Podcasts about nainita desai

There's immersive art… and then there's FOSO — the Fiber Optic Symphonic Orchestra now glowing at Sensorio in Paso Robles. In this episode of The Pour, Adam goes behind the glow with two world-class creators: internationally acclaimed light artist Bruce Munro, and Emmy-winning composer Nainita Desai.This is the first time Bruce has created a piece where light is fully synchronized to an original orchestral score. And Nainita? She didn't write this music for film or screen — she composed it for a landscape. For movement. For light.Link:Bruce Munro – brucemunro.co.uk Nainita Desai – nainitadesai.com Sensorio – Paso Robles – sensoriopaso.com FOSO – Fiber Optic Symphonic Orchestra -Now open at Sensorio in Paso RoblesTickets & InfoListen to the FOSO Score by Nainita DesaiSponsored by:Tin City Distillery: Join the Private Barrel Club and craft your own custom whiskey. The Pour has its own barrel - you can too! Check it out here: tincitydistillery.com/club/private-barrel-club.Follow Adam:Instagram: @adamontheairWebsite: adammontiel.com – Find episodes, giveaways, and more.Podcasts: Up & Adam, Where Wine Takes You, and The Pour with Adam Montiel—stream wherever you get your podcasts.Pop the cork and join the conversation—this is one pour you don't want to miss!********For info on Tin City Distillery's Private Barrel Club Click Here***********The Pour is recorded, edited, produced, and hosted by Adam Montiel. Follow Adam on Instagram @AdamOnTheAir and check out his daily podcast Up + Adam as well as Where Wine Takes You. To connect with Adam, learn more, or for Spotify or other pod links, visit AdamMontiel.comAbout ‘The Pour with Adam Montiel':In 2010, Radio Host Adam Montiel combined his longtime love for broadcasting with his, then, new love for wine. He created and produced, ‘The Cork Dorks'. The show was hosted with Adam and his good friend Jeremy West. It was the first of its kind. It began focusing on central coast wineries but as the show grew, so did their ability to travel and meet other winemakers they found everywhere from Napa to Bordeaux that adopted that same Central Coast quality of people willing to share their wines, and their stories. As the area's producer's grew, soon Adam's interview's covered everything from spirits, craft beer, cider, cuisine, hospitality, and more. Fast forward to today, the spirit and enthusiasm cultivated with the award winning show, is reborn as The Pour with Adam Montiel, this time independently, and unfettered by corporate authority leaving it even more free to share the journey of making wine more approachable and fun for everyone.  Here, We Taste It. We Spill It. We Leave it All On the Table. This is ‘The Pour' with Adam Montiel.__________Sincere Thanks to those who support The Pour. Please take a moment and visit them and thank them for supporting local broadcasting, and valuing what we do here. Thank you for supporting them!Original Music, ‘Come Alive' by Dan Curcio and Moonshiner Collective Moonshiner on Spotify HEREFollow Adam on Instagram HEREPlease Rate, Review, and Subscribe to the podcast, and learn more at AdamMontiel.com

I wanted to get a Handheld Talk episode out for the holiday but unfortunately, due to my own carelessness, my files for that have been lost. Instead, enjoy this little playlist I threw together featuring songs from games we played this year. Hope you enjoy! See you soon for our Pathologic 2 episode. —RosePlaylist:"Two of Everything" by Tori Beaumont from "Immortality""Kusabi Love or Die Remix" by Masafumi Takada from "The Silver Case""Clair de Lune" by Claude Debussy, arranged by Masafumi Takada from "The Evil Within 2""Fear II" by Yutaka Minobe from “Rule of Rose”"Koe" by Tsukiko Amano from “Fatal Frame III: The Tormented”"Miracle Workshop" by Vasily Kashnikov from “Pathologic 2”"You Came Back" by Ockeroid from “Crow Country”"Dead Space” by Jason Graves from “Dead Space”"Silencio Zero" by Vasily Kashnikov from “Pathologic 2”"The Tormented" by Tsukiko Amano and Ayako Toyoda from “Fatal Frame III: The Tormented”"The Reverse Will (Unseen Paths)" by Akria Yamaoka from “Silent Hill 2 (2024)”"Opening" by Nainita Desai from “Immortality”"Fairtale Town" by Ockeroid from “Crow Country””Shoot Speed" by Masafumi Takada from “Killer7”"Twyrine" by Vasily Kashnikov from “Pathologic 2”"Backbiting" by Yutaka Minobe from “Rule of Rose”"The Attic" Yutaka Minobe from “Rule of Rose”"Rave On" Masafumi Takada from “Killer7”

My guest today is Nainita Desai, the British composer for film, television and video games. Born and raised in London by her Indian parents, she earned a degree in mathematics, then studied sound design at the National Film and Television School. She started her career as a sound designer on the films Little Buddha, Lessons of Darkness and Death Machine, before branching into composition for television, including, among hundreds of others, the Oscar-nominated For Sama, the hit Netflix series American Murder and the BBC drama series Unprecedented. In 2022 she won the Emmy for ‘Outstanding Music Composition' for her work on The Reason I Jump, a film that explores the experiences of non-speaking autistic people around the world. More recently she has entered the world of video games, composing the scores for Telling Lies, Immortality, Call of Duty: Modern Warfare 2, and, most recently, Tales of Kenzera: Zau for which she has been nominated for a World Soundtrack Award.  Be attitude for gains. https://plus.acast.com/s/my-perfect-console. Hosted on Acast. See acast.com/privacy for more information.

#75: Today's guest is Nainita Desai, an award-winning composer based out of London, England. She has worked with dozens of high profile clients including Peter Gabriel and A24, as well as documentaries, film, game, TV, and game projects such as Immortality, American Murder, Call of Duty, and Tales of Kenzera: Zau.   In this episode, we talk about Nainita's upbringing as a sound designer first and how she transitioned her career into composition, learned tons of compositional and scoring skills—mostly on her own—the importance of saying “no” to great opportunities, why we should advocate for our art, and so much more.   Find Nainita Desai here: Website: https://nainitadesai.com/ IMDB: https://www.imdb.com/name/nm0220831/ Instagram: https://www.instagram.com/nainita_desai/?hl=en Twitter: https://x.com/nainitadesai?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor     And if you're interested in making music and sound for games, I have a newsletter and free courses that will get you started, and help you find paying work in games. Just go to http://www.bit.ly/soundbizpod

In this episode, Michael speaks with Alex Smalley, an expert in Environmental Psychology and researcher at the University of Exeter. Alex's research program explores, in his words, “the cognitive and emotional impacts of virtual encounters with the natural world”. He has collaborated extensively with the BBC in the UK, including in the creation of a wonderful podcast entitled “The Healing Power of Nature”. An important take-away from Alex's work is that virtual experiences with nature can have a positive impact on our well-being, and that this effect is stronger for those with previous experiences with the natural environment itself. This undelies another important lesson, that virtual experiences in nature should be seen as an important complement of but not a substitute for the real world. But with many of us spending most of our time indoors, such a complement can prove to be very important, as Alex explains during the interview.   References: Alex's website: https://medicine.exeter.ac.uk/people/profile/index.php?web_id=Alexander_Smalley Audible podcast: https://www.audible.com/podcast/The-Healing-Power-of-Nature/B0CLW481KM Smalley, Alexander J., Mathew P. White, Rebecca Ripley, Timothy X. Atack, Eliza Lomas, Mike Sharples, Peter A. Coates, et al. 2022. “Forest 404: Using a BBC Drama Series to Explore the Impact of Nature's Changing Soundscapes on Human Wellbeing and Behavior.” Global Environmental Change: Human and Policy Dimensions 74 (May): 102497. https://doi.org/10.1016/j.gloenvcha.2022.102497. Smalley, Alexander J., Mathew P. White, Rebecca Sandiford, Nainita Desai, Chris Watson, Nick Smalley, Janet Tuppen, Laura Sakka, and Lora E. Fleming. 2023. “Soundscapes, Music, and Memories: Exploring the Factors That Influence Emotional Responses to Virtual Nature Content.” Journal of Environmental Psychology 89 (August): 102060. https://doi.org/10.1016/j.jenvp.2023.102060.

TALES OF KENZERA: ZAU, le test par Yohann LemoreÀ savoir► Sortie : 23/04/2024► Plateformes : Switch, PC, Series S|X, PS5► Développeur : Surgent Studios► Editeur : EA Originals► Genre : Metroidvania► Age : +7Crédits audio Tales Of Kenzera: Zau, soundtrack by Nainita Desai► https://www.youtube.com/watch?v=Ox8aSueDGmg&pp=ygUedGFsZXMgb2Yga2VuemVyYSB6YXUgc291bmR0cmFr

Nainita Desai is an award-winning composer whose work has spanned creative formats, from documentaries like The Reason I Jump where she won an Emmy for Outstanding Music Composition, to TV series like Funny Women, to video games like Telling Lies and Immortality. With over 150 credits to her name, Nainita is nothing short of prolific.In the following interview, Nainita talks about her journey into becoming a composer and how Peter Gabriel impacted her career. While we don't touch on her education in mathematics, it plays a vital role in her career as a composer, guiding her interest in sound design as well as composition. From here, our discussion leads into talking about the role of nature in her work, as heard in films like The Deepest Breath, and the 2024 Sundance award-winning film Nocturnes. In both of these films, the role of the ocean and the mountains is as important as the world of the people we are following, and Nainita talks about the way that she reflects those characters journeys in her compositions.Equally important is the role that silence plays in her work. Nainita talks about the role that silence plays as the unspoken instrument for a composer, and how important it is to relinquish the score to amplify the drama of a scene. As a flow on of this discussion point, Nainita talks about the difficulty of knowing that not all aspects of her score will end up in the final film.This wonderfully insightful conversation flows between creativity and personal journeys, with Nainita giving us an in depth look at the mind of a composer. This conversation was recorded ahead of Nainita's upcoming appearance at the Australian International Documentary Conference, which opens in Melbourne on 3 March 2024. Nainita will be presenting a discussion called The Art of Composing for Documentary with Nainita Desai, alongside moderator Emma Bortignon. As we close out this interview, I asked Nainita about the importance of being accessible for interviews and panel discussions, which leads Nainita to reflect on the role of being a mentor for emerging composers, particularly women composers. To find out more about AIDC, visit AIDC.com.au.If you enjoy this discussion, I urge you to seek out other interviews with Nainita as they have regularly been in depth and valuable insights into her art as a composer. Also visit her website nainitadesai.com for more information. Hosted on Acast. See acast.com/privacy for more information.

Nainita Desai is an award-winning composer whose work has spanned creative formats, from documentaries like The Reason I Jump where she won an Emmy for Outstanding Music Composition, to TV series like Funny Women, to video games like Telling Lies and Immortality. With over 150 credits to her name, Nainita is nothing short of prolific.In the following interview, Nainita talks about her journey into becoming a composer and how Peter Gabriel impacted her career. While we don't touch on her education in mathematics, it plays a vital role in her career as a composer, guiding her interest in sound design as well as composition. From here, our discussion leads into talking about the role of nature in her work, as heard in films like The Deepest Breath, and the 2024 Sundance award-winning film Nocturnes. In both of these films, the role of the ocean and the mountains is as important as the world of the people we are following, and Nainita talks about the way that she reflects those characters journeys in her compositions.Equally important is the role that silence plays in her work. Nainita talks about the role that silence plays as the unspoken instrument for a composer, and how important it is to relinquish the score to amplify the drama of a scene. As a flow on of this discussion point, Nainita talks about the difficulty of knowing that not all aspects of her score will end up in the final film.This wonderfully insightful conversation flows between creativity and personal journeys, with Nainita giving us an in depth look at the mind of a composer. This conversation was recorded ahead of Nainita's upcoming appearance at the Australian International Documentary Conference, which opens in Melbourne on 3 March 2024. Nainita will be presenting a discussion called The Art of Composing for Documentary with Nainita Desai, alongside moderator Emma Bortignon. As we close out this interview, I asked Nainita about the importance of being accessible for interviews and panel discussions, which leads Nainita to reflect on the role of being a mentor for emerging composers, particularly women composers. To find out more about AIDC, visit AIDC.com.au.If you enjoy this discussion, I urge you to seek out other interviews with Nainita as they have regularly been in depth and valuable insights into her art as a composer. Also visit her website nainitadesai.com for more information. Hosted on Acast. See acast.com/privacy for more information.

In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.Chapters00:00 - Introduction01:26 - Delia Derbyshire ArchiveMark Ayres03:15 - Mark Ayres Introduction 07:44 - The Beginnings Of Electronic Music10:12 - Electronic Sound Sources13:10 - The Delia Derbyshire Archives18:40 - Favourite Piece - The Makeup Tape Of Blue Veils22:21 - The Future Of The ArchivesDavid Butler24:38 - David Butler Introduction28:59 - The Contents Of The Archives33:17 - Building A Network Of Collaborators35:03 - Methods And Techniques Revealed36:59 - Manipulating The Voice39:05 - Favourite Piece - Two Houses And Demo Cue Cosey Fanni Tutti41:42 - Cosey Fanni Tutti Introduction 43:42 - Delia Derbyshire Musical Influences45:24 - A Background In Physics48:50 - Favourite Piece - Amor Dei53:34 - The Importance Of The Archiveshttps://deliaderbyshireday.com/dd-archive/Delia Derbyshire BiogDelia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer's Doctor Who theme, created in 1963.Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.Mark Ayres BiogMark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who's 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".Mark was involved in the BBC Radiophonic Workshop's final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.David Butler BiogDavid Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive  to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.Cosey Fanni Tutti BiogCosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film 'Delia Derbyshire: The Myths And The Legendary Tapes' and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.https://www.coseyfannitutti.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

THIS WEEK: Peter watches clips in an interactive movie trilogy to discover the fate of Marissa Marcel with Nainita Desai's work in Immortality and Joe solves the mystery of Jeremy Hartwood's death with the first survival horror adventure with 3D graphics in Alone in the Dark.

Nitin Sawhney, Tim Burgess, Nainita Desai and Ayanna Witter-Johnson discuss how their family and cultural history impacts their creativity, being conscious of who they're representing when creating, and how their output is a reflection of their changing identities. Producer, composer, and DJ Nitin Sawhney grew up studying the piano, guitar, sitar and tabla, and released his debut album Spirit Dance in 1993. Since then he has scored music for theatre, dance, video games and cinema, including the BBC TV series Human Planet. He's also produced albums for the likes of Helene Grimaud and Anoushka Shankar, conducted and composed for the London Symphony Orchestra, and had his own BBC classical Prom. He's also DJed at world-renowned London nightclub Fabric and has worked with Paul McCartney, Nelson Mandela, Joss Stone, Annie Lennox, Sting and Mira Nair. His new album Identity will be coming out this year on October 13th. Tim Burgess is a singer, musician, and record label owner, best known as the frontman of influential English rock band the Charlatans. He's enjoyed an incredibly successful career in music, from releasing hit singles throughout the 90s to exploring the fabric of pop and rock in his books, as well as his ever-popular Tim's Twitter Listening Party events on social media. Nainita Desai is an award-winning composer of film, television and video game music with a background in sound design. She creates powerful, emotive scores, and moves seamlessly from working with orchestras to using her collection of custom-made instruments. Some of her recent projects include The Reason I Jump, an immersive cinematic exploration of neurodiversity, and the Oscar-nominated documentary For Sama. Ayanna Witter-Johnson is a composer, singer and cellist whose music crosses the boundaries of classical, jazz, reggae, soul and R&B. She's toured with the likes of Anoushka Shankar and Courtney Pine, recorded with Akala, and composed for the London Symphony Orchestra, effortlessly straddling different musical worlds.

An in-depth conversation with Nainita Desai, composer of Call of Duty: Modern Warfare II (Season 3) about her techniques, composing for games and documentaries.Call of Duty: Modern Warfare II is available on PC and Consoles.Wassup Conversations is available on YouTube and all the major podcast streaming services:https://www.nikoofarmusic.com/wassup#NainitaDesai #CallofDuty #SoundtrackSupport the show

The Girls On Film Awards are back for a second year, and you are warmly invited to join the audience! This first in a three-part episode was recorded at The Garden Cinema in London on 23 February 2023, with an intimate audience of nominees, film critics and industry supporters. Hosts Anna Smith and Hedda Archbold reveal the winners of the following categories: Best Female Friendship on Screen Best Documentary Feature Best Production Design Best Composer We hear from stars including Sheila Atim on behalf of The Woman King, Kathryn Ferguson, Hildur Guðnadóttir, and Kave Quinn, and presenters including directors Philippa Lowthorpe and Waad Al-Kateab, film critic Wendy Mitchell, and composer Nainita Desai. Other films mentioned in this episode: After Yang All The Beauty And The Bloodshed Babylon Black Panther: Wakanda Forever Blonde Catherine Called Birdy Devotion Don't Worry Darling Elvis Fadia's Tree Fire Of Love Girl Picture aka Girls Girls Girls aka Tytöt Tytöt Tytöt I Wanna Dance With Somebody Last Flight Home Living Mr Malcolm's List Nope Nothing Compares She Said Tár The Silent Twins The Swimmers The Woman King Women Talking Listen out for the next part of the awards ceremony coming soon! Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Audio Producer: Michelle Tofi Intern: Eleanor Hardy House band: MX Tyrants This episode is in partnership with Vanessa Smith and Peter Brewer. With special thanks to The Garden Cinema for hosting the awards, to our category sponsors EON Productions, IMDb, Intimacy on Set and Netflix, to our reception sponsor Head Gear Films, and to our media partners, British Cinematographer magazine, Deadline, Scala and Time Out.

Austin Wintory chats with composer and Emmy winner Nainita Desai. Together they discuss her early life in music and musical heroes; the process and challenges of composing for games versus television or film; her recent work with Sam Barlow on IMMORTALITY and Telling Lies; and the touchstones they developed for creating music for such unique games. Watch this episode on our Youtube channel. The Game Maker's Notebook is sponsored by Xsolla. To learn more, go to xsolla.pro/AOIAAS.

Marissa Marcel era uma atriz promissora prestes a alcançar o estrelato, porém, participou de três filmes que nunca foram lançados. Agora, ela está desaparecida. Do diretor Sam Barlow, Immortality é um título onde o jogador investiga as gravações desses três filmes na tentativa de solucionar esse mistério. Clicando nos atores e objetos em cena, é possível seguir entre as filmagens fora de ordem, dinâmica essa que auxilia na sensação de estar montando esse quebra-cabeças narrativo, repleto de teorias. Transcrição do Episódio Música: Life, Art e Religion - Subverted por Nainita Desai. Twitter: @erickludico Instagram: @levelsecreto Apresentação, Produção, Roteiro, Edição e Identidade Visual por Erick Oliveira.

0:00 SEG 1 Nainita Desai ( https://twitter.com/nainitadesai ), composer for the video game ‘Immortality' https://store.steampowered.com/app/1350200/IMMORTALITY/ 23:35 SEG 2 ‘Werewolf by Night' and ‘She-Hulk' season 1 review with Larry Quiggins from Bug's Comics ( https://bugscomicsandgames.com/ ) 36:22 SEG 3 ‘She-Hulk' controversey 44:43 SEG 4 The future of Hulk movies Thanks to our sponsors Marcus Theatres (https://www.marcustheatres.com/), Historic St. Charles, Missouri (https://www.discoverstcharles.com/), and Bug's Comics and Games (https://bugscomicsandgames.com/) Amazon Affiliate Link - http://bit.ly/geektome Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon - https://www.patreon.com/GeekToMeRadio Website - http://geektomeradio.com/ Podcast - https://anchor.fm/jamesenstall Facebook - https://www.facebook.com/GeekToMeRadio/ Twitter - https://twitter.com/geektomeradio Instagram - https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee --- Support this podcast: https://anchor.fm/jamesenstall/support

A surprise mini-episode in which Jay interviews award-winning composer Nainita Desai on her experience composing for Sam Barlow and Half-Mermaid's new game Immortality!Safe Room is a Bloody Disgusting weekly horror video game podcast with new episodes every Monday oniTunes/Apple, Sticher, Spotify, Google Podcasts, and Linktree for additional streaming services. Feel free to follow the show and hosts on Twitter:Safe Room | Neil | Jay Hosted on Acast. See acast.com/privacy for more information.

Composer Nainita Desai is all over my playlist these days, whether it's her game music or film music. Most recently, it's for Sam Barlow's new interactive film/game called Immortality. In Immortality, the player sifts through footage of 3 unreleased feature films, trying to solve the mystery of missing (fictional) film star, Marissa Marcel. As a result, the music shifts through several different moods throughout the experience. We also discuss Nainita's Emmy-nominated scores for 14 Peaks: Nothing Is Impossible and The Reason I Jump. You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. CRIS VELASCO Cris Velasco is one of the most sought-after composers working today in media, scoring some of the world's biggest video game franchises including Fortnite, Resident Evil, Overwatch, Bloodborne, Darksiders, Dauntless, Assassin's Creed, Warhammer, Borderlands, Mass Effect and God of War, and television series such as HULU's Dimension 404 and Freakish. He is also a passionate art collector, curating unique dark and surrealist art exhibitions in LA and Chicago including ‘Wunderkammer' celebrating eclectic and visionary artwork from Clive Barker, and ‘From The Depths' showcasing paintings paying homage to H.P. Lovecraft. Cris' music is regularly performed in symphony concerts worldwide and has received numerous accolades including “Outstanding Achievement In Original Composition” from the Academy of Interactive Arts and Sciences, IGN's People's Choice Award – Best Music, NBC News award for Best Video Game Music and Best Original Music nomination from the British Academy of Film and Television Arts. NAINITA DESAI BAFTA Breakthrough Brit & 2x Emmy-nominated composer Nainita Desai was described by Empire Magazine as one of the Top 5 Composers to Watch for in 2022 and was included in leading UK film critic Mark Kermode's Top 3 Film Scores of 2021. Most recently, Nainita earned Emmy, HMMA, and ASCAP Composer Choice nominations for her score to 14 Peaks: Nothing is Impossible. Additionally, throughout her career she has received an RTS and World Soundtrack Award as well as 2x BIFA and Ivor Novello nominations. Her other scores include Body Parts, which premiered at the 2022 Tribeca Film Festival, the Oscar-nominated For Sama, Sundance and multi-award-winning feature The Reason I Jump, BBC drama series Unprecedented, BAFTA-nominated Netflix doc American Murder, The Tower (ITV), The Story Of Us, as well as Interactive film/video game Telling Lies. Upcoming drama series include Crossfire (BBC1), Funny Woman (SKY), Earthsounds (Apple TV+), Predators (Sky/Netflix) as well as video games The Teacher and Immortality.

We finally get to talk about a video game score for the first time in the podcast's history! And yet, we're still intimately connected to the realm of moviemaking considering the subject material: Immortality, the new game from Sam Barlow, who made Her Story and Telling Lies.   Keeping with the interactive-movie brief of those previous games, Immortality is a time/genre-spanning mystery that tasks you with poring over the raw footage of three films starring a young actress named Marissa Marcel, who disappeared without a trace. By jumping from clip to clip between these films -- late-'60s erotic religious thriller Ambrosio, 1970s detective film Minsky, and 1999 showbiz tragedy Two of Everything -- you peel back the layers of Marissa's fate, and explore the very nature of media as a means to achieve eternal life.   For this project, Barlow enlisted the aid of twice-Emmy-nominated composer Nainita Desai, who also scored Telling Lies, to build the musical world of Immortality. Rather than scoring to genre specificity, Desai built three major themes exploring unique ideas spread among the three films: religion, life, and art. And, of course, she finds ways to subvert and play with those ideas, giving her lush, suspenseful orchestrations a feeling of cohesion while guiding the player through the emotional journey we share with Marissa.   I was delighted to have Nainita on the show to talk about her journey, her influences, her unique working relationship with Barlow, and the cinematic influences she drew from as she stitched these three celluloid worlds together. (Plus, stay tuned for track commentaries breaking down these motifs in greater depth.)   You can find Nainita Desai on her official website here.   Immortality is available to play on Steam, Netflix Games, and Xbox (free on Day One if you have Game Pass) You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.

Gaming has always enjoyed a special relationship with the movies, but title don't always transfer well from one medium to the other. Louise looks at the symbiotic relationship between games and movies and talks to composer Nainita Desai about his music for the upcoming new Sam Barlow game Immortality. The programme includes music by Stuart Chatwood for Prince of Persia, Henry Jackman for Uncharted 4, Jim Dooley for Epic Mickey 2, and Mark Mothersbaugh for Ratchet & Clank. The programme also has music from Jason Graves for House of Ashes, Harry Manfredini for Friday the 13th and John Paesano for Marvel's Spider-Man. The Hi Score is Jeremiah Pena's music for Jurassic World Evolution.

In today's episode of Sync Music Matters I'm talking to TV, Film and General Media composer Nainita Desai Nainita Desai Media Composer who you might be most familiar with for her extensive work in TV and Film She is an RTS Winner a BIFA, Cinema Eye Honours and Ivor Novello nominee and is officially a BAFTA Breakthrough Brit. She was also IFMCA Breakthrough composer of 2020 Nainita's recent projects include Netflix's 14 Peaks - Nothing is Impossible (ASCAP Composer Choice nominee for best documentary score )  She scored the critically acclaimed Oscar Nominated film For Sama, The Sundance winning feature The Reason I Jump and American Murder - The Family Next Door Netflix' most viewed documentary feature We talk about her Love for Star Trek and Barbara Streisand - not necessarily together. We also discuss her fascinating route in to music via working as Peter Gabriel's Assistant and working as a TV foley artist. You can find more about Nainita Desai here: https://nainitadesai.com/ If you like to listen to some of Nainita Desai's influences, you can here: Jean Michel Jarre Brian Eno Daniel Lanois Peter Gabriel - The Last Temptation of Christ Real World Studio Dave Bottrill BBC Radiophonic Workshop John Barry Stephen Sondheim Ennio Mirricone 14 Peaks: Nothing is Impossible The Reason I Jump Colin Stetson - Hereditary Gabriel Yarid Michel Yared Clint Mansel Michael Nyman Thomas Newman - Revolutionary Road Trevor Jones - Last of the Mohicans David Shire - The Conversation Nicholas Britell - Don't Look Up Nicholas Britell - Succession  

Personal stories of inspiration from professional composers, songwriters and musicians.In this episode, Gareth chats with composer Nainita Desai about her varied music education and a chance meeting with a rock star.Subscribe now via The Music Room website to have new episodes magically appear in your podcast app!Host: Gareth Davies Produced by The Sound Boutique LinksFor music stories, stuff going on in the Music Room community, items & advice from guests and more, subscribe to the Music Room newsletter Music stories:Tim WhiteRichard WilkinsonJosh BonneyAmy BalcombeSend your music story: hello@thesoundboutique.comSend your music story (audio) Music story contributors are featured in the next Music Room newsletter Nainita's websiteNainita on FacebookNainita on Twitter Nainita on Instagram Nainita on IMDb

Briti vokaalansambli esituses kõlab spirituaalne voolav muusika, mille autorid on tuntud filmi-, elektroonilise muusika ja alternatiivse nüüdisklassika loojad nagu Ola Gjeilo, Hildur Guðnadóttir, Nainita Desai jt.

In this episode, our host Anna Smith takes the feminist film conversation to new heights by climbing into the world of sport. We take a look at the empowering documentary The Wall - Climb for Gold, which centres on the lives, perseverance and determination of four female athletes, as they prepare for and compete in the 2020 Tokyo Olympics. While the focus is on climbers, this is a human story that everyone can relate to. To unpack this inspiring story about endurance and overcoming obstacles, Anna is joined by climber Shauna Coxsey MBE, composer Nainita Desai and editor Emily West. Shauna discusses her experience of watching the film for the first time and seeing the audience reactions to it. Having grown up watching sports with her dad, Shauna reveals that a French film about a climber inspired her to take up the sport. Following on from that, Nainita delves into the creative process behind her score as a microcosm for what it means to be human and the ways in which her score reflects the different personalities of all four women. Editor Emily West reveals when she got involved in the editing process and the importance of having a female gaze to tell a story about women. The Wall - Climb for Gold is available now on Apple TV and Amazon Prime Video. The soundtrack is available on Spotify as four separate singles - each one reflecting the personality and journey of the four athletes in the film: https://open.spotify.com/artist/6yyzlTFjuZqptozK4Q9wHO Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Benjamin Cook. Assistant Producer: Shanaiya Pithiya. House band: MX Tyrants. This episode was produced in partnership with Windfall Films, part of the Argonon Group.

Bindass Boll with Nainita Desai Rana. How sharing Feelings in to word is very Important.

Nainita Desai is an award-winning composer for film and media. Her recent projects include the critically acclaimed Oscar 2000 nominated film For Sama, Sundance 2020 winning feature The Reason I Jump, Netflix' most-watched documentary feature to date, American Murder, and the Annapurna Interactive Film-Game Telling Lies. Film4 labelled her as one of the top 5 "composers who should be on your radar" and her projects have been in the Top 5 Scores and Video Games lists of 2019 by Scala Radio.     This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.steinberg.net/tpc for a free 30-day trial version. Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   Composer Nainita Desai discusses how the line between sound design and composing can be blurry, and how it's a good thing. Topics Covered: Nainita's portfolio Lots of crumbs make a biscuit Mathematics The Reason I Jump Autism Sound design Website: www.nainitadesai.com Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by Studio184.

Nainita Desai is a British-Indian composer based in London, UK. Nainita's eclectic musical upbringing led her to studying the sitar, piano, table, guitar, violin, and singing. After receiving a degree in Mathematics, she attended the National Film and Television School in London. She worked as a sound designer and musical engineer, working alongside Peter Gabriel. Making the powerful decision to transition to composing and following her love for music making; today Nainita is an Ivor Novello, BIFA, and Cinema Eyes Honors nominee, a BAFTA Breakthrough Brit and the IFMCA Breakthrough Composer (2020.) She's composed intensely engaging scores for films, tv, documentaries, specials- including the Oscar-nominated and BAFTA-award winning film For Sama, the recent documentary The Reason I Jump, and Netflix's most watched doc feature to date- American Murder: The Family Next Door. In this episode, Nainita and Nadine discuss her score for “The Reason I Jump” and about creating a work using prompts from a book. They chat about her roots in world music, attending Catholic school during the week & Hindu temple on the weekends, and about her choice to study Mathematics. She shares about what learned as a musical engineer creating sonic worlds and her pivotal career moments like when writing musical numbers for Mumbai High. They discuss the making of the score for For Sama, and the Netflix documentary American Murder: The Family Next Door.The music in this episode was kindly provided by Nainita.Nainita Desai is a film composer. You can check out her work on her website www.nainitadesai.com and Instagram, also streaming on Netflix, HBO Max, and Spotify.Nadine Reumer is a Dutch actress and podcaster based between Amsterdam and New York City. For further information on her work & to get in contact, visit her website: www.nadinereumer.com See acast.com/privacy for privacy and opt-out information.

In this episode we speak to Nainita Desai, composer of the score to Best Film BIFA award winning For Sama. An Ivor Novello award nominated composer, Nainita's work can be heard in new cinema release The Reason I Jump, innovative video game Telling Lies and hit true crime TV series Sophie: A Murder in West Cork.Welcoming come to This Is My Cinema, a podcast from the British Independent Film Awards. The show is called This Is My Cinema and it's all about celebrating the very best talent in the British film scene and the cinema experiences that made them who they are today. Our hosts Michael Leader and Rhianna Dhillon will be talking to rising stars and legendary names from in front of and behind the camera, exploring their origins in filmmaking, their inspirations, their memories of the cinemas they grew up visiting and of course whether they take their popcorn salty, sweet - or wouldn't dream of taking food to a film at all. On the 18th of February, the British Independent Film Awards will be broadcasting live on Facebook and YouTube, hosted by Tom Felton, with lots of special guest appearances too. In celebration of the awards, we'll be releasing one podcast episode every day that week, so subscribe now to This Is My Cinema wherever you listen to your podcasts… you'll want a front row seatThis is my cinema is a Little Dot Studios production for BIFAThe show is hosted by Rhianna Dhilllon and Michael LeaderIt's produced by Jake Cunningham, Ellie Aitken and Harold McShielAnd we're edited by Content is QueenPhoto credits for this episode and its marketing materials: See acast.com/privacy for privacy and opt-out information.

This RTS award-winning composer is also an Ivor Novello, BIFA, and Cinema Eye Honors nominee; a BAFTA Breakthrough Brit, and the IFMCA Breakthrough Composer of 2020. Amongst various BAFTA, Oscar, Emmy acclaimed productions, her recent projects include critically acclaimed Oscar 2020 nominated film For Sama, Sundance 2020 winning feature The Reason I Jump, American Murder Netflix's most watched documentary feature to date, Annapurna Interactive Film-Game Telling Lies and BBC drama series Unprecedented. She's one of my favorite composer/sound designer hybrids and I'm very excited to meet her today!

 The composer is… Nainita Desai --- Support this podcast: https://anchor.fm/composertalk/support

This week on the podcast, our guest is sound designer and composer Nainita Desai! Nainita's worked on documentaries, film, tv,  commercials, musicals, video games... her credits are amazing and so is she! She's the first composer we've had as a guest! She has scored countless BAFTA, Oscar, Emmy acclaimed productions including 2020's FOR SAMA. Her most recently released project is the Sundance Doc Audience Award winning THE REASON I JUMP, an immersive film exploring the experiences of non speaking autistic people from around the world. It just came out this past Friday, along with the first single and music video! You can follow the film @reasonIjumpfilm to hear the music and find out where you can watch.  Over 95 percent of composers are men, and we need more Nainitas!   Follow Nainita Desai on Twitter: https://twitter.com/nainitadesai  Follow Nainita Desai on Instagram: https://www.instagram.com/nainita_desai/  Watch The Reason I Jump: https://thereasonijumpfilm.com/  Support Action For Sama: https://www.instagram.com/actionforsama    Listen to Nainita on Spotify! https://open.spotify.com/artist/6yyzlTFjuZqptozK4Q9wHO  Subscribe to our newsletter at https://www.firecrackerdepartment.com  and follow us @firecrackerdept!

Composing for film requires a variety of different skills, some may surprise you! In this episode Xylo Aria chats to Nainita Desai who has been involved in composing for Oscar, and BAFTA winning films about the end to end process of film scoring and what's involved, Support us by becoming a member of MPW: https://musicproductionforwomen.com/membership Learn to produce music with MPW: https://musicproductionforwomen.com/free-trial32736265

Chapters00:40 - Introduction01:34 - Current projects04:19 - Mixing up the creative process06:49 - Electronic and mathematical roots10:19 - Discovering the industry15:31 - From foley artist to Peter Gabriel's Real World Studios22:48 - Pioneering spirit and inspiration25:23 - Capturing the magic of performance27:54 - Hardware and plugins33:33 - Getting expression into a performance37:39 - Methodologies and storytelling45:16 - EndingNainita Desai BiogIvor Novello award nominee, Nainita Desai is a BAFTA Breakthrough Britand International Film Music Critics Association Breakthrough Composer of 2019. Amongst various BAFTA, Oscar, Emmy acclaimed productions, Nainita's recent features include critically acclaimed Oscar 2020 nominated film For Sama also nominated for Best Music at the BIFAs. Film4 labelled her as one of the top 5 ‘composers who should be on your radar' for 2020 and her projects have been in the Top 5 Film Scores and Video Games scores of 2019 by Scala Radio. Recent projects include Sundance 2020 winning feature The Reason I Jump, Netflix original series Bad Boy Billionaires, American Murder (exec prod: James Marsh), and BBC drama series Unprecedented.Following a degree in Maths, Nainita began her career working as a sound designer on features for directors including Werner Herzog and Bertolucci and assistant music engineer to Peter Gabriel. Nainita moves seamlessly between working with orchestras, to scores utilising her collection of custom made instruments, incorporating electronics, found sound, and experimental sound design which has informed her experimental, deeply immersive approach.Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. She started making music thanks to being laid up whilst living in a double decker bus and listening to Warp Records in the late 1990's. This "sonic enchantress" (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Delia Derbyshire Day Charity: https://deliaderbyshireday.com

TSAP S03E10 Sam chats with composer Nainita Desai about her career, working on Telling Lies, For Sama, and more! Special thanks to Callum Tennick for editing. Intro Track: "Midnight" from Telling Lies Outro Track: "Leaving Home" from For Sama Working at the forefront of a new wave of emerging artists, RTS and BIFA nominated composer Nainita is a BAFTA Breakthrough Brit, and is the International Film Music Critics Association Breakthrough Composer of 2020. She has scored countless BAFTA, Oscar, Emmy acclaimed productions. The PRS placed Desai at No 2 in their Top 10 female writers whose work was most used in Film & TV through 2018. She has also been awarded Best Original Music at the Music+Sound Awards 2019 and Naturvision Film Festival 2019. Nainita's most recent feature releases include OSCAR 2020 nominated and BAFTA, Cannes, BIFA, SXSW winning feature doc For Sama which was also nominated for Best Music at the BIFAs 2019. Other recent projects include Untamed Romania, the most successful Romanian non-fiction film of 2018, WW2 period drama Enemy Within, psychological horror Darkness Visible [BFI], and Interactive game / video game Telling Lies one of the top critically acclaimed releases of 2019 by Annapurna Interactive including Scala Radio's Top 5 Video Game Scores of the Year and Music+Sound Award winning Title track. Her 2020 projects include feature film The Reason I Jump (Sundance World Cinema Doc Audience Award winner), upcoming Netflix original series Bad Boy Billionaires and innovative Quibi | BBC Studios series Fierce Queens. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

When it comes to documentary film - and really film, in general - one of the forgotten heroes is often the film's music composer. And yet, it's often the music that truly elevates a film from good to greatness, making the storyline and all of its visuals just a bit more rich, complex, and emotional. In today's episode I'll take a look at 5 Considerations for Music for Your Doc. This will be followed by a deep dive discussion with world-renowned film composer, Nainita Desai, the multi-award winning and internationally recognized composer of 2019 Academy Award nominee, For Sama.   Topics Discussed five considerations for music for your documentary how a background in both sound and film brought Nainita Desai to composing for film how she immerses herself in the material of a doc project that she will be scoring best practices for the doc director to approach their working relationship with a music composer Additional Resources  The WorkshopsDEAL - $50 WORKSHOPS FOR THE MONTH OF APRIL! Did you know that we now have https://thedocumentarylife.com/workshops/ (workshops)? Check out our full https://thedocumentarylife.com/workshops/ (roster) and reserve your seat today!   Sponsors & Thank Yous Music Vine 15 PERCENT OFF!Music Vine https://musicvine.com/ ()Thank you to music licensing platform, https://musicvine.com/ (Music Vine) for contributing the wonderful music that we've used in this week's episode. We've used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different. Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across. If you need any music for your doc project, we can honestly recommend https://musicvine.com/ (Music Vine). And make sure to use our promo code to get an additional 15 percent off of any subscription!! PROMO CODE: doclife15   ° http://freemusicarchive.org/ (Free Music Archive) – Special Thank You to recording artist, http://freemusicarchive.org/music/Dlay/ (Dlay) who supplied music for this week's episode of TDL. You too can download his music or other artists' music by going to http://freemusicarchive.org/ (Free Music Archive) today!   Subscribehttps://podcasts.apple.com/us/podcast/the-documentary-life/id1112679868 (Apple) | https://open.spotify.com/show/0wYlYHJzyk3Y7fHzDDwvmp (Spotify) | https://www.stitcher.com/podcast/thedocumentarylife/the-documentary-life (Stitcher) |  Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the https://itunes.apple.com/us/podcast/documentary-life-filmmaking-documentary-films-documentary/id1112679868?mt=2 (link) and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!

Nainita Desia has achieved so much in the last few years that I don't even know where to begin. So let's just start with 2019 - she was the IFMCA's Breakthrough Composer Of The Year, nominated for Best Score at the British Independent Film Awards, and was the composer for Oscar nominated and BAFTA, Cannes, BIFA and SXSW winning documentary “FOR SAMA” which features some of the most complicated subject matter a composer will ever encounter. My talk with Nainita was so enlightening; I hope you take away as much from the interview as I did. For the full transcript visit: https://soundtrack.academy/nainitadesai Check out Nainita's website: http://nainitadesai.com/

本期主创团队&音频主播： 陈玲珍（奥斯卡“美国影艺学院”会员，CNEX联合创办人） 陆庆屹（纪录片导演，代表作《四个春天》） 控场：波米；后期：思源/波米；编辑排版：效愚；封面设计：画电影（可关注B站“画电影”频道）； 点击收听第92届奥斯卡纪录长片奖提名点评 开场曲：(Ennio Morricone); 结束曲：(Nainita Desai); 第92届奥斯卡纪录长片奖提名名单： 《美国工厂》American Factory 导演： 史蒂文·博格纳尔 / 朱莉娅·赖克特（博格纳尔第2次提名，首次提名纪录长片奖，赖克特第4次提名，此前2次提名纪录长片奖0次获奖） 电视分级：TV-14级 资源状况：1080P网络全高清中字资源已出 《洞穴里的医院》The Cave 导演： 菲拉斯·法耶德（第2次提名纪录长片奖，此前1提0中） 北美分级：PG-13级 资源状况：1080P网络全高清中字资源已出 《民主的边缘》Democracia em Vertigem 导演：佩特拉·科斯塔（首次提名） 电视分级：TV-14级 资源状况：1080P网络全高清中字资源已出 《为了萨玛》For Sama 导演： Waad Al-Khateab / 爱德华·华兹（两人均是首次提名） 电视分级：TV-PG级 资源状况：1080P网络全高清中字资源已出 《蜂蜜之地》Медена земја 导演：塔玛拉·科特夫斯卡 / 卢博·斯特法诺夫（两人均是首次提名） 北美分级：从缺

Matt Emery meets the brilliant Nainita Desai in her studio to chat about her journey into writing music for film and TV, experimenting with sounds and instruments, her recent scores for the game Telling Lies and award winning documentary film For Sama and lots more.   

Telling Lies on Steam:https://store.steampowered.com/app/762830/Telling_Lies/Telling Lies OST:https://open.spotify.com/album/4gp3qWnIlQ5htjjdxxzLqZ?si=UCzJrDYaQtObc631btPlUghttps://music.apple.com/us/album/telling-lies-original-soundtrack-ep/1477151521Lee Tyrrell on TwitterNainita Desai on TwitterAlso available on: iTunesSpotifyYouTubeStitcher Pledge to this Patreon to help support The Sound Test's second season, and unlock backdated episodes of its LIVE version (and other content)!

Nainita Desai is a British composer and sound designer who has scored countless bespoke scores for film and TV including: BBC, HBO, ITV and C4. She has studied the sitar, piano, guitar, tabla and violin. She has worked with artists such as Tori Amos, Peter Gabriel and Sinead O'Connor. Some of her recent scoring projects include the WWII thriller, ENEMY WITHIN, the psychological horror film DARKNESS VISIBLE and THE LIFE AFTER. Another recent project is for the 2018 film UNTAMED ROMANIA, the most successful non-fiction film in Romania. It premiered at the Transylvania Film Festival 2018.UNTAMED ROMANIA is a film that reveals the beauty of the European country as it is, raw, magical but fragile at the same time. The film focuses on the beautiful unspoiled lands tucked within the country but moreover on the numerous forms of wildlife that live there and how their lives are dictated by the seasons. It is a never ending battle for survival and Untamed Romania tells their stories. The film will made its international debut on 18th of March in Washington, at an ecological film festival and on 12th of April in London, at the BAFTA (British Academy of Film and Television Arts) gala. In this episode, Nainita Desai talks about the unique challenges and opportunities afforded to her through UNTAMED ROMANIA - writing her first score for a large scale orchestra. Desai discusses in detail how she reveals the characters of the animals through her musical themes and, in contrast, how the music she wrote for the various landscapes depicted was directly influenced by those landscapes themselves. Finally, she reveals which piece was the most difficult and how Untamed Romania was different from all of the other documentary scores she has written before.ANNOTATED TRACKS / SEGMENTS02:59 - Main Theme06:00 - Fire Salamander08:21 - Bear Mischief09:20 - Catch the Mayfly10:36 - Wild Boar and Wolves13:43 - A Chrysalis Awakens15:47 - Golden Eagle18:06 - Autumn ApproachesSOUNDTRACKA soundtrack release is imminent, but an official release date has yet to be announced.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Nainita Desai at their official site http://nainitadesai.com/ or follow her on Twitter @nainitadesaiABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed