Podcasts about necessarily so

Songs include; It Don't Mean a Thing by Ivie Anderson, Do Nothing Till You Hear From me by Al Hibbler, Blue Skies by Jimmy Rushing, Blues In the Night by Cab Calloway, It Ain't Necessarily So by Maxine Sullivan and Night In Tunisia by Sarah Vaughn.

On tonight's show: Ella Fitzgerald & Louis Armstrong, Summertime Benny Goodman, Jersey Bounce Gene Krupa, Anita O'Day & Roy Eldridge, Knock Me A Kiss Lena Horne, The Lady Is A Tramp Edmond Hall and the Hot Jazz Stars, Indiana Jimmy McPartland's Hot Jazz Stars, Muskrat Ramble Terry Pollard and Her Septet, Mamblues Terry Pollard and Her Septet, Cat Meets Chick Tony Bennett, Firefly Ben Webster & Gerry Mulligan, Sunday Bobby Darin, Beyond The Sea Cal Tjader, Soul Burst (Guajera) Duke Ellington, Take The "A" Train (Vocal) Count Basie and His Orchestra, It's Only A Paper Moon Ray Charles, It Ain't Necessarily So (instrumental)

Finyl Vinyl ist eine Hommage an Plattensammlungen überall. Wie es so schön heißt, man ist nicht Besitzer einer Sammlung, nur vorübergehender Hüter. My guest this month is a far traveled Finyl Vinyl alumni and dear friend from Wales, The Cake Boy Simon aka Herbivore. Catch the show and one of his delicious meals if you are ever in or around Cardiff/Wales. Mein Gast diesen Monat ist ein weit gereister Finyl Vinyl Alumni und lieber Freund The Cake Boy Simon, auch bekannt als Chef Herbivore. Schaltet ein und gönnt euch eins seiner Gerichte solltet ihr in oder in der Nähe von Cardiff/Wales sein. 1. Kayo Makino & Tori Kudo - Pianoise A Side (2019) 2. Sun Ra And His Arkestra - Springtime Again (1979) 3. Angel Corpus Christi - Theme From Taxi Driver (1985) 4. Daniel Holmes - Madonna A Dítě (II) (2018) 5. Laurie Anderson - Let X = X (1982) 6. Grant Green - It Ain't Necessarily So (1980) 7. Jonathan Richman & The Modern Lovers - Egyptian Reggae (1977) 8. Stephen Chang - Always Together (2016) 9. Kundan Lal - Vulgar Dragons (2019) 10. Kante Facelli Et Son Ensemble Africain - Kadia Blues (?) 11. Baden Powell - Canto De Ossanha (1968) 12. Mohamad Zatari Trio - Desire (2023) 13. Kenya Police Band - Husia Kwa Vijana (?) 14. Tony Allen - Nite Owl (1955) 15. Tony Allen - I (1955) 16. Sonny Boy Williamson – Rub A Dub (1948) 17. Nina Simone - Gin House Blues (1969) 18. Captain Beefheart And The Magic Band - Tropical Hot Dog Night (1978) 19. Charles Mingus - Dizzy Moods (1962) 20. Musical Youth - Pass The Dutchie (1982) # Finyl Vinyl – Record collections everywhere Finyl Vinyl ist eine Hommage an Plattensammlungen überall. Wie es so schön heißt, man ist nicht Besitzer einer Sammlung, nur vorübergehender Hüter. In diesem Sinne wird brav geteilt. Ich habe endlose Neugier für das was Du hörst, welche besonderen Schätze dabei sind, neben allen versteht sich, und ich will immer noch ein Lied hören. Komm, einer geht noch und sag, wo hast Du diese Platte gefunden? Wann hast Du sie das letzte Mal gespielt? Diese und viele weitere Fragen werden hier beschnattert von mir und meinen illustren Wegbegleitenden und Hütenden von unserem Lieblingsding, Vinyl. – Elisabeth Finyl Vinyl is an homage to record collections everywhere. As the saying goes, one is never the owner of a collection, only the temporary guardian. In that spirit the wealth will be shared. I have a never ending curiosity for what you are listening to, what the gems are in your collection, besides all of them. Plus I always want to hear one finyl song. Go on, play one more and tell me, where did you find this? When did you play this last? These and many more questions will get answered in this show with me and my illustrious fellow guardians of our favourite thing, vinyl. – Elisabeth

Welcome along to another just under a couple of hours of Jazzy,Afro,Spiritual,funky,Soulful,Brazilian Leftfeild beats.With a blend of the very new,and not so new to hopefully enlighten your mind and your soul.Aja & ClaireThe Cinematic Orchestra -Ode To The Big SeaPeacey - Afternoon Delight (feat. Atjazz) [Only Good Stuff]Born 74 & Onj - Tape Your BeatMachinedrum -Zoom Feat TinasheAnd Is Phi - There's A (Wonky Logic Remix).Cat Pack - Walk AwaySletta - Good SignsEmily Saunders - Sideways [Only Good Stuff]Koralle - LeafAlessia Piermarini - FoolMary Greer Mudiku & Oneness Of Juju - African Art Is MeMary Lou Williams - It Ain't Necessarily So.Irina Pavlovic - Ariba,AribaJanet Lawson - DindiLifetime -  I'll Bet You Thought I'd Never Find YouJuju -  Clã Samba.Toco - CoragemDuke Pearson -XibabaMark de Clive Lowe Ft Bembe Segue - Bread & SoulsJohn Beltrane Ft John Arnold - CabocloGeew -  Still In Love.Sleep Walker - Into The Sun (Yoshihiro Okino Remix)Ancient Infinity Orchestra - Equanimity

El pasado año 2023 se cumplieron 125 años del nacimiento de George Gershwin. Sus composiciones forman parte de nuestra memoria musical y sentimental. Quiero compartir con vosotros la sedosa voz de bajo-barítono de un extraordinario vocalista, uno de los grandes héroes anónimos de la canción de jazz, un imponente intérprete menos conocido de lo que merece. Se trata del pianista y cantante Andy Bey. También tenemos un recuerdo para Françoise Hardy. Playlist: Françoise Hardy - Tous les Garçons et les Filles; Walter Wanderley - It Hurts to Say Goodbye; Françoise Hardy - Comment Te Dire Adieu?; Andy Bey - Ain't Necessarily So; Andy Bey - How Long Has This Been Going On?; Andy Bey - Someone to Watch Over Me; Andy Bey - Embraceable You; Andy Bey - I've Got a Crush on You; Andy Bey - But Not For Me; Andy Bey - Love Is Here To Stay; Andy Bey - 'S Wonderful.

Chuck Edwards - "Downtown Soulville" - 45 [0:00:00] Music behind DJ: Classie Ballou - "Confusion" - 45 [0:02:08] Little Willie John - "It Only Hurts a Little While" - 45 [0:04:36] J.J. Barnes & the Del-Fi's - "Won't You Let Me Know" - 45 [0:07:12] Gene Thompson and the Counts - "Won't You Let Me Know" - 45 [0:09:28] Louis Jones - "That's Cuz I Love You" - 45 [0:11:55] Music behind DJ: Junior Wesley and His Band - "Brunswick Stew" - 45 [0:14:34] Doll Face - "Please Return" - 45 [0:16:59] The Oasis - "Willie Mae (What Kinda Girl Are You)" - 45 [0:19:42] The Cast-a-Ways - "You Were a Push Over" - 45 [0:22:22] Elton Anderson with Sid Lawrence Band - "I Love You" - 45 [0:24:50] Chuck Collins - "Your Heart Wasn't in It" - 45 [0:27:35] Music behind DJ: James Harris and the Flaming Hearts of Rhythm - "Sophisticated" - 45 [0:29:50] The Carter Sisters - "What Are You Thinking" - 45 [0:32:54] Melvin Boyd - "Exit Loneliness, Enter Love" - 45 [0:34:46] Cody Black - "I'm Slowly Molding" - 45 [0:37:18] Magnetics - "When I'm With My Baby" - 45 [0:39:51] Jo Ann King - "Don't Play With Fire" - 45 [0:42:34] Music behind DJ: Alfred Brown - "It Ain't Necessarily So" - 45 [0:44:43] Bobby (Illinois) Tucker - "You Ain't Got No Soul" - 45 [0:47:32] Eddie Floyd - "People, Get It Together" - 45 [0:50:29] Gene Williams - "Don't Let Your Love Fade Away" - 45 [0:53:18] Al Williams - "I Am Nothing" - 45 [0:56:06] Rock Candy - "Alone With No Love" - 45 [0:58:48] https://www.wfmu.org/playlists/shows/136068

This week on Finding Your Bliss, Life Coach and Bliss Expert Judy Librach is joined by some fabulously talented couples who also have great love stories

We announce plans to sue the state of Texas over their new Ten Commandments edict, and we celebrate the upcoming National Day of Reason on May 4. After hearing Sammy Davis Jr. sing "It Ain't Necessarily So" (written by George and Ira Gershwin), we speak with Evan Clark, Executive Director of Atheists United, about the "Atheist Street Pirate" campaign to remove religious signs from public property.

1983 proved a pivotal year in violinist Dmitry Sitkovetsky's life. That was the year the Azerbaijan-born musician became a U.S. citizen, married his wife, and bought the Stradivarius violin he still plays to this day. It was also the year he discovered Glenn Gould's final recording of J.S. Bach's Goldberg Variations. That album inspired Sitkovetsky to arrange the Baroque keyboard masterpiece for string orchestra — a project that would forever change the trajectory of his career as a musical artist. "My transcription gave me a whole other life parallel to my performing career," Sitkovetsky says on the latest episode of the Classical Post podcast. "I'm the fourth generation of professional musicians [in my family], so it was pretty much determined I should play violin and become a concert artist. But that year changed that a great deal. I diversified." Now, 40 years later, Sitkovetsky has become a multi-hyphenate to the nth degree. In addition to his work as a solo violinist and transcriber, he's a sought-after conductor, music director, and educator; founder of the New European Strings Chamber Orchestra; and host of Medici.tv's interview series It Ain't Necessarily So — where he's sat down with some of the greatest musicians of our time, including Yefim Bronfman, Barbara Hendricks, and Sir Neville Marriner. In this episode, we discuss how being a student of history informs Sitkovetsky's music-making and what's in store for his final season as music director of the Greensboro Symphony, an ensemble he's led for 20 years. Plus, he shares the earphones he can't live without while traveling, his favorite New York City restaurant for feasting on sturgeon and caviar, and how he sees his career as being "a keeper of the flame" for classical music. — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Thinking Cap Theatre's Artistic Director Nicole Stodard Ph.D talks with Matthew Sturgis, author of biography Oscar Wilde: A Life. MATTHEW STURGIS BIO Matthew Sturgis is an historian and biographer, the author of Acclaimed Lives of Aubrey Beardsley and Walter Sickert, as well as Passionate Attitudes, a history of the English Decadence of the 1890s. He has also written a study of Biblical archaeology – It Ain't Necessarily So – and a history of Hampton Court Palace to tie in with a Channel 4 series. He has contributed to the TLS, Daily Telegraph and Independent on Sunday. He is a member of the Oscar Wilde Society and contributes reviews to their journal The Wildean. His major biography of OSCAR WILDE was published by Head of Zeus in 2018. ABOUT THE BOOK The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it. Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul. --- Support this podcast: https://podcasters.spotify.com/pod/show/thinking-cap-theatre/support

Midgley was a deeply respected researcher and chemist who received multiple awards. He also developed both leaded gas and freon, two substances banned around the world now because they are very bad for the environment and public health. Research: Bellis, Mary. "The History of Freon." ThoughtCo, Aug. 28, 2020, thoughtco.com/history-of-freon-4072212. Blakemore, Erin. “The Ozone Hole Was Super Scary, So What Happened To It?” Smithsonian. 1/13/2016. https://www.smithsonianmag.com/science-nature/ozone-hole-was-super-scary-what-happened-it-180957775/ Britannica, The Editors of Encyclopaedia. "tetraethyl lead". Encyclopedia Britannica, 7 Dec. 2018, https://www.britannica.com/science/tetraethyl-lead. Accessed 3 August 2022. Britannica, The Editors of Encyclopaedia. "Thomas Midgley, Jr.". Encyclopedia Britannica, 14 May. 2022, https://www.britannica.com/biography/Thomas-Midgley-Jr. Accessed 3 August 2022. Dayton Herald. “Midgey's Death Termed Suicide.” P. 28. 11/10/1944. Giunta, Carmen J. “Thomas Midgley Jr. and the Inventions of Chlorofluorocarbon Refrigerants: It Ain't Necessarily So.” Bull. Hist. Chem., VOLUME 31, Number 2 (2006). http://acshist.scs.illinois.edu/bulletin_open_access/v31-2/v31-2%20p66-74.pdf Kettering, Charles F. “Thomas Midgley, Jr: 1889-1944.” National Academy of Sciences Annual Meeting, 1947. http://www.nasonline.org/publications/biographical-memoirs/memoir-pdfs/midgley-thomas.pdf Kovarik, Bill. “Ethyl leaded gasoline: How a Classic Occupational Disease Became an International Public Health Disaster. INT J OCCUP ENVIRON HEALTH 2005;11:384–397. VOL 11/NO 4, OCT/DEC 2005. https://environmentalhistory.org/about/ethyl-leaded-gasoline/ NASA Goddard Space Flight Center. “History of the Ozone Hole.” https://ozonewatch.gsfc.nasa.gov/facts/history_SH.html “Novel Method of Removing Metal from An Eye.” Ind. Eng. Chem. 1919, 11, 9, 892–895 Publication Date. September 1, 1919 https://doi.org/10.1021/ie50117a017 Press release. NobelPrize.org. Nobel Prize Outreach AB 2022. Thu. 4 Aug 2022. https://www.nobelprize.org/prizes/chemistry/1995/press-release/ Seyferth, Dietmar. “The Rise and Fall of Tetraethyllead. 1.” Organometallics, Vol. 22, No. 12, 2003. https://pubs.acs.org/doi/pdf/10.1021/om030245v Seyferth, Dietmar. “The Rise and Fall of Tetraethyllead. 2.” Organometallics Organometallics, Vol. 22, No. 25, 2003. https://pubs.acs.org/doi/pdf/10.1021/om030621b U.S. Department of Energy. “Fact #841: October 6, 2014 Vehicles per Thousand People: U.S. vs. Other World Regions.” https://www.energy.gov/eere/vehicles/fact-841-october-6-2014-vehicles-thousand-people-us-vs-other-world-regions See omnystudio.com/listener for privacy information.

After recovering from Covid, the voice is back in operation: May of 1965 brings us the first release for Normie Rowe & The Playboys with the controversial “It Ain't Necessarily So”. The highest chart position is achieved by The Seekers with “A World of Our Own”. The Pink Finks, led by Ross Wilson, have a hit with “Louie Louie” and establish their own record label, MOJO. We'll also hear from Merv Benton, Digger Revell and others, including the first chart success for a Perth band, The Times with “Glad Not Sad”. Enjoy!

Are you open and receptive to receiving all the good life has to offer? It's interesting that for many people their actions don't match their words on this account. This Sunday, we will explore ways to unify our words and actions in order to manifest the good we desire. (music performed: It Ain't Necessarily So, by George Gershwin, DuBose and Dorothy Heyward, Ira Gershwin, (c) 1935 (renewed 1962) George Gershwin Music, Ira Gershwin Music, DuBose and Dorothy Heyward Memorial Fund)  

The Communards fue un grupo británico de dance pop y EDM de la mitad de los 80. La banda se mantuvo activa por corto tiempo, desde 1985 a 1988. Sus mayores éxitos fueron las versiones de dos canciones: "Don't Leave Me This Way", un viejo tema soul de Harold Melvin & the Blue Notes, así como "Never Can Say Goodbye" de The Jackson 5 Historia Se formaron en 1985 después de que el cantante Jimmy Somerville dejara la banda Bronski Beat para crear el grupo con el músico Richard Coles. A pesar de ser principalmente pianista, Coles manejaba un buen número de instrumentos y había tocado anteriormente solos de clarinete en el éxito de Bronski Beat llamado "It Ain't Necessarily So". Somerville era conocido por su forma de cantar con voz de falsete, y fue considerado abiertamente homosexual durante un periodo de debate creciente socio-político y de conflicto en el asunto de la homosexualidad en el Reino Unido. La banda tuvo su primer éxito en la lista de los Top 30 de su país en 1985 con la canción de piano, "You Are My World". En 1986 tuvieron su mayor éxito con una versión de un viejo tema soul del grupo Harold Melvin & the Blue Notes, "Don't Leave Me This Way". La banda se inspiró en la versión de este tema que hizo Thelma Houston en 1976, para hacer una canción de ritmo bailable que se mantuvo durante 4 semanas en el número 1 y se convirtió en el sencillo más vendido en su país durante 1986. También arrasó en las listas de los Estados Unidos. Esta canción contó con la colaboración Sarah-Jane Morris como co-cantante principal a dúo con Jimmy Somerville, explotando el contraste entre la voz profunda y contralta de Morris y el falsete agudo de Somerville. Morris desarrolló canciones a dos voces de muchas de las versiones de The Communards y de hecho salía en las fotografías como la tercera componente de la banda. En 1987 tuvieron su segundo gran éxito con la versión del tema "Never Can Say Goodbye" (en castellano: 'Nunca puedo decir adiós'), una canción escrita por Clifton Davis y originalmente grabada por The Jackson 5 en 1970 y publicada como sencillo en 1971. Interesado por la cultura española, el grupo grabó una curiosa e interesante canción con toques andaluces, La Dolarosa, que incluyó en uno de sus álbumes pero sin publicarla como sencillo. --- Send in a voice message: https://anchor.fm/radioflowok/message

Years ago, the "Make Believe Ballroom" took you to the greatest ballrooms imaginable to listen to the great bands of the era. Come with us now as Danny Lane takes you to the Suncoast Supper Club via a “remote” broadcast from high above the bandstand. Imagine 4 stages with continuous music and a dance floor that swings and sways. Right this way, your table is ready. That's our virtual ballroom. Enjoy. On stage tonight are: 1)     Let's Dance by Benny Goodman & His Big Band2)     Imbote by Debbie Curtis Big Band & Swing Orchestra3)     Every Day I Have The Blues by Count Basie & His Orchestra (w/ Joe Williams, vocal)4)     It Ain't Necessarily So by Ella Mae Morse5)     Non-Stop Flight by Artie Shaw & His Orchestra6)     The Joint Is Jumpin' by Fats Waller7)     You'll Be Reminded Of Me by Ozzie Nelson & His Orchestra (Ozzie Nelson, vocal )8)     Take The "A" Train by The Delta Rhythm Boys9)     Casa Loma Stomp by Glen Gray & The Casa Loma Orchestra10) Hey! Ba-Ba-Re-Bop by Lionel Hampton (w/ Lionel & Band on vocals)11) Runnin' Wild by Glenn Miller & His Orchestra12) Yes I Can by Sammy Davis Jr.13) Jeepers Creepers by Louis Armstrong14) Gotta Be This Or That by Benny Goodman & His Band [Benny Goodman, vocal]15) Jump Jive An' Wail by Louis Prima & Keely Smith (w/ Sam Butera & The Witnesses)16) Knock On Wood by Dooley Wilson17) Blues In The Night by Rey De Michel & His Orchestra18) I've Got A Crush On You by Lee Wiley19) You Won't Be Satisfied Until You Break My Heart by Les Brown & His Orchestra (w/ Doris Day)20) Goodbye by Benny Goodman

Fashion by Dad takes you to Outremer Jerusalem in the Blazer of Glory where a red, hair Richard and subtle, smooth Saladin fight each other to exhaustion. The long anticipated story of the Chook and the Afghan Hound on the road to Broken Hill is told in Ain't Necessarily So and we hear about the history of the Basque and the Cod in Time for a StoryTime Story

This week's episode of Fashion by Dad explores the Basque's relationship with the cod in Time for a StoryTime Story, Richard the Lionheart and Saladin the Smooth in Blazer of Glory and the Chook in the Desert in It Ain't Necessarily So. Hope you have as much fun listening to it as I did putting it together.

Chuck Edwards - "Downtown Soulville" - 45 Music behind DJ: Jimmy "Wildman" Spruill - "Scratchin'" - 45 The Robins - "I Must Be Dreamin'" - 45 The Searchers - "Wow-Wow Baby" - 45 The Gum Drops - "Natural Born Lover" - 45 The Sensations Featuring Yvonne Baker - "It's Good Enough for Me" - 45 Music behind DJ: Kellie Greene - "Move On" - 45 Jay Miller - "Big Daddy, You Got to Go" - 45 Herb Johnson - "Two Steps Ahead (Of a Woman)" - 45 The Moniques - "Baby Don't Leave Me" - 45 Jerry Cook - "I Hurt on the Other Side" - 45 The Wonderettes - "Wait Until Tonight" - 45 Music behind DJ: Jerry Sandifer - "L.S.D. (Little Soul Daddy)" - 45 Ray Johnson - "Find Your Mind" - 45 Brenda Duff - "Got to Get to Know You" - 45 Valerie Lamar - "I Don't Want Your Lovin'" - 45 Barbara George - "Something You Got" - 45 Music behind DJ: G. Davis and R. Tyler - "Hold On, Help Is on the Way" - 45 The Jackson Singers - "Good News" - 45 The Soul Messengers - "I've Been Changed" - 45 The Volumes - "Ain't Gonna Give You Up" - 45 The Exits - "I Don't Want to Hear It" - 45 Bobby Hutton - "I've Got a Memory" - 45 Music behind DJ: Alfred Brown - "It Ain't Necessarily So" - 45 https://www.wfmu.org/playlists/shows/102396

The Glory of Gershwin feat. Larry Adler: Peter Gabriel - "Summertime" Sting - "Nice Work If You Can Get It" Lisa Stansfield - "They Can't Take That Away from Me" Elton John - "Someone to Watch Over Me" / "Love Is Here to Stay" Carly Simon- "I've Got A Crush On You" Elvis Costello- "But Not For Me" Cher - "It Ain't Necessarily So" Kate Bush - "The Man I Love" Willard White - "Bidin' My Time" Sinead O'Connor - "My Man's Gone Now" Robert Palmer- "I Got Rhythm" Meat Loaf - "Somebody Loves Me" Issy Van Randwyck - "I'll Build A Stairway To Paradise" Courtney Pine- "Summertime" Escuchar audio

This episode is on Normie Rowe and the Playboys and their number 1 smash hit It Ain’t Necessarily So. Our special guest is Australia’s original King of Pop himself, Normie Rowe.Thanks for Listening to Awesome Aussie SongsGuest Suggestions are more than welcomed.Hail, Hail, Australian Rock n Roll.

Excerpt of the 22 Jan 1948 broadcast of the Kraft Music Hall, starring Al Jolson. While Lucille Ball was the guest on this week's show, you will have to listen to the full show on the Jolson site to hear her mix it up with Jolie; this except includes Jolson and Oscar Levant from the middle of the show. Jolson and Levant kibbitzed with songs old and new, including "The Traumerei," "It Ain't Necessarily So," and "Hannah In Savannah." The complete broadcast, along with other Jolson radio shows, is available at the Official Al Jolson Website at www.jolson.org.

Chuck Edwards - "Downtown Soulville" - 45 Music behind DJ: Otis Banks - "Sazerac" - 45 Cora Woods - "Rocks in Your Head" - 45 Milton Grayson - "It Ain't Necessarily So" - 45 "Cookie" Jackson - "Try Love (Just One More Time)" - 45 Thurston Harris - "Dancing Silhouettes" - 45 The Flamingos - "Come On to My Party" - 45 Music behind DJ: Mister Boo-Sard - "Monkey Samba" - 45 The C.O.D.'s - "Michael" - 45 Frank Lucas and the Emperors - "Chico (The Player)" - 45 Micki Lynn - "Some of This and Some of That" - 45 Clarence Hill - "A Lot of Lovin' Goin' Round" - 45 Arthur Alexander - "Dream Girl" - 45 Music behind DJ: The Frank Ace Combo - "Lady Margaret" - 45 Freddie Williams - "I've Got to Live While I Can" - 45 Billy Hambric - "I Found True Love" - 45 The Tymes - "What Would I Do" - 45 Brooks & Jerry - "I Got What It Takes (Pt. 1)" - 45 Larry Davis & the Marvels - "The Magic Is Gone" - 45 Music behind DJ: Billy Watches & His Toledo Trombones - "See the Cheetah" - 45 Billy Joe Young - "The Push" - 45 Buddy Wright & His Orchestra - "Hound Dog" - 45 Lowell Fulsom - "Sleeper" - 45 Pearl Dowell - "Good Things" - 45 The Jones Brothers - "That's All Over Baby" - 45 https://www.wfmu.org/playlists/shows/89282

The Francis-Lee Duo conclude our Spring Series with a diverse and engaging programme spanning 150 years of wonderful music. They are Dr Charlotte Francis (violin) and Gemma Lee (piano). Beginning with Beethoven’s energetic 4th Violin sonata, they take us into rather unfamiliar territory with “L’Addio” by New Zealand composer Raffaello Squarise - or 'Old Square Eyes' – one of 'Dunedin's chief musical assets'. The 100th anniversary of Debussy’s death is acknowledged with his colourful and vibrant violin sonata and the programme concludes on a flashy and brilliant note with Jascha Heifetz’s arrangement of “It Ain’t Necessarily So” by Gershwin. Formed in 2016, Francis-Lee Duo consists of University of Auckland School of Music graduates, violinist Dr Charlotte Francis and pianist Gemma Lee. Both have gained individual successes in chamber music throughout New Zealand and overseas, and are rapidly gaining recognition locally as an exciting upcoming chamber ensemble.

Tríó Marcusar Roberts flytur lögin Someone To Watch Over Me, The Man I Love, But Not For Me, Our Love Is Hear To Stay, Summertime, It Ain't Necessarily So og They Can't Take That Away From Me, sem eru öll eftir George Gershwin. Fredrik Norén Band flytur lögin The Phrase, Green Passat, Trinkle Twinkle, Ice Man, Helenas Song og Mirrors. Stan Getz og Chet Baker flytja lögin Stella By Starligh, I'll Rembember April, Milestones og The Baggage Room Blues.

Happy Valentine's Day, fellow Broadway Babies. Oh, Doctor Jesus, help us please this week. Alex and Daisha got plenty of somethin’ to say about this 2012 musical, which was adapted from an opera that was adapted from a play that was adapted from a book. Prepare thyself for our special V-Day episode on "The Gershwins’ Porgy and Bess" (sry DuBose Heyward), starring Audra McDonald and Norm Lewis as the classic/problematic title characters. Join us in an intense discussion about the appropriateness of writing stories about communities and cultures you don’t belong to, the beautiful Gershwin/Heyward music and how harmful stereotypes about race and ethnicity are because they ain’t necessarily so. Podcast cover art: David Taylor Twitter: @bwaybabies Facebook: Facebook.com/broadwaybabiespodcast Cast recording: iTunes | Spotify | Amazon Prime Songs Summertime (performed by Nikki Renee Daniels) I Got Plenty of Nothing (by Norm Lewis and company) Bess, You Is My Woman Now (by Audra McDonald and Norm Lewis) My Man’s Gone Now (by Bryonha Marie Parham and company) Oh, Doctor Jesus (by Bryonha Marie Parham and company) It Ain’t Necessarily So (by David Alan Grier and company) Show Notes An in-depth NPR interview with Audra McDonald about all aspects of the production Stephen Sondheim's aforementioned letter to the New York Times criticizing — no, roasting — the Broadway revival and its female-led creative team. Audra responding to the criticism of the production. Look, what a helpful study guide about the history of the opera that I found Fantasia yassss — probably the first time a lot of younger folks heard "Summertime"  An interesting thinkpiece from HuffPost about whether white people can tell the stories of other cultures

Fifteen groups join an Americans United amicus brief supporting FFRF’s federal court victory against a large public cross in Pensacola, Florida. Dan Barker asks for help in his appeal of a DC judge’s dismissal of his lawsuit challenging the Congressional chaplain’s refusal to allow a secular invocation before the House of Representatives. After learning the history behind the song “It Ain’t Necessarily So”, we talk with Larry Decker, Executive Director of the Secular Coalition For America, about how to improve the image of nonbelievers and lobby for secular law.

Septett píanóleikarans Tommy Flanagans flytur nokkur lög úr söngleiknum Porgy og Bess. Lögin heita: Bess, You Is My Woman, There's A Boat Dat' Leavin' Soon For New York, My Man's Gone Now og Oh Bess Oh Where's My Bess?, It Ain't Necessarily So og Summertime. Sænski söngkvintettinn The Real Group syngur lögin Flight Of The Foo-Birds, Lil' Darlin', A capella i Acapulco, Man é man og Vem kan segla. Að lokum flytur Jazzpar 2002 sextettin lögin Nature Boy, Certi angoli segreti, The Trial og Tango for Vasquex y Pepita.

Septett píanóleikarans Tommy Flanagans flytur nokkur lög úr söngleiknum Porgy og Bess. Lögin heita: Bess, You Is My Woman, There's A Boat Dat' Leavin' Soon For New York, My Man's Gone Now og Oh Bess Oh Where's My Bess?, It Ain't Necessarily So og Summertime. Sænski söngkvintettinn The Real Group syngur lögin Flight Of The Foo-Birds, Lil' Darlin', A capella i Acapulco, Man é man og Vem kan segla. Að lokum flytur Jazzpar 2002 sextettin lögin Nature Boy, Certi angoli segreti, The Trial og Tango for Vasquex y Pepita.

It Ain't Necessarily So Our nation lives in a perpetual wrestling match with might opponents. Individually and collectively we are called to engage our personal, social, political and religious communities to bring about transformation for the common good of humanity. Really is this what we are called to?  If so, how might the arts support us in the divine project of becoming fully human. Trust me, there is hope. Before becoming Minister for Faith in Action and then Parish Minister of the First Unitarian Church of Oakland, and before graduating from Starr King School for the Ministry, Rev. Duhart served as a social worker and military chaplain. She is exchanging pulpits with Rev. Buehrens. Rev. Jacqueline Duhart, Guest Minister Kat Liu, Worship Associate Larry Chinn, piano Asher, song leader Howard Oringer, Welcome Jonathan Silk, OOS, Sound, Worship Archives/Podcast

It Ain't Necessarily So Our nation lives in a perpetual wrestling match with might opponents. Individually and collectively we are called to engage our personal, social, political and religious communities to bring about transformation for the common good of humanity. Really is this what we are called to?  If so, how might the arts support us in the divine project of becoming fully human. Trust me, there is hope. Before becoming Minister for Faith in Action and then Parish Minister of the First Unitarian Church of Oakland, and before graduating from Starr King School for the Ministry, Rev. Duhart served as a social worker and military chaplain. She is exchanging pulpits with Rev. Buehrens. Rev. Jacqueline Duhart, Guest Minister Kat Liu, Worship Associate Larry Chinn, piano Asher, song leader Howard Oringer, Welcome Jonathan Silk, OOS, Sound, Worship Archives/Podcast

Peter Singer, atheist, author and Princeton professor, who is considered the world’s leading ethicist, joins us for an illuminating discussion on his book, “The Most Good You Can Do: How Effective Altruism Is Changing Ideas About Living Ethically,” and his newest book, “Ethics in the Real World.” We  celebrate FFRF's winter solstice “equal time” displays now up in the Wisconsin State Capitol and Daley Plaza (in conjunction with our Chicago chapter), and report on a state/church victory to remove an unconstitutional nativity display in Michigan. In honor of the 120th anniversary of the birth of lyricist Ira Gershwin, we play Ira’s irreverent classic about the bible, "It Ain’t Necessarily So.”

Long standing member of the Philadelphia music scene and partner in Grammy Award winning MorningStar Studios, Lizanne Knott released a great new album earlier this year – the bluesy and jazzy “Excellent Day”. A smoky and sultry delight, it features eight original songs and four well-chosen covers… The Gershwins’ “Ain’t Necessarily So”, Springsteen’s “Stolen Car”, Janis Ian’s “Sometimes” and Jef Lee Johnson’s “Excellent Day”. Lizanne Knott joined us on Folk Roots Radio to chat about her music, the new album and, the fact that, despite critical acclaim, she’s still generally better known in the UK than North America. It’s time we change that! For more information, visit http://lizanneknott.com.

Episode #19: When people hear about the Recording Academy, some scratch their heads in wonder, while others immediately recognize them as the organization that puts on the Grammy Awards every year. However, both of these responses bely the true effort and intent behind the organization, as they are just as involved in awards shows as they are in advocacy for musicians on Capitol Hill and beyond. After several successful years of doing the music industry lobbying day, "Grammys On The Hill," the Recording Academy decided to take the model that they had developed for Washington, D.C. and bring that back to musician's home districts. This year represents the second time that "Grammys In My District" has happened, and we speak with three different players inside the organization about what's different about this year's event, and catch some soundbytes of the event that took place in Seattle on October 14. GUESTS Kris Orlowski (Musician) Daryl Friedman (The Recording Academy) Brandon Bush (Musician) MUSIC Gospel Music "Automobile" Xiu Xiu "Chocolate Makes You Happy" Kris Orlowski "It Ain't Necessarily So" Sugarland "Stuck Like Glue" Kinski "Flight Risk" Delta 5 "Mind Your Own Business"

Judith Kerr is a children's writer and illustrator whose books ‘The Tiger Who Came for Tea' and ‘When Hitler Stole Pink Rabbit' have been delighting children and young people for many years. She inherits the Johannes Brahms Lullaby Wiegenlied and It Ain't Necessarily So by George Gershwin.