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12 episodes with Jeff Pearce
9 episodes with Jeff Pearce
8 episodes with Jeff Pearce
2 episodes with Jeff Pearce
3 episodes with Jeff Pearce
2 episodes with Jeff Pearce
2 episodes with Jeff Pearce
2 episodes with Jeff Pearce
2 episodes with Jeff Pearce
Join us as we dive a little deeper with Jeff Pearce from Moist about his musical tastes, stories from his band forming, and some of the struggles of trying to break into the American market.
Moist is one of the biggest rock bands in Canadian history! Especially in the Big Shiny Tunes Era - the 90's. Moist bassist Jeff Pearce & guitarist Jonathan Gallivan chat with me about the band, Wordle, Bif Naked's appearance in the video "Believe Me", The Napster Era, computer talk, Jonathan's band My Brilliant Beast, what's on their rider, and the latest incredible Moist album, "The End of the Ocean".
He is a retired Drug Enforcement Administration (DEA) as a special agent after thirty years and currently teaches criminal law for those coming into law enforcement. He runs his own private investigating business; LRH Investigators, and volunteers to visit with military veterans, law enforcement agents, and officers in hospice.He co-authored his first book about his work in Path of the Devil and in Spanish: Camino del Diablo with Dianne DeMille PhD, Jeff Pearce, and Randy Torgerson.His second book with Dianne DeMille PhD: Fighting My Greatest Enemy, Myself is about his spiritual journey growing up in Kentucky, working in law enforcement, and keeping his faith.His third book with Dianne DeMille PhD: Home is Never the Same is his family memoir and his life as an agent with DEA.He says that we are guaranteed to fail some of those tests. That is ok if we learn from them and find the strength to continue travelling on the road. We become much stronger by overcoming our failures and mustering the strength to reach our destination. https://www.larryrayhardin.com/http://www.yourlotandparcel.org
For ambient and electronic artists, the music of the winter season holds a special appeal. Dense drones, chilled harmonies, bright bells and percussion, and the psychoactive power of minimalist patterns — add up to a powerful palette of musical elements. The small but artistically mighty countries of Scandinavia and the Arctic north produce far more than their share of world-class music across a wide range of contemporary genres and music for film. Nourishing it all is the influence of the extraordinary natural environment: the cold North Sea and volcanic islands, the dramatic coastal mountains and fjords, the vast boreal forests, the visual magic of fog, mist, and snow, and the otherworldly spectacle of the auroras—the famous northern lights. On this transmission of Hearts of Space, wintry ambient from Scandinavia and the Arctic north to Northern California, on a program called "NORTHERN LIGHTS 5." Music is by ROBERT JÜRJENDAL, ERIK WØLLO, PHILLIP WILKERSON & CHRIS RUSSELL, SNOWDROPS, TERJE ISUNGSET & EIVIND AARSET, MARK BANNING (RIP), and JEFF PEARCE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Llega el invierno y con él el día más corto del año. Es tiempo de recogimiento, es tiempo de introspección; es tiempo de hacer balance, de dejar atrás los malos momentos y de mirar con esperanza e ilusión al inminente futuro que se despereza con la llegada del Año Nuevo. Corremos presurosos hacia el centro comercial en un loco frenesí de consumo desproporcionado. Los adultos creemos comprar la felicidad a golpe de tarjeta de crédito y nos sacudimos la inocencia infantil que sólo necesita de las luces de la ciudad para colmar sus corazones. Porque nos hemos olvidado de qué significa la Navidad, simplemente porque nos resulta incómodo abandonar nuestro rol de falsa trascendencia mundana; es más cómodo aparentar que sucumbir a la ñoñería emocional; nos cuesta bajarnos a la altura de un niño y reconocer que en nuestro interior pueda quedar algún resquicio de empatía hacia los demás. Mostrar nuestras emociones nos vuelve vulnerables y eso es algo que no nos podemos permitir. La ilusión, la esperanza, la inocencia... Son emociones de tiempos pasados, de cuando la Navidad significaba algo. Ahora esas cosas son un estorbo, un obstáculo en nuestra vida que nos aleja de nuestro objetivo, que es triunfar y tener éxito. Estúpidos ignorantes. ¿Qué mayor éxito que vivir con ilusión y esperanza, ajenos a los problemas de los adultos, disfrutando cada día como si fuera el único y sin preocupaciones que nos quiten el sueño, sabiéndonos queridos y protegidos, en la seguridad de que nada malo nos puede pasar? Dejad que esta música os arrope, que os traiga esas sensaciones, que os envuelva con su magia y os transporte a aquella infancia tan feliz donde la Navidad significaba algo. David Michael Tardy, Histheory, Jodie Lowther, Asha Elijah, Pedro Hurtado, J. M. Quintana Cámara, Jan Uve, Nelman Music System, Pepe Acevedo, TSODE, Jorge Granda, MeTrónomoS, Javier Vecino, G.R.O.K., Moisés Daniel, Santiago Trigueros, Raúl Gonzalo, Javier Sabadell, greenlandmusic, Jeff Pearce. 🎧 El playlist detallado: lostfrontier.org/t29.html#1039.
Even in these days of extreme and unpredictable weather, our astronomical position in the Northern Hemisphere of a tilted planet all but guarantees that October is the month we finally descend into autumn. The Fall Equinox has come and gone, the days grow ever shorter, the light grows ever dimmer. In the natural world, it's a time of withering flora and busy fauna preparing for winter's chilled embrace. For ambient musicians, it's a time for dark drones, descending progressions, and minor key harmonies, a realm of muted colors, bittersweet melodies, and a bit of melancholy for the lost days of summer. On this transmission of Hearts of Space, we follow the dimming light to a realm of quiet acceptance, on a program called DESCENDING DARK 4. Music is by RUDY ADRIAN, DRIFTING IN SILENCE & TINEIDAE, ROBERT RICH & LUCA FORMENTINI, STEVE ROACH & LINDA KOHANOV, JEFF PEARCE, ANDREW LAHIFF, CHRIS RUSSELL, and SERENA GABRIEL. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
On today's episode of "My 5 Fav Albums", I interview Jeff Pearce who shares his favourite albums of all time. He's the bass player, backing vocalist and songwriter for the multi-platinum and multi-Juno award winning band Moist. https://moistonline.com/ 00:27:35 "Houses of the Holy" by Led Zeppelin 00:50:24 "War" by U2 01:13:40 "Whale Music" by Rheostatics 01:31:24 "In Rainbows" by Radiohead 01:51:22 "Hamilton (Original Broadway Cast Recording)" If you prefer to watch the episode instead of listen to it, you can do so on Youtube at: https://youtu.be/CeuUzf_r31k You can watch my first 2 hour deep dive interview with Jeff Pearce back on episode #60 where we cover his entire life, career and discography at: https://youtu.be/qb3mijyWL9E If you've enjoyed today's episode, please take a moment to subscribe, like, comment and share! You can find all my social media links to connect with me at: https://linktr.ee/joelmartinmastery Your friend and ally, Joel Martin We've Got Time by LiQWYD | https://www.instagram.com/liqwyd Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US
It's only three short months from the summer solstice to the autumn equinox, and we make the most of them: travel, vacation, backyard parties, fun at the beach or the lake, and sports and water activities of every description. All that plus balmy nights, and the hypnotic rhythm of the crickets to lull us to sleep. Summer can be a magical respite in our complicated lives, but when mid-September comes, we know it's drawing to a close. Instrumental music can express our complex feelings about the end of summer—good memories, a sense of nostalgia, a tinge of melancholy, and quiet acceptance. Acoustic instruments like piano, guitar and cello are perfect for the job, especially when enhanced by electronics. On this transmission of Hearts of Space, music for the summer/fall transition, on a program called SUMMER'S END. Music is by HELEN JANE LONG, JEFF PEARCE, KATHRYN KAYE, ANGELO RABAN, and the late DAVID DARLING. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
If you've driven an electric car, you've experienced the feeling of smooth, silent power that conveys you almost effortlessly to your destination. Something similar happened to the venerable Spanish guitar when it got an electronic upgrade in the 20th century. In just a few years, a charming but limited folk instrument became a powerhouse — a vehicle for everything from heroic flights to subtle meditations. On this transmission of Hearts of Space, we ride our favorite six string transporter to ethereal realms, on a program called 'TRANSLUCENT GUITARS 2' Music is by ERIK WØLLO, DAVID HELPLING, HAMMOCK, JOHN GREGORIUS, JEFF PEARCE, CLIVE WRIGHT & HAROLD BUDD, CHUCK JOHNSON, and TOM CAUFIELD. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
Las primeras menciones conocidas de Mercurio fueron hechas por los sumerios y datan del tercer milenio a. C. Los babilonios (2000-500 a. C.) hicieron igualmente nuevas observaciones sobre el planeta, denominándolo Nabu o Nebu, que en su mitología significa el mensajero de los dioses. Los observadores de la Antigua Grecia llamaron al planeta de dos maneras: Apolo cuando era visible en el cielo de la mañana y Hermes cuando lo era al anochecer. Sin embargo, los astrónomos griegos se dieron cuenta de que se referían al mismo cuerpo celeste, siendo Pitágoras el primero en proponer la idea. Las primeras observaciones con telescopio de Mercurio datan de Galileo en el siglo XVII. Aunque él observara las fases planetarias cuando miraba a Venus, su telescopio no era lo suficientemente potente para distinguir las fases de Mercurio. En 1631 Pierre Gassendi realizó las primeras observaciones del tránsito de Mercurio cruzando el Sol cuando vio el tránsito de Mercurio predicho por Johannes Kepler. En 1639, Giovanni Zupi usó un telescopio para descubrir que el planeta tenía una fase orbital similar a la de Venus y la Luna. La observación demostró de manera concluyente que Mercurio orbitaba alrededor del Sol. Durante muchos años se pensó que la misma cara de Mercurio miraba siempre hacia el Sol, de forma sincrónica, similar a como lo hace la Luna respecto a la Tierra. En 1965 se constató que el periodo de rotación era de 59 días. El astrónomo italiano Giuseppe Colombo notó que este valor suponía una resonancia orbital de 2:3, es decir, Mercurio rota tres veces cada dos años mercurianos. Más tarde, la Mariner 10 lo confirmaría. La magnitud aparente de Mercurio varía entre −2,0 (brillante como la estrella Sirio) y 5,5. La observación de Mercurio es complicada por su proximidad al Sol, deslumbrado en el resplandor de nuestra estrella. Mercurio sólo se puede observar por un corto período durante el crepúsculo de la mañana o de la noche. Mercurio es más fácil de ver desde el hemisferio Sur de la Tierra que desde el hemisferio Norte. El ángulo de Mercurio incide de manera máxima con la eclíptica, permitiendo elevarse varias horas antes que el Sol y no se pone hasta varias horas después del ocaso en los países situados en latitudes templadas del hemisferio Sur. Por contraste, en las latitudes templadas del hemisferio Norte, Mercurio nunca está por encima del horizonte en más o menos a medianoche. Como muchos otros planetas y estrellas brillantes, Mercurio puede ser visto durante un eclipse solar. Llegar hasta Mercurio desde la Tierra supone un significativo reto tecnológico, ya que su órbita está mucho más cerca del Sol. Una nave espacial con destino a Mercurio lanzada desde nuestro planeta deberá de recorrer unos 91.000.000 de kilómetros. Comenzando desde la órbita terrestre a unos 30 km/s, el cambio de velocidad que la nave debe realizar para entrar en una órbita de transferencia para pasar cerca de Mercurio es muy grande comparado con otras misiones planetarias. La sonda Mariner 10 (1974-1975) fue la primera en estudiar en profundidad el planeta Mercurio. Previamente había visitado Venus y utilizó la asistencia de trayectoria gravitacional de Venus para acelerar hacia Mercurio. Sobrevoló tres veces Mercurio y tomó 10.000 imágenes de gran parte de la superficie del planeta. La misión finalizó el 24 de marzo de 1975, cuando se quedó sin combustible y dejó de mantener el control de orientación. Mariner 10 fue la última sonda espacial dentro del programa Mariner de la NASA. Fue lanzada el 3 de noviembre de 1973, dos años después de la Mariner 9. Su misión era probar un transmisor experimental en banda X, explorar la atmósfera, superficie y características físicas de Venus y Mercurio y validar la asistencia gravitatoria, usando en este caso a Venus para acelerarse en su trayecto final hacia Mercurio. Estaba dotada de un rastreador de estrellas con el que seguía a Canopus y sensores solares. El interior de la nave fue aislado con múltiples mantas térmicas en la parte superior e inferior. La nave portaba un escudo térmico que se desplegó después de su lanzamiento para proteger a la nave en el lado orientado hacia el Sol. Cinco de los ocho compartimentos de la electrónica llevaban también cortinillas regulables para controlar la temperatura interior. Los instrumentos a bordo de la nave espacial midieron la superficie de la atmósfera y las características físicas de Mercurio y Venus. Un transmisor experimental en banda X, de alta frecuencia, fue trasladado por primera vez en esta nave espacial. En 1974, tras detectarse un fallo en el sistema de control de actitud, se utilizó propelente adicional para realizar las maniobras; ante un inminente agotamiento del propelente, corría peligro el correcto acercamiento a Mercurio y la posición de la antena apuntando hacia la Tierra. Como medida desesperada, se decidió dirigir adecuadamente los paneles solares para que pudieran ser utilizados a manera de vela solar, lo que proporcionaría el empuje necesario para reemplazar algunas de las maniobras que requerirían gasto adicional de propelente. De esta manera, aunque en forma accidental, se utilizó por primera vez la presión de la luz en las cercanías del Sol a manera de vela solar, lo que en este caso produjo que se salvara la continuidad de los objetivos de la misión. Debido a que la nave espacial consumió la totalidad de su combustible, ya no le resulta posible corregir su dirección para apuntar a la Tierra, por lo que se ha perdido contacto con la misma y simplemente ha quedado a la deriva, orbitando alrededor del Sol. Christian Wittman, Dear Gravity, Daniele Bogon, Johan Tronestam & Wolfgang Gsell, Jeff Pearce, Lethave Plank, Arcane, Robert Scott Thompson, Wojciech Kania, ASKII, Hollan Holmes, Martin Nonstatic, Unusual Cosmic Process, Terminus Void. El playlist detallado: lostfrontier.org/episodios/2024/1020.
En la portada de nuestra página web menciono el eslogan de Hearts of Space, Slow Music for Fast Times, como filosofía que comparto a la hora de escuchar música. Hay un tipo de música que sobrepasa mi indiferencia y que consigue mover mi estado de ánimo. Y suele ser música lenta. Yo escucho música. Y a menudo disfruto pisando el freno. Antarctic Wastelands, Altus, Jóhann Jóhannsson, Green Sun, Tony Ann, Roedelius, Kluster, Yann Tiersen, Jeff Pearce, Kyle Preston, LAAKE. El playlist detallado: lostfrontier.org/episodios/2024/1018.
No es clásica, ni pop, ni rock, ni jazz, ni folk; pero en realidad tampoco reniega de ninguno de esos estilos. Las «nuevas músicas» se escapan a una clasificación categórica y rigurosa, son algo intangible que puede incorporar elementos de la clásica, del folk, del pop o del jazz pero a la vez no ser nada de eso. Y, por eso, aunque pueda resultar contradictorio, son músicas singulares. raven, Bitchin Bajas, JM Mantecon, George Winston, Andrew Land, Night Gestalt, Jeff Pearce, Kyle Preston, Jonathan Fitoussi, Jonathan Fitoussi & Suzanne Ciani, Jarmodular. El playlist detallado con enlaces a las audiciones íntegras de cada álbum: lostfrontier.org/episodios/2023/1005.
Consider the guitar, spacefans. it's arguably our most ubiquitous instrument. These days, it comes in many varieties: acoustic and electric, folk and classical, nylon and steel string, slide and electronic—to name a few. And when it comes to creating ambient music, the kind of guitar matters quite a bit. Acoustic guitar tends toward classic tunings and slow tempos, with conservative use of effects; electric guitar is almost the opposite, with aggressive use of effects, feedback, and modifiers. And though the results vary widely, it's still recognizable as a guitar. But with the electronic guitar, you might never know the sound came from a guitar at all—the instrument has been redefined, dematerialized, and effectively disappeared. The guitar becomes a playable "user interface"—a familiar way to control synthesizers and other electronics. On this transmission of Hearts of Space, the evolving world of the ambient guitar, on a program called TRANSLUCENT GUITARS. Music is by TOM CAUFIELD, COLIN EDWIN & JON DURANT, CRAIG PADILLA & MARVIN ALLEN, JOHN GREGORIUS, DARSHAN AMBIENT, ROBIN GUTHRIE, HAMMOCK, CARL WEINGARTEN, JUHA-MATTI RAUTIAINEN, JEFF PEARCE, and DELAY TACTICS. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
My guest on this episode of Tones & Drones is guitarist and composer Jeff Pearce. For more information on his music visit: https://jeffpearcemusic.bandcamp.com/ https://jeffpearcemusic.com/ https://infiniteambient.com/ Tones & Drones is hosted and produced by Jason M. Miller in the studios of 91.3 FM KVLU. The music in this episode of the podcast was used with the permission of the artist.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Los de mi generación asociamos el término 'alta fidelidad' a los equipos de sonido que aspiraban a reproducir la música con el mayor realismo posible, sin distorsionar la grabación original ni colorear el resultado final. Los equipos hifi solían ser bastante caros y los fabricantes hacían hincapié en las bondades de sus marcas. Cuando estaba pensando cómo titular el Episodio de hoy, se me ocurrió que la música que escuchamos en este programa nos es fiel en el sentido de que nos acompaña desde toda la vida, desde que hemos escogido voluntariamente escucharla, y siempre acude a rescatarnos en los momentos que la necesitamos. Nunca nos defrauda, siempre está ahí cuando la solicitamos. Y siempre nos envuelve con su manto reconfortante y nos arropa como nada en el mundo pueda hacer. Tal vez haya sido un poco trascendente con esta descripción, pero la realidad es esa, al menos en mi caso. No puedo imaginarme mi vida sin esta música y sin su fidelidad. CEEYS, Ben Lukas Boysen, Blue Is Nine, Bruno Sanfilippo, Frank Steiner Jr, Jeff Pearce, Lyli J. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/986.Escucha este episodio completo y accede a todo el contenido exclusivo de lostfrontier.org. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/26825
On today's episode I interview Jeff Pearce. He's the bass player, backing vocalist and songwriter for the multi-platinum and multi-Juno award winning band Moist. https://moistonline.com/ If you prefer to watch the episode instead of listen to it, you can do so on Youtube at: https://youtu.be/qb3mijyWL9E Leaving a like, a comment, a review or subscribing would really help the podcast to gain momentum and be a source of positive content for as many people as possible! Thank you for your support! You can find all my social media links to connect with me at: https://linktr.ee/joelmartinmastery Your friend and ally, Joel Martin We've Got Time by LiQWYD | https://www.instagram.com/liqwyd Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US
Acoustic versus electric: once upon a time it was an issue — infamously with Bob Dylan's plugged-in performance at the Newport Folk Festival in 1965. Electric won that round, at least for guitars and popular music. But by the mid 1970's acoustic was back, with the rise of Windham Hill Records and its purist approach to so-called "American Primitive" guitar and piano. Many innovations have come and gone in the evolution of music since then. We still have purely acoustic folk, jazz, new age, and classical music, but without much fuss, electro-acoustic hybrids have become increasingly mainstream. Acoustic instruments provide a familiar, comforting, organic sound, and support musical expression; electronics expand the subtle dimensions of tone, imagery, and ethereality. Together they make a potent contemporary combination. On this transmission of Hearts of Space, we explore the transition from acoustic to electro-acoustic, on a program called TRANSONIC. Music is by WILL ACKERMAN, JEFF OSTER, & TOM EATON, DAVID MICHAEL, WILL ACKERMAN solo, RYAN JUDD, TOM EATON solo, JEFF PEARCE, RUSSEL WALDER, and DAGOBERT BÖHM. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
On part 2 of our episode with author/journalist/activist/insertothercooltitle Jeff Pearce, we discuss his upcoming book The Gifts of Africa releasing worldwide on April 15 (PREORDER tinyurl.com/393kxywx). He writes, “The West will begin to understand Africa when it realizes it's not talking to a child—it's talking to its mother.” Unfortunately, little attention is paid to African history but Jeff Pearce hopes to at least get the movement in motion towards educating the world on the wonders and contributions of the African continent. Africa is more than its problems and we would be better off giving the same energy to its innumerably invaluable contributions to the world that we do the negatives. We lose nothing by acknowledging Africa's accomplishments. Check out this insightful interview! Shout outs to Africa!!!Gifts of Africa Preorder Link (Hardcover): tinyurl.com/393kxywxPrevail: The Inspiring Story of Ethiopia's Victory over Mussolini's Invasionhttps://www.amazon.com/Prevail-Inspiring-Ethiopias-Mussolinis-Invasion-ebook/dp/B00MSYUXP8Jeff Pearce Twitter: @jeffpropulsion - https://twitter.com/jeffpropulsionJeff's YouTube channel:https://www.youtube.com/user/pearcefoolTwitter: @semiamericansIG: @semiamericanspodcastTikTok: @semiamericanspodcastFacebook: @semiamericanspodcasthttps://linktr.ee/semiamericanspodcast
Another episode, another special guest graces us with their insight! Jeff Pearce (author, journalist, activist, ally for African progress) joins us to discuss his time in Ethiopia at the height of the war waged by the TPLF on Ethiopia (the war still continues...). Jeff was present on the ground in places such as Dessie, Lalibela, and Afar. He spent time with internally displaced peoples (IDPs) and visited sites destroyed by TPLF (hospitals, hotels, places of worship). We also discuss the loss of momentum with the #NoMore movement and the unfortunate splintering of support due to varying perspectives. An episode so jam-packed we had to separate it into two parts. Check the links below and please support important work, including The Gifts of Africa: How a Continent and Its People Changed the World and Prevail: The Inspiring Story of Ethiopia's Victory over Mussolini's Invasion.OrderThe Gifts of Africa: How a Continent and Its People Changed the Worldhttps://www.amazon.com/Gifts-Africa-Continent-People-Changed/dp/1633887707/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1648079925&sr=1-1Prevail: The Inspiring Story of Ethiopia's Victory over Mussolini's Invasionhttps://www.amazon.com/Prevail-Inspiring-Ethiopias-Mussolinis-Invasion-ebook/dp/B00MSYUXP8Jeff's YouTube channel:https://www.youtube.com/user/pearcefoolTwitter: @semiamericansIG: @semiamericanspodcastTikTok: @semiamericanspodcastFacebook: @semiamericanspodcasthttps://linktr.ee/semiamericanspodcastDisclaimer: This episode was recorded March 11, 2022
Welcome to this week's episode of The Godfathers Of Podcasting and we had a lot of fun, and hope you do too!Our bro Dan-e-o is off again this week, celebrating the 22nd anniversary of his debut album, The Book Of Daniel. In his place once again, straight outta New York is long time friend of the show - Ms Sasha Walek!The crew talk about the old days of CD racks, and giant collections of physical music, we evaluate the Super Bowl Half Time Show, discuss UFC 271 and the superstar that is Tai Tuivasa, and more!Our featured guest is a founding member of the band Moist - bassist Jeff Pearce. Moist have just released their fifth studio album entitled End Of The Ocean, and it absolutely shreds.We also talk to Jeff about the early days of Moist, the song writing process and how similar it is to the Beatles: Get Back special, Live Band Karaoke, and so much more! Jeff is an outstanding guest, and not to be missed!Check out this week's episode now!
In Part 1 this week we are joined by Jeff Pearce (Moist) to chat about their brand new album "End of the Ocean". Jeff breaks down the process of making the album, songwriting in Moist, getting back on tour, and more! In Part 2 this week we are joined by Todd Kerns (Slash/Toque) to chat about their upcoming album simply titled; "4". Todd discusses recording an album live off the floor during COVID, working alongside Slash and Brent Fitz and the different aspects of recording this unique way, the upcoming Slash feat Myles Kennedy and the Conspirators North American tour and even a little Boba Fett! For all things Moist: https://moistonline.com/ For all things Todd: https://www.toddkerns.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Jeff Pearce is a journalist, novelist, non-fiction, and erotica writer who later transitioned into playwriting. In this episode, we discuss how each form benefits the other in the creative world, the obstacles of both crafts to achieve longevity, and how life imitated art with the tragic shooting by Alec Baldwin on the set of Rust.To watch the video format of this podcast visit -https://youtu.be/rn_yCHXCpf8Links and websites mentioned in this episode –Jeff Pearce -Twitter – @jeffpropulsionBooks by Jeff Pearce –https://www.amazon.com/Jeff-Pearce/e/B003Z9PW8Iref=sr_ntt_srch_lnk_1&qid=1639386703&sr=8-1PLAY Noir -www.playnoir.comPLAY Noir 2018 and PLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightWriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Maurice Cook, executive director and lead organizer at Serve Your City, joins us to talk about the homelessness crisis in Washington, DC, and the failure of city officials to address it, which this week saw DC police and DC government officials using heavy machinery to clear a local park of tents that people had been living in. We talk about how the collusion between city officials and real estate developers that have purposely ignored the housing crisis in the city, and how half-hearted attempts at providing affordable housing have made the city inaccessible to working class people. Chris Smalls, organizer and former-Amazon warehouse worker, tells us about the ongoing labor struggles at Amazon, which saw a small victory this week when the Attorney General of New York filed a motion for an injunction against Amazon to reinstate workers and address health and safety concerns at their fulfillment centers. We also talk about a report by the Strategic Organizing Center that found that despite announcing in October 2020 that it had found nearly 20,000 COVID-19 cases nationally among its employees, Amazon only reported only 27 cases to OSHA. Sharon Anderson, attorney and business consultant, former law school professor and lecturer at Howard Law, joins us to discuss the fight for reproductive rights in the U.S., with the Supreme Court hearing arguments over Mississippi's 15-week abortion ban, and how it seems to be that the restriction itself will very likely be allowed to stand. We talk about the fallout should this precedent be set, how it will negatively affect women's rights, and how it threatens to undermine the legitimacy of the court. Jeff Pearce, writer and historian, and Simon Tesfamariam, organizer, writer, and analyst at the New Africa Institute, join hosts Michelle Witte and Bob Schlehuber to talk about the ongoing conflict in Ethiopia and the range of people who are spoiling peace efforts, from Twitter to the US government, to think tanks, government officials, and retired ambassadors, by taking a pro-TPLF stance, and the way forward negotiate a peaceful settlement of the conflict.
Ronie Berggren intervjuar den kanadensiske Etiopien-experten Jeff Pearce om vad väst fått fel om den pågeånde konflikten i Etiopien. Pearce är också författare till boken "Prevail: The Inspiring Story of Ethiopia's Victory over Mussolini's Invasion, 1935-1941". ------ STÖD AMERIKANSKA NYHETSANALYSER: http://usapol.blogspot.com/p/stod-oss-support-us.html
Dr. Philip Brenner, Professor Emeritus at the American University School of International Service, joins us to talk about the anti-government protests organized for today in Cuba and the role of the U.S. in these protests. We talk about the composition of these protests that seemingly have a different focus than the ones in July this year, where people had legitimate grievances over the economic situation of the country and food scarcity, how the protests planned for today have a more political character, and the role of the National Endowment for Democracy in weaponizing grievances towards regime change without any concern for actual democracy.Josh Gomez, producer for By Any Means Necessary on Radio Sputnik, joins us to discuss the announcement that Beto O'Rourke will run for governor of Texas in the next election, what ignited this campaign, how would he fare against opponents, and how this will likely be another failed attempt by centrist Democrats to make inroads in the Lone Star State. Jeff Pearce, journalist, historian, and author of "Prevail: The Inspiring Story of Ethiopia's Victory over Mussolini's Invasion: 1935-1941," joins us to discuss the checkered record of U.N. involvement in Ethiopia, where it seems it has actually taken sides by promoting a clear pro-TPLF narrative, making allegations against the government and abandoning its purported role as an honest broker in this conflict. We also talk about Secretary Blinken's visit to African countries, where the Ethiopia conflict will be discussed and whether we will see a change in U.S. policy in the region.Eugene Puryear, journalist, author, activist, politician, host at Breakthrough News, and author of "Shackled and Chained: Mass Incarceration in Capitalist America,” talks to us about a report that the U.S. killed scores of civilians in an airstrike in Syria during its campaign against Daesh, and whether will see an actual war crimes investigation into this. We also talk about the role of U.S. media in promoting a one-sided view of the Ethiopia conflict where opposing views are silenced, and the too-little-too-late retractions after promoting falsehoods from the Steele dossier.
Ambient musician Jeff Pearce returns to the podcast to talk with Aliyah, Greg and Curtis about MARKETING! Lots of great info to unpack in this one :) Work with Cori, Curtis, Holly, Aliyah and Gaia: https://business.facebook.com/csquaredmusicandmarketing Follow Cori: https://twitter.com/CoriWestbrook Follow Holly: https://twitter.com/HollyRoyle Follow Gaia: https://twitter.com/GuardaGaia Follow Curtis: https://twitter.com/dewarpr Follow Aliyah: https://twitter.com/ShieldMaiden07 Follow K-Man Riffs on Twitter to hear the C Squared playlist https://twitter.com/KManriffs Join Lindsay Schoolcraft's Patreon: https://www.patreon.com/lindsayschoolcraft
In this episode ambient musician Jeff Pearce returns and speaks with Cori, Curtis and Greg about all things ambient. Jeff and Greg get SUUUUPER detailed on things and it's a fascinating conversation. Work with Cori, Curtis, Holly and Gaia: https://business.facebook.com/csquaredmusicandmarketing Follow Cori: https://twitter.com/CoriWestbrook Follow Holly: https://twitter.com/HollyRoyle Follow Gaia: https://twitter.com/GuardaGaia Follow Curtis: https://twitter.com/dewarpr Follow K-Man Riffs on Twitter to hear the C Squared playlist https://twitter.com/KManriffs Join Lindsay Schoolcraft's Patreon: https://www.patreon.com/lindsayschoolcraft
In this episode Cori and Curtis speak with ambient musician Jeff Pearce Work with Cori, Curtis, Holly and Gaia: https://business.facebook.com/csquaredmusicandmarketing Follow Cori: https://twitter.com/CoriWestbrook Follow Holly: https://twitter.com/HollyRoyle Follow Gaia: https://twitter.com/GuardaGaia Follow Curtis: https://twitter.com/dewarpr Follow K-Man Riffs on Twitter to hear the C Squared playlist https://twitter.com/KManriffs Join Lindsay Schoolcraft's Patreon: https://www.patreon.com/lindsayschoolcraft
Have you ever had a great idea and then doubted yourself to much to try putting it out there? Creating something great can be a lot of work, but the hardest part is probably just taking the first steps. Today we talk to Jeff Pearce who almost on a whim entered a game into a game design contest. A few years later that game has developed into the hit game Silverwood Grove which is currently doing fantastically well on kickstarter.
Determinados tipos de música consiguen penetrar nuestro subconsciente, ahondando en los terrenos sombríos de nuestra conciencia, donde los recuerdos permanecen adormecidos. Músicas tribales, intensas, que recrean imágenes y evocan emociones que residen escondidas en lo más recóndito de nuestra memoria. En Strata Steve Roach y Robert Rich se embarcaron en una exploración de ese subconsciente, de lo surrealista... Sonidos que evocan un ensueño personal, colectivo y universal, una música semiolvidada, enterrada en los estratos de la mente primordial. Simon Goff, Paul Kwitek + Forrest Forrester + Greg Nowacki, BlueMonk & Michael Whalen, VioDance, Erik Wøllo, Nicholas Gunn, Bruno Sanfilippo, Robert Rich & Steve Roach, Jeff Pearce, Hammock, Ólafur Arnalds, 36 & awakened souls, Solar Fields.
Today we are joined by Jeff Pearce (Moist) to discuss the release of their brand new song and video (Tarantino-Bullet Kill Sex Love Thrill) and how they continue to push the boundaries visually and sonically!Plus, we discuss Edge winning the WWE's Royal Rumble, the return of Christian to WWE Programming and how we would cast them in a Marvel and Star Wars movie?Chris Machete gives a Skeleton update and we break down all the things going on over at our Twitch Channel!
Tones and Drones is an ambient must podcast hosted and produced by Jason M. Miller in the studios of Public Radio 91.3 FM KVLU, that features artist interviews. On this episode of Tones & Drones my guest is renowned ambient guitarist Jeff Pearce. Jeff Pearce has defined a unique voice for the guitar in ambient music with his innovative textures and techniques. It was an honoring speaking with him and I hope that you enjoy our conversation. Excerpts from songs by Jeff Pearce were used with the permission of the artist. Jeff's music can be found at: https://jeffpearcemusic.com/home https://jeffpearcemusic.bandcamp.com/ www.kvlu.org
El comandante Neil Armstrong y el piloto del LEM Buzz Aldrin pasaron del módulo de mando al LEM. Completada la decimotercera órbita lunar y encontrándose en la cara oculta con las comunicaciones con Houston interrumpidas, Mike Collins, piloto del Columbia, accionó el mecanismo de desconexión y el Eagle comenzó a separarse de su compañero de viaje. Con unos cuantos disparos de los propulsores de posición, el Columbia se retiró, permitiendo al Eagle realizar la complicada maniobra de descenso hacia la superficie lunar. Esta maniobra comenzó con un encendido de quince segundos con el motor trabajando al 10%, seguido de quince segundos más al 40%. Con este encendido consiguen abandonar la órbita de la Luna e iniciar una lenta trayectoria de caída hacia la superficie. El LEM seguía ahora una trayectoria de Hohmann casi perfecta y en unos cuantos minutos llegó a la vertical del lugar previsto para el alunizaje. A quince kilómetros de la superficie, el control de misión indicó que todo estaba listo para la maniobra de descenso final o PDI, consistente en activar por segunda vez el motor del LEM. Todos los sistemas funcionan con normalidad. Neil Armstrong disparó una corta ráfaga de impulsos con los propulsores de posición para realizar un proceso que se repite en todos los encendidos hipergólicos. Los propulsores de posición son accionados para empujar el combustible hipergólico al fondo del depósito y así eliminar burbujas o bolsas de aire en un proceso llamado merma. Tres segundos después el motor principal del LEM entró en ignición y este funcionó al 10% durante veintiséis segundos mientras el sistema de control automático estabilizaba correctamente la nave. Después el motor del LEM desplegó toda su potencia. El ordenador trabajaba entonces según su programa 63 que es el modo totalmente automático. Siete minutos después de iniciada la secuencia de descenso y a una altura aproximada de seis kilómetros de la superficie, Neil Armstrong introdujo en el ordenador el programa número 64. Con este programa, el empuje del motor descendía hasta un 57% y el LEM se situaba en posición vertical respecto a la superficie de la Luna. El sitio exacto de alunizaje se encuentra a menos de veinte kilómetros al oeste. Aproximadamente en esos momentos, el oficial de guiado comunicó al director de vuelo que el LEM viaja a más velocidad de la programada. Este hecho podía causar el aborto del alunizaje pero el director de vuelo decidió seguir con los procedimientos de alunizaje. Debido a esto el LEM sobrepasó el lugar donde debería haber alunizado. Al parecer, el ordenador les estaba conduciendo hacia un gran cráter con rocas esparcidas a su alrededor que causarían serios daños al módulo si el alunizaje se produjese en esa zona. Armstrong desconectó el programa 64 e introdujo el 66. Este programa de control semiautomático controla el empuje del motor pero deja en manos de la tripulación el movimiento de traslación lateral del LEM. El comandante deslizó el módulo lunar en vertical por la superficie buscando un lugar adecuado para el alunizaje mientras Aldrin le va leyendo los datos del radar y el ordenador. El LEM pierde altura gradualmente. A menos de dos metros de la superficie, una de las tres varillas sensoras que cuelgan de las patas del LEM, toca el suelo. El Eagle recorrió el último metro en una suave caída gracias a la débil gravedad lunar. El terreno resistió bien el peso del aparato y todos los sistemas funcionaban correctamente. En Houston eran las 15:17 del 20 de julio de 1969 (las 20:17:39 UTC6). El Eagle estaba posado sobre la superficie del satélite. En el momento del contacto el motor de descenso poseía solo unos 30 segundos de combustible restante, alunizando a 38 m de un cráter de 24 m de diámetro y varios de profundidad. City of Dawn, Unusual Cosmic Process, Black Swan, AES DANA, Peter Grenader, Steve Roach, Miles Richmond, Ian Boddy, Chuck van Zyl, Jeff Pearce, Mike Clay, José Travieso, Zhea Erose, Ben Cox.
In the cooling, darkening months of autumn, time seems to slow in the natural world. The leaves change color, wither and fade, while the animals are busy stocking up for the winter to come. For humans, this year is a somber season. In a time of pandemic, we're challenged to adapt to protective measures, and carry on with normal life in abnormal times. The music of the season features downward progressions and complex harmonies. On this transmission of Hearts of Space, a dark ambient autumn journey, on a program called DESCENDING DARK 3. Music by JEFF PEARCE, JEFF GREINKE, HOLLAN HOLMES, ERIK WØLLO & MICHAEL STEARNS, SAM ROSENTHAL, AL GROMER KHAN, ROBERT RICH, NIK PARKIN, and PATRICK O'HEARN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
If Space is your game, Jeff Pearce is the name. His exquisite guitar playing resonates with cosmic vistas and timeless nostalgia of the Infinite. Despite his sometimes celestial style, I discovered in Jeff Pearce a very down-to-earth person endowed with a good sense of humor. It is a pleasure to feature him in our interview collection. I hope you will enjoy Jeff Pearce's thoughts and music on Journeys to the Infinite.
Let's talk about electronic music. As with acoustic instruments, we have freedom of expression with the core musical variables: melody, rhythm, tempo, and harmony. But we've gained the ability to create the tone, the timbre, the character, and even the spatial dimension of the electronic sound. In fact, the space or ambience of the sound becomes a fundamental artistic choice. Electronic music can create "soundscapes"—immersive images of virtual environments. Unlike the literal sound images of acoustic instruments, these electronic images can be deliberately amorphous...boundless...endless...unlimited. They can imply vast, fluid, diffuse, virtual spaces, whose dimensions are perceptually infinite. We can even make this quality the subject of the music, and call it "spacemusic"—a descriptive term that arose organically in the early days of popular electronic music. Today, ambient-electronic artists are creating sonic images of infinity—endless virtual spaces we can expand into, bathe in, savor, and explore. On this transmission of Hearts of Space, the quest for unlimited spaces in electronic sound, on a program called VISIONS OF INFINITY. Music is by DEEPSPACE, STEVE ROACH, KEVIN BRAHENY FORTUNE, MAX CORBACHO, and JEFF PEARCE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
This episode is the conclusion of an epic chat I had with Kevin Young and Jeff Pearce of Moist. In it we hear about what the MMVA's were like, shooting the videos for Creature, the making of Mercedes..., why they re-recorded 'Push' for the American release of that album, the status of their next record and much more. If you want more '90s CanRock content, find us on Twitter, Facebook, Instagram, YouTube and follow our official playlist on Spotify and Apple! Also, if you want to support the podcast, visit https://www.patreon.com/ravedrool, subscribe/follow the podcast wherever you're listening to this and give us a positive rating and review! Support the show (https://www.patreon.com/ravedrool)
FOR DECADES, globalization has been a fact of life. And even before Covid-19, it was becoming controversial. Now, with critical supply chains being disrupted by the pandemic, we're having a bit of a rethink. Whatever happens with global trade, one thing is certain: the global exchange of music, film, art and media is a cultural fact of life that will remain as vibrant and creative as ever. San Francisco is the home of Six Degrees Records, a company that's been dedicated to crossing musical borders since 1996, with the provocative slogan "everything is closer than you think." They live the idea, releasing a wide range of traditional and progressive music from around the planet. On this transmission of Hearts of Space, an Anglo-American ambient journey, on a program called SIX DEGREES OF AMBIENT. Music is by ANOTHER FINE DAY, TOM MIDDLETON, BOB HOLROYD, TOM GREEN, HALFTRIBE, ANDREW HEATH, DARSHAN AMBIENT, JEFF PEARCE, RICHARD NORRIS, and MARK ISHAM. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]
This episode is part one of an epic chat I had with Kevin Young and Jeff Pearce of Moist. In it we hear about their indie roots, the true story of how they came to be called Moist, the making of Silver and much more. So, please give it a listen and subscribe/follow the podcast so you don't miss part two. If you want more '90s CanRock content, find us on Twitter, Facebook, Instagram, YouTube and follow our official playlist on Spotify and Apple! Also, if you want to support the podcast, visit https://www.patreon.com/ravedrool, subscribe/follow the podcast wherever you're listening to this and give us a positive rating and review! Support the show (https://www.patreon.com/ravedrool)
Programa emitido el 4 de diciembre de 2007. Primer programa que dedicamos a la música espacial. En aquellos días no imaginábamos que éstos iban a ser los programas más escuchados. Finalmente lo convertimos en una serie regular a partir del programa #710, de forma que cada 10 programas, coincidiendo con los acabados en cero, sería un monográfico de música espacial. Michael Stearns, Constance Demby, Brian Eno, Jonn Serrie, Steve Roach, Robert Rich, vidnaObmana, Kevin Braheny & Tim Clark, Richard Burmer, Thom Brennan, Patrick O'Hearn, Steven Halpern, Jeff Pearce, Mychael Danna & Tim Clément, Deuter.
At the Savvy Musician Academy (SMA), we have musicians and bands of all kinds and different genres. One of the interesting genres is ambient instrumental music, and our special guest in this episode is a prolific recording artist who's released 15 albums of his ambient guitar music! Jeff Pearce's last album debuted at No. 2 on the Billboard New Age sales chart, and he credits what he learned from SMA—became a student in 2016—for helping him achieve his results. In this interview, Jeff shares his recording experience and learned insights that are helping him to continue to build his own musical empire online. Enjoy! Key Points From This Episode: Different approaches to guitar Before the internet First impressions of SMA Audience discovery The extensiveness of The Online Musician Program The importance of enjoying your own genre Targeting your super fans The demand for physical merchandise Updating the course Tweetables: “(The Online Musician) really changed how I approached not only what I was doing in a marketing sense, but also what I was doing as far as audience discovery.” - @jeffpearcemusic [0:15:35] “The course… takes a serious amount of time.” - @jeffpearcemusic [0:16:09] “Google is a search engine, Facebook is a share engine.” - @metalmotivation [0:17:04] “(The Online Musician) challenged a kind of long-held belief that I kind of knew what my audience was.” - @jeffpearcemusic [0:18:46] “You're not looking for millions and millions of just generic listeners. You're looking for the superfans. You're looking for a smaller community of dedicated people who really are invested in this form of music. With that and with that alone, someone can sustain their livelihood.” - @metalmotivation [0:28:50] “My second-most recent album, the one that was released in the fall of 2019, it debuted at number two on the Billboard New Age sales chart. I'm completely convinced it was because of what I've learned through Savvy Musician Academy and the courses.” - @jeffpearcemusic [0:32:24] “What Leah does with her courses that other people don't is that she goes back and updates them.” - @jeffpearcemusic [0:33:03] Links Mentioned in Today's Episode: The Online Musician 3.0 — https://explodeyourfanbase.com Jeff Pearce (TOM & Elite Student) — https://www.facebook.com/jeffpearcemusic/ Book a Call With Us — http://www.CallSMA.com Inner Circle Membership — http://savvymusicianacademy.com/innercircle
Gary Pinkerton talks with DEA Agent Larry Hardin, author of Path of the Devil and Fighting My Greatest Enemy: Myself. After serving over thirty years, Larry retired from the Federal government, United States Department of Justice, as a Special Agent with the Drug Enforcement Administration (DEA). His book Path of the Devil chronicles a story of true events that occurred from 1991-1996. Larry and two private investigators, Jeff Pearce and Randy Torgerson, were determined to bring down the Meraz organization along the southwestern border. For five years the three men spearheaded two separate, and simultaneous investigations in different locations that eventually merged. Jeff and Randy provided information to Larry to build his case when they found the Meraz’s were working with corrupt employees of their California client. The Meraz’s attempted to murder two DEA agents (1970s) and were connected to the murders of Kiki Camerena, George Montoya, Paul Seema, Jose Montoya, Dan Elkins, and Michael Crowe. Website: Path of the Devil Fighting My Greatest Enemy: Myself: Trust in God
A lifting fog... featuring Johan Agebjorn, Jeff Pearce and Tom Eaton.
A lifting fog... featuring Johan Agebjorn, Jeff Pearce and Tom Eaton.
There’s gathering storm season here in OZ. While the boss is dictating our opening text to me, there’s a spectacular light show going on outside, and no kidding, the rain is nearly horizontal. Once again we take our trip to look at new releases from man & machines, not forgetting us ladies too, as the broad spectrum of sounds fill our airways. We are excited to have some quality music supplied by the owner of Heart Dance Records & R. S. Promotions, Sherry Finzer, who is an award winning new age flautist featured here with Tom Moore on the relaxation/meditational album let ‘There Be Light’. Space cadets will like the ambient side of this edition, drone soundscapes from Velge Naturlig, deep space exploration of Jaja & Jeff Pearce’s cosmic & wintry excursions just created on the guitar. Eleon, Jakub Fijak, James Asher & Richard Shulman showcase their music for the first time on Sequences, melody, sequencing and cinematic symphonic music you will love. Those more adventurous are catered by, Giant Skeletons, Shall Remain Nameless & Sensitive Chaos and we even have a spot of trance, spiced up by the feminine side of the composer Johanna Von Pfeife. Byron Metcalf with Erik Wollo & Peter Phippen continues his journey into the hypnotic rhythms and haunting melodic sound textures, meditative melodies and calm sequences from Natural Life Essence. Following on from the introduction of Tone Science, comes Module no 2, contemporary, modular synth compositions and lastly the prolific Austrian musician Fritz Mayr, quoted as, music with passion. Playlist no 136 02.50 ELEON ’Bionic Travellers’ (album Dreams Beyond Terra) www.heartdancerecords.com 08.20 ELEON ‘Digital Environment’ 11.37 Jakub Fijak ‘Message From Above’ (Eternal Moments Remix) (album Changing Colours) www.jakubfijak.bandcamp.com 18.53 Jakub Fijak ‘Avalon Landscapes’ (Sensual Version) 22.47 Jakub Fijak ‘Emotional Thinking/JF Chill-Out Mix’ 28.21 Tom Moore & Sherry Finzer ‘The Deeper Light’ (album Let There Be Light) www.heartdancerecordings.com 33.33 Tom Moore & Sherry Finzer ‘The Way Of The White Clouds’ 40.00 Jeff Pearce ‘A Walk Through The Leaves’ (album From The Darker Seasons) www.jeffpearcemusic.com 44.00 Jeff Pearce ‘Constellations’ 49.51 Fritz Mayr ‘Blue Lights’ (album Outer Space) www.fritzmayr.bandcamp.com 55.29 Byron Metcalf feat Erik Wollo ‘At Play With All That Matters’ (album Inner Rhythm Meditations Vol 11) www.heartdancerecords.com 01.05.27 Giant Skeletons ‘Giant Skeletons’ (album Guide To The Sunken Citadel) http://www.nicowalser.de 01.09.12 Giant Skeletons ‘Alluvial Land’ 01.15.43 Johanna Von Pfeife ‘Devotional Dreaming’ (album Devotional Dreaming) www.cyan-music.com 01.22.41 Tone Science Module No 2 ‘Magnetic Lullaby’ (album Elements & Particles) www.ianboddy.com 01.29.05 Natural Life Essence ‘A Mushroom Meditating Under An Old Tree’ (album Plants & Trees) *** www.cyan-music.com 01.36.38 Shall Remain Nameless ’79031’ (album Earth Texas) https://shallremainnameless.bandcamp.com/album/earth-texas 01.40.37 Shall Remain Nameless ‘Bright Morning Star’ 01.41.37 Shall Remain Nameless ‘Blackwater Bound’ 01.45.53 VelgeNaturlig ‘Hold’ (album Kundalini) www.winter-light.bandcamp.com 01.49.35 VelgeNaturlig ‘Grey Sun’ 01.50.53 Jaja ’Stars Within The Sky’ (album Upon The River Of Heaven) ***www.cyan-music.com 02.02.23 James Asher & Arthur Hull ‘Infiniterium’ (album Drum Distillery) www.rspromotionsus.com 02.06.58 James Asher & Arthur Hull ‘Deep Valleys’ 02.12.46 Fritz Mayr ‘Adrift In Time’ 02.24.21 Sensitive Chaos ‘Bad Ass Nairobi Land Rover’ (album Walking A Beautiful World) http://sensitivechaos.com 02.31.00 Sensitive Chaos ‘Dreaming Helsinki Esplanadi’ 02.37.43 Richard Schulman ‘Devotion And Idealism’ (album A New Awareness) www.richheartmusic.com 02.43.46 Optical Image ‘Interference Part 11’ (album Interference) http://soundartproductions.eu 02.51.29 Optical Image ’ White Nights’ Edit ***
Unto the gathering quietude; showcasing "From the Darker Seasons", new from Jeff Pearce.
Unto the gathering quietude; showcasing "From the Darker Seasons", new from Jeff Pearce.
La Soyuz 11 fue la primera misión espacial tripulada en habitar una estación espacial (la Salyut 1). La nave se lanzó el 6 de junio de 1971 y regresó a tierra el 29 de ese mismo mes, rompiendo además un nuevo récord de permanencia en el espacio. El objetivo de la Soyuz 11 era culminar la misión que su predecesora, la Soyuz 10, no había podido finalizar con éxito. La Soyuz 10 logró acoplarse a la primera estación espacial de la historia (la Salyut 1) el 23 de abril de 1971, pero dicho acoplamiento no salió bien y los cosmonautas no pudieron penetrar en la estación. Debido al fracaso parcial de la Soyuz 10 se tuvo que rediseñar el sistema de acoplamiento. El acoplamiento con la estación se produjo el 7 de junio en modo automático. La tripulación encendió el sistema de regeneración de aire y cambió un par de ventiladores. Sin embargo, debido a un desagradable olor a humo, se aconsejó a los cosmonautas que durmieran la primera noche a bordo de la Soyuz. El 8 de junio el aire de la estación se encontraba perfectamente, por lo que los cosmonautas procedieron a habitarla, realizaron una maniobra orbital y orientaron los paneles hacia el Sol. La prensa mundial se hizo eco del nuevo triunfo de la astronáutica soviética: la primera estación espacial tripulada. El 16 de junio a las 13:00 la tripulación informa de la presencia de humo en la estación. La situación es tan desesperada que se llega a pensar en evacuar la Salyut 1, pero los cosmonautas apagan el generador principal de oxígeno, conectan el secundario y cambian los filtros de oxígeno. Tras seis horas, la situación parece haber vuelto a la normalidad, aunque los cosmonautas se quejan de que los trajes para entrenamiento les producen mucho cansancio. El día 17 se evalúa la situación. No se encuentra la causa del incendio pero, como medida preventiva, se decide apagar todo el equipo científico. Este se encenderá después, de uno en uno, para intentar encontrar el origen del humo. El 20 de junio se evalúa el estado físico de los cosmonautas y se advierte que su capacidad pulmonar ha disminuido en un 33% y los trajes Penguin de entrenamiento no funcionan bien. El 25 de junio los cosmonautas baten el récord de permanencia en el espacio. Del 26 en adelante su principal misión será acondicionar la Salyut 1 para las semanas que le esperan sin tripulación y preparar su propio retorno a tierra. El 27 se recibe la noticia de que el cohete N-1 ha vuelto a fallar. Finalmente el día 29, con la estación perfectamente "apagada", la tripulación se prepara para desacoplar la Soyuz 11 de la Salyut 1. La carrera espacial se inició con una serie de deslumbrantes éxitos para la Unión Soviética. No obstante, para poder mantener esa racha triunfal, las autoridades soviéticas incurrieron en una serie de riesgos. Entre ellos figuró que, para poder acomodar más tripulantes en las naves, éstos no llevaran trajes espaciales. La medida se adoptó por primera vez en la Vosjod 1 y se repetiría en el programa Soyuz. El 29 de junio de 1971 los cosmonautas se introdujeron en la Soyuz 11 y se prepararon para volver a tierra. Sin embargo, al cerrar la escotilla de la Soyuz, Volkov indicó que el cierre no era hermético porque así lo advertía un sensor. Desde tierra se aconsejó a la tripulación repetir la operación, pero esta solo lo consigue tras numerosos intentos y cerrando la escotilla con todas sus fuerzas. Tras esto, la luz de aviso se apagó y los cosmonautas comprobaron que la esclusa era hermética. Finalmente, a las 21:35 la Soyuz 11 se separa de la Salyut 1. Los cosmonautas, aprovechando que les sobra combustible, detienen la separación y proceden a tomar dos rondas de fotografías de la estación. Durante la maniobra de separación entre el módulo de servicio y el módulo de descenso de la Soyuz se produjo la apertura de una válvula de menos de 1 mm de diámetro. Dicha válvula existía para permitir el equilibrado de presión con el exterior y no debía abrirse hasta que no se encontrara a unos 4 km de altura sobre la superficie terrestre. El sistema consistía en dos válvulas independientes de 1 mm de diámetro que se activaban mediante un mecanismo pirotécnico, por lo que se consideraba imposible que accidentalmente se abrieran ambas a la vez. No obstante, ambas se abrieron con solo 6 centésimas de segundo de diferencia. En el momento de separación de ambos módulos tanto la nave como la tripulación se encontraban en perfecto estado. Dentro de la Soyuz, la presión era de 915 milibares. La tripulación se percató de la fuga con inmediatez gracias al sonido que generaba. Para localizar la fuente de sonido apagaron las radios y probablemente la encontraron y, percatándose que se trataba de una fuga de aire, debieron intentar cerrar la válvula, ubicada bajo el asiento del comandante. Existía un procedimiento de emergencia consistente en que el comandante taponara el agujero con un dedo, pero se contemplaba solo para el caso de que la Soyuz aterrizara en agua y amenazara con inundarse. La localización de la fuga hizo imposible repararla en poco tiempo: aunque en las especificaciones se requería que la entrada de agua fuera cortada en 20 segundos, en los entrenamientos los cosmonautas tardaban de 30 a 40. Eso explica perfectamente porqué el accidente fue mortal, ya que se estima que 20 segundos después de haberse iniciado la fuga la presión había caído tanto que la tripulación debía estar inconsciente. Una vez la nave entró en el radio de acción de las estaciones, control de la misión intentó comunicarse con la tripulación; al constatar que los cosmonautas no respondían se creyó que había una avería en el sistema de comunicaciones. La nave aterrizó correctamente a las 6:16 hora local. Los equipos de rescate descubrieron la desagradable sorpresa una vez la cápsula estaba en tierra y la tripulación seguía sin dar señales de vida. Se intentó la reanimación de los tripulantes, pero fue imposible. Llevaban media hora muertos. El accidente obligó a hacer que todos los tripulantes de las Soyuz llevaran trajes espaciales durante el despegue y aterrizaje como medida de precaución. Estos trajes fueron diseñados por Gay Severin y recibieron el nombre de Sokol. Aunque ligeros, aumentaban el espacio necesario para los tripulantes. Además, para asegurar que los trajes funcionaran y que la cabina pudiera mantener la presión en caso de fuga, hubo que instalar una unidad de control, por lo que se disminuyó aún más el espacio disponible. Esto redujo la capacidad de la nave de tres cosmonautas a dos. Para recuperar su anterior tripulación máxima hubo que rediseñar la nave para hacerla más amplia; el nuevo modelo, llamado Soyuz-T, comenzó a volar en 1980. Las autoridades soviéticas reconocieron públicamente la naturaleza del accidente. Los cosmonautas fueron enterrados con todos los honores en el Kremlin. Jarguna and Friends, Jeffrey Koepper, Jeff Pearce, David Helpling, Sequential Dreams, Kathryn Kluge, Kim Allen Kluge, Francesco Lupica, Steve Roach & Jorge Reyes, Chronotope Project.
Rivers and seas, with Jeff Pearce and David Helpling, "A Sea Without Memory" is our featured new release.
Rivers and seas, with Jeff Pearce and David Helpling, "A Sea Without Memory" is our featured new release.
On the way to the appointed hour, with Jos D'Almeida, Sinius, Jeff Pearce and new music from Between Interval.
On the way to the appointed hour, with Jos D'Almeida, Sinius, Jeff Pearce and new music from Between Interval.
El programa de hoy —como cada 10 programas— será un viaje sonoro de temas entrelazados de música espacial sin comentarios. El Programa Gemini fue el segundo programa espacial tripulado de los Estados Unidos, desarrollado a principios de la década de 1960 en el marco de la carrera espacial con la Unión Soviética. El proyecto comenzó en 1965 después de que la agencia espacial estadounidense NASA finalizara su primer programa de vuelos espaciales: el pionero proyecto Mercury, el cual había logrado colocar en órbita terrestre a los primeros astronautas estadounidenses. El programa Gemini fue oficialmente anunciado al público el 3 de enero de 1962 cuando el programa Apolo ya estaba en una avanzada etapa de desarrollo. Su meta general fue ganar experiencia en la exploración espacial para poder llevar al ser humano a la Luna antes de que finalizara la década. Tenía como objetivos puntuales practicar maniobras y conocer la capacidad de resistencia de los astronautas, así como de las naves. Igualmente era necesario probar técnicas de acoplamiento y alineación así como realizar múltiples ejercicios extravehiculares (EVA) o "paseos espaciales". Otro de los objetivos de las misiones Gemini era el de extender la permanencia de los astronautas en el espacio hasta dos semanas. Esto es incluso más de lo que requerían las misiones Apolo. La importancia de las misiones Gemini radicó en que les dio a los astronautas estadounidenses la oportunidad de aprender acerca de cómo trabajar y dormir en el espacio en condiciones de poca comodidad. También fue durante estas misiones cuando los astronautas de la NASA empezaron a realizar los primeros paseos espaciales, siendo el primero de los realizados por un astronauta estadounidense el realizado por Ed White durante la misión del Gemini IV. Cousin Silas, Jeff Pearce, Silvia Nakkach, Chris Weeks, JM Mantecón, Pergamoon, M83, Intersonic Subformation, L'Œil Céleste, Phillip Wilkerson, Chris Russell, Black Tape for a Blue Girl, Patrick O'Hearn, Stellardrone, Chadwick O'Brien y Robert Schroeder.
From the Depths, Understanding the Signs and Follow the River Home: wondrous new sounds from David Clavijo, Geoff Hall and Jeff Pearce respectively.
From the Depths, Understanding the Signs and Follow the River Home: wondrous new sounds from David Clavijo, Geoff Hall and Jeff Pearce respectively.
Como veníamos anunciando, estos nuevos programas van a estar más espaciados en el tiempo y, ahora que ya estamos en verano, el ritmo de la vida también es otro. La música del programa de hoy tiene en parte mucho que ver con este estado: con la laxitud y el calor a veces sofocante. Siempre que llega esta época aprovecho para desconectar de la música, a veces incluso por completo. Los discos recomendados de hoy pueden ser escuchados perfectamente en una de estas noches calurosas de verano, mientras dejamos evadirse a nuestra mente y nos despreocupamos del estrés de la vida cotidiana. Por eso me ha apetecido titularlo MÚSICA PARA UN CREPÚSCULO DE VERANO. Anders Brørby, Ron Verboom, Guy Buttery, Nibs Van Der Spuy, TSODE, Jeff Pearce, Dan Hartman, SCANN-TEC y Atra Aeterna.
Showcasing fresh releases from Jeff Pearce and Palancar; from the former, With Evening Above, and from the latter, Counting Raindrops.
Showcasing fresh releases from Jeff Pearce and Palancar; from the former, With Evening Above, and from the latter, Counting Raindrops.
Un paseo por la mesosfera... Owann, Otarion, Paul Kwitek, Jeff Pearce, Forrest Smithson, Aural Method, Robert Scott Thompson, Jonn Serrie, Steven Halpern & Michael Diamond y The Glimmer Room.
Programa dedicado a todos los soñadores que voláis por encima de la línea de Kármán. David Helpling & Jon Jenkins, Jake Logsdon, Alpha Wave Movement, 36, David Palmero, Rhian Sheehan, James Newton Howard, Jeff Pearce, Mystified, Hammock, Meg Bowles, Common Citizens, Steve Roach, Claudio Casanueva y Stray Theories.
Un martes más, volvemos a lanzar el sedal al océano. A veces más cerca. A veces más lejos. Y tratamos de pescar algo. Algo grande. Porque la música es infinita. Roger Subirana, Fortadelis, John Luttrell, Jeff Pearce, Peter Broderick, Eluvium, Lars Leonhard, The Tide y The Impending Adorations.
En este frío invierno, música desnuda, aterida. Música sin comentarios para 2 horas de sonidos a la intemperie. Stray Theories, James Newton Howard, Marsen Jules, Steve Roach & Kelly David, Meg Bowles, Simon Ficher Turner, Nomad Soul Music, Jeff Rona, The Pure Heart Ensemble, Machinefabriek, Chris Russell, Jeff Pearce, Alexander Ebert, Robert Scott Thompson y Chronik. Playlist detallado: www.lostfrontier.org/2006/documents/podcast/770.html Más música espacial/ambiental: www.lostfrontier.org/2006/documents/etiquetas/space_music.html
Today on the 5: My impressions of Ambicon continue as I talk about the performances of Jeff Pearce and Tim Story.
This week Libby Purves is joined by Ben Goddard, Dame Catherine, Jeff Pearce and David Wood. Ben Goddard is playing the role of Jerry Lee Lewis in the musical 'Million Dollar Quartet' inspired by the actual event that took place on 4th December 1956 at Sun Records in Memphis, when Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis came together to make music for the first and only time. 'Million Dollar Quartet' is at the Noel Coward Theatre, London WC2. Dame Catherine was a banker before becoming a Benedictine Nun. She co-founded The Benedictine Nuns of Holy Trinity Monastery, East Hendred, the first community of contemplative Benedictine nuns to be established in England for more than fifty years. They are using the internet and other innovations in order to make their message work in the 21st Century and are launching online retreats this month. Jeff Pearce was born in the slums of Liverpool in 1953, and from an early age he worked with his mother selling second hand clothes on a market stall. Leaving school at fourteen, unable to read or write, he embarked on an amazing journey, becoming a millionaire by the time he was thirty, losing everything in the nineties recession. Within ten years, however, he won the highest accolade in the fashion business, 'Independent Retailer of the Year 2002' at the Drapers Annual Awards. His memoir A Pocketful of Holes and Dreams is published by Penguin. David Wood is a children's dramatist, author, actor, director, composer and magician. He wrote his first play for children in 1967 and has since written over seventy more. His adaptation of 'Goodnight Mister Tom' together with three of his other adaptations, 'George's Marvellous Medicine', 'The Tiger Who Came to Tea' and 'Shaun the Sheep' - the latter two, David directed - are simultaneously touring the UK. Also 'David Wood's Storytime' is at the Arts Theatre, London during Easter.
As most readers of this blog probably know, I cross-post these mixes over at Mixcloud. Recently I got a request from listener, TikTaalik. This is part of his post, "I was wondering if you could compile a mix that is optimistic throughout. The sort of ambience that I tend only to hear once or twice in a set. Can you get a solid hour of calm ambient music with a euphoric undertone?" At Low Light Mixes we give the people what they want, so here it is...Positively Ambient. I'm not sure if all of the music qualifies as "optimistic" or "euphoric" but it is all calm & beautiful. I start things off with Eno's "An Ending(ascent)" because I think it's one of the most beautiful pieces of music ever written. Although it may work better as "an ending" than as a beginning, I wanted it up front so everyone that plays the mix is guaranteed to hear it. I hope the rest of the mix doesn't get too sweet or too pretty sounding. I don't want it to dissolve into new age crapola. I dug into the archives for some of the tunes like James Johnson's "Entering Twilight" from 2000, Jim Cole from 2002, Diatonis from 2003, Fox & Budd from 2003, Jeff Pearce from 1999 and Stephen Bacchus from 1998. The feel of this mix is definitely soothing, no dissonant chords to be found. It works well as sleep music, meditation music, , etc. Just good 'ole traditional ambient music. T R A C K L I S T : 00:00 Brian Eno - An Ending(ascent) 04:00 Arc of Doves - Reverie 09:00 James Johnson - Entering Twilight 14:45 Diatonis - Winding Road 18:00 Hammock - Maybe they will sing for us tomorrow 23:10 Stephen Bacchus - The Returning 30:25 John Foxx & Harold Budd - A Delicate Romance 36:45 Jim Cole - Light Shines in Your Heart 43:10 Jeff Pearce - Daylight Slowly 44:45 Hammock - Three Sisters 48:50 d_rradio - Into the Morning 54:05 Quosp - Quosp 57:30 end
After a quick side trip we are back to a straight forward, ambient mix. I got the idea for this mix from my online friend, Brian and his an excellent podcast, The Quiet Sounds. At the beginning of the year he did a mix of sleep music and said this about it..."many of these tracks have a lullaby, 'breathing' quality...". The idea of "breathing" music caught my attention. I would come back to the concept again and again as I listened to music this year. So I finally decided to put together my own mix of "breathing" music. Most of the tracks have a common feel...in & out, back & forth, ebb & flow...a wash of sound that fades then the wash returns. Most of the cuts are fairly new, though I was happy to squeeze in some old Cluster & Eno. Like Brian's original mixes, this one works pretty well for sleeping as well. Enjoy T R A C K L I S T 00:00 - 05:30 Alp - tropen 05:30 - 10:30 Robert Henke - layer #3 10:30 - 14:00 Stars of the Lid - another ballad for heavy lids 14:00 - 18:30 Scott Solter - wave & sepia wire 18:30 - 22:30 Cluster & Eno - old land 22:30 - 27:30 Steve Roach - slow rapture 27:30 - 31:30 Jeff Pearce - life in the dusk air 31:30 - 34:20 Alio Die & Luciano Daini - la rocca's view 34:20 - 43:30 Marsen Jules - eilet en delta 43:30 - 48:00 Cluster & Eno - fur luise 48:00 - 50:40 Andrew Deutsch - loops over land 50:40 - 58:40 William Basinski - el camino real 58:40 - 03:26 Stars of the Lid - the evil that never arrived
Strada-Sphere Radio Podcast #015 for April 22, 2007 OK folks! The results are in! Check out the latest episode and find out who won the theme song contest! Shane has put together yet another fabulous show with great music from... Guy MauffaitTom Prasada Rao (feat. Fergus Marsh)Armin DüpmeierJeff PearceJaphlet Bire AttiasOllin We hope you enjoy the show!!! Shane and Juan
Strada-Sphere Radio #014 for Febuary,2007.The Contest Show! Here it is! The Shane Carey produced and hosted installment of the Strada-Sphere Radio Podcast. I would like to take this oppurtunity to extend my deepest gratitude to Shane for his wonderful job with the show.What a great community of Stickists and Stick fans we are a part of!So,listen and enjoy the show.Pay particular attention to the Theme Song entries that Shane plays for you as we are asking you to vote for your favorites!You will find a link to the voting below in the show notes. Once again,thanx for your patience and both Shane and I hope you enjoy the show!Blue UniverseOllinJeff PearceJohn EdmondsTheme Song Contest Voting PollYour Silver-Tongued Host
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