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Casa de México, en Madrid, presenta una de las colecciones de arte contemporáneo de los años 90 más importantes de América Latina. La muestra pertenece al Museo Jumex y se puede visitar de manera gratuita hasta el 8 de junio. En el recorrido se exhiben más de 60 obras de 28 artistas, en su mayoría mexicanos, en formatos de vídeo, instalación, fotografía y escultura.Escuchar audio
Conmemoración de la Constitución de 1917
Es un representante mayor de esa fanfarronería que algunos llaman “arte alternativo”; este celebrado artista, que donde pone el ojo pone el presupuesto y luego lo cobra, inaugurará en el Museo Jumex una magnísima exposición
José Esparza Chong Cuy is the executive director and chief curator of Storefront for Art and Architecture, a New York-based institution that amplifies the understanding of the built environment through artistic practice. Before Storefront, José was an associate curator at the Museum of Contemporary Art Chicago and an associate curator at the Museo Jumex. In this conversation, Jarrett and José talk about the history and mission of Storefront, their year-long curatorial framework, and balancing institutionalism and experimentation. Links from this episode can be found at scratchingthesurface.fm/249-jose-esparza-chong-cuy. — If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast
Today we're visiting a destination that could define the word paradox - where the city is monumental in size, but the people are still warm. Where modern art takes its cues from the fringes, while also honoring history. And the culinary scene… is recognized as one of the best in the world, yet many dishes are still prepared in the same ancient methods that they've always been. Joining me today to chat about Mexico City are three special guests - Octavio Aguilar, a real estate developer and owner of the beautiful hotel Casa Polanco; Kit Hammond, the Chief Curator of the modern art museum Museo Jumex, and Tim McBride, an expert in planning itineraries in Mexico City and beyond. The four of us chat about everything from Aztec canals, to Salvador Dali, to the quirkiness of the city, the food, the music, the passion, and more. Grab a copita of your finest mescal, and enjoy this fun episode of Luxury Travel Insider. Learn more at www.luxtravelinsider.com Connect with me on Social: Instagram LinkedIn
Ep.166 features Lari Pittman. Over the course of his decades-long career, Lari Pittman (b. 1952, Los Angeles, CA, lives and works in Los Angeles, CA) has developed a unique visual aesthetic that has established him as one of the most significant painters of his generation. Pittman's signature, densely-layered painting style includes a lexicon of signs and symbols (such as bells, eggs, animals, and ropes), a compilation of varied painting techniques, and a clear homage to the handmade, craft, and the decorative. Pittman creates complex compositions that mediate the tension between color, text, and imagery; landscape and decoration; and chaos and order with remarkable dexterity and often on a large scale, and the artist has an innate ability to create compositions in which each element within a painting is given equal space and significance. In the mid-1970s, Pittman attended California Institute of the Arts in Valencia, California, completing a B.F.A. and an M.F.A. The Institute's strong feminist arts program challenged the devaluation of art forms traditionally associated with women, and it was partially as a result of his engagement with this program that Pittman developed an interest in undermining aesthetic hierarchies and embracing the decorative arts. Pittman's strong affinity for the decorative can be seen throughout his numerous bodies of work, and it has contributed to his singular visual style. While Pittman's early works were informed by the socio-political struggle resulting from the peak of the AIDS epidemic, racial discord, and LGBTQ+ civil rights struggles that defined the last two decades of the 20th century, his later paintings evince a shift in focus towards interior spaces, including domestic and psychological subjects. Solo exhibitions of his work have been organized at Museo Jumex, Mexico City, Mexico (2022); Hammer Museum, Los Angeles, CA (2019). Select group exhibitions featuring Pittman's work include Kistefos Museum, Jevnaker, Norway (2023); Chapter Three, Amore Pacific Museum of Art, Seoul, South Korea (2021); Invisible Sun, The Broad, Los Angeles, CA (2021); Duro Olowu: Seeing Chicago, Museum of Contemporary Art, Chicago, IL (2020); 50 + 50: A Creative Century from Chouinard to CalArts, REDCAT, Los Angeles, CA (2020); Waking Dream, Ruby City, San Antonio, TX (2019). Pittman's work is in numerous public and private collections. Please visit cerebralwomen.com for his expanded bio. Portrait by Brian Guido 2022 Lehmann Maupin https://www.lehmannmaupin.com/exhibitions/lari-pittman2 Brooklyn Rail https://brooklynrail.org/events/2023/09/11/lari-pittman-sparkling-cities-with-egg-monuments/ Hyperallergic https://hyperallergic.com/839454/lari-pittman-paints-cities-of-the-future/ Art Institute of Chicago https://www.artic.edu/artworks/188866/the-senseless-cycle-tender-and-benign-bring-great-comfort Cultured Mag https://www.culturedmag.com/article/2022/11/10/lari-pittman-mexico-city Elle Décor https://www.elledecor.com/design-decorate/house-interiors/a42748497/lari-pittman-roy-dowell-los-angeles-house/ Mousse Magazine https://www.moussemagazine.it/magazine/lari-pittman-museo-jumex-mexico-city-2023/ Fundacion Jumex https://www.fundacionjumex.org/en/exposiciones/247-lari-pittman-lo-que-se-ve-se-pregunta Wide Walls https://www.widewalls.ch/events/lehmann-maupin-new-york-lari-pittman-sparkling-cities-with-egg-monuments-2023-09-07 Orange County Museum of Art https://ocma.art/pittman-lari/ Davis Art https://www.davisart.com/blogs/curators-corner/hispanic-heritage-month-2022-lari-pittman/ The Hammer https://hammer.ucla.edu/exhibitions/2019/lari-pittman-declaration-of-independence The Broad https://www.thebroad.org/art/lari-pittman NYTimes https://www.nytimes.com/2022/11/30/arts/design/lari-pittman-art-basel-museo-jumex.html MoMA https://www.moma.org/artists/7616
Gina Jaramillo
Como @demuseos fue a ver la exposición de Jannis Kounellis en el Museo Jumex ahora anda muy que quiere hablar del arte povera, una corriente artística muy piciosa de la que @doncamisa es un descreído, como siempre. Pero *spoiler alert*, nuevamente Gab le abre los ojos y ahora ya medio le gusta. O no. No sabemos. Ustedes quédense para averiguarlo. Y pongan por aquí su cooperación voluntaria. Bienvenidos
EP10 RUTH OVSEYEVITZ Ruth tiene más de veinte años de experiencia dentro de Relaciones Públicas, Comunicaciones y Marketing, desde el 2015 está a cargo del departamento de Comunicación y Difusión de la Fundación Jumex Arte Contemporáneo y del Museo Jumex. De la misma forma, Ruth reconoce su faceta de actriz mejor conocida como Dora Cohen en la telenovela La Casa de las Flores.
Después de semanas de protestas y debates en la Asamblea Nacional de Francia sobre la reforma a las pensiones, el presidente Emmanuel Macron decidió saltarse al Congreso y aprobó su proyecto a través de un decreto unilateral. Obvio la gente está que no la calienta ni el sol de Saint-Tropez. López Obrador vetó la designación de los nuevos comisionados del INAI, que el Senado había aprobado hace unos días. Ahora el organismo de transparencia flota a la deriva. Además… Alejandro Encinas reconoció que el Ejercito ejecutó a cinco jóvenes en Nuevo Laredo; el Pentágono filtró el footage de cómo cayó su dron al Mar Negro; y las joyas Cartier de María Félix llegaron al Museo Jumex. Para enterarte de más noticias como estas, síguenos en nuestras redes sociales. Estamos en todas las plataformas como @telokwento. Hosted on Acast. See acast.com/privacy for more information.
Episode No. 582 of The Modern Art Notes Podcast is a holiday clips episode with artist Lari Pittman. Museo Jumex in Mexico City is presenting "Lo que se ve, se pregunta," a retrospective of Pittman's work that descends from a 2019 version of the exhibition that originated at the Hammer Museum in Los Angeles. The exhibition was curated by Connie Butler; the Mexico City presentation was coordinated with Adriana Kuri Alamillo. It is on view through February 26, 2023. This program, the second of two, was taped in 2019 on the occasion of the debut iteration of this project, “Lari Pittman: Declaration of Independence,” at the Hammer. The exhibition revealed Pittman's engagements with America's history and with issues and subjects that have been core to our history and identity, including landscape, violence, citizenship, belonging and more. The excellent exhibition catalogue was published by DelMonico Prestel. Amazon and Indiebound offer it for $50-65. Pittman is one of America's most-honored artists. His work is in the collection of virtually every important American art museum. Pittman has received awards from the International Association of Art Critics, the Skowhegan Medal, and he has been granted three National Endowment for the Arts fellowships. His work has been featured in many important international exhibitions, including Documenta and the Venice Biennale. For images, see Episode No. 415.
Episode No. 581 is a holiday clips episode with artist Lari Pittman. Museo Jumex in Mexico City is presenting "Lo que se ve, se pregunta," a retrospective of Pittman's work that descends from a 2019 version of the exhibition that originated at the Hammer Museum in Los Angeles in 2019. The exhibition was curated by Connie Butler; the Mexico CIty presentation was coordinated with Adriana Kuri Alamillo. It is on view through February 26, 2023. This program, the first of two, was taped in 2019 on the occasion of the debut iteration of this project, “Lari Pittman: Declaration of Independence,” at the Hammer. The exhibition revealed Pittman's engagements with America's history and with issues and subjects that have been core to our history and identity, including landscape, violence, citizenship, belonging and more. The excellent exhibition catalogue was published by DelMonico Prestel. Amazon and Indiebound offer it for $50-65. Pittman is one of America's most-honored artists. His work is in the collection of virtually every important American art museum. Pittman has received awards from the International Association of Art Critics, the Skowhegan Medal, and he has been granted three National Endowment for the Arts fellowships. His work has been featured in many important international exhibitions, including Documenta and the Venice Biennale. For images, see Episode No. 415.
Episode No. 575 features curators Vincenzo de Bellis and Leo Mazow. de Bellis is the curator of the retrospective "Jannis Kounellis in Six Acts," which is at the Walker Art Center in Minneapolis through February 26, 2023. Kounellis was a significant figure in the arte povera movement of the 1960s and 1970s whose work was on the vanguard of melding sculpture, installation and performance as is common in today's artistic practice. "Kounellis" will travel to Museo Jumex in Mexico City in April 2023. The exhibition is accompanied by a catalogue published by the Walker. Indiebound and Amazon offer it for about $55. Mazow is the curator of "Storied Strings: The Guitar in American Art" at the Virginia Museum of Fine Arts in Richmond. It's on view through March 19, 2023. The exhibition follows artists' interest in the guitar as a visual subject, revealing its cultural significance as a tool that reveals class, gender, identity and that amplifies protest and progressive change. "Storied Strings" will travel to the Frist Art Museum in May 2023. The exhibition catalogue was published by VMFA. It is available from the museum for $40.
Esta semana Julio habla sobre la exposición "Lovers" de Urs Fischer que se expone en el Museo Jumex de Ciudad de México, al igual que de la exposición del artista mexicano Rodrigo Hernández "El espejo"
Programa num 3 invitada: Ruth Ovseyevitz. Museo Jumex
A joint mix with musician Guy Picciotto, who plays in Fugazi and Rites of Spring for Radio alHara. Track listing: (Artist, Track Title) 01. Some Became Hollow Tubes - Dad's Last Purchase Was from Bed Bath and Beyond 02. Xylouris White - Achilles Heel 03. Gil Scott-Heron - 'Me And The Devil' 04. Eric Dolphy - Music Matador 05. Dayin - A Cold Flawless World (via @amekcollective) 06. The Ocean's Nerves - Songs Ohia 07. ANTELØPE - Reflector 08. White Magic - Winds 09. Vic Chesnutt - Parade 10. Altın Gün - Ordunun Dereler 11. @faditabbal - Music for Sleeping Masksi Accompanying image taken at the Museo Jumex in CDMX by Stefan.
SocialesPost Script: DuchampEscucha este artículoPowered by Luna Media Rafael Micha | ColaboradorRafael Micha M Sc. es Socio Fundador y Director en GRUPO HABITA, experto en relaciones públicas, marketing y VIPs. Conocedor y amante del arte.Ahora es el turno del MUSEUM MMK para exhibir la influyente obra de Marcel Duchamp a partir del jueves 31 de marzo y, después, el mejor pretexto para celebrar en petit comité en el restaurant MehlwassersalzSusanne Pfeffer, directora del museo con domicilio en el número 10 Domstraße en Frankfurt am Main es responsable de organizar una muestra en el Museum MMK für Moderne Kunst. Antes fue en el Museo Jumex donde se presentó la exposición Apariencia desnuda: el deseo y el objeto en la obra de Marcel Duchamp y Jeff Koons, aun, y ahora al otro lado del Atlántico se vuelve a revisar la obra del artista más importante del siglo XX y, sin lugar a dudas, el más influyente en el arte contemporáneo, justo antes de que comience en abril la Bienal de Venecia.
Ubicado en la Colonia Granada, en el #303 de la calle Miguel de Cervantes Saavedra, bajo la iniciativa de Eugenio López Alonso hoy en #SepultarElPasado hablamos del Museo JUMEX.
Así como una hoja en el viento, estas son ideas transmitidas a la memoria. En este episodio platicamos con Mariana López Martínez, restauradora del Museo Jumex, sobre su trabajo de conservar y restaurar obras de arte contemporáneo. #CultivamosMemorias Déjanos un mensaje de voz: https://anchor.fm/libreta-negra-mx Síguenos en nuestras redes sociales Libreta Negra Mx TW: https://twitter.com/LibretaNegraMx FB: https://www.facebook.com/LibretaNegraMx/ Apóyanos para continuar la labor de difusión y divulgación cultural. Paypal: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=ZT3KRRC2U58RA&source=url Ko-Fi: https://ko-fi.com/libretanegramx #LaHojaSuelta #Podcast #Cultura
En este episodio de Pata de Mono platicamos con la artista visual Andrea Carrillo con ella cotorreamos acerca de La Isla de la Simulación y de lo cargada que puede estar la Isla Bonita de Madonna.
Pues vamos a aprovechar el momento de polémica -¿por qué no?- para hablar de la obra de Sofía Táboas en el Museo Jumex y los fenómenos que suceden cada tanto en redes sociales sobre el arte contemporáneo y sus artistas en nuestro país. Y hoy (oh, sorpresa) @demuseos juega de abogada del diablo y no va a intentar convencer a @doncamisa de nada. ¡Desenlace inesperado! Quédense para escucharlo. Bienvenidos.
https://artsfuse.org/224483/visual-arts-review-letter-from-new-york-goya-grief-and-grievance/https://www.newmuseum.orgMassimiliano Gioni is the Edlis Neeson Artistic Director of the New Museum and the director of the Trussardi Foundation, a nomadic museum in Milan which organizes exhibitions by contemporary artists in forgotten buildings, public monuments and abandoned palazzos across the city. He has curated numerous international exhibitions and biennials including the 55th Venice Biennale (2013), the 8th Gwangju Biennale (2010), the first New Museum Triennial (co-curated with Lauren Cornell and Laura Hoptman in 2009), the 4th Berlin Biennale (co-curated with Maurizio Cattelan and Ali Subotnick in 2006) and Manifesta 5 (co-curated with Marta Kuzma in 2004).At the New Museum Massimiliano Gioni has curated both solo and group exhibitions. In 2018 in London at The Store X Gioni organized “Strange Days – Memories of the Future”, an anthology of video works originally presented at the New Museum. In 2019 he curated “The Warmth of Other Suns,” a collaboration between the New Museum and the Phillips Collection in Washington DC, and at Museo Jumex in Mexico City he curated “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Even”, the first exhibition to bring in dialogue the works of Marcel Duchamp and Jeff Koons – with nearly 500,000 viewers, the exhibition was the most visited in the museum's history. Since 2015 he has organized the presentations of the Tony and Elham Salame Collection at the Aishti Foundation in Beirut. Gioni has contributed to many publications and magazines including Artforum, Flash Art (for which he served as US editor from 1999 to 2003), Frieze, Parkett, Tate Etc., among others. He co-founded the “Wrong Gallery” with Maurizio Cattelan and Ali Subotnick, with whom he has directed the independent art magazines “The Wrong Times” and “Charley”. He is the commissioning editor of “2000 Words,” a series of monographic books published by the Dakis Joannou Collection/Deste Foundation, with which he has frequently collaborated, co-curating numerous exhibitions in Athens.
Paul Weiner (he/him) joins to discuss his process of creating abstract art, how the themes and iconography of our current moment are showing up in his work, and about how online culture can fuel some of our most intense rhetoric and deepen trenches. We also do a post-mortem analysis of the 2020 election cycle and think forward to what will happen in 2021 and beyond. Paul Weiner is a 27-year-old artist who makes abstract paintings imbued with political and social meaning. Many of Weiner's violently obscured and distressed artworks grapple with the contemporary identity and history of the United States. He also makes sculptures, prints, and drawings that contain a library of political and cultural symbols. Aside from abstraction, his work is best known for addressing the American flag and the 2012 Aurora theater shooting, which occurred in his hometown. Weiner's recent text drawings address the COVID-19 pandemic, American activism's relationship to power, and social media's role in contemporary culture. Weiner's recent solo exhibitions include venues such as Krupic Kersting Gallery in Cologne, Nancy Littlejohn Fine Art in Houston, Carthage College in Kenosha, Long Road Projects in Jacksonville, and TWFINEART in Brisbane. His work was included in group exhibitions at Pablo's Birthday in New York, Athens Institute for Contemporary Art in Georgia, Museo Jumex in Mexico City, se! rum in Denmark, Delphian Gallery in London, Arvada Center in Colorado, Neuer Aachener Kunstverein in Germany, Re: Art in Brooklyn, Marquee Projects in Bellport, New York, and Mana Contemporary in Chicago among many others. He recently completed a commission of multiple paintings for Kehinde Wiley at the Black Rock Senegal residency. Follow Paul on Instagram: @poweiner Check out Paul's Website. ...and… Trumpy Bear
"Solo (El Proceso Metafórico)" es la obra de Mario García Torres, enriquecida por la compañía de Sol Oosel. Juntos crearon una banda sonora, la cual puede ser escuchada en las diferentes plataformas digitales de música, y de fondo en esta charla con los dos artistas. Hasta el domingo 25 de octubre, las melodías compuestas se seguirán reproduciendo en el Museo Jumex de la Ciudad de México, así que no dejes pasar la oportunidad de revivir el momento en el que fue creada.
Desde filas interminables para ver a Yayoi Kusama, una muñeca inflable enorme fuera del Museo Jumex como antesala a la exposición de Duchamp y Koons, proyecciones y video maping de Van gogh y Klimt, la zona MACO con sus spots instagrameables, hasta TikTok; El arte, hoy, es entretenimiento y compite con todas las propuestas de mercado que intentan acaparar la atención de los consumidores. En este episodio invité a María Paz Amaro, doctora en historia del arte, escritora y catedrática, a conversar sobre la delgada línea entre el arte y la mercadotecnia, cómo diferenciamos el arte de los productos de consumo y hacia dónde va el mercado de arte después del Covid-19.
“I realized that more interesting things happen when I could do away with notions of quality and taste,” says Massimiliano Gioni, artistic director of the New Museum in New York and director of the Trussardi Foundation in Milan. Gioni—who The New York Times called a "biennale veteran" by the time he was 38—says this thinking freed him up to stage exhibitions that moved away from treating art like “the isolated masterpiece”. He talks to host Charlotte Burns about the collapse of the alternative art, music and publishing scenes in the 1990s and about the potential of social mobility within the art world. Massimiliano's latest show, “Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons, Evens”, is on view until 29 September at the Museo Jumex in Mexico City. To hear more, tune in now. Transcript: https://www.artagencypartners.com/transcript-63-massimiliamo/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm. Transcript: https://www.artagencypartners.com/transcript-63-massimiliamo/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.
El Sereno Episodio 163 Es semana de 'Se quema la barda' en El Sereno y Phersoix habló sobre el caso de H&M contra el graffitero Revok, quien les ha demandado por uso indebido de imagen. Además, recomendaciones de exposiciones en el Museo Jumex y el Museo del Palacio de Bellas Artes y en la Bienal de Ilustración de Pictoline.
Llegó el episodio 22 de Zona Pop más cargado que nunca. Pasamos desde la música electrónica con la colombiana Ali Stone hasta la exposición de Andy Warhol en Ciudad de México y por supuesto, no dejamos de cantarle las #concluMAÑANITAS al cumpleañero de la semana, nuestro Fernando del Rincón. Todo esto y más en este episodio de Zona Pop. Las entrevistas las puedes encontrar en los siguientes tiempos: 3:45: ¡Feliz cumpleaños, Fernando del Rincón! 13:05: Noticias Pop 19:08: Entrevista con la DJ colombiana Ali Stone 38:28: Entrevista con Iztel Rion, curadora asistente del Museo Jumex de la Ciudad de México 47:25: Entrevista con el duo electro-pop argentino, Miranda! 57:20: Lanzamientos discográficos Te invitamos a seguirnos en nuestras redes sociales: Javier Merino en Twitter es @JavitoMerino y Marysabel Huston es @hustonCNN. Recuerda dejarnos tus comentarios en Apple Podcasts y en TuneIn, esa es la mejor manera para que gente como tu pueda sumarse a esta ola 'popera' que es Zona Pop. ¡Gracias por escucharnos!Support the show: http://cnne.com/zonapopPara conocer sobre cómo CNN protege la privacidad de su audiencia, visite CNN.com/privacidad