Podcasts about mkh

Mary Katharine Ham,Fox News contributor, OutKick columnist, and co-host of the Getting Hammered and Normally podcasts, joined The Guy Benson Show today to break down the real impact of DOGE on National Parks and how their failure to effectively spend allotted funds under Trump exposes government waste. She also reacted to the outrage over DOGE's effect on federal funding and the "self own" that many of DOGE"s cuts make. Plus, MKH and Guy discuss the hilarious story of Democrats retreating to Loudoun County, VA, in an attempt to connect with "normal people" --and why MKH is "offering" to teach them how to be normal. Listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mary Katharine Ham, Fox News Contributor, Outkick columnist, co-author of End of Discussion, and co-host of the Normally podcast, joined The Guy Benson Show to discuss the palpable shift in America's mood following Trump's first week back in office. MKH highlighted the significance of Trump's visit to North Carolina to assist with hurricane relief efforts compared to the Biden administration's inactions. Ham and Benson also discussed Margaret Brennan's fiery interview with VP JD Vance where Vance debated Brennan on illegal immigration. MKH also reacted to Biden's shocking clemency decision for a convicted double murderer, listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mary Katharine Ham, Fox News Contributor, Outkick columnist, and co-author of End of Discussion, joined The Guy Benson Show to cover the shocking news that the Duke lacrosse rape allegations were false, nearly 18 years after the accusations were made. Ham also discussed her Twitter takedown of Justin Trudeau, calling out his hypocritical lecturing of the U.S. on gender progress despite his troubling history of blackface incidents and he himself beating out multiple women for government positions. Guy and MKH shared their collective sharp response to Rep. Alexandria Ocasio-Cortez seemingly justifying the assassination of UnitedHealthcare CEO Brian Thompson. Listen to the full interview below! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ukraine lần đầu tiên tấn công Nga bằng tên lửa của Mỹ; Đặc phái viên Mỹ: Khả năng chấm dứt chiến tranh Israel-Hezbollah 'trong tầm tay'; Tổng thống Philippines nói đã thảo luận về liên minh với Mỹ trong cuộc điện đàm với ông Trump

Mary Katharine Ham, Fox News Contributor, OutKick columnist, and co-author of End of Discussion, joined The Guy Benson Show today to reflect on her weekend appearance on Real Time with Bill Maher, where she confronted election lies from the left and participated in a discussion about fast food, where MK might have strongly disagreed with many of the other liberal panelists. Ham and Benson also reminisced about their first time behind the scenes on Maher's show, and finally, MKH and Benson discussed the bizarre pivot of Mika Brzezinski and Joe Scarborough from likening Trump to "Hitler" to accepting an invitation to meet with the president elect. Listen to the full interview below! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Mary Katharine Ham, FOX News Contributor, Outkick Columnist, and co-author of End of Discussion, joined the Guy Benson Show today to address Hillary Clinton's untimely remarks, where she "how dangerous Trump is" in the wake of his second assassination attempt. MKH and Guy also discussed the hypocrisy of the left, highlighting how their criticism of Trump's rhetoric seems ironic given that their own rhetoric could have contributed to the second assassination attempt on him. Listen to the full interview below, as Guy and MKH went off on the media for half an hour of the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Katharine Ham, Fox News Contributor and Outkick columnist, joined The Guy Benson Show to break down last night's presidential debate between Kamala Harris and Donald Trump. During the break down, MKH pointed out Kamala's complete non-response to the first question. She noted Donald Trump's whiffs throughout the debate, but she also highlighted how both candidates looked weak, with Kamala dodging questions and Trump taking Kamala's "bait" every time. Listen to the full interview below to find out why Ham thinks the debate might not effect the general election. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mary Katharine Ham, Fox News Contributor, Outkick Columnist, and co-author of End of Discussion, joined the Guy Benson Show today and shared her analysis of last night's CNN Presidential Debate. MKH and Benson break down the reaction from the Democrat and Republican sides of the aisle and the chances that Biden could be removed as the nominee for the Democratic party. Listen to the full breakdown and interview below! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Pro Audio Suite, we dive into the results of our recent Facebook group poll on favourite microphones. From the Shure SM7B to the Sennheiser MKH 8060, we discuss the mics you love and why. Robbo, George, AP, and Robert share their insights on the top picks, including some surprising mentions like the Austrian Audio OC18 and the affordable Audio-Technica AT875R. We also touch on some great customer service stories from Sennheiser and explore the nuances of various microphone features and performance. Join us for a passionate discussion about the tools that shape our sound! Episode Highlights: Introduction and shout-outs to our sponsors: Tribooth and Austrian Audio. Overview of the Facebook group microphone poll. Detailed discussion of popular microphones including the Shure SM7B, Rode NT1A, Neumann TLM103, Audio-Technica AT2020, and the Sennheiser MKH 416. Insights into user preferences and experiences with these microphones. Special mention of the Austrian Audio OC18 and its popularity among listeners. George's recommendation of the Audio-Technica AT875R as an affordable shotgun mic alternative. Stories of exceptional customer service from Sennheiser. Discussion on the Sennheiser MKH 800 Twin and its advanced features. Encouragement for listeners to join the Facebook group and participate in the ongoing conversation. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #ProAudioSuite #Microphones #AudioEngineering #Podcasting #Voiceover #SoundDesign #AudioProduction #MicReview #ProAudioTips #RecordingGear Y'all ready to be history? Get started. (0:02) Welcome. Hi.   Hi. Hi. Hello, everyone.   (0:05) To the pro audio suite. These guys are professional, they're motivated. (0:09) Thanks to Triboose, the best vocal booths for home or on the road voice recording.   (0:14) And Austrian Audio, making passion heard. (0:17) Introducing Robert Marshall from Source Elements and someone audio post Chicago. (0:22) Darren Robert Robertson from Voodoo Radio Imaging, Sydney.   (0:25) Next to the VO stars, George the Tech Whittem from LA. (0:28) And me, Andrew Pinkers, voiceover talent and home studio guy. (0:32) Line up, man.   Here we go. (0:36) And welcome to another pro audio suite. Thanks to Triboose.   (0:39) Don't forget that code, T-R-I-P-A-P 200 to get $200 off your booth. (0:45) And Austrian Audio, making passion heard. (0:48) We've had a bit of a passionate response to our new Facebook group, (0:52) which is the pro audio suite podcast group.   (0:56) And Rubbo threw up a survey about microphones, (1:00) which one people would like to use and do use and don't use. (1:04) Yeah, I just, I kind of figured a robust discussion about microphones is always well received. (1:10) So I figured I'd start one and it's only a small sample because we've only just started the group.   (1:15) But some of the results sort of had me thinking a bit. (1:18) So basically what I did was I did a poll. (1:20) And I didn't go with my favorites.   (1:23) I just went with the microphones that as a freelance audio engineer, (1:27) when I'm walking into other studios, I come across a lot. (1:30) And I stuck them up there with an option for people to put their own up there as well. (1:34) So the ones I put up were the SM7B, the NT1A, the TLM103, AT2020, 416, of course.   (1:43) And that was about it. (1:44) And then left it open for people to sort of put their own up. (1:48) And the question was, which one's your best mate? (1:51) So what's the microphone that you choose in your studio? (1:55) Now, I've got to be honest, I kind of did figure that the 416 would feature fairly heavily and it has.   (2:02) I mean, the 7B sort of comes in fairly close and the TLM103 are exactly the same in terms of response. (2:11) But then some of the ones in the comments were sort of interesting as well. (2:15) Well, the one I thought was interesting was someone jumped on to Bill.   (2:21) Now I've got to try and get his name right. (2:25) Bill Answa. Is that right? (2:26) Answa.   (2:27) Yeah, I think it's Bill Answa. (2:28) Anyway, sorry, Bill, if I got your name wrong. (2:31) He is using the Austrian audio OC18 into an SSL2.   (2:36) Well, someone's been listening to our podcast. (2:38) And is he using the 4K button? (2:40) He says. (2:41) Yes, he does.   (2:42) Yeah, he goes, yes, indeed. (2:44) Thanks for teaching me that. (2:44) Yeah, and Phil writes on the Lewitt, which doesn't feature fairly.   (2:49) Yeah, we mentioned it on the show, but I don't see it a lot. (2:55) What else was the other one? (2:56) What's the 875R? What's that, a shotgun? (3:00) It's an excellent, excellent bargain shotgun mic. (3:05) Is it? (3:05) Right.   (3:05) It's the one that you recommend, George, isn't it? (3:07) It's so good. (3:08) Like, it's only Achilles heel is that it's not the quietest mic. (3:12) Self-noise is, you know, not as good as a 416.   (3:15) But it's a damn good substitute. (3:18) You know, it sounds similar. (3:20) I have one.   (3:21) So one of these days we'll pull it out and we'll compare it. (3:23) Yeah, I'd love to hear it. (3:25) But it sounds similar.   (3:26) It's not quite as large. (3:28) It's sort of like a short shotgun. (3:30) Is the polar pattern as tight as a 416? (3:32) I would say no.   (3:33) I would definitely say it's not as tight at all. (3:37) It's a more, nowhere near sophisticated mic. (3:40) It doesn't have that very complex line tube interference design.   (3:45) Yeah. (3:45) So anyway, it's a very simple mic, but it just sounds good. (3:49) And they're always under 200 US, 175 maybe.   (3:53) So that one's a... (3:54) 169 B? (3:55) That one's a great value. (3:56) And we've been recommending it a lot to folks who want a stunt mic. (4:00) Well, this is an interesting one from Jeff Berlin.   (4:03) Obviously the obligatory 416. (4:06) But he also has a Bosch or Soundalux U195. (4:10) I don't know that microphone.   (4:12) What do you say? (4:12) I have a Soundalux U99. (4:15) And it is basically a clone of a U67 using an actual EF86 tube. (4:22) And the Soundalux mics became Bach.   (4:25) Yeah, that's right. (4:27) Yeah. (4:28) And they are pretty high-end mics.   (4:30) They got bought by Universal Audio. (4:32) Yeah, that's correct. (4:33) Oh, really? (4:33) Yeah.   (4:33) Wow, that's too bad? (4:35) Is that too bad? (4:36) I don't know. (4:36) I don't know. (4:37) I mean... (4:38) It's kind of weird.   (4:38) I thought they bought Sphere microphones. (4:40) They had to buy all of them microphone companies. (4:42) So I threw all the mics that were in the comments, I think, into the survey.   (4:46) So it's easier to see. (4:49) And it's going to make it easier for people to continue voting. (4:51) But did you see anything that surprised you here? (4:55) Not me.   (4:55) Nothing really. (4:56) I mean, there's certainly plenty of ones that you don't see regularly in professional studios, (5:01) not that that means jack shit. (5:02) Because in a professional studio, you're looking for a workhorse that will do a whole bunch (5:07) of things, I guess, especially in post-production houses, as opposed to music studios.   (5:13) There's just no representation of a PZM mic here. (5:16) Come on. (5:17) There's no crown PZMs? (5:19) Oh, man.   (5:21) Like, turn my wall into the microphone. (5:22) Yeah, that's right. (5:24) The MK4, the Sennheiser, what's an MK4? (5:27) It's like a lower end shotgun.   (5:29) No, actually, no. (5:30) It's their entry-level side address LCD. (5:34) Large diaphragm.   (5:35) Oh, okay. (5:36) Large diaphragm. (5:37) It's like, I mean, I think in character, it's somewhere very similar to a TLM102 or (5:43) 103.   (5:44) It's in that range. (5:45) Is it kind of like the AKG perception? (5:48) Kind of. (5:48) It's like that zone.   (5:50) But I mean, it's not that cheap. (5:51) It's still a $400 mic. (5:54) I think it's more like a two.   (5:56) Oh, it's used. (5:57) Maybe it's used $200. (5:59) Yeah, maybe.   (6:00) I mean, Guitar Center's got them, but maybe those are used. (6:02) But Sweetwater's trying to sell it for $400. (6:05) How much is an AKG perception? (6:07) LDC.   (6:08) I don't know. (6:08) They're quite a bit cheaper, like 200 range. (6:13) So, yeah, the Sennheiser MK4 is not bad at all.   (6:15) There's quite a few people who have those. (6:17) Well, speaking of Sennheiser, just as an aside, Chris McCallum, who we've (6:22) had on the show, he's probably one of Australia's best known location (6:25) recordists, put up a post about his Sennheiser. (6:30) He says, I have an interesting occurrence with a 10 year old Sennheiser (6:35) MKH8060 shotgun mic.   (6:36) One day it stopped working without warning and only issued a static (6:40) frequency. (6:41) I've taken it to Sennheiser's service and they've discovered that they are (6:44) unable to open the mic as the special screws holding the electronics (6:47) inside the barrel are completely seized. (6:49) They say they can see no sign of corrosion, but are unable to open (6:52) the mic, sort of shoring it open.   (6:54) What has surprised me is they have offered to take possession of this (6:57) mic and offer me a brand new one for an exchange of $700. (7:01) These mics now retail for well over $2,300. (7:04) So, I'm very happy with the outcome.   (7:07) So, this is now the second new exchange I've had since the (7:10) original purchase, as there was a recall in the very early serial (7:13) numbers. (7:13) So, it was replaced then as well. (7:15) I can't really fault their response and commitment to their brand.   (7:18) So, hey, that's... (7:18) Did you see my response on that? (7:21) No. (7:22) What's yours? (7:22) What did you say on that? (7:23) But they're charging him... (7:24) I was the original recording of the screws falling out. (7:30) They're basically saying they'll do the repair for $700.   (7:33) So, they're basically giving him a brand new mic for $700, yeah. (7:36) As the repair? (7:37) As the repair, I guess, yeah. (7:39) I'd say yes if it came with a one year warranty.   (7:41) Right. (7:42) At least. (7:42) Or whatever the new warranty is, I guess.   (7:45) It's a bit of a bummer though. (7:47) But yeah. (7:48) I had a similar thing.   (7:49) I actually had a similar thing happen with my 416. (7:52) It was an old one and it was playing up, (7:55) I sent it into Sennheiser and they kind of said, (7:57) look, we can fix it, but it's probably going to cost, (8:00) you know, almost the same price as a... (8:02) Probably about half the cost of a new one. (8:05) And then they... (8:06) Yeah.   (8:07) But then they sort of said, look, you can fix it, (8:09) but we can't guarantee it because it is old (8:11) and there's components could let go. (8:13) Then did me a cracking deal on a new 416. (8:17) Nice.   (8:17) As long as the mic wasn't cracking, that's a good deal. (8:19) Yeah, exactly. (8:20) Well, the first one was, the second one wasn't.   (8:23) Are you making fun of this London accent? (8:25) So, that's 8060 is a step up from the 416 in terms of... (8:28) Yeah, it looks like it. (8:29) Yeah, yeah. (8:30) Better signal response, maybe.   (8:32) Yeah. (8:33) The 8000 series is sort of their... (8:35) That's their new flagship line. (8:38) You know, small diaphragm mics in the head.   (8:40) Did Chris mention it in the episode when we had him on? (8:42) I feel like he did. (8:44) I feel like he's sort of go to mine. (8:46) Yeah, yeah.   (8:46) But see, Chris doesn't have a microphone locker. (8:49) He has a microphone walk-in wardrobe. (8:52) Yes, exactly.   (8:53) That's right. (8:55) Yeah. (8:56) He's the Imelda Marcos of microphones.   (8:59) I think Sennheiser makes a sight address version in that 8000 series. (9:03) It's multi-pattern and it's like $4000, (9:06) but it's supposed to be really excellent. (9:08) You know what I'm talking about? (9:09) 800.   (9:10) Is it the 800? (9:11) Is that what it is? (9:11) It's a really odd little mic. (9:13) It's very small. (9:16) And let's see if I can share.   (9:18) No, it's a multi-pattern. (9:19) It's not the little small tiny ones. (9:21) I know, but it's really small.   (9:23) I mean, I saw it at NAB. (9:25) I was like, oh my God, that thing's tiny. (9:28) I think I saw your video.   (9:29) I'm looking at the MKH 800 Twin. (9:34) This is a new model of microphone they just launched. (9:36) This is a different animal completely from what you're describing.   (9:40) This one's 3200. (9:43) And it is their variable pattern mic where you just simply... (9:48) What's that? (9:49) MKH 800 Twin? (9:51) Yeah, this is it right here. (9:52) I have it on screen, I think.   (9:54) Maybe. (9:54) There it goes. (9:56) There it is.   (9:57) Look at that sexy baby. (9:58) Quite spendy. (9:59) This picture doesn't show... (10:01) Well, you see how small it is by... (10:02) Because you can see the XLR barrel.   (10:05) The tail, it's small. (10:06) It almost looks like a mic port pro, the original one. (10:09) It is like the old KM86.   (10:13) The Neumann KM86, which is a side address, multi-pattern, small diaphragm mic that people go kind of gaga over. (10:21) Well, that's quite a spendy mic, 3200. (10:24) Which is two symmetrical push-pull... (10:28) It's a dual diaphragm.   (10:31) Is it dual output too? (10:33) Like, could we use it with our... (10:34) Yeah, so the way it works is you simply pot up and down the other capsule, and that's how you go. (10:40) So it's like... (10:41) But do you have a separate output of the other capsule so we can run it into our new software that you and I have purchased? (10:47) Right. (10:49) Yeah, it is quite a spendy mic.   (10:53) You know, it's so funny. (10:54) I have video of me interviewing the Sennheiser rep at NAB on YouTube, and someone's like, (10:59) Hey, isn't that Julian Kraus standing right behind him? (11:05) It was Julian Kraus standing behind you. (11:08) It was, it was like I missed an opportunity to chat with him.   (11:11) Oh, I saw it when I saw your video. (11:13) I saw him in the background. (11:14) He was having a look at the mics as well.   (11:15) Is that Julian Kraus? (11:17) I'm like, son of a gun, it is. (11:19) There are so many YouTubers at NAB, of course, you know. (11:22) I saw a couple, they were always like in transit, you know, but I would love to send hello to Julian (11:28) and thank him for his unbelievable commitment to very, very consistent and dry videos about audio interfaces.   (11:38) He's like the equivalent of the Sahara desert for YouTubers. (11:42) It is so freaking dry. (11:43) Yeah, but it's useful.   (11:46) And big. (11:46) You know, we're the polar opposite, really, aren't we? (11:50) Exactly. (11:51) And in fact, on that note, if you do want to vote for one of these microphones or tell us what you have, (11:56) go to your Facebook and or the Facebook, as I saw people call it, and look for the Pro Audio Suite podcast group (12:05) and you'll find the thread down there somewhere.   (12:07) Not the page, the group. (12:08) Yeah, the group. (12:09) We can even pin that, I think.   (12:11) Maybe it might be a way to pin it. (12:12) Well, I will. (12:13) I'll pin it to the top of our Facebook page.   (12:14) Oh, I can do it right now. (12:15) Oh, you can do that. (12:16) There you go.   (12:17) Pin the feature. (12:18) There you go. (12:18) So yes.   (12:19) Done. (12:20) Out. (12:21) Pinned.   (12:24) Pinned. (12:25) So that was fun. (12:27) Is it over? (12:29) The Pro Audio Suite.   (12:30) Thanks to drivers and Austrian Audio, recorded using Sauce Connect, edited by Andrew Peters and mixed by Blue Doo Radio Imaging. (12:41) Don't forget to subscribe to the show and join in the conversation on our Facebook group or leave a comment, suggest a topic or just say kiddo. (12:48) Drop us a note at our website

Trèo dải phân cách sang đường, bị xe tông tử vong; Khó tin cảnh ngập lụt trên cầu; Bị bắt vì qua Lào mua 4kg vàng về bán kiếm lời; Nước cống, bùn đen chảy ra biển Mỹ Khê và tràn vào nhiều nhà dân ở Đà Nẵng.

In this week's episode of The Pro Audio Suite, we've got something right out of left field! Our guest, Matt Cowlrick, an Aussie voice actor living in Canada, has done something pretty remarkable—transforming his Tesla into a rolling recording studio. Yes, you heard that right! Tune in as Matt reveals how he converted his Tesla into an innovative mobile recording space, complete with a built-in mic stand. Hear about the nuts and bolts of mobile recording setups, from the gear choices to the unique challenges of recording in a car. Matt shares his experience using the Mic Port Pro 2 and a Sennheiser 416, all rigged up to record straight onto his iPhone with Twisted Wave. We dive deep into the acoustic challenges of a car's interior, particularly a Tesla's glass-heavy design, and Matt's creative solutions involving pillows and moving blankets to achieve the best sound. For those who can't wait to see it in action, Matt has also shared a video tour of his Tesla studio on our website. Check out this link to watch the magic happen: Matt's Tesla Studio Tour Join us as we explore how necessity drives innovation and how you can apply some of these tricks to your own mobile recording endeavors. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..  https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. 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These guys are professional, they're motivated. (0:09) Thanks to Tribooth, the best vocal booths for home or on the road voice recording.   And Austrian Audio, making passion heard. Introducing Robert Marshall from Source Elements and someone audio post Chicago. (0:22) Darren Robert Robertson from Voodoo Radio Imaging.   Sitnik to the VO stars. George the Tech Whittem from LA. And me, Andrew Pinkers, voiceover talent and home studio guy.   (0:37) And welcome to another pro audio suite. Thanks to Tribooth, the golden handcuffs can be removed. And Austrian Audio, making passion heard. (0:44) Today, we have a special guest. Matt Calrich is joining us because Matt and I've been having a little conversation about setting up a rig in your car, which was something I played around with a few weeks ago now. (0:56) But Matt, you've done your thing as well.   What have you done? (0:59) Well, I changed it up from what I've done in the past, which quickly is using the Apollo Solo and a laptop and usually the 416. (1:11) Now for being at home in Canada and not actually, you know, traveling on holiday, I just wanted to have something easy to get going at any given moment, just pull over on the side of the road. (1:25) And so I use the Mic Port Pro 2, still the 416, and recording on the iPhone.   So just really nimble and mobile. (1:36) Are you using Twisted Wave on your mobile? Yes. Yes, until further notice.   (1:43) Yours is very similar to mine because that was my experiment with the iPhone 15 because it's got the USB-C and using the Twisted Wave app. It's fantastic. (1:53) And you can actually use their kind of Twisted Wave Dropbox as well off the iPhone, which is really, really handy.   (2:00) But the only difference between you and I, I think, is that you use the 416 and I've been playing around with the CC8 from Austrian Audio. (2:07) Well, he uses the 416 and you use the 416 sometimes and now. (2:15) And the other big difference is that you have a Tesla, which has a lot of glass.   (2:21) Has that become an issue for you? (2:23) Yeah, well, I'm still still in the early days of, you know, finding my feet with it. (2:27) I only set up this new rig, so to speak, on the weekend, got all the required parts, which was the idea of being able to have a mount in the car that I can just attach the mic and the... (2:43) How did you feel about drilling into your Tesla or is that glued in there? (2:46) I didn't. It's glued.   And I also just kind of drive my Tesla like a piece of shit. So I don't really care. (2:54) I just drive it like a car, so sticking something on the inside.   (2:58) It's not precious. It is no longer precious. It is now a utility vehicle and it's used for what it was designed for.   (3:06) Yeah. I mean, let's be honest, putting double sided adhesive tape on the inside of my Tesla is probably not the worst thing that I've done to it. (3:13) So you're not going to mount a M49 from that thing.   (3:18) Since it's now technically a recording studio, does that mean your car's a tax deduction? (3:21) You say that like I don't already try to claim as much as I can. (3:29) Yeah, that's a good point, Robert. Yeah, I wonder how much else I can squeeze out.   (3:32) Yeah, exactly. My new recording studio just happens to be on four wheels, that's all. (3:36) Yeah, exactly.   (3:37) Hey, if anyone can play it, George, if you can, I don't know. Now would probably be a good time to have a listen to the audio, Matt Sentis. (3:45) I can do playback over here if I... (3:46) Can you? Okay, yeah, cool.   (3:47) Okay, here's me recording in the car on a 416, the Mic Port Pro 2. (3:57) There's a windsock on the mic and there's a pretty significant humming sound, which I'm sure you can hear. (4:08) That's the car. I don't know how to turn it off.   It's an electric car, so that's something to work with. (4:16) But the setup is nice and it's convenient, so now I just have to work on... (4:24) And so here's the treated one. (4:26) But the setup is nice and it's convenient, so now I just have to work on fixing things, like the car sound and the whirring.   (4:40) But I like the concept. I just have to try to get it sounding as good as possible. (4:47) So I'm guessing you were pretty close to the mic there.   (4:50) Yeah, pretty close. And then what I added later was a pillow in one take and then I brought in a moving blanket on the other. (5:06) But I was pretty close to try and offset the carriness.   (5:11) Were you putting the pillow behind you someplace? (5:14) The pillow was wedged. It was two pillows actually, because they were small pillows. (5:18) Wedged in the front screen.   And then the moving blanket I had just draped over me like a villain. (5:31) It was not comfortable, but more for like a testing perspective to see what had changed. (5:37) Do you have one without all that extra stuff? (5:39) That was the first one.   They're remarkably similar. (5:44) You know what makes me laugh though is if this takes off, if this becomes a trend, you'll be able to go to the local mall and realise who's a voice-over artist and who's not because the car of the voice-over artist is going to have blankets and pillows (5:56) and cut those one on the back seat. (5:58) Although they're just living in their car, which is an understatement.   (6:00) Yeah, exactly. (6:02) And a really weird iPhone mount for a stick. (6:05) Yes.   (6:07) It's going to look entirely nefarious. (6:10) I love the gooseneck attached to the ceiling. (6:13) Finding adhesive that would mount that strongly enough to hold the weight of the mic and the mic port and the gooseneck itself.   (6:20) It's a decent amount of weight. (6:23) Do you put the mic port right on the mic port? Do you use a little adapter like we got for like Andrew got? (6:31) Oh no, I just assumed that Andrew's was directly plugged in. (6:36) No, I think the 416 and the 41.6 and the OC8, they're all too thick at the base to fit into the newer mic port.   (6:44) The 41.6 fits and the NTG5 fits. (6:50) And only the OC8. (6:52) The CC8 does not.   (6:53) Sorry, CC8. What a stroke of work. (6:56) And I also have the Rode NTG5, which Andrew and I were talking about when I was in Australia.   (7:02) And so I'd be interested to try that in the same situation. (7:06) I used the NTG5 in the back of my car, the first test I did before the CC8 got here. (7:12) And yeah, it sounded great.   (7:13) You probably get the same result as the 41.6, I would suggest. (7:17) There's a bit more bottom end to it. That's the only thing.   (7:20) I also found the NTG5, it seemed more sensitive than the 416. (7:29) I don't know. (7:30) Oh yeah.   (7:31) It has a much higher output. (7:33) No, because I was in Mexico hanging out with Dustin Eboar. (7:39) And we had my tri-boot there and kind of our gear combined.   (7:43) And we tried both the 41.6 and the NTG5 with exactly the same gear, just switching the mic. (7:53) And it was quite different. (7:55) Yeah, yeah, yeah.   (7:56) That's a huge amount of output on the NTG5. (7:59) Right. (7:59) My NTG5 is at the mailbox waiting to be picked up because they replaced it.   (8:04) Oh wow, that's cool. (8:06) I'm the only one left with one that didn't blow up, I think. (8:09) Mine blew up? (8:10) Yeah, mine didn't blow up.   (8:14) No. (8:15) Don't use it. It won't blow up.   (8:18) I had a sphere mic blow up in Australia. (8:22) Yeah, I took it all the way to Australia thinking how great it was going to be having that mic with me. (8:28) And then I got there and was absolutely perplexed for a while why it wasn't working.   (8:32) And it turned out to be a busted capsule. (8:34) And this was a brand new sphere. (8:35) You know the problem with that, mate.   (8:36) It was actually a northern hemisphere and you're in the southern hemisphere. (8:41) That was the problem. (8:42) Oh my God.   (8:44) You are, I will. (8:47) David Kay traveled with the sphere to Japan, you know. (8:50) And I just thought it was risky because it is a much more fragile mic than any small diaphragm, you know, shotgun or pencil mic, you know.   (8:58) Small diaphragm, shotguns, and pencils are a much, much better travel mic companion. (9:03) Well, the shotguns are made for like, you know, like one of the things about the 416 is go record in the wind. (9:09) Well, in a rainforest.   (9:10) In a rain, right. (9:11) You can take a 46 in a rainforest. (9:14) Right.   (9:14) Because it's working like as a RF microphone instead of directing it off the... (9:20) Yeah. (9:21) Well, as does the NTG-5, you know. (9:23) The NTG-5 is RF? (9:24) Yeah.   (9:25) Really? (9:26) So any mic with an RF design is basically completely impervious to moisture. (9:33) Yeah. (9:34) So that's why they're used.   (9:36) But as for the capsule blowing up, what was the outcome? (9:39) Is that mic still sitting in the box or... (9:43) Yeah, I haven't replaced it yet because replacing it in Australia when it was all happening was just silly business. (9:49) So I've waited until I go back to Canada and then promptly didn't do it. (9:54) It is a secondary sphere because I recently got a new Apollo unit and they threw in one of the new ones for free.   (10:03) And I thought... (10:04) Oh, was it the DX? (10:05) Yeah. (10:06) They threw in the small one? (10:08) Yeah. (10:08) So it's a bit small.   (10:09) How do you find it compares? (10:10) It has less of a capsule working. (10:14) I like the smaller size. (10:17) I mean, it's not hugely noticeable, but yeah, I'm excited to try it.   (10:22) Oh, so the one that you traveled with was this new smaller addition. (10:26) Yeah. (10:27) Yeah.   (10:28) And I have a pretty good travel bag. (10:30) Like, I hear you on the durability of those large diaphragm mics. (10:35) But yeah, I've managed to find this.   (10:39) It's a camera bag and it's got a good hard shell and it's a backpack. (10:44) And to the chagrin of my engineer took an exacto knife and just cut out the foam in the sphere it comes with. (10:56) And I just shoved it in this camera bag and it feels really well protected.   (11:00) But then again, maybe I smashed a capsule when I was traveling and it's not as protected as I thought. (11:07) Oh, any dents? (11:08) No, no dents. (11:10) Is this like the torque? (11:11) I'm expecting them to replace it.   (11:12) Like, it just sounds like vaulty. (11:15) But it'll be interesting because I picked up the different microphones, the ocean way and the main one, I think. (11:22) I did those two.   (11:23) I forget, but... (11:25) The sphere models. (11:25) The sphere models, but I'll just use it with the 818. (11:28) How's that working out? (11:29) I haven't touched it yet.   (11:31) Oh yeah, I haven't even. (11:32) It's just color. (11:33) But I figure it'll just be, you know, like color, you know, even if the sphere mics are somehow accurate.   (11:38) I would imagine. (11:39) I mean, that is something we have not done yet. (11:41) We haven't done an OC818 versus sphere mic sound.   (11:45) You know, how do they sound compared to each other? (11:48) How different is the OC818 through the sphere 47? (11:53) Right. (11:53) Can you swap in an OC818 if you don't have a sphere or you just don't want to bring the sphere because it's so physically large? (12:02) Can you just plug it in, you know? (12:04) It would work with any truly dual output large diaphragm mic, you would think. (12:10) Yeah, because there's a couple others out there.   (12:12) Not that many, but Sennheiser has the new MKH. (12:15) I think it's the Assault at NAB. (12:18) I believe it's called the 800.   (12:20) And it's a dual output mic. (12:22) And then Aladdin has one, and Pearl has one. (12:26) It's becoming a thing.   (12:27) It is. (12:28) I was thinking that when they can get them to the size of something like, you know, an NTG5 and shorter, (12:34) that'll be a huge game changer to have a modeling mic that you can travel with, (12:38) especially if it has the tech that the sphere has where you can kind of mitigate problems with the room in real time with those sets. (12:47) Oh, the sphere has like the reflection filter built in.   (12:50) George can probably explain it better than I can. (12:52) Yeah, I don't get it. (12:54) Oh, yeah.   (12:54) Well, they have a set of these filters in the sphere plug-in itself that are designed to compensate for acoustical flaws. (13:06) With using those reflections. (13:08) Okay, that's what it's for.   (13:09) And so they're just little curves they came up with. (13:14) But they made it very user friendly. (13:16) Instead of having it be a variable knob, you know, (13:19) they just have a whole bunch of like, click on this picture.   (13:22) If it looks kind of like what you're sitting in front of, then try this. (13:26) Which is cool because it's just one less thing to have to think about. (13:31) But the thing is, there's just a setting for booth.   (13:34) Which clearly is not going to work because everybody's booth is a different size. (13:38) Although I'd love to see the EQ curve for the chaotic eyeball. (13:46) Well, I did look at the MKH 800 Twin, it's called, the 800 Twin.   (13:52) And it's a bit spendy at $3,200. (13:55) But if you want a very small two capsule microphone to travel with, that one could fill the bill. (14:01) It is very small.   (14:03) A very old microphone that few people know about is the Neumann KM86. (14:09) It's a small diaphragm or smallish diaphragm. (14:12) But dual-sided, full polar pattern selection.   (14:17) It looks like a tiny U87, I think, kind of thing. (14:22) I believe, if I remember right. (14:24) But it's a small diaphragm, multi-pattern.   (14:24) It looks like a German hand-grinder. That's what it looks like. (14:27) The KM86.   (14:29) But it's a multi-pattern small diaphragm. (14:31) So you could, if someone modded it to have more than one output. (14:34) Well, have you thought about, or even wanting to bother with using... (14:38) Did you say you tried using your Sphere Apollo combo in your Tesla or in your car? (14:44) You've done that now or in the past? (14:46) Not in the Tesla.   (14:49) Yeah, I have taken the Sphere and a Solo. (14:54) And my laptop is the travel rig to Australia. (14:58) You did that in the Ferrari, right? (15:01) Or was it the Lamborghini? I can't remember which one? (15:03) Yeah, the Ferrari has this humming noise thing all the time.   (15:07) I guess it just does that. (15:08) And unfortunately, the people at the dealership didn't like it, (15:11) that I took my gear and just sat in their car and started taking photos. (15:16) I wasn't pretty sure for some reason.   (15:20) Nor the guy whose Tesla I stole this afternoon. (15:26) And glued a mouth-mouth. (15:30) The only thing the guy did is he glued this thing.   Is it attractive? (15:33) I brought him some alcohol swabs. He'll be right. (15:37) I've worked out what the humming noise is in the Tesla.   (15:40) Oh, really? (15:40) It's the Musk hydroponic mode. You've got to turn that off. (15:46) I drove on in the screw mode.   (15:48) I think Robert's on the hydroponic mode right at the moment. (15:51) I am. Hold on.   (15:54) Fantastic. (15:55) Well, I was asking because I rigged it up for David Kay. (15:59) We did the Sphere on a mount arm.   (16:02) I got him this crazy over-engineered cobbled-together arm. (16:06) It's basically, if anybody from lighting knows what a baby arm is. (16:10) But it's basically, you know, it's an arm with a clamp on each end.   (16:14) So one clamp clamps to the steering wheel or a yoke or whatever it is in that car. (16:19) And then the mic mounts to that. (16:21) And it also has a place to mount your phone or tablet to read your script.   (16:26) And that whole thing rigs off your steering wheel with that huge mic. (16:29) And then we put the mic sideways. (16:30) That's what we found worked best was, because it's so large, (16:33) to get the capsule in the ideal spot.   (16:36) We just have it literally sideways. (16:39) And he's running a U67 model. (16:42) Because that's the mic he would typically use at home.   (16:45) And the clients were more happy with it. (16:47) I was amazed. (16:48) I didn't think it was going to work with that.   (16:50) Because we didn't put a pillow or anything up against the windscreen. (16:54) And it worked out. (16:55) And that's a Model X, which is physically larger inside.   (16:58) So that helps. (16:59) I don't know if it's because the windshield is so long. (17:02) Because the windshield is facing down.   (17:05) It's not really facing you. (17:06) It's not going to hit the microphone. (17:07) Exactly.   (17:08) The sound is going to go down to the dash. (17:12) It's directly behind and directly in front of the mic. (17:15) I would think that's the first sort of issue.   (17:19) I guess with my setup that I did most recently in the Tesla, (17:22) I am more like talking across to the passenger seat, (17:26) rather than directly at the windshield. (17:30) So pillows stuffed into the windshield opposite the mic. (17:35) Yeah.   (17:35) That would be one spot. (17:37) And I was thinking of taking some of the tri-booth blankets (17:41) and hanging them from the coat hooks (17:47) or the handlebars on the side (17:50) and seeing how that works out. (17:52) They're quite long though, the tri-booth ones.   (17:55) Yeah, they're big. (17:56) You could nail gun them to the roof. (18:00) Or staple them or something.   (18:02) Super glue. (18:04) 3M will just laugh gleefully as they see me coming. (18:09) Some of these guys send me sticky squares.   (18:12) But it's funny, isn't it? (18:12) How different your environment in the Tesla is to my car, (18:16) which is a smaller car, two doors, tiny in the back. (18:20) And I just squeeze in the back because I've got my glass roof. (18:24) So I don't have to worry about that.   (18:26) How the Vespa setup worked? (18:29) It's hard getting your head under the seat. (18:32) But I'm working on that. (18:35) No glass roof to worry about.   (18:37) Yeah, you're starting with a difficult proposition with the glass ceiling, aren't you? (18:43) It's a killer to begin with. (18:45) So what do you do to the audio after you record raw files? (18:48) And do you just raw record raw files and send? (18:51) Or do you do any cleanup? (18:53) Well, yeah, herein lies the problem that I don't have access to a door. (18:58) It's just Twisted Wave Mobile.   (19:02) But I also tried to think about what I actually wanted this setup to do or to achieve. (19:08) And it really is just for the ants in the pants stuff that people can't wait for, (19:15) and for auditions and quick turnaround jobs. (19:17) But when I'm here in Victoria, and I'm not at my home studio, (19:23) I'm about a 40-minute drive to downtown.   (19:26) And in downtown Victoria, I do have a small commercial studio that I own. (19:32) And it has a StudioBricks in there. (19:34) So it's not too far to get to either one of those.   (19:37) So I didn't want to go overboard with the car rig. (19:43) And if I'm proper traveling, then I'm usually taking the Triboose. (19:47) But also, to be fair, mate, as an engineer, (19:49) I'm guessing Robert would agree with me on this.   (19:51) He said, if you sent me that file, I'd have no issue. (19:55) Sure. (19:55) Yeah, I'd have no problem.   (19:56) Even with that hum, Cevox seemed to take it out pretty well. (20:02) I don't know how much artifact do you got after that. (20:07) It wasn't too artifacty, yeah.   (20:09) The twist of a knob on clarity, that'd be gone. (20:12) So really, that's no issue. (20:13) Yeah, absolutely.   (20:14) That's another good question, because I was talking to a client about Cevox today. (20:18) And I said, you know, Cevox does make it sound really good to you. (20:21) The question I guess I have, really, is does it make it sound good to the engineer? (20:26) And how much time, I mean, Robbo and Robert, (20:28) how much have you heard audio through Cevox that you've received on your end? (20:33) If I've gotten it, I don't know that I've gotten it.   (20:35) I wouldn't know. (20:37) It's pretty transparent. (20:40) It is really transparent.   (20:42) That is the magic of that plugin. (20:44) If you go all the way to the walls, you might start picking up some, you know, go 100%. (20:49) You might pick up some very small artifacts, but it's amazingly transparent.   (20:55) Yeah, and more dynamic outside sounds as well. (21:00) I was recording at my parents' house in Australia, (21:04) and some inconsiderate person was mowing their lawn. (21:10) So like the one of your parents? (21:12) Yeah, one of my parents.   (21:16) And yeah, Cevox really made a pretty good show of the recording, (21:23) even with it kind of like moving around different areas. (21:25) I guess like a mower is still that, you know, lower frequency. (21:31) It's kind of droning.   (21:32) Yeah, and it's a consistent sound that's easier to hear. (21:34) There's not too much doppler with it unless you have like the fancy writing lawn mower. (21:40) There is two laws in life that if you wash your car, it will rain.   (21:44) And if you open a microphone, the neighbors are going to start doing something noisy. (21:48) So, you know, it's two guarantees in life, right? (21:51) That's right. (21:54) Have you ever had anyone pick up? (21:56) Are you putting anything across their audio? (21:58) No, not for a long time.   (22:00) Even running the modeling preamps in the Apollo unit, I keep it all very sparing. (22:08) I just want to get the color and the tone of the preamp and just bring in that difference (22:15) rather than engaging any of the hectic EQ or compression. (22:23) I like to think that I follow a lot of the principles of what you guys say on this show.   (22:27) Just keep it simple, send it on clean, and start with a really good bass. (22:32) Obviously, that's harder to do in the car and when we're traveling, (22:35) but I still just try to... (22:38) When I travel, I want to as closely mirror what I have here as possible. (22:44) Which is tricky.   (22:45) You're not running through like a bunch of boutique outboard gear at home. (22:52) And the preamp is just the Apollo pre, right? (22:56) This is Solo or...? (22:57) That's right, yeah. (22:58) Yeah, I have all Apollo units.   (23:00) I used to have a 6176, the UAD, the numbers are right. (23:07) Yeah, I had that and I ended up selling it because it felt like too many moving parts (23:15) and modeling it in the Apollo unit was so impressive that I felt like I'm going to sell this thing. (23:22) So are you using more than just the mic models? Are you using the preamp models as well? (23:26) Yeah.   (23:27) Actually, at the moment, I'm just using the twin preamp. (23:32) But generally, I will run... (23:35) I'll do a lot of my recording on the sphere and either... (23:41) What's your go-to emulation on the sphere? What sort of default? (23:45) The 416. (23:47) And then I have a couple that I dial into for different types of reads.   (23:53) Like if I'm doing trailer or something grittier. (23:58) You know how they came with some presets from Jordan Reynolds made some and then Brent Allen-Hagel? (24:05) Yeah, I heard that. (24:05) Yeah, I like one that Brent did for trailers and it's actually a combo.   (24:13) I suppose I can switch to it now. (24:17) By the way, how they got onto the preset list of that company, I'm wondering... (24:22) It pulled that off. (24:25) Because I've been dealing with them for so many years and I've never gotten anything like that.   (24:31) That's crazy. (24:32) I'm not jealous. (24:32) No, I'm just very glad that service is available.   (24:35) I would like to see you on that. (24:37) At least he's given away his presets for free. (24:41) Yeah, well, I mean, no props to them.   (24:43) I think it's cool that they're available. (24:46) What's something you're using? (24:48) This is the trailer setting from Brent Allen-Hagel and I don't actually know the proper brands (24:56) because they can't list it, but it's the LD800. (25:01) So that's the Sony? (25:02) But then it's combined with the 47K.   (25:07) So you have 47K caps, I guess, something like that? (25:10) Yeah, the K47, is it? (25:12) K47? (25:13) That's cool. (25:14) So that's what we're hearing now? (25:16) Yeah, that's right. (25:16) And I should be... (25:17) I think I'm printing this.   (25:18) Yeah, yeah. (25:19) Yeah, it riches... (25:20) It riches... (25:21) Richens in Richens? (25:23) That's it. (25:23) Adds more richness.   (25:25) Have you taken the 416-416, put it in the second channel with no preamp or no emulation (25:32) and just put it right next to this one and record the exact same thing? (25:37) I have meant to try that. (25:38) No, I haven't yet. (25:40) But to my ears, my simpleton ears, they are really, really close.   (25:45) And I do have two 416s, obviously the one that's in the car now. (25:52) And I have a sentimental 416, which I'll never sell. (25:58) But I mostly am using the 416 setting on the sphere.   (26:02) And then I have a U87 AI just next to me here. (26:07) And I've hung on to that mostly for workflow purposes. (26:11) I kind of have one mic that is hooked up for, I guess, like quick auditions and quick rip (26:21) and reads.   (26:22) And then I have this sphere that I'm talking to you guys on. (26:26) It's over here with a music stand looking out the window. (26:30) It's just like a nice little zone.   (26:33) Yeah, big creative spaces. (26:35) We're actually talking about our next episode now, aren't we? (26:38) Oh, sorry. (26:38) We're drifting to the next episode.   (26:38) We have. (26:39) I wonder how they do the polar pattern, because if you think about it, the 416 being a shotgun, (26:48) you can really only get that polar pattern from the physical shape. (26:53) And they can recreate any polar pattern with the large diaphragm.   (26:57) But you'll notice a large diaphragm never has a shotgun. (27:01) I mean, you kind of have a hypercardioid. (27:03) Do you find the 416 emulation to be a little bit more forgiving in the movement, like the polar pattern? (27:13) Can you move around the mic and it doesn't sound quite as phasy and weird? (27:16) Yeah.   (27:16) So I've switched now. (27:18) Now I'm on the 416 emulation. (27:21) I just did the click of the mouse.   (27:24) And it's on... (27:25) Which pattern is it on? (27:29) The cool thing with the... (27:31) It's on cardioid, on a cardioid pattern. (27:34) And now it's on a hypercardioid. (27:38) So now I'm talking off axis.   (27:40) And you can hear how it jumps forward, even on the... (27:44) Put it on an omni. (27:45) Put it on an omni? (27:46) Sure thing. (27:47) There you go.   (27:48) Oh, yeah, there we go. (27:49) So that's omni. (27:50) That's an omni 416.   (27:52) Anybody wonder what that sounds like? (27:54) It's a huge curve of a 416 without the... (27:57) I mean, acoustics in the booth are fantastic. (27:59) So even when you're on the omni, it still sounds really... (28:02) It actually sounds nice. (28:03) Like focused.   (28:03) Yeah, right. (28:04) So here's me kind of doing like direct address. (28:08) My mic is above hanging from the roof and from the ceiling.   (28:15) And it's tilted maybe... (28:19) What is that? (28:21) Forty... (28:21) A little over 40 degrees down towards me. (28:24) More vertical than horizontal? (28:27) Or more horizontal? (28:28) More vertical than horizontal, I would say. (28:30) Oh, okay.   (28:32) Interesting. (28:33) Yeah. (28:33) That's a pretty steep angle.   (28:34) Yeah, I've been meaning to play around with it. (28:36) Just to see what different sounds I get out. (28:38) This one is set up partially for... (28:42) Yeah, the way I am at the music stand, (28:44) although I guess I could change it.   (28:46) But then the U87 that I have just over here is... (28:51) That's more horizontal than vertical. (28:54) I think it just shows how the room acoustics are. (28:57) So important.   (28:58) So big. (28:59) Because if you'll notice when you switch through those patterns (29:01) and try different mics, they all sound really good. (29:05) So it just comes down to these shades of mauve.   (29:08) Yeah. (29:09) Yeah, yeah, yeah. (29:10) Who consulted on this booth? (29:11) Who was that? (29:12) Oh, I'm not trying to plug myself.   (29:14) No, I'm plugging you. (29:18) But yeah, that is the point. (29:19) I think it would have been funnier if you dogged it.   (29:22) Yeah, exactly. (29:24) Exactly. (29:25) It's just great hearing a booth that I helped design out of... (29:29) Just hearing it years later or months later, whatever.   (29:32) Just hearing it used in this pair of headphones (29:35) that I'm wearing in this situation (29:36) and going, wow, it sounds good in there. (29:39) That's just so important, everybody. (29:40) Get those acoustics nailed (29:42) and then you can really enjoy the variety of microphones.   (29:48) It's like getting a taste for wine (29:50) and now you can enjoy different kinds of wine. (29:52) And I don't have that. (29:55) I do.   (29:55) I'm not saying I do. (29:57) But once you do, then you can enjoy a ton of... #ProAudioSuite #AudioEngineering #VoiceActing #MobileRecording #StudioOnTheGo #TeslaStudio

Bài Giảng: Mở Khóa Những Tiềm Năng Thay Đổi Cuộc Sống Diễn giả: John Maxwell Dịch và lồng tiếng: Mục Vụ Nơi Làm Việc A&B Nguồn: Christ Fellowship Church Mỗi người trong số chúng ta đều có những tiềm năng có thể thay đổi cuộc đời, nhưng hầu hết chúng ta không nhận ra những tiềm năng dó. Trong bài học này mục sư John Maxwell sẽ chia sẻ với chúng ta 5 nguyên tắc để chúng ta có thể sống một cuộc sống rộng rãi, qua đó chúng ta có thể kinh nghiệm được cuộc sống thịnh vượng mà Chúa ban cho mình. #doanhnhan #JohnMaxwell #phepla #baigianghay #baigiangdoanhnhan #mucvunoilamviecab

Bài Giảng: Mở Khóa Những Tiềm Năng Thay Đổi Cuộc Sống Diễn giả: John Maxwell Dịch và lồng tiếng: Mục Vụ Nơi Làm Việc A&B Nguồn: Christ Fellowship Church Mỗi người trong số chúng ta đều có những tiềm năng có thể thay đổi cuộc đời, nhưng hầu hết chúng ta không nhận ra những tiềm năng dó. Trong bài học này mục sư John Maxwell sẽ chia sẻ với chúng ta 5 nguyên tắc để chúng ta có thể sống một cuộc sống rộng rãi, qua đó chúng ta có thể kinh nghiệm được cuộc sống thịnh vượng mà Chúa ban cho mình. #doanhnhan #JohnMaxwell #phepla #baigianghay #baigiangdoanhnhan #mucvunoilamviecab

Sau thành công của đợt một chiến dịch Hòa Bình, ta tiếp tục đập vỡ phòng tuyến sông Đà, tiêu diệt điểm cao 400, 600, Đá Chông, Chẹ, chặn đánh các cánh quân viện trên các trục được 87, Ba Vì, Mỹ Khê. Quân Pháp nhận thấy không đủ lực lượng bảo vệ phòng tuyến sông Đà nên rút lui toàn bộ, chỉ để lại cụm cứ điểm Đan Thê-La Phù gần Trung Hà, Sơn Tây. Địch dự định sẽ tăng cường phòng ngự tuyến đường số 6 và thị xã Hòa Bình. Qua 20 ngày chiến đấu, ta đã tiêu diệt được bộ phận lớn của quân địch, đường tiếp tế trên sông Đà của địch bị tê liệt. Đường số 6 bị chia cắt, quân Pháp ở Hòa Bình đã hoàn toàn chuyển sang thế phòng ngự bị động.

- Dịp lễ 30/4 và 1/5, tại thành phố Đà Nẵng trời nắng nóng, oi bức. Bãi biển Đà Nẵng trải dài từ khu vực đường Nguyễn Tất Thành đến bãi biển Phạm Văn Đồng, Mỹ Khê đều kín đặc người. Chủ đề : bãi biển, Đà Nẵng --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1tintuc/support

- Chủ tịch nước Võ Văn Thưởng dự Chương trình Sắc Xuân trên mọi miền Tổ quốc.- Ngày thơ Việt Nam lần thứ 22 với chủ đề Bản hòa âm đất nước, giới thiệu kho tàng thi ca 54 dân tộc Việt Nam.- Bãi biển An Bàng của Quảng Nam và Mỹ Khê của Đà Nẵng lọt top 10 bãi biển đẹp nhất châu Á.- Cơ quan Cảnh sát điều tra Bộ Công an đề nghị truy tố 51 bị can trong vụ án hình sự liên quan đến Công ty Cổ phần Tập đoàn FLC.- Đại hội đồng Liên hợp quốc nhóm họp phiên đặc biệt về cuộc xung đột Nga-Ukraina.- Malaysia thử nghiệm thành công mạng 5.5G đầu tiên ở Đông Nam Á. Chủ đề : Chủ tịch nước Võ Văn Thưởng, Chương trình Sắc Xuân, mọi miền Tổ quốc --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1thoisu0/support

We went off on such a tangent this week I figured what better way to come up with a description than to let AI do it, so after feeding it the transcript this is what it came up with.. In this episode of the Pro Audio Suite, the hosts dive into a wide-ranging discussion covering the impact of AI on voiceover work, the intricacies of voice licensing in the digital age, and the challenges of maintaining digital identity and content integrity. From concerns about AI-generated voices and the protection of voice actors' rights to the potential theft of intellectual property and the evolving landscape of digital transactions, the hosts explore the multifaceted aspects of the audio industry and beyond. As the conversation takes unexpected turns, they touch on topics like the future of cash, online security, and the unique dynamics of holiday seasons in different parts of the world. Buckle up for a lively and insightful conversation that meanders through various aspects of the modern audio landscape and its broader implications. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Transcript Speaker A: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi.,Speaker C: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi. Hello, everyone to the pro audio suite.,: These guys are professional. They're motivated with tech. To the Vo stars, George Wittam, founder of Source elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, austrian audio making passion heard source elements George the tech wisdom and Robo and AP's international demo. To find out more about us, check Thepro audiosuite.,Speaker B: Com line up learner. Here we go.,Speaker C: And of course, don't forget the code. Trip a p two hundred and that will get you two hundred dollars off your tribooth. Now, we're going to talk microphones today because there's one thing I don't think we've ever discussed, or not in depth anyway. Is RF on a shotgun mic? Now I'm assuming rf is radio frequency, but for anybody like me, what does it actually really mean? And should it be something that we consider when we're buying a shotgun mic?,Speaker A: You mean the fact that the microphone uses what they call an RF technology? Is that what you're referring? Sure. I'm sure Robert would know more about the details without me having to google it. I read about RF microphones for a few times and I think one of the side effects of a mic being RF technology, which by the way, has nothing to do with transmitting a radio signal, right. It's the ability for the microphone to reject noise. I don't know if I've ever heard of a four hundred and sixteen, for example, which is using this RF technology as having an issue. Picking up radio frequency noise. If anybody else has heard of that, if you've had a mic, a four hundred and sixteen picking up RFI, let me know. But one of the advantages of that technology is it's very highly immune to humidity.,Speaker C: Yeah, that's what I heard.,Speaker A: And why that exactly is, is definitely beyond my pay grade.,Speaker C: Isn't it something to do with the way inside the microphone? Each part talks to itself, like talks to each other. It uses like a radio frequency inside the microphone to communicate with itself. That's my vague recollection of what it actually is.,Speaker A: That is certainly plausible. I just wish I was more understanding of the technology.,: So we're talking about it rejecting radio frequencies, is that what you're saying? Like a shielded cable would reject?,Speaker C: Yeah, I think that's what it does. And if anyone's listening, we should do what everybody else does on their YouTube things. Leave us a comment in the comments section.,Speaker A: Can I do story time and read it to you?,Speaker C: Yes, do story time. Oh, I'm sitting comfortably, George.,: But read it in your best bedtime story voice, George.,Speaker A: Okay, yeah, well it would have to be in a german accent.,Speaker C: I'm not going to do that.,Speaker A: A bedtime german accent?,: No, that's scary.,Speaker C: That's really scary actually.,Speaker A: But there is a whole white paper from Senheiser and it's written by Manfred Hibbing and it's Sennheiser's professor. MkH condenser microphone sorry everybody, I'm sorry, but basically what it says is that high rf frequency solves a problem. So when the replacement of electronic valves by transistors commenced at the end of the fifty s, this change was also under consideration for condenser microphones. Reduced size, low supply voltages and lower power consumption were regarded as great benefits as well as being able to use simpler microphone cables. However, there was a basic problem. Direct replacement of the valve by a transistor was not possible due to the mismatch between the high impedance of the condenser capsule and the low input impedance of the transistor. Hence, for optimal matching, the capsule impedance needed to be drastically reduced. And then they go on to explain the impedance of capsules, et cetera, et cetera. So down to the next paragraph. How does RF microphone technology actually work? The principle is simple. After all that.,Speaker C: Yeah, sure it is.,Speaker A: Sound waves deflect the diaphragm of the condenser capsule and change the capacitance between the diaphragm and the nearby back electrode, or backplate. Contrary to the more common low frequency AF condenser method, the capacitance variations are not converted directly into audio signals, but modulate a high frequency radio frequency signal generated by an oscillator inside the microphone. This signal is then immediately demodulated inside the microphone, thus recreating the audio signal, but with a very low source impedance that is well suited for driving a transistor amplifier. Thusly, an RF condenser microphone is basically comprised of a transmitter and a receiver that are directly wired together. The RF signal is therefore kept inside the microphone only the audio signal is supplied to its output just like all other microphones. So yeah, what you were saying was pretty much usual for me.,Speaker C: What happened?,Speaker A: He picked it up through osmosis somewhere along the way.,Speaker C: That's right.,: Can I just say, Robert would make that a lot.,Speaker C: Yes.,Speaker A: Yeah, sure. The thing with humidity, and here's a little paragraph about this, there is no other important benefit of the RF principle for practical use, the low electrical impedance of the capsule provides outstanding immunity against detrimental effects due to humidity, because even then, the leak resistance is very much larger than the capsule impedance. Thus, Mkh microphones, which I understand, all of those, all Mkh mics are RF mics. They're well suited for outdoor use. So this is why mkh mics, no matter whether they are the mkh four one five, forty one six, and I'm paraphrasing here, or any of the mkh stuff like the mkh forty. There's the eight thousand series, right? They have the eighty third. Eighty, twenty, eighty, thirty, eighty, forty, fifty, eighty, sixty. They have a whole new line. All of them are using this technology. And the reason for why it still persists to this day is it's excellent outside and thereby it's also excellent in a sweaty, hot, muggy voiceover booth.,Speaker C: If it's four x three x six. Yes, indeed.,Speaker A: Especially if it's four x three x six. Absolutely.,: Yeah.,Speaker C: Talk about that outdoors, though, because this was something else where I got stuck in the rabbit hole that I mentioned before we started recording. Then there was a discussion about using shotgun mics inside. Now, this is basically for drama and stuff like that. So a boom op using a mic where they wouldn't use a shotgun inside, they would use a pencil. Small diaphragm, pencil condenser.,Speaker A: Yeah.,Speaker C: Now, if that's the case, if you're a field audio guy, why would you not use a pencil condenser as a voiceover person inside?,Speaker A: I don't know. I did have a pair, and I still do have a pair of pencil condensers, the classic octava mics that are so popular. And I used to use them to try to do field recordings. And I didn't know that much about mics at the time. And I would get the dreaded, we sometimes call it motorboating. It was like this.,: Yeah.,Speaker A: Fluttering sound. And I didn't know why it was happening. I just knew it would happen. And it would always happen if I was outdoors and sometimes I was like, in a really humid environment and it would get really bad. And I was like, oh, no, the mic's bad. And then I'd bring the mic home and I'd pull it out of the box later and would be perfectly fine.,: Yeah.,Speaker A: So because with af microphones or audio frequency condensers, because they store a charge on a high impedance capsule, it's easy for that charge to find a way and leak across the insulation by riding on water molecules which cause those motorboat or crackling effects. So I don't know. I mean, I think it's just another added benefit of an RF mic is that you're just never going to have that problem. But Neumann, large diaphragm condenser mics where you have two diaphragms extremely close to each other, even if it's a cardioid, there's still two. There's the diaphragm in the front that takes the sound wave and then there's one on the back that picks up the signal, creating the changes in capacitance, blah, blah, blah. And those are so close together that water molecules actually transmit the electricity.,: Yeah.,Speaker C: It's amazing.,Speaker A: And create the static.,: Yeah.,Speaker C: Do you know anybody who does use any pencil Mic for doing voiceover in their. I do.,Speaker A: I know people that use the eighty series or the eight thousand series, but those are MKh mics. So I believe all the eight thousand series Mkh mics are also rf.,Speaker C: Is that the eighty fifty?,Speaker A: Is that like the eighty fifty? The eighty twenty, eighty thirty are tiny little stubby capsules. I mean, they're mini because I guess they have the most condensed electronics and boy, are they expensive.,: Yes.,Speaker A: This is a stereo set. So I'm looking at two thousand eight hundred for a stereo set.,Speaker C: Don't look at the chefs then.,Speaker A: Yeah, I know. Chef takes to another level, right?,Speaker C: Yes.,Speaker A: But yeah, the MKH forty is going to be about one thousand four hundred us. So if somebody's comparing mics and they look at this minuscule, laughably small mic and then they think, why would I ever use that over a four hundred and sixteen? Well, that's because it doesn't have the negative effects of a shotgun microphone.,: Yeah.,Speaker A: Doesn't have any of the negatives. It doesn't have the negatives in terms of off axis phase problems.,: Yes.,Speaker A: You get a way more accurate pattern as you go off axis. Right. So that's one reason it's certainly very nice to work with, because it's so small.,: Yeah.,Speaker A: So it's never going to get in the way. But they're going to be extremely pop sensitive. Right. Because the capsule is right there at the grille. It's right in the front. Like any pencil mic. They work great on voice, but they pop like a mofo. Yeah, they pop really bad. So you have to have good mic technique and maybe a good pop screen. But they are quite an upgrade. Some really have found them to be quite an upgrade. Like an eighty forty from a forty one six.,Speaker C: Yeah.,Speaker A: I would go with the eighty fifty because that's a super cardioid. That would be my choice if I was going this direction.,Speaker C: Yeah, it's interesting. It's funny with shotguns and we were talking about this also before we jumped on because the road kit I set my daughter up with for her travels, I gave her the NTG three and we were just doing some testing a few hours ago just to make sure.,Speaker A: That is an RF mic too.,Speaker C: I believe it is an RF mic, but also it's quite bottom end.,Speaker A: It's eqed very differently. It is a very different tone from.,Speaker C: The forty one six, which I think for location is perfect because the further you get away from the source, the sound source, the thinner the audio gets. But if they've got that sort of hype bottom end, it actually keeps some of that in there in the sound, which is great for that kind of work. But it also sounds really good on a female voice. I mean, she sounds great on that ntG three. But when I put it up in front of me, I had one for a while, mud central. It just didn't work.,Speaker A: Muddy?,Speaker C: Oh yeah, it wasn't good.,Speaker A: You lose articulation. It doesn't have a crisp attack. It's very, yeah. There's another mic that's really popular because of its price point and that's the Cinco d two. Have you heard of that one?,Speaker C: No.,Speaker A: Very cheap shotgun mic. And of course it looks a lot like a forty one six. Of course, same color, same shape, same size, same everything. So of course it gets sold all over the Amazons and stuff as a cheap forty one six. But it sounds nothing at all like a forty one six. Nothing at all. Yeah, it's a very flat mic. Very flat, very dull. So when somebody sends me that sample, I know immediately I'm going to have to help the top end. And when I do that, up comes the noise. And that's the other problem with small diaphragm mics. Making a small diaphragm pencil or shotgun mic sound as low noise as a large diaphragm mic is no small feat. No, it's very difficult to do. So. That's another problem. You're never going to get a small capsule mic to be as quiet from a self noise perspective as you will a large diaphragm mic, even a cheaper diaphragm. Well, let's look at the rode nt one four or so db self noise. You're never ever going to find a small diaphragm mic with that kind of a measurement.,: Yeah.,Speaker A: What's funny is I'm reading the specs right now from the Senheiser mkh. Eighty fifty. They don't even quote the self noise.,Speaker C: Interesting.,Speaker A: Which to me is a way of saying it ain't so great, but it doesn't matter. This is a location mic. You're going to use it outside so it doesn't need to be that quiet.,: Yeah.,Speaker A: But still, it's a one thousand four hundred dollars mic and they don't quote the spec. So I find that kind of fascinating.,Speaker C: Yeah, but if you're buying a shotgun, and I know we've banged on about this before, but I still reckon the best value, the best bang for buck in any shotgun mic is the NTG five from road.,Speaker A: Yeah, it sounds once they got over there they had some growing pains with that. They did. We definitely had a few people with some issues and it seems that that has been sorted because I haven't heard of any of those kind of complaints of noise or whatever for well over a year now. It's been more than a year or two.,: I was a victim of one of those. The first one they sent me I had problems with, but sent it back and got a brand new one and haven't had any problems with it since. Full credit to road all.,Speaker A: I never ever had a problem replacing a mic.,: Yeah, and full credit to road. All I sent back was the actual mic and I got a whole new, whole new kit when they sent me back the new one. Typical of road.,Speaker A: Really.,Speaker C: So you got a nice little shock mount for your forty one sixes?,: Yeah, I've now got two of their shock mounts, which is kind of nice.,Speaker A: Well those are cool, man. If you were to go buy those pistol grip shock mounts with the rycoat style Lyre mount and everything, those are going to be one hundred dollars plus easily.,Speaker C: Easily.,Speaker A: And then the windscreen and everything else. I mean it's like one hundred and fifty dollars kit plus the mic.,: Yeah.,: And I do like it. It's standard fare in my room here. That or the austrian audio one or.,Speaker C: The other of the two. Yeah.,Speaker A: Mine pretty much lives permanently in my kit for going on the road and traveling. I have a pelican hard case and the ten TG five lives in there. It's just always there, ready to go.,: Yeah. Well, you know what I need to figure out now, thinking about that is cutting the foam in the road kit for my english channel so that the NTG five fits in there and then I've got it all in one case that's what I need to figure out.,Speaker A: Oh yeah. It seemed that there was enough space in there to squeeze in a shotgun mic.,: Absolutely. Just pick up the bag and away you go.,Speaker A: That'd be a sick kit, wouldn't it? Oh, man.,Speaker C: Fantastic.,Speaker A: I did actually dig around and I went on the recording hacks website, which is a great database of microphones recordinghacks. Com. And while it's missing mics here and there for sure, it does have pretty much all the Neumans and Sennheisers and the bigger brands and stuff. And I found the eighty fifty and they actually do list a self noise rating of thirteen DBA weighted. So the Sennheiser four hundred and sixteen is like sixteen, I believe. Okay, so they managed to shave three db of the self noise.,Speaker C: I think the NTG three is about the same. About twelve or thirteen from memory.,Speaker A: Yeah. That's good. I mean, it's going to be hard to find a lower value than that. I haven't seen. I mean, maybe Sheps has something quieter. Possibly. I haven't looked, but. S-C-H-O-E-P-P-S. Is that how you spell.,: Am I thinking of the engineer or the. Is it double P?,Speaker A: Well, yeah, it's confusing because you have the mic called sheps.,: Yes.,Speaker A: And you have the engineer, and I.,: Can'T remember whether it's double P for the engineer or double P for the mic. One of them has two.,Speaker A: I guess I kez guessed it right. It's S-C-H-O-E-P-S. So the CMC five, which is one of the quintessential chefs shotgun mics, is. It's got one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen. Different capsule options.,: Wow.,Speaker C: Bloody hell.,: Wow.,Speaker A: They have this huge array of capsules that thread onto the body depending on what you're doing. So let's look at a cardioid. Let's look at a super cardioid, the mk forty one. It does not list a noise spec.,: Right?,Speaker A: There's no noise spec listed anywhere. There.,Speaker C: Kind of old school, isn't. It's like the old cmv microphones from Neumann back in the. Would have been thirty s. Forty s where you got the bottle. And instead of having a switch to go from cardioid figure eight to omni or whatever, you unscrewed the capsule and put new capsule on the top.,Speaker A: Yeah. Right. Yeah. Well, actually my mkhs. Sorry, my octavus. Same deal. I have three capsules per mic, but that whole kit with two mics and all the capsules costs less than one of these capsules.,Speaker C: Yes.,Speaker A: You start realizing the difference in cost is pretty stark. I mean, they said the capsules are anywhere from eight hundred dollars to one thousand four hundred dollars for one capsule.,: Yeah.,Speaker C: I do like the idea of the ships. The shotgun, that's blue. I mean if you had that in the booth and as soon as you see that color, you go, oh, okay, somebody's serious.,: Yeah.,Speaker A: Have you ever seen their v four u model? It has a blue bottle and then the grille has this very cool deco style grille. It's very cool looking. Look it up sometime for you. And it's a neat looking mic and it has a quirky thing. It's that the capsule has a slightly hinged head so you can tilt the capsule forward and back a little bit. Like ten degrees, twenty degrees.,Speaker C: Oh God, that looks good.,Speaker A: But it's a cool looking mic.,Speaker C: That is very tasty. Yeah, don't Google Robbie, you'll get blow your machine up.,: Well, I'm doing it on my iPad, but it's saying there's some problem with the website and I can't get on there. So I don't know what's going on.,Speaker A: V four U is three thousand dollars retail. And then it has a pretty flat response curve. I mean it has a small presence rise at four k, which is typical, but it's only like two or to three db rise. So it's pretty flat.,Speaker C: That is insane.,Speaker A: I remember trying it at one of the nams or whatever and being like, wow, that's a cool sounding mic.,Speaker C: It looks really neat, very tasty.,Speaker A: Oh, that's how much it costs.,Speaker C: Okay. Yeah, I might get one in the next lifetime. Yeah, I was in Tokyo and I saw a dunhill store and I went in there and they had these linen bucket hats and caps and stuff. I thought, wow, they're really cool. And I was looking at the price and tried on the bucket hat and it's like, yeah, I'll get that. So I said, yeah, I'll take this one. I said, actually, I might even get the cap as well. And the guy's looking at me going, no, you don't need the cap as well. Just take this hat. That's all you need. I'm like really doing yourself out of a sale here.,: Okay, whatever.,Speaker C: So I bought the thing and I'm walking back to the hotel and then I'm doing the calculation in my head and thinking I just got a bargain of thirty five dollars. I sort of went, hang on a minute. I got the digital point in the wrong spot.,Speaker A: I just paid three off of zero.,Speaker C: Three hundred and fifty bucks for a bucket hat?,: Yeah, right.,Speaker C: Dear, oh dear, oh dear. Anyway, yeah, well, that was fun.,Speaker B: Is it over?,: The pro audio suite with thanks to tribut and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Robo. Got your own audio issues? Just askrobo. Com tech support from George the tech don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our websiteproudiosuite. Com.     

RF noise rejection is a pretty complicated thing. We try to make sense of it... A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite     George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of The Pro Audio Suite, professional audio experts George Wittam, Robert Marshall, Darren Robertson, and Andrew Peters explore the concept of RF technology in microphones and its benefits like noise rejection and immunity to humidity. They consider whether RF technology should factor into buying decisions when it comes to shotgun mics. The team also discuss the advantages and disadvantages of different types of mics including small diaphragm and pencil condenser mics. They share their top pick for the best value shotgun mic—the NTG 5 from Road—and discuss the impressive feats of engineering that go into manufacturing low noise mics. Lastly, they discuss the stark cost differences between mic capsules and complete kits before considering the features of the V4U model. #ProAudioSuite #ShotgunMicTechnology #RFMicrophone    Timestamps (00:00:00) Introduction (00:00:44) RF Microphone Technology (00:07:04) Shotgun Mics for VO (00:12:42) Small vs Large Mic Models (00:17:55) Mic Capsules & Their Uses    Transcript Speaker A: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi.,Speaker C: Y'all ready be history, get started welcome.,Speaker B: Hi. Hi. Hello, everyone to the pro audio suite.,: These guys are professional. They're motivated with tech. To the Vo stars, George Wittam, founder of Source elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo, austrian audio making passion heard source elements George the tech wisdom and Robo and AP's international demo. To find out more about us, check Thepro audiosuite.,Speaker B: Com line up learner. Here we go.,Speaker C: And of course, don't forget the code. Trip a p two hundred and that will get you two hundred dollars off your tribooth. Now, we're going to talk microphones today because there's one thing I don't think we've ever discussed, or not in depth anyway. Is RF on a shotgun mic? Now I'm assuming rf is radio frequency, but for anybody like me, what does it actually really mean? And should it be something that we consider when we're buying a shotgun mic?,Speaker A: You mean the fact that the microphone uses what they call an RF technology? Is that what you're referring? Sure. I'm sure Robert would know more about the details without me having to google it. I read about RF microphones for a few times and I think one of the side effects of a mic being RF technology, which by the way, has nothing to do with transmitting a radio signal, right. It's the ability for the microphone to reject noise. I don't know if I've ever heard of a four hundred and sixteen, for example, which is using this RF technology as having an issue. Picking up radio frequency noise. If anybody else has heard of that, if you've had a mic, a four hundred and sixteen picking up RFI, let me know. But one of the advantages of that technology is it's very highly immune to humidity.,Speaker C: Yeah, that's what I heard.,Speaker A: And why that exactly is, is definitely beyond my pay grade.,Speaker C: Isn't it something to do with the way inside the microphone? Each part talks to itself, like talks to each other. It uses like a radio frequency inside the microphone to communicate with itself. That's my vague recollection of what it actually is.,Speaker A: That is certainly plausible. I just wish I was more understanding of the technology.,: So we're talking about it rejecting radio frequencies, is that what you're saying? Like a shielded cable would reject?,Speaker C: Yeah, I think that's what it does. And if anyone's listening, we should do what everybody else does on their YouTube things. Leave us a comment in the comments section.,Speaker A: Can I do story time and read it to you?,Speaker C: Yes, do story time. Oh, I'm sitting comfortably, George.,: But read it in your best bedtime story voice, George.,Speaker A: Okay, yeah, well it would have to be in a german accent.,Speaker C: I'm not going to do that.,Speaker A: A bedtime german accent?,: No, that's scary.,Speaker C: That's really scary actually.,Speaker A: But there is a whole white paper from Senheiser and it's written by Manfred Hibbing and it's Sennheiser's professor. MkH condenser microphone sorry everybody, I'm sorry, but basically what it says is that high rf frequency solves a problem. So when the replacement of electronic valves by transistors commenced at the end of the fifty s, this change was also under consideration for condenser microphones. Reduced size, low supply voltages and lower power consumption were regarded as great benefits as well as being able to use simpler microphone cables. However, there was a basic problem. Direct replacement of the valve by a transistor was not possible due to the mismatch between the high impedance of the condenser capsule and the low input impedance of the transistor. Hence, for optimal matching, the capsule impedance needed to be drastically reduced. And then they go on to explain the impedance of capsules, et cetera, et cetera. So down to the next paragraph. How does RF microphone technology actually work? The principle is simple. After all that.,Speaker C: Yeah, sure it is.,Speaker A: Sound waves deflect the diaphragm of the condenser capsule and change the capacitance between the diaphragm and the nearby back electrode, or backplate. Contrary to the more common low frequency AF condenser method, the capacitance variations are not converted directly into audio signals, but modulate a high frequency radio frequency signal generated by an oscillator inside the microphone. This signal is then immediately demodulated inside the microphone, thus recreating the audio signal, but with a very low source impedance that is well suited for driving a transistor amplifier. Thusly, an RF condenser microphone is basically comprised of a transmitter and a receiver that are directly wired together. The RF signal is therefore kept inside the microphone only the audio signal is supplied to its output just like all other microphones. So yeah, what you were saying was pretty much usual for me.,Speaker C: What happened?,Speaker A: He picked it up through osmosis somewhere along the way.,Speaker C: That's right.,: Can I just say, Robert would make that a lot.,Speaker C: Yes.,Speaker A: Yeah, sure. The thing with humidity, and here's a little paragraph about this, there is no other important benefit of the RF principle for practical use, the low electrical impedance of the capsule provides outstanding immunity against detrimental effects due to humidity, because even then, the leak resistance is very much larger than the capsule impedance. Thus, Mkh microphones, which I understand, all of those, all Mkh mics are RF mics. They're well suited for outdoor use. So this is why mkh mics, no matter whether they are the mkh four one five, forty one six, and I'm paraphrasing here, or any of the mkh stuff like the mkh forty. There's the eight thousand series, right? They have the eighty third. Eighty, twenty, eighty, thirty, eighty, forty, fifty, eighty, sixty. They have a whole new line. All of them are using this technology. And the reason for why it still persists to this day is it's excellent outside and thereby it's also excellent in a sweaty, hot, muggy voiceover booth.,Speaker C: If it's four x three x six. Yes, indeed.,Speaker A: Especially if it's four x three x six. Absolutely.,: Yeah.,Speaker C: Talk about that outdoors, though, because this was something else where I got stuck in the rabbit hole that I mentioned before we started recording. Then there was a discussion about using shotgun mics inside. Now, this is basically for drama and stuff like that. So a boom op using a mic where they wouldn't use a shotgun inside, they would use a pencil. Small diaphragm, pencil condenser.,Speaker A: Yeah.,Speaker C: Now, if that's the case, if you're a field audio guy, why would you not use a pencil condenser as a voiceover person inside?,Speaker A: I don't know. I did have a pair, and I still do have a pair of pencil condensers, the classic octava mics that are so popular. And I used to use them to try to do field recordings. And I didn't know that much about mics at the time. And I would get the dreaded, we sometimes call it motorboating. It was like this.,: Yeah.,Speaker A: Fluttering sound. And I didn't know why it was happening. I just knew it would happen. And it would always happen if I was outdoors and sometimes I was like, in a really humid environment and it would get really bad. And I was like, oh, no, the mic's bad. And then I'd bring the mic home and I'd pull it out of the box later and would be perfectly fine.,: Yeah.,Speaker A: So because with af microphones or audio frequency condensers, because they store a charge on a high impedance capsule, it's easy for that charge to find a way and leak across the insulation by riding on water molecules which cause those motorboat or crackling effects. So I don't know. I mean, I think it's just another added benefit of an RF mic is that you're just never going to have that problem. But Neumann, large diaphragm condenser mics where you have two diaphragms extremely close to each other, even if it's a cardioid, there's still two. There's the diaphragm in the front that takes the sound wave and then there's one on the back that picks up the signal, creating the changes in capacitance, blah, blah, blah. And those are so close together that water molecules actually transmit the electricity.,: Yeah.,Speaker C: It's amazing.,Speaker A: And create the static.,: Yeah.,Speaker C: Do you know anybody who does use any pencil Mic for doing voiceover in their. I do.,Speaker A: I know people that use the eighty series or the eight thousand series, but those are MKh mics. So I believe all the eight thousand series Mkh mics are also rf.,Speaker C: Is that the eighty fifty?,Speaker A: Is that like the eighty fifty? The eighty twenty, eighty thirty are tiny little stubby capsules. I mean, they're mini because I guess they have the most condensed electronics and boy, are they expensive.,: Yes.,Speaker A: This is a stereo set. So I'm looking at two thousand eight hundred for a stereo set.,Speaker C: Don't look at the chefs then.,Speaker A: Yeah, I know. Chef takes to another level, right?,Speaker C: Yes.,Speaker A: But yeah, the MKH forty is going to be about one thousand four hundred us. So if somebody's comparing mics and they look at this minuscule, laughably small mic and then they think, why would I ever use that over a four hundred and sixteen? Well, that's because it doesn't have the negative effects of a shotgun microphone.,: Yeah.,Speaker A: Doesn't have any of the negatives. It doesn't have the negatives in terms of off axis phase problems.,: Yes.,Speaker A: You get a way more accurate pattern as you go off axis. Right. So that's one reason it's certainly very nice to work with, because it's so small.,: Yeah.,Speaker A: So it's never going to get in the way. But they're going to be extremely pop sensitive. Right. Because the capsule is right there at the grille. It's right in the front. Like any pencil mic. They work great on voice, but they pop like a mofo. Yeah, they pop really bad. So you have to have good mic technique and maybe a good pop screen. But they are quite an upgrade. Some really have found them to be quite an upgrade. Like an eighty forty from a forty one six.,Speaker C: Yeah.,Speaker A: I would go with the eighty fifty because that's a super cardioid. That would be my choice if I was going this direction.,Speaker C: Yeah, it's interesting. It's funny with shotguns and we were talking about this also before we jumped on because the road kit I set my daughter up with for her travels, I gave her the NTG three and we were just doing some testing a few hours ago just to make sure.,Speaker A: That is an RF mic too.,Speaker C: I believe it is an RF mic, but also it's quite bottom end.,Speaker A: It's eqed very differently. It is a very different tone from.,Speaker C: The forty one six, which I think for location is perfect because the further you get away from the source, the sound source, the thinner the audio gets. But if they've got that sort of hype bottom end, it actually keeps some of that in there in the sound, which is great for that kind of work. But it also sounds really good on a female voice. I mean, she sounds great on that ntG three. But when I put it up in front of me, I had one for a while, mud central. It just didn't work.,Speaker A: Muddy?,Speaker C: Oh yeah, it wasn't good.,Speaker A: You lose articulation. It doesn't have a crisp attack. It's very, yeah. There's another mic that's really popular because of its price point and that's the Cinco d two. Have you heard of that one?,Speaker C: No.,Speaker A: Very cheap shotgun mic. And of course it looks a lot like a forty one six. Of course, same color, same shape, same size, same everything. So of course it gets sold all over the Amazons and stuff as a cheap forty one six. But it sounds nothing at all like a forty one six. Nothing at all. Yeah, it's a very flat mic. Very flat, very dull. So when somebody sends me that sample, I know immediately I'm going to have to help the top end. And when I do that, up comes the noise. And that's the other problem with small diaphragm mics. Making a small diaphragm pencil or shotgun mic sound as low noise as a large diaphragm mic is no small feat. No, it's very difficult to do. So. That's another problem. You're never going to get a small capsule mic to be as quiet from a self noise perspective as you will a large diaphragm mic, even a cheaper diaphragm. Well, let's look at the rode nt one four or so db self noise. You're never ever going to find a small diaphragm mic with that kind of a measurement.,: Yeah.,Speaker A: What's funny is I'm reading the specs right now from the Senheiser mkh. Eighty fifty. They don't even quote the self noise.,Speaker C: Interesting.,Speaker A: Which to me is a way of saying it ain't so great, but it doesn't matter. This is a location mic. You're going to use it outside so it doesn't need to be that quiet.,: Yeah.,Speaker A: But still, it's a one thousand four hundred dollars mic and they don't quote the spec. So I find that kind of fascinating.,Speaker C: Yeah, but if you're buying a shotgun, and I know we've banged on about this before, but I still reckon the best value, the best bang for buck in any shotgun mic is the NTG five from road.,Speaker A: Yeah, it sounds once they got over there they had some growing pains with that. They did. We definitely had a few people with some issues and it seems that that has been sorted because I haven't heard of any of those kind of complaints of noise or whatever for well over a year now. It's been more than a year or two.,: I was a victim of one of those. The first one they sent me I had problems with, but sent it back and got a brand new one and haven't had any problems with it since. Full credit to road all.,Speaker A: I never ever had a problem replacing a mic.,: Yeah, and full credit to road. All I sent back was the actual mic and I got a whole new, whole new kit when they sent me back the new one. Typical of road.,Speaker A: Really.,Speaker C: So you got a nice little shock mount for your forty one sixes?,: Yeah, I've now got two of their shock mounts, which is kind of nice.,Speaker A: Well those are cool, man. If you were to go buy those pistol grip shock mounts with the rycoat style Lyre mount and everything, those are going to be one hundred dollars plus easily.,Speaker C: Easily.,Speaker A: And then the windscreen and everything else. I mean it's like one hundred and fifty dollars kit plus the mic.,: Yeah.,: And I do like it. It's standard fare in my room here. That or the austrian audio one or.,Speaker C: The other of the two. Yeah.,Speaker A: Mine pretty much lives permanently in my kit for going on the road and traveling. I have a pelican hard case and the ten TG five lives in there. It's just always there, ready to go.,: Yeah. Well, you know what I need to figure out now, thinking about that is cutting the foam in the road kit for my english channel so that the NTG five fits in there and then I've got it all in one case that's what I need to figure out.,Speaker A: Oh yeah. It seemed that there was enough space in there to squeeze in a shotgun mic.,: Absolutely. Just pick up the bag and away you go.,Speaker A: That'd be a sick kit, wouldn't it? Oh, man.,Speaker C: Fantastic.,Speaker A: I did actually dig around and I went on the recording hacks website, which is a great database of microphones recordinghacks. Com. And while it's missing mics here and there for sure, it does have pretty much all the Neumans and Sennheisers and the bigger brands and stuff. And I found the eighty fifty and they actually do list a self noise rating of thirteen DBA weighted. So the Sennheiser four hundred and sixteen is like sixteen, I believe. Okay, so they managed to shave three db of the self noise.,Speaker C: I think the NTG three is about the same. About twelve or thirteen from memory.,Speaker A: Yeah. That's good. I mean, it's going to be hard to find a lower value than that. I haven't seen. I mean, maybe Sheps has something quieter. Possibly. I haven't looked, but. S-C-H-O-E-P-P-S. Is that how you spell.,: Am I thinking of the engineer or the. Is it double P?,Speaker A: Well, yeah, it's confusing because you have the mic called sheps.,: Yes.,Speaker A: And you have the engineer, and I.,: Can'T remember whether it's double P for the engineer or double P for the mic. One of them has two.,Speaker A: I guess I kez guessed it right. It's S-C-H-O-E-P-S. So the CMC five, which is one of the quintessential chefs shotgun mics, is. It's got one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen, seventeen, eighteen, nineteen. Different capsule options.,: Wow.,Speaker C: Bloody hell.,: Wow.,Speaker A: They have this huge array of capsules that thread onto the body depending on what you're doing. So let's look at a cardioid. Let's look at a super cardioid, the mk forty one. It does not list a noise spec.,: Right?,Speaker A: There's no noise spec listed anywhere. There.,Speaker C: Kind of old school, isn't. It's like the old cmv microphones from Neumann back in the. Would have been thirty s. Forty s where you got the bottle. And instead of having a switch to go from cardioid figure eight to omni or whatever, you unscrewed the capsule and put new capsule on the top.,Speaker A: Yeah. Right. Yeah. Well, actually my mkhs. Sorry, my octavus. Same deal. I have three capsules per mic, but that whole kit with two mics and all the capsules costs less than one of these capsules.,Speaker C: Yes.,Speaker A: You start realizing the difference in cost is pretty stark. I mean, they said the capsules are anywhere from eight hundred dollars to one thousand four hundred dollars for one capsule.,: Yeah.,Speaker C: I do like the idea of the ships. The shotgun, that's blue. I mean if you had that in the booth and as soon as you see that color, you go, oh, okay, somebody's serious.,: Yeah.,Speaker A: Have you ever seen their v four u model? It has a blue bottle and then the grille has this very cool deco style grille. It's very cool looking. Look it up sometime for you. And it's a neat looking mic and it has a quirky thing. It's that the capsule has a slightly hinged head so you can tilt the capsule forward and back a little bit. Like ten degrees, twenty degrees.,Speaker C: Oh God, that looks good.,Speaker A: But it's a cool looking mic.,Speaker C: That is very tasty. Yeah, don't Google Robbie, you'll get blow your machine up.,: Well, I'm doing it on my iPad, but it's saying there's some problem with the website and I can't get on there. So I don't know what's going on.,Speaker A: V four U is three thousand dollars retail. And then it has a pretty flat response curve. I mean it has a small presence rise at four k, which is typical, but it's only like two or to three db rise. So it's pretty flat.,Speaker C: That is insane.,Speaker A: I remember trying it at one of the nams or whatever and being like, wow, that's a cool sounding mic.,Speaker C: It looks really neat, very tasty.,Speaker A: Oh, that's how much it costs.,Speaker C: Okay. Yeah, I might get one in the next lifetime. Yeah, I was in Tokyo and I saw a dunhill store and I went in there and they had these linen bucket hats and caps and stuff. I thought, wow, they're really cool. And I was looking at the price and tried on the bucket hat and it's like, yeah, I'll get that. So I said, yeah, I'll take this one. I said, actually, I might even get the cap as well. And the guy's looking at me going, no, you don't need the cap as well. Just take this hat. That's all you need. I'm like really doing yourself out of a sale here.,: Okay, whatever.,Speaker C: So I bought the thing and I'm walking back to the hotel and then I'm doing the calculation in my head and thinking I just got a bargain of thirty five dollars. I sort of went, hang on a minute. I got the digital point in the wrong spot.,Speaker A: I just paid three off of zero.,Speaker C: Three hundred and fifty bucks for a bucket hat?,: Yeah, right.,Speaker C: Dear, oh dear, oh dear. Anyway, yeah, well, that was fun.,Speaker B: Is it over?,: The pro audio suite with thanks to tribut and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Robo. Got your own audio issues? Just askrobo. Com tech support from George the tech don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say g'day. Drop us a note at our websiteproudiosuite. Com.     

* Live from Oakland* Sex strikes * Loving OBL * Stop deconstructing stuff * Seeing your friends spinout online…* They're not sending anyone anywhere * Drunk Kathy Hochul and her bad, drunk ideas* Not drunk Nikki Haley and her bad ideas* Hate speech isn't a thing in America* Israel and propaganda * MKH on evangelicals, Israel, and the supposed “left behind” vision of Zionism* TikTok you don't stop * And so much more! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wethefifth.substack.com/subscribe

For the 100th episode of the Location Sound Podcast, we've brought back our very first guest, production sound mixer Larry Williams, Jr.  Larry uses Sound Devices mixer/recorders and has a 664, a 688, and MixPre-6. He's all Lectrosonics wireless with a DSR4, 822 and 411 receivers and likes the Sanken COS-11D lav mics. On the boom pole, he uses a Schoeps MiniCMIT, Sennheiser MKH-416 and MKH-50. Larry also uses Tentacle Sync and Denecke time code boxes and a Denecke TS-C slate. He has worked on the HBO original series Hard Knocks, the Super Bowl and the NFL Draft. He's also been a regular sound mixer on Military Makeover with Montel Williams. Larry shares with us his ongoing sound industry journey and offers a lot of tips and tricks along the way.  Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Chuyến thăm của chủ tịch Trung Quốc đến Việt Nam, nếu diễn ra sau vài tuần nữa như một số nguồn thạo tin cho hay, sẽ có mục đích gia tăng hoặc ít nhất là tái khẳng định ảnh hưởng của Bắc Kinh đối với Hà Nội, chỉ ít ngày sau khi Việt Nam nâng cấp quan hệ với Mỹ lên mức cao nhất, theo đánh giá của năm nhà nghiên cứu với VOA mới đây. Xem thêm: https://bit.ly/3wSHe49 Tin tức đáng chú ý khác: Nạn nhân trái phiếu SCB mong ‘nhà nước sẽ giúp dân lấy lại tiền'. UNICEF: Gần 1 triệu trẻ em Việt Nam phải chuyển chỗ ở vì thiên tai. Quân đội Israel công bố video tấn công quân sự ở Gaza. Lực lượng nhân đạo: ‘Ở Gaza không chỗ nào an toàn'. Chuyến hàng vũ khí tiên tiến của Mỹ hạ cánh xuống Israel. Tướng Mỹ: Không có dấu hiệu các đối thủ khác của Israel tham chiến. Tổng thống Ukraine tới trụ sở NATO, kêu gọi viện trợ vũ khí.

Chuyến thăm của chủ tịch Trung Quốc đến Việt Nam, nếu diễn ra sau vài tuần nữa như một số nguồn thạo tin cho hay, sẽ có mục đích gia tăng hoặc ít nhất là tái khẳng định ảnh hưởng của Bắc Kinh đối với Hà Nội, chỉ ít ngày sau khi Việt Nam nâng cấp quan hệ với Mỹ lên mức cao nhất, theo đánh giá của năm nhà nghiên cứu với VOA mới đây. Xem thêm: https://bit.ly/3wSHe49 Tin tức đáng chú ý khác: Nạn nhân trái phiếu SCB mong ‘nhà nước sẽ giúp dân lấy lại tiền'. UNICEF: Gần 1 triệu trẻ em Việt Nam phải chuyển chỗ ở vì thiên tai. Quân đội Israel công bố video tấn công quân sự ở Gaza. Lực lượng nhân đạo: ‘Ở Gaza không chỗ nào an toàn'. Chuyến hàng vũ khí tiên tiến của Mỹ hạ cánh xuống Israel. Tướng Mỹ: Không có dấu hiệu các đối thủ khác của Israel tham chiến. Tổng thống Ukraine tới trụ sở NATO, kêu gọi viện trợ vũ khí.

Perhaps it's a quirk in your 416 that sits perfectly with your voice. Is it an anomaly in your room that adds that special something to your voice, or is it where you position the mic that just has you humming?  A signature sound isn't essential, but most engineers have one (achieved through compression and eq admittedly). There's no reason your home studio can't have one too. "As long as it sounds good, it is good" as the saying goes... A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..   https://www.patreon.com/proaudiosuite   If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson #rode #rodemicrophones    Summary In this episode of Pro Audio Suite, industry professionals George Wittam, Robert Marshall, Andrew Peters, and Darren Robbo Robertson, discuss crucial aspects of audio engineering. The show offers valuable insights into microphone usage, including a unique story about an unusual microphone that became a signature sound for its user despite initial concerns over its broken state. The hosts stress the personal nature of microphone choice while exploring factors that affect sound quality, from room attributes to mic placement. They specifically mention the unique attributes of the U 87 cardioid and 818 microphones. They also promote a deal on Tribooth using the code PAP 200 and recommend their audio services. Geological technical support and ongoing discussions are available through a dedicated Facebook group. For more information about Pro Audio Suite's hosts and their services, listeners can visit theproaudiosuite.com. #ProAudioTips #UniqueMicrophoneSounds #TechTalkWithProAudioSuite    Timestamps [00:00:00] Intro: Meet the Pro Audio Suite Team [00:00:30] Special Offer: Discounted Tribooth & Personalized Demo  [00:01:11] Segment: George Talks About Unique Mic Problems  [00:02:50] Tips: Importance of Room & Mic Placement [00:09:48] Mic Review: The Magic of U 87 Cardioid   [00:14:50] Comparison: Eight One Eight vs Neumann TLM 170 R [00:19:22] Closing: Thanks and Invitation to Join our Community    Transcript Speaker A: Y'all ready?,Speaker B: Be history.,Speaker C: Get started.,: Welcome.,Speaker C: Hi. Hi. Hello, everyone, to the Pro Audio Suite.,: These guys are professional and motivated with tech. To the Vo stars George Wittam, founder of Source Elements Robert Marshall, international audio engineer Darren Robbo Robertson and global voice Andrew Peters. Thanks to Triboo Austrian audio making passion heard. Source elements. George the tech. Wittam and robbo and AP's. International demo. To find out more about us, check thepro audiosuite.com.,Speaker C: Learn up. Learner. Here we go.,Speaker A: Here you go. Ready?,: Welcome to another Pro audio suite. We're your guests, Robo, Andrew and George. And I'm Robert. And you can get a good deal on a tribooth with PAP 200. And you should have Andrew and Robbo do your demo, by the way, and let's get on with it.,: Okay. It's actually trip 200, but yeah, nice work there, Robert. You missed your calling there.,Speaker B: I tell you what, jesus, you were.,: Looking so good there for a minute and you just fell at the bloody.,Speaker B: I think your job's safe, AP.,: Yeah, you call this a job? Really high binded. Now, George, you were telling us about an experience, once again at one voice with somebody who had a microphone that people were complaining about being broken, but it's kind of become his sound. What was the story?,Speaker A: Yeah, he told me that and again, I haven't heard this mic yet, so I would like to hear it at some point. I told him, hey, give me the audio and I should give him credit. I think maybe I shouldn't. Yeah, no, I should give him credit. It was Chad Fisher and he's worked with me in the past. I think he just finished building a studio, too, that looked pretty impressive. But he said that he's got a 416 or 41 six. That is sounding odd. According to folks that he has sent the audio to that know the mic. He has said that they were concerned that maybe something is up with that mic. And I said, did you buy it used? Was it damaged? Was it counterfeit? All those things could be true. He said, no, I bought it from one of the big companies. The big companies. And I said fascinating. Well, you could certainly reach out to them and ask them to give you another one and exchange it. Or you could look at this as a unique experience and realize that this is the mic that you're booking on and that people like the sound and you may not want to muck with it. So I said, literally, just engrave your initials in that thing. And this is your mic. It's your unique sound. And if you want to get another one because you want to have a proper one or whatever, a regular one, go for it. But this is a unique mic for you. Don't mess with it. Does anybody else have a mic with a quirk or character that they choose to keep using that you know?,: Yeah, well, I was going to say I won't mention the name because I don't want us to get sued or anything. But we've talked about this off air quite a lot. But a very famous American record producer has an AKG C Twelve an original C Twelve which was sent to AKG for testing when they were building the capsule which has now become the Austrian Audio Capsule, the CKR Twelve. Anyway, this famous record producer's C Twelve, which he absolutely loved, he loved used it on everything, was actually broken, but he had no idea that it was broken. He just loved the sound of this broken microphone.,Speaker B: That's the beauty of audio, though, isn't it, is that beauty is in the ear of the beholder. And if he loved the sound that that mic made, it doesn't make him any less or anything else. Just a sound he liked. And that was his sound. So good on him.,: I reckon if it sounds good, it is good, right?,: It is, exactly. Because nothing sounds the same and it's funny. People go, oh well, I've got a U 67 and blah, blah, blah. It's like does it sound like any other U 67? Probably not. I doubt it very much.,Speaker B: I don't know whether George has any experience with this, but I've had sessions with people who've said, pick your amazing multi thousand dollar mic, it could be any of them. They go, I've got a such and such, and you hear them in the room that they're in or where they've got it placed or whatever, and it sounds like shit. Well, I'd rather, to be quite honest have you got a four one six.,: That we can just thing is the room yeah, exactly. That's classic.,: Yeah, the room is key, but also it's like what complements your voice?,Speaker B: What defines your sound.,: And if you're.,: Working it's true, a mic is a very personal choice.,Speaker A: The room is key, but the mic placement is key. And it depends a lot on the kind of mic. I do find that the shotgun mic, 40 116 especially, is tricky to get the placement really awesome and the mic will change its sound quite a lot based on placement. Whereas a large diaphragm condenser cardioid mic will not change nearly as drastically based on the placement. It will certainly increase proximity effect if you get too close, but you can move quite a bit, side to side, up and down without a huge change.,: In the sound, without falling in different places of the pickup pattern. Absolutely. I mean, that's one of the things about a 41 six is you have to stay consistently in front of it because it drops I mean, that's the whole point is it drops off significantly as you get to the side. But the problem is that that's not linear, it's colored, it's different when you get it doesn't drop off evenly.,Speaker A: Yeah. And it has this weird pickup nodes on the sides of the mic. If you look at the pickup pattern.,: Or in the back, if you look.,Speaker A: At the pickup pattern, polar pattern, I should say diagram, you'll see it looks almost like a sword because it's long in the top, short has a tail on the bottom and these little things that stick out on the side. So it's definitely an OD pickup pattern.,: Out of interest. So if you're setting up a 41 six, if you imagine the talent standing in front of the microphone, where do you actually place the mic and what area of the person do you point the mic at?,: The nose, just above the plosive line.,Speaker A: I mean, the tip of the mic is right above the plosive line, but where is it aiming?,: Yeah, at the mouth, basically. But just keep the diaphragm away from the gush of air from the plosives.,: Because I've been to so many different studios where the 41 six is pretty well everywhere anyway in this business and there is no consistency with the way the engineers set up the mic.,Speaker B: Well, see, every engineer's got his own sound, too. Every engineer's got his own preference for where the MIC's aiming and all that sort of stuff.,: It kind of depends on where you are. If you're in a horrible sounding booth, then just get into it and try to nullify the booth compared to the ratio of your voice. And then you can just EQ out the proximity effect because the 40 116, being a shotgun, has quite a big proximity effect to it.,Speaker A: It's still a different it's still not quite the big proximity effect, though you're going to get from a large diaphragm cardioid because you can get so much closer to the capsule.,: Well, because the capsule is way up the microphone in the 416 yeah.,Speaker A: It's not near the tip. It's up halfway up the tube of the mic.,: Right. If you were able to virtually get your mouth there, then the proximity effect would probably be insane.,Speaker A: Oh, for sure. Well, if you use a Harvard cardioid or cardioid version of that mic, which would be the I guess they didn't make one, but the newer series, the MKH no, the is it called the MKH 80 series 80208 030-804-0805.,: It's probably like MKH 20. Maybe one of those might be similar to the yeah.,Speaker A: Or Neumann 184 or any one of those pencil mics. The proximity effect is massive, but you just have to be really careful not to pop the mic because the capsule is right there, really easy to pop.,: There is no filter. There's nothing there at all.,: Sounds a bit like you and I, Robert. No filter.,: Tourette's. Tourette's, Mike.,: Yeah, but it's funny, the 41 six, I've had them directly in front of me pointing, as you said, above the sort of forehead kind of thing, pointing to the mouth. I've had them pointing to the chest, I've had them coming in from the side, all sorts of different pointing to the chest.,: Chest, yeah.,Speaker B: Wow.,: I've seen people who do the side thing and the sort of nose thing. If you want to thin it out, you just kind of get it away from the mouth and a little bit more on the head and they'll get a little bit brighter for you. But I've not seen the chest.,: Yeah, that was years ago. I remember someone pointing and they had it set up in front of me and it was like basically probably about almost a foot away from my head and pointing down past my face.,: Excuse me, pointing at your chest?,: Yeah, my laundry is done. Yeah, pointing at my chest must have been so woofy. It was certainly bassy, that's for sure.,: I mean, that's the problem that you have when you have, like, a lavalier mic that's too far under the chin and you lose all the top, all the high end. You have to kind of clip a lavalier mic a little bit lower down, so you get some because if not, the chin creates an acoustic shadow of the s's. And the other detail.,Speaker A: I was in a booth today, one of my clients whose studio designed, and he has a 41 six and a U 87. And he says sometimes I'll go to the U 87 because I just kind of get mic fatigue working on a 41 six all the time because of its tiny sweet spot and all this stuff. And I said, hey, by the way, he's like, but sometimes I use that mic and I hear a little bit too much reflection off the console below and display next to the mic, et cetera, et cetera. And I said, well, do you know about the secret microphone that's inside of U 87? He's like and I said, Flick the little switch on the front to figure eight. And he tried it and he was.,: Like, Whoa, drop everything from the holy cow, that's crazy.,Speaker A: I said, now stand on the side and talk into it. And it was like he was blown away. I said, yeah, this is an entirely different mic and a different sound from the U 87 cardioid or the 41 six. Really, it's a third mic you already had, you just didn't know and try it out and experiment.,: It's a much softer sound with a bigger proximity.,Speaker A: It's more ribbon like, dare I say.,: I mean, the ribbon mics really cancel out the side because the problem with what do you call it, the figure eight on the U 87 is it's two capsules and they are a little bit apart, right? So they don't cancel out at all frequencies. But you get a ribbon mic, that thing is infinitely thin and it really does just vanish to the side.,Speaker A: But I'll tell you, you don't need it to fully vanish to be an advantage. If you have anything reflective below or to the side, it will pretty well kill that. It's great. It just focuses the sound. I was like, Check this out. And he was like, Whoa, that's really cool.,: You've seen those diagrams where they go through the polar patterns and you can see them continuous because people think of polar patterns as being discreet. But really polar patterns are a continuum from omni to cardioid. And then it goes to figure eight. And in there like your hypercardioid is kind of between a figure eight and a cardioid, for example, I think. And that's why the hypercardioid's got the node in the back. And so it's not like a good tube mic. If you've played with a good tube mic, the polar pattern is a continuous knob.,Speaker A: That's right, yeah.,: And some of the better pencil mics are offered in what they call the wide cardioid.,Speaker A: Oh, yeah.,: And those are very natural sounding. They kind of have the naturalness of more close to the naturalness of an omni with still some focus, some proximity effect. A little bit. Yeah. You can't avoid it, but yeah, it's like polar patterns are not one, two, three, there's an infinite number between the.,: Omni and but the thing I actually talk about polar patterns and stuff like that. If you have the OC eight, one eight and you get the dongle that patches into the back, even better. Yeah.,: You can play with the polar patterns on a frequency basis with that polar pattern.,: Well, you're talking about pretty cool. The other part when you've used the two XLRs but this is if you.,: Use the two capsules.,: Yeah, but if you use the dongle, the bluetooth dongle and use the app on your phone, it's not just like clicking from one pattern to another, you're just sliding from one pattern to another.,: Right.,: So you can do a mix of so I'm talking about yeah, which is.,: What I'm talking about. But even better, you can record both of them and then in your daw after the fact, you can play with the polar pattern after you record yeah.,: But that's if you're using the two USBs not USBs, yes, the two XLRs.,: And then you have to use the plugin afterwards.,: But the plugin different plugin. If you get the bluetooth dongle that goes in the back of the mic, then you get a plugin that goes on your phone and it just gives you the polar pattern.,: That's what it is.,: The idea is that if the MIC's up on a boom pole, instead of bringing the thing backwards and forwards, you can do it from your phone.,: So the advantage of that multi frequency polar pattern designer is you could have a booth with a problematic low end, and especially in a corner. Maybe it's the only corner that you can put the mic where you have enough space, but you can treat the low frequency with, say, a figure eight. Get the mic so it rejects the weird bounce back to the side. And then in the upper frequencies, you can open them up to a cardioid or a wide cardioid where it sounds more natural, gives you a little bit more space to move about without having such a critical sweet spot on the microphone. And you can kind of have the benefits of a figure eight where you need it, have the benefits of a cardioid and a wide cardioid where you need them, and really play around with the polar pattern to fit your exact need, instead of just having one polar pattern across the whole spectrum. And then you have to deal with the nonlinearities where you don't want them to be.,: It'd be good if you could actually use that thing post or pre print, so you could actually set and forget if you got a trouble. Oh, you can do it. I've never tried it.,: Well, you can just record both capsules and then you can put the plugin on there and design it away. So if you're always recording both, in fact, you could even do it where you could automate the plugin. So on certain words, if you go really low, you could even change the where were we parameters if you were really going crazy. But yeah, you can definitely put that plugin on a post process. But to do that and make use of it, you have to record both capsules separately.,: Correct.,: You have to use the two XLRs. But that's the whole point of that Mike, is that it is literally that flexible.,: Yeah. I still like the app, though, that I find really handy. Instead of clicking from one pattern to another, you can actually just slide across an infinite amount of mixtures of everything.,: Like the old classic tube mics.,: Exactly. Yeah, exactly.,: You say it's a great mic when you look at the price point.,Speaker B: Well, absolutely. And also we're talking about your distinctive sound. That polar pattern thing sort of gives you the chance to make as well, doesn't it?,Speaker A: Really?,: That's right, indeed.,Speaker A: If you use the Polar designer Bluetooth tool, then it's locked into that fifth setting. It has a magic fifth setting that becomes your pattern.,: You can set it yeah, it's in.,Speaker A: The firmware, which is great.,: Does it do it by the frequencies, too, or is it just by the so you have to use the plugin to get the frequency per frequency. That'd be amazing if you could bake it in there. And then you just have your own microphone, your sound, but still like what I was going to say, the price point of the eight one eight. And you look at it compared to like a U 87.,Speaker A: Actually, a better mic to compare it to is actually the Neumann TLM 170 R. And I mentioned that one because that one's come up a little bit more often. One of my clients bought one a while ago and she hasn't used it yet. And she said, I bought it because Disney uses it and she does a lot of Disney. So I said I was wondering why. So I looked at the frequency response of the 170 R and I saw it was definitely a lot more of a flat response. It's much flatter. And so they want that really just uncolored sound. But that's a multi pattern with more choices. The U 87 just has the classic figure eight omni and card. This one's got more inter, it's got hyper cardioid and a few other things. And it's not a bargain mic.,: 123456 no use. That thing is $2,000. It's more money used than the eight one eight.,Speaker A: It's still quite spendy on the Neumann in the Neumann lineup. And the only thing that competes from Neumann on price would be the 107, I think is what it's called TLM 107.,: But that's a single pattern.,Speaker A: I think that's the multi pattern one. They have a TLM series or is it a 104?,: The 107 is around at least used. It's around 1300 or $1,200.,Speaker A: That's a multi pattern, though, right? I don't see yeah, that's the multi pattern. It's got a funky little digital control joystick on it. It's really OD on the back of the mic.,: Is that how it does its it's.,Speaker A: Actually a multifunction joystick and that controls the pad high pass and polar pattern by flicking the stick around. And I'd say in terms of quality, it's somewhere in the 103 to 100 and it actually might be more like the 102 in terms of what capsule it uses and stuff. So, yeah, that's the only thing that's in any way similar to the 12345 pattern.,: It's about the same price point as an eight one eight, but a little more.,Speaker A: It's a bit more.,: Yeah, it's $200 more or so.,: Yeah.,Speaker A: So bang for the buck. That eight one eight is still it's outstanding. Outstanding.,: Yeah. It really is a killer mic.,Speaker B: I'm just looking at the Ma one. I don't know if you guys have ever seen that. It looks like a butt plug.,: Have you been using those again?,: Yeah, sorry. We can stop him talking out of his eyes.,: Sorry.,Speaker B: It was the first thing that came into my mind.,: There's the out.,: Yeah.,Speaker C: Well, that was fun. Is it over?,: The Pro audio suite with thanks to Tribut and Austrian audio recorded using Source Connect, edited by Andrew Peters and mixed by Robo Got your own audio issues? Just ask robo.com with tech support from.,Speaker C: George, the tech Wittam.,: Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic or just say G'day. Drop us a note at our website, theproudiosuite.com.     

Guy Benson on FNS, Seeing YY & MKH, and what did Shannon gift Guy? Pat Sajak announces 'Wheel of Fortune' retirement, says upcoming season will be his last as host, who should take over? Guest: Dan Duva, Broadcaster for NHL's Vegas @GoldenKnights This study suggests that people who publicly shame & dogpile on social media are not motivated by moral outrage or a desire to do good, but by sadism  Reality show drama Learn more about your ad choices. Visit megaphone.fm/adchoices

Nghe trọn nội dung sách nói Để Sống Mà Không Hối Tiếc trên ứng dụng Voiz FM: https://voiz.vn/play/2544 Để Sống Mà Không Hối Tiếc là quyển sách viết về một người đàn ông ngay cả khi bước vào ngưỡng tuổi 50 nhưng vẫn có nhiều việc muốn trải nghiệm, luôn hào hứng sống trọn từng ngày. Anh ta đã dùng trọn kinh nghiệm trong những năm qua để tổng hợp thành quyển sách mà anh hy vọng có thể biến nhận thức của anh thành nhận thức của những người đang cầm quyển sách trên tay, để có thể giúp bạn có được một công việc thuận lợi và một tương lai tươi sáng hơn. Câu hỏi tác giả đặt ra trong quyển sách là "Mười năm sau ta đang cười hay đang hối tiếc?". Theo tác giả, cơ hội của chúng ta ít dần đi theo năm tháng, ở tuổi 40, con người ta sẽ có ít lựa chọn hơn độ tuổi 20. Nếu chúng ta không trân quý khoảng thời gian mình có, thì thời gian trôi đi ta mang theo rất nhiều điều hối tiếc trong trái tim. "Khi đã ở dốc bên kia của cuộc đời, bạn sẽ mỉm cười hay đang hối tiếc? Điều đó phụ thuộc vào việc bạn đang sống thế nào ngày hôm nay." - Fujimaki Yukio Tại ứng dụng sách nói Voiz FM, sách nói Để Sống Mà Không Hối Tiếc được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn. --- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. --- Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ --- Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Để Sống Mà Không Hối Tiếc và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM. Tải ứng dụng Voiz FM: voiz.vn/download #voizfm #sáchnói #podcast #sáchnóiĐểSốngMàKhôngHốiTiếc #FujimakiYukio

- Vào khoảng 3 giờ sáng 8/5 tại khu vực ấp Mỹ Phước, xã Mỹ Khánh, huyện Phong Điền, TP. Cần Thơ đã xảy ra vụ sạt lở khiến phía sau của 7 căn nhà sụp xuống sông Cần Thơ. Khu vực sạt lở có đường tỉnh 923 đi qua, ước thiệt hại ban đầu khoảng 10 tỷ đồng. Chủ đề : Sạt lở xảy ra, sông Cần Thơ, tài sản, người dân trôi sông --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1tintuc/support

Công nghiệp bar ở Việt Nam cho đến nay vừa tròn 10 năm tuổi. 10 năm không quá ngắn, cũng chẳng dài, nhưng đủ chỗ cho những sự đổi mới và phát triển. Ngày xưa, nghĩ đến đi bar, người ta thường liên tưởng đến nơi xập xình, ồn ào. Giờ thì mọi người cởi mở hơn, bar cũng có nhiều loại hình phục vụ đủ mọi sở thích.10 năm qua, văn hóa nightlife hay ngành công nghiệp bar đã thay đổi thế nào? Và tương lai sẽ ra sao? Liệu có bị thay thế bởi AI? Cùng tìm hiểu qua tập cuối cùng của Cởi Mở Happy Hour mùa 2. Tập podcast này được dẫn dắt bởi 3 gương mặt quen thuộc Bartender Leo, Dustin Phúc Nguyễn, Minh Trang và khách mời Bartender Hữu Phú (Head Bartender của Hybrid Saigon).----VỀ TEQUILA DON JULIORa đời dựa trên các nguyên tắc tiên phong trong trồng trọt và sự cầu toàn của Don Julio González, Tequila Don Julio đã tạo nên một cuộc cách mạng ngành công nghiệp rượu tequila và thiết lập tiêu chuẩn cho rượu tequila thượng hạng. Tequila Don Julio chỉ sử dụng cây thùa xanh có chất lượng cao nhất, trưởng thành và chín mùi, được thu hoạch thủ công từ vùng đất sét giàu có của cao nguyên Los Altos thuộc bang Jalisco. Điều đó đã tạo nên loại rượu tequila sang trọng, nguyên bản được tuyển chọn tại Mexico. Tìm hiểu thêm về Tequila Don Julio tại www.DonJulio.comVỀ DIAGEODiageo là thương hiệu hàng đầu thế giới về đồ uống có cồn, với bộ sưu tập các tên tuổi đình đám như Johnnie Walker, The Singleton & Mortlach Whiskies, Cîroc và Ketel One vodkas, Zacapa, Don Julio, Baileys, Tanqueray and Guinness. Để biết thêm thông tin về Diageo và các hoạt động của chúng tôi, hãy truy cập trang web www.diageo.comThưởng thức có trách nhiệmKhông chia sẻ nội dung này cho người dưới tuổi vị thành niên sử dụng sản phẩm có cồn#DonJulio #drinkresponsibly18+Nếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.com

Văn hóa, phong cách sống của người Hà Nội và Sài Gòn luôn có nhiều điểm khác biệt, huống chi là chuyện lên bar. Cuộc sống về đêm ở Hà Nội và Sài Gòn đầy những điều khác biệt thú vị. Chẳng hạn, nhiều người Sài Gòn tan làm mặc nguyên đồ công sở tới bar, còn người Hà Nội thường về nhà tắm rửa, lên đồ tươm tất rồi mới đi.Còn rất nhiều khác biệt mà các host và khách mời của Cởi Mở Happy Hour muốn gửi đến bạn. Cùng theo dõi tập podcast nhé! Tập podcast này, ngoài 3 vị host quen thuộc là bartender Leo, Dustin Phúc Nguyễn, Minh Trang, chúng ta còn gặp gỡ anh Thịnh Lê, bartender đến từ The Instincts Bar.Xem bản video của Cởi Mở Happy Hour trên YoutubeNếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.com—ABOUT TANQUERAY GINTANQUERAY London Dry Gin là rượu gin nguyên chất, có hương vị nồng nàn của quả bách xù. Được biết đến với vỏ chai xanh lá đặc trưng với con ấn màu đỏ, TANQUERAY London Dry Gin là một trong những loại rượu gin đoạt nhiều giải thưởng nhất thế giới. Những cái tên như TANQUERAY London Dry Gin, TANQUERAY No. TEN Gin, TANQUERAY MALLACA Gin đã góp phần tạo nên danh tiếng của TANQUERAY tại Việt Nam. Tìm hiểu thêm về thương hiệu rượu gin TANQUERAY tại http://www.tanqueray.com.VỀ DIAGEODiageo là thương hiệu hàng đầu thế giới về đồ uống có cồn, với bộ sưu tập các tên tuổi đình đám như Johnnie Walker, The Singleton & Mortlach Whiskies, Cîroc và Ketel One vodkas, Zacapa, Don Julio, Baileys, Tanqueray and Guinness. Để biết thêm thông tin về Diageo và các hoạt động của chúng tôi, hãy truy cập trang web www.diageo.comThưởng thức có trách nhiệmKhông chia sẻ nội dung này cho người dưới tuổi vị thành niên sử dụng sản phẩm có cồn#Tanqueray #drinkresponsibly18+

Bộ Ngoại giao Việt Nam hôm 23/3 lên án báo cáo nhân quyền 2022 của Bộ Ngoại giao Hoa Kỳ, nói rằng phía Mỹ đưa ra nhận định “thiếu khách quan” về tình hình Việt Nam, nhưng cho biết rằng Việt Nam “sẵn sàng trao đổi thêm”. Xem chi tiết: https://bit.ly/VNBaocaonhanquyenMy Tin tức đáng chú ý khác: Đại sứ nhân quyền Thụy Điển thăm Việt Nam. Kyiv kêu gọi xét xử các lãnh đạo Nga xâm lược Ukraine. Cựu Tổng thống Nga: Nỗ lực bắt ông Putin là tuyên chiến. Quan chức Mỹ: Không có đe dọa trước mắt về việc Trung Quốc xâm lược Đài Loan. Pháp: Bạo động bùng phát trong cuộc biểu tình chống cải cách lương hưu. Nếu không vào được VOA, xin hãy dùng đường link https://bit.ly/VOATiengViet3 hoặc https://bit.ly/VOATiengViet4 để vượt tường lửa

“Một ly nước ngon, không chỉ bởi nó ngon.” Có rất nhiều điểm chạm cộng hưởng với hương vị của ly cocktail để mang đến sự hài lòng cho khách hàng: không gian, sự tận tình của nhân viên, độ sạch sẽ,... Sự thành công hay thất bại của một quán bar, không chỉ phụ thuộc vào mỗi người bartender. Bartender phải bao quát nhiều thứ, nhưng họ không thể biết tất cả mọi thứ. Phía sau mỗi bartender và một món nước ngon, là cả một đội nhóm.Vậy ai làm gì, ở đâu trong một quán bar? Cấu trúc vận hành một quán bar gồm những ai, họ sẽ đảm nhận vai trò gì? Cùng tìm hiểu qua tập Cởi Mở Happy Hour tập 8 với sự dẫn dắt của Bartender Leo, Dustin Phúc Nguyễn, Minh Trang và khách mời Jimmy Nguyễn, Bar Manager tại Phantom of the Opera.Bạn có thể xem podcast trên Youtube.—ABOUT TANQUERAY GINTANQUERAY London Dry Gin là rượu gin nguyên chất, có hương vị nồng nàn của quả bách xù. Được biết đến với vỏ chai xanh lá đặc trưng với con ấn màu đỏ, TANQUERAY London Dry Gin là một trong những loại rượu gin đoạt nhiều giải thưởng nhất thế giới. Những cái tên như TANQUERAY London Dry Gin, TANQUERAY No. TEN Gin, TANQUERAY MALLACA Gin đã góp phần tạo nên danh tiếng của TANQUERAY tại Việt Nam. Tìm hiểu thêm về thương hiệu rượu gin TANQUERAY tại http://www.tanqueray.com.VỀ DIAGEODiageo là thương hiệu hàng đầu thế giới về đồ uống có cồn, với bộ sưu tập các tên tuổi đình đám như Johnnie Walker, The Singleton & Mortlach Whiskies, Cîroc và Ketel One vodkas, Zacapa, Don Julio, Baileys, Tanqueray and Guinness. Để biết thêm thông tin về Diageo và các hoạt động của chúng tôi, hãy truy cập trang web www.diageo.comThưởng thức có trách nhiệmKhông chia sẻ nội dung này cho người dưới tuổi vị thành niên sử dụng sản phẩm có cồn#Tanqueray #drinkresponsibly18+—Nếu có bất cứ góp ý, phản hồi hay mong muốn hợp tác, bạn có thể gửi email về địa chỉ team@vietcetera.com

Bài hát mới nhất của Chillies - Giấc Mơ Khác - được ra mắt tại vào một ngày đẹp trời, ngày mà dường như cả showbiz cùng ra nhạc. Tuy chịu nhiều sự cạnh tranh từ các tên tuổi như Đen Vâu, tlinh hay Đức Phúc, Giấc Mơ Khác vẫn nhận được sự đón nhận lớn. Mọi người đều nhận định rằng Chillies đã quay lại là Chillies sau khoảng thời gian trải nghiệm các màu sắc âm nhạc khác.“Em sẽ đi tìm một giấc mơ khácQuên đi hết tất cả những điều gì đã vỡ nát”Tại sao band nhạc nam mà lại dùng danh xưng “em” trong bài hát của mình? Và có những chia sẻ gì mà nhóm muốn gửi đến khán giả trong lần trở lại này? Cùng lắng nghe Bít Tất Nhạc dưới sự dẫn dắt của host Bích Hồ và khách mời Duy Khang đến từ Chillies band.

“Lớn lên” chỉ là một từ hai âm tiết, nhưng là cả quá trình dài. Mọi thói quen thái độ của ta ngày hôm nay, mọi cư xử của cha mẹ, thầy cô, mọi tác động của xã hội trong suốt hàng chục năm đều góp phần vào sự “trưởng thành” của chúng ta. Có rất nhiều những điều mà mãi về sau này, ta mới ước chi giá mà được biết khi mình còn trẻ, giá mà có ai đó nói với mình sớm hơn. Cuốn sách “Ai cũng xứng đáng được hạnh phúc” đã ra đời từ đó.Nhiều bạn đọc đã biết đến tác giả Thu Hà với các bài viết về nuôi dạy con “gây bão” trên mạng xã hội và cuốn sách best seller “Con Nghĩ Đi, Mẹ Không Biết!". Nhưng thực ra thì thế mạnh của chị là viết về người trẻ. Công việc suốt hơn 17 năm nay của chị là làm việc ở báo Hoa Học Trò, từng liên tiếp hai năm đạt được giải thưởng báo chí viết về thanh thiếu niên của Trung Ương Đoàn.Với Ai Cũng Xứng Đáng Được Hạnh Phúc, vẫn giữ phong cách khó lẫn, chị kể về những trải nghiệm sâu sắc bằng lối văn nói giản dị, như một người bạn thân đang thủ thỉ. Một cuốn sách mà mỗi người đều có thể thấy mình trong đó. Để tuổi trẻ đừng lãng quên những quyền lực của mình. Để cha mẹ thấu hiểu và biết cách trò chuyện với con cái. Để bạn bao dung và trắc ẩn hơn với chính mình và người khác. “Không ai chọn được nơi mình sinh ra, nhưng chúng ta vẫn có thể chọn được tâm thế của mình khi đối diện với những vấn đề của cuộc sống. Hạnh phúc không xa xôi, hạnh phúc ở ngay bên trong ta”--Về Fonos:Fonos là ứng dụng sách nói có bản quyền. Trên ứng dụng Fonos, bạn có thể nghe định dạng sách nói của những cuốn sách nổi tiếng nhất từ các tác giả trong nước và quốc tế. Ngoài ra, bạn được sử dụng miễn phí nội dung Premium khi đăng ký trở thành Hội viên của Fonos: Tóm tắt sách, Ebook, Thiền định, Truyện ngủ, Nhạc chủ đề, Sách nói miễn phí cho Hội viên.--Tải ứng dụng Fonos tại: https://fonos.app.link/tai-fonosTìm hiểu về Fonos: https://fonos.vn/Theo dõi Facebook Fonos: https://www.facebook.com/fonosvietnam/Theo dõi Instagram Fonos: https://www.instagram.com/fonosvietnam/Đọc các bài viết thú vị về sách, tác giả sách, những thông tin hữu ích để phát triển bản thân: http://blog.fonos.vn/

Con Nghĩ Đi, Mẹ Không Biết là tập hợp những bài viết được đón nhận nhiệt thành trên Facebook của Thu Hà (Mẹ Xu-Sim), rất nhiều bài viết trong số đó đã từng được đăng trên các báo Tuổi trẻ, Thanh Niên, VnExpress, Dân Trí... Nhưng khác với những dòng chia sẻ trên mạng xã hội, nội dung cuốn sách được chọn lọc hơn, có chủ đích hơn với giải pháp để con tự lập và mẹ tự do. Những bài viết của Thu Hà sinh động, thiết thực vì đó là những trải nghiệm thật của một bà mẹ có hai con đang trong tuổi ăn, tuổi học, của một ngưuời làm việc với trẻ em liên tục suốt 20 năm, trong đó có 3 năm dạy học và 17 năm làm báo tuổi teen.Hành trình lớn lên cùng con của bà mẹ này có thể chạm tới trái tim của các ông bố bà mẹ khác bởi sự chân thành và những chiêm nghiệm được rút ra từ trái tim của người mẹ. Nhiều người yêu mến chị bởi những triết lý giáo dục hàn lâm được viết bằng lối kể chuyện giản dị, thực tế và sống động. Đối tượng thính giả chính của cuốn sách là các ông bố - bà mẹ, nhưng các bạn trẻ vẫn có thể đọc sách để hiểu hơn về thế giới nội tâm của một phụ huynh.--Về Fonos:Fonos là ứng dụng sách nói có bản quyền. Trên ứng dụng Fonos, bạn có thể nghe định dạng sách nói của những cuốn sách nổi tiếng nhất từ các tác giả trong nước và quốc tế. Ngoài ra, bạn được sử dụng miễn phí nội dung Premium khi đăng ký trở thành Hội viên của Fonos: Tóm tắt sách, Ebook, Thiền định, Truyện ngủ, Nhạc chủ đề, Sách nói miễn phí cho Hội viên.--Tải ứng dụng Fonos tại: https://fonos.app.link/tai-fonosTìm hiểu về Fonos: https://fonos.vn/Theo dõi Facebook Fonos: https://www.facebook.com/fonosvietnam/Theo dõi Instagram Fonos: https://www.instagram.com/fonosvietnam/Đọc các bài viết thú vị về sách, tác giả sách, những thông tin hữu ích để phát triển bản thân: http://blog.fonos.vn/

- Sáng nay (10/12), tại thành phố Đà Nẵng, 1.000 người đã tham gia Giải chạy "Tiếp sức phòng chống thiên tai và biến đổi khí hậu" trên bãi biển Mỹ Khê, quận Sơn Trà. Đây là hoạt động trong khuôn khổ chiến dịch "Cùng nhau hành động sớm", hưởng ứng ngày Quốc tế giảm nhẹ rủi ro thiên tai (13/10), do Ban Chỉ đạo Quốc gia về phòng, chống thiên tai phối hợp với Quỹ Nhi đồng Liên Hợp quốc (UNICEF) tại Việt Nam tổ chức. Tác giả : Vinh Thông/VOV Miền Trung Chủ đề : đà nẵng, chạy, tiếp sức --- Support this podcast: https://anchor.fm/vov1tintuc/support

Mi köze a Jehova tanúinak a jelnyelvhez? Mik a jelnyelv fonémái? Kik használják a jelnyelvet? Ha Kína nyelvi sokszínűségére gondolunk, akkor feltételezhetőleg először a mandarin, kantoni a vu, a min és egyéb nyelvek jutnak eszünkbe, nem soroljuk ide a kínai jelnyelvet. Pedig a kéznyelv, ahogy kínaiul nevezik, csaknem 20 millió ember anyanyelve Kínában. Kik és hogyan használják a kínai jelnyelvet? Mennyire nehéz elsajátítani ezt? És egyáltalán milyen az a kínai jelnyelv? Mai vendégünk Farkas Diána jelnyelvi tolmács, aki a PPKE-n végzett kínai szakon, ahol kínai jelnyelvvel kapcsolatos kutatásokat is végzett. Az Orient Expressz adásainak elkészültét a Magyar Nemzeti Bank támogatja. Riporter: Szivák Júlia Elhangzott a Civilradio.NET-en 2022. június 27-én. Az adásban elhangzott zeneszámok: The Bamboo Radicals: Széles szájú kiskutyád – www.youtube.com/watch?v=bSWd69XWsTI 【新歌 首發】小倩《言不由衷》我一个人也能找到快乐的理由- https://youtu.be/4CYhGxkm1eE 艾福杰尼After Journey〈謎〉（電視劇《民國奇探My Roommate is a Detective》片頭曲）Official Music Video - https://youtu.be/NSul_7BlJnc (高音質) 艾福杰尼 After Journey - 酒精 ALCOHOL: https://youtu.be/XNLe5dedFkw 回小仙 - 醒不来的梦 (DJheap九天版) Giấc Mơ Không Thể Đánh Thức (Remix) - Hồi Tiểu Tiên - https://youtu.be/-2lzhnrUWIU

Con Nghĩ Đi Mẹ Không Biết

CNN analyst MKH talks about parents, the mental health of kids and shady schools.

We are joined by Kai Paquin to talk about the Mid/Side microphone shootout he posted on his sound blog recently. The specific microphone models compared are: Schoeps MK41 // MK8, Nevaton MC59 // MC59-8, Sennheiser MKH 8050 // MKH 30, and Sennheiser MKH 40 // MKH 30. You can download the audio files of Kai's recordings to hear the results for yourself at: https://paquinsound.blogspot.com/2022/01/ms-mic-shootout.html Episode Homepage: https://tonebenderspodcast.com/191-mid-side-microphone-shootout/ Podcast website: https://tonebenderspodcast.com

We have lots to cover this week as inflation soars and cancelations soar even higher. BUT most importantly, we have a very special appearance from baby Holly. Times 0:34 - Youth in the Kitchen 3:59 - MKH keeps her promise 6:52 - When kids know they are funny. 8:00 - The Ukraine Update 13:58 - A word from the Kamala fan club 15:27 - Inflation Inflation Inflation 21:01 - More dumb canceling 26:44 - Let's actually read the bill, folks 33:09 - NYT piles on their own contributor 38:58 - Democrats have new concerns 43:21 - Sad news for coffee drinkers

We hope you filled your tank before the new sanctions hit! This week we're celebrating anniversaries, watching the press play softball with their favorite institution, and figuring out who we would be in Red Dawn. 0:50 - MKH celebrates another anniversary 10:19 - Lent Watch 2022 13:29- CDC Softballs 21:42 - The unmasking is happening?!? 29:01 - Doctor admits he got COVID wrong 33:57 - Inflation is everywhere 40:55 - Let's confirm our priors! 44:51 - What the heck is going on with baseball 52:21 - Ukraine coverage/journalists worth following!

There are many things to clear up this week, including how to pronounce Kyiv and which vodka SHOULD NOT be poured out. Times 1:14 - Vic does Vegas 3:57 - MKH runs into Vic at a party 6:53 - Personal delivery of a letter to the people of Ukraine 9:58 - Russia, Ukraine, and the correct pronunciation of Kiev 25:57 - The gang previews and reviews SOTU at the same time  32:38 - Oh, good. Another update to the mask mandate. 40:20 - Look, SNL had a good skit! 42:30 - Dem Governors are partying at Deathsantis's place 43:40 - Before you pour out that Vodka . . .

Xử Nữ Là Cung Hoàng Đạo Hiền Mà Không Hiền - Xem 9,504Bạn đang xem chủ đề xử nữ là cung hoàng đạo hiền mà không hiền được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnTruyện Ma Ngắn 12 Cung Hoàng Đạo - Xem 8,910Bạn đang xem chủ đề truyện ma ngắn 12 cung hoàng đạo được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnCung Kim Nguu Hop Voi Cung Thien Binh Khong - Xem 8,910Bạn đang xem chủ đề cung kim nguu hop voi cung thien binh khong được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMa Kết Nữ Ma Kết Nam - Xem 8,712Bạn đang xem chủ đề ma kết nữ ma kết nam được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnTruyện 12 Chòm Sao Trái Cây Tình Yêu - Xem 8,613Bạn đang xem chủ đề truyện 12 chòm sao trái cây tình yêu được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnCung Hoàng Đạo Nào Nhiều Thiên Tài Nhất - Xem 8,514Bạn đang xem chủ đề cung hoàng đạo nào nhiều thiên tài nhất được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMa Ket Hom Nay Tieu Dung Plus - Xem 8,415Bạn đang xem chủ đề ma ket hom nay tieu dung plus được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnNam Thiên Bình Hợp Với Ai - Xem 8,217Bạn đang xem chủ đề nam thiên bình hợp với ai được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnCung Ma Kết Nhóm Máu O - Xem 8,118Bạn đang xem chủ đề cung ma kết nhóm máu o được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnTruyện 12 Chòm Sao Fiction - Xem 7,821Bạn đang xem chủ đề truyện 12 chòm sao fiction được cập nhật mới nhất ngày 22/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnChủ đề xem nhiều trên website getset.edu.vn từ TOP #31 - #40 tháng 2/2022

Nằm Mơ Thấy Mẹ Người Yêu Cũ - Xem 91,773Bạn đang xem chủ đề nằm mơ thấy mẹ người yêu cũ được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnKỳ Đà Vào Nhà Tốt Hay Xấu - Xem 91,080Bạn đang xem chủ đề kỳ đà vào nhà tốt hay xấu được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnNằm Mơ Không Nhớ Đánh Con Gì - Xem 90,684Bạn đang xem chủ đề nằm mơ không nhớ đánh con gì được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMèo Đẻ 2 Con Hên Hay Xui - Xem 85,140Bạn đang xem chủ đề mèo đẻ 2 con hên hay xui được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnNằm Mơ Thấy Chè Trôi Nước Đánh Số Gì - Xem 84,942Bạn đang xem chủ đề nằm mơ thấy chè trôi nước đánh số gì được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnCon Kỳ Nhông Vào Nhà Tốt Hay Xấu - Xem 82,467Bạn đang xem chủ đề con kỳ nhông vào nhà tốt hay xấu được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMơ Thấy Cú Mèo Đánh Con Gì - Xem 81,279Bạn đang xem chủ đề mơ thấy cú mèo đánh con gì được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMơ Thấy Cá Nheo - Xem 76,923Bạn đang xem chủ đề mơ thấy cá nheo được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnNằm Mơ Thấy Phun Nước Bọt - Xem 75,537Bạn đang xem chủ đề nằm mơ thấy phun nước bọt được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnMèo Đẻ 4 Con Hên Hay Xui - Xem 74,745Bạn đang xem chủ đề mèo đẻ 4 con hên hay xui được cập nhật mới nhất ngày 16/02/2022. Hy vọng những thông tin mà chúng tôi đã chia sẻ là hữu ích với bạnChủ đề xem nhiều trên website www.namtranpharma.com từ TOP #31 - #40 tháng 2/2022

TERROR TERRA Steven takes Geeksweat by the hand through the creepy corridors of Hammer House Of Horrors to visit classic horror movie characters that have roamed our imaginations across three different centuries.By exploring two Fifties films this episode reanimates interest in The Curse Of Frankenstein (1957) and the equally fang-tastic Dracula (1958) - films that were both pivotal to the birth of Hammer Horror.Jay and MKH grab their shovels to dig up yesteryear and bring gouged eyes into the laboratory of Terror Terra, so they can see the grisly goings-on featuring both Christopher Lee and Peter Cushing.#BelaLugosi, #blood, #BramStoker, #BrideOfFrankenstein, #BorisKarloff, #Castlevania, #ChristopherLee, #ClassicHorror, #CountDracula, #Dracula, #fangs, #Frankenstein, #FrankensteinsMonster, #goth, #gothic, #halloween, #HammerFilms, #HammerHouseOfHorror, #horror, #HorrorArt, #HorrorFan, #HorrorMovies, #MaryShelley, #monster, #monsters, #Nosferatu, #PeterCushing, #reanimated, #romania, #spooky, #TerrorTerra, #TheMummy, #Transylvania, #vampire, #vampires

DOMS DOCS King Dom phones it in for his segment that takes to the wilderness to discuss Grizzly Man (2005) a film with footage created by Timothy Treadwell and posthumously edited together by Werner Herzog.Jay and MKH camp out with Geeksweat to discuss the wildlife enthusiasts story and dispassionate director's interpretation of a life lived on the edge in a national park that was home to wild bears.Geeksweat considers the daring of a subject living without boundaries amongst the beasts of nature and the audacity of the filmmaker who built a narrative from 100 hours of found footage.#Alaska, #AmieHuguenard, #BearAttack, #bearcam, #BeautifulScenery, #BrownBear, #cinema, #documentary, #EncountersAtTheEndOfTheWorld, #explore, #filmmaker, #GorgeousView, #GrizzlyMan, #hiking, #Katmai, #KatmaiNPS, #NationalPark, #nature, #NatureTrail, #preserve, #sentimental, #TimothyTreadwell, #tundra, #waterfalls, #WernerHerzog, #WildBears, #wildlife

REVIEW SWEAT King Dom goes back to school to learn the finer points of one of the trickier subjects about growing up, as portrayed in the Netflix relationship comedy Sex Education.On hand to offer a few tips and point us in the right direction is Jay, whilst MKH is feverishly enthusiastic to demonstrate the pros and cons of this diverse, eclectic and genre-redefining series.Featuring Asa Butterfield and Gillian Anderson we are introduced to an independent yet brazenly honest mother and son who live in a small suburban town and are about to have a major influence on the local Moordale high school teenagers navigating adolescence.#art #AsaButterfield #BattleOfTheSexes #CoupleGoals #DirtyTalk #education #EmmaMackey #follow #FoodPornography #GillianAnderson #girl #happy #HotModel #kiss #lesbian #love #maeve #MaeveWiley #NcutiGatwa #netflix #NetflixSeries #OtisAndMaeve #OtisMilburn #photography #porn #SelfLove #sex #sexed #SexEdu #SexEducation #SexEducationNetflix #SexEducationSeason #SexEducationSeries #SexGame #SexHiKayesi #SexPositive #sexy #SexyStyle #Sexualhealth #style

CULT FILM The conveyor belt of video game-to-film adaptations keeps on turning and it's time to review how Sonic The Hedgehog (2020) turned out after it runs off the production line, as it took Sega ages.Jay shares her love and joy for the game, but will her gamer nostalgia run rings around the cinematic release of the world's most beloved hedgehog or can there be a Sonic Boom of golden praise?King Dom and MKH grasp at their consoles of truth to see how Tom (James Marsden) and Dr. Robotnik (Jim Carrey) play with an alien that is trying to avoid earthly experiments and defeat an evil genius.#AmyRose, #animation, #cinema, #CultFilm, #JamesMarsden, #JimCarrey, #movie, #knuckles, #nintendo, #sega, #SegaGenesis, #SilverTheHedgehog, #SonAmy, #sonic, #SonicMovie, #sonicX, #SonicBoom, #SonicMania, #SonicMovie, #SonicTheHedgehog, #tails, #TailsTheFox, #VideoGames

Đam Mê Không Để Làm Cảnh, Đam Mê Là Để Ra Tiền

Kristen Soltis Anderson sits down with MKH to dissect The Princess Switch, a Netflix original that reveals Vanessa Hudgens' estimable  charm, a ridiculous fictional kingdom, and a supporting actor who should most definitely be a lead. Hijinx ensue.