Podcasts about lectrosonics

Jessie Van Der Vyver is a Production Sound Mixer based out of Kansas City, Missouri and also London, England. Jessie uses a Sound Devices 888 mixer/recorder. He also uses Sound Devices A20 wireless TXs and RXs including the A20 mini transmitters. Additional wireless includes Lectrosonics TXs and RXs. For time code boxes he likes Ambient Recording LockIt and NanoLockits. For lavs, Jessie uses DPA 6060s and 4060s. On the boom pole he has a Schoeps CMIT 5u and also uses the Schoeps Colette CMC 6u with mk41 capsules. Jessie also uses a DPA 4017c on the boom. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Alex Haralson, production sound mixer based out of Knoxville, Tennessee, joins us again to catch up on new projects and how the strikes and industry shift has affected his work. Alex was originally on episode 92 so check that one out too. His website is https://www.sonolocus.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Greg Murphy is a production sound mixer based out of Melbourne, Florida. He does a lot of work in live news and also projects for Major League Baseball, the NFL, Super Bowl and NASCAR. For news, he uses a Sound Devices 688 mixer/recorder and for smaller jobs, a Sound Devices 633. For wireless, Greg uses Lectrosonics transmitters and receivers. He likes the Sanken COS-11 lavs and also uses dpa 4060 lavs. On the boom, he prefers a Schoeps CMIT 5u and a Sennheiser 416. Greg also uses a Schoeps CMC641 for sit down interviews. Greg likes the Denecke JB-1 time code sync boxes as well as Tentacle Sync. He also likes the Lectrosonics R1a for IFBs and camera hops. Check Greg out on Instagram @soundmixer_murphy Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Michael Reed, based out of Orlando, Florida, does production sound, post audio mixing and live sound. He's worked on projects like Burt Reynolds: The Last Interview, Screwball(2018) and Movie Money Confidential. Michael uses the Sound Devices MixPre-10T, Audio Limited A10 wireless, a Lectrosonics DSR4 wireless receiver, DBSM and DBSMD transmitters and Sanken COS11-d lavs. He also uses Sennheiser G4s for camera hops, Comtek IFBs, Sennheiser 416 and Audio Technica 4053b shotgun mics, as well as Denecke JB-1 timecode sync boxes. Find out more at https://freqproductions.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

For the 100th episode of the Location Sound Podcast, we've brought back our very first guest, production sound mixer Larry Williams, Jr.  Larry uses Sound Devices mixer/recorders and has a 664, a 688, and MixPre-6. He's all Lectrosonics wireless with a DSR4, 822 and 411 receivers and likes the Sanken COS-11D lav mics. On the boom pole, he uses a Schoeps MiniCMIT, Sennheiser MKH-416 and MKH-50. Larry also uses Tentacle Sync and Denecke time code boxes and a Denecke TS-C slate. He has worked on the HBO original series Hard Knocks, the Super Bowl and the NFL Draft. He's also been a regular sound mixer on Military Makeover with Montel Williams. Larry shares with us his ongoing sound industry journey and offers a lot of tips and tricks along the way.  Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Shrinking spectrum, antennas, and RF training resources, oh my! Rebecca hosts 3 RF experts giving you all the answers you need about radio frequencies.  Karl Winkler is a 30-year veteran of the professional audio industry and is currently Vice President of Sales and Marketing for Lectrosonics, Inc., a leading manufacturer of professional wireless microphone systems. Karl has provided system design consultations and hundreds of frequency coordinations for theaters, TV and feature film productions, major touring acts and houses of worship. Karl has previously held positions including product manager and director of business development with his previous employer, German audio manufacturer Sennheiser. During the 1990s, Karl spent four years with the US Air Force "Airmen of Note" jazz ensemble out of Washington D.C. as their front-of-house audio engineer. Karl writes a regular column on sound reinforcement for Live Sound magazine and is an instructor for Synergetic Audio Concepts' “Making Wireless Work” two-day seminar. Greg Simon is a member of Sennheiser's Technical Applications Engineering team and Heads training for the Americas region. Greg has a degree in Music Production and Engineering from Berklee College of Music. He has been designing audio and wireless microphone systems in the Pro Audio industry for over 15 years. Projects include full A/V system design and project management for large-scale clubs, recording studios, houses of worship, and corporate environments. Greg has also completed training in Sennheiser's global RF expert program which specializes in wireless microphone technologies and applications. Brian Maddox Over a 30-year career Brian Maddox has worked with everybody from U.S. Presidents to Patti LaBelle to The Pope. Specializing in Virtual and In-Person corporate events, Brian is currently active as a freelance A1, RF Coordinator, and Comms Tech. Reach him via LinkedIn. Recorded & Produced by Rebecca Wilson Executive Producers: Beckie Campbell & Susan Williams Edited by: Fendall Fulton soundgirls.org  Sponsored by QSC https://www.qsc.com

Ted Hogeman is a Production Sound Mixer and Boom Op based out of the Washington, D.C. area. He has experience on all kinds of shoots, from run and gun documentaries and indie features, to high end short films and commercials. Ted uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with DPA 4061s and Sanken COS-11d lavs. Ted also uses a DPA 4017b, Sennheiser MKH-50, Schoeps CMC641 and Sennheiser MKH-8050 shotgun mics. For time code, Ted uses Tentacle Sync E and some of the original first generation units. He also uses a Betso SB-1 timecode box. For IFBs, Ted likes using some older G3 & G2 IEMs. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Stephen Harrod is a Production Sound Mixer and Boom Op based out of Los Angeles, California. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless and Sennheiser G3s for camera hops. Boom mics are the Sennheiser MKH-416, MKH-50 and MKH-60. Stephen also uses a MixPre-10T in a second bag. Deneke and Tentacle Sync for timecode. https://www.stephenharrodsound.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

[PLATEAU D'EXPERTS] Attendue au départ comme LA solution à la raréfaction des fréquences pour les liaisons audio, la HF numérique a fait des débuts timides dans le monde du tournage tant cinéma que broadcast. Malgré tout , la plupart des constructeurs proposent aujourd'hui des ensembles émetteurs/récepteurs HF portables adaptés au tournage. Alors où en est-on dans cette bascule analogique/numérique ? Est-elle inéluctable ? Quels avantages proposent ces produits qui modulent en numérique et quelle serait leur marge de progression ?Modérateur : Benoît Stefani - Ingénieur du SonIntervenants : Jim Bakker - Responsable du support Europe+MEA chez Lectrosonics, François de Morant - Ingénieur du Son, Franck Hervouet - Responsable d'exploitation chez Tapages & Nocturnes , Jean-Baptiste Lancelin - Responsable HF chez VDB AUDIO, et Ludovic Sardnal - Directeur technique Shure / RF Venue chez Algam Entreprises. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Anna Khromova is a production sound mixer and boom op based out of New York City. Anna uses a Sound Devices 833 mixer/recorder and a Sound Devices MixPre-6 as a backup and audio interface. For wireless, she uses Lectrosonics 411a receivers and 400 series transmitters as well as Lectrosonics SSM transmitters. Anna has a K-Tek Stingray Junior sound bag and harness. She likes using Sanken COS-11D lavalier mics, Sennheiser MKH-416 shotgun mics and a Sennheiser MKH-50. Anna also likes Tentacle Sync timecode boxes. Follow her on Instagram @annasoundny. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Like so many of us in the professional audio industry, Karl Winkler's career has been a long and winding road. He shares some stories and some perspective gained of many years in music and tech.

In this episode of the Talking Sound Podcast host Christopher Jordan is joined by Karl Winkler. Karl is an audio engineer and Vice President of Sales and Marketing for Lectrosonics, an industry leader in the world of wireless microphone and monitoring technology. We discuss Karls path into the world of audio engineering how he came to work in the world of wireless systems made for the rigors of the broadcast, film and stage industries. Lectrosonics is well respected within the film, broadcast, and theater technical communities since 1971. Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Join the Talking Sound Podcast as we discuss the latest in wireless for broadcast, film and stage with Karl Winkler, VP Marketing and Sales for Lectrosonics The Talking Sound Podcast is a proud member of the family of podcasts. Visit the HC Universal Network online today to get all the latest from the Talking Sound Podcast and more great shows! Talking Sound Podcast would like to thank the continuing support of our listeners and sponsors including PodcastCadet.com, Use Code Talking20 to save 20% off today! The Talking Sound Podcast has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com

In this episode of the Talking Sound Podcast host Christopher Jordan is joined by Karl Winkler. Karl is an audio engineer and Vice President of Sales and Marketing for Lectrosonics, an industry leader in the world of wireless microphone and monitoring technology. We discuss Karls path into the world of audio engineering how he came to work in the world of wireless systems made for the rigors of the broadcast, film and stage industries.Lectrosonics is well respected within the film, broadcast, and theater technical communities since 1971. Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico.Join the Talking Sound Podcast as we discuss the latest in wireless for broadcast, film and stage with Karl Winkler, VP Marketing and Sales for LectrosonicsThe Talking Sound Podcast is a proud member of the family of podcasts. Visit the HC Universal Network online today to get all the latest from the Talking Sound Podcast and more great shows!Talking Sound Podcast would like to thank the continuing support of our listeners and sponsors including PodcastCadet.com, Use Code Talking20 to save 20% off today!The Talking Sound Podcast has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com

In this episode of the Talking Sound Podcast host Christopher Jordan is joined by Karl Winkler. Karl is an audio engineer and Vice President of Sales and Marketing for Lectrosonics, an industry leader in the world of wireless microphone and monitoring technology. We discuss Karls path into the world of audio engineering how he came to work in the world of wireless systems made for the rigors of the broadcast, film and stage industries.Lectrosonics is well respected within the film, broadcast, and theater technical communities since 1971. Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico.Join the Talking Sound Podcast as we discuss the latest in wireless for broadcast, film and stage with Karl Winkler, VP Marketing and Sales for LectrosonicsThe Talking Sound Podcast is a proud member of the family of podcasts. Visit the HC Universal Network online today to get all the latest from the Talking Sound Podcast and more great shows!Talking Sound Podcast would like to thank the continuing support of our listeners and sponsors including PodcastCadet.com, Use Code Talking20 to save 20% off today!The Talking Sound Podcast has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com

In this episode of the Talking Sound Podcast host Christopher Jordan is joined by Karl Winkler. Karl is an audio engineer and Vice President of Sales and Marketing for Lectrosonics, an industry leader in the world of wireless microphone and monitoring technology. We discuss Karls path into the world of audio engineering how he came to work in the world of wireless systems made for the rigors of the broadcast, film and stage industries. Lectrosonics is well respected within the film, broadcast, and theater technical communities since 1971. Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Join the Talking Sound Podcast as we discuss the latest in wireless for broadcast, film and stage with Karl Winkler, VP Marketing and Sales for Lectrosonics The Talking Sound Podcast is a proud member of the family of podcasts. Visit the HC Universal Network online today to get all the latest from the Talking Sound Podcast and more great shows! Talking Sound Podcast would like to thank the continuing support of our listeners and sponsors including PodcastCadet.com, Use Code Talking20 to save 20% off today! The Talking Sound Podcast has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com

In this episode of the Talking Sound Podcast host Christopher Jordan is joined by Karl Winkler. Karl is an audio engineer and Vice President of Sales and Marketing for Lectrosonics, an industry leader in the world of wireless microphone and monitoring technology. We discuss Karls path into the world of audio engineering how he came to work in the world of wireless systems made for the rigors of the broadcast, film and theater industries. Lectrosonics is well respected within the film, broadcast, and theater technical communities since 1971. Lectrosonics wireless microphone systems and audio processing products are used daily in mission-critical applications by audio engineers familiar with the company's dedication to quality, customer service and innovation. Lectrosonics is a US manufacturer based in Rio Rancho, New Mexico. Join the Talking Sound Podcast as we discuss the latest in wireless for broadcast, film and stage with Karl Winkler, VP Marketing and Sales for Lectrosonics The Talking Sound Podcast is a proud member of the family of podcasts. Visit the HC Universal Network online today to get all the latest from the Talking Sound Podcast and more great shows! Talking Sound Podcast would like to thank the continuing support of our listeners and sponsors including PodcastCadet.com, Use Code Talking20 to save 20% off today! The Talking Sound Podcast has teamed up with True Hemp Science, Austin, TX based suppliers of high-quality full spectrum emulsified CBD products and more. Visit TrueHempScience.com

Brandon Sequeira is a production sound mixer and boom op based out of Los Angeles, California. Brandon uses a Zoom F8 mixer/recorder, Sennheiser MKH-416 shotgun mic, Sennheiser G4 wireless transmitters/receivers, Countryman B3 lavs, Lectrosonics LT transmitter for IFB receivers, Tentacle Sync for timecode boxes and a Betso Slate. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Steven Lagosh is a Production Sound Mixer and boom op based out of the San Francisco Bay Area in California. He uses an Aaton Cantar Mini mixer/recorder, Lectrosonics DCR822 wireless receivers and SMQV transmitters. Steven uses Sanken COS-11 lav mics along with Countryman B3 and B6 microphones. For use on the boom pole, he likes the Sennheiser MKH-50 and MKH-416 shotgun mics. And he uses Tentacle Sync for timecode boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Phillip Perpich is a production sound mixer based out of Atlanta, Georgia. Phil uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless and Sanken COS-11 lav mics. For boom mics he uses a Sennheiser MKH-60, MKH-50 and a Sanken CS-1. Phil likes to use Tentacle Sync timecode boxes and Lectrosonics IFBs. Check out his website at https://pperp8.wixsite.com/perpichprodsound Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Chris Welcker is a Production Sound Mixer based out of New Orleans, Louisiana. He’s worked on numerous films including Bill & Ted Face the Music, Keanu and Twelve Years A Slave. Chris uses a Sound Devices Scorpio and a Sound Devices 833, Lectrosonics wireless, DPA 4060, 4061 & 6060 lavs, DPA 4017 shotgun & 4018 capsule, Tentacle Sync for timecode with Denecke slates. Chris also has a Magliner Junior Cart and a SuperZuca audio cart. https://www.catgutsound.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Chris Bell is a production sound mixer and boom op based out of Pittsburgh, Pennsylvania. He worked on the feature Unearth where he did location sound and post sound work. Chris uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with Sanken COS-11d lavs. He also uses Sanken CS-M1 and CS-3e shotgun mics. For time code, Chris uses Ambient NanoLockits and a Denecke TS-3 slate. He also uses a modified Zuca Cart for his audio cart. https://chrisbellsoundservices.com Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Pamela Xing-Berman is a production sound mixer and sound designer based out of Los Angeles, California. She recently worked on a project for the non-partisan organization, She Votes. Pamela uses a Sound Devices 633 mixer/recorder, Lectrosonics and Sennheiser wireless, Sennheiser MKH-416 shotgun mic, Comteks for IFB, Denecke smart slate and Tentacle Sync for timecode. Check out her website at https://pamelasound.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Jed Shiheng Xu is a Production Sound Mixer based out of Los Angeles, California. Jed also does post work including dialog editing. He uses a Zoom F8n mixer/recorder, Sennheiser 416 shotgun mic along with a Schoeps CMIT & Sennheiser MKH-50, Lectrosonics SRc wireless receivers and Lectrosonics SMQV wireless transmitters, Audio Ltd. A10 wireless boom, dpa 6060 lav, and Sennheiser MKE-1. Jed also uses Tentacle Sync for timecode. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Thomas Claire is a production sound mixer based out of New York City. He’s originally from France and tells his story of coming to the United States to follow his dream of working in film and television. He uses the Zaxcom Nova mixer/recorder, and the compatible Zaxcom wireless, as well as Lectrosonics and Wisycom, DPA 4061 lav mics and Sanken COS-11s, Sennheiser MKH-416 and Sennheiser MKH-50 boom mics and Ultrasync One for timecode sync boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Wireless mics and monitors aren't getting any simpler, but so many churches want to begin implementing them earlier and earlier. So how do we begin understanding all this wireless mumbo-jumbo? Karl Winkler from Lectrosonics joins me this week in tackling these vast and complicated ideas. Wireless systems create so much value and can give us so much freedom -- but with great freedom comes great responsibility (or something like that.) Wireless gremlins, rechargeable batteries, audio jobs in the military, and more on this episode of Church Sound Podcast!The Church Sound Podcast is sponsored by DiGiCo and KLANG:technologies.Episode Links:Karl Winkler on LinkedInSynAudCon CoursesLectrosonics' The Wire-ListsHost Samantha Potter is co-lead instructor with Church Sound University — a training program tailored specifically for worship audio techs that’s now also available online — and editorial director with ProSoundWeb and Church Sound magazine. Reach her via email here.

Kurtis Ewing is a boom op and production sound mixer based out of the Greater Los Angeles, California area. He's worked on shows like MADtv, Girlfriends, and Just Roll with It. He uses the Sound Devices 633 mixer/recorder and Lectrosonics wireless transmitters/receivers and IFBs and Sennheiser camera hops. Kurtis has a variety of lav choices including the DPA 6060, 4061, 4071 and Sanken COS-11s. Kurtis uses a Denecke TS-C slate, and Denecke SB-4 timecode boxes. For boom mics, he uses a Schoeps MiniCMIT, CMC641 and Sennheiser 416. Kurtis also uses Remote Audio HiQ batteries. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

In this Headliner USA podcast we chat to Eva Gardner - bassist for P!nk, and super talented singer-songwriter in her own right. We chat about how her dad inspired her to take up the bass, cutting a bar shift short at the family pub to audition for P!nk's band, making a signature bass with Fender, going wireless on stage with Lectrosonics, and much more.

Stu Chacon is a Production Sound Mixer based out of Los Angeles, California. He uses a Sound Devices 664 mixer/recorder and a Sound Devices MixPre-6 for car work, Lectrosonics 411 wireless receivers, Sanken COS-11 lav mics, Schoeps CMIT-5u shotgun mic and a Sennheiser MKH-50 for indoor dialog. Stu uses Tentacle Sync timecode boxes and a Denecke smart slate. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Jimmy Gilmore is a production sound mixer based out of Atlanta, Georgia. He uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless, Sanken and DPA lav mics, Sennheiser MKH-416, MKH-50 and AKG 460B shotgun mics. For timecode Jimmy uses MozeGear and a Deneke smart slate. For power distribution, he has a Remote Audio BDS and a Meon LiFe cart battery. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

LaRon Cooper is a Production Sound Mixer based out of Kansas City, Missouri. He uses a Sound Devices MixPre-6 first generation mixer/recorder, Lectrosonics 411 wireless receivers and SMQV transmitters, Sanken COS-11 lav mics, 2 Sennheiser G3 wireless receiver/transmitters and Audio Root for power distribution. LaRon likes the Sennheiser MKH-50 and MKH-416 shotgun mic on his Ktek boom pole. He also uses a Ktek bag. LaRon also like using his Deneke time code box. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Jeremy Zunk is a production sound mixer based out of the Washington, D.C. metro area. He uses and owns a variety of Sound Devices mixer/recorders. He likes Lectrosonics wireless transmitters and receivers, Sanken COS-11 lavs and dpa lavs, Schoeps shotgun mics and the Sennheiser MKH-50. Jeremy also uses Tentacle Sync timecode boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Justin Moschcau is a production sound mixer based out of the Phoenix, Arizona area. He uses a Sound Devices 633 mixer/recorder and a 664, Lectrosonics wireless, Sanken COS-11 lav mics, a Schoeps CMIT-5u shotgun mic and Tentacle Sync for timecode. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Michael Solomon is a freelance production sound mixer based out of New York City. He uses a Sound Devices 633 recorder, Lectrosonics wireless mics, MozeGear TIG timecode sync boxes, Deneke TS-C smart slate, Sennheiser MKH-60 shotgun mic, Schoeps CMC-6 with a MK-41 capsule shotgun mic, Remote Audio power distro, Ktek booms and a Orca bag.

In today's episode, we have a talk with Karl Winkler of Lectrosonics. Lectrosonics is the pro-level wireless microphone brand you encounter most often on the sets of larger film and TV productions. Karl walks us through what makes Lectrosonics wireless systems unique and gives us a tour of the Lectrosonics product lines.

Karl Winkler  joins us to talk about the evolution of wireless microphone systems through the years, how he was on the product development team for the noted Neuman KMS 105 microphone, and much more. Having spent most of his 25-plus year career working with manufacturers and currently a vice president with Lectrosonics, he gets to see a different side of professional audio and shares a lot of interesting observations.Karl's also one of the most prolific writers in pro audio, having contributed dozens of articles to ProSoundWeb and Live Sound International magazine alone (located here) in addition to other publications. Be sure to check out his entire PSW archive, and don't miss his latest contribution, “Showing The Way: The Power Of Positive Thinking (& Acting).”Devoted to education and mentoring, Karl continues to focus on teaching best practices regarding the “people side” of the business as well as more technical aspects such as setting wireless mic transmitter gain properly — here's the video:The Signal To Noise podcast series on ProSoundWeb, sponsored by Shure and hosted by Live Sound/PSW technical editor Michael Lawrence and pro audio veterans Kyle Chirnside / Chris Leonard (the hosts utilize Shure SM7B mics for the podcasts).

Paul Vik Marshall, C.A.S. is a Production Sound Mixer based out of Southern California. He uses a modified PSC audio cart, a Sound Devices 688 mixer/recorder, Lectrosonics wireless transmitters with the Venue receiver rack, Sanken COS-11 lav mics, Schoeps CMIT5s shotgun mics and Sennheiser MKH-50s. Paul works regularly with boom ops Eddie Casares and Mike Sanchez. Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Mike Gillig is a production sound mixer based out of Cologne, Germany. In the television industry in Germany, the production company usually provides the audio kit so he's had the opportunity to work with a variety of gear such as Sound Devices mixer/recorders, Zoom F4 & F8 and SQN mixers. Based in Germany, Sennheiser wireless mics are very popular as well as Audio Limited, Micron and on a rare occasion, Lectrosonics. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Paul Buscemi, CAS, is a production sound mixer based out of Los Angeles, California. He works on television, documentary, commercial and new media. Paul uses a Sound Devices 633 mixer/recorder and a Sound Devices 688 on his cart, Lectrosonics wireless SMB and SMQV transmitters, 411 receivers and SRb receivers, Sanken COS-11 lav mics, Comtek IFBs, Lectrsonics 400a transmitters for camera hops and Lectrosonics LR receivers, Schoeps CMIT shotgun mic, Sennheiser MKH-50 and MKH-416 shotgun mics as well. Paul has built a hybrid sound cart based on the Zuca cart holding his Sound Devices 688 mixer/recorder with the CL-12 fader panel. He also uses the Denecke JB-1 and Tentacle Sync for time code. http://buscemiarts.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Jesse Mills is a Production Sound Mixer based out of San Francisco, California. He uses a Sound Devices 664 mixer/recorder, a Sound Devices 744 for effects recording and high dynamic range projects and a Sound Devices MixPre for smaller projects. Jesse uses Lectrosonics SMQV wireless transmitters, MM400 transmitters, HMA transmitters and 411 wireless receivers and a LR receiver for a camera hop, along with Sennheiser G3s for hops as well. He likes the dpa 4060 lav mics. For shotgun mics, Jesse likes the Schoeps CMit and CMC-6 with MK-41 capsule and a Sennheiser 416. He likes Denecke JB-1's for time code and uses their time code slate. For power distribution he's using Audio Root. Jesse uses ORCA bags, Portabrace and a Petrol bag.  https://elephantearaudio.weebly.com Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Rob Disner is a Production Sound Mixer and Boom Op based out of Atlanta, Georgia. He uses Sound Devices 633 mixer-recorders, Lectrosonics 411 wireless receivers, Sanken CS3e shotgun mic, Audio-Technica 4073 shotgun mic, Sennheiser G4 wireless for camera hops, Countryman B3 & B6 lav mics, Tentacle Sync and Denecke SB-3s for timecode, Comtek M72 transmitter and PR-175s and Sony 7506 headphones. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Jim Keaney is a Production Sound Mixer and Boom Op who has worked on commercials, documentaries, narratives and reality TV and is based out of Boston, Massachusetts. Jim uses Sound Devices 633 & 688 mixer/recorders with an SL-6 accessory, and CL-6 mixing board, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB and SMWB wireless transmitters as well as SRb's and SMQVs, Audio Root for power distribution, Betso TCX-2 timecode boxes, Sennheiser 416 shotgun mics as well as a Schoeps CMIT 5u and Sanken CS3e shotgun mics. Schoeps 641's and Sennheiser MKH-50 mics. Jim uses COS-11d lav mics and Countryman B6's. He also likes the Sony MDR-7506 headphones and the Remote Audio HN-7506 headphones.

Bill Mitchell is a production sound mixer and boom op based out of Nashville, Tennessee. He uses a Sound Devices 633 mixer/recorder, Kortwich preamp for 3 additional preamps into the 633, Lectrosonics SRb & SRc receivers, Sanken COS-11 lav mics, dpa 6060 lav mics, Lectrosonics SMQV and LT transmitters, Remote Audio power distro, Lectrosonics UM400 for IFB, Schoeps CMIT 5u shotgun mic for outdoor, Schoeps CMC MK41 for indoor, and Tentacle Sync for timecode.

Henri Rapp is a production sound mixer and studio recording engineer based out of Cleveland, Ohio. He uses a Sound Devices 664 mixer/recorder, Wisycom MCR-42 wireless receiver and MTP41S and MTP30 transmitters, Lectrosonics SRc wireless receiver and SMDWB transmitters, 4061 and 6060 dpa lav mics and Sanken COS-11s, dpa 4017 shotgun mic and Oktava MK012 mics. Henri also likes the Timecode Systems Wave and UltraSync ONE.

Josh Morrison is a Production Sound Mixer and Boom Op based out of Phoenix, Arizona. He uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, Lectrosonics SMDWB wireless transmitters, Schoeps CMIT 5u shotgun mics along with a Sennheiser MKH-50 and MKH-416 shotgun mics, Sanken COS-11d lav mics, Tentacle Sync-E timecode boxes, Comteks for IFB for clients and Sony MDR-7506 headphones.

Nick Do is a production sound mixer and boom op based out of New York. He's worked on a number of TV series like Snapped, Hip Hop Evolution and his documentary, Rezervation Nation. Nick uses a Sound Devices 633, Lectrosonics 411a receivers, 210d receiver and HM transmitter for wireless boom. Nick also uses a Remote Audio BDS power distro, Comteks and Lectrosonics IFB's.

Tom Backus is a production sound mixer and post audio engineer based out Knoxville, Tennessee. He uses a Nomad 10 recorder with Lectrosonics SRb receivers, SMQV transmitters, dpa 4063 lav mics and 4071's, Sanken COS-11d lavs, Schoeps Cmit, and the MK-41 on the CMC5. Tom also has a RastOrder feature sound cart, Sonosax SX-ES64 mixer that he uses with his Nomad 10.

Jacob Brown is a production sound mixer and boom op based out of Chicago, Illinois. He uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless receivers and transmitters and Sanken COS-11d lav mics. He's also been using Audio Limited A10 wireless, recently. For shotgun mics he likes Sennheiser 416 shotgun mics and the 8050 for indoors. Jacob is also using NanoLockit by Ambient for timecode, and the Orca OR-34 audio bag.

Levi Carter is a production sound mixer and boom op based out of Chattanooga, Tennessee. He uses a Sound Devices MixPre-10T, Lectrosonics SRc wireless receivers, Sanken COS-11d lav mics and Sennheiser 416 shotgun mics. Levi uses a Betso timecode slate, camera hops and sync box.

In this very special episode, we're back in Orlando, Florida for an after hours hang with some of the pros that keep your favorite shows, rides and attractions running around the world. Brought together by John Huntington (ControlGeek.net) and Jim Janninck (TimberSpring Inc.) this year's discussion is all about time code and show sync throughout the industry. With more complex shows and systems working together in tandem these days than ever before, keeping things in sync and arriving on time can be critical. You'll hear industry members talk about how they are handling sync within their organizations, for different applications and what challenges they face. The group concludes with a wish list of features they would like to see implemented in future standards, as clocks move more to networks and traditional show sync moves more towards atomic clock accuracy. The venue, Tiki Bar and a LOT of Egg Rolls were provided by Alcorn McBride Inc with additional support by Medialon by Barco. Thanks to ProSoundWeb for making my trip to InfoComm2019 possible, and to metrotechnical.com for supplying the additional video recorder needed to capture such a long event. - Let me know if I've missed any links! For more info head over to https://www.dcsoundop.com/timecde-geekoutJohn Huntington - http://controlgeek.net/Jim Janninck - http://www.timberspring.com/Alcorn McBride - https://alcorn.com/Medialon - https://www.barco.com/en/product/manager-v6-software--For more information on standards & how they are formed - consider joining https://www.smpte.org/ ProSoundWeb - https://www.prosoundweb.com/Facebook: https://www.facebook.com/dcsoundopInstagram: https://www.instagram.com/dcsoundopFor more info on the on-body personal Lav recorders we used on John & Jim, check out the LectroSonics PDR + LAV - https://amzn.to/2IGy5CP - For more details on the PDR, visit the official Lectrosonics site @ https://www.lectrosonics.com/US/PDR/product.html--- If you'd like to help support the channel directly, and have your name added to the credits - you can do that here: https://www.patreon.com/DcSoundOp https://paypal.me/dcsoundop DcSoundOp Store - www.amazon.com/shop/dcsoundop---Video Gear:Sony a6500 - https://amzn.to/2yg84E1Sony 10-18mm f4 - https://amzn.to/2BYZmgPSony 18 - 105mm f4 - https://amzn.to/2ylNHoQDJI Osmo Mobile 2 - https://amzn.to/2QYAkDtManfrotto Mini Tripod - https://amzn.to/2MJ8PeHPedco Clamps - https://amzn.to/2DtWVW3Live Sound gear & deals on Amazon - http://amzn.to/2ipY5Ce--Submit your Kit - https://www.dcsoundop.com/submityourkitIndustry Events - https://www.facebook.com/pg/dcsoundop/events/Live Sound Basics Series - https://www.dcsoundop.com/livesoundbasics/Video Playlists - https://www.youtube.com/channel/UCCiGAbMdd3jiJI2USDWgFBQ/playlistsSupport the show (https://www.patreon.com/DcSoundOp)

Chris Howland CAS, is a production sound mixer based out of Los Angeles, California. He's worked on episodic shows like The Fix and S.W.A.T. He uses a Midas board and a software based production recorder, Boom Recorder. He also uses a Sound Devices 688 and 633, and CL-12, Field Venue, Comteks and Lectrosonics wireless.

There are wireless companies, and there is Lectrosonics... In a league of their own. We learned more about wireless than we'd ever known, that's for sure! These guys are the real deal, and 100% MADE IN USA!!  Sponsored by ACT Lighting and their new Ayrton Perseo IP65 fixture. 

Antoinette Tomlinson is a production sound mixer based out of New York City. She uses a Sound Devices 633 mixer/recorder, Lectrosonics SRb wireless receivers, Lectrosonics SMQV wireless transmitters, Sanken COS-11d lav mics, Sennheiser G4 camera hop, Sennheiser 416 shotgun mic, Comtek IFBs, dpa 660 lavs, Schoeps CMIT 5u shotgun mic, Schoeps MK41 and Tentacle Sync timecode boxes. Antoinette also owns her own sound company called Invictus Sound Factory.

Jennilee Park is a production sound mixer based out of Minneapolis-Saint Paul in Minnesota. She uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, SMDWB wireless transmitters and Wideband LTs. Sennheiser 2000 wireless hops, Tentacle Sync for timecode and Schoeps mini CMIT shotgun mics. Sanken COS-11Ds for lav mics.

Karl Winkler, Vice President of Sales at Lectrosonics, talks with us about the U.S. based company's product line like the SMWB, SMDWB, & SRc, and best practices when using wireless and choosing a wireless microphone system that fits your needs. Lectrosonics has a history of delivering quality wireless technology with excellent customer support and service since 1971.

Justin Lacroix is a production sound mixer based out of southern Maine. He's worked on the reality TV show Survivor and on projects for MTV, Nat Geo, HBO and Vice. He uses a Sound Devices 633 mixer/recorder, Lectrosonics SRc wireless receivers, Lectrosonics SMWBs and SMDWBs wireless transmitters, Sanken COS-11 lav mics, Sennheiser 416 shotgun mics and Sennheiser MKH-50 for interiors. Justin also uses Tentacle Sync time code boxes.

Rick Garza is a production sound mixer based out of Ventura, California. He's worked on Discovery Channel's Naked and Afraid and Mariah's World with Mariah Carey. Rick uses a Sound Devices 633, Lectrosonics wireless transmitters and receivers, Sennheiser 416 shotgun mics, Ktek boom pole, PSC power distro and Tentacle Sync for timecode.

Jay Menez is a production sound mixer, director, producer and author based out of Los Angeles, California. He uses a Sound Devices 688, Lectrosonics SRc receivers and SMWB wireless transmitters, SL-6 for power distro, Sennheiser MKH-416 shotgun mic and the MKH-50, Sanken COS-11 lavs, and Betso timecode boxes. Jay's book is called Spark-The 8 Mental Habits of Highly Successful People.

James Nolan is a production sound mixer based out of Los Angeles, California. He's worked on documentaries, reality TV and commercial productions. James is originally from Dublin, Ireland. He uses a Sound Devices 788 with a CL-8, Lectrosonics and Wisycom wireless, dpa 4017 shotgun mic, Sennheiser mkh 8050, and dpa lav mics. Sennheiser IEM as Comteks.

Steve Saada is a boom op and location sound mixer based out of the Baltimore / Washington DC area. He's worked on the Netflix series, House of Cards and on the HBO series, Veep, with Julia Louis-Dreyfus. Steve uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Audio Root power distribution, Sanken COS-11 lavs, Sennheiser MKH-50 shotgun mics, Betso timecode boxes and Sennheiser G3 wireless camera hops.

Jack Garrett is a location sound mixer based out of Cape Cod, Massachusetts. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Sanken COS-11 lavs, his shotgun mics are the Schoeps CMC MK41 & Super CMIT, Sennheiser 416 & MKH 50. He also uses Audio Root power distro. Mozegear TIG for timecode.

In this special episode, we're talking with Karl Winkler, Vice President of Sales and Service @ Lectrosonics. We talk about the L-Series wireless kit I've had to demo, about the inner workings of the Lectrosonics mothership facility & what aspiring engineers can be studying to contribute to the wireless technology conversation in the future. Thanks to Karl and the team at Lectrosonics for sharing their work with us. It's always incredible to get to know folks who truly show up and put their best work out every single day. Thanks to everyone who works at the company, in every department, for sharing your work.It's really impressive stuff.If you'd like to help support the channel directly, and have your name added to the credits you can do that here: https://www.patreon.com/DcSoundOp https://paypal.me/dcsoundopSupport the show (https://www.patreon.com/DcSoundOp)

Matt Vogel is a production sound mixer based out of Chicago, Illinois. He's traveled the world working as a sound mixer and has worked in almost every state in the USA. Matt uses a Sound Devices 633 and a 788 mixer/recorder. He uses Lectrosonics wireless, Sanken COS-11 and Countryman B6 lav mics, his shotgun mics are the Sennheiser MKH50 and MKH60, Ultrasync timecode boxes, Sound Guy Solutions MD6 power distribution and Sony MDR-7506 headphones.

Rodolfo Piedras is a production sound mixer based out of Vancouver, British Columbia working on TV shows, feature films, docs and indie films. He also has a popular YouTube channel, RLFO Sound, where he talks about recording sound and behind the scenes on-set. Rodolfo is also an instructor at Vancouver Film School.

Aditya J. Yadav, based out of Mumbai, India, is a production sound mixer, sound designer and re-recording mixer working in Bollywood. He uses a Sound Devices 688 mixer/recorder and Sound Devices 702T recorder, Tentacle Sync timecode boxes, Sennheiser 416 shotgun mic, MKH 50, and Neuman KMR82. Aditya also uses COS-11 lav mics and Lectrosonics wireless and Sennheiser G3's.

Adam Clark is a location sound mixer based out of Toronto, Ontario, Canada. He's worked on films, commercials and television projects. He uses the Sound Devices 688 and SL-6. Lectrosonics wireless mics, dpa 4060 lav mics, dpa 4017 shotgun mic and dpa 4018, Sennheiser 416 shotgun mic and Cedar DNS 2 noise reduction, and Lectrosonics IFBs. Adam is also co-owner of Toronto Sound.

Matt Price is a location sound mixer based out of London, England. He has a podcast and a YouTube channel where he shares his experience with sound mixers from around the world. Matt uses a variety of mics including the Schoeps Super CMIT, Schoeps MK41, CMC5u mic amp, Sennheiser 416, Sanken COS-11 lavs, dpa's 4071 lav mics, Lectrosonics SRb's, Sennheiser G3's, Sound Devices 688, Sound Devices SL-6 and Betso Sharkie fin antennas.

Justan Ross is a location sound mixer based out of Calgary in Alberta, Canada. He's worked in the televsion and film industry for over 20 years. He works on features, TV series, docs and commercials. Justan uses a Sound Devices 644, a Sound Devices 633, Lectrosonics 411's, Comteks, Zaxcom, Meon Life battery, Cmit5u, MKH 50, MKH 416's, and Ambient NanoLockits.

Yancey Pon Franco is a Boom Op based out of Los Angeles, California. Uses a Sound Devices 442 mixer into a Sound Devices 744 recorder, Lectrosonics 411 and 211 wireless, Rode NTG3 and Shure 215 In-Ear-Monitors.

Christopher Mas is a professional sound mixer based out of Phoenix, Arizona. He's worked on productions for reality, documentary and commercials. Christopher uses a Sound Devices 633, Wisycom wireless, Sanken COS 11 lavs, Lectrosonics wireless and Audio Root power distribution.

Timothy Chan is a location sound mixer based out of Chicago, Illinois. He uses a Zoom F8 mixer/recorder, Lectrosonics wireless, Sennheiser MKH415T shotgun mic, Oktava MK012 mic and Tentacle Sync for timecode.

Kally Williams is a location sound mixer based out of Los Angeles, California. She uses a Sound Devices 633 mixer/recorder, Lectrosonics src wireless receivers, Sanken COS 11 mics, Tentacle Sync for timecode, a Schoeps CMIT 5u mic, a DPA 4017 mic, and Audio Root for power distribution. Kally also has a Sound Devices MixPre-6 for smaller projects.

Saeed Thomas is a location sound mixer based in Jamaica. Listen to this episode as Saeed discusses the differences of working in production sound in Jamaica compared to other parts of the world and how he got started in the industry. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless, Sanken COS-11d mics and a Sennheiser 416.

Adam Parsons is an experienced Toronto based sound recordist, specializing in location mixing for documentary, commercial and narrative productions. He uses the Sound Devices 688 with the SL-6, Schoeps shotgun mics and Lectrosonics wireless with Sanken and DPA lavs.

Joe Giannotti is a freelance sound recordist based out of Tampa, Florida. He's worked on thousands of broadcast television productions for networks like ESPN, ABC, HBO, TNT, BBC, Discovery Channel, NatGeo, NFL Network, MLB Network, HGTV and more. He's also the creator of the Quiet Please, Filming in Progress signs seen on sets all around the world. Joe uses a Sound Devices 633, Shoeps microphones and Lectrosonics wireless.

Carl Welden is a production sound mixer and boom operator based in upstate NY. He also works as a radio announcer, MC and voice actor. He uses a Sound Devices 633 mixer/recorder, Lectrosonics mics and Deneke time code sync boxes.

Jimmy Sieczka is a location sound mixer working on shows like Discovery Channel's Naked and Afraid and Nat Geo's Ice Holes. He's worked around the world in extreme environments from tropical jungles to subfreezing temperatures of -40 degrees Fahrenheit. Jimmy uses Lectrosonics, Wisycom and Rycote products on-set. Check out his amazing stories of recording sound in very challenging conditions. 

Larry Williams, Jr. is a freelance location sound mixer based in South Florida. He grew up in Miami and attended the University of Florida. After college he interned and ended up working full-time for a production company for 10 years. It was during these 10 years that he gained an invaluable amount of experience working on different types of projects and genres.

Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you’re a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location.

Join Thomas Popp as he sits down with Thi Dinh, Doug Pearson, and Janna R. Lopez Räven to talk about all things sound! We also dive deep into the Lectrosonics software bug that Doug helped to find and solve. It's a lazy Oscar Sound Party! Amazing Stories this week on the Video Mantis Podcast!

Show notes, images, and links: http://wp.me/p1sfi8-1DH Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I interview Karl Winkler from Lectrosonics. We discuss the basics of frequency coordination, wireless microphone myths, and how the Super Bowl manages 1,000 channels of wireless devices. Karl also explains what a backup frequency is, whether bluetooth devices, microwaves and cell phones will cause interference, and how to prepare for rogue wireless devices. 1. Music in this episode by The Giovanni Quartet, Brodsky Quartet, The Bartok Quartet, and Brentano String Quartet. 2. USC Recording Arts
 3. Karl's principles for success in audio 1. Have a good attitude. If your job is to roll tires from the back of the store to the front, you should be so good that people will pay to see you do it. Don't be afraid of the work or think of it as being beneath you. 2. The basics always matter. Every art and science requires you to know the fundamentals. 3. Really listen. Learn to use use your ears as a troubleshooting tool. See Trouble-Shooting Audio Systems tutorial. 4. SynAudCon - Making Wireless Work
 5. Wireless Workbench
 6. Myths 1. Wireless mics are voodoo. 2. A directional antenna is always better. 3. I can get more range with boosted antennas. 4. Lectrosonics is too expensive. 7. Cavity Filter = Pass band filter. Blocks out bands of frequencies to focus only on the ones you want. 8. Interview with Jim Venable from the Wireless Speaker Association
 9. Axient system from Shure
 10. Spectra Pulse from Audio Technica
 11. Lectrosonics Facebook Group and FAQ page
 12. Words 1. Shark Fins = Directional antennas = LPDA (log periodic dipol arrays) 2. Intermodulation distortion = Occurs when two or more signals mix within an active device and create phantom frequencies. 3. Backup/spare frequencies = Pre-coordinated channels that you don't need at the moment, but are already calculated to fit, preventing guess work. 13. Big Mistakes 1. Not separating your IEMs, comms, and mics into different bands. 2. Bad antenna placement. 3. Not calculating signal loss for long antenna cable. 14. Quotes 1. "Audio is a guilded career. You start as an apprentice. That's how most people get their start." 2. "Your attitude is irreplaceable." 3. "There is something to learn from everything you do in life." 4. "Any time you add an active component, you are potentially raising the noise floor and increasing distortion. It can mix signals and create intermodulation products. You always want a net zero gain between antenna and receiver."