Star in the constellation of Carina
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SpaceTime with Stuart Gary | Astronomy, Space & Science News
SpaceTime Series 28 Episode 41The Astronomy, Space and Science News PodcastMysterious Red Sprite Lightning, Shocking Spherules on Mars, and a New Geological Map of the Asteroid BeltIn this episode of SpaceTime, we explore the breathtaking phenomenon of red sprite lightning captured over the Himalayas. Chinese astrophotographers documented over 100 of these rare electrical discharges, revealing insights into the complex thunderstorms of the region. We discuss the mechanisms behind these sprites and their implications for understanding upper atmospheric phenomena.Shocking Discoveries on MarsNext, we turn our attention to Mars, where NASA's Perseverance rover has uncovered a strange rock formation composed of hundreds of millimeter-sized spheres. This unexpected discovery raises questions about the geological processes that could create such features, prompting scientists to investigate their origins and significance for Mars' geological history.New Geological Map of the Asteroid BeltAdditionally, we delve into a new geological map of the main asteroid belt between Mars and Jupiter, which has been developed to enhance our understanding of meteorite origins and planetary defense. This groundbreaking work traces the impact orbits of meteorites, providing a clearer picture of how asteroid collisions contribute to the debris we observe on Earth.00:00 Space Time Series 28 Episode 41 for broadcast on 4 April 202500:49 Capturing red sprite lightning over the Himalayas06:30 Mechanisms behind the upper atmospheric electrical discharges12:15 Discovery of strange spherules on Mars18:00 Implications for Martian geology and history22:45 New geological map of the asteroid belt27:00 Summary of recent astronomical findings30:15 Skywatch: Highlights of April night skieswww.spacetimewithstuartgary.comwww.bitesz.com
Finding your way to the other bodies of the solar system is a tough chore. They’re a long way away, they’re fairly small targets, and they’re in constant motion. So it helps to have some navigational beacons to guide you. One of those beacons is the Sun – the brightest object in the sky. And for many spacecraft, another is Canopus, the second-brightest star in the night sky. It’s a long way from the Sun in the sky, so tracking both objects allows a craft to triangulate its position. That provides a precise fix on its location in space. Canopus would make a good navigational beacon for any civilization within a thousand light-years of it. That’s because it’s extremely bright – more than 10 thousand times brighter than the Sun. So even though it’s more than 300 light-years away, it outshines all the other stars except Sirius, which is less than nine light-years away. Canopus shines so brightly because of its size and its temperature. It’s about 70 times the Sun’s diameter, and its surface is thousands of degrees hotter. The combination makes Canopus one of the most impressive stars in our part of the galaxy. And Canopus also is a good beacon for skywatchers in the far south of the United States – south of about Little Rock. Right now, it stands just above the southern horizon about an hour and a half after sunset. It’s almost directly below Sirius, which is much higher – the brightest stars in the night sky. Script by Damond Benningfield
Sirius, the brightest star in the night sky, arcs across the southwest on March nights. It’s low in the south at nightfall and wheels westward later on. Not only is it especially bright, it’s also especially twinkly – it shifts from blue to red to white in the blink of an eye. Sirius is visible from most of Earth’s surface – all but the high Arctic. But the second-brightest star has a more limited range. Canopus is a stunner from the southern hemisphere, but it’s tough to see from the United States. You have to be south of about San Diego or Dallas to find it. And even then, it never climbs more than a few degrees above the horizon. Canopus itself is much more impressive than Sirius. It’s far larger and more massive, and thousands of times brighter. But it’s also 300 light-years farther, so it can’t quite match Sirius’s luster. Canopus is at the end of its prime phase of life, so it’s quite puffy. If it took the Sun’s place in our own solar system, it would extend all the way out to Mercury. But no one is quite sure whether it’s getting even bigger, or if it’s starting to “deflate” after going through a puffier phase. Either way, Canopus will continue to shine brightly in Earth’s night sky – even if not everyone can see it. If you’re far enough south, look for Canopus just above the southern horizon as night falls. The star is due south about 8 p.m., almost directly below Sirius. More about Canopus tomorrow. Script by Damond Benningfield
Ever wondered if you've been saying Tama, Paiste, or Sonor correctly? You're not alone! In this episode, Late Night with Seth Meyers producer and friend to all drummer's, Eric Leiderman joins the show to settle the debate on how to pronounce some of the most commonly mispronounced drum brands. We break down the correct pronunciations of brands like Ludwig, Zildjian, Meinl, Sabian, Canopus, Trixon, Gretsch, and more, with recordings from the companies themselves.! Whether you're a seasoned drummer or just starting out, this episode is a must-listen to make sure you're saying these legendary names the right way. Tune in and never mispronounce Paiste again! Follow Eric on social media at @erx11
Ever wondered if you've been saying Tama, Paiste, or Sonor correctly? You're not alone! In this episode, Late Night with Seth Meyers producer and friend to all drummer's, Eric Leiderman joins the show to settle the debate on how to pronounce some of the most commonly mispronounced drum brands. We break down the correct pronunciations of brands like Ludwig, Zildjian, Meinl, Sabian, Canopus, Trixon, Gretsch, and more, with recordings from the companies themselves.! Whether you're a seasoned drummer or just starting out, this episode is a must-listen to make sure you're saying these legendary names the right way. Tune in and never mispronounce Paiste again! Follow Eric on social media at @erx11
Making planets is messy. It involves giant clouds of gas and dust, and frequent collisions between planetary building blocks. And it takes tens of millions of years to sort out. A good example of how it works is seen in the star system Beta Pictoris. The star is only about 20 million years old. It has two known planets, both of which are much more massive than Jupiter, the giant of our own solar system. But the star also is encircled by huge disks of gas and dust – the raw materials for making planets. And the supply is constantly changing. In one example, Webb Space Telescope revealed a ribbon of dust that looks like a cat’s tail. The tail might be debris from a collision between two big space rocks a century ago as seen from Earth. And earlier this year, scientists reported evidence of a more recent collision. They compared observations made by Webb to those from another space telescope a couple of decades ago. They found that two clumps of dust had vanished. That suggests there was a collision between two giant space rocks as recently as 20 years ago. The impact blasted out huge clouds of dust, which were seen by the earlier telescope. But the star has blown away most of that dust – part of the messy process of making planets. From the far-southern U.S., Beta Pictoris just climbs into view around midnight, quite low in the south. It’s to the upper right of Canopus, the second-brightest star in the night sky. Script by Damond Benningfield
¡Vótame en los Premios iVoox 2024! Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Polaris es una estrella muy familiar para cualquier habitante del hemisferio norte de la Tierra. Su posición indica en qué dirección apunta el eje de rotación de nuestro planeta. Por ello, ha sido una gran herramienta para los navegantes. Algo que también ha hecho Canopus, la segunda estrella más brillante del firmamento, que podemos ver desde el hemisferio sur, y que también ha tenido mucho impacto en nuestra historia... Música: Epidemic Sound Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Send us a textWe feature one of the drummers who's performing at the Riffs n Rhythms festival. We have Chris America from the band Red Calling on the Drums and Rums podcast. We cover various topics, including Chris's musical journey, his experiences in the Florida music scene, his work with Disney in entertainment, and his recent joining of Red Calling. The conversation also touches on broader discussions about the state of the music industry, the importance of live performances, and the need for personal and professional relationships in both music and life. There's a strong emphasis on supporting local music and the impact of the pandemic on the creative process.In the interview, Chris shares how he grew up in a musical family and began playing drums at an early age. He discusses the importance of teaching music, as it helps improve one's own skills and technical understanding. He also describes how his work at Disney taught him the importance of preparation and adaptability, lessons he's applied to his drumming career. Chris delves into the intricacies of playing with Red Calling, explaining how he balances creative input with respect for the band's established sound.Toward the end of the interview, Chris offers insights into his approach to working with musical endorsements and brands, emphasizing the significance of building genuine relationships within the industry. He shares his experiences working with Canopus drums and Domene cymbals, detailing how he values quality craftsmanship and connections with the companies. Additionally, Chris highlights the importance of mental health, especially for musicians, and urges people to seek support when needed.We also put him through, In Four Beats or Less:1. Who's on your Mt Rushmore of drummers?2. One piece of advice for young drummers3. What social media drummer are you following?4. The craziest thing that happened at a gigCheck out Red Calling's links:https://open.spotify.com/artist/066zYfWSGm0uqe1L0k2ISM?si=TH2jG56mT0C6ZLKYED8OEghttps://www.facebook.com/redcalling.bandhttps://www.instagram.com/redcalling/https://www.youtube.com/@UCYiTnAhwZEN-_XrBY3wBVCA https://beacons.ai/redcallingHELP SUPPORT the podcast.Drums and Rums | creating podcasts and music | Patreonhttps://cash.app/$drumsandrumsWant to Support the Show.
For a 14,000-acre state park, Fahnestock can be surprisingly easy to overlook. Summer brings the crowds to Canopus Lake for swimming and paddling, and thousands of hikers pass through each year on the Appalachian Trail. But the rest of the park is oddly quiet, perhaps because it lacks river views and you need a car to reach the trailheads. As a result, people miss the many landscapes that Fahnestock provides: the open plains around Glynwood, the sweeping views on Candlewood Hill, the pine trees and mountain laurel corridors that lead to Earl's Chimney, the hidden lakes, the misty wetlands, the abandoned mines. Rocky climbs give way to wide farm roads which give way to mossy creek crossings. For seasoned trail runners, the park is a stark contrast to the buttery, single-track trails of California or the notorious ascents and descents of the Rockies. Fahnestock's trails demand versatility and focus. "It's a nice blend," said Katharine Spector earlier this week while clearing encroaching bushes on the Charcoal Burners trail. "It's a great way to introduce people to what trail running on the East Coast is really like." Spector introduced a lot of people to Fahnestock in 2023 when she helped create the Fabulous Fahnestock Trail Races, which are routes of 5.5 miles, 25 kilometers and 50 kilometers. Half the proceeds go to Fahnestock. The race returns on Aug. 17; register at fahnestockraces.com. An interior designer who lives in Kent, Spector took up trail running in 2018. She's a fast learner and a fast runner. In October 2021, she became the first person to run the New York section of the Appalachian Trail in one continuous push, covering 85 punishing miles in 26 hours, 24 minutes and 4 seconds. She didn't do it alone. She had a support crew of 15 people, including runners who had failed to set the record themselves. "It's important to have a community that supports you, and to support others as they try to achieve their own goals," she said. "Even if you're a runner who goes on every run by yourself, at some point you're going to encounter this community." Spector went on to help found the Hudson Valley Trail Runners group, which holds weekly runs on Tuesday mornings in Beacon and Thursday evenings in Philipstown. (See instagram.com/hudsonvalleytrailrunners.) The local trail-running community was also responsible for the creation of the Fabulous Fahnestock. During the pandemic shutdown that began in 2020, races were canceled and many outdoor spots, such as Mount Beacon, were closed. But Fahnestock was open, and Spector took on a project to run on every trail. Then Christopher McGovern, who lives in Nelsonville, created his own ultramarathon by plotting out a 50K course that traces Fahnestock's circumference. He uploaded the course to the ubiquitous fitness app Strava, and soon other runners were taking on the challenge and refining the route. For the inaugural Fahnestock race, the McGovern course was revised a bit. It avoids the Appalachian Trail and Canopus since they are likely to be busy on a summer Saturday. However, during the 2023 race, on a blessedly cool day in the middle of a brutal heat wave, I hardly saw anyone on the trails who wasn't racing. Two hundred people took part last year, including many from outside the Hudson Valley. The 50K was won by Shannon Capps of Philadelphia and the 25K by Kyle Boykin of Georgia. Beacon's Eric Diehl won the 5.5-mile by six seconds. Spector is hoping the 2024 race will attract more locals and designed the event to appeal to curious outdoor enthusiasts who would enjoy a leisurely day in a beautiful place, not just those looking to blast through the 50K in six hours. The cutoff times are generous enough that the 25K and 5.5 miles races can be done by hikers. There are prizes for the winners but also for the runner who gets lost the most and the last runner to finish within the cutoff times. (Full disclosure: In last year's inaugural 50K, I banged my knee coming down Round Hill and "wo...
07 Banderas falsas y militares masones Como hemos venido desarrollando en esta serie de videos, el poder-religión, base fundamental que pasa desapercibida para la inmensa mayoría de la gente, opera en la sombra y trasciende fronteras, épocas y tipos de gobierno. Los grises funcionarios son uno de los gremios que forman parte de ese engranaje del poder-religión en la sombra. (poner video del globo Blasco Berlanga globo.mp4)) La figura de Blasco Ibáñez se ha utilizado para ejercer presión entre las masas populares para crear la ilusión que el pueblo también puede ejercer poder, desde la prensa o desde la tribuna del Congreso de los Diputados. Pero las cosas en realidad son bastante más grises y normalmente se planifican a muchos años vista ya que estas viejas castas que detentan el poder real se transmiten el conocimiento de padres a hijos “ad infinitum”. Leyendo el ensayo escrito por José Mas y Maria Teresa Mateu titulado “Vicente Blasco Ibáñez : ese diedro de luces y de sombras” financiado por todos nosotros y patrocinado por la Generalitat Valenciana me di cuenta de que tal y como cuentan los propios autores, todo eran luces. “Creemos haber abordado el estudio de Blasco Ibáñez con cierta novedad y, aunque en el título se alude a las luces y a las sombras, hemos procurado recoger sobre todo las luces: que otros recojan, si lo quieren, las sombras.” En el capítulo 5 vimos como se referían al editor Cabrerizo como si hubiera conocido a un joven Blasco aficionandolo a la lectura, pero una simple búsqueda nos arroja que Cabrerizo murió cuando Blasco tenia 1 año y 10 meses, esa es la credibilidad que debemos otorgar a “las luces”. La verdadera relación entre Blasco y el editor provenía de la tía de Blasco y muy posiblemente su entrada en la masonería sobrevendria por ello. El editor reconocía ser “uno de los fundadores de la Asociación de la Virgen del Pilar de Zaragoza, establecida en la Iglesia parroquial de los Santos Juanes” y los padres de Vicente Blasco Ibáñez decidieron bautizarlo y registrarlo en la Iglesia de los santos Juanes de Valencia. La hermana de su madre y el editor Cabrerizo compartían casa en el padrón municipal de Calatayud como podemos leer en el libro “Los amores de Blasco Ibáñez”: “Doña Ramona Ibáñez había llegado a Valencia llamada por una tía suya, doña Vicenta Martínez Torralva, natural de Calatayud, que contaba sesenta y dos años en la fecha del casamiento de doña Ramona. Doña Vicenta Martínez aparece en el padrón municipal de 1868 como domiciliada en la casa número 11 de la calle de Embajador Vich, en el mismo lugar y casa que habitaba el famoso editor don Mariano de Cabrerizo.” Roca nos cuenta un poco mas en la biografía sobre Blasco Ibáñez: “En medio de las conmociones de la época, el hogar de los Blasco vive en la paz y la prosperidad de un negocio convertido en floreciente gracias a la actividad de Gaspar y a la energía de su mujer. Con ellos vive también la tía Angela, hermana de doña Ramona. Con frecuencia visitan a la madrina en la calle de Embajador Vich, o en la casa que Cabrerizo tiene en la Alameda. Una casa amplia, con extenso jardín. Don Mariano de Cabrerizo tuvo muchísimas veces sobre sus rodillas al niño. Ya viejo, octogenario, Cabrerizo jugaba con él. ¿Qué quieres ser tú?, le preguntaba. Y como el pequeño le mirase con asombro, él mismo se respondía: «Librero. Eso es. Serás librero, como yo. Es un oficio digno de ser estimado. Cabrerizo falleció en Valencia a la edad de ochenta y cuatro años, el día 10 de diciembre de 1868. Pocos meses después todos los bienes del famoso editor eran sacados a pública subasta.” Vemos una relación de la hermana de la madre de Blasco con la masonería a través del editor Cabrerizo. Pero es que podemos relacionar a Pilar Blasco Ibáñez, hermana de Vicente Blasco Ibáñez con la masonería también. Su marido fue Alberto Carsí Lacasa, geólogo de profesión, ocupo cargos importantes durante la República. Teniendo como nombre simbólico CANOPUS al acceder por primera vez a la masonería a través de la logia Cosmos, estuvo también en la Logia Salud, Estabilidad y Poder. Llegó a poseer el grado 33 siendo Soberano Gran Inspector General. Tuvo que huir a Francia al igual que muchos otros masones conocidos tras la llegada al poder de Franco. Esta serie de videos no pretende eclipsar ni desacreditar a nadie; al contrario, nuestro objetivo es poner el foco en las cosas que no suelen contarse. En este caso, y brevemente, nos referiremos a los autores de este ensayo, quienes, tras una breve investigación, descubrimos que llevan muchos años colaborando juntos. Concretamente, los vemos trabajando juntos en la creación de 'Guiones didácticos' y en el libro de texto de Primero de B.U.P. de Lengua Española del año 1975, así como en el libro 'Literatura II: Literaturas Hispánicas' para el segundo año de B.U.P. Ellos dos solitos iniciaron la andadura a la lectura de los jóvenes que desperezándose de la dictadura de Franco tenían que entrar en el reinado de Juan Carlos I y su “democracia”. A la profesora de literatura Maria Teresa Mateu Mateu, doblemente Mateu, la vemos en el BOE de 31 de agosto de 1970, con Franco presente, pidiendo renunciar a su cargo de vocal titular del Tribunal de oposiciones a plazas de Profesores agregados de “Lengua y Literatura Españolas” de Institutos Nacionales y Secciones Delegadas de Enseñanza Media. Es decir, las mismas personas que tenían influencia en lo que se leía durante el régimen de Franco volvieron a tener influencia en lo que se leería durante la democracia. Apaguemos el foco sobre el dedo y miremos La Luna, esa enorme luminaria que nos indica que las idas y venidas de cárceles y entradas y salidas del pais del escritor valenciano no fueron tan duras como parece. El propio Blasco en “Los muertos mandan”, escrito en 1909, nos deja algunas perlas. Curiosamente es el texto de presentación que eligen José Mas y Maria Teresa Mateu para su ensayo: “Venía de Valencia, del penal de San Miguel de los Reyes, llamado Niza, a causa de la dulzura de su clima, por los habituales pensionistas de dichos establecimientos. Hablaba con orgullo de esta casa, lo mismo que un rico estudiante recuerda los años pasados en una universidad inglesa o alemana. Altas palmeras sombreaban los patios, ondeando su capitel de plumas por encima de los tejados. Desde las rejas llegaba a verse toda la extensión de la huerta valenciana, con los frontones triangulares y blancos de sus barracas, y más allá el Mediterráneo, una faja azul inmensa, tras cuyo lomo se ocultaba el peñón natural, la isla amada. Tal vez había pasado por ella el viento cargado de emanaciones salinas y ardores vegetales que se colaba como una bendición en las hediondas cuadras del presidio, ¡qué más podía desear un preso!... La vida era dulce, se comía a sus horas, siempre de caliente; había orden, y el hombre no tenía más que obedecer, dejarse llevar”. Nos narran también alguna de sus primeras escaramuzas con el poder: “A los dieciséis años tuvieron lugar dos hechos importantes en la vida de Blasco: la composición de un soneto en el que se invitaba a degollar a todos los monarcas de Europa y la fuga del domicilio paterno para instalarse en Madrid, ciudad en la que era más fácil seguir su vocación de novelista. El poema contra la realeza le acarreó un proceso que al final fue sobreseído teniendo en cuenta la juventud del poeta.” En el ensayo del profesor Pablo Ramos González del Rivero titulado “Vicente Blasco Ibáñez, alter ego del joven que escribía basura romántica” apunta que: “lo que Blasco Ibáñez escribió entre 1883 y 1894, esto es, en un periodo aproximado de once años, “es aproximadamente el 75% del volumen de lo que escribirá luego en treinta y seis”. El ciclo correspondiente al de su obra repudiada es, de hecho, el más prolífico con diferencia de toda su carrera como novelista.” En julio de 1890 dirigirá una manifestación contra Cánovas del Castillo que provocaría su huida a París. Desde allí colaborará con El Correo de Valencia, con sus «Crónicas de un emigrado». Un año más tarde regresará a Valencia al concedérsele la amnistía. En el capítulo nueve hablaremos de “sus andanzas” en París, pero creanme que no lo paso mal. Durante esa época, escribió voluminosos libros propagandísticos como 'Historia de la Revolución Española' (1890-91), 'La araña negra' (1892), 'Viva la República' (1893) y 'Los fanáticos' (1894). A estos se suman 'París e impresiones de un emigrado' (1891) y el 'Catecismo Federal Republicano' (1892). En estos folletines, los realistas, los carlistas, los curas y los jesuitas son retratados como los villanos, mientras que los alter egos de Blasco, como el anarquista Gabriel Luna en 'La Catedral', Guzmán en 'Viva la República' —un español exiliado por la persecución inquisitorial que comparte los anhelos revolucionarios del pueblo francés— y Agramunt en 'La araña negra', son presentados como los héroes. La dualidad promulgada por la Revolución Francesa está servida. El tema de la Luna es muy recurrente en él con textos como “Piedra de Luna”, “El papa del mar”refiriéndose al papa Luna o “Luna Benamor”. Hay un libro escrito en 1917 y publicado en 1929 por Aleister Crowley titulado “La hija de la Luna. Intrigas magicas del Bien y del Mal” que nos recuerda al libro publicado en 1926 por Blasco “Piedra de Luna”. En el fondo ambos libros hablan sobre los hijos de la Luna. Fritz Springmeier y Cisco Wheeler nos contaron lo que es un hijo de la Luna en su libro “Como los illuminati lograron crear un indetectable y esclavo de control mental total”. “Los rituales actuales llevados a cabo para crear a un niño de la luna son descritos en detalle en 3 de los escritos de Crowley. Una vaga descripción de los rituales puede ser vista al leer el libro de "Niño de la Luna". El ritual se realiza en la villa apodada "El Nido de las Mariposas". La villa era en realidad un templo ocultista tapizado con geometría sagrada. Tenía figuras de sátiros, faunos y ninfas. Tenía estatuas de Artemis. Muchos artículos de plata y estrellas de 9 puntas estaban en la villa, debido a que todos estos objetos son relativos a la Luna en la magia. La mujer que estaba embarazada estaba rodeada de objetos relativos a la luna. La influencia de la luna es repetidamente invocada. Un altar pequeño y triangular de plata de Artemis es usado. Hay una fuente sagrada donde la mujer es lavada. El número 9, el cual es sagrado para la luna va acompañado con su respectiva escuadra. Las plegarias son hechas a Artemis, y hay una recreación de la captura de Diana por Pan. La mujer es entrenada para identificarse a si misma en lo que se conoce como Abuela Luna (en el libro es simplemente llamada Diana o Luna) por medio de identificar sus pensamientos y acciones con las deidades que uno está queriendo invocar.” El nuevo Arzobispo de Valencia, Beato Ciriaco María Sancha y Hervás, tomó posesión en 1892 y como consecuencia de los alborotos promovidos por tal hecho, fueron detenidos todos los redactores de La Bandera Federal entre ellos Blasco. Para nosotros se trató de lo que hoy día llamaríamos un acto creado por la disidencia controlada. Sancha fue arzobispo de Valencia entre 1892 y 1898, nombrado por el papa León XIII en plena guerra entre masonería e iglesia católica. Poco después, en 1902, escribió “Cuento de Sancha la serpiente” donde una pequeña serpiente crece hasta llegar a matar al niño que la había alimentado de pequeña. Poca broma con el blasquismo como leemos en un artículo publicado en marzo de 1911, en el número 194 de la revista Por esos mundos, con la entrevista de Enrique González Fiol a Blasco Ibáñez donde cuenta como estaba reclutando a un ejército al estilo de los masones italianos, los carbonarios alrededor de 1889. Resulta curioso como vemos entre los emblemas de los carbonarios, una rama de la masonería, el típico gorro frigio y el haz de lictores o fasces, manojo de flechas unido por una cinta roja, que luce por ejemplo la Guardia Civil aqui en España. “Luego fundó una juventud revolucionaria... Como no podía conquistar hombres para sus ideas, se dedicó á reclutar muchachos... Aquellos muchachos de entonces, constituyen la generación actual, y muchos son ó han sido concejales y diputados. Creó una organización revolucionaria al estilo de los carbonarios, pero sin ceremonias, organización militar secreta. Los afiliados sólo le conocían á él y á sus dos ayudantes, que formaban el tribunal, pero entre sí no se conocían. Llegó á reclutar cinco mil hombres armados, mejor dicho que se creían armados, porque... En la calle de Malaenes, en las afueras de Valencia, en el último piso, domicilio de un pintor de paredes, se reunía el tribunal para la admisión de neófitos. Todos llegaban diciendo lo mismo: Bueno. Yo en esta societat no entre, si no hiá serietat... Y sobre tot, armes. («Yo no entro en esta sociedad si no hay seriedad. Y sobre todo, armas.» Traducción del autor.). ¿Seriedad? Allí estaba el tribunal más serio que se ha visto jamás. ¿Armas? «Ché, fulano—decía Blasco á uno de sus ayudantes—, baixa un fusil.» Y se le enseñaba un fusil traído de una bohardilla. Bueno, sí, un fusil es ben poc, decía el entusiasta neófito. ¡Che, baixa un atre!, replicaba Blasco. Y se le bajaba otro. El neófito empezaba a creer en el armamento, pero Blasco, para acabar de convencerle, repetía: Che, baixa un atre. Y se le bajaba otro. Y volvía á repetirse la orden. Pero cuando iban á cumplirla, él decía: Bueno. Ya hay bastantes para convencerse de que no estamos desarmados. No bajes otro, que vamos á acabar por no poder movernos aquí... Y no se bajaba el cuarto fusil, porque no tenían más que tres. Eran tres chassepots, procedentes de los zuavos de Argelia, con la bayoneta ondulada como la espada flamígera de San Elías. A la par que ejecutaba este reclutamiento, echó a la calle un semanario que causó gran sensación: La bandera federal, cuyos lectores eran sus cinco mil reclutas.” Este episodio de Blasco es digno de una película de Berlanga. En 1893 Blasco es vuelto a encerrar por otra denuncia a La Bandera Federal junto con Herrero y Llopis. El 11 de abril de 1894 se producen disturbios callejeros por la peregrinación a Roma desde Valencia, lo que provoca la huida de Blasco. El 21 de abril le escribe una carta a su padre hablándole de como le trataba la autoridad: “Anoche a las tres de la madrugada la guardia civil y dos delegados del gobierno civil de Barcelona me detuvieron en la fonda, conduciéndome a la cárcel con todas las consideraciones y respetos, y estoy aquí en esta cárcel mejor que en un hotel. Todo Sabadell está indignadísimo. Le acompañó la hoja que ha circulado a miles inmediatamente por la ciudad”. Al regresar el 29 de abril es encarcelado, cinco días más tarde será puesto en libertad bajo fianza. En un artículo titulado “Blasco Ibáñez, como nunca” donde entrevistan a su hija libertad nos cuenta: “Libertad Blasco (Hija), también recuerda en 'Blasco Ibáñez, su vida y su tiempo' el «No puede ser... No puede ser...» que su progenitor exclamó la noche que doña Ramona sufrió un derrame cerebral. Fue el 12 de mayo de 1894. Una fecha marcada en la historia personal y profesional del autor ya que ese día se estrenaba en Valencia la única obra escrita por él para teatro. En el teatro Apolo de la ciudad, los intérpretes Ramona Valdivia y Fernando Díaz de Mendoza iban a poner sobre las tablas el montaje de 'El juez'. Pero Blasco, que había comido con el director de la obra, sólo pudo acudir a su casa de noche. Allí, don Gaspar, su padre, tenía preparado el ataúd para su esposa. Ese día, en el que el literato tuvo «sentimientos antagónicos», según su hija, no pudo salir a recibir el tributo del público por el éxito del espectáculo.” Por cierto, la obra no tuvo ningún éxito y no volvió a incursionar en ese género literario y como vemos curiosamente el nombre de la protagonista nos recuerda a su madre y obviamente el juez a su suegro. Justo 6 meses más tarde, el 12 de noviembre de ese año se publica el primer número de “El Pueblo”, fundado y dirigido por Blasco aunque como vimos en el capítulo 5 de esta serie titulado Teosofía y manos escondidas, la masonería estaría detrás de la creación de una red de prensa, casinos y centros de educación para combatir el poder de la Iglesia. Según nos cuenta una científica del CESIC en “Vicente Blasco Ibáñez y la literatura de propaganda filomasónica”, dos años antes, en 1892 se puso en marcha aquel proyecto del que un Blasco masón fue participe. El 30 de diciembre El Pueblo será denunciado por vez primera por la publicación de un artículo, denuncia a la que seguirían otras muchas en muy breves intervalos de tiempo. El 24 de febrero de 1895 estalla en Cuba la guerra y las editoriales de El Pueblo tronaban contra dicha guerra. Como consecuencia de un artículo es procesado e ingresa en la cárcel el 6 de septiembre. De allí saldrá bajo fianza 35 días más tarde. De momento ha estado preso unos 40 días más algunas detenciones de horas. El 17 de marzo de 1895 cae el gobierno de Sagasta como consecuencia del asalto a las oficinas de los periódicos El Resumen y El Globo que criticaron los destinos militares de Cuba. El año 1896 comienza con un juicio por su artículo «En pleno absolutismo» que concluye con un fallo absolutorio. El estado de sitio se declara ese año en varios momentos y contextos en España, principalmente como respuesta a las tensiones y disturbios tanto internos como en sus posesiones ultramarinas. Uno de los eventos más significativos de ese año fue el estallido de la Revolución Filipina que comenzó en agosto de 1896. Al proclamarse el estado de sitio huye a Italia disfrazado de marinero, regresando en junio y quedando en libertad provisional. En “Vicente Blasco Ibáñez : ese diedro de luces y de sombras” podemos leer: “El 4 de junio de 1896 se presentó Blasco Ibáñez ante las autoridades militares, quienes le otorgaron la libertad provisional; tal situación de precariedad no arredró al periodista, quien siguió publicando en El Pueblo vibrantes artículos contra la guerra colonial y contra una ley injusta que permitía comprar por mil quinientas pesetas la exención del servicio militar. Transcribamos el comienzo del artículo “Carne de pobres” aparecido el día 19 de agosto: “¿Tienes mil quinientas pesetas? ¿No? Pues dame a tu hijo. Sois pobres y esto basta. Lleváis sobre vuestra frente ese sello de maldición social que os hace eternos esclavos del dolor. En la paz, debéis sufrir resignados y agotar vuestro cuerpo poco a poco para que una minoría viva tranquila y placenteramente sin hacer nada; en la guerra, debéis morir para que los demás, que por el dinero están libres de tal peligro, puedan ser belicosos desde su casa. Resignaos: siempre ha habido un rebaño explotado para bien y tranquilidad de los de arriba.” El propio Blasco escribe sobre su consejo de guerra donde al final es condenado a dos años de prisión correccional: “La escena pasó en un dormitorio, en 1896, pidiendo para mí el fiscal —un coronel— una condena de catorce años de presidio. Dicha escena tuvo una teatralidad que no olvidaré nunca. Después de larguísimo debate, me fue leída la sentencia, por la noche, en medio del patio, entre bayonetas y a la luz de un candil. Se había rebajado la pena a cuatro años de presidio, de los que pasé catorce meses encerrado en uno de los dos penales que tenía entonces Valencia, un convento viejo, situado en el centro de la ciudad y con capacidad para trescientos penados, si bien estaban más de mil. Allí perdí hasta el nombre, sustituido por un número (...) Una parte de mi reclusión la pude pasar, por especial y secreto favor de los empleados, en la enfermería del establecimiento, entre tísicos y cadáveres. Allí compuse un cuento: “El despertar del Buda”…” De esos dos años Blasco pasaría en la cárcel 14 meses que contando los 40 días anteriores, arrojan unos 465 días. El propio Blasco en marzo de 1911 le contó en una entrevista a Enrique González Fiol como fue tratado allí: “Como benevolencia especial, se me consintió dormir en la enfermería del hospital.” En aquella época morían los presos por la tisis y supuestamente Blasco los tenía por allí muriendo pero prefería estar en la enfermería. “…Porque al menos tenía un camastro. Los presidiarios dormían en el suelo, sobre un montón de paja unos; otros encima del petate…” El 28 de marzo de 1897 se le conmutó la pena de prisión por la de destierro. El 31 marchará a Madrid, regresando amnistiado a Valencia, el 18 de septiembre. Le sorprende allí la gran riada del 13 de noviembre, que causa graves inundaciones en la ciudad de Valencia. Sin embargo, las peores inundaciones ocurren el 18 de noviembre, cuando el río Júcar inunda Alcira, la pequeña ciudad valenciana que Blasco eligió luego como escenario de su novela 'Entre naranjos’. “¡Al mar los campos y plantaciones de los que, abusando de la sequedad de su cauce, fueron extendiendo lentamente los límites de sus fincas, haciendo producir cosechas al lecho de las aguas que estas acaban de reconquistar! ¡Abajo los paredones, las vallas, las obras de que los ingenieros se mostraban orgullosos, como si la ciencia pudiera a la larga vencer la fuerza de los elementos! …Sigue el río su obra de destrucción, arrastrando hacía el mar todo cuanto encuentra; muebles y víveres, bestias y viviendas; y ¡oh contraste de la vida!: lo que allá arriba, en los campos, es destrucción y muerto, abajo, en la playa, es remedio de la miseria… …Son los pescadores del rio revuelto, los hijos de la miseria que, exponiendo su vida, encuentran medios de subsistencia en la misma desgracia, registrando las entrañas a la avenida para apoderarse de lo que ha robado. El saco de harina que arrebataron las aguas de algún molino de lo más alto de la provincia será mañana pan tierno y caliente en muchas barracas; el cerdo ahogado estará pronto convertido en embutidos: el vino de tos llanos de Liria calienta gratuitamente los estómagos de esos extraños pescadores del cataclismo; los maderos que cabeceaban sobre la avenida se transformarán en nuevas viviendas; y las sillas, las cómodas, los espejos, vueltos en si después de una loca carrera de tumbos y choques, no podrán explicarse cómo han pasado del estudi del labriego, perfumado por el olor acre del trigo y las frutas, al cuartucho adornado con redes, por cuyas ventanas entra el soplo salitroso y vivificante del mar. …” En 1898 Blasco consigue el apoyo de miles de lectores para defender a su maestro Emilio Zola, con motivo de su carta “J ́accuse” que tanta importancia revistió en el “affair Dreyfus”. ”Es el Caso Dreyfus, la injusta condena de un militar, de origen judío, envuelto en el deshonor de una acusación de traición fraguada a base de pruebas falsas y silencios “. No voy a entrar en quién fue el capitán Dreyfus, tratado como si fuera una víctima de la peste, recluido en la inhóspita Isla del Diablo. El tuvo dos juicios en 1898 y 1899, en ambos fue declarado culpable pero en 1906 su inocencia fue reconocida oficialmente por la Corte de Casación a través de una sentencia que anuló el juicio de 1899. Rehabilitado, el capitán Dreyfus fue reintegrado al Ejército con el rango de comandante; luego participará en la Primera Guerra Mundial. De lo que sí hablaré es de la pertenencia a la masonería de Emilio Zola como reconocen innumerables paginas masónicas en todo el mundo ademas de haber sido nombrado Oficial de la Orden Nacional de la Legión de Honor como nuestro escritor protagonista. Una de las principales logias de España, instalada en Madrid, fue La Logia Ibérica. Logia que tenía tantos hermanos masones que se pusieron el nombre simbólico de Zola que se conoció como Emile Zola, logia Ibérica no 7 aunque oficialmente no se reconoce este nombre como podemos leer en el articulo “La Logia Ibérica. La logia durante el siglo XIX”: “Fue fundada con el nombre de Luz de Mantua el 10 de febrero de 1870 (era vulgar). Ingresó en el Gran Oriente de España, el 12 de enero de 1881, bajo cuya obediencia trabajo hasta que en el año 1889 fue extinguido dicho Gran Oriente como Potencia regular para la constitución del Grande Oriente Español. El 7 de julio de 1889 se afilió e instaló en la Federación del Grande Oriente Español, con el número 7 entre los Talleres activos de la Columna Federal. El 14 de diciembre de 1889 se fusionó con la Respetable Logia Hijos del Progreso, número 53, y adoptó el nombre de “Ibérica”. El 1 de enero de 1909 se incorporó a ella la logia El Progreso número 88.” En otros países como Argentina se fundaron logias con el nombre conjunto de defensor y defendido como podemos leer en este trabajo histórico sobre La logia Zola Dreyfuss de Punta Alta: “…respecto al porqué de la elección del nombre de la nueva logia no hallamos hasta el momento documentación que nos brinde la respuesta, pero si analizamos el contexto histórico, podemos esbozar alguna. En este sentido desde fines del siglo XIX y las primeras décadas del XX, surgió en Europa una creencia a la que se denominó el mito de la conspiración judía mundial" Sus partidarios aseguraban que existía un gobierno secreto israelita que mediante organizaciones encubiertas, controlaba los partidos políticos y gobiernos, la prensa y la opinión pública, los bancos y la economía, cuyo único objetivo era lograr dominar el mundo entero.” Resulta cuando menos curioso que desde una organización discreta se nos hable de conspiraciones en la sombra. Tampoco vamos a hablar en profundidad sobre una “conspiración judía mundial” pero solo hay que ver quienes son los principales propietarios de la banca, los medios de comunicación, Hollywood, la industria del porno, etc. Se comenta por ejemplo que la logia B’nai B’rith (Hijos del Pacto) es la que coordina a nivel mundial el resto de logias y organizaciones masónicas y paramasónicas como los rotarios, recomendaría que revisaran las personas que han sido premiadas por esta logia. El investigador Jüri Lina en “Arquitectos del engaño” pág 162, nos dice: “Los Archivos Especiales de Moscú contienen documentos que muestran a B’nai B’rith (Hijos del Pacto) como superior a todas las demás ramas de la masonería, de hecho constituye una especie de masonería dentro de la masonería. Las 1.090 logias de B’nai B’rith no tienen nombres, sólo números. El Presidente de B’nai B’rith Internacional es Richard D. Heideman. B’nai B’rith la fundaron con el nombre de Bundesbriider doce masones judíos alemanes el 13 de octubre de 1.843 en el Café Saint Germain de Nueva York. En la orden sólo se admiten judíos y medio judíos. La logia estadounidense B’nai B’rith trabaja muy estrechamente con los Illuminati. B’nai B’rith está representada en la ONU por su Fundación («Lexikon des Judentums»). El 12 de septiembre de 1.874 se firmó un convenio en Charleston entre B’nai B’rith y el Consejo Supremo del Rito Escocés, sobre su extensa cooperación y la formación de una confederación general de logias israelíes. Firmaron este documento Armand Levi y Albert Pike, alias Limud Enhoff, su nombre masónico, gran maestro del Palladium.” ¿Se acuerdan de Leo Taxil y como se había inventado una orden masónica satánica llamada Palladium? Sobre estas y otras cuestiones pueden leer en mi artículo titulado “EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS” donde queda negro sobre blanco la relación del presidente Macron con la banca judía Rothschild y la masonería. Por cierto, todo un caballero de Colón, el señor Domenico Margiotta escribió en 1895 un libro titulado “El Paladismo. Culto de Satán-Lucifer dentro de las logias masónicas”. Libro que por desgracia no está traducido al castellano pero que nos habla claramente del ocultismo que se respira dentro de las logias. En la madrugada del 15 al 16 de febrero de 1898 se produce la voladura del Maine en La Habana. El 25 de abril Estados Unidos declara la guerra a España. El hundimiento de aquel barco es reconocido hoy día como uno de los primeros casos de bandera falsa creados por los Estados Unidos. En junio El Pueblo es denunciado. Primer suplicatorio al Congreso para procesar a Blasco. El 27 de octubre es detenido e ingresa en la cárcel por escribir un manifiesto para exigir que la fábrica de gas suministre gas gratis a la ciudad de Valencia, siendo puesto en libertad el 31 de octubre. Ha pasado 5 días en la cárcel. Francisco Pérez Puche nos cuenta porque entro en la cárcel en su articulo “El año más intenso. El 98 de Vicente Blasco Ibáñez”: “La visita de Blasco a la prisión se debía a un artículo sobre el conflicto del gas, contra los excesos del tristemente famoso monsieur Touchet, el administrador de la fábrica de los herederos del marqués de Campo. El hombre había subido las tarifas del combustible y además no quería cumplir el compromiso de suministrar gratuitamente el fluido para el alumbrado público suscrito años atrás por el patricio valenciano con su ciudad. “ Es lo que tienen las empresas privadas que quieren recoger beneficios. Concretamente la ciudad de Valencia es conocida entre las empresas suministradoras de electricidad como una mal pagadora y por ello van cambiando de compañía cada pocos años. Esto produce denuncias de estas compañías que terminan ante el Tribunal Superior de Justicia (TSJ) de la Comunitat Valenciana y normalmente no se pagan o terminan en un acuerdo ya que dichas compañías también le deben dinero a la Hacienda pública y ya saben aquello de “perro no come perro”. 1898 fue un año intenso para España: “…el estado de guerra y otras restricciones a los derechos constitucionales, el mismo día de julio de 1898 en que se supo que la flota del almirante Cervera había sido destruida en la embocadura de la bahía de Santiago de Cuba…” El Gobierno del masón Sagasta decidió enviar una escuadra al Caribe y como almirante jefe escogió a Pascual Cervera, otro hermano masón, el cual lo único que hizo fui hundir nuestra flota sacando los barcos de día y en fila de a uno para deleite de la escuadra americana que solo tuvo que practicar “tiro al pato”. Con su negligente actuación causó el hundimiento de 4 cruceros y 2 contratorpederos y la muerte de casi 350 marineros. El bando yanki solo tuvo un muerto. No confundirlo con el comandante también destinado en Cuba Julio Cervera Baviera, también masón. El propio ministro de la guerra Segismundo Bermejo y Merelo o el ministro de estado Segismundo Moret y Prendergast eran asimismo masones. Ni que decir del submarino inventado por Isaac Peral y que la armada se negó a desarrollar, es más, el propio gobierno de España filtró los planos del submarino en el BOE de la época facilitando así a todas las otras naciones el desarrollo de sus propios submarinos. Lo de Cuba acabó en una venta encubierta de los restos de nuestro imperio a Estados Unidos. Tanto es así que Estados Unidos indemnizó a España; léase el Tratado de París de 1898. Volviendo a nuestro hilo conductor Pérez Puche nos habla del Vicente Blasco Ibáñez preso: “A las diez en punto de la noche del lunes, 31 de octubre de 1898, se abrió el portón de la cárcel de San Gregorio, en la calle de San Vicente, y sonaron los primeros aplausos. Un grupo de periodistas y no pocos militantes, junto con el abogado republicano Vicente Dualde esperaba la salida de la prisión del diputado Vicente Blasco Ibáñez. Abrazos, palmadas en la espalda, sonoros saludos. El director de la penitenciaria, José Manuel Maldonado. despidió con mucho afecto al más famoso de sus presos, a quien había tenido el honor de custodiar durante cinco días, desde que el juzgado militar se lo encomendara el jueves anterior. La cárcel de San Gregorio no era precisamente el Hotel de Roma, pero algunos presos notables, como el diputado, escritor y periodista Vicente Blasco Ibáñez lograban ver bastante atenuados sus rigores.” “…el diputado Blasco pudo gozar de una inmunidad parlamentaria que su abogado, el incansable Dualde, no iba a tardar en refrendar. Leer la prensa, tener libros y recado de escribir, recibir cada mañana un buen desayuno y disponer de despacho eran algunos de los gajes del prisionero, gracias a sus correligionarios y al generoso trato del director del correccional.” En el artículo “Blasco Ibáñez, como nunca”, leemos: “El director de la prisión tuvo la deferencia de tenerlo en la enfermería. Y es más, Blasco Ibáñez. Un gran aficionado a la música, era un «admirador apasionado de Wagner». En aquel momento, el tenor Francisco Viñas interpretaba su ópera favorita 'Lohengrin'. El escritor valenciano, desde su celda, pudo escuchar por teléfono la interpretación del cantante al que apodaba el Caballero del Cisne. «El director de la Compañía de Teléfonos, el señor Perucho, había instalado un aparato telefónico que conectaba la celda que ocupaba Blasco Ibáñez con un escenario donde los tramoyistas sostenían varios auriculares y un empleado de la telefónica se encargaba de nadie pudiera cortar la comunicación», escribe la autora.” Blasco sumaba ya la friolera de 470 días en “la cárcel” entrecomillas. Nada más salir de la cárcel podemos leer: “Le habían aclamado en la calle, incluso con bandas de música; cuándo salió de la prisión y al ser elegido diputado por la ciudad de Valencia y su distrito, con más de seis mil votos, en marzo de 1898. Tenía entonces 31 años; “ Junto a su gran rival en la prensa, Teodoro Llorente Olivares, el director de «Las Provincias», fue invitado el 21 de enero de 1899 por el alcalde en funciones de Valencia Miguel Sales a tomar una decisión histórica, determinar donde se construiría la estación del Norte. Aquel año loco, Valencia tuvo otros dos alcaldes, Pascual Guzmán Pajarón y Juan Lorda Morera. Curiosamente la compañía de trenes que operaría dicha estación, la Compañía del Norte, había heredado las líneas de la antigua AVT del fallecido marqués de Campo cuyos herederos habían logrado meter en la cárcel a Blasco por el caso Touchet unos años antes. Vicente Blasco Ibáñez cedió el periódico El Pueblo a sus trabajadores en el año 1905. Esta decisión fue una de las muchas que supuestamente reflejaban sus ideas progresistas y su compromiso con el movimiento obrero y republicano en España. Pero “el caballero audaz” nos lo muestra de otra manera: “Los infelices obreros soportaron la pesada carga, sin documento alguno que justificara su propiedad; trabajaron gratis y a medio sueldo varios meses, y cuando El Pueblo tuvo la vida asegurada y rendía ganancias, se apoderó Blasco de nuevo del periódico y arrojó de su casa a los cajistas, motivando su proceder una huelga de tipógrafos, que fracasó porque el director se trajo personal de Barcelona y Madrid. Consiguió en unas elecciones, apoyado por los conservadores silvelistas de Llorente, ser diputado a Cortes, y en las municipales obtuvo mayoría de concejales, cada uno de los cuales, al ser proclamado candidato, entregaba a Blasco una cuota de dos mil a cinco mil pesetas, según la importancia del puesto que después quería desempeñar en el Ayuntamiento, exigiéndoles como condición a los elegidos que le entregasen la dimisión en blanco.” Tres años antes había inaugurado el espectacular chalet de la Malvarrosa, del cual nos sigue contando Carretero Novillo: “En cuanto tuvo mayoría en el Ayuntamiento, comenzó a construirse un magnífico chalet en la Malvarrosa, con materiales y obreros que pagaba Valencia; pues todo era de la Corporación municipal, con cargo a las obras del Nuevo Matadero, que entonces comenzó a construirse. Para pagar los jornales de estos obreros, el Ayuntamiento le entregaba, diariamente, diez volantes, de los llamados «de carro, equivalente, cada uno de ellos, a diez pesetas, más un número bastante crecido de los llamados de peón». Persuadido de su influencia sobre la masa popular, promovió numerosos mitines y algaradas, tomando como pretexto la cuestión religiosa en sus diferentes manifestaciones, pues que esto era lo que halagaba las masas en aquel tiempo, que costaron muchas vidas, que el Blasco capitaneaba hasta el momento en que aparecía la Guardia civil, pues hombre teórico, y no de acción, abandonaba a los suyos en aquel instante. El negocio más fabuloso que realizó en Valencia Blasco Ibáñez, fué el obligar a sus concejales que arrendasen los Consumos a determinada entidad, lo cual le valió, en cuanto se adjudicó, un millón de pesetas, y después, cada año, la Compañía Arrendataria-Salmón y Compañía le entregaba quinientas mil pesetas. Tengo ante mí una carta de Blasco que pone de manifiesto el negocio. Hay un membrete que dice: El Diputado a Cortes por Valencia». Querido amigo: Lo del arriendo de los Consumos está ya arreglado. He escrito a Manolo y Pepe Trocher sobre esto. La Arrendataria me ha prometido, además de lo que tú sabes, que designaremos nosotros el personal, y tengo la seguridad de dos grandes empleos para Gastaldo y Cañizares y para otros más. En fin, que esto... nos dará inmensa fuerza. Manolo, a quien escribo, se avistará contigo para que el periódico, y la mayoría de concejales, marchéis de acuerdo. Que el periódico no cometa ninguna imprudencia; que no ataque con saña lo del arriendo. Vigilad a Manent para que no cometa ninguna imbecilidad. Encárgale a Ávalos que no meta la pata en este asunto. Seremos los amos de Valencia; pienso (fijate bien) dejar arreglado nuestro asunto, antes de partir con Luis Canalejas. Procuraré aprovechar la ocasión ya que esta gente está contenta (el Gobierno) y esto más nos encontramos. En tu discreción confío. Rompe esta carta, que tú eres descuidado. Un abrazo de tu fraternal amigo. Vicente.» No es posible negar que el destinatario de esta carta-y lo prueba el que la epístola haya llegado hasta mí-; era, efectivamente, un hombre «descuidado». Como prueba, también, que ya, entonces, nuestro héroe era «de cuidado»... Fué, en aquella época, cuando Blasco, por el precio de una máquina rotativa vieja, vendió a Rodrigo Soriano un acta de diputado a Cortes por Valencia. El impetuoso Soriano no pudo aguantar mucho tiempo las rapiñas de Blasco. Riñeron y vino aquella campaña furiosa, a la que ya me he referido, y en la que ambos se dirigieron crueles insultos.” Nótese lo de fraternal en la despedida de la carta, ya saben, entre masones anda el juego. ………………………………………………………………………………………………………. Enlaces citados en el podcast: Bibliografia completa https://www.cervantesvirtual.com/portales/vicente_blasco_ibanez/su_obra_bibliografia/ Cronología de Vicente Blasco Ibáñez https://www.cervantesvirtual.com/portales/vicente_blasco_ibanez/autor_cronologia/#anyo_1900 Cronologia literaria Blasco Ibáñez https://anyblascoibanez.gva.es/va/cronologia-literaria Time line de su vida https://www.timetoast.com/timelines/vicente-blasco-ibanez-5ac50faf-ff35-40dd-be42-708435362932 Galeria de imágenes https://www.google.com/imgres?imgurl=https%3A%2F%2Fwww.cervantesvirtual.com%2Fimages%2Fportales%2Fvicente_blasco_ibanez%2Fgraf%2Fcronologia%2F03_cro_blasco_ibanez_retrato_1018_s.jpg&tbnid=s0ix0VfxLAJ4aM&vet=12ahUKEwi45LKn8vr-AhVYmycCHf1fDVMQMygkegUIARDGAQ..i&imgrefurl=https%3A%2F%2Fwww.cervantesvirtual.com%2Fportales%2Fvicente_blasco_ibanez%2Fautor_cronologia%2F&docid=rpcl3y5OiYotjM&w=301&h=450&q=Mar%C3%ADa%20Blasco%20blasco%20iba%C3%B1ez&hl=es&client=firefox-b-d&ved=2ahUKEwi45LKn8vr-AhVYmycCHf1fDVMQMygkegUIARDGAQ Capítulo 7 Vicente Blasco Ibáñez : ese diedro de luces y de sombras https://bivaldi.gva.es/es/consulta/registro.cmd?id=318 https://www.cervantesvirtual.com/obra/vicente-blasco-ibanez--ese-diedro-de-luces-y-de-sombras/ BOE 1 Octubre 1970 https://www.boe.es/boe/dias/1970/10/01/pdfs/A16218-16218.pdf Libros de BUP 1era etapa democrática https://datos.bne.es/persona/XX1150186.html https://dialnet.unirioja.es/servlet/libro?codigo=222347 https://dialnet.unirioja.es/servlet/libro?codigo=159914 Las novelas históricas olvidadas de Blasco Ibáñez https://www.cervantesvirtual.com/descargaPdf/las-novelas-historicas-olvidadas-de-blasco-ibanez/ La hija de la Luna - Aleister Crowley https://www.abretelibro.com/foro/viewtopic.php?t=124204 COMO LOS ILLUMINATI LOGRARON CREAR UN INDETECTABLE Y ESCLAVO CONTROL MENTAL TOTAL https://www.academia.edu/44186118/COMO_LOS_ILLUMINATI_LOGRARON_CREAR_UN_INDETECTABLE_Y_ESCLAVO_CONTROL_MENTAL_TOTAL El año más intenso. El 98 de Vicente Blasco Ibáñez / Francisco Pérez Puche https://www.cervantesvirtual.com/obra/el-ano-mas-intenso-el-98-de-vicente-blasco-ibanez-/ Cuento de Sancha la serpiente https://ciudadseva.com/texto/sancha/ ¿Qué simbolizan las fasces romanas y la espada del actual escudo de la Guardia Civil? https://confilegal.com/20180828-que-simbolizan-las-fasces-romana-y-la-espada-del-actual-escudo-de-la-guardia-civil/ Blasco Ibáñez, como nunca https://www.lasprovincias.es/culturas/201701/28/blasco-ibanez-como-nunca-20170128184131.html NORTE (6). EL LARGO PARTO DE UNA ESTACIÓN https://fppuche.wordpress.com/2017/07/01/norte-6-el-largo-parto-de-una-estacion/ Confesiones, 1911- Parte II http://elargonautavalenciano.blogspot.com/search/label/A%C3%B1o%201911 Carta de Vicente Blasco Ibáñez a Gaspar Blasco (su padre). Sabadell, 21 de abril de 1894 [Transcripción] https://www.cervantesvirtual.com/obra/carta-de-vicente-blasco-ibanez-a-gaspar-blasco-su-padre-sabadell-21-de-abril-de-1894-785513/ https://www.cervantesvirtual.com/obra-visor/carta-de-vicente-blasco-ibanez-a-gaspar-blasco-su-padre-sabadell-21-de-abril-de-1894-785513/html/833941e6-0d48-4978-9d06-22867260119e_2.html#I_0_ La carta en imagen https://www.cervantesvirtual.com/obra-visor/carta-de-vicente-blasco-ibanez-a-d-ramon-su-padre-sabadell-21-de-abril-de-1894-785511/html/42bf125d-3fd1-4814-bce5-7370c83b723b_6.html La riada del 1897 http://elargonautavalenciano.blogspot.com/search/label/A%C3%B1o%201897 Caso Dreyfus https://es.wikipedia.org/wiki/Caso_Dreyfus Émile Zola https://es.wikipedia.org/wiki/%C3%89mile_Zola Pertenencia a la masonería de Emilio Zola https://www.logiaariadna.org/copia-de-historia-de-la-glse La Logia Ibérica. La logia durante el siglo XIX https://elobrero.es/historalia/69134-la-logia-iberica-la-logia-durante-el-siglo-xix.html EL GAS LEBÓN https://valenciablancoynegro.blogspot.com/2014/03/el-gas-lebon.html Trencadís 03/pág 26 Touchet y la fabrica de gas https://revistatrencadis.org/trencadis-03/ La logia Zola Dreyfuss de Punta Alta https://issuu.com/archivohistorico/docs/revista_el_archivo_32 La logia Jovellanos (1912-1939) Memoria e historia borradas por el franquismo/Yván Pozuelo Andrés https://www.palabradeclio.com.mx/src_pdf/La_1563335040.pdf Hijos del pacto y la masonería https://twitter.com/tecn_preocupado/status/1071032054500986880 https://twitter.com/tecn_preocupado/status/1059749998835970049 Hilo la historia se repite masonería y judaísmo independencia cataluña https://twitter.com/disfrazad0/status/913515494468210688 El papel de la masonería en las revoluciones rusas de 1917 https://twitter.com/Jadouken10/status/927674418926637056 Configuración de la Matrix . El Triángulo de Poder I https://twitter.com/anti_jesuita/status/937121964862398469 Configuración de la Matrix . El Triángulo de Poder II https://twitter.com/anti_jesuita/status/937241922535657472 Configuración de la Matrix . El Triángulo de Poder III Ejercicio práctico. – Lluís Companys. https://twitter.com/anti_jesuita/status/937317728058335233 Revolución masónica Francesa https://twitter.com/jfrsanchez/status/1066307092129169408 EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ EL HUNDIMIENTO DEL MAINE, UN CASO DE BANDERA FALSA https://navegandoenelrecuerdo.blogspot.com/2014/06/el-hundimiento-del-maine-un-caso-de.html ¿Falsa bandera en el 'Maine'? La explosión que precipitó el fin del imperio español https://www.elconfidencial.com/cultura/2020-10-11/dia-de-la-hispanidad-imperio-espanol-cuba_2783115/ El submarino de Isaac Peral: la historia de una infamia que dejó a España sin colonias https://www.elespanol.com/reportajes/20180504/submarino-isaac-peral-historia-espana-sin-colonias/304720506_0.html Almirante Cervera, historia de una traición https://www.burbuja.info/inmobiliaria/threads/almirante-cervera-historia-de-una-traicion.1732598/ IMPRESCINDIBLE: LA GRAN MENTIRA del 98. 30 DATOS que EVIDENCIAN que fue UNA TRAICIÓN ORQUESTADA https://www.youtube.com/watch?v=1cqU-UFkGLI 1898, el submarino Peral y la alta traición a España por Cesáreo Jarabo https://www.youtube.com/watch?v=IYjYnnOoxcs Historia de la masoneria. SEGISMUNDO MORET Y PRENDERGAST https://www.uned.es/universidad/inicio/unidad/museo-virtual-historia-masoneria/sala-v-historia-de-la-masoneria-en-espana/segismundo-moet-y-prendergast.html Julio Cervera Baviera https://es.wikipedia.org/wiki/Julio_Cervera_Baviera Julio Cervera y Baviera, Masones filatelizados https://fesofi.es/noticias/julio-cervera-y-baviera-personajes-masones-filatelizados/ Un fallo favorable a Iberdrola obliga a cambiar la 'problemática' tasa de suministros de València https://valenciaplaza.com/un-fallo-favorable-a-iberdrola-obliga-a-a-cambiar-la-problematica-tasa-de-suministros-de-valencia NORTE (6). EL LARGO PARTO DE UNA ESTACIÓN CAPÍTULO 4. (1898-1905) Un tiempo malo para España https://fppuche.wordpress.com/2017/07/01/norte-6-el-largo-parto-de-una-estacion/ José María Carretero Novillo https://es.wikipedia.org/wiki/Jos%C3%A9_Mar%C3%ADa_Carretero_Novillo EL NOVELISTA QUE VENDIO A SU PATRIA O TARTARIN, REVOLUCIONARIO. (TRISTE HISTORIA DE ACTUALIDAD) https://www.iberlibro.com/NOVELISTA-VENDIO-PATRIA-TARTARIN-REVOLUCIONARIO-TRISTE/972584489/bd Centro Documental de la Memoria Histórica. Fotografia masónica https://pares.mcu.es/ParesBusquedas20/catalogo/find?idAut=100189&archivo=1&tipoAsocAut=1&nomAut=Fotograf%C3%ADa+mas%C3%B3nica Obra “El Juez” de Blasco Ibáñez https://bdh-rd.bne.es/viewer.vm?id=0000112901&page=1
Walking with the Saints Podcast | Feast of Saint Arsenius, the Great, Patron Saints of Jesuits and Franciscan | July 19 I have always something to repent after having talked, but have never been sorry for having been silent.” These words came from St. Arsenius of Rome, who was known to be always quiet and prayerful. He was a Roman tutor who became a hermit in Egypt and his teachings influenced greatly the development of asceticism and the contemplative life. Arsenius was born in Rome to a noble family in 350. After the death of his parents, his sister entered the cloister and he, after distributing all their property to the poor, was recommended by the pope to be the tutor of the two sons of Emperor Theodosius I, of Constantinople since he knew Greek literature, was wise, and righteous. Arriving at the Emperor's palace, he was introduced to a life of extravagance and luxury, but he was never happy about it. While praying one day, he said: “O God, teach me how to be saved.” And God's answer was in the Gospel he was then reading. Seeking for eternal salvation, he left Constantinople and went to the desert to become a monk. When he presented himself to the father of the monks, he was put under the care of St. John the Dwarf. St. John treated him with indifference and seeming aversion, to test him, but he did not react negatively. Instead he remained humble and quiet, so he was accepted at once. Arsenius desired for greater solitude. St. John allowed him to live in a hidden cave in the desert. He never visited his friends nor was available to receive visitors. He requested his disciples to entertain whoever wanted to see him. He only met other people when he attended spiritual conferences. Asked why he avoided company, he answered: “God knows how dearly I love you all; but I cannot be both with God and with men at the same time; nor can I think of leaving God to converse with men.” In 434 the tribesmen from Libya raided the monasteries and hermitages and Arsenius was forced to go to Troe and spent some time in the island of Canopus. He spent the next fifteen years wandering in the wilderness. He was always prayerful and did not allow his work to diminish his time for prayer. When his former pupil became the Roman Emperor, he wanted to employ Arsenius, but they could not find him. After a long search, they found him, but he refused to return to the court and did not accept any work, not even to distribute the alms for the poor and the neighboring monasteries. Arsenius loved poverty. He refused the rich legacy his relative gave to him. He was also inclined to shed tears in reparation for the life he had before becoming a monk so that when he was already old his eyelashes were worn out. As he was dying he was also in great tears but he died in great peace, full of faith in the year 445 at the age of 95. Today, two of his important writings are still extant: a guideline for monastic life, and a commentary on the Gospel of Luke. There is also a compilation of many spiritual sayings attributed to him. His contemporaries admired him greatly and surnamed him THE GREAT. Virtue: piety, humility, detachment, temperance, charity, commitment, perseverance and patience. Prayer: “St. Arsenius, help us to shun the riches of the world and love God above al things.”
Autour de l'étoile Canopus, les astronomes ont trouvé une planète qui ressemble à la planète Arrakis : la planète de sable de la saga Dune.
DAVID GIBSON FELLOWSHIP New York ca. 2023Meek's Wrath, Chief Distortion, FellowshipDavid Gibson (tbn) Davis Whitfield (p) Joseph Lepore (b) Kush Abadey (dr). SULLIVAN FORTNER SOLO WORK ca.2023I Didn't Know What Time It Was, Snakes and Ladders, This Is NewSullivan Fortner, piano, Fender Rhodes, Hammond B-3 organ, vibes, celeste, chime tree, Moog, vocoder, hand percussion, egg shaker, triangle, vocals, hand claps, shakers, Canopus bass drum, Mongolian gong; Kyle Poole, hand claps (11); Cécile McLorin Salvant, vocals (12). Continue reading Puro Jazz 15 marzo 2024 at PuroJazz.
DAVID GIBSON FELLOWSHIP New York ca. 2023Meek's Wrath, Chief Distortion, FellowshipDavid Gibson (tbn) Davis Whitfield (p) Joseph Lepore (b) Kush Abadey (dr). SULLIVAN FORTNER SOLO WORK ca.2023I Didn't Know What Time It Was, Snakes and Ladders, This Is NewSullivan Fortner, piano, Fender Rhodes, Hammond B-3 organ, vibes, celeste, chime tree, Moog, vocoder, hand percussion, egg shaker, triangle, vocals, hand claps, shakers, Canopus bass drum, Mongolian gong; Kyle Poole, hand claps (11); Cécile McLorin Salvant, vocals (12). Continue reading Puro Jazz 15 marzo 2024 at PuroJazz.
When you're headed toward the Moon or planets, there are no signposts to keep you on the right track. Fortunately, nature provides its own markers: the stars. Spacecraft orient themselves by sighting on the Sun and one or more other stars. In the early days of space exploration, the most popular of those stars was Canopus. Canopus is a good navigational beacon because of a combination of brightness and location. It's the second-brightest star in the night sky — only Sirius outshines it. And it's far south in the sky, in a region with no other bright stars. That makes it an easy-to-find target. Canopus is more than 300 light-years away. It looks so bright because it's more than 400 times brighter than Sirius, and ten thousand times brighter than the Sun. The star is eight times the mass of the Sun. So even though it's billions of years younger than the Sun, Canopus is nearing the end of its life. It's uncertain how its demise will play out. It straddles an important dividing line. On one side of the line, it would end as the Sun will — throwing off its outer layers, leaving a hot, small corpse known as a white dwarf. On the other side, it would blast itself to bits as a supernova — briefly providing an especially bright signpost for exploring the universe. Canopus is so far south that you need to be south of about Dallas to see it. It's due south about 9 or 10 p.m., well below Sirius — another bright beacon. Script by Damond Benningfield
Las primeras menciones conocidas de Mercurio fueron hechas por los sumerios y datan del tercer milenio a. C. Los babilonios (2000-500 a. C.) hicieron igualmente nuevas observaciones sobre el planeta, denominándolo Nabu o Nebu, que en su mitología significa el mensajero de los dioses. Los observadores de la Antigua Grecia llamaron al planeta de dos maneras: Apolo cuando era visible en el cielo de la mañana y Hermes cuando lo era al anochecer. Sin embargo, los astrónomos griegos se dieron cuenta de que se referían al mismo cuerpo celeste, siendo Pitágoras el primero en proponer la idea. Las primeras observaciones con telescopio de Mercurio datan de Galileo en el siglo XVII. Aunque él observara las fases planetarias cuando miraba a Venus, su telescopio no era lo suficientemente potente para distinguir las fases de Mercurio. En 1631 Pierre Gassendi realizó las primeras observaciones del tránsito de Mercurio cruzando el Sol cuando vio el tránsito de Mercurio predicho por Johannes Kepler. En 1639, Giovanni Zupi usó un telescopio para descubrir que el planeta tenía una fase orbital similar a la de Venus y la Luna. La observación demostró de manera concluyente que Mercurio orbitaba alrededor del Sol. Durante muchos años se pensó que la misma cara de Mercurio miraba siempre hacia el Sol, de forma sincrónica, similar a como lo hace la Luna respecto a la Tierra. En 1965 se constató que el periodo de rotación era de 59 días. El astrónomo italiano Giuseppe Colombo notó que este valor suponía una resonancia orbital de 2:3, es decir, Mercurio rota tres veces cada dos años mercurianos. Más tarde, la Mariner 10 lo confirmaría. La magnitud aparente de Mercurio varía entre −2,0 (brillante como la estrella Sirio) y 5,5. La observación de Mercurio es complicada por su proximidad al Sol, deslumbrado en el resplandor de nuestra estrella. Mercurio sólo se puede observar por un corto período durante el crepúsculo de la mañana o de la noche. Mercurio es más fácil de ver desde el hemisferio Sur de la Tierra que desde el hemisferio Norte. El ángulo de Mercurio incide de manera máxima con la eclíptica, permitiendo elevarse varias horas antes que el Sol y no se pone hasta varias horas después del ocaso en los países situados en latitudes templadas del hemisferio Sur. Por contraste, en las latitudes templadas del hemisferio Norte, Mercurio nunca está por encima del horizonte en más o menos a medianoche. Como muchos otros planetas y estrellas brillantes, Mercurio puede ser visto durante un eclipse solar. Llegar hasta Mercurio desde la Tierra supone un significativo reto tecnológico, ya que su órbita está mucho más cerca del Sol. Una nave espacial con destino a Mercurio lanzada desde nuestro planeta deberá de recorrer unos 91.000.000 de kilómetros. Comenzando desde la órbita terrestre a unos 30 km/s, el cambio de velocidad que la nave debe realizar para entrar en una órbita de transferencia para pasar cerca de Mercurio es muy grande comparado con otras misiones planetarias. La sonda Mariner 10 (1974-1975) fue la primera en estudiar en profundidad el planeta Mercurio. Previamente había visitado Venus y utilizó la asistencia de trayectoria gravitacional de Venus para acelerar hacia Mercurio. Sobrevoló tres veces Mercurio y tomó 10.000 imágenes de gran parte de la superficie del planeta. La misión finalizó el 24 de marzo de 1975, cuando se quedó sin combustible y dejó de mantener el control de orientación. Mariner 10 fue la última sonda espacial dentro del programa Mariner de la NASA. Fue lanzada el 3 de noviembre de 1973, dos años después de la Mariner 9. Su misión era probar un transmisor experimental en banda X, explorar la atmósfera, superficie y características físicas de Venus y Mercurio y validar la asistencia gravitatoria, usando en este caso a Venus para acelerarse en su trayecto final hacia Mercurio. Estaba dotada de un rastreador de estrellas con el que seguía a Canopus y sensores solares. El interior de la nave fue aislado con múltiples mantas térmicas en la parte superior e inferior. La nave portaba un escudo térmico que se desplegó después de su lanzamiento para proteger a la nave en el lado orientado hacia el Sol. Cinco de los ocho compartimentos de la electrónica llevaban también cortinillas regulables para controlar la temperatura interior. Los instrumentos a bordo de la nave espacial midieron la superficie de la atmósfera y las características físicas de Mercurio y Venus. Un transmisor experimental en banda X, de alta frecuencia, fue trasladado por primera vez en esta nave espacial. En 1974, tras detectarse un fallo en el sistema de control de actitud, se utilizó propelente adicional para realizar las maniobras; ante un inminente agotamiento del propelente, corría peligro el correcto acercamiento a Mercurio y la posición de la antena apuntando hacia la Tierra. Como medida desesperada, se decidió dirigir adecuadamente los paneles solares para que pudieran ser utilizados a manera de vela solar, lo que proporcionaría el empuje necesario para reemplazar algunas de las maniobras que requerirían gasto adicional de propelente. De esta manera, aunque en forma accidental, se utilizó por primera vez la presión de la luz en las cercanías del Sol a manera de vela solar, lo que en este caso produjo que se salvara la continuidad de los objetivos de la misión. Debido a que la nave espacial consumió la totalidad de su combustible, ya no le resulta posible corregir su dirección para apuntar a la Tierra, por lo que se ha perdido contacto con la misma y simplemente ha quedado a la deriva, orbitando alrededor del Sol. Christian Wittman, Dear Gravity, Daniele Bogon, Johan Tronestam & Wolfgang Gsell, Jeff Pearce, Lethave Plank, Arcane, Robert Scott Thompson, Wojciech Kania, ASKII, Hollan Holmes, Martin Nonstatic, Unusual Cosmic Process, Terminus Void. El playlist detallado: lostfrontier.org/episodios/2024/1020.
As the night grows late, and 2024 approaches – or perhaps after you've enjoyed the midnight countdown, and the new year is aready here – take a moment to look at the sky. Even if the fireworks are all over, you'll still see some beautiful and colorful lights. At midnight, the Moon is in the east. Sunlight illuminates three-quarters of the lunar hemisphere that faces our way, so it's nice and bright. Its glare washes out the view of many fainter stars – especially those close to the Moon. But plenty of bright lights will shine through. High in the south, for example, look for Sirius, the brightest star in the night sky. It should be twinkling more than any other star, shifting from red to blue to pure white. And if you're in the southern parts of the country – south of about Dallas – you might also spot Canopus, the second-brighest star. It's directly below Sirius, just above the horizon. Orion stands to the upper right of Sirius. It may be the most beautiful of all constellations – and the easiest to find. Look for a short diagonal line of three stars – Orion's Belt. It's inside a rectangle of brighter stars. And if you want a light that's brighter still, look in the west for Jupiter, the largest planet in the solar system. It far outshines everything else in the sky at that hour except the Moon – teaming with the Moon to bookend the sky on the final hours of 2023. Script by Damond Benningfield Support McDonald Observatory
Havia uma Loja Maçônica Referencia regional, em uma das capitais do Sudeste, que estava passando por um imbróglio temporal, por estar ainda sem seu Templo Físico Construído, após um período de ter –se mudado do Templo Original, em que trabalhava, para outro em sistema de compartilhamento, que em essência, não diminuía a pujança de suas reuniões presenciais, mas faltava aquela Egrégora nostálgica de outrora, da sede própria. Trabalho árduo e penoso a construção material do Templo Maçônico, pois há inúmeros paradigmas a serem superados, tanto no campo material, como espiritual e é mister, que todos os amados irmãos estejam imbuídos nesse processo de reconstrução do Templo da Loja e sabemos, o quão financeiramente, isso impactaria nas finanças de muitos irmãos. O Landmark de número 9, com sua redação doutrinária nos determina que : “Os Maçons se ‘energizam' em Lojas Simbólicas.” Logo, toda a Loja deve os Irmãos congregarem e esta congregação deve se dar por conta da argamassa composta pelos 3 (três) elementos, sendo eles: “Paz, Harmonia e Concórdia” que unidos e misturados torna-se a “tríplice argamassa” que une os nossos trabalhos, que une nossas energias, e que une os nossos conhecimentos tirando-nos das trevas” Não só das trevas físicas, da ignorância, mas também das trevas do comodismo, do não compromisso com o programa e projeto de reconstrução de seu templo . Sabemos ser árdua esta construção, pois, tal como a pedra nos chega imperfeita para ser polida e para tanto, necessário faz extrair-lhe as lascas irregulares com trabalho árduo e preciso, na firmeza do direcionamento da ponta do cinzel e com a batida precisa do maço nivelando-a, até que chegamos ao ponto de termos de usar novas ferramentas para darmos seu acabamento certo e chegarmos a sua perfeição. Estas novas ferramentas nos obriga a buscar mais conhecimento para o seu uso e domínio e ai, podermos extrair destas as percepções necessárias para a modelagem de nosso eu interior, tal como queremos dar ao acabamento da pedra bruta que nos foi confiada e que será utilizada na construção a prumo do Templo da nossa Maçonaria. Ai entra o esquadro que nos dará a medida certa dos seus ângulos retos, tais como a medida correta que devem ter nossas atitudes; o compasso para sabermos a amplitude que devemos e podemos dar a nossa obra; a régua para configurar a retidão de nosso caráter e nossas atitudes para conosco, com a família, com a sociedade maçônica e profana; a alavanca para que possamos multiplicar nossas forças, pois a construção feita, mesmo com a pedra já polida uma a uma, o seu manuseio é penoso demais para o trabalho de um só homem por mais aplicado que seja. Assim é nossa construção pessoal, moral e espiritual, pois para lapidarmo-nos temos que, na literalidade, tirar de nós as lascas dos vícios e das paixões que somos expostos no mundo profano, pois muitas vezes as atitudes profanas que praticávamos não são aceitas dentro da Nobre Arte causando-nos conflitos internos e por esta razão sabemos que isto dói na mente. Rizzardo Da Camino, nos remete a uma profunda reflexão ao parafrasear sobre o tema em Epígrafe, Essa expressão é usada de modo simbólico e diz respeito ao trajeto que o Aprendiz deve percorrer até conseguir colocar-se diante do Altar, para contemplar a Deus. É a construção interior do grande templo espiritual, individual e coletivo, ao mesmo Tempo. Diz-se, também, quando uma Loja resolve constituir seu templo material, onde, como oficina, desenvolverá seu trabalho. A construção do templo interior individual deve iniciar-se com a seleção das pedras de alicerces, ou seja, escolher as pedras brutas que se prestarem ao esquadrejamento, para depois desbastar-lhes as arestas. Ao construírem-se os alicerces, devem ser empregados os instrumentos próprios da construção, e isso com conhecimento. Se o maçom não souber usar o Nível e o Prumo, as paredes que pretende erigir cairão e o trabalho terá sido em vão. O templo interior coletivo será a soma dos Templos individuais, onde serão convidados os Irmãos para, em coro, primeiramente louvar ao Senhor, e depois cultivar o amor fraterno. Na Cadeia de União unem-se como elos os Templos individuais no interior. O trabalho na oficina maçônica será global e coletivo. A construção ou a reconstrução interior do ser humano é o ideal da Maçonaria . Após esse preâmbulo, retornamos à construção de nosso templo físico, material. O templo Maçônico não é uma Igreja, não é apenas um local de reunião, não é propriedade privativa de qualquer indivíduo. Ele enseja toda uma filosofia, toda uma simbologia e possui ainda, depois de consagrado, todo um esoterismo próprio, advindos das energias do macrocosmo. Nossa loja é nossa casa, nosso centro de convergência de ideias e ideais, também representa o ponto equinocial do cerne de nossa integração como irmãos em verdade e em espirito. A ideia essencial de templo é e sempre foi a de um local designado especialmente para um trabalho considerado sagrado; num sentido mais restrito, o templo é um edifício construído e dedicado exclusivamente para ritos e cerimônias sagradas. Todos os templos antigos, qualquer que fosse o uso ao qual estivessem destinados, apresentavam esta característica comum de orientação, muitas vezes com maravilhosa exatidão. primeira magnitude (como Sirius, Canopus, ou a Estrela Polar, em certos templos egípcios). Quanto às três dimensões do Templo, podemos considerá-las até certo ponto equivalentes; tanto o Norte e o Zênite, como o Oriente, indicam o Mundo Divino dos Princípios ou domínio do Transcendente; enquanto o Sul, o Nadir e o Ocidente representam, de diferentes modos, o mundo manifestado ou fenomênico. A diferença baseia-se principalmente em que a direção do Oriente ao Ocidente refere-se à Senda da vida ou Caminho do Progresso; a do Norte ao Sul, à Lei dos ciclos, que nos aproxima alternativamente do domínio das Causas e dos Efeitos; e a vertical, ao Pai e a Mãe, de quem somos igualmente filhos, ou seja, às duas gravitações, celestial e terrena, que respectivamente atraem nossa natureza espiritual e material. Também podemos ver nestas três direções dimensionais uma alusão aos três movimentos da Terra: de rotação (Oriente-Ocidente), de revolução (Norte-Sul) e de precessão (Zenite-Nadir): ou seja, as três dimensões dinâmicas do mundo em que vivemos. Concluindo, após essa explanação que ensejamos acima, só nos resta a olhar para dentro de nosso templo interior e vermos o quando ele precisa ser lapidado a cada dia, pois somos seres em perpétua construção em busca da perfeição evolutiva, sem esquecermos também de incluir nessa autoanálise a pergunta: “o quanto serei responsável pela construção do templo erigido para minha amada oficina??” Como sempre digo: Respondei com franqueza, a sua resposta não nos ofenderá. TFA Dario Angelo Baggieri --- Send in a voice message: https://podcasters.spotify.com/pod/show/malhete-podcast/message
Wednesday of the 15th Week in Ordinary Time Saint of the Day: St. Arsenius the Great, 354-450; served as tutor to the children of Emperor Theodosius I; became a monk in Alexandria, Egypt, studying with St. John the Dwarf; in 434, he went to the rock of Troe, then to Memphis, Egypt, and to the island of Canopus, near Alexandria; he died at Troe Office of Readings and Morning Prayer for 7/19/23 Gospel: Matthew 11:25-27
La piedra de Rosetta es un fragmento de una antigua estela egipcia de granodiorita inscrita con un decreto publicado en Menfis en el año 196 a. C. en nombre del faraón Ptolomeo V. El decreto aparece en tres escrituras distintas: el texto superior en jeroglíficos egipcios, la parte intermedia en escritura demótica y la inferior en griego antiguo. Gracias a que presenta esencialmente el mismo contenido en las tres inscripciones, con diferencias menores entre ellas, esta piedra facilitó la clave para el entendimiento moderno de los jeroglíficos egipcios. Originalmente dispuesta dentro de un templo, la estela fue probablemente trasladada durante la época paleocristiana o la Edad Media y finalmente usada como material de construcción en un fuerte cerca de la localidad de Rashid (Rosetta), en el delta del Nilo. Allí fue hallada en 1799 por el soldado Pierre-François Bouchard durante la campaña francesa en Egipto. Las tropas británicas derrotaron a las francesas en Egipto en 1801 y la piedra original acabó en posesión inglesa bajo la Capitulación de Alejandría. Transportada a Londres, lleva expuesta al público desde 1802 en el Museo Británico, donde es la pieza más visitada. Debido a que fue el primer texto plurilingüe antiguo descubierto en tiempos modernos, la Piedra de Rosetta despertó el interés público por su potencial para descifrar la hasta entonces ininteligible escritura jeroglífica egipcia, y en consecuencia sus copias litográficas y de yeso comenzaron a circular entre los museos y los eruditos europeos. La primera traducción completa del texto en griego antiguo apareció en 1803, pero no fue hasta 1822 cuando Jean-François Champollion anunció en París el descifrado de los textos jeroglíficos egipcios, mucho antes de que los lingüistas fueran capaces de leer con seguridad otras inscripciones y textos del antiguo Egipto. Los principales avances de la decodificación fueron el reconocimiento de que la estela ofrece tres versiones del mismo texto (1799), que el texto demótico usa caracteres fonéticos para escribir nombres extranjeros (1802), que el texto jeroglífico también lo hace así y tiene similitudes generales con el demótico (Thomas Young en 1814) y que, además de ser usados para los nombres extranjeros, los caracteres fonéticos también fueron usados para escribir palabras nativas egipcias (Champollion entre 1822 y 1824). Más tarde se descubrieron dos copias fragmentarias del mismo decreto, y en la actualidad se conocen varias inscripciones egipcias bilingües y trilingües, incluidos dos decretos Ptolemaicos, como el Decreto de Canopus del 238 a. C. y el Decreto de Menfis de Ptolomeo IV, c. 218 a. C. Por ello, aunque la Piedra de Rosetta ya no es única, fue un referente esencial para el entendimiento actual de la literatura y la civilización del Antiguo Egipto y el propio término «Piedra de Rosetta» es hoy usado en otros contextos como el nombre de la clave esencial para un nuevo campo del conocimiento. Desde su hallazgo la piedra ha sido objeto de rivalidades nacionales, incluida su transferencia de manos francesas a británicas durante las guerras napoleónicas, una larga disputa sobre el valor relativo de las contribuciones de Young y Champollion a su descifrado y, desde 2003, demandas para el retorno de la estela a Egipto.
Gareth L. Powell is a British author known for using fast-paced, character-driven science fiction to explore big ideas and themes of identity, loss, and the human condition.He has twice won the coveted British Science Fiction Association Award for Best Novel, and has become one of the most-shortlisted authors in the award's 50-year history. He has also been a finalist for the Locus, British Fantasy, Seiun, and Canopus awards.Gareth started writing seriously as a teenager and was lucky to be able to count Diana Wynne Jones and Helen Dunmore as early mentors.His novels have regularly appeared on the Locus Bestseller lists, and have been Amazon bestsellers in the UK, USA and Japan. About Writing, his field guide for aspiring authors, also topped the Amazon charts and continues to inspire a new generation of upcoming authors.Gareth's Embers of War trilogy is being adapted for television, and he has co-written groundbreaking stories with bestselling authors Aliette de Bodard and Peter F. Hamilton.He is a popular guest at conventions and literary festivals and his work has been translated into German, Spanish, Catalan, Russian, Polish, Hebrew, Greek, French, Italian, Japanese, and Croatian.Gareth maintains a popular newsletter at Substack, where he posts about writing, future tech, and science fiction, and he offers monthly Zoom classes to aspiring authors.He is talking about his road to writing and his latest novel, Descendant Machine.Descendant Machine:When Nicola Mafalda's scout ship comes under attack, she's left deeply traumatised by the drastic action it takes to keep her alive. Months later, when an old flame comes to her for help, she realises she has to find a way to forgive both the ship and her former lover. Reckless elements are attempting to reactivate a giant machine that has lain dormant for thousands of years. To stop them, Nicola and her crew will have to put aside their differences, sneak aboard a vast alien megaship, and try to stay alive long enough to prevent galactic devastation.#GarethPowell #GarethPowellAuthor #Scifihorror #WritingProcess #Interview #BookLovers #CreativeWriting #InspiringConversations #SuccessStory ______________________________________Find out more: www.TheWritingCommunityChatShow.ComTHE WCCS – TOGETHER AS ONE WE GET IT DONE!If you would like to advertise your #book on the show, to enroll in a book launch interview, or to have a WCCS social media shout out, visit here: https://www.buymeacoffee.com/TheWCCSFOLLOW US► Our website – https://www.thewritingcommunitychatshow.com► Universal link – https://linktr.ee/TheWCCS► Buy the show a coffee – https://www.buymeacoffee.com/TheWCCS► Use hashtag TheWritingCommunityChatShow or TheWCCS on social media to keep us current. This show will only succeed with your support!► Support us through Patreon – https://www.patreon.com/WCCS► For our FIVERR affiliate link click here (we will earn a little from you signing up through our link and more if you use the service. We back this service and have used it with great results! – https://fvrr.co/32SB6cs► For our PRO #WRITING AID affiliate link click here – https://prowritingaid.com/?afid=15286Hey! We have spent 3 years using StreamYard. You can see how much we love its features, and how we can make it look great for live streaming. We are huge fans and they are constantly improving their service. Check it out with our link and we could earn from referrals!https://streamyard.com/pal/d/4835638006775808This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5445493/advertisement
Gareth L. Powell's Descendant Machine (Titan Books, 2023) is set about 200 years in the future, and yet the recent explosion in A.I. technology suggests Powell's imagined future—in which the minds of humans and A.I.s are symbiotically enmeshed—is just around the corner. The Bristol author's new novel centers around a mysterious machine called the Grand Mechanism, an impenetrable black sphere, which, about two thousand years ago, replaced a star in a binary system. The system is home to a humanoid, multi-armed species known as the Jzat, who are divided among those who want to crack open the Grand Mechanism, believing it contains a wormhole to connect them with a more advanced Jzat civilization, and those who want to leave the mechanism alone, fearing it contains a black hole or other existential danger. “I got a bit satirical with the way the faction is appealing to nationalism to get the power they need to open this thing by promising sunlit uplands and making Jzat great again,” Powell says. “It's like any scientific experiment, any scientific knowledge that sentient beings see. It's a process of just poking stuff to see what happens. Chimpanzees do it, and crows do it. You find something you don't understand, you poke it and try and break it and see what it can do. And that's how we learn. And that's what's basically happening on a massive scale in this story with this ancient machine that nobody knows what it does, but they want to poke it and see what happens.” Powell is known for using fast-paced, character-driven science fiction to explore big ideas and themes of identity, loss, and the human condition. He has twice won the coveted British Science Fiction Association Award for Best Novel and has become one of the most-shortlisted authors in the 50-year history of the award, as well as being a finalist for the Locus, British Fantasy, Seiun, and Canopus awards. Find out more about Rob Wolf and Brenda Noiseux. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Gareth L. Powell's Descendant Machine (Titan Books, 2023) is set about 200 years in the future, and yet the recent explosion in A.I. technology suggests Powell's imagined future—in which the minds of humans and A.I.s are symbiotically enmeshed—is just around the corner. The Bristol author's new novel centers around a mysterious machine called the Grand Mechanism, an impenetrable black sphere, which, about two thousand years ago, replaced a star in a binary system. The system is home to a humanoid, multi-armed species known as the Jzat, who are divided among those who want to crack open the Grand Mechanism, believing it contains a wormhole to connect them with a more advanced Jzat civilization, and those who want to leave the mechanism alone, fearing it contains a black hole or other existential danger. “I got a bit satirical with the way the faction is appealing to nationalism to get the power they need to open this thing by promising sunlit uplands and making Jzat great again,” Powell says. “It's like any scientific experiment, any scientific knowledge that sentient beings see. It's a process of just poking stuff to see what happens. Chimpanzees do it, and crows do it. You find something you don't understand, you poke it and try and break it and see what it can do. And that's how we learn. And that's what's basically happening on a massive scale in this story with this ancient machine that nobody knows what it does, but they want to poke it and see what happens.” Powell is known for using fast-paced, character-driven science fiction to explore big ideas and themes of identity, loss, and the human condition. He has twice won the coveted British Science Fiction Association Award for Best Novel and has become one of the most-shortlisted authors in the 50-year history of the award, as well as being a finalist for the Locus, British Fantasy, Seiun, and Canopus awards. Find out more about Rob Wolf and Brenda Noiseux. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Gareth L. Powell's Descendant Machine (Titan Books, 2023) is set about 200 years in the future, and yet the recent explosion in A.I. technology suggests Powell's imagined future—in which the minds of humans and A.I.s are symbiotically enmeshed—is just around the corner. The Bristol author's new novel centers around a mysterious machine called the Grand Mechanism, an impenetrable black sphere, which, about two thousand years ago, replaced a star in a binary system. The system is home to a humanoid, multi-armed species known as the Jzat, who are divided among those who want to crack open the Grand Mechanism, believing it contains a wormhole to connect them with a more advanced Jzat civilization, and those who want to leave the mechanism alone, fearing it contains a black hole or other existential danger. “I got a bit satirical with the way the faction is appealing to nationalism to get the power they need to open this thing by promising sunlit uplands and making Jzat great again,” Powell says. “It's like any scientific experiment, any scientific knowledge that sentient beings see. It's a process of just poking stuff to see what happens. Chimpanzees do it, and crows do it. You find something you don't understand, you poke it and try and break it and see what it can do. And that's how we learn. And that's what's basically happening on a massive scale in this story with this ancient machine that nobody knows what it does, but they want to poke it and see what happens.” Powell is known for using fast-paced, character-driven science fiction to explore big ideas and themes of identity, loss, and the human condition. He has twice won the coveted British Science Fiction Association Award for Best Novel and has become one of the most-shortlisted authors in the 50-year history of the award, as well as being a finalist for the Locus, British Fantasy, Seiun, and Canopus awards. Find out more about Rob Wolf and Brenda Noiseux. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
This week we take a look at a new academic paper which finds fault with national broadband measurement programs and suggests alternative ways to get more meaningful data on broadband experiences with co-author Dr Vijay Sivaraman. We also hear from the new CEO of Vocus, Ellie Sweeney, who replaces the retiring Kevin Russell in a few weeks.
Sirius, the brightest star in the night sky, arcs across the south tonight. And if you live in the far southern latitudes of the United States — south of about Phoenix or Atlanta — the second-brightest star sneaks into view as well. Canopus rises about 10 p.m., and stands due south an hour or two later. It's just a few degrees above the horizon. It's so bright, though, that you shouldn't have much trouble spotting it. Canopus is the brightest star of Carina, the keel. The constellation represents the bulk of the Argo, the ship that carried Jason and the Argonauts on their adventures. Canopus may be named for a sailor from another vessel from mythology. According to the story, Canopus was the helmsman for Menelaus, the king of Sparta. Canopus piloted the boat on an expedition to retrieve the king's wife, Helen of Troy. On the way back, a storm blew the boat off course, and it landed in Egypt. When Canopus went ashore, he was bitten by a cobra and died. Helen and Menelaus buried him, and Menelaus established a town there. He named both the town and a bright star that was in the sky then in the helmsman's honor. That star looks only about half as bright as Sirius. But that's only because of its greater distance — it's more than 300 light-years away, compared to nine light-years for Sirius. If you lined them up at the same distance, Canopus would shine more than 500 times brighter. Script by Damond Benningfield Support McDonald Observatory
O duchovní literatuře rostoucí z poctivé duchovní, tělesné a mravní práce mluví religionista a indolog Lubomír Ondračka a Roman Blinka z nakladatelství Canopus. Ondračka se zastavuje třeba u knihy Gitáňdžali indického básníka Rabíndranátha Thákura, kterou v překladu Dušana Zbavitele s obrazovým doprovodem malíře Karla Malicha vydala Galerie Zdeněk Sklenář. Blinka načrtává ohromující a zároveň obyčejný příběh českého buddhisty Květoslava Minaříka, jehož dílo Canopus vydává.Všechny díly podcastu ArtCafé můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
O duchovní literatuře rostoucí z poctivé duchovní, tělesné a mravní práce mluví religionista a indolog Lubomír Ondračka a Roman Blinka z nakladatelství Canopus. Ondračka se zastavuje třeba u knihy Gitáňdžali indického básníka Rabíndranátha Thákura, kterou v překladu Dušana Zbavitele s obrazovým doprovodem malíře Karla Malicha vydala Galerie Zdeněk Sklenář. Blinka načrtává ohromující a zároveň obyčejný příběh českého buddhisty Květoslava Minaříka, jehož dílo Canopus vydává.
As the second brightest star in the night sky, Canopus is associated with many different myths, yet as the closest yellow supergiant to Earth, the star is also scientifically important.
Jayson Tatum goes NUCLEAR and scores 46pts in Game 6 beating the Bucks 108-95 to tie the series 3-3. With this huge win, we force a Game 7 in Boston! This is the exact reason the Celtics fought for that 2 seed! Honestly, there isn't much you can't say about Tatum after this game. We haven't really had that huge Tatum Takeover Game this series and this was for sure it. Every time the Bucks made a run, Tatum was there with a huge answer. He scored 11 straight pts for the Celtics in the 4th quarter and was as clutch as it gets. Marcus Smart was also spectacular tonight going for 21pts on 5-9 from 3 along with 5reb and 7ast. Grant got in foul trouble in this one so Smart was also tasked with defending Giannis for a large portion of tonight and he held his own. Overall, it is hard to find negatives in todays game. This is the first game this series where the Celtics truly played a great 4 quarters. Celtics look to advance to the ECF after Game 7 on Sunday at 3:30 EST! Shout out to Canopus on YouTube for the fire intro song! If you or someone you know has a gambling problem, crisi by s counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 1-877-770-STOP (7867) (LA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA). 21+ (18+ WY). Physically present in AZ/CO/CT/IL/IN/IA/LA/MI/ /NJ/NY/ PA/TN/VA/WV/WY only. Min. $5 deposit required. Eligibility restrictions apply. See http://draftkings.com/sportsbook for details.
Man, I'm sick to my stomach after this loss. 3 quarters of great play outshined by a brutal 4th quarter. Celtics lose to the Bucks 110-107 because of a Bobby Portis putback. The last 30 seconds went the exact way you would've wanted. Tatum drives to the rack and gets to the line, hits both free throws and preserves the 2 for 1 opportunity and then you foul Giannis forcing him to the FT line. He misses one of them but then the Celtics failed to secure the rebound and Bobby Portis puts it back for the game winner. That one play is going to outshine all of the good things that happened tonight and that is a shame. Celtics are now forced to win Game 6 in Milwaukee on Friday the 13th and force a Game 7. Big shout out to Bryan Gomez, better known as Canopus on Youtube for the fire intro song! Celtics in 7. If you or someone you know has a gambling problem, crisi by s counseling and referral services can be accessed by calling 1-800-GAMBLER (1-800-426-2537) (IL/IN/MI/NJ/PA/WV/WY), 1-800-NEXT STEP (AZ), 1-800-522-4700 (CO/NH), 888-789-7777/visit http://ccpg.org/chat (CT), 1-800-BETS OFF (IA), 1-877-770-STOP (7867) (LA), 877-8-HOPENY/text HOPENY (467369) (NY), visit OPGR.org (OR), call/text TN REDLINE 1-800-889-9789 (TN), or 1-888-532-3500 (VA). 21+ (18+ WY). Physically present in AZ/CO/CT/IL/IN/IA/LA/MI/ /NJ/NY/ PA/TN/VA/WV/WY only. Min. $5 deposit required. Eligibility restrictions apply. See http://draftkings.com/sportsbook for details.
It is time for an alien story! This week, Em and Mad tell you all about the incredibly odd evening that officer Lonnie Zamora had back in 1964. https://en.wikipedia.org/wiki/Lonnie_Zamora_incident https://en.wikipedia.org/wiki/Canopus https://tilln.com/season-4/lonnie-zamora-ufo-sightings-like-this-will-blow-your-mind/ https://unsolvedmysteries.fandom.com/wiki/Lonnie_Zamora_UFO_Sighting https://www.youtube.com/watch?v=eZRu3Ao6zK8 https://www.youtube.com/watch?v=J5jnjR1EbMI https://podcasts.apple.com/kh/podcast/alien-the-lonnie-zamora-incident/id1500667648?i=1000475909944 https://www.imdb.com/name/nm3617207/ https://www.socorronm.org/attractions/socorro-landing-a-ufo-story/
Putting together a profile of a star is hard, even for one of the brightest stars in the sky. It takes careful observations and good models of how stars work. And as technology and theory improve, so does the profile. As an example of that process, consider Canopus, the second-brightest star in the night sky. At this time of year, it just peeks above the southern horizon in early evening from the southern third of the United States. It's well below Sirius, the night's brightest star. One key is a star's distance. Until about 25 years ago, estimates of the distance to Canopus varied by hundreds of light-years. But a space telescope locked it down: 310 light-years. Knowing the distance reveals the star's true brightness. That's combined with other details, then plugged into models of how stars evolve. That provides a good estimate of the star's age, its stage in life, and more. One other key detail is the star's size, which is hard to measure — Earth's atmosphere blurs the starlight into a fuzzy blob. In a recent study, though, astronomers got the best measurement of Canopus's diameter to date — about 74 times the Sun's diameter. Adding that to the other details refined the star's profile. It varied a little depending on which model was used. But the models agreed that Canopus is almost 10 times the mass of the Sun, and anywhere from 24 million to 34 million years old. Of course, that could change — with more hard work. Script by Damond Benningfield Support McDonald Observatory
So, Omega has released an $81,000 Speedmaster. The new Speedmaster is constructed with a new alloy for it's case called Canopus Gold made from 18k white gold with platinum, rhodium, and palladium to celebrate the 65th anniversary of the Speedmaster. It features the legendary 321 movement, but is it all worth the price tag Omega set?You can find us on our Website, YouTube, Instagram, Twitter, and Facebook Want to be part of the Launch of our clothing line? Check out Life on the Wrist Merch!
Tajemství českých oppid (4:45) – Příběhy hvězd: Canopus, jasná hvězda z Lodního kýlu (21:47) – Atlantis a Bermudský trojúhelník: vzpomínka na Zdeňka Kukala (26:45)
Tajemství českých oppid (4:45) – Příběhy hvězd: Canopus, jasná hvězda z Lodního kýlu (21:47) – Atlantis a Bermudský trojúhelník: vzpomínka na Zdeňka Kukala (26:45)
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Des scientifiques imaginent à quoi pourrait ressembler leur discipline sur la planète de Frank Herbert en construisant une analyse scientifique et culturelle de son œuvre. Embarquez pour l'exploration indisciplinée d'une planète-univers. Extrait de l'article de Roland Lehoucq : Caladan à Arrakis Quelle est l'orbite d'Arrakis ? Une planète propice à la vie est située dans la zone dite « d'habitabilité » de son étoile. La vie telle que nous la connaissons reposant sur l'existence d'eau liquide, c'est sa présence à la surface de la planète qui fixe son habitabilité. Pour cela, il faut d'abord que la planète soit à la « bonne » distance de son étoile de sorte que le flux lumineux qu'elle en reçoit soit « raisonnable ». Si ce flux est trop important, la température de surface est trop élevée et l'eau s'évapore définitivement; s'il est trop faible, la température de surface est trop basse et l'eau gèle. Ensuite, la planète doit avoir une atmosphère suffisamment dense pour éviter une évaporation rapide. Enfin, l'extension de la zone d'habitabilité dépend de la composition de l'atmosphère : si elle est riche en dioxyde de carbone – un gaz à effet de serre –, cela permet de la placer plus loin de son étoile. Concernant Arrakis, sachant que son étoile est très brillante, 15 000 fois plus que le Soleil, pour recevoir le même flux lumineux que la Terre, Arrakis doit être 122 fois plus lointaine de Canopus que la Terre du Soleil. Mais il faut aussi tenir compte de trois autres facteurs : l'albédo, la composition atmosphérique et la température. Les Intervenants : Roland Lehoucq : Astrophysicien au Commissariat à l'énergie atomique de Saclay et président du festival de science-fiction des Utopiales. Il a dirigé l'ouvrage Dune, Exploration scientifique et culturelle d'une planète-univers et est l'auteur de l'article De Caladan à Arrakis. Fabrice Chemla : Professeur de Chimie à Sorbonne Université, spécialiste de l'Épice. Il a également consacré des articles aux religions de Dune dans le livre Dune, Exploration scientifique et culturelle d'une planète-univers. Daniel Suchet : Professeur à Polytechnique, il a écrit des articles sur le mode de vie des Fremen et Une histoire de trilemme énergétique pour un chapitre du livre Dune, Exploration scientifique et culturelle d'une planète-univers. Modérateur : Marcus Dupont-Besnard. Journaliste science et science-fiction chez Numerama.
Mike Wildman is an amputee pilot who has had a fascinating career in aviation. This tale is about his time in the Royal Air Force flying the C130 Hercules in some very challenging theatres. His story will both amaze and inspire, particularly in the later parts when we will cover his work as the leader of the world's only fully aerobatic amputee formation team... TeamPhoenixAir.com Mike, learning to fly Mike during his RAF basic flying training Mike was posted to fly the C130 Hercules Low flying over the desert Mike, the captain of a Belgium Air Force C130 during his exchange tour The EPTS Andover that Mike flew The Boscome Down Comet 4 named Canopus that Mike flew to the North Pole The day at RIAT when a Mig 29 crashed onto Mike's aircraft nearly killing him and the others who were watching the show from the top of the fuselage! Contact details for Mike and Team Phoenix, the world's only disabled aerobatic formation team Images under Creative Commons licence with thanks to Mike Freer, RuthAS and the RAF.
It's like Atlantis, but better! Today we tell the story of Thonis-Heracleion and Canopus — two lost cities at the mouth of the Nile, swallowed completely by the sea by the 8th century AD. As we continue the last of our Summer Extravaganza, Stephanie teaches Elene about the remarkable story and legacy of ancient cities that only recently saw the light of day… But that contributes to our larger understanding of Ancient Egypt. Join us as we tell the story of Osiris, get mad as we discuss the French, learn so much about culture and religion from some stele, and contemplate how we get into the field of Marine Archeology without having to go back for another Masters degree. Things have changed, but we're changing with it. Donate. Sign petitions. Support Black-owned businesses. Challenge racism. Educate yourselves. Listen. Speak. Repatriate. Stay Safe. Don't Touch Your Face. Wash Your Hands. Donate! Donate to Black Lives Matter LA, the Action Bail Fund, Black Visions Collective. Please be sure you've signed petitions. If you like what we do, you can support BYWAP over on our Patreon! Find us online! You can follow BYWAP on Twitter and Instagram. You can also find us over on our website! We want to hear from you, to share this time with you. We're in this together, and we're better together. Please leave us a review wherever you listen to podcasts. Every little bit helps as we grow, and we cannot wait to talk to you all again. This is global. Your voice matters. Systemic change is possible. It will not happen overnight—so keep fighting! We stand with you. Our music was written and recorded by Elene Kadagidze. Our cover art was designed by Lindsey Anton-Wood.
Our first official road gig pod features Tank Bergman, drummer extraordinaire! A hilarious agent of chaos and living encyclopedia of drums, you may know Tank from bands such as Algernon Cadwallader, Nylon, Magic Ghrelin, US Funk Team, Zolof the Rock and Roll Destroyer, and his solo project Matt=Tank. We get into such topics as Tank's native advertising campaigns, the secrets of being a recordable drummer, a scatological hockey story, breaking a leg on tour, the lil scamp of shrimp scampi, Algernon Cadwallader history, Canopus and other snare drum recommendations, making soap, plenty of improvised organ songs, and why drummers are great dads. Hosts: Evan Bernard, Chris Baglivo, and Mikey Tashjian a.k.a. The Superweaks Edited by Chris Baglivo Theme Song: "No Sorrow" by The Superweaks Podcast Art: Ben Rausch --- Send in a voice message: https://anchor.fm/swswsc/message Support this podcast: https://anchor.fm/swswsc/support
The 365 Days of Astronomy, the daily podcast of the International Year of Astronomy 2009
Hosted by your Director, Avivah Yanami. Today Avivah relates a story from Korea about Canopus or Alpha Carinae, the brightest star in the constellation of Carina and the second-brightest star in the night sky. We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs. Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too! Every bit helps! Thank you! ------------------------------------ Do go visit http://astrogear.spreadshirt.com/ for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations. Thank you! (Haven't donated? It's not too late! Just click!) The 365 Days of Astronomy Podcast is produced by Astrosphere New Media. http://www.astrosphere.org/ Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.
Alors que Diry est toujours blessé quelque part au milieu du volcan en éruption, Chayma et Peter partent à sa recherche. Suite à cette expédition haute en couleurs et en émotions, l'heure est venue pour l'équipe de la Canopus de faire le point. Une histoire originale écrite par Lucile Petit, co-réalisée par Héloïse Pierre et Suzanne Jolys. Illustration de Marie Briand. Retrouvez-nous sur instagram @envoleescontees.
Maïssane, Chayma et les autres sont au fond de l'océan pour observer le volcan sous-marin ... mais Léane leur laisse des messages inquiétants de la Canopus, un dragon furieux vient se se réveiller. Une histoire de Lucile Petit, co-réalisée par Héloïse Pierre et Suzanne Jolys. Illustration de Marie Briand. Pour nous soutenir, laissez nous 5 étoiles sur Apple Podcast, et rejoignez-nous sur instagram @envoleescontees !
Alors que la Canopus navigue en direction de l'île de Manamba, il se pourrait bien que Maïssane se soit cachée dans les cales du bateau pour faire partie de l'aventure... Eh oui, quoi de plus grisant que de découvrir un nouveau volcan ?! C'est d'ailleurs dans l'optique de vous faire découvrir les volcans, que nous organisons un concours avec le Parc Vulcania pour vous faire remporter 4 places. Rdv et conditions sur instagram @envoleescontees. Une histoire de Lucile Petit, co-réalisée par Suzanne Jolys et Héloïse Pierre. Illustration de Marie Briand.
Le Canopus part pour la découverte du volcan ... et Maïssane se glisse dans le bateau ! Cette histoire vous est proposée en partenariat avec le Parc Vulcania : https://www.vulcania.com/ Une histoire de Lucile Petit, co-réalisée par Héloïse Pierre et Suzanne Jolys. Illustrations de Marie Briand. Retrouvez-nous sur instagram @envoleescontees.
On April 24, 1964 at 5:50 p.m., Lonnie Zamora encountered a UFO sighting involving unknow entities and trace evidence. Several explanations have been suggested including a hoax perpetuated by students of New Mexico Tech, ball lightning, and a mirage of the star Canopus. Regardless, Project Bluebook's casefile listed this incident as unexplained. Additionally, J. Allen Hynek noted this encounter as one of the more interesting ones and it remains an open case of an unidentified object to this day. Stick around for the details as we dive into this week's casefile: The Lonnie Zamora Incident!
In this edition of CommsDay Live we take an extended look at an issue many have put in the too hard basket: how to get OTTs to pay their share of the expensive broadband network investment which gets their offerings to the masses. Canopus Networks' Vijay Sivaraman and Kevin Bloch talk with Grahame Lynch about a problem that suddenly doesn't seem so insurmountable now that OTTs are compensating legacy media publishers on precisely the same "unequal bargaining power" grounds. We also talk with the CommsDay editors Simon Dux and Rohan Pearce about the news of the week.
Episode transcript available here.In this episode, University of Toronto student Saba Mirabolghasemi connects with Iranian-Canadian musician, composer, and sound designer Arif Mirbaghi. He walks us through his artist's journey, and riffs on the magic of storytelling through sound, in a conversation filled with metaphors. Featured music tracks: Entezar (Album: Gole Sorkh) - Arif Mirbaghi Little Did He Know (Album: Alangu) - Zuze/Arif Mirbaghi : zuze.bandcamp.com/album/alangu Gole Sorkh (Album: Gole Sorkh) - Arif Mirbaghi Starry Night (unreleased track) - Zuze/Arif Mirbaghi, Local Dish Vineh Pervaneh (unreleased track) - Zuze/Arif Mirbaghi, Local Dish Shahre Farang (Album: Durneshan) - Arif Mirbaghi Connect with Arif: Instagram - @arif.mirbaghiSoundCloud - @arif_mirbaghi Zuze on BandcampZuze on Spotify Zuze Redux on SpotifyQame Feraq on BandcampPointing at Canopus, composed for Constellations (2020): Connect with Hart House Stories: Instagram - @HartHouseStories // Twitter - @HHpodcasting Connect with Saba: Instagram - @saba.mir
Destination Stargazing by DjLuttz (Deep, Melodic, & Progressive House)
Tracklist: 1.Bicep - Apricots (Original Mix) 2.Camelphat & ARTBAT Ft.Rhodes - For A Feeling (Layton Giordani Mix) 3.Yotto - Grains (Extended Mix) 4.Monkey Safari - Daka (Original Mix) 5.Innellea - Mars's Moon (Original Mix) 6.Hugo Cantarra & Stub - Milky Way (Original Club Mix) 7.Spencer Brown & Wilt Claybourne - Womaa (Original Mix) 8.Durante & Hana - Days Pass (Extended Mix) 9.R Plus & Dido - My Boy (Meduza Extended Remix) 10.Spada - Euphoria (Extended Mix) 11.Patrice Baumel - Roar (Adana Twins Remix) ——“It is like a finger pointing away to the moon. Don't concentrate on the finger or you will miss all of that heavenly glory!" Bruce Lee—- **If you're enjoying the podcast. You can support it by sharing, rating or reviewing** **Link to podcast homepage: https://djluttz1111.podomatic.com/ ** **Check out the Dance Classics podcast by Dj Luttz (Club & Trance Classics) https://podcasts.apple.com/gb/podcast/dance-classics-podcast-by-djluttz/id1511309692 **
Canopus ist der zweithellste Stern am Nachthimmel. Und neben jeder Menge Mythologie hat der Stern auch Astronomie zu bieten. Und arbeitet ab und zu als Steuermann für Raumsonden. Alles über Canopus gibt es in der neuen Folge der Sternengeschichten.
I read from Canopus to Cantabrigian. The word of the episode is "canopy". dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar 917-727-5757
This week Drew doesn't struggle with the void of loneliness as he's joined by expert comic creator Dave Chisholm. You can here all look about Canopus and his new book Chasin' the Bird and learn a thing or two all right here! Notes: www.fortheloveofindie.com Email: ftlindie@gmail.com Twitter: ftlindie Intro and outro: Mix Kit
From the far-southern United States, the two brightest stars in the night sky stairstep up the south at dawn. The brighter one is Sirius, which is visible from the entire country. The other is Canopus, which is just above the horizon. Canopus was host to the planet Arrakis in the novel Dune. Its author was born 100 years ago today, in Tacoma, Washington. Frank Herbert was interested in books from an early age, and in science fiction. And he was a free thinker. He didn’t graduate from college, for example, because he didn’t want to take the required classes to complete a major. Herbert spent three decades as a journalist. He published his first science-fiction work in 1952. He didn’t make much money, though, so his wife wrote ads for department stores to support them. Dune was first published in a magazine in the early 1960s. Herbert then rewrote it and shopped it to book publishers. About 20 rejected it before it was picked up by a company that mainly sold auto-repair manuals. Dune told the story of galactic intrigue. It centered on Arrakis, a desert planet that contained the most valuable commodity in the galaxy: a spice that made interstellar navigation possible. The novel was one of the first to promote the idea of protecting the environment. Dune became one of the best-selling sci-fi novels in history. Roughly 20 million copies have been sold — all set on a world around the second-brightest star in the night sky. Script by Damond Benningfield Support McDonald Observatory
Now we get to the heart of things. After having visited the Harkonnen home world we go to Canopus, the star system of the planet Arrakis. Come join me and leave a message and subscribe if you'd like to see more of these. To see the original video you can go to https://youtu.be/LVyrLVb4pAI. --- Send in a voice message: https://anchor.fm/dune-primer/message
In this episode Joey speaks with Dave Chisholm about his work on Canopus, Chasin' The Bird & Thompson Heller Detective Interstellar. Joey asks Dave about his passion as a musician (Dave has his Doctorate in Jazz Music) they kinda go on a tangent about music & Dave's Indie band Talking Underwater. Check out all thing's Dave Chisholm head on over to https://www.davechisholmmusic.com/ Check out Dave's Indie band Talking Underwater https://talkingunderwater.bandcamp.com/ If you're looking for an alternative to purchase books online try My Comic Shop . Com click the link below to help our show by shopping pre-orders and new releases or whatever you may be looking for. https://www.mycomicshop.com/?AffID=1895487P01 https://143podcasts.weebly.com/the-house-of-indie.html https://www.facebook.com/groups/1508464392664597/ https://twitter.com/houseofindiepod https://www.instagram.com/thehouseofindiepod/?hl=en https://linktr.ee/TheHouseOfIndie ~The House Of Indie Is a proud member of The 143 Podcast Network A Partner of Age Of Radio- https://www.ageofradio.org Learn more about your ad choices. Visit megaphone.fm/adchoices
Spencer Michaud discusses the astrology for the week of August 17-23, 2020 Topics discussed include CONSTELLATIONS: HYDRA, CANIS MAJOR, ARGO, DRACO, GEMINI, LEO, FIXED STARS: ALPHARD, ALHENA, SIRIUS, CANOPUS, REGULUS, THUBAN MERCURY trine MARS, MERCURY CAZIMI, VENUS in CANCER II, VENUS sextile URANUS Rx, NEW MOON in LEO, MERCURY in VIRGO I, SUN in VIRGO I, TAROT: III of CUPS, VII of WANDS, VIII of PENTACLES #astrology #weeklyforecast #horoscope #capricorn #aries #taurus #cancer #leo #virgo #mercury #sun #mars #venus #uranus #newmoon #tarot #decans #fixedstars #traditionalastrology #mythology Introduction – 00:00 Planetary Condition – 2:40 Monday – 28:20 Tuesday – 42:40 Wednesday – 57:15 Thursday – 1:09:00 Friday – 1:11:50 Saturday – 1:13:15 Sunday – 1:28:32 Please like, subscribe, and share! Finding value in these videos? Help Spencer keep creating content by leaving a tip! Your donations are much appreciated! : ) Venmo: @spencermichaud PayPal Me: http://www.paypal.me/spencermichaud Thank you for supporting your local astrologer! : ) Book a reading: spencermichaudastrology@gmail.com Visit the blog: http://www.spencermichaud.com Apple Podcasts: https://podcasts.apple.com/us/podcast/spencer-michaud-astrology/id1498982837 Soundcloud: http://www.soundcloud.com/spencermichaudastrology Facebook: http://www.facebook.com/spencermichaudastrology
Spencer Michaud discusses the astrology for the week of July 20-26, 2020 Topics discussed include FIXED STARS: ALDERAMIN, ALPHERATZ, ALHENA, RIGEL, SIRIUS, CANOPUS, COMET NEOWISE, NEW MOON in CANCER, SUN opposite SATURN Rx, MERCURY conjunct ALHENA, VENUS conjunct RIGEL, SUN in LEO, MERCURY sextile URANUS, MARS conjunct ALDERAMIN, MARS conjunct ALPHERATZ, MERCURY conjunct SIRIUS, MERCURY conjunct CANOPUS, TAROT, IV of CUPS, IV of PENTACLES, X of SWORDS #astrology #weeklyforecast #horoscope #capricorn #aries #gemini #cancer #leo #mercury #jupiter #mars #newmoon #comet #tarot #decans #fixedstars #traditionalastrology #mythology Introduction – 00:00 Comet Neowise - 3:21 Planetary Condition – 23:20 Monday – 42:50 Tuesday – 1:02:41 Wednesday – 1:12:30 Thursday – 1:27:24 Friday – 1:37:43 Saturday – 1:39:26 Sunday – 1:41:22 Please like, subscribe and share! Finding value in these videos? Help Spencer keep creating content by leaving a tip! Your donations are much appreciated! : ) Venmo: @spencermichaud PayPal Me: http://www.paypal.me/spencermichaud Thank you for supporting your local astrologer! : ) Book a reading: spencermichaudastrology@gmail.com Visit the blog: http://www.spencermichaud.com Apple Podcasts: https://podcasts.apple.com/us/podcast/spencer-michaud-astrology/id1498982837 Soundcloud: http://www.soundcloud.com/spencermichaudastrology Facebook: http://www.facebook.com/spencermichaudastrology
Spencer Michaud discusses the astrology for the week of July 6 - 12, 2020 Topics discussed include FIXED STARS: SIRIUS, CANOPUS, ALDEBARAN, CASTOR, POLLUX, SUN conjunct SIRIUS, SUN conjunct CANOPUS, SUN in CANCER III, MARS square MERCURY Rx, VENUS conjunct ALDEBARAN, MERCURY DIRECT, MERCURY as MORNING STAR, SUN conjunct CASTOR, SUN trine NEPTUNE, LAST QUARTER MOON, TAROT, IV of CUPS #astrology #weeklyforecast #horoscope #capricorn #aquarius #aries #gemini #cancer #lastquartermoon #mercury #jupiter #mars #neptune #tarot #decans #fixedstars #traditionalastrology #mythology Introduction - 00:00 Planetary Condition – 3:36 Monday – 15:00 Tuesday – 28:04 Wednesday – 44:36 Thursday – 50:20 Friday – 52:53 Saturday – 55:52 Sunday – 1:06:30 Great Lakes Astrology Conference: https://www.greatlakesastrology.com/ Queer Astrology Conference: https://qac.queerastrology.com/ Please like, subscribe and share! Finding value in these videos? Help Spencer keep creating content by leaving a tip! Your donations are much appreciated! : ) Venmo: @spencermichaud PayPal Me: http://www.paypal.me/spencermichaud Thank you for supporting your local astrologer! : ) Book a reading: spencermichaudastrology@gmail.com Visit the blog: http://www.spencermichaud.com Apple Podcasts: https://podcasts.apple.com/us/podcast/spencer-michaud-astrology/id1498982837 Soundcloud: http://www.soundcloud.com/spencermichaudastrology Facebook: http://www.facebook.com/spencermichaudastrology
Some creators make great conversation! In Episode 440, I have a fun talk with writer/artist/musician Dave Chisholm from Canopus at Scout Comics, Instrumental, and Let’s Go to Utah!, his first graphic novel! We discuss Canopus, including the first three issues already released and what we might see in the conclusion coming soon! Here’s how the series is described: “Helen wakes up marooned on a lifeless alien planet 300 light years from Earth with no memories beyond a hazy sense of extinction-level urgency to return to Earth. Joined by her robot companion, Arther, she explores the planet to find materials necessary to repair her ship. In this mind-bending sci-fi adventure, Helen's story unfolds into her past and future, revealing a poignant conclusion that will leave you speechless.” You can purchase this book here or ask your local comics shop to order them for you! For more, go to this link on his website! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patreon member. It will help ensure Wayne's Comics Podcast continues far into the future!
Spencer Michaud discusses the astrology for the week of June 29 - July 5, 2020 Topics discussed include PLANETARY CONDITION, VISUAL ASTROLOGY, PARANS, FIXED STARS: ALHENA, CANOPUS, SIRIUS, MURZIMS, VEGA, JUPITER Rx conjunct PLUTO Rx, MERCURY Rx sextile URANUS, MERCURY CAZIMI, SUN sextile URANUS, SUN in CANCER II, SATURN Rx into CAPRICORN, FULL MOON LUNAR ECLIPSE in CAPRICORN, TAROT, III of CUPS, IV of PENTACLES #astrology #weeklyforecast #horoscope #capricorn #aquarius #aries #gemini #cancer #fullmoon #lunareclipse #eclipse #mercury #jupiter #mars #pluto #tarot #decans #retrograde #fixedstars #parans #traditionalastrology #mythology Introduction - 00:00 Planetary Condition - 1:30 Visual Astrology - 33:50 Fixed Stars / Parans - 38:52 Monday – 50:40 Tuesday – 1:03:22 Wednesday – 1:28:20 Thursday – 1:47:47 Friday – 1:48:40 Saturday – 1:51:06 Sunday – 1:54:20 Bernadette Brady - Visual Astrology pt 1: https://youtu.be/2Cao-fyS3Ao Great Lakes Astrology Conference: https://www.greatlakesastrology.com/ Queer Astrology Conference: https://qac.queerastrology.com/ Please like, subscribe and share! Finding value in these videos? Help Spencer keep creating content by leaving a tip! Your donations are much appreciated! : ) Venmo: @spencermichaud PayPal Me: http://www.paypal.me/spencermichaud Thank you for supporting your local astrologer! : ) Book a reading: spencermichaudastrology@gmail.com Visit the blog: http://www.spencermichaud.com Apple Podcasts: https://podcasts.apple.com/us/podcast/spencer-michaud-astrology/id1498982837 Soundcloud: http://www.soundcloud.com/spencermichaudastrology Facebook: http://www.facebook.com/spencermichaudastrology
Nella prima puntata del secondo ciclo del Quizzone abbiamo pescato tra i GiocoNauti. Si sfidano infatti Daniel "Renberche" e Davide "Canopus". Al solito, passate sul forum per lasciarci i vostri punteggi. Conducono Sava73 e MichyLo. Regia e interventi superflui del signor Darcy
Visit a Tehran that blossoms in language, fable and collective imagination. By Arif Mirbaghi for Constellations (2020) Pointing At Canopus was composed by Arif Mirbaghi and edited by Michelle Macklem and Jess Shane. It was made with the voices of over a dozen friends. Special thanks to Michael Eckert for his pedal steel improvisation and … Continue reading "Pointing at Canopus"
Aprovechando la propiedades de la especia, nos trasladamos a las abrasadoras arenas de Arrakis, tercer planeta del sistema Canopus, en la constelación Argo Navis, para realizar esta entrega tan redonda del programa, dedicada a “Dune”, la mítica obra del escritor Frank Herbert. Publicada en 1965, supuso un antes y un después en la Ciencia Ficción, […]
Segundo episodio do Tudo é Ref no ar! E dessa vez, nossos profissionais se juntaram para falar do quem aconteceu, vem acontecendo e vai acontecer nessa pandemia que estamos vivendo devido ao COVID-19. Saiba como o sua empresa ou sua marca possa se adaptar e continuar firme até o final do isolamento. Nesse programa, o sócio da Agência Canopus, Vinícios Duque, baterá um papo com Letícia Luthor, Head de Planejamento, e Rafael Gomes, Gerente de Projetos. Siga a Canopus redes sociais: Instagram: http://bit.ly/2tvfaWF Facebook: http://bit.ly/2Pw7qfC LinkedIn: http://bit.ly/2YZxrXO Acesse nosso site: http://bit.ly/2rMLHXL -- Link citado no programa: https://bit.ly/3028kGd --- Send in a voice message: https://anchor.fm/tudo-e-ref/message
Dave Chisholm and Canopus #1 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/pagesandpanels/support
"If you have something that someone hates or loves, you have something right?" Curt “KIRKEE B.” Bisquera has been highly active in the music industry for over thirty-years. He has recorded and/or toured with the likes of Johnny Cash, Carl Perkins, Sir Elton John, Mick Jagger, Morris Day and the Time, Pharrell Williams, and Tom Petty and the Heartbreakers and that is literally just scratching the surface. Curt is known as a “groove master” and in many ways it has become expected of him to deliver the groovy goods. Beyond simply drumming, Curt has been branching out recently with West Co. Pedals to create the “Grease Juicer”. Yes, a drummer is working together with a guitar pedal company. It goes to show that even the most top level drummers with an equally impressive resume still need to diversify in other areas to ensure a more comfortable career in music. In this conversation Curt opens up a lot about the changing music industry and what Curt likes and also doesn’t like about it. This episode focuses heavily on Curt’s observations of the industry over the last thirty years. Curt endorses DW Drums, Paiste, Vater, Remo, SKB, LP, Audio-Technica, Canopus, Jerry Harvey Audio, Big Fat Snare Drum, Tuner Fish Lug Locks, Big Bang Distribution, Slug Percussion, Randall May, Dauz, CRS. You Will Hear About ... Why Curt released his own guitar pedal “Grease Juicer” and why he went in that direction instead of a drum product. Curt’s take on the drumming community vs the guitar community. Curt’s early days and beliefs on natural talent. Some first hand stories and thoughts about Jeff Porcaro. Our thoughts on the current state of social skills. Metronomic music and why we don’t like it very much. One of Curt’s mantras Personal advice and messages from Carl Perkins, Johnny Cash and Elton John. Curt’s thoughts on the music industry today compared to twenty years ago. Why Should You Listen? Curt had asked me if he could listen to this episode prior to release to give it the seal of approval. The next day he responded with, “It’s good. It’s my truth.” I think that really sums this one up. Curt has had over thirty years of experience in this industry and has seen a lot of change. He isn’t entirely happy with the changes but he still loves music. You will hear his emotive explanation about how he has been under the microscope and beat detected in the studio for years. He is tired of that. He just wants to be free. To play music without a click. To have a recording truthfully represent what happened in the moment. To hear this from Curt was incredibly powerful. This episode is filled with truth. Curt’s truth. Whether you agree with it or not, this was a wonderfully unfiltered and organic conversation between two people who have a deep love for music. Curt’s Socials Instagram Facebook Website Follow ‘Drumeo Gab’ Instagram Facebook
We have the brilliant Alex Paknadel on todays episode. Alex is the writer of the highly acclaimed series Friendo, Arcadia and Turncoat and has just announced he's working on some comics for Marvel which are coming soon. Alex discusses his love of comics, how he got into creating comics and his process. Pete chats too Nigel from Mayamada about his comic creating process and Mike reviews Williams Gibsons Alien 3 screenplay adaptation from Dark Horse comics and tells the curious story of the other lost scripts. We also review Gamayun Tales 1 by Alexander Utkin and Canopus issues 1-4 by Dave Chisholm. Ian and Nikki also discuss the small strip entitled Talking to Dad by Jamie Smart which will have most people in tears. Thank you for listening.http://www.comicartpodcast.ukTwitter: @comicartfestpodFacebook: Comic Art PodcastInstagram: ComicArtPodcastAlso on YouTubeFind all about the festival at http://www.comicartfestival.comLogo designed by Pete Taylor at http://www.thismanthispete.comContributions by Mike Williams (@CthulhuPunk) Pete Taylor (@thismanthispete) and Tom Stewart (@uramyx).Title Music used with permission: Don’t Fool Yourself by Pop Noir
We have the brilliant Alex Paknadel on todays episode. Alex is the writer of the highly acclaimed series Friendo, Arcadia and Turncoat and has just announced he's working on some comics for Marvel which are coming soon. Alex discusses his love of comics, how he got into creating comics and his process. Pete chats too Nigel from Mayamada about his comic creating process and Mike reviews Williams Gibsons Alien 3 screenplay adaptation from Dark Horse comics and tells the curious story of the other lost scripts. We also review Gamayun Tales 1 by Alexander Utkin and Canopus issues 1-4 by Dave Chisholm. Ian and Nikki also discuss the small strip entitled Talking to Dad by Jamie Smart which will have most people in tears. Thank you for listening.http://www.comicartpodcast.ukTwitter: @comicartfestpodFacebook: Comic Art PodcastInstagram: ComicArtPodcastAlso on YouTubeFind all about the festival at http://www.comicartfestival.comLogo designed by Pete Taylor at http://www.thismanthispete.comContributions by Mike Williams (@CthulhuPunk) Pete Taylor (@thismanthispete) and Tom Stewart (@uramyx).Title Music used with permission: Don’t Fool Yourself by Pop Noir
Spotlight Comics On The Stump #1 from Image | Writer(s): Chuck Brown | Artist(s): Prenzy | Letters: Clayton Cowles | $3.99 Archie Meets The B-52s #1 from Archie Comics | Writer(s): Alex Segura Matt Rosenberg | Artist(s): Dan Parent | Inks: J. Bone | Colors: Glenn Whitmore | Letters: Jack Morelli | $3.99 BANG #1 from Dark Horse | Writer(s): Matt Kindt | Artist(s): Wilfredo Torres |$3.99 Godkillers #1 from AfterShock Comics (W) Mark Sable (A) Maan House - $4.99 Comics Elvira, Mistress of the Dark #12 from Dynamite (W) David Avallone (A) Edu Menna - $3.99 (final issue; for now?) Omni #5 from Humanoids (W) Melody Cooper (A) Giovanni Valletta - $3.99 American Jesus New Messiah #3 from Image | Writer(s): Mark Millar | Artist(s): Peter Gross | $4.99 Family Tree #4 from Image | Writer(s): Jeff Lemire | Artist(s): Phil Hester Various | $3.99 Heist Or How To Steal A Planet #4 from Vault Comics | Writer(s): Paul Tobin | Artist(s): Arjuna Susini | $3.99 Edgar Allan Poes Snifter Of Terror Season 2 #5 from Ahoy Comics | By: Rick Geary, Andy Troy, Alisa Kwitney, Mauricet, Rob Steen, Hunt Emerson and more | $3.99 Red Mother #3 from BOOM! 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Studios | Writer(s): Maria Llovet | Artist(s): Rodin Esquejo | $3.99 Heist Or How To Steal A Planet #4 from Vault Comics | Writer(s): Paul Tobin | Artist(s): Arjuna Susini | $3.99 Sera And The Royal Stars #6 from Vault Comics | Writer(s): Jon Tsuei | Artist(s): Audrey Mok | $3.99 Archie #711 from Archie Comics (W) Mariko Tamaki, Kevin Panetta (A) Laura Braga - $3.99 Blade Runner 2019 #6 from Titan Comics (W) Michael Green, Mike Johnson (A) Andres Guinaldo - $3.99 Upcoming Comics Hidden Society #1 from Dark Horse | Writer(s): Rafael Scavone | Artist(s): Rafael Albuquerque | $3.99 Invisible Kingdom #10 from Dark Horse | Writer(s): G. Willow Wilson | Artist(s): Christian Ward | $3.99 Tomorrow #1 from Dark Horse | Writer(s): Peter Milligan | Artist(s): Jesus Hervas | $3.99 Red Sonja And Vampirella Meet Betty And Veronica #9 from Dynamite Entertainment | Writer(s): Amy Chu | Artist(s): Dan Parent | $3.99 Dying Is Easy #3 from IDW Publishing | Writer(s): Joe Hill | Artist(s): Martin Simmonds | $3.99 Heart Attack #4 from Image | Writer(s): Shawn Kittelsen | Artist(s): Eric Zawadzki Michael Garland | $3.99 Ice Cream Man #18 from Image | Writer(s): W. 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Studios | Writer(s): Matt Kindt | Artist(s): Matt Smith | $3.99 Heathen #9 from Vault Comics | Writer(s): Natasha Alterici | Artist(s): Natasha Alterici | $3.99 Mirka Andolfos Un/Sacred #4 from Ablaze Media | Writer(s): Mirka Andolfo | Artist(s): Mirka Andolfo | $3.99 Vagrant Queen Planet Called Doom #2 from Vault Comics | Writer(s): Magdalene Visaggio | Artist(s): Jason Smith | $3.99 Wasted Space #14 from Vault Comics | Writer(s): Michael Moreci | Artist(s): Hayden Sherman | $3.99 BANG #1 (second printing) from Dark Horse | Writer(s): Matt Kindt | Artist(s): Wilfredo Torres |$3.99 Death or Glory #9 from Image Comics (W) Rick Remender (A) Bengal - $3.99 Second Coming Vol 1 TP from Ahoy Comics | Writer(s): Mark Russell | Artist(s): Richard Pace Various | $19.99 Thank you for listening to The Professor Frenzy Show You can find our podcast if you do an iTunes search for The Professor Frenzy Show You can listen to the show on Twitter itself Find Gerry on twitter @professorfrenzy and Chris @btoandbatbooks Facebook Like The Professor Frenzy Show Page Instagram professorfrenzy Spotify: search for Professor Frenzy YouTube: search for Professor Frenzy The Frenzy Feed has expanded into a full slate of Podcasts. On Monday we have Memory Minute Monday where we look at some of the cool stuff from our personal past. On Wednesday, this show, the Professor Frenzy Show, where we talk about new Indie comics. On Friday we have Professor Frenzy's Bedtime Stories, that is a show where I cover an EC horror comic story. And on Sunday we have FrenzyPiece Theater where we take a deeper dive into full stories and arcs of great recent comics. This Sunday we finish up the last episode of Paper Girls Just subscribe to our Podcast feed by doing an iTunes search for Professor Frenzy and you can get all those shows. Now over on YouTube subscribe to The Professor Frenzy Show and on Wednesday night, I am going to drop a video showing all my weekly comics. I'll play a little guitar, look at some books. I'm playing with the format, but should be a fun time. Join me.
This was a fantastic week of comic reading. Listen to us flash review Joker Killer Smile, Undiscovered Country, Canopus and many more. Oh.. WOLVERINE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/lostncomics/support
El grupo de los ASTRO DIVULGADORES es un emprendimiento que realiza productos y servicios de divulgación de ciencias. Nos enfocamos en divulgar desarrollos científicos, tecnológicos y productivos vinculados a la Argentina y América Latina para reducir la brecha en el acceso al conocimiento de niños, niñas y adultos, considerando que, de esta forma, contribuimos a reducir la desigualdad de oportunidades en la sociedad. Incentivamos la curiosidad por la investigación científica y cultural, la transmisión de conocimiento de una generación a otra y, por sobre todo, la vocación científica para contribuir a los objetivos de Desarrollo del Milenio esbozados por la ONU. Este año estuvo repleto de nuevos desafíos. Siempre buscamos brindar el mejor servicio para que el acercamiento a las ciencias sea divertido, entretenido y con información precisa y actualizada. En esta memoria anual les contamos todas las actividades que realizamos, las instituciones con que nos vinculamos, los eventos, como mejoró nuestro juego Canopus y el último que diseñamos. Contacto (02954) 15695067 / 15746760 astrodivulgadores@gmail.com www.astrodivulgadores.com.ar @AstroDivulgadores
Creator Cody Fernandez talks Ironverse comics, we review Pennyworth, talk up a bunch of other comics and more on ComicCast #183.
Boogie is sick, Dru Manchu is hanging out, we're chatting with creator Dave Chisholm, and reviewing a slew of books on ComicCast #182.
What a time to be alive! Dave Chrisholm's story of a lonely planet, Celine Loup's horrific postpartum tale, Liam Cobb's matchmaking between a woman and a frog, AND Rodger Binyone's technologically lush musings... all in one episode! PLUS, the Rick & Morty contest winner is announced. Listen in to hear all about: Canopus, The Man Who Came Down the Attic Stairs, Hex Cymatics, and The Prince. You can reach us vialTwitter (@ftlindie) or email (ftlindie@gmail.com) and show notes can be found at www.fortheloveofindie.com
Dave Chisholm earned a doctorate from the Eastman School of Music, a professional trumpet player and the writer/artist of Canopus being published through Scout Comics. The first issue of this four-part series is on sale February 12, 2020. Canopus about an amnesiac astronaut,Helen Sterling, who wakes up 3,000 light years from earth with a vague memory of an extinction level urgency to return to earth. Trying to return by collecting materials on the planet to repair her ship she encounters her memories in the form of monsters. The comic has received praise from J.H. Williams III (Batwoman, Promethea Where We Live) How did Dave connect with J.H.? Why did Dave decide to start making his own comics? What book did he read that changed the way he thinks? What moment was a turning point in his life? And we Kick Back with the Creator to learn even more about Dave. Please rate and review Creator Talks on Apple Podcasts About Dave Chisholm About Canopus
Você sabe o que é Podcast? Sabe como funciona e quando começou? Não?! Então você está no lugar certo! Bem-vindo ao Tudo é Ref, o Podcast da agência Canopus. Aqui você encontra dicas dos melhores profissionais de marketing, que se reúnem uma vez por mês para falar sobre suas referências e agregar ainda mais conhecimento para seus parceiros e todos que seguem a Canopus. No primeiro episódio falamos sobre mídia de performance em Podcasts e prevemos como será essa mídia no futuro. Vem pro Tudo é Ref! . Siga a gente nas redes sociais: Instagram: http://bit.ly/2tvfaWF Facebook: http://bit.ly/2Pw7qfC LinkedIn: http://bit.ly/2YZxrXO Acesse nosso site: http://bit.ly/2rMLHXL --- Send in a voice message: https://anchor.fm/tudo-e-ref/message
In this episode, Mike and Mike take us on a brief tour through famed studio drummer Hal Blaine's extensive discography, some ways to play a half-time shuffle in 5/4, and up for review is a beastly 4x14 Solid Bronze snare by Canopus. The post MD Podcast Episode 211: Hal Blaine Classic Tracks, Half-Time Shuffles in Five, Canopus Solid Bronze Snare, and More appeared first on Modern Drummer Magazine.
Neste primeiro episódio do Fora do Cast, eu falo um pouco sobre o meu livro e como foi a experiência de criar uma obra literária.
In this episode, Mike and Mike discuss September 2019 featured artist Andrew Marshall, who is currently touring with alt-pop artist Billie Eilish. The post MD Podcast Episode 204: Billie Eilish's Andrew Marshall, "Soul Vaccination," Canopus Snares, and More appeared first on Modern Drummer Magazine.
Episode 5: Epigenetics, Race, Activism Or, Who are we and what do we think we’re doing? Produced by: Catherine Charlwood (@DrCharlwood) and Laura Ludtke (@lady_electric) Music composed and performed by Gareth Jones Laura and Catherine are joined by a special guest: Dr Lara Choksey (@larachoksey), postdoctoral research associate at the Wellcome Centre for Cultures and Environments of Health at the University of Exeter. In addition to discussing #litsci aspects of her research and teaching, Lara also explores the intricacies of the language we use to talk about such topics as colonialism, her work with the Global Warwickshire Collective, and what #litsci might be able to offer in terms of decolonising the curriculum, or combating racism. At the end of the episode, you can hear Lara read an extract from Saidiya Hartman’s, Lose Your Mother: A Journey Along the Atlantic Slave Route (2006). Episode resources: Michael Symmons Roberts, ‘To John Donne’ and ‘Mapping the Genome’ John Akomfrah (dir.), The Nine Muses (2010) Julian Huxley, Evolution: The Modern Synthesis (1942) Lily Kay, Who Wrote the Book of Life? A History of the Genetic Code (2000) Jean-Baptiste Lamarck, Philosophie zoologique (1809) Doris Lessing, "The Whitehorn Letters" (1944-1949) ---- Memoirs of a Survivor (1974) ---- Canopus in Argos: Archives (1979-1983) Barbara McClintock, "The Significance of Responses of the Genome to Challenge." (1983) The Double Helix history project, https://www.alc.manchester.ac.uk/english/research/projects/double-helix-history/ Farah Mendlesohn writes in the "Introduction" to The Cambridge Companion to Science Fiction, "Language is not trustworthy in sf: metaphor becomes literal." ed. E. James and F.Mendlesohn (CUP, 2003). We hope you’ve enjoyed this episode of LitSciPod - we enjoyed making it!
Denne ukens episode av #pengepodden er noe annerledes enn de vanlige hvor du får muligheten til å bli med oss live på et Private Banking-seminar vi avholdt i Oslo 24. januar. I debatten får du blant annet høre mer om Norwegian (NAS), veksten i verdens markeder, utsikter for oljemarkedet, Oslo Børs og utsiktene for børsåret 2019. På scenen er vår egen investeringsøkonom Mads Johannesen, porteføljeforvalter i FIRST-fondene, Martin Mølsæter, porteføljeforvalter i Sissener Canopus, Viktor Sandland og porteføljeforvalter i DNB, Anette Hjertø.
I denne episoden av #pengepodden har vi besøk av Jan Petter Sissener, forvalter av Canopus. Du får blant annet høre mer om den siste tids korreksjon i markedet, utsiktene for børsåret 2019 og ikke minst om oljeprisen. Jan Petter Sissener er som kjent forvalter av et absolutt fond, noe som Bjørn Erik og Mads kommer inn på i episoden. Videre snakker Jan Petter om diverse selskaper og sektorer som han har tro på og ikke minst hva som er de store triggerne for børsåret 2019. Avslutningsvis får du også vite hvilke favorittaksjer Sissener har.
Norges aksjenestor Jan Petter Sissener gjester denne episoden av #pengepodden investor. Temaet for episoden er nyheten om at Sissener Canopus blir tilgjengelig på nordnet.no og siste ukers uro i markedene. Sissener Canopus blir tilgjengelig på nordnet.no i løpet av kort tid (november 2018), men som en tidlig julepresang deler vi nyheten allerede nå. I episoden får du også høre hvilke selskaper Jan Petter trekker frem som vinnere og tapere i markedet.
In this episode Mike and Mike discuss October 2018 featured artist Drew Shoals of the pop/rock band Train. The post MD Podcast Episode 159: Train's Drew Shoals, Kicked-Up Bell Patterns, Canopus Hybrid Hardware, and More appeared first on Modern Drummer Magazine.
Curt Bisquera, also known as “Kirkee B.”, is one of the most popular studio and touring drummers in the world. Curt began playing drums at age 3 and was playing professionally by the time he was in grade school. After finishing high school Curt attended Hollywood’s Musician’s Institute. One of Curt’s teachers at MI was Joe Porcaro and eventually met the late drumming legend Jeff Porcaro. Jeff became a huge influence for Bisquera and eventually went on to recommend him for work. While at the Musician’s Institute Curt heard that Morris Day & The Time were auditioning for a new drummer. He got the gig and Curt went on to tour with Morris Day which led on to him working with other well known artists including Shalamar and Sheena Easton. Curt went on to tour with Belinda Carlisle where he met legendary producer Don Was who hired him to play drums on Bonnie Raitt’s massive Grammy winning hit Luck Of The Draw. Curt became one of the most in demand session drummers recording and performing with many great artists including Mick Jagger, Sir Elton John, Tina Turner, Johnny Cash, Tom Petty & The Heartbrakers, Joni Mitchell, James Taylor, Etta James, The Dixie Chicks, Spice Girls, Ricky Martin, and many more. Curt Bisquera continues to be in high demand for both recordings and live work and recently developed his own signature bass guitar envelope filter pedal with West Co Pedals. Endorsements: DW Drums, Latin Percussion, Paiste Cymbals, Remo, Vater, SKB, Big Fat Snare Drum, Jerry Harvey Audio, Tunner Fish Lug Locks, Canopus, Audio-Technica. Links: Website: curtbisquera.com Instagram: instagram.com/curtbisq Twitter: twitter.com/curtbisq
Ligeia is Waiting by Russell Hemmell First appeared on Perihelion SF, March 2017. Russell Hemmell is a statistician and social scientist from the U.K, passionate about astrophysics and speculative fiction. Recent stories in Helios Quarterly Magazine, Not One of Us, Third Flatiron, and others. Finalist in The Canopus 100 Year Starship Awards 2016-2017. Website Twitter: @SPBianchini 600 Second Saga Music is provided by MADS. You can support 600 Second Saga by giving us a 5-star review on iTunes Become a Patron! Follow me on Facebook Follow me on Twitter
In this episode Mike and Mike discuss April 2018 featured artist Ian Chang, who appears on the new Son Lux album Brigher Wounds. The post Episode 134: Son Lux's Ian Chang, Applying Singles to the Kit, Canopus Harvey Mason Snares, and More appeared first on Modern Drummer Magazine.
Produced by Marina Hansen and Billy Newman Link Marina Hansen Instagram - https://www.instagram.com/marinavisual/ Billy Newman Instagram - https://www.instagram.com/billynewman/ Website Billy Newman Photo - http://billynewmanphoto.com/ YouTube - https://www.youtube.com/channel/UCRxCs7sDRYcJoNls364dnPA Facebook Page - https://www.facebook.com/billynewmanphotos/ Twitter - https://twitter.com/billynewman Patreon - https://www.patreon.com/billynewmanphoto Website Billy Newman Photo - http://billynewmanphoto.com/ About  -  http://billynewmanphoto.com/about/ Get Out There Podcast Feed http://billynewmanphoto.com/feed/podcast/getoutthere Media Tech Podcast Feed http://billynewmanphoto.com/feed/podcast/media-tech-podcast Billy Newman Photo Podcast Feed http://billynewmanphoto.com/feed/podcast/billynewmanphotopodcast The Night Sky Podcast Feed http://billynewmanphoto.com/feed/podcast/thenightskypodcast Ebook Working With Film (2013) http://billynewmanphoto.com/wp-content/uploads/2016/09/Working_With_Film.pdf Ebook Western Overland Excursion (2012) http://billynewmanphoto.com/wp-content/uploads/2017/08/Western-Overland-Excursion-E-book-0812.pdf The Night Sky Podcast | Viewing Canopus Hello, and thank you for listening to this episode of the night sky podcast. My name is Billy Newman. And I'm Marina Hansen. And we're here today to finally come back from our long hiatus. We've been on vacation. Hey, pretty good reason to be gone. Though we believe in everybody. Yeah. Without an update on the night sky above us for for now two weeks. Oh, man, shoot. Sorry. Everything's changed. So one person he listened. Last time we were talking about you're talking about? Oh, yeah, there's been so many discoveries since last time your gravitational waves have been verified. They've been projected before but now they've been verified, I guess I suppose. They say the math is strong. I'll let the scientific community that that all. But But yeah, they say that they found what was it like a 26. And ours, I think it was 26 and 34. solar mass, black hole orbiting each other, came closer and closer kind of spiraling in on their same like point. And then they finally merged together, when the two giant black holes a solar mass, like we talked about before, is the size of our Sun. So one sun, around Earth is one solar mass. So these black holes were each 30 solar masses, so 30 times more massive than the mass of the sun. And these two black holes smiled at each other. And it's at this rate, I think, predicted in Einstein's theory of special relativity, where it kind
In this episode, Mike and Mike discuss modern jazz great Antonio Sanchez, who just released an adventurous drum-centric album titled Bad Hombre. The post Modern Drummer Podcast Episode 111: Antonio Sanchez, Utilizing Tension and Release, Canopus NV60-M5 Snare, and More appeared first on Modern Drummer Magazine.
Abbiamo chiesto ai nostri due ospiti, il Gioconauta Davide "Canopus" e Andrea "Killa_Priest" (direttamente dalla redazione della Tana), una classifica a quattro mani dei giochi da tavolo più sopravvalutati. Un'altra improbabile classifica in perfetto stile Radio Goblin. Presentano Salvatore "Sava73" e Marco "Agzaroth". Regia Cristiano "Elianto".
I have decided to add all of the other great podcasts we have recorded in the studio to the main Billy Newman Photo Podcast feed. This is a great podcast from 2016 after Marina and I were able to see Canopus. The Night Sky Podcast | 09 Viewing Canopus Jupiter at opposition, solar eclipse, lunar eclipse, viewing Canopus in the southern hemisphere. Produced by Marina Hansen and Billy Newman. Produced by Billy Newman and Marina ...
In this episode, Mike and Mike discuss the gear and accessories they make sure to take with them to every gig. The featured artist is original Santana drummer Michael Shrieve. Up for review is a trio of workhorse snares from Canopus. Then after answering a couple listener questions, the show concludes with picks of the week. The post Episode 67: Gig Bag Essentials, Michael Shrieve, Canopus Snares, and More appeared first on Modern Drummer Magazine.
Sunken Cities: Egypt's Lost Worlds is the British Museum's first major show on underwater archaeology, and brings together more than 200 discoveries by the French diver and archaeologist Franck Goddio. It tells the tale of two cities, Thonis-Heracleion and Canopus, and the relationship between Greece and Egypt. Professor Edith Hall reviews.John Carney' s film Once won the Oscar for Best Original Song in 2007. The writer and director discusses his latest film Sing Street, about a boy growing up in Dublin during the 1980s who escapes his strained family life by starting a band to impress the mysterious girl he likes.Han Kang, winner of the 2016 Man Booker International prize, talks to John about her novel The Vegetarian. The story centres on an ordinary wife, Yeong-hye and her ordinary husband, whose lives change dramatically when Yeong-hye decides to stop eating meat.As his Hellens Music Festival prepares to open, the concert pianist Christian Blackshaw explains why less is more when it comes to interpreting the great composers.Presenter: John Wilson Producer: Ella-mai Robey.
Listen to Ep 36 of the Modern Drummer Podcast with Mike and Mike: Bass Drum Mics and Miking Techniques, Abe Cunningham, Canopus Solid Brass and Harvey Mason Signature Snares, and More! The post Episode 36: Bass Drum Mics and Miking Techniques, Abe Cunningham, Canopus Solid Brass and Harvey Mason Signature Snares, and More appeared first on Modern Drummer Magazine.
Transcript: The brightest stars in the night sky are not exactly like the Sun. In fact almost all of them are hotter, more massive, and more luminous. Most of the brightest stars in the sky are luminous main sequence stars, red giants, or supergiants. Each of the seventeen brightest stars in the sky is more luminous than the Sun. The brightest ten in order are Sirius, Canopus, Arcturus, Alpha Centauri, Vega, Capella, Rigel, Procyon, Achernar, and Hadar.
Transcript: The apparent brightness of the Sun is a factor of 1010 or 10 billion times brighter than the brightest stars in the night sky like Vega, or Canopus, or Sirius. If we assume that the Sun and the stars are intrinsically the same type of object, that is they emit the same number of photons per second, we can use the inverse square law to say what the relative distance is to the stars and the Sun is. It must be a factor of the square-root of 1010 or 105. The stars are therefore roughly 105 or 100 thousand times further away than the Sun is from us. That’s 105 times 108 or 1013 kilometers, 10 trillion kilometers, or about a third of a parsec. Thus, this simple assumption gives us a rough estimate of the huge distance to the stars. We can compare the Sun and the stars directly through the medium of an equivalent light bulb of 100 watts. The Sun is like a 100 watt light bulb at a distance of 3 inches from your eye, very intense, don’t ever try that, whereas the brightest stars in the night sky are like 100 watt light bulbs at a distance of about 9 kilometers. That is a reading light at a distance of 5 miles. This gives a sense of the enormous range of apparent brightness between the Sun and even the nearest stars.
Renowned archaeologist Franck Goddio talks with podcast host Steve Mirsky about his efforts to recover artifacts from the ancient cities of Alexandria, Heracleion and Canopus, with special attention to discoveries related to Cleopatra and her reign. The exhibit Cleopatra: The Search for the Last Queen of Egypt opens at the Franklin Institute in Philadelphia on June 5th. Web sites related to this episode include www.underwaterdiscovery.org