be “human first” at work, and how great leaders effectively balance creativity and business strategy.  Ever wonder what separates creatives from the pack? Bob shares what he believes is the common thread.We learn why experiential marketing has become the “emotional skin” of the Microsoft brand.Bob tells us how his background as a theater major and performer has shaped his philosophies as a creative marketer.Guest Bio: Bob Bejan is the Corporate Vice President of Global Events, Production Studios & Community at Microsoft. He graduated with a degree in theater from University of Pacific and worked as a performer for several years before penning his own musical and writing 150+ jingles for some of today's leading brands. Bob is responsible for not only transforming the Teenage Mutant Ninja Turtles into a rock band, but also serving as the voice of Michelangelo throughout the “Coming Out of Their Shells” tour. After founding interactive motion picture company Interfilm and selling several pictures to Sony, Bob was hired by Warner Bros. to help found Warner Bro's Interactive and launch the company's online presence. He then turned his attention and creative talent to the tech industry when he joined Microsoft as its General Manager in 1996. Bob spent twelve years in the agency business, during which time he served as CEO for Publicis Experiential for nearly a decade, before returning to Microsoft in 2014 and again in 2016. Today he is responsible for managing and creating all the brand's experiential marketing, including overseeing the production of more than 1200 hours of television programming each month via the Microsoft studio.

Il videomaker italiano Davide Perego era il membro italiano della giuria ecumenica Interfilm.Intervistato da Gianmario Gillio della redazione di Riforma, ci racconta le sue impressioni sul festival e ci fa conoscere "Amira" del regista egiziano Mohamed Diab, film vincitore di questa decima premiazione.

Julia Leeb is a journalist, photographer and filmmaker specialized in the production of VR (Virtual Reality) content. She works as a war photojournalist and filmmaker, and is the author of North Korea: Anonymous Country and other books. Leeb's long-term projects have been published internationally and document political upheaval in the Democratic Republic of the Congo, Egypt, Syria, Libya, Afghanistan, South Sudan and Iran. Elle Magazine listed Julia Leeb within the 80 international characters and Refinery29 named her under the 29th most inspiring women in Germany.Mariam Al-Dhubhani is a Yemeni-Russian award-winning journalist, filmmaker, and curator. She first pursued her passion for media during the 2011 Arab uprisings and co-founded her first media production. Her films have been screened globally in festivals such as Carthage, Interfilm, and Oaxaca. She also utilizes Virtual Reality in highlighting stories from Yemen.Mohammed Al-Jaberi is the program and communication officer of the EU-funded Cash for Work Project at the UNESCO regional office for the GCC and Yemen. Besides his daily job, Mohammed is an awarded filmmaker focusing on stories from/about Yemen. He holds a bachelor's degree from Georgetown University in International Politics and is currently concluding his master's degree in Management of Sustainable Development Goals from LUMSA University.

Welcome back to the Digital Doha Podcast, our new series focused on bringing listeners informative conversations with local experts exploring the cutting-edge of emerging media happening in the dynamic international capital of Doha. Hosted by Spencer Striker, PhD Digital Media prof at Northwestern Qatar, and co-hosted by Natasha Das, Media Info & Tech student at NU-Q. We're thrilled to present our second guest of the season, Mariam Al-Dhubhani, one of the most dynamic, up-and-coming filmmakers in Doha, whose directorial debut “Just Another Memory” won Best Documentary at the 2018 Ajyal Film Festival. In 2020, Mariam was named Most Promising Filmmaker by @TorontoArabFilm. The NU-Q alum was recognized for her short film “In the Middle,” about the daily hardships of life as a Yemeni soldier.Mariam Al-Dhubhani is a Yemeni-Russian award-winning journalist, filmmaker, and curator. She first pursued her passion for media during the 2011 Arab uprisings and co-founded her first media production. Al-Dhubhani's films have been screened globally in festivals such as Carthage, Interfilm, and Oaxaca. She is a pioneer of the creative use of Virtual Reality for highlighting stories from Yemen. We hope you enjoy our conversation with one of Doha's leading innovators in the emerging space of interactive and digital storytelling, as well as AR/VR Design. Hosted by: Spencer Striker, PhDCo-hosted by: Natasha DasSpecial Guest: Mariam Al-DhubhaniProducer: Shaikha AlkubaisiEditor: Ayah MohamedainSocial Media Lead: Samson MbogoMusic and Sound Effects: Courtesy of Epidemic MusicOfficial links for Special Guest, Mariam Al-Dhubhanihttps://filmfreeway.com/MariamAl-Dhubhanihttps://www.facebook.com/mariam.a.aldubhanihttps://twitter.com/mariamdhubhanihttps://www.instagram.com/maria.a.noman/Official website and social media links for the Digital Doha Podcasthttps://www.qatarpodcasts.com/digital-dohahttps://www.facebook.com/DigitalDohahttps://www.instagram.com/digitaldohahttps://twitter.com/doha_digitalThe Digital Doha Podcast is supported by funding from the Qatar National Research Foundation, and produced by Northwestern University in Qatar professor, Spencer Striker, PhD

Un análisis del terrorismo de derecha en Alemania, cómo 'hacer guiones y llegar hasta a un festival, la escritora Mara Mahía y la herencia del franquismo en las mujeres y muchas cosas más.TAGS : Cosmo, Estación Sur, Hanau, Andreu Jerez,usina de guiones de cine, María Meira, Interfilm, Isabel Allende, Tini von Poser, Mara Mahia , La Dueña del Plaza, Pablo Hasél

Am Sonntag wird einer der größten Kinostars aller Zeiten 85 Jahre alt - Alain Delon, der in über 100 Filmrollen zu sehen war. In "12 Uhr mittags" stellen wir einige seiner wichtigsten Filme vor. Und wir reden mit dem Autor Thilo Wydra, der in seinem neuen Buch "Romy und Alain" die große Liebesgeschichte im Leben des Alain Delon beschreibt. Zudem sprechen wir mit den Machern des renommierten Kurzfilmfestivals "Interfilm", das diesmal nur online stattfinden kann. Und: Wir freuen uns über das Comeback der Muppets.

Va al film del regista tunisino Mehdi Barsaoui “Un fils” il premio assegnato dalla giuria INTERFILM, nell’ambito della 76^ Mostra internazionale d’arte Cinematografica di Venezia. Il riconoscimento, giunto alla sua IX edizione, è dato al film che meglio promuove il dialogo interreligioso e interculturaleLa pellicola, ambientata in Tunisia, parla delle difficoltà che una coppia deve affrontare e cercare di superare in un momento molto delicato della loro vita: il figlio di 10 anni, infatti, è rimasto ferito in un agguato e ora ha bisogno di un trapianto di fegato.«I film in concorso erano molti, interessanti e con una buona qualità», spiega Michele Lipori, giornalista di Confronti e membro della giuria Interfilm. «Un fils fin da subito ci ha colpito. In questo film abbiamo notato una grande delicatezza nel trattare temi importanti: non ci sono eroi con la “E” maiuscola, ma parla di persone e di relazioni».

Va al film del regista tunisino Mehdi Barsaoui “Un fils” il premio assegnato dalla giuria INTERFILM, nell'ambito della 76^ Mostra internazionale d'arte Cinematografica di Venezia. Il riconoscimento, giunto alla sua IX edizione, è dato al film che meglio promuove il dialogo interreligioso e interculturaleLa pellicola, ambientata in Tunisia, parla delle difficoltà che una coppia deve affrontare e cercare di superare in un momento molto delicato della loro vita: il figlio di 10 anni, infatti, è rimasto ferito in un agguato e ora ha bisogno di un trapianto di fegato.«I film in concorso erano molti, interessanti e con una buona qualità», spiega Michele Lipori, giornalista di Confronti e membro della giuria Interfilm. «Un fils fin da subito ci ha colpito. In questo film abbiamo notato una grande delicatezza nel trattare temi importanti: non ci sono eroi con la “E” maiuscola, ma parla di persone e di relazioni».

Merlin Flügel ist Indie Animator & Illustrator aus Offenbach am Main. Er hat mit seinem Studentenfilm "Echo" im Jahre 2012 bereits einen Festivalhit gelandet und tourt jetzt mit seinem nigenagelneuen Abschlussfilm "Rules of Play" erneut durch die Festivals. Er ist Mitgründer des Animationskollektivs Gogo Tanda das in Frankfurt das Sweat & Tears Animationsfestival veranstaltet. Ich habe ihn beim Interfilm Festival in Berlin getroffen und Merlin war so nett uns Einblick in sein ikonograsphisches Reich zu geben. http://merlinfluegel.de/ https://www.instagram.com/merlinfluegel/ lustiges Interview mit Merlin (5 Jahre alt) https://vimeo.com/60896530 übernimmt die Distribution von Rules of Play https://www.miyu.fr/ Die Inspiration zu Rules of Play Homo Ludens von Johan Huizinga https://de.wikipedia.org/wiki/Homo_ludens Merlin`s Hochschule https://www.hfg-offenbach.de/ Eike König`s Studio https://www.hort.org.uk/ Merlin`s Gogo Tanda Buddie`s Marc Rühl http://www.schwarzgrau.com/en/ Jonathan Schwenk http://www.jonatan-schwenk.com/ Merlin`s Inspiration Piotr Kamler - Une Mission Ephemere 1993 https://vimeo.com/22186603 Darüber reden wir kurz: Die Masters of Animation an der HSLU https://www.youtube.com/watch?v=23J2ppX79es Der Skillshare Julia Pott Workshop https://www.skillshare.com/profile/Julia-Pott/8889827 Der mit den Naturstudien Büchern http://www.sebastian-loerscher.de/ Achso und übrigens hat Rules of Play den FBW-Sonderpreis zur Förderung des besonderen Kurzfilms beim Interfilm gewonnen ;) Glückwunsch _______________________________________________ Podcast Intro/Outro by Kirrin Island @kirrinisland kirrinisland.bandcamp.com/ www.youtube.com/user/heifirec

Das interfilm gehört zu den ältesten internationalen Filmfestivals in Berlin. Tom Garus spricht mit Gründer Heinz Hermanns und Kuratorin Andrea Schwemmer über die Entwicklung des Kurzfilmfestivals und die internationale Kunstfilmszene.

Rev. Micah Bucey is an ordained minister in the United Church of Christ, currently serving at Judson Memorial Church of New York City, a congregation committed to curiously seeking the intersections of spirituality, justice, and creativity. A graduate of Fordham University and Union Theological Seminary, Micah founded and continues to spearhead Judson Arts Wednesdays (JAW), a weekly art and food gathering that provides free meals for guests in need and developmental space for artists in need. Over the course of its nine seasons, JAW has fed thousands and nurtured the creative output of hundreds. Micah is a member of InterFilm, the International Interchurch Film Organization, and reviews films with an eye toward their spiritual message and meaning for Spirituality & Practice. In addition to his passion for nurturing the creativity in everyone, he is deeply committed to social justice. We spoke about his own history as a gay Christian, serving in ministry to the artistic and LGBTQ communities, and the link between art and spirituality. Learn more about Micah Bucey here: https://www.judson.org/staff

Interfilm Berlin Wie ja bereits bekannt hat Marwin ein Praktikum bei dem 33. Internationales Kurzfilmfestival Berlin 2017 absolviert. Passend dazu hat ihn Janick auch während des Festivals besucht und dabei ist dieser Podcast entstanden. Wenn Euch alternative Filmkonzepte reizen (VR-Filme/Live-Bands die Filme begleiten/Ideen der Interaktion mit dem Publikum, etc.), dann ist diese Folge eine Goldgrube. Außerdem versuchen wir in der zweiten Hälfte etwas neues und binden den Social-Media-Kanal von FB-Interfilm mit ein: 360 Degrees - Virtual Reality meets Full Dome. Photo: Lars Görlitzer Marwin: "Der Pilz-Film" https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1614309428607872/?type=3&theater eject_XX The Long Night of Weird Shorts. Photo: Jörg Dedering https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1614948818543933/?type=3&theater Sound & Vision - The Audiovisual Sound Experience Live. Photo: Lars Görlitzer Marwin: "Die Turmspringerin" https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1618313041540844/?type=3&theater Sound & Vision - The Audiovisual Sound Experience Live. Photo: Lars Görlitzer Marwin: "Die Verrückten - Klangkarussell oder so..." https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1618313198207495/?type=3&theater Sound & Vision - The Audiovisual Sound Experience Live. Photo: Silke Mayer Photography Marwin: "Jazz-Band!" https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1616980418340773/?type=3&theater Sound & Vision - The Audiovisual Sound Experience Live. Photo: Silke Mayer Photography Marwin: "Punkband aus China mit einer bezaubernden Sängerin" https://www.facebook.com/interfilmberlin/photos/a.1602659183106230.1073741874.120817354623761/1616980255007456/?type=3&theater Unsere (Nitrofilm) FB-Seite: www.facebook.com/nitrofilmpodcast Viel Spaß dabei und vergesst nicht uns weiterzuempfehlen! Marwin & Janick ------------------------------------------------------ #InterfilmBerlin #Interfilm #Interfilm33 #if33 #eject #Podcast #Film #NitrofilmPodcast

Mitten im Programm der New Yorker Experimentalfilmklassiker schlafe ich für 5 Minuten ein. Als ich wieder aufwache ist nichts mehr so wie vorher. Die bisherigen Tage und Filme während des interfilm Festivals sind wie zu einem Kloß zusammengeschmolzen. Ich bin etwas orientierungslos. Aber irgendwie ist dieser Zustand auch spannend. Die große interfilm Party im Berliner "Club 103" ist mir jedenfalls ziemlich egal. Ein guter Ort, um zu versinken. Wie im Kino.

Am Abend der Preisverleihung werden viele Filme beschrieben und gelobt. Eine Laudatio als Filmkritik. Eine gute Möglichkeit, um die Filme der letzten Tage in Gedanken noch einmal Revue passieren zu lassen. Der zu Tränen gerührte Otto Sander wird mir noch lange im Kopf bleiben. Das interfilm Festival geht zu ende. Es bedankt sich für's Zuschauen, Mirko Kubein (Made For Small Screen)

Filme mit und über Gehörlosigkeit. So simpel es ist, aber erst bei diesem Filmblock wird mir klar, dass mit Gebärden Sprechende allesamt Schauspieler sind. Dass Gebärdensprache rein visuell, ohne Ton funktioniert, bringt sie dem Ursprung des Kinos sehr nahe. Das ist manchmal atemberaubend.

Die lange Nacht des abwegigen Films. Ziemlich laut und bunt. Und nach einem langen Screeningtag der Gipfel für die erschöpften Augen und Ohren. Mitten in der Nacht spült es mich dann aus der Volksbühne. Rauschen.

Three parts of a documentary series from Belgium filmmaker Luc Vrijdaghs. The very cinematic style elevates the protagonists to archaic characters. That affects most strange in the brilliant Arizona part.

"Gesprächige Zimmerpflanzen", das Ergebnis des Drehbuch- und Produktionsworkshops für Kinder, hat vor gefülltem Haus seine Leinwandpremiere mit viel Applaus bestanden. Der phantasievolle Film läuft als Vorfilm bei allen Kinder-Kurzfilmprogrammen während des Festivals.

Nach dem vielen Reden wurde am Eröffnungsabend natürlich auch noch gut gefeiert. So, wie man in Berlin halt feiert. Trotz des Dienstagabend ziemlich lange...

Der erste Filmblock den ich sehe dreht sich um Dokumentarfilme und solche die vorgeben, welche zu sein. Ich versuche mich an "Sub Dub" von Matthias Meyer zu erinnern. Eigentlich kein Dokumentarfilm...

Die Eröffnung ist gelungen. Dank des Duos Adrian Kennedy und Heinz Hermanns. Letzterer wünscht sich den Bürgermeister der Stadt Berlin zur nächsten Eröffnung von interfilm. Denn so einer war noch nie da. Poor but sexy?

Vor der großen Eröffnung des Festivals am heutigen Abend in der Berliner Volksbühne erklärt Organisationsleiter Alexander Stein kurz was "interfilm" eigentlich ist.

Eine der wichtigsten Sachen für jedes Filmfestival ist der Trailer. Er läuft vor jedem Programmpunkt und muss daher auch beim wiederholten Sehen einen Schauwert behalten. In diesem Jahr wurde der Trailer von LAIKABASE.COM unter der Regie von Lars Jandel produziert.