Podcasts about Big Yellow Taxi

In 1993, Counting Crows' debut album, "August and Everything After,” went multi-platinum, selling more than seven million copies in the U.S. alone. Lead singer Adam Duritz joins Tom Power for a wide-ranging conversation about “Mr. Jones” (the song that started it all), how there's no going back after becoming famous, and what it was like playing his cover of “Big Yellow Taxi” to Joni Mitchell herself. Plus, he shares what was on his mind when he created Counting Crows' latest record, “Butter Miracle, The Complete Sweets!”

With David away for a second consecutive week, Erica and Sandeep seek out the inimitable Josh Feit, news editor of the Stranger back in the olden (golden) days, to buffer their conversation with convoluted references to 50-year-old Joni Mitchell records. We start with the increasingly off-putting saga of King County Assessor John Arthur Wilson, who remains defiant in the face of a unanimous vote by the King County Council (minus the absent Reagan Dunn) urging him to resign over allegations he stalked his ex-partner during their breakup from hell. We ask: Why did the resignation calls take so long, and are we headed for a messy recall? (Hours after we taped this episode on the morning of Friday, June 13, a judge denied Wilson's legal motion seeking the dismissal of his ex-partner's protection order against him .) Next up, Josh keys off the announced resignation of Councilmember Cathy Moore to argue that what Moore and her supporters and backers decry as incivility in Council chambers is really just sour grapes about the rising voice of an emerging urbanist majority. But are the urbanists so ascendant, give the status quo nature of the comp plan currently under debate? Finally, we dig into the implications of Erica's reporting that the mayor is seeking to expand the city's powers to shutter “nuisance properties.” Is a crackdown on clubs warranted by recent incidents of gun violence that have occurred outside nightclubs and hookah lounges? Or is this just the latest iteration of a long, pinch-faced tradition in Seattle municipal politics of finger-wagging at—and passing laws to curtail—the city's nightlife? Better listen in before a Big Yellow Taxi comes to take Josh and Sandeep away!Our editor is Quinn Waller.  Have a question or comment? Send us an email at realseattlenice@gmail.com.Send us a text! Note that we can only respond directly to emails realseattlenice@gmail.comHEARTH Protection: Do not let fear make your world smaller. Thanks to Uncle Ike's pot shop for sponsoring this week's episode! If you want to advertise please contact us at realseattlenice@gmail.comSupport the showYour support on Patreon helps pay for editing, production, live events and the unique, hard-hitting local journalism and commentary you hear weekly on Seattle Nice.

MTA Pres Max Page: Higher Ed needs collective response to Trump's assault, May Day rally in Spgfld. Rep Lindsay Sabadosa: budget chaos. Prof Austin Sarat: Fist bumps to Harvard, to local democracy, and the courts. Richard Cahillane & Teresa Lorenzo - Big Yellow Taxi show at Shea Theater 4/19. Donnabelle Casis w/ Pasqualina Azzarello of Easthampton City Arts on Poetry Month.

The Prism of America's Education with Host Karen Schoen – I don't know how many of you remember the lyrics of this Joni Mitchell song, "Big Yellow Taxi," circa 1969. Read the lyrics, and they are so true today. Our RINO legislators have determined that the people can no longer decide the zoning and construction regulations in their community. So they are busy writing bills that all have the same phrase: "Prohibits Counties..."

A cover band with the sentiment of Laurel Canyon of the 70's....Laurel Canyon East has snippets of a number of songs you will hear when you see them perform. Those songs are The Pretender, Angel From Montgomery, Big Yellow Taxi, Stop Draggin' My Heart Around, Love The One You're With, Cowgirl In The Sand and The Weight

1/30/25: Valley Players Matteo Pangallo & Kimberly Salditt-Poulin on “Love Letters.” Harvard Chaplain Greg Epstein on Trump's reaction to Bishop Budde's plea for mercy, and Greg's new book "Tech Agnostic." Gorgeous music by Big Yellow Taxi's Teresa Lorenco & the tribute band's upcoming shows. Ruth Griggs W/ Sean Glennon, Director of Marketing UMass Fine Arts Ctr: lots coming to FAC.

1/30/25: Valley Players Matteo Pangallo & Kimberly Salditt-Poulin on “Love Letters.” Harvard Chaplain Greg Epstein on Trump's reaction to Bishop Budde's plea for mercy, and Greg's new book "Tech Agnostic." Gorgeous music by Big Yellow Taxi's Teresa Lorenco & the tribute band's upcoming shows. Ruth Griggs W/ Sean Glennon, Director of Marketing UMass Fine Arts Ctr: lots coming to FAC.

1/30/25: Valley Players Matteo Pangallo & Kimberly Salditt-Poulin on “Love Letters.” Harvard Chaplain Greg Epstein on Trump's reaction to Bishop Budde's plea for mercy, and Greg's new book "Tech Agnostic." Gorgeous music by Big Yellow Taxi's Teresa Lorenco & the tribute band's upcoming shows. Ruth Griggs W/ Sean Glennon, Director of Marketing UMass Fine Arts Ctr: lots coming to FAC.

1/30/25: Valley Players Matteo Pangallo & Kimberly Salditt-Poulin on “Love Letters.” Harvard Chaplain Greg Epstein on Trump's reaction to Bishop Budde's plea for mercy, and Greg's new book "Tech Agnostic." Gorgeous music by Big Yellow Taxi's Teresa Lorenco & the tribute band's upcoming shows. Ruth Griggs W/ Sean Glennon, Director of Marketing UMass Fine Arts Ctr: lots coming to FAC.

1/30/25: Valley Players Matteo Pangallo & Kimberly Salditt-Poulin on “Love Letters.” Harvard Chaplain Greg Epstein on Trump's reaction to Bishop Budde's plea for mercy, and Greg's new book "Tech Agnostic." Gorgeous music by Big Yellow Taxi's Teresa Lorenco & the tribute band's upcoming shows. Ruth Griggs W/ Sean Glennon, Director of Marketing UMass Fine Arts Ctr: lots coming to FAC.

Having just survived the calorie-fest of the Thanksgiving Holiday, show hosts Drs. Vivian Vega and Jackie Sherbuk reflect on the changing seasons--and that has them thinking NOT just about the weather, but about the climate. Here to discuss the impact of a changing climate on infectious diseases, they welcome Dr. Lauren Rybolt, Chief Infectious Diseases Fellow at the University of South Florida Morsani College of Medicine. Dr. Rybolt mentions that in the Tampa Bay Area, especially after the recent hurricane season, we are already seeing the effects of climate on infectious diseases occuring in real time. The direct effects of two rapidly intensifying hurricanes, Helene and Milton, that impacted Florida in late September and October have led to increased outbreaks of vibrio vulnificus and other waterborne infections, subjects which were highlighted in our very first episode.Dr. Rybolt explains that the effects of climate change are not singular, but are the results of many interconnected processes. For instance, how warming oceans affect precipitation patterns over the U.S., leading to flooding in some areas and drier conditions in others. Flooding can pollute streams and rivers and contaminate water supplies, while displacing people and increasing exposure to mosquito-borne disease; whereas drought can lead to water insecurity and the health consequences of extreme heat on vulnerable populations. Man made deforestation and land development can worsen the effects of flooding, and at the same time exacerbate climate change due to the loss of ecosystems and carbon-absorbing vegetation, for instance. Dr. Rybolt goes on to describe how the changing climate is producing an expanding zone of tropical infectious diseases in areas where they never occurred. More cases of Malaria and Dengue have been reported in Florida in recent years, for example. Tick-borne infections such as Lyme disease can expand to non-endemic regions due to climate change, but in Florida, we have been protected by a certain ubiquitous reptile. Certain fungal infections such as Candida auris have also spread beyond their typical "endemic areas" as well.Lastly, during their "ID News" segment, Vivian and Jackie discuss World AIDS Day, trends in vaccination and respiratory virus season, as well as the recent discovery of Bird Flu in raw milk.Thanks to Dr. Lauren Rybolt for appearing on this episode to share her knowledge about the infectious diseases impacts of climate change.Dr Vega would like to thank her friend Job Meiller, her YES Man, for the wonderful musical contributions and coming through on every idea she has. This time he is joined by his daughter, Isabelle Meiller, for a moving rendition of "Big Yellow Taxi." Thank you Job!Thanks also to Dr. Ana Velez, our artistic contributor, for her painting used in our episode thumbnail.

Canadiske fødte Joni Mitchell bosatte sig i det sydlige Californien og var med til at definere en æra og en generation med populære sange som “Big Yellow Taxi” og “Woodstock “. Hendes album Blue fra 1971 nævnes ofte som et af de største albums nogensinde; det blev bedømt som det 30. bedste album på Rolling … Læs videre "Joni Mitchell 68 – 76"

Canciones de ahora mismo y de otro tiempo que nos salvarán mañana o pasado mañana…Canciones nuevas de Randal Bramblett, Les Hommes, Lake Street Dive, Alex Puddi, The BoomJeh, Johnny Burgos, Joel Sarakula o Yasmin Williams. Y sorpresas maravillosas como la versión desconocida de “Big Yellow Taxi” de Joni Mitchell con Jaco Pastorius y Pat Metheny o el disco incógnito de Dane Donahue producido por Terence Boylan.CLO PROMO REBECCADISCO 1 JONI MITCHELL Help Me (7) Live At The Forest Hills Tennis StadiumDISCO 2 RANDALL BRAMBLETT Come On (BELLEZA SONORA - 21)DISCO 3 LAKE STREET DIVE Seats At The Bar (8)CLO LUCAS PODCAST + CUÑA CLO MOMENTODISCO 4 THE BOOMJEH Keep Right On (1)DISCO 5 BRITTI Nothing Compares To You (5)DISCO 6 ALEX PUDDI Liquor Alla Menta (3)DISCO 7 JOEL SARAKULA King Od Spain (10)SEP MARTÍN X (TWITTER) + CUÑA BUSCAS SAMUSTINADISCO 8 LES HOMMES  Sonorissima Bay (1)DISCO 9 MARIO BIONDI What Have You Done To Me (4)DISCO 10 JOHNNY BURGOS This Vibe (8)SEP CLAPPINGDISCO 11 PMJ (JIM WELLMAN)& ROY AYERS Judy La Rose (10)DISCO 12 DANE DONAHUE Can’t Be Seen (7)DISCO 13 YASMIN WILLIAMS Hummingbird (ESCA)Escuchar audio

Nature is essential to our survival and wellbeing, yet we are rapidly destroying it. Human activities like urbanisation, pollution, deforestation and commercial fishing are all degrading Earth's biodiversity at an alarming rate. While they have historically been treated as two separate issues, climate change and biodiversity loss are deeply connected. In this episode, James and Daisy discuss nature. Why is protecting nature important? What exactly is natural capital? What emerging incentives are there to prevent biodiversity loss? SOME RECOMMENDATIONS:The Dasgupta Review – an independent, global review of the Economics of Biodiversity led by Prof. Sir Partha Dasgupta, commissioned in 2019 by HM Treasury. It looks at how we think, act, and measure economic success to protect and enhance the natural world. The Taskforce on Nature-related Financial Disclosures (TNFD) has developed a set of disclosure recommendations and guidance that encourage and enable business and finance to assess, report and act on their nature-related dependencies, impacts, risks and opportunities.Radical Realist – the weekly newsletter from The Conduit, that “brings you the biggest impact stories from across the globe.” OTHER ADVOCATES, FACTS, AND RESOURCES:Living Planet Report (WWF) – a comprehensive study of trends in global biodiversity and the health of the planet. Over the past 50 years (1970–2020), the average size of monitored wildlife populations has shrunk by 73%, as measured by the Living Planet Index (LPI). Stop Ecocide International – Polly Higgins was a British barrister who fought for ‘ecocide' to be recognised as a crime, just as genocide is. Philippe Sands KC helped draw up the definition of ecocide.   Climate Asset Management – formed in 2020 as a joint venture of HSBC Asset Management and Pollination, with the ambition to grow the world's largest asset management company dedicated to natural capital.Nattergal is a company with a mission to deliver nature recovery at scale, to provide vital benefits for society and sustainable financial returns.Highlands Rewilding seeks to help rewild and re-people the Scottish Highlands by increasing carbon sequestration, growing biodiversity, creating green new jobs and generating sustainable profit for purpose.Faith In Nature – this beauty company has appointed a director to represent nature on its board. Ingka Young Leaders Forum – a global youth advisory council where Ingka Group's senior decision-makers and the Young Leaders Forum members co-create actionable and transformational strategies together. Ingka Group is the largest IKEA franchisee. Kunming-Montreal Global Biodiversity Framework (GBF) – the framework agreed at COP15 consisting of global targets to be achieved by 2030 and beyond to safeguard and sustainably use biodiversity. It includes the “30x30” conservation target, that calls for 30% of the earth's land and sea to be conserved through the establishment of protected areas (PAs) and other area-based conservation measures (OECMs).Thames Tideway Tunnel (or super sewer) – a £4.5 billion project to increase the capacity of the sewage system. It is a 25km tunnel running from west to east London which will help protect the River Thames from sewage pollution.Earth Overshoot Day – this year's date was Thursday, 1 August 2024.The Joni Mitchell song James mentioned is called Big Yellow Taxi. It's one our favourites!Thank you for listening! Please follow us on social media to join the conversation: LinkedIn | Instagram | TikTokMusic: “Just Because Some Bad Wind Blows” by Nick Nuttall, Reptiphon Records. Available at https://nicknuttallmusic.bandcamp.com/album/just-because-some-bad-wind-blows-3Huge thanks to Siobhán Foster, a vital member of the team offering design advice, critical review and organisation that we depend upon.Stay tuned for more insightful discussions on navigating the transition away from fossil fuels to a sustainable future.

Kylie Fox Returns to East Coast DNA! The burgeoning New Brunswick-based singer-songwriter Kylie Fox is back on East Coast DNA to share her second studio full-length album, Sequoia. Supported by ArtsNB, Music New Brunswick, and the Canada Council for the Arts, Sequoia is an 11-track album developed with her band and six-time ECMA-winning producer Daniel Ledwell (Jenn Grant, Fortunate Ones, The Good Lovelies). Deeply rooted in folk-Canadiana, Sequoia also delves into folk-rock and jazz-pop fusion, embodying a sound Fox describes as “70s Sesame Street meets Sharon Van Etten.” The album reflects on themes of gratitude, women's roles, relationships, and the environment, with inspiration drawn from a news story about firefighters saving a Sequoia tree. Kylie shares, “It resonated with me how severely nature and time have been taken for granted.” In songs like the title track, she explores personal realizations about how we sometimes neglect the most important aspects of life—echoing the sentiment of Joni Mitchell's Big Yellow Taxi. Sign up for Kylie Fox's newsletter at: kyliefox.com Join us on the podcast to hear Kylie discuss the stories behind Sequoia and her journey as a rising star in the Canadian folk scene!

On this week's program, your host, Justin Mog, takes an unusual stroll down the music memory hole with Forward Radio's own, Bob Cline. Bob had a long career as a professional radio DJ in the region starting in 1973 and is now host of RetroForward, heard on WFMP Louisville every Wednesday at 12am, Thursday at 2pm, and Sunday at 5pm. RetroForward is a music history show, exploring songs from the 20th Century and beyond, putting an emphasis on what it was telling us at the time and its relevance today. Join us for a conversation about the music that raised his awareness about the environment. Songs discussed on this program include: What Have They Done To The Rain by The Searchers (1965) Tar And Cement by Verdelle Smith (1966) Mercy, Mercy Me by Marvin Gaye (1971) Where Do The Children Play by Cat Stevens (1971) Big Yellow Taxi by Joni Mitchell (1974) Beds Are Burning by Midnight Oil (1987) As always, our feature is followed by your community action calendar for the week, so get your calendars out and get ready to take action for sustainability NOW! Sustainability Now! is hosted by Dr. Justin Mog and airs on Forward Radio, 106.5fm, WFMP-LP Louisville, every Monday at 6pm and repeats Tuesdays at 12am and 10am. Find us at http://forwardradio.org The music in this podcast is courtesy of the local band Appalatin and is used by permission. Explore their delightful music at http://appalatin.com

And I love you Donna but MacArthur Park is weird!!

​​It's another day in paradise here at THE STORY SONG PODCAST — and now there's plenty of parking! In this episode, we begin our second annual SUMMER OF SYMBOLISM with a review of the 1970 folk-rock classic, “Big Yellow Taxi” by music legend, Joni Mitchell. Join your hosts at a swinging hot spot for a conversation about Frankenstein's vegetables, perfect apples, and world-famous baritone ukulele players. So, get your head out of the Clouds! Grab your old man, put away that DDT, and enjoy this episode of THE STORY SONG PODCAST. Just like Cavett, you don't want to miss it. Ha ha ha ha ha. “Big Yellow Taxi” by Joni Mitchell (from the album Ladies of the Canyon) is available on Apple Music, YouTube Music, Amazon Music, Tidal, Pandora, Spotify, or wherever you listen to music. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Instagram (storysongpodcast), and Facebook (thestorysongpodcast), Threads (storysongpodcast), GoodPods, and Podchaser. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Ralph and Luc unpack how Americans got so obsessed with maintaining square green carpets on their front lawns. We dive into the history to trace back the origins and dissemination of this artificial aesthetic. We also look into solutions, ranging from bans on leaf blowers to cash schemes to encourage people to quit their lawn.We read a poem about the lunacy of leaf blowers, and highlight ways in which manicured suburban imported lawn grass is a synecdoche for colonialism. You can also watch this episode on YouTube at: https://www.youtube.com/watch?v=t-l1JO3FbzEChapters:00:00 Introduction: Local bans on gas-powered lawn equipment01:48 Poem about leaf blowers by Touch Moonflower03:59 Commenting on the poem06:51 How did lawns become so common in the USA?07:56 Versailles' green carpet and Italian Renaissance landscapes inspired the British lawn18:59 How 18th Century aristocratic English turf grass took root on the new continent21:53 Thorstein Veblen on why American elites found lawns so respectable24:10 Founding fathers disseminate the pastoral ideal27:05 Planning communities of continuous lawn: Andrew Downing and Frederick Law Olmsted32:03 Frank J. Scott tells suburbanites that homogenous manicured grass is neighbourly34:48 How the lawn got cemented into the American imaginary in the aftermath of World War II37:16 Post WWII suburban developments empowered Home Owners Associations (HOAs)41:01 Quantifying the environmental impacts of modern US lawns45:47 Why imported turf grass is a synecdoche for colonialism50:40 Carpets of grass are fuel that spreads wildfires51:38 Gas powered leaf blowers are huge polluters55:00 How loud are leaf blowers?55:51 Lawn care is a Sisyphean task of sterilisation57:53 Norms around lawns are socially enforced59:59 What solutions have helped people quit their lawn?1:09:50 Conclusion and wrap up: the zeitgeist is shifting!1:11:50 Luc's cover of "Big Yellow Taxi" by Joni MitchellSources:• Ann Leighton, American Gardens in the Eighteenth Century, 1986. • Michael Pollan, “Why Mow? The Case Against Lawns”, The New York Times Magazine, May 1989.• Georges Teyssot, The American Lawn: Surface of Everyday Life, 1999.• Monique Mosser, The saga of grass: From the heavenly carpet to fallow fields, 1999.• Cristina Milesi, “More Lawns than Irrigated Corn”, NASA Earth Observatory, November 2005. • Paul Robbins, Lawn People: How Grasses, Weeds, and Chemicals Make Us Who We Are, 2007.• Ted Steinberg, American Green: The Obsessive Quest for the Perfect Lawn, 2007.• Elizabeth Kolbert, “Turf War”, The New Yorker, July 2008. • Joseph Manca, "British landscape gardening and Italian renaissance painting", Artibus et Historiae (297-322), 2015.• Jamie Banks and Robert McConnell, National Emissions from Lawn and Garden Equipment, Environmental Protection Agency, April 2015.• Christopher Ingraham, “Lawns are a soul-crushing timesuck and most of us would be better off without them”, The Washington Post, August 2015.

More than 50 years ago, singer-songwriter Joni Mitchell released what became her signature album, Blue. The record is full of complex lyrics, gorgeous guitar and deeply personal themes. Hosts Jim DeRogatis and Greg Kot do a classic album dissection of Blue, sharing the context of the record, exploring its lasting impact and looking in depth at its impressive track list.Get Exclusive NordVPN deal here → https://nordvpn.com/soundops It's risk-free with Nord's 30-day money-back guarantee!--Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9T--Featured Songs:Joni Mitchell, "Carey," Blue, Reprise, 1971Joni Mitchell, "All I Want," Blue, Reprise, 1971Joni Mitchell, "Both Sides Now," Clouds, Reprise, 1969Joni Mitchell, "Big Yellow Taxi," Ladies of the Canyon, Reprise, 1970Joni Mitchell, "Cactus Tree," Song to a Seagull, Reprise, 1968Joni Mitchell, "Hejira," Hejira, Asylum, 1976Joni Mitchell, "Little Green," Blue, Reprise, 1971Joni Mitchell, "Nancy Whiskey," Joni Mitchell Archives – Vol.1: The Early Years, Rhino, 2020Joni Mitchell, "Day After Day (Demo)," Day After Day (Demo), unreleased, 1965Joni Mitchell, "Urge for Going," Urge for Going (Single), Asylum, 1972Joni Mitchell, "For Free," Ladies of the Canyon, Reprise, 1970Joni Mitchell, "A Case of You," Blue, Reprise, 1971Joni Mitchell, "Blue," Blue, Reprise, 1971Joni Mitchell, "This Flight Tonight," Blue, Reprise, 1971Joni Mitchell, "The Last Time I Saw Richard," Blue, Reprise, 1971Joni Mitchell, "California," Blue, Reprise, 1971Joni Mitchell, "My Old Man," Blue, Reprise, 1971Joni Mitchell, "River," Blue, Reprise, 1971Billie Eilish, "Lunch," Hit Me Hard And Soft, Darkroom, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to the Instant Trivia podcast episode 1203, where we ask the best trivia on the Internet. Round 1. Category: Music Icons 1: Valerie Bertinelli said of this rock icon that she loved him "more than I know how to explain. I loved his soul". Eddie Van Halen. 2: Fans the world over celebrate this reggae legend on February 6, his birthday. Bob Marley. 3: At the 2022 Newport Folk Festival, she delighted fans with her "Both Sides Now" and "Big Yellow Taxi", among others. Joni Mitchell. 4: On a historic day in 1976, Joe Strummer met Mick Jones in London, calling their legendary band this came later. The Clash. 5: Her recording career lasted less than 4 years; her final studio album was 1971's "Pearl", featuring "Me And Bobby McGee". Janis Joplin. Round 2. Category: Crossword Clues D. With D in quotes 1: The usually wealthy widow of a king(7). a dowager. 2: Pre-Christian Celtic priest(5). a druid. 3: France's patron saint(5). Denis. 4: Touch-tone predecessor (4). dial. 5: Bird of peace(4). a dove. Round 3. Category: Hairy 1: The short hairstyles worn by the men who fought the Cavaliers in 17th C. England earned them this name. the Roundheads. 2: The feet of this arctic ursine creature are partly webbed and have hairy soles to help with traction. polar bear. 3: This term for a knight's apprentice is also the name of a bobbed, usually jaw-length hairstyle. page boy. 4: This great ape's name comes from a Greek word referring to a legendary tribe of hairy women. gorilla. 5: The name of this type of insect larva is from the late Latin for "hairy cat". caterpillar. Round 4. Category: Women'S Memoirs 1: "I Feel Bad About My Neck", about the travails of aging, is by this late, great writer and director of "You've Got Mail". Nora Ephron. 2: "Fight Like a Girl" and "Unbecoming" recount women's experiences in this "most masculine" branch of the U.S. military. Marines. 3: "My Life in France" is the story of how this chef found her true calling. Julia Child. 4: Award-winning screenwriter Diablo Cody's record of her time as one of these performers is titled "Candy Girl". a stripper. 5: This advisor to Barack Obama wrote "Finding My Voice: My Journey to the West Wing and the Path Forward". Valerie Jarrett. Round 5. Category: Culinary Before And After 1: Finest olive oil grade whose British capital is Road Town and whose American capital is Charlotte-Amalie. extra Virgin Islands. 2: Round Southern fried cornmeal cake that's the object of a youthful crush. hush puppy love. 3: Chili's rib cut that stars in a Robert Zemeckis time-traveling comedy. Baby Back to the Future. 4: Bite-size French language dessert cake that wreaks havoc in the Book of Revelation. petit Four Horsemen of the Apocalyse. 5: French dish of chicken, onion, wine, mushrooms and pork blindly stewing onscreen as space opera anti-hero Riddick. coq au Vin Diesel. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

We planned to listen and react to the new A.I recorded blues song "Soul of the Machine," and instead did an entire episode on how bad the Counting Crows cover of "Big Yellow Taxi" is.

Unlocked from the Patreon feed, Alex and Bobby give you a podcasters' commentary of the seminal coming-of-age baseball flick The Sandlot. Come for the Green Onions lore, stay for the Stevie barks, maybe leave for when they eat s'mores. TO GET MORE PATREON CONTENT, SIGN UP AT: patreon.com/tippingpitches Links: ⁠Tipping Pitches merchandise⁠ Songs featured in this episode: Counting Crows — "Big Yellow Taxi" • Booker T & the M.G.'s — “Green Onions” --- Send in a voice message: https://podcasters.spotify.com/pod/show/tipping-pitches/message

What are Art and Music Activism?Art activism refers to the use of artistic expression and creative endeavors to advocate for and educate others on social, political, environmental, or cultural issues. This form of activism employs the creative power of art as a medium to move us emotionally, raise awareness of certain issues, and provoke thought. At its core, art activism brings audiences through an emotionally resonant experience that empowers audiences to change the way they think and behave to enhance an audience's sense of urgency and leave them feeling inspired to engage in civic activism. This innovative strategy of activism encompasses a wide range of artistic forms, including visual arts, performance art, literature, music, and more.Music activism specifically refers to the use of music and musical performances to advocate for change. Throughout history, music has played a significant role in numerous social and political movements, including the civil rights movement, anti-war protests, and environmental activism. Music's impact on society and individuals is far-reaching. Musicians leverage the emotional and communicative power of music to raise consciousness and encourage listeners to become involved with social and political causes. Melodies and lyrics are able to capture listeners' imagination, inspire people, and guide their actions. In addition to inspiring action, music activism can foster solidarity and a sense of community that is essential in the face of tackling societal issues. Genres like Blues, Folk, Hip Hop, and Reggae, among others, have been particularly associated with music activism, given their historical connection to expressing dissent and addressing societal issues. Undoubtedly, music activism serves as a form of cultural expression that has the ability to transcend boundaries and connect people with shared aspirations for change. Raising Societal Consciousness Through Hip HopEnvironmental activism in music has become very prominent in the contemporary music scene, with artists directly urging audiences to take action against climate injustices. Their lyrics illuminate environmental concerns bringing attention to pollution, deforestation, climate change, and call attention to the disproportionate impacts of these issues on marginalized communities. We can recall Joni Mitchell's environmentalist anthem that critiques urban development and environmental destruction, “Big Yellow Taxi.” While White musicians such as Joni Mitchell, Bob Dylan, and John Lennon are often credited for their music activism, Black artists, while often given less credit, have played a crucial role in environmentalism and for much longer. Charley Patton's “Dry Well Blues,” a 1930s song about the impact of droughts on communities in Georgia, incorporates Blues to highlight environmental racism. In the 1990s, grassroots and poetic rappers continued to enhance the public's environmental consciousness. For example, Mos Def's 1999 song, “New World Water,” brought light to New York's lack of access to clean water. Artists incorporate Hip Hop culture to advocate for environmental justice and for all marginalized communities. Through thought-provoking and socially conscious lyrics, Hip Hop artists have utilized their platforms to engage in advocacy work and mobilize listeners. While Hip Hop has been co-opted and criticized for promoting hyper-violence, sexism, criminality, toxic masculinity, and materialism, it is also home to social and environmental consciousness. Artists from inner-city neighborhoods originally created Hip Hop as an outlet for oppressed groups to address socio-economic injustices and validate their experiences. Overtime, socially conscious Hip Hop continued to evolve as a powerful tool to uplift communities of color and demand social justice. Music activism through the genre of Hip Hop exemplifies how art can move us powerfully towards civic activism.  The Power of Youth in Music Activism  Youth engagement is at the heart of environmental action, and music is a key part of that engagement. As discussed by the United Nations Development Programme (UNDP), youth continue to exhibit immense strength, leadership, and resilience that is necessary for environmental action. Through environmentally conscious Hip Hop and other forms of music activism, youth are able to leverage their creativity, knowledge, and innovative power. Youth can channel their creative energy to crafting educational messages that inspire environmental action. Creating environmentally conscious music not only showcases the unique talents and perspectives of youth, but also offers hands-on experiences for youth to foster a more proactive mindset on a societal scale. In this process, young people engage in research and gain a profound awareness of environmental issues at hand. Youth strengthen their skills to analyze environmental challenges and effectively communicate them through musical narratives in an accessible and compelling manner. Moreover, producing music often requires interdisciplinary and collaborative thinking that enhances youths' sense of solidarity and community in the face of environmental issues. By leveraging the capacity of youth to foster change through music activism, we uplift the active role of youth in shaping environmental discourse, advocating for a heightened societal consciousness, and encouraging environmental action. Who is our Guest?Khafre Jay is the founder and executive director of Hip Hop For Change, a nonprofit organization that reclaims Hip Hop culture as a vehicle for education, empowerment, and cultural innovation. Working with local partners, Hip Hop For Change implements grassroots organizing, arts programming, and educational events to advance their missions and promote socially conscious Hip Hop that more accurately depicts the beauty and diversity of POC communities. Khafre is a community organizer, educator, and activist that is dedicated to fighting for socioeconomic justice and empowering his community's voices. Further ReadingThe Guardian: “Art can move us powerfully towards civic activism on climate”TIME: “How the Universal Language of Music Can Help Us Solve Our Planetary Problem”Vox: The evolution of American protest musicCharley Patton's “Dry Well Blues” (1930)Joni Mitchell's “Big Yellow Taxi” (1970) Mos Def's “New World Water” (1999)ATMOS: “Composing Climate Change: The Radical Legacy of Black Musicians”UNDP: “Placing meaningful youth engagement at the heart of environmental action”Hip Hop For Change For a transcript of this episode, please visit https://climatebreak.org/hip-hop-4-change-using-art-activism-to-combat-climate-change/

Apples, pears and a bad-tempered pierrot, and saluting Joni Mitchell's Big Yellow Taxi, with Pat Dunne, Andrea Carter, Ciarán Cannon, Alice Lyons, John MacKenna and Lani O'Hanlon

Tuesday's Analyzing the Lyric session. Today we explore Joni Mitchell's “Big Yellow Taxi.” We will break up the lyric and investigate the meaning.Weekly Itinerary:Monday: “Sermon Sunday”Tuesday: “Analyzing the Lyric”Wednesday: “Bible Study”Thursday: “Topical Trip”Friday: “Socio-Political”Please consider supporting the work, here are some options,DIGITAL SUPPORT:
https://addedsouls.locals.com
PAYPAL: addedsouls@gmail.comThank you kindly.
Your servant,
SM Get full access to Stephane's Substack at addedsouls.substack.com/subscribe

Loki season two will be here before you know it, so your humble idiotic servants have delved into all the rumors and theories swirling about the interwebs in order to give you - da people - our official, lead-pipe-cinch verdict on what will definitely be happening (The Real) and what won't (The Jabroni). Also, we drop some hot takes on Ahsoka episodes 4-5 (we hadn't seen episode 6 when this was recorded but woooh-baby will we have thoughts next week), an update on The Man They Call Tim's fake football team, and The Great One returns to his own show.   LINKS OF INTEREST: - The Rock returns to Smackdown! on September 15th - Rumors & theories from Game Radar  - Rumors & theories from Tech Advisor - Rumors & theories from Screen Rant - Rumors & theories from Movie Web - Rumors & theories from Medium   ...AND ANOTHER THING: The Man They Call Tim recommends watching Star Wars Rebels on Disney Plus Uncle Todd advises you to check out this sick cover of Joni Mitchell's “Big Yellow Taxi” by Scary Pockets & Tal Wilkenfeld   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

In this episode, Ryan and Shannon discuss how the State Department realized China was reading their emails. Please LISTEN

Grab a cup of coffee and join Audra Streetman and special guests Haylee Mills, Katie Brown and Drew Church for another episode of Coffee Talk with SURGe. The team from Splunk will discuss the latest security news, including:  Microsoft's Xbox plans revealed in emails tied to FTC case 38TB of data accidentally exposed by Microsoft AI researchers Hackers who breached casino giants MGM, Caesars also hit 3 other firms, Okta says All thanks to ‘Big Yellow Taxi': How State discovered Chinese hackers reading its emails

Counting Crows in studio (58:00), Zach's first date recap, how do we feel about Ozempic, anxious cats, the Titanic, and more! Counting Crows lead singer Adam Duritz came by to talk about the band's whole career including Shrek, Mr Jones, Joni Mitchell's “Big Yellow Taxi”, A Long December and more! Tickets to see Counting Crows on tour ►► https://linktr.ee/countingcrows All interviews can be heard first LIVE on AMP! Live Monday - Friday from 3-6p PT -- DOWNLOAD & LISTEN HERE: https://t.co/y3UrDZP3ab  SOCIAL: Twitter ►►https://twitter.com/zachsangshow Instagram ►►https://www.instagram.com/zachsangshow/ Facebook ►►https://www.facebook.com/ZachSangShow/ Zach ►►https://www.instagram.com/zachsang/ Dan ►►https://www.instagram.com/danzolot/ Cameron►►https://www.instagram.com/theonlycamshaft Learn more about your ad choices. Visit megaphone.fm/adchoices

Counting Crows in studio (58:00), Zach's first date recap, how do we feel about Ozempic, anxious cats, the Titanic, and more! Counting Crows lead singer Adam Duritz came by to talk about the band's whole career including Shrek, Mr Jones, Joni Mitchell's “Big Yellow Taxi”, A Long December and more! Tickets to see Counting Crows on tour ►► https://linktr.ee/countingcrows All interviews can be heard first LIVE on AMP! Live Monday - Friday from 3-6p PT -- DOWNLOAD & LISTEN HERE: https://t.co/y3UrDZP3ab  SOCIAL: Twitter ►►https://twitter.com/zachsangshow Instagram ►►https://www.instagram.com/zachsangshow/ Facebook ►►https://www.facebook.com/ZachSangShow/ Zach ►►https://www.instagram.com/zachsang/ Dan ►►https://www.instagram.com/danzolot/ Cameron►►https://www.instagram.com/theonlycamshaft Learn more about your ad choices. Visit megaphone.fm/adchoices

Counting Crows is an American rock band from San Francisco, California. Formed in 1991, the band consists of guitarist David Bryson, drummer Jim Bogios, vocalist Adam Duritz, keyboardist Charlie Gillingham, multi-instrumentalist David Immerglück, bass guitarist Millard Powers, and guitarist Dan Vickrey.Counting Crows gained popularity following the release of its first album, August and Everything After (1993). With the breakthrough hit single "Mr. Jones" (1993), the album sold more than 7 million copies in the United States. The band received two Grammy Awards nominations in 1994, one for "Best Rock Performance by a Duo or Group with Vocal" (for "Round Here") and one for "Best New Artist". The follow-up album, Recovering the Satellites, reached number one on the US Billboard 200 album chart and reached number one in several other countries. All but one of their subsequent albums reached the top 10 on the Billboard 200 list. Their hit singles include the aforementioned "Mr. Jones" as well as "Rain King", "A Long December", "Hanginaround", and a cover version of Joni Mitchell's "Big Yellow Taxi".Counting Crows received a 2004 Academy Award nomination for the single "Accidentally in Love", which was included in the film Shrek 2. The band has sold more than 20 million albums and is known for its dynamic live performances. Billboard has also ranked the band as the 8th greatest Adult Alternative Artist of all time. The band's most recent full album, Somewhere Under Wonderland, was released in 2014. They released a four-song EP in 2021 titled Butter Miracle:Suite One, which is expected to be expanded to a full album.

Adam Duritz has waited decades to play in Israel, a place that he loves, said the Counting Crows frontman in this Times Will Tell podcast ahead of his band's Wednesday night show in Ra'anana, outside Tel Aviv. Duritz visited Israel several times in his teens, hiking through Sinai, working on a kibbutz and later learning Torah in Jerusalem, a "powerful place" for him, he says. Yet Duritz hadn't returned to Israel since then, as he built his career and band, waiting for the right opportunity to make it back to Israel and perform here. The lead singer of the California-founded band, known for hits such as "Mr. Jones," "Round Here," and "Accidentally In Love," credited the physical work he learned on the kibbutz as the foundation for the landscaping and construction jobs that he later did to support himself while building his musical career. He also spoke about his own struggles with religion and faith, and how those issues showed up in his music. The following transcript has been very lightly edited. The Times of Israel: Welcome Adam Duritz to the Times Will Tell, we are very honored to have you with us, and we appreciate you squeezing us into what I know is a busy schedule ahead of your Wednesday night performance in Ra'anana. Adam Duritz: I know I am. I'm very excited to play some place we've never played before. The Times of Israel: It's hard to believe. There's been a lot of preview interviews with you mentioning that you came here and you worked on the kibbutz when you were 18 and you came back to Jerusalem and did a little studying in the holy city. But it has been quite a few decades since you've been in Israel, correct? Adam Duritz: Four, I would think about. Four, yeah. It's been a really long time. The Times of Israel: Are you planning on traveling around for the next couple of days? Are you going to lay low and hang out at the beach? Adam Duritz: Well, I'd like to get a chance to travel around. I really want to go back to Jerusalem because that was someplace I really loved when I was a kid. But I don't really know. It depends on what kind of press and stuff they have us doing. That's the only thing that's going to take up the time. Except for our A gear, has all been in a locker in Liverpool for a year now. So we kind of have to go through that and make sure we have to do some pre-rehearsal with the band and the crew to make sure all the equipment gears. The Times of Israel: It got sent over for a concert that got canceled. And now you're basically doing the tour that you meant to do a while back. Adam Duritz: Because of Covid, I decided to leave it over there rather than bring it back on the risk that we would be able to reschedule the tour. I left it over there because especially nowadays, all the expenses for bands' prices haven't gone up at all, but the expenses are all doubled or tripled freight, airlines, flights, hotels, freight for your gear. All that is double or triple what it was. So I didn't want to waste the money by bringing it all back. There's a lot of things I'd like to do and hopefully I'll get to do some of them. But part of touring is realizing that the gig is everything. The Times of Israel: How is this tour going? I know that you were touring the US and now you're in Europe and you hopped over to Israel, and you have a lot of tour dates all over Europe. What does it feel like to be touring again? Adam Duritz: It's cool. I mean, this is the first gig of the European tour, so we haven't done that part yet. But the shows in America, we did a whole tour last summer and we've been playing gigs off and on this year. It's all been really cool. It's nice to be back playing. The Times of Israel: You've mentioned in a few interviews that it's been 30 years since your first album and that you feel, I guess, a sense of privilege that you guys are still together and that you perform these huge shows, [with] fans that are really excited to see you. Adam Duritz: Not so much that we're still together, but that people are still coming out to see us. You always worry about that because the shelf life of a band is very short, but especially after two years lay off, you really wonder whether things are going to pass you by. But we're still here. The Times of Israel: What was it like getting back onto those stages, getting back together, working together, performing together? Adam Duritz: Well, the same as it's always been. I mean, it's just performing. It's nice to play, you know, I think when you're in a band that was the longest I've ever gone without playing that period during Covid. In my entire adult life, I've never gone that long between gigs, so it was very strange. The Times of Israel: That must be incredibly strange. There are certain songs that are so familiar, so popular, that make people happy. "Mr Jones," "Big Yellow Taxi," "Roundhere." What is it like when you play these songs that you know are beloved by your fans, but that you have to keep on churning out all the time? What is it like to play those songs over again, knowing that your crowd wants to hear them, but knowing that maybe there's other things that you want to focus on more, or maybe not. Maybe those are the songs you always want to bring to your audience. Adam Duritz: If I want to play something else, I would just play it. There's nothing that has to get played every night. The only song that we play every night is "A Long December." And that's because for some reason, that's the only song I never ever get sick of. I don't think there's ever been a night where I didn't want to play that song. I don't know why that is, but I'm never tired of it. Everything else, if there's a night where I don't want to play it, I'm not going to play it. Because I think it would suck to play songs that you don't want to play. The Times of Israel: Really? You would do that to the audience? You would do that to the fans? Not play "Mr. Jones," for instance. Adam Duritz: Yeah, there's been lots of nights where we didn't play "Mr. Jones." I love that song. I love "Mr. Jones," but I want to keep loving "Mr. Jones." I don't want to hate the song. And I would think the quickest way to hating your own music is to play it on nights when you don't want to play it. The Times of Israel: Interesting, given that you've had this long-standing connection to Israel that it took so long to get back here. Adam Duritz: Bands want to go everywhere, but you can't go anywhere unless you have a promoter making you an offer that makes sense. The fact is, there's probably nowhere in the world we don't really want to go. But you just can't go until promoter gives you the right kind of offer. And I don't know that we've had those in the past. This offer was really good. The moment I heard it, I said, absolutely, let's do it. It's taking care of a lot of our European tour because some of the other gigs in Europe are smaller, not as well paying some of them. This is a great gig. I'd like to be able to come back here every few years because to go to a new country and find out that you have an audience where you can go right and play a 6,000-seat arena right off the bat, that's fantastic. I mean, not an arena, an amphitheater. So I don't know about the past, but I don't really remember offers from Israel. The only thing I say is, as soon as I heard this offer, I said, absolutely, let's do it. Okay. I love it here. The Times of Israel: I know it's always a little bit of a pain to come to Israel because of the fact that you have to ship everything over here and then ship it back to Europe. You're not playing in the countries that surround Israel, you're not going to Egypt, you're not going to Jordan, not going to Syria or Lebanon. You didn't get hit with any boycotts or sanctions, you didn't get hit with any criticism of coming to play in Israel. Adam Duritz: No. The only place I really heard about it were in the interviews. But, I mean, I will say that I've been pretty isolated this year because I haven't been out and about very much. Also, we're not exactly the center of the culture right now, so maybe it would be different in that situation, I don't know. But also, like, I'm a Jew. I understand the long tradition of, like, everything is the Jew's fault. I don't really buy it. The Times of Israel: So, talk about that a little bit. Now that you brought it up, what is it like to come back here and to bring the Counting Crows, to bring your people, to bring your band, to bring your bandmates to this place that you connected with a long time ago? What does that feel like? Adam Duritz: It feels pretty cool. It's a really long time ago for me, but there's some pretty powerful memories. I just think for the band, in a lot of ways, you expect your career to be shrinking. You expect to play less and less places every year, so a year where you can come and play, more places to go, someplace new for the first time. I don't think any of the guys in our band, except for me, have been here before, which is pretty rare. This tour,  we actually have three cities we've never played, Helsinki and Warsaw and Tel Aviv. And that's kind of great. It's the opposite direction you expect things to go in the later years of your career. So that always makes me really happy, especially if, considering how big the crowd could be here for us, it's someplace we could come back to. The Times of Israel: Can you share a memory? Adam Duritz: I mean, I was a kid, I went through the Sinai. It was still part of Israel back then. I spent a lot of time in Jerusalem. It was very powerful for me, that city, especially the Old City. I worked on a kibbutz for a little while, working in the apple orchard. I dug crap out of a grain silo. I really enjoyed the work. And it's funny because it kind of prepared me in some ways, because that kind of physical work is what I ended up doing to support myself all the years when I was in the band, at first and in different bands, I was a landscaper and I did construction work. And I think one of the reasons I knew that I was okay doing that kind of work is that I had done it. I had done it over here. I'd gotten up really early in the morning and done hard work all day, and that's kind of how I ended up supporting myself in the early days before the band was successful. But the first place I really did a lot of that was on the kibbutz here. Adam Duritz: I went back again a couple of years later when I was 18 and pretty much just spent time in Jerusalem in that time. A lot of it was also that I was a kid and I liked getting wasted and there was no drinking age over here, and I thoroughly appreciated that at the time. The Times of Israel: I don't know if this is too much of a stretch, but are there any of those early moments and early memories that made their way into your music at any point? Or is there any connection there between what you experienced and what you later started creating? Adam Duritz: Well, I think there's a lot of places where my struggle with religion and faith shows up in my music, and that certainly was a part of my time here. The Times of Israel: It's a pretty common theme coming to Israel, coming to Jerusalem, struggling with where you are in terms of faith. And of course, now you're here for work and you're here to perform and to give interviews and to maybe see a little bit of this country that you haven't seen in a while. But do you find that it tugs at you in a certain way or is that sort of in your past? Adam Duritz: Well, there are things about the country that tug at me a lot, like just the history and what part it plays in my own history. Being a Jew, that's a pretty powerful thing for any Jew. Being here is a very, what's the word? Intoxicating in that way. Israel is a heavy liquor for Jews, I would say. But no, the religion doesn't tug at me. I'm past believing things like that. The Times of Israel: Yeah, but the place, the scenery, what you're seeing outside your window, what you see when you drive from the airport, those kinds of things, the people on the street. Adam Duritz: The street, well, not as much from the airport to Tel Aviv, but just the knowledge of what it is and my memories, especially of Jerusalem, maybe if I went over to Jaffa, to the older parts of town. It's incredibly beautiful out the window, looking at the beach, but between me and the beach is a construction zone. I guess they're putting in a rapid transit system. I remember when they did that in LA. That always tears up for a bit. Yeah, I guess it's just like also, it's a country full of Jews, as opposed to being one in a crowd as you are in the rest of the world. In the rest of the world, you're one in a crowd and here you are, the crowd. That's a unique thing. The Times of Israel: Are you brushing up on any Hebrew for the show? Are we going to hear any? Adam Duritz: Yeah, if people are talking, I'll say, sheket. I remember sheket. I remember ken and lo. I remember shalom, which means aloha. I don't remember most of my Hebrew. I could sort of speak it back then, but yeah, I don't remember very much of it now. The Times of Israel: The crowd loves it when some beloved singer comes their way and throws a little shalom and a little sheket b'vakasha (please be quiet). I think they'll be happy on Wednesday night to hear that as well. Where are you in terms of new songs? In terms of new work? I know Covid, as we keep on saying, has been such a struggle for bands. Sometimes it's great for being inspired, and sometimes it has made it really difficult. Where is Counting Crows in terms of new music? Are we going to hear any? Adam Duritz: Well, I had written a second suite, but I threw it out. I sang on my friend's record and he sent me their record before it came out. They're this band called Gang of Youth. They have a new record called "Angel in Real Time." And when I listened to it, it was so good that for the first time, literally the first time in my entire career, I thought, oh, these songs aren't good enough, and I threw them out. So I have to rework.I mean, I'm reworking some of it, but his record was so much better, and that's not good enough. The Times of Israel: Okay, but the point is that you're working, we're going to hear more new music. You guys are going to keep on going for hopefully a very long time. Adam Duritz: The chances of us finding other jobs are pretty slim, so yeah. The Times of Israel: Well, you said landscape and construction. There's always something to fall back on. Right. Adam Duritz: I'm not falling back to that on that. I'll stick with my job. I loved it at the time, but I'm glad I like my new job better. The Times of Israel: The new job that you've been carrying out for a while, happily, for quite a few decades. Excellent. Well, we really thank you for being with us, Adam Duritz, it's great to have you here in Israel and looking forward to hearing you on stage on Wednesday night and hoping you have a great trip and that you get to do a few things and see a few places that you want to see while you're here. Adam Duritz: Absolutely. I hope so. But the main thing I really wanted to do was play here, so one way or another, I'll get it all. I really wanted to play here. Times Will Tell podcasts are available for download on iTunes, TuneIn, Pocket Casts, Stitcher, PlayerFM or wherever you get your podcasts. IMAGE: Counting Crows lead singer Adam Duritz at the band's September 14 show in Ra'anana, Israel (Courtesy Shlomi Pinto)See omnystudio.com/listener for privacy information.

There are few singer-songwriters as inimitable as Joni Mitchell, with her swirling song forms, leaping melodies, and that magical voice, untethered by the laws of gravity. On this episode, Kirk takes a deep dive into Joni's 1974 song "Help Me," a hummingbird of a tune hovering between commitment and flight, tumbling and falling past love and toward freedom.Written by: Joni MItchellAlbum: Court and Spark, 1974Listen/Buy via JoniMitchell.comAlso featured:“Big Yellow Taxi” by Joni Mitchell from Ladies of the Canyon, 1970“A Case of You” and "California” by Joni from Blue, 1971“Coyote” by Joni from Hejira, 1976OUTRO SOLOIST: Erik ElligersErik is a Connecticut-based multi-instrumentalist and music educator. He plays saxophone with the New London Big Band and sings and plays guitar for the fabulous band Goodnight Blue Moon - check them out, they're great: https://www.goodnightbluemoon.com/-----LINKS-----SUPPORT STRONG SONGSPaypalme/kirkhamiltonmusic | Patreon.com/strongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIA@StrongSongs | @Kirkhamilton | IG: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmTHE STRONG SONGS PLAYLISTSpotify | Apple Music | YouTube Music--------------------AUGUST 2022 WHOLE-NOTE PATRONSMiriam JoyRonjanSEAN D WINNIEDaniel Hannon-BarryRRElliot RosenAshley HoagMark and MichelleDonald MackieMelissa OsborneChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoshua JarvisNikoJoe LaskaKen HirshJezMelanie AndrichJenness GardnerSimon CammellGuinevere BoostromNarelle HornBill RosingerErinAidan CoughlanJeanneret Manning Family FourDave SharpeSami SamhuriAccessViolationRyan TorvikGlennJim ChokeyAndre BremerMark SchechterDave FloreyAUGUST 2022 HALF-NOTE PATRONSDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskCasey FaubionLuigi BocciaRob AlbrightE Margaret WartonDaniel MosierCharles McGeeCatherine ClauseOwain HuntRenee DowningDrewRohan LatimerKenIsWearingAHatTonyJordan BlockAaron WadeChad HivnerTravis PollardJeff UlmJamieDeebsPortland Eye CareAdam RayAnupama RaghavanDemetri DetsaridisCarrie SchneiderAlenka GrealishAnne GerryRichard SneddonDavid JudsonJulian RoleffJanice BerryDoreen CarlsonDavid McDarbyAbigail DuffieldRaphadavidWendy GilchristLisa TurnerPaul WayperDennis M EdwardsJeffrey FerrisBruno GaetaKenneth JungbenAdam StofskyZak RemerRishi SahayJason ReitmanGreg BurgessAilie FraserVonPaul McGrealKaren ArnoldNATALIE MISTILISJosh SingerPhino DeLeonSchloss Edward J. MDAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversBrad ClarkChristopherMichael J. CunninghamMark Boggsmino caposselaSteve PaquinSarahDavid JoskeEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerRichard CambierMadeleine MaderTimothy DoughertyJason PrattStewart OakAbbie BergSam NortonDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistElaine MartinKourothBonnie PrinsenSharon TreeBelinda Mcgrath-steerLiz SegerEoin de BurcaKevin PotterM Shane BordersPete SimmSusan PleinDallas HockleyJason GerryNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneJeffyThanadrosDavid FriedmanSarah SulanDiane HughesKenneth TiongJo SutherlandMichael CasnerDerek BenderJen SmallLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaJCClare HolbertonDiane TurnerTom ColemanTijs SoeteMark PerryDhu WikMelEric HelmJake RobertsJonathan DanielsSteven MaronMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerDuncanNaomi WatsonDavid CushmanAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerMatt GaskellJules BaileyAndrew FairBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJon O'KeefeJustin McElroyArjun SharmaJames JohnsonKevin MorrellKevin PennyfeatherEmily Williams

Ben kinda freaks out on this one. Would you go to a tree museum? Instagram: https://www.instagram.com/listen_2_this_podcast/ Patreon: https://www.patreon.com/listen2thisSounding Out with Izzy: A Grrrl's Two Sound Cents PodcastHosted by Isabel Corp, founder of the feminist music blog A Grrrl's Two Sound Cents,...Listen on: Apple Podcasts SpotifySupport the show

We flagged down a Big Yellow Taxi and rode it all the way to Melbourne to catch copywriter and Joni Mitchell mega-fan, Carolyn Barclay, this week.  A stubbornly strategy-first copywriter, Carolyn helps brands sound like actual humans instead of soulless robots sent from the future to bore us to death. She's also co-founder of Kingswood & Palmerston, a creative consultancy solving marketing puzzles for B2B and making ads for ad agencies. She talks to us on selling cheap suits to men who call them straitjackets, Bob Dylan, writing great copy by studying song writing, outspending versus outsmarting, why ordering ten blogs with a side of social is rarely the right thing to do, Eaon Pritchard, making ads for ad agencies, why rappers are good copywriters, whether AI robots really will take our jobs and a shed load more.  ///// Follow Carolyn on Twitter and LinkedIn  Check out her website  And Kingswood & Palmerston  Follow K&P on Twitter and LinkedIn too  Here's David Moore's collection of Ads for Ad Agencies  Carolyn recommends Eaon Pritchard's Back to Basics course  Read Carolyn's blog “How my failed songwriting career helps me write better copy” When Writing Sings by Gary Provost  To Leave Something Behind by Sean Rowe  Ads we chat about:  …Gasp! Turns 13 Life. Be in it.  Slip! Slop! Slap!  Backbone by Young & Rubicam  TDA Advertising & Design  Timestamps (01:45) - Quick fire questions  (03:12) - First job selling cheap suits  (07:50) - First marketing job organising Avon's Bargain Bin catalogue (13:51) - Writing great copy by studying song writing  (18:46) - Why she's a stubbornly strategy-first copywriter (23:59) - Kingswood & Palmerston (27:57) - Ads for ad agencies (34:07) - Listener Questions from John Lyons, Louis Lucente, Kate Taylor, and David Moore (34:29) - Why rappers make great copywriters  (39:20) - Thoughts on AI copywriting (44:39) - 4 pertinent posers Carolyn's book recommendations are: Santaland Diaries by David Sedaris   Anything by Margaret Atwood    Miracle and Wonder: Conversations with Paul Simon by Malcolm Gladwell  Writing Better Lyrics by Pat Pattison    Junior by Thomas Kemeny  /////

This might sound like a special in which we include deleted scenes from past episodes of Regular Features, but it ISN'T. What it actually contains is Log and Joe joining forces for a never-before-seen twoboy episode in which they theme multiple micro-features along the theme of deleted scenes. We've got the Green Mile, we've got Se7en, we've got Big Yellow Taxi, we've got My Baby All-Gone, and we've got even more tenuous connections than that. And if you DARE suggest that this is being called a special because we hadn't properly counted how many episodes there were before the episode 500 live show, we will just kick right off, capisce?! Fig Leaf Rag Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ "Breaking News" Credit: https://www.FesliyanStudios.com Background Music

Rob welcomes back fellow BobCat Henry Bernstein to discuss "Big Yellow Taxi" and "Mary Ann", two covers from the 1973 "revenge" album DYLAN. Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_Dylan You can find POD DYLAN on these platforms: Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Amazon Music Spotify Stitcher Complete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songs Purchase these songs here: https://music.apple.com/us/album/dylan-1973-remastered/723984623 This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Rob welcomes back fellow BobCat Henry Bernstein to discuss "Big Yellow Taxi" and "Mary Ann", two covers from the 1973 "revenge" album DYLAN.Have a question or comment? E-MAIL: firewaterpodcast@comcast.net Follow POD DYLAN on Twitter: @Pod_DylanYou can find POD DYLAN on these platforms: Apple Podcasts: https://itunes.apple.com/us/podcast/pod-dylan/id1095013228 Amazon Music Spotify StitcherComplete list of all songs covered so far: http://fireandwaterpodcast.com/podcast/pod-dylan-the-songsPurchase these songs here: https://music.apple.com/us/album/dylan-1973-remastered/723984623This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK:Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.comFollow Fire & Water on TWITTER – https://twitter.com/FWPodcastsLike our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetworkSupport The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcastsUse our HASHTAG online: #FWPodcastsThanks for listening!

What are some of your favorite childhood memories from summertime? Do they include trips to your local drive-in theater? Fishing at the lake? Playing games at church picnics or county fairs? This week on Uncorked with Funny Wine Girl, I am sans guest. I'm sharing some of my memories from summertime and offering ideas of ways you can unplug and have fun in Northeast PA. If you like drive-in theaters, you'll want to tune in for at least the first half of this episode. And fun drinking game alert: drink wine every time I say the word "cool." Lol. And "um" will get you a pretty good buzz too :) Resources to find fun things to do in Northeast PA: https://www.visitnepa.org/ https://www.discovernepa.com/ https://www.dcnr.pa.gov/Pages/default.aspx https://lancasteronline.com/news/local/27-places-to-see-a-drive-in-movie-in-pennsylvania/article_888522be-1d2f-11e6-bbe9-efd22dcca512.html Notes/corrections to things I said in this episode: It takes only about 90 minutes to get to Bethel Woods and it's NOT 81 North (oy, I was talking out my butt this week and I had not even been drinking wine). Forest Therapy®” is a research-based practice supporting the healing of individuals through the immersion in forests. The name taken from the Japanese art of “Shinrin-yoku”which translates to “Forest Bathing”. And it was Joni Mitchell who sang "Big Yellow Taxi" (they paved paradise put up a parking lot), not Joan Baez. Be sure to follow Funny Wine Girl Jeannine on Instagram and Facebook and please share some of your summertime memories and/or ideas of things to do in NEPA in the summer! Remember to subscribe and share and as always, I appreciate you from the bottom of my heart and the bottom of my wine glass! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Mikey gets ready for his colonoscopy with some liquids and some humor. Mikey has a strange occurrence while Lyft driving, maybe it's the drugs. Mikey wishes he was at home on the range. Mikey gets lost in translation. Castiglioke drives a Big Yellow Taxi.

 The Liner Notes Podcast with Crimson Calamity. Audiocapsules: Deep-dive interviews, reviews, and live tunes from your new favorite artists. We used to read the liner notes. Now? We Listen. Episode 3A -  MUSE OF THE MONTH MAY 2022Lauren and Mallory do a deep dive discussion on Muse of The Month: Joni MitchellDrink of the week: High West CampfireSubscribe to this podcast AND our mailing list for a free download of our song Fool's Gold - we're a band too! Our EP WildCard is out now!Follow us on Instagram, Facebook, YouTube, Spotify, and Twitter - we wanna be friends with y'all! 

Joni Mitchell's "Big Yellow Taxi" goes "they paved paradise, and put up a parking lot." Well ... what if they tore down a cool place to ... improve public transit? (Insert sound effects of a Progressive's head exploding here.) Anyway, that's what happened. The Atomic Cafe, at 422 East First Street in Little Tokyo, was a famous punk gathering spot. It closed in 1989 and the building was demolished in 2015 to make way for the subway's Regional Connector. But luckily for Off-Ramp listeners, dublab's Mark "Frosty" McNeill created an audio love letter to The Atomic Cafe that debuted on Off-Ramp in 2016. And when I wrote to let Mark know, he wrote back: The timing of the podcast episode is perfect. We're actually having a free, all ages event on Saturday, May 7th 4-8pm at Union Station to celebrate the Deep Routes radio series I've been producing with Metro Arts. You don't need to RSVP, just put it on your calendar now, and show up on the 7th in your hightops, ripped skinny jeans, and Union Jack t-shirt. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

This week, we're looking at an icon. Andrea  takes the lead with Niall on support to delve into the life and distinguished music career of Canadian singer-songwriter Joni Mitchell. Mitchell has been in the news recently, and recently showed solidarity with Neil Young by taking all her music off Spotify, having appeared on the Grammys this past Sunday, one of her first appearances in public since suffering a brain aneurysm in 2015. Andrea looks at her beginnings and formative experience with adoption, her seminal album 1971 Blue, her forays into jazz and her '80s period, along with a song in the early '90s in which she directly addressed Ireland's shameful Magdalene Laundries. Mitchell proved herself to be a continuous counterculture artist, a musician who walked her own way and used her writing as a way to interrogate the world for herself, and others to understand. And of course, there's discussion of songs like 'A Case Of You', 'Both Sides Now' and 'Big Yellow Taxi' among many others. Listen to the episode below or subscribe in your favourite podcast app: Subscribe in Apple | Android | ACAST | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed Episode notes / references Songs played on the Nialler9 Podcast Spotify Playlist Support Nialler9 on Patreon and join our Discord chat + member playlists & content. Andrea has a Ghost newsletter Andrea's own podcast - My Favourite Album Subscribe to the podcast and please leave a review on iTunes, tell your friends or commit to supporting us directly. Support us on Patreon. Previous podcast episodes

Episode 15 Talking Points: The Ideal Life Exercise–those precious fifteen minutes and four questions that will help you make progress; Lily takes you on a ride in a time machine; If you can't say something nice…; Curiosity as the antithesis to fear. LiElla will be hosting an online Death Café on April 30, 2022. This is a safe space for those who are curious about End-of-Life issues or have down-to-brass-tacks questions. You can ask LiElla anything death related, and she will, without judgment, give you an answer if there is one to be had! Lily will be attending, too. We'll get you the Zoom meeting link as soon as it becomes available. LiElla's Death Doula work can be found here: https://leavingwellmt.com/ To read more from Lily about the importance of tracking our periods and some ideas for keeping on top of the trackable, measurable aspects of our health, try here: http://lilyfieldschallenge.com/2021/07/30/the-building-block-of-womans-health/ More from Bessel Van Der Kolk, the neuroscience research LiElla quoted can be found here: https://www.besselvanderkolk.com/ A great big merci to the marvelous Matt Kugler for his stylings on the ukelele version of Big Yellow Taxi, and for making us sound so nice. That was fun. Let's do it again sometime! That little one-minute version of Big Yellow Taxi can be found here, as a special bonus for podcast listeners: https://youtu.be/dwEH4cGiAC0 Listen to it when you are feeling down about your bodies. Remember to dance. As always, I want to give a great big thank you to Seven Production in Mulhouse France for the use of the song, “La Joie” as the intro and outro to the show.

In this episode, we're joined by Chris Hartman of The Film Exiles Podcast & Patreon Playlister Tim McKay to make the case for our respective Counting Crows playlists! Vote now for YOUR favorite playlists, hear the results of past episodes & listen to ALL of the playlists at: http://www.playlistwarspodcast.com If you'd like to support Playlist Wars, then consider becoming a Patreon subscriber: http://www.patreon.com/playlistwars. Tiers include: Patreon exclusive content; early access to ad-free episodes; & join the show as a guest for a "Playlist An Album" mini episode or a full-length episode! SONGS DISCUSSED INCLUDE Accidentally In Love, American Girls (w/ Sheryl Crow), Amii, Angel Of 14th Street, Angels Of The Silences, Anna Begins, Big Yellow Taxi, Colorblind, Daylight Fading, Einstein On The Beach (For An Eggman), Elevator Boots, Friend Of The Devil, Hanginaround, Holiday In Spain, A Long December, Mercury, Mr. Jones, Mrs. Potter's Lullaby, A Murder Of One, Omaha, Palisades Park, Rain King, Round Here, She Don't Want Nobody Near, St. Robinson & His Cadillac Dream, Sullivan Street, Time & Time Again & You Can't Count On Me CONNECT WITH PLAYLIST WARS Facebook: https://www.facebook.com/playlistwars Twitter: http://twitter.com/playlistwars Instagram: https://www.instagram.com/playlistwarspodcast YouTube: https://www.youtube.com/channel/UCcW7NibxehYRf8_UZ88Qtbg FOR MORE ON THE FILM EXILES Facebook: https://www.facebook.com/TheFilmExiles/ Instagram: https://www.instagram.com/theexilesnetwork Twitter: https://twitter.com/TheFilmExiles THE HIMALAYANS - ROUND HERE https://www.youtube.com/watch?v=Y3UWtjHjn70 --- Support this podcast: https://anchor.fm/playlistwars/support