Podcasts about nile valley

5/8: The Last Dynasty: Ancient Egypt from Alexander the Great to Cleopatra Hardcover – April 8, 2025 by  Toby Wilkinson  (Author) PTOLEMY MAP OF EGYPT https://www.amazon.com/Last-Dynasty-Ancient-Alexander-Cleopatra/dp/1324052031 Alexander the Great and Cleopatra may be two of the most famous figures from the ancient world, but the Egyptian era bookended by their lives―the Ptolemaic period (305–30 BC)―is little known. In The Last Dynasty, New York Times best-selling author Toby Wilkinson unravels the incredible story of this turbulent era, bringing to life three centuries' worth of extraordinary moments and charismatic figures. Macedonian in origin and Greek-speaking, the Ptolemies presided over the final flourishing of pharaonic civilization. Wilkinson describes the extraordinary cultural reach displayed at the height of their power: how they founded new cities, including Alexandria, their great seaside residence and commercial capital; mined gold in the furthest reaches of Nubia; built spectacular new temples that are among the foremost architectural wonders of the Nile Valley; and created a dazzling civilization that produced astonishing works of sculpture, architecture, and literature. Stunningly, he also shows how such expansionist ambitions led to the era's downfall. The Ptolemaic period was a time when ancient Egypt turned its gaze westward―in the process becoming the unwitting handmaid to the inexorable rise of Rome and the consequent loss of Egyptian independence. Featuring a superb blend of first-rate scholarship and evocative narrative history, The Last Dynastyprovides fresh insights into this overlooked period of history and its legacy in shaping the world as we know it.

3/8: The Last Dynasty: Ancient Egypt from Alexander the Great to Cleopatra Hardcover – April 8, 2025 by  Toby Wilkinson  (Author) https://www.amazon.com/Last-Dynasty-Ancient-Alexander-Cleopatra/dp/1324052031 Alexander the Great and Cleopatra may be two of the most famous figures from the ancient world, but the Egyptian era bookended by their lives―the Ptolemaic period (305–30 BC)―is little known. In The Last Dynasty, New York Times best-selling author Toby Wilkinson unravels the incredible story of this turbulent era, bringing to life three centuries' worth of extraordinary moments and charismatic figures. Macedonian in origin and Greek-speaking, the Ptolemies presided over the final flourishing of pharaonic civilization. Wilkinson describes the extraordinary cultural reach displayed at the height of their power: how they founded new cities, including Alexandria, their great seaside residence and commercial capital; mined gold in the furthest reaches of Nubia; built spectacular new temples that are among the foremost architectural wonders of the Nile Valley; and created a dazzling civilization that produced astonishing works of sculpture, architecture, and literature. Stunningly, he also shows how such expansionist ambitions led to the era's downfall. The Ptolemaic period was a time when ancient Egypt turned its gaze westward―in the process becoming the unwitting handmaid to the inexorable rise of Rome and the consequent loss of Egyptian independence. Featuring a superb blend of first-rate scholarship and evocative narrative history, The Last Dynastyprovides fresh insights into this overlooked period of history and its legacy in shaping the world as we know it. 1920 CAIRO

4/8: The Last Dynasty: Ancient Egypt from Alexander the Great to Cleopatra Hardcover – April 8, 2025 by  Toby Wilkinson  (Author) https://www.amazon.com/Last-Dynasty-Ancient-Alexander-Cleopatra/dp/1324052031 Alexander the Great and Cleopatra may be two of the most famous figures from the ancient world, but the Egyptian era bookended by their lives―the Ptolemaic period (305–30 BC)―is little known. In The Last Dynasty, New York Times best-selling author Toby Wilkinson unravels the incredible story of this turbulent era, bringing to life three centuries' worth of extraordinary moments and charismatic figures. Macedonian in origin and Greek-speaking, the Ptolemies presided over the final flourishing of pharaonic civilization. Wilkinson describes the extraordinary cultural reach displayed at the height of their power: how they founded new cities, including Alexandria, their great seaside residence and commercial capital; mined gold in the furthest reaches of Nubia; built spectacular new temples that are among the foremost architectural wonders of the Nile Valley; and created a dazzling civilization that produced astonishing works of sculpture, architecture, and literature. Stunningly, he also shows how such expansionist ambitions led to the era's downfall. The Ptolemaic period was a time when ancient Egypt turned its gaze westward―in the process becoming the unwitting handmaid to the inexorable rise of Rome and the consequent loss of Egyptian independence. Featuring a superb blend of first-rate scholarship and evocative narrative history, The Last Dynastyprovides fresh insights into this overlooked period of history and its legacy in shaping the world as we know it. 1900 PORT SUEZ

1/8: The Last Dynasty: Ancient Egypt from Alexander the Great to Cleopatra Hardcover – April 8, 2025 by  Toby Wilkinson  (Author) https://www.amazon.com/Last-Dynasty-Ancient-Alexander-Cleopatra/dp/1324052031 Alexander the Great and Cleopatra may be two of the most famous figures from the ancient world, but the Egyptian era bookended by their lives―the Ptolemaic period (305–30 BC)―is little known. In The Last Dynasty, New York Times best-selling author Toby Wilkinson unravels the incredible story of this turbulent era, bringing to life three centuries' worth of extraordinary moments and charismatic figures. Macedonian in origin and Greek-speaking, the Ptolemies presided over the final flourishing of pharaonic civilization. Wilkinson describes the extraordinary cultural reach displayed at the height of their power: how they founded new cities, including Alexandria, their great seaside residence and commercial capital; mined gold in the furthest reaches of Nubia; built spectacular new temples that are among the foremost architectural wonders of the Nile Valley; and created a dazzling civilization that produced astonishing works of sculpture, architecture, and literature. Stunningly, he also shows how such expansionist ambitions led to the era's downfall. The Ptolemaic period was a time when ancient Egypt turned its gaze westward―in the process becoming the unwitting handmaid to the inexorable rise of Rome and the consequent loss of Egyptian independence. Featuring a superb blend of first-rate scholarship and evocative narrative history, The Last Dynastyprovides fresh insights into this overlooked period of history and its legacy in shaping the world as we know it. 1907

2/8: The Last Dynasty: Ancient Egypt from Alexander the Great to Cleopatra Hardcover – April 8, 2025 by  Toby Wilkinson  (Author) https://www.amazon.com/Last-Dynasty-Ancient-Alexander-Cleopatra/dp/1324052031 Alexander the Great and Cleopatra may be two of the most famous figures from the ancient world, but the Egyptian era bookended by their lives―the Ptolemaic period (305–30 BC)―is little known. In The Last Dynasty, New York Times best-selling author Toby Wilkinson unravels the incredible story of this turbulent era, bringing to life three centuries' worth of extraordinary moments and charismatic figures. Macedonian in origin and Greek-speaking, the Ptolemies presided over the final flourishing of pharaonic civilization. Wilkinson describes the extraordinary cultural reach displayed at the height of their power: how they founded new cities, including Alexandria, their great seaside residence and commercial capital; mined gold in the furthest reaches of Nubia; built spectacular new temples that are among the foremost architectural wonders of the Nile Valley; and created a dazzling civilization that produced astonishing works of sculpture, architecture, and literature. Stunningly, he also shows how such expansionist ambitions led to the era's downfall. The Ptolemaic period was a time when ancient Egypt turned its gaze westward―in the process becoming the unwitting handmaid to the inexorable rise of Rome and the consequent loss of Egyptian independence. Featuring a superb blend of first-rate scholarship and evocative narrative history, The Last Dynastyprovides fresh insights into this overlooked period of history and its legacy in shaping the world as we know it. 1908

In this episode, I talk with Ankh West, a science advocate who focuses on scientific literacy within the African-American community. Science, he explains, can be a tool for promoting rigorous academic standards within institutions. He talks about the importance of peer-reviewed scholarship, archaeological data, and linguistic research. Among his primary focuses of research are ancient Egypt, Nubia, and Nile Valley civilizations. He discusses in some depth the work of Charles Darwin and other major figures in the field, as well as Africa's early influence on what we now recognize as modern science. Lastly, Ankh shares some of the books that shaped his thought and why he considers those books to be still valid and important today. 

In this episode, I talk with Dr. Kamau Rashid, professor and director of the Kemetic Institute of Chicago. We speak in detail about the importance of African and African-American history and its power to transform the lives of younger generations, and he references the historians and intellectuals who were his own forebears and inspirations. We discuss Nile Valley civilizations, West African history, the Caribbean Islands, Haiti, and the Americas. Dr. Rashid then becomes my first respondent to rapid-fire interviewing, fielding questions about various authors, activists, poets, historians, and scholars. This is the first installment of a series of discussions on black history, with more to come. 

For centuries, white historians' have attempted to erase and whitewash Black history. Despite their best efforts, it can't be erased. Today, we're talking with Debora Heard to help us reclaim and recover the history many have attempted to falsify. A Ph.D. As a candidate in anthropology at the University of Chicago, she's dedicated much time to providing African-descended people with access, opportunity, and training in ancient Nile Valley and Northeast African studies fields. Knowing your history strengthens you- we have to recover it first. __________________________ Black History Year (BHY) is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school and explore pathways to liberation with people leading the way. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.  Hosting BHY is Jay (2020-2023) and Darren Wallace (2024). The BHY production team includes Jareyah Bradley and Brooke Brown. Our producers are Cydney Smith and Len Webb for PushBlack, and Lance John with Gifted Sounds edits and engineers the show. BHY's executive producers are Julian Walker and Lilly Workneh. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Toby Wilkinson's new book The Last Dynasty - Ancient Egypt from Alexander the Great to Cleopatra is a definitive and thrilling account of the last great dynasty of ancient Egypt. Toby Wilkinson is an Egyptologist and the prizewinning author of fifteen books on the history and culture of the Nile Valley, ancient and modern. Susie speaks with him about uncovering a story that can only now be fully told.

In this episode, we explore the fascinating civilizations that flourished along the Nile River, focusing on their cultures, traditions, and technological advancements. 00:00:00 - 00:01:05: Introduction The Nile River's role in shaping ancient civilizations Overview of the episode's content 00:01:06 - 00:02:50: The Nile Valley and Ancient Egypt The Nile's impact on agriculture and settlement patterns Development of irrigation systems and flood prediction Ancient Egyptian social structure: Pharaohs, nobility, and commoners Significance of the Nile in Egyptian religion and culture Technological achievements: hieroglyphics, papyrus, and monumental architecture 00:02:51 - 00:04:30: The Nubian Civilization Comparison of Egyptian and Nubian civilizations Legacy of Nile Valley cultures on world history 00:00:00 - 00:01:05: Introduction 00:01:06 - 00:02:50: The Nile Valley and Ancient Egypt 00:02:51 - 00:04:30: The Nubian Civilization ⁠⁠⁠⁠⁠⁠Website here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠

The plan of an honest ruler. Around 1300 BCE, as today, gold was big business. King Sety I personally led an expedition into the eastern desert, to establish a new mining operation. Back in the Nile Valley, high-ranking officials leave monuments testifying to their work delivering, securing, and recording that gold. And thanks to art and artefacts, we can reconstruct the items these gold-workers produced. From the Red Sea Mountains to the Temple of Abydos, we follow the paths of gold… Logo image: Silver and gold statuette of a New Kingdom pharaoh, possibly Sety I (Louvre). For records of Sety and his contemporaries, see Kenneth Kitchen. Ramesside Inscriptions, Volume I. Versions: Hieroglyphs; English translations; References and Commentary. Photos of Sety's Temple at Kanais in the Wadi Barramiya. Sety's monuments including the Abydos and Kanais temples, in P. J. Brand, The Monuments of Seti I: Epigraphic, Historical and Art Historical Analysis (2000). Available free online at Academia.edu. Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

During Egypt's Old Kingdom, the pharaohs established a stable central government in the fertile Nile Valley. Perhaps the greatest testaments to their power were the pyramids and other tombs built to shelter them in the afterlife.Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio]

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Egypt is revered as the home of the famous Desert Ascetics, who first embraced a monastic life and established homosocial communities on the borders of their urban centres in the Nile Valley. Regarded as angels and warriors, the wisdom of the Desert Ascetics formed part of the oral and literary tradition of wonder-working saints whose commitment to asceticism was legendary and inspirational.  Desert Ascetics of Egypt (ARC Humanities Press, 2020) grounds the mythologized stories of Desert Ascetics in the materiality of the desert, demonstrating the closeness of the desert, the connections between non-monastic and monastic communities, and the exciting insights into lived monasticism through the archaeology of monasticism in Egypt. New Books in Late Antiquity is presented by Ancient Jew Review. Darlene L. Brooks Hedstrom is the Myra and Robert Kraft and Jacob Hiatt Associate Professor of Christian Studies at Brandeis University, the Senior Archaeological Consultant for the Yale Monastic Archaeology Project, and Co-Director of Monastic Archaeology in Scotland at Lindores Abbey. Michael Motia teaches in Classics and Religious Studies at UMass Boston. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Kemetologists Tony Browder and Dr. Charles Finch will lead our classroom discussion. The Griots will focus on the 50th anniversary of the Cairo Symposium and the 40th anniversary of the Nile Valley conference. Chairman Fred Hampton will provide an update on the 2024 Peoples Convention, and Baltimore Pastor Dwayne Simmons will join us. Text “DCnews” to 52140 For Local & Exclusive News Sent Directly To You! The Big Show starts at 6 am ET, 5 am CT, 3 am PT, and 11 am BST Listen Live on WOL 95.9 FM & 1450 AM, woldcnews.com, the WOL DC NEWS app, WOLB 1010 AM or wolbbaltimore.com. Call 800 450 7876 to participate on The Carl Nelson Show! Tune in every morning to join the conversation and learn more about issues impacting our community. All programs are available for free on your favorite podcast platform. Follow the programs on Twitter & Instagram and watch your Black Ideas come to life!✊

My special guest is Andrew Collins where to discuss his book The Cygnus Key: The Denisovan Legacy, Göbekli Tepe, and the Birth of Egypt.New evidence showing that the earliest origins of human culture, religion, and technology derive from the lost world of the Denisovans • Explains how Göbekli Tepe and the Giza pyramids are aligned with the constellation of Cygnus and show evidence of enhanced sound-acoustic technology • Traces the origins of Göbekli Tepe and the Giza pyramids to the Denisovans, a previously unknown human population remembered in myth as a race of giants • Shows how the ancient belief in Cygnus as the origin point for the human soul is as much as 45,000 years old and originally came from southern Siberia Built at the end of the last ice age around 9600 BCE, Göbekli Tepe in southeast Turkey was designed to align with the constellation of the celestial swan, Cygnus--a fact confirmed by the discovery at the site of a tiny bone plaque carved with the three key stars of Cygnus. Remarkably, the three main pyramids at Giza in Egypt, including the Great Pyramid, align with the same three stars. But where did this ancient veneration of Cygnus come from? Showing that Cygnus was once seen as a portal to the sky-world, Andrew Collins reveals how, at both sites, the attention toward this star group is linked with sound acoustics and the use of musical intervals “discovered” thousands of years later by the Greek mathematician Pythagoras. Collins traces these ideas as well as early advances in human technology and cosmology back to the Altai-Baikal region of Russian Siberia, where the cult of the swan flourished as much as 20,000 years ago. He shows how these concepts, including a complex numeric system based on long-term eclipse cycles, are derived from an extinct human population known as the Denisovans. Not only were they of exceptional size--the ancient giants of myth--but archaeological discoveries show that this previously unrecognized human population achieved an advanced level of culture, including the use of high-speed drilling techniques and the creation of musical instruments. The author explains how the stars of Cygnus coincided with the turning point of the heavens at the moment the Denisovan legacy was handed to the first human societies in southern Siberia 45,000 years ago, catalyzing beliefs in swan ancestry and an understanding of Cygnus as the source of cosmic creation. It also led to powerful ideas involving the Milky Way's Dark Rift, viewed as the Path of Souls and the sky-road shamans travel to reach the sky-world. He explores how their sound technology and ancient cosmologies were carried into the West, flowering first at Göbekli Tepe and then later in Egypt's Nile Valley. Collins shows how the ancient belief in Cygnus as the source of creation can also be found in many other cultures around the world, further confirming the role played by the Denisovan legacy in the genesis of human civilization.Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio

Our story begins in Nubia and the Nile Valley, the Kingdom of Kongo, the Mali Empire, and the Great Zimbabwe. Our host, Jay, sat down with Dr. Runoko Rashidi in October 2020 to reveal how the origins of Black people lie in great, ancient African civilizations and how our hidden history spans the globe. To learn of Dr. Rashidi's work, visit drrunoko.com Black History Year (BHY) is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school and explore pathways to liberation with people who are leading the way. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work.  Hosting BHY is Jay (2020-2023) and Darren Wallace (2024). The BHY production team includes Jareyah Bradley and Brooke Brown. Our producers are Cydney Smith and Len Webb for PushBlack, and Lance John with Gifted Sounds edits and engineers the show. BHY's executive producers are Julian Walker and Lilly Workneh. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

By 2100 BCE, Egypt's royal house was in trouble. A line of kings, known as the pr-Hty (“House of Khety”) claimed authority over the whole Nile Valley. But archaeological and historical data paint a different picture: of a growing division between communities in the north and south of Egypt. The “Two Lands” were separating, and government was too weak to stop it… Logo image: A northern official named Ipi. From his tomb at the cemetery of Ihnaysa el-Medina (Photo Perez Die 2016). The History of Egypt Podcast: Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

A tomb revisited. In 1923 CE, excavations at Luxor revealed the graves of ancient Egyptian soldiers. They bore scars of battle on their bones and flesh; and their story may belong to one of several major conflicts within the Nile Valley, around 2000—1900 BCE. In this episode, we revisit an old topic, and describe the tale anew… Note: This episode has an extended version on Patreon (link below). Dates: 1923—1926 CE (excavation); c. 2000—1900 BCE (ancient burial). Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Select Bibliography: H. E. Winlock, The Slain Soldiers of Neb-Hepet-Re Mentu-Hotpe (1945). Available in Open Access via MMA. C. Vogel, ‘Fallen Heroes? Winlock's “Slain Soldiers” Reconsidered', The Journal of Egyptian Archaeology 89 (2003), 239—245. Access via Academia.edu and JSTOR.org. P. Chudzik, ‘Middle Kingdom tombs in the North Asasif Necropolis: Field Seasons 2018/2019 and 2020', Polish Archaeology in the Mediterranean (2020), 177—202. Open Access via Academia.edu. Wikipedia, ‘MMA 507,' https://en.wikipedia.org/w/index.php?title=MMA_507&oldid=1151562120. Artefacts from the tomb at the Metropolitan Museum of Art: Archers' wrist guard. Folded linen with hieratic text of Sobekhotep Son-of-Imeny. Additional pieces at MMA Collections (objects dated .1961 – 1917 BC). Skull fragment with arrow in eye (images restricted). Model weapons of the early Middle Kingdom: shield, spear, quiver. The tomb of Queen Neferu at Deir el-Bahari: Wikipedia, photos at Flickr.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The daughters of Akhenaten and Nefertiti were not just "ornaments" for their parents. Like many princesses, they also participated in the religious rituals and royal pageantry of the Egyptian government. In this interview, Courtney Marx (MA, George Mason University) joins us on behalf of the American Research Center in Egypt, to discuss the Amarna princesses and their role as priestesses. We also explore the history of royal women as priestesses and the unique roles they played in the temple rituals. Finally, we explore the aftermath of Amarna: how the visible roles, titles, and imagery of princesses changed following the death of Akhenaten and Nefertiti. The American Research Center in Egypt is celebrating 75 years of work in the Nile Valley. Dedicated to scholarship of the ancient, medieval, and modern worlds, the ARCE supports researchers and students, funds archaeological and scholarly work, and organises many public outreach programs. Learn more about ARCE at their website and follow the ARCE Podcast online and on all podcasting apps. Logo image: Block fragment showing two Amarna princesses (Metropolitan Museum of Art 1985.328.6). Photo by Courtney Marx. Further reading (provided by Courtney Marx): Ayad, Mariam F. “The God's Wife of Amun: origins and rise to power.” In Carney, Elizabeth D. and Sabine Müller (eds), The Routledge companion to women and monarchy in the ancient Mediterranean world, 47-60. New York: Routledge, 2021. Ayad, Mariam F. God's Wife, God's Servant: The God's Wife of Amun (ca.740–525 BC). United Kingdom: Taylor & Francis, 2009. Bryan, Betsy M. “Property and the God's Wives of Amun.” In D. Lyons and R. Westbrook, eds. Women and Property in Ancient Near Eastern and Mediterranean Societies. Washington, DC: Center For Hellenic Studies, Harvard University, 2005. Pawlicki, Franciszek. Princess Neferure in the Temple of Queen Hatshepsut at Deir el-Bahari: Failed Heiress to the Pharaoh's Throne? Études et Travaux 21, 109-127. 2007. Xekalaki, Georgia. Symbolism in the Representation of Royal Children During the New Kingdom. Oxford: Archaeopress, 2011. Troy, Lana. “Patterns of Queenship in Ancient Egyptian Myth and History.” PhD diss., Uppsala University, 1986. Williamson, Jacquelyn. “Death and the Sun Temple: New Evidence for Private Mortuary Cults at Amarna.” The Journal of Egyptian Archaeology 103, no. 1 (June 2017): 117–123.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In New Kingdom Egypt (c.1500 – 1150 BCE), the rulers and people of the Nile Valley communicated extensively with their eastern neighbours. Trade and diplomacy were far more common than outright conflict. And the Egyptian pharaohs were highly regarded in distant courts. These contacts survive in the archaeological record: detailed texts recording interactions; shipwrecks carrying cargo from the Egyptian court; and even tombs recording the high status of foreigners serving the pharaoh himself. Compilation of previously released material. Logo image: A wooden statue head from the tomb of Aper-el / Abdiel. Saqqara, Imhotep Museum, photo by Dominic Perry 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happened to Millions of Black Egyptians in the Nile Valley when the Arabs invaded in the 7th Century AD??? Prof. James Small, Michael Imhotep on 'The African History Network Show' African American Atlanta Business Man, Dexter Caffey, finds out he is a descendant of Pharaoh Ramses III, from 4,000 yrs ago!   REGISTER NOW: Next Class Starts Sat., March 9th, 2024, 2pm EST, ‘Ancient Kemet (Egypt), The Moors & The Maafa: Understanding The Trans-Atlantic Slave Trade. REGISTER NOW & WATCH!!! (LIVE 10 Week Online Course) with Historian & Political Commentator, Michael Imhotep host of ‘The African History Network Show' and founder of The African History Network. Discounted Registration $80; ALL LIVE SESSIONS WILL BE RECORDED SO YOU CAN WATCH AT ANY TIME! WATCH CONTENT ON DEMAND! REGISTER for Full Course HERE $80: https://theahn.learnworlds.com/course/ancient-kemet-moors-maafa-transatlantic-slave-trade-winter-2024 or  http://www.TheAfricanHistoryNetwork.com

In 1964, pre-historic remains were discovered at Jabal Aṣ-Ṣaḥābah - or Mountain of the Companions - in the Nile Valley near what is now the border of northern Sudan and Egypt. That site contained evidence of the earliest known warfare believed to have taken place around 13,500 years ago. It's thought that climate change led to that conflict; as crop yields became smaller, more groups had to compete with each other for what food sources were available. Spears and possibly arrows were the high-tech weapons of choice in the Nile Valley. Flash forward to today and it's AI-enabled drones that have been - literally - levelling the playing field for Ukraine in their battle against Russia. But as technological advancement continues apace what lessons have we learned from recent conflicts and how might things change in the wars yet to begin? Guests: Shashank Joshi, defence editor at The Economist, Dr Jack Watling, Senior Research Fellow for Land Warfare at the Royal United Services Institute Dr Emma Salisbury, associate fellow in military innovation at the Council on GeostrategyProduction team: Ben Carter and Kirsteen Knight Editor: Richard Vadon Production Co-ordinator: Gemma Ashman Sound engineer: Neil Churchill

Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism. This book contests the limitation of the modern African understanding of Africa's journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman's 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa's engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa's classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa's history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism. This book contests the limitation of the modern African understanding of Africa's journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman's 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa's engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa's classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa's history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism. This book contests the limitation of the modern African understanding of Africa's journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman's 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa's engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa's classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa's history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism. This book contests the limitation of the modern African understanding of Africa's journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman's 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa's engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa's classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa's history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Far in the distance, three colossal shapes tower over the desert horizon… In this episode, we travel to the Nile Valley, and tell the story of one of the most iconic cultures ever produced by humankind – the civilizations of ancient Egypt. I want to show how this series of related cultures grew up in the floodplains of their great river, and built some of the most enduring and recognizable structures in the world. And I want to tell the story of what happened to bring the age of the Pharaohs finally and cataclysmically to an end. Credits: Michael Hajiantonis Nick Denton Paul Casselle Alexandra Boulton Tom Marshall-Lee Rhy Brignell Peter Walters Lachlan Lucas Narrated and produced by Paul Cooper Sound engineering by Alexey Sibikin Readings in Arabic by Nassim El-Boujjoufi Readings in reconstructed ancient Egyptian by Seqnenra (Mohammad Habib) and Doha Abd Allah Amin

For millennia, Egypt's mighty pyramids have acted as emblems of the vibrant ancient civilisation that once straddled the Nile Valley. From mysteries surrounding their design and construction and the discovery of new passageways, to the enigma of the Great Sphinx, the pyramids continue to fascinate the world. Danny Bird puts some of our listeners' questions to Egyptologist Mark Lehner. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Salisbury had a fairly accurate view of just what Britain could and couldn't do on its own, given the limitations on British power itself, but also the blocks caused by domestic political opposition . He equally had a clear notion of just what massive damage the new generations of weapons might do in a war in which both sides had them, essentially a war between great powers. Finally, he also understood that the point of empire wasn't sentiment, it was business. All this made him deeply suspicious of the Jingoist spirit of many who wanted to push Britain's imperial interests ever further forward. Instead, however much the Jingoes might criticise him for it, he preferred to concede to rivals in areas where he felt no vital interest was at stake. On the other hand, where such an interest was on the table, he was more than prepared to fight. He'd decided, in particular, that given his colleagues' fear of taking on Turkey, the best way to protect the Suez Canal, the vital link to India, was through Britain's control of Egypt. But Egypt depended on the Nile, and that river ran through Sudan. That's why, while Salisbury avoided war over West Africa, or over holdings grabbed by other powers in China, or with the US over the Guyana-Venezuela border dispute, he stood firm over Sudan and sent Kitchener in there to win his victory of Omdurman and then against the remaining Mahdist forces as he swept southwards. Control of the Nile Valley was a goal he felt Britain could achieve and which would be key to its imperial interests. So it was worth fighting for. Even, as we'll discover next week, when that brought him into conflict with a great power. Illustration: The main gate to the munitions depot in Quingdao, after the German occupation, in 1898. From the Bundesarchiv of the Federal Republic of Germany. Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License.

 EGGCELLENT ADVENTURES - Ep.6 Dre Taylor - Nile Valley(NVA) Aquaponics & KC Urban Farm Co-OpThis week we step out of the coop and into the pond! We talk about aquaponics and water farming with an expert Dre Taylor as he comes in via satellite all the way from Ghana (Africa). This Kansas City native once facilitated and founded one of the largest aquaponic community farms & Urban Farm Co-Ops in America! He was able to help many others start community gardens and farms in cities and food deserts. Take a listen to Dre's convo with Reec on the Eggcellent Adventures Podcast. www.BlackYardChickenz.com for more info

Today, I'm thrilled to introduce you to a guest whose wisdom and insights are truly unparalleled: Naba Iritah Shenmira. From the esteemed Dogon lineage of the Gulmu region in Africa, Naba Iritah is a healer who embodies a lineage that's deeply connected to ancestral knowledge and traditions.  After his father's passing, Naba Iritah dedicated his life to claiming the initiatic heritage and healing knowledge of his bloodline in order to carry on the mission of his Ancestors, doing full health consultations and Bayuali Earth Energy Readings through Ankhkasta Natural Healing.  We discuss what it genuinely means to learn from indigenous cultures and the delicate balance between individualism and community that shapes cultures across the globe, touching upon the essence of humility and self-respect as non-negotiables when interacting with other cultures, the role of ego in spiritual processes, and the risks we face when commodifying cultural and spiritual practices. Dive with us into the stories that shaped our modern world, and we venture to understand the collaborative nature and origin of the profound energies resonating from the pyramids and temples of the Nile Valley.  DISCLAIMER: This podcast is presented for educational and exploratory purposes only. Published content is not intended to be used for diagnosing or treating any illness. Those responsible for this show disclaim responsibility for any possible adverse effects from the use of information presented by Luke or his guests. Please consult with your healthcare provider before using any products referenced. This podcast may contain paid endorsements for products or services. 00:00:08 — Dogon Legacy: Naba's Journey from Childhood to Priesthood • Nada's impression of Texas • Ceremony Circle: Reuniting Humanity with Dogon High Priest Naba Iritah Shenmira • The background of the Dogon culture • History of colonization and how that impacted the Dogon way of life • What Naba's childhood was like • Reframing challenge and suffering into tools for growth and achievement • What Naba learned from his father • Nada's journey taking over the mission from his father and his approach to challenges  00:35:58 — Ancient Wisdom in Modern Times: Embracing Humility, Community & Authentic Spirituality • The mission of the Pharaoh to share ancient wisdom for all of humanity • What's required in order to learn, authentically, from an indigenous culture • How individualism and community define cultures in different parts of the world • The importance of humility • Ego in the spiritual process: Luke's story from a 21-day silent retreat in India • The risks of commodifying culture and spiritual practices  01:27:28 — The Kemetic Calendar: Reviving Lost & Repressed Wisdom • Why we don't know what time it is according to the cosmos • How our current measure of time came to be in modern society • What doesn't make sense about our current calendar  • What's messed up in the way we mark a new year/new day • The value in cultivating self-awareness • What's working behind every invention and creative thought • The limitations of most of the languages in the world • Why English is more of a dialect than language • The Medu Neter: How african language is based in nature 02:14:38 — Atlantis to the Nile: Ancient Mysteries, Divine Laws & the Rhythms of Sacred Traditions • The origin of Atlantis • A story at the foundation of the modern world • Contemplating the law of man vs. God • The temple and pyramids of the Nile Valley as energy centers • Psychedelics being taken from indigenous communities • The power and impact of Naba's drum beats More about this episode. Watch on YouTube. THIS SHOW IS BROUGHT TO YOU BY: SILVER BIOTICS. Experience the healing power of Silver Biotics! Their advanced & patented technology can help support your immune system and promote overall wellness. Try it today and see the difference for yourself! Get 30% off when you go to silverbiotics.com and use code LUKE at checkout. AND… TIMELINE NUTRITION. Mitopure is a breakthrough postbiotic that activates your body's natural defense against aging. Clinically proven to unlock the potent bioactive, Urolithin A. It is the purest form of Urolithin A, a molecule, which is only produced as a by-product when gut bacteria digest specific ingredients found in pomegranates. Go to “LUKE10” for 10% of any 2, 4 or 12-month Mitopure plans at timelinenutrition.com. AND… NOOTOPIA. Get four of the best brain-boosting mushroom extracts, plus collagen protein and Peruvian cacao, in Nootopia's new Collagenius. Go to nootopia.com/lukegenius and use code 'LUKE10' for 10% off. AND… ARMRA. Transform your health starting at its foundation. ARMRA Colostrum™ protects, rebuilds, and strengthens your body's barriers for defense against everyday threats and enhanced vitality. Go to tryarmra.com/LUKE or enter LUKE to get 15% off your first order. Resources: • Instagram: @naba_iritah • Ankhkasta Natural Healing: anhlife.org • Kemetic Calendar App: apps.apple.com/us/app/kemetic-calendar • Earth Center of Manu Inc: theearthcenter.org • Are you ready to block harmful blue light, and look great at the same time? Check out Gilded By Luke Storey. Where fashion meets function: gildedbylukestorey.com • Join me on Telegram for the uncensored content big tech won't allow me to post. It's free speech and free content: www.lukestorey.com/telegram Related: • The God Pod: Spiritual Evolution & a Vision of Value for Humanity w/ Marc Gafni #473 • A Mystic Speaks: Reincarnation, Past Lives & Spiritual Simplicity w/ Gurudev (Sri Sri Ravi Shankar) #420 The Life Stylist is produced by Crate Media.

In this episode, Dr. Greg Carr reflects on the first five days of the Kemet Study Tour. He emphasizes the significance of immersing oneself in the space, engaging in active listening, critical thinking, reading, discussing, connecting, and desiring a deeper understanding of how human beings, through cooperative effort, built something remarkable.For more breadcrumbs (and a full meal) JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes are held live with a live chat.To shop Go to:TheGlobalMajoritySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hey New Zealand! It's time to explore ancient Egypt. A new exhibition, Egypt: In the Time of Pharaohs, has just opened at Auckland Museum Tamaki Paenga Hira. And to celebrate, we've got a special deep-dive into the artefacts and cultural background of the Nile Valley! Have a listen and check out the exhibition for yourself. And while you're there, consider an Auckland Museum Membership, which comes with all kinds of perks including free entry to paid exhibitions, exclusive events and lectures from leading experts, special discounts at the museum shops and cafes, and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

This media has been made available by Mosaic Boston Church. If you'd like to check out more resources, learn about Mosaic Boston, or donate to this ministry, please visit mosaicboston.com.Heavenly Father, we thank you that you, the great God of the universe, holy, perfect, you demand absolute perfection and holiness from us. And Lord, we thank you that you offer us grace to do that which you command us to do. You call us to repentance and we can't repent apart from your grace. You call us to faith in Christ, we can't do that either apart from your grace. You call us to live a life of love toward God and toward people from the heart, and Lord, we can't do that apart from you. Lord, today convict us of sin. Reveal any guilt that we are still carrying from our sin. And I pray, Lord, don't just relieve us of that guilt, but remove it from us. Eradicate it from us so we as your children can live lives of good conscience.Lord, bless our time in the holy scriptures today. Holy Spirit, we pray, minister to us, reveal the words to us, reveal the words that you would have for each of us individually. And Lord, magnify your son Jesus Christ through the preaching of your word. Jesus, we thank you that you provided a way for us to be reconciled with the Father, for that sin to be removed, for that guilt to be assuaged. And we thank you that for those who are in Christ now today, there is no condemnation. Zero whatsoever. We believe that. We love that and we receive that word. Bless our time in the holy scriptures. We pray this in Christ's name. Amen.We're continuing our study through Genesis 37 through 50. We've entitled it Graduate Level Grace: A Study in the Life of Joseph. Today, we're in Genesis 42 and the title is Grace for the Guilty. Why do we call it Graduate Level Grace? Well, we need grace as much today as we did the very first day that we trusted in Jesus Christ. We need grace to be justified of our sin, but we also need grace to be sanctified then also shaped by God to be ever more useful. In his confessions, Augustine wrote around the year 400 AD, he said, "God, give me the grace to do as you command and command me to do what you will." What he's saying is, God, you can command whatever you want, but unless you give me the power to do it, unless you give me the grace to do it, I can't do it. But if you give me grace, you can command whatever you will of me. Meaning we're incapable of obeying God's commands, of doing God's will unless He grants us the ability to do so.Jesus commanded us, repent and believe. How? By God's grace. Work out your salvation with fear and trembling. How? By God's grace. Marry this person, raise these children. Do your job as unto the Lord. How? By God's grace. God's grace is God's unmerited favor, but it's also fuel. Grace saves us and it sanctifies us. It trains us, it hones us, it strengthens, it grows us, and grace graduates us. And we see the same grace, it's on every single page of this narrative of the story of Joseph. This is the supreme lesson which meets us and impresses us at every stage of his history. He was a man of God and he walked in the presence of God knowing that he needed the grace of God. Everything he did, he did under the conscious realization that he's living under the watchful eye of God who loves him and will carry him through no matter what. In seasons of adversity, 13 years in prison, sold by his brothers into slavery, doesn't know a person in Egypt. In adversity, he trusted his God and waited for God's timing.And then last week, we learned that God raised him up. By God's grace, now he's second in command to only Pharaoh. And in prosperity, Joseph did not forget his God. No, he leaned upon his God and found his grace sufficient. His heart wasn't tried by humiliation nor his head turned by exaltation. He didn't let the disappointments of life break his heart, nor did he allow the victories of life go to his head. He's even-keeled, composed knowing that God is sovereign. So before the Lord exalts Joseph to this position of importance, He prepared him with discipline. And this discipline did not feel like grace. But then again, what does grace feel like? If you think about what does grace feel like?Well, what did it take for grace to be procured by God, for grace to be offered to us? Well, grace took a bloody cross, a crucifixion. That's how grace was procured. So sometimes, yes, grace comes as soothing balm to our soul, but sometimes grace comes as surgical tool slicing us open to cut out the rot. In moments which might feed human pride and self-sufficiency, what do we need? We need grace, God's grace to humble us, to keep us simple, to keep us faithful. Because Joseph walked with God in the darkness of prison, he's ready for the spotlight of the palace and that's where we find ourselves. And what kind of man is he when his brothers who sold him into captivity stand before him, bowing down before him. He holds all the power to do whatever he wants with them. What does he do? Well, we see a tender heart. How does his heart remain tender despite the hardness of the obstacles around him? Well, it was God's grace. So God's grace to Joseph made him a gracious leader, ready to forgive those who wanted harm for him.As we walk through the text together in Genesis 42, four points to frame up our time. First, your sin will find you out. Second, the slow burn of a guilty conscience. Third, now there comes a reckoning. And for fourth, the Father who won't sacrifice His beloved son. First, your sin will find you out. It's a biblical principle. Numbers 32:23. "But if you will not do so, behold, you have sinned against the Lord and be sure your sin will find you out." We worship a holy God and God is omniscient. He sees anything and everything and it's against His holy character to allow sin to go unpunished. Your sin will find you out.Luke 8:17, the words of Christ. "For nothing is hidden that will not be made manifest, nor is anything secret that will not be known and come to light", either in this life or when we stand in the judgment before Christ. So this is exactly what happens. Joseph's brothers, 10 of them, they sold him to captivity and in their minds they already think he's dead. That's the lie they told their father, Jacob, that your son was eaten, torn apart by wild animals. And for two decades, they lived with this guilt that they had murdered their brother. Later on, in the same text, twice they say the brother who was no longer with us, the brother who was no more, they thought Joseph was dead. And here, God reveals their sin and makes them reckon with it on a glorious stage. And thanks be to God that He included this narrative in scripture for us to see, for the world to see for time immemorial.Remember, Joseph is out of prison. He's appointed to second in command only to Pharaoh. God has given him incredible wisdom for not just to interpret Pharaoh's dreams but also put a plan in place to capitalize on the abundance of seven years. So he's second in command, he's shaved dressed, married, he's got two sons and he's been busy capitalizing on seven years of bountiful harvest in preparation for the seven years of debilitating famine. So that brings us to Genesis 42. We begin with verses one through five."When Jacob learned that there was grain for sale in Egypt, he said to his sons, 'Why do you look at one another?' And he said, 'Behold, I have heard that there is grain for sale in Egypt. Go down and buy grain for us there, that we may live and not die.' So 10 of Joseph's brothers went down to buy grain in Egypt. But Jacob did not send Benjamin, Joseph's brother, with his brothers for he feared that harm might happen to him. Thus the sons of Israel came to buy among the others who came, for the famine was in the land of Canaan."The famine had engulfed all the earth in including Canaan. So God sends of famine in order to awaken the brothers, in order to get them to act and to do something with the guilt that is upon them. Their father looks at them and says, "Why do you look at one another?" And he sounds exactly like my dad, my dad's Slavic. This is exactly how he parented us. Very direct. "Why you look at one another?" That's what Jacob is doing. And what is he saying? He's not just saying, you guys are lazy bums. He's saying, we got to protect our household. We got to provide for our household. You have children and you have wives, you have cattle, you have to provide. Now go and do something or else we're all going to die.Jacob heard that there was grain for sale in Egypt and he has no idea, absolutely no idea how that grain came to be. He has no idea that God had been working behind the scenes for over two decades, 13 years that Joseph was in prison, the seven years of abundance, that's 20. And time has passed with the famine. So God has been using this, overriding the sinful intentions of the brothers, the slave traders, Potiphar and Mrs. Potiphar, the forgetful butler. God was busy turning their evil into good and to shape Joseph and place him in the number two spot. Why were the brothers just sitting around? They too must have heard that there was grain for sale. Everyone heard. No one was prepared for this famine, not one of the countries. How could you be prepared? You'd have to know the future in order to build the infrastructure to farm, to gather, to store, to distribute all the grain and mountains and mountains of grain it was. And in famine that grain was as good as gold.Why were they sitting around knowing this, that if they went to Egypt they could solve all their problems? Well, because even the word of Egypt, the thought of Egypt sent a shutter down their spine and sent a cold sweat down their back. Every time they thought of Egypt, they couldn't but remember the anguished cry of their brother, Joseph, right before they sold him to the Midianites and he was sent to Egypt. Now, imagine their trip to Egypt. Imagine the silence, the deafening silence as they're all thinking the same thing, recalling the events of 20 plus years ago. Now, they're traveling the same path as Joseph did except he was in chains. Jacob, we see, hasn't changed much. His favoritism has only grown as he poured out his love on Benjamin, his youngest son, perhaps overcompensating for having lost Joseph.He wants to protect him and fear that harm might happen to him, perhaps because he never trusted the brothers, perhaps because he didn't believe their lies and the story that they told him. And later in the text we see that he did blame them for the death of Joseph. The fact that he kept Benjamin behind must have stung their consciences. It had to have. And we don't know much about Benjamin's character just yet, but Joseph's brother, we know a lot about. They were sinful. They were wicked, violent, lust-driven men. Sons two and three, that's Simeon and Levi, were guilty of premeditated genocide in the slaughter of the unsuspecting Shechemites. Son number one, Rubin, committed incest with his father's concubine in an attempt to secure ascendancy over his father. And next, all 10 of the brothers beat Joseph, stripped him, threw him into a pit with violent rage and then sold him into slavery.Son number four, we read in Genesis 38, was Judah, who impregnated his daughter-in-law, Tamar, who had disguised herself as a Canaanite prostitute. The family was not just dysfunctional, this is a family of egregious sinners and these were the sons of Abraham, Isaac, and Jacob. This is supposed to be the family of God, the chosen people of God. God was going to bless all the families of the world through this one family. The Messiah, the promised conquerer of Satan, he was supposed to come from this family. And as you read this narrative, you're like, "What? These people, these wicked sinners?" Well, yes, all of that will come true, but God first has to do spiritual surgery upon them.These men, who are guilty of sin and had attempted to hide it for 20 years, just imagine doing that, all 10 of them maintaining the same story for two decades. These men were guilty and the time of reckoning has come and it's time that they were confronted with their sin, deal with their guilt, repent and seek forgiveness from God, from Joseph, and also from their father, Jacob. They did everything they could to forget their sin, but they couldn't. They tried to live as if nothing had happened, thereby searing their consciences all the more. And now it's time, by God's grace, their consciences are awakened by the light of God's providence.Point two is the slow burn of a guilty conscience. God has given every single one of us a conscience. This is great proof of the existence of God. And the conscience is given to us to guide us between choosing good and evil. The conscience serves as a witness to what we already know about God's law that's written upon our hearts. It's like an independent witness within, examining and passing judgment on one's conduct. Sometimes the conscience is seared through sinful living licentiousness. Sometimes the conscience is seared through legalism where we bring in manmade rules that then inform our conscience, that then sears our conscience from what is true according to God's work. Therefore, it's important, friends, to educate your conscious, to inform your conscious, to make sure your conscious is calibrated to the law of God, the word of God and nothing else.First Timothy 4:1 through five, for example. "Now the spirit expressly says in later times some will depart from the faith by devoting themselves to deceitful spirits and teachings of demons through the insincerity of liars whose consciences are seared, who forbid marriage and require abstinence from foods that God created to be received with thanksgiving by those who believe and know the truth. For everything created by God is good and nothing is to be rejected if it is received with thanksgiving, for it is made holy by the word of God and prayer." Romans 2:14 through 16 testifies to the fact that God's law, his commandments are written on our hearts. Verse 14, "For when Gentiles, who do not have the law, by nature do what the law requires, they're a law to themselves, even though they do not have the law. They show that the work of the law is written on their hearts while their conscience also bears witness and their conflicting thoughts accuse or even excuse them on that day when, according to my gospel, God judges the secrets of men by Christ Jesus."So the conscious is like an internal sensor that goes off when it senses that we're moving away from God's will. It beeps and then it beeps again. It's like when you're not wearing a seatbelt in your car and it beeps and it beeps and it beeps. After a while, it just stops beeping. And that's how the conscience works. That's the searing of the conscious, burnt to the point where it's not effective anymore. And at that point, the conscience needs to be awakened by the power of the Holy Spirit. It's only the Holy Spirit that can bring a person to a realization that we have sinned. Our conscience is defiled. We need a cleansing. We need the guilt removed. Titus 1:15 through 16, "To the pure, all things are pure, but to the defiled and unbelieving, nothing is pure, but both their minds and their consciences are defiled. They profess to know God, but they deny him by their works. They're detestable, disobedient and unfit for any good work."Joseph's brothers grew up in a Christian family, so to speak, a family of believers. They're supposed to know God, they're supposed to represent God to the world. And maybe that's how they even presented themselves, but their works, their life denied the fact. With their mouth they espouse that they love God, but their hearts are far from him. So Genesis 42, verse three. "So 10 of Joseph's brothers went down to buy grain in Egypt." And it's fascinating that the text does not call them Jacob's sons. The text calls him Joseph's brothers. Why? Because the relationship between Joseph and his brothers is in focus in this chapter. So the brothers make the trek across the Sinai and down to the Nile Valley.Verse six, it says, "Now Joseph was governor over the land. He was the one who sold to all the people of the land. And Joseph's brothers came and bowed themselves before him and their faces to the ground." Never in their wildest dreams or in their worst nightmares, would they imagine that they would meet Joseph again. They thought, and just in all probability, that he was dead. And if he was alive, most likely is just an obscure slave. But meet Joseph, they certainly did. And when they met him, they didn't recognize him. He was virtually unrecognizable, beardless, clean-shaven, likely dressed in flowing white linen, decorated with gold, speaking Egyptian. And so they did what all the foreigners were doing. They bowed themselves before this man, to the ground, faces to the ground. It was a sign of subordination, of course, and the only means of surviving the famine.I think this is a scene that Joseph had visualized in his mind a thousand times plus over the course of the last 20 years. Why? Because he had been given a prophetic dream years before that he had shared with them and with their father. This is the dream that kicked off the narrative in Genesis 37:5. "Now, Joseph had a dream and when he told it his brothers, they hated him even more. He said to them, 'Hear this dream that I have dreamed. Behold, we were binding sheaves in the field, and behold, my sheaf arose and stood upright. And behold, your sheaves gathered around it and bowed down to my sheaf.' His brothers said to him, 'Are you indeed to reign over us or are you indeed to rule over us?' So they hated him even more for his dreams and for his words."So the first dream had come to pass and Joseph knew it was from God the whole time, that dream actually sustained him through his darkest years. Now, the prophetic dream was happening in reality in real time. His brothers come here looking for grain and they, like the sheaves of grain in the dream, bow down before Joseph's sheaf. He is indeed reigning and ruling over them however much they hated him for it. Genesis 42:7. "Joseph saw his brothers and recognized them, but he treated them like strangers and spoke roughly to them. 'Where do you come from?' he said. They said, 'From the land of Canaan to buy food.' And Joseph recognized his brothers, but they did not recognize him."He recognized them immediately. How could he not? He had seen their faces emblazoned on his mind and his heart and nightmares for years. He remembers them. And then there's 10 bearded brothers speaking Hebrew. How often do you see that? Time had left its mark on them as on him, but he still recognized them. Joseph didn't show any outward emotion, goes about his job with stoic precision and all the power is absolutely in his hands. He has all the leverage to do whatever he wants. If he says, "Dance", they're going to dance. If he says, "Jump", they say, "How high, sir?" Not only does he have the power to withhold grain from them, he has the power to take their freedom and even their very lives. So he begins to interrogate them, speaking roughly as the strangers, verse nine."And Joseph remembered the dreams that he had dreamed of them. And he said to them, 'You are spies. You have come to see the nakedness of the land.' They said to him, 'No, my Lord, your servants have come to buy food. We are all sons of one man. We are honest men. Your servants have never been spies.'" It says that Joseph remembered the dreams, plural. There was a first dream, but there was also a second dream. And in the second dream, his dad was included, meaning that his whole family would come down, bow down before him. So he knows that this isn't the full revelation of God just yet. In Genesis 37:9 through 11, the second dream, "Then he dreamed another dream and told it to his brothers and said, 'Behold, I've dreamed another dream. Behold the sun, the moon, and 11 stars were bowing down to me.' But when he told it to his father and to his brothers, his father rebuked him and said, 'What is this dream that you have dreamed? Shall I and your mother and your brothers indeed come to bow ourselves to the ground before you?' And his brothers were jealous of him, but his father kept the saying in mind."So this part of the interrogation, Joseph knows the whole story, it has not been completed. He interrogates them, accuses them of espionage, on mission to find weak points in the defense in Egypt. And by the way, this was a legitimate concern. Egypt had all the grain in the world of that time. Obviously, there were threats to them. So he accuses them of this. They try to remove doubt and in doing so they divulge more information than they should have. In Genesis 42:11, they say, "We are all sons of one man. We are honest men. Your servants have never been spies." And the irony, of course, isn't lost on us. These men were not honest, although they claim to be so. And here you got to pause and say, what is Joseph doing here? Why is he testing? Why is he speaking to them as strangers harshly? Why this tone, Joseph?Well, it's because he's testing them to see if they have changed, to see if their hearts have been awakened by the spirit of God. Were they the same lying, conniving, callous, jealous, murdering sinners that they still hate him? And he's wise in doing this because of his position of influence and also he's figuring out how much am I going to help this family? He could have just said, okay, I don't trust you guys. I'm going to send grain to you and to your households and that's it. That could have been the end of the story, but it's not. He understands there's more. Genesis 42:12, "He said to them, 'No, it is the nakedness of the land that you have come to see.' And they said, 'We, your servants, are 12 brothers, the sons of one man in the land of Canaan. And behold, the youngest is this day with our father and one is no more.' But Joseph said to them, 'It is as I said to you, you are spies.'"I think here Joseph's cool, icy persona, complexion, projection I think here begins to melt a little bit. They don't just say there's 10 of us. They don't just say there's 11 of us, 10 living and one still at home, Benjamin. No, they say 12. And I wonder how Joseph felt when he heard the number 12, that they considered that the family was still intact, not withstanding their brother's death. Perhaps it's a hint here of an improvement in their spiritual condition. And then they say one is no more. Are their consciences becoming awake, unseared, coming back to life? They give Joseph more information about their family to establish credibility. And Joseph continues to accuse them like a seasoned interrogator. When the accusation doesn't stick, he just progressively repeats it louder and more emphatically till the person cracks. It is as I said, you are spies.And I think Joseph here is having a little fun because he remembers back in the day, the brothers, what do they accuse him of? What do they call him? They called him a spy. "'Did you come here again to spy on us, to bring a bad report of us to our father?" And here Joseph turns the tables. Genesis 42:15. "By this you shall be tested. By the life of Pharaoh, you shall not go from this place unless your youngest brother comes here. Send one of you, and let him bring your brother, while you remain confined, that your words may be tested, whether there's truth in you. Or else, by the life of Pharaoh, surely you are spies.' And he put them all together in custody for three days." He puts them in prison, in the pit, in the dungeon. I wonder if it's the same prison that he was in just to give them a taste of their medicine. He does enslave them for three days, but he's not doing it to enslave them. He's giving them time to think. He's giving them time to think about their guilt, to experience the guilty conscience.And three days in an Egyptian prison would've been plenty of time to come to their senses, think things through and talk things over. What were they talking over? Which of us is going back home to Canaan to tell dad that we had lied for two decades? Who's going to go back and tell him that, no, Joseph is actually alive, he wasn't torn by wild animals. He was sold into captivity by wild animals, the brothers themselves. And not only that, they would have to convince Jacob to let Benjamin go to Joseph. Who's doing that? They would've probably all preferred to stay in prison to the thought of that task.And this is point three. Now there comes a reckoning. Verse 18. "On the third day, Joseph said to them, 'Do this and you will live, for I fear God. If you are honest men, let one of your brothers remain confined where you are in custody and let the rest go and carry grain for the famine of your households and bring your youngest brother to me so your words will be verified and you shall not die.' And they did." So Joseph proposes a new plan, probably because he understood how emotionally daunting and painful the first one would be. Plus, Joseph did care for them. And here we see Joseph's heart toward them, his real heart toward them.He knew that if one of them goes back with a sack of grain or as much as he could carry, that's not going to hold the family over for much time. So he comes up with a new plan, leave one brother here, the nine of you can go back. Just make sure you come back here with Benjamin. Though they don't deserve this grace, Joseph says, "I fear God." This Egyptian standing before them proclaims the name of God and that he doesn't just worship God, he fears God. God had extended grace toward Joseph. Now Joseph is extending grace toward the brothers.The way in which God is associated with the life of Joseph is paramount to the narrative. At every single most important juncture in Joseph's life, he brings in the name of God. Why? It shows us that he was a God-centered man and that he knew that everything in this world is controlled by God. And if he is to make the right decision, he has to lean upon God. For example, when Potiphar's wife tried to seduce Joseph, he said, "How can I do this great wickedness?" Against whom? Not Potiphar, God. "Do not interpretations belong to God?", he said to the cup bearer and to the baker in prison. When he stands before Pharaoh, he says the same. And he says, "God shall give Pharaoh an answer of peace. God will shortly bring it to pass." And when he has a son and he remembers God and he remembers the pain of his past, he says, "God has made me forget the pain of my father's household."Everything in Joseph's life was guided and controlled by the thought of God. Not one of the brothers has thus far mentioned God, but this Egyptian seemingly is talking about God. One brother was supposed to remain and here's the big test. Was the talk of the 12 brothers just that? Was it talk, or would they really come back for their brother, Simeon? The thought of their brother remaining in prison breaks their heart. They understand the pain and anguish that their father would feel hearing that Simeon was left in prison. And hear these words that erupts from a broken heart, these anguished words pouring from a guilty conscience beginning in verse 21."Then they said to one another, 'In truth we are guilty concerning our brother, in that we saw the distress of his soul when he begged us and we did not listen. That is why this distress has come upon us.' And Reuben answered them, 'Did I not tell you not to sin against the boy? But you did not listen, so now there comes a reckoning for his blood." In truth, we are guilty concerning our brother, they say. Not the dreamer, not Joseph. No, this is our brother. Time does not blot out the guilt of sin, nor does time have any power over the conscience. And God, in His great providence, brings these men face to face with their sin and its due punishment. And isn't it fascinating how God does this, how God forces them to face the reality, to reckon with their sin?God brings them to Egypt on the same path that the Midianite merchants walked with Joseph. They were together in a strange land. They were in the power of a stranger whose force was infinitely greater than their own, which in turn may have had the effect of reminding them. Oh, remember that time when Joseph was defenseless, when we had all the power over him? And how do we use that power, used that power to harm him even though we heard the anguish of his soul. We see the elements of true repentance here. They say, "In truth, we are guilty." We are guilty. There's no question that we're guilty. Guilty for what? Guilty for the sin of attempting to murder our brother. We saw the distress of his soul. They remember that moment and they say, "This is why this distress has come upon us."Joseph learned here that Reuben had not consented to the sale and Joseph also learned that they had been haunted for years by his cries. And they knew that they were guilty, deserving of death. God had written this law on their hearts, on each of our hearts. Thou shall not murder. That's written on every single one of our hearts. We can all agree upon that. If you murder, an image bearer of God, you deserve the condemnation of God. We all know that. Thankfully, not many of us are murderers here in the room, but Jesus did say in Matthew five, in the Sermon on the Mount, "Whoever hates a brother in his heart, whoever hates another human being in his heart has already committed murder." Hatred in our hearts toward another human being is commensurate to murder. Genesis 9:6, "Whoever sheds the blood of man, by man shall his blood be shed, for God made man in his own image." So God has them reckoned with their guilt in this moment of honesty and true guilt is grace when it brings us to repentance.And Joseph's brothers here are wracked with guilt and they are now prepared for repentance. In verse 23, "They did not know that Joseph understood them for there was an interpreter between them. Then he turned away from them and wept. He returned to them and spoke to them and he took Simeon from them and bound him before their eyes." Joseph sees that they've been anguished by their guilt, they've acknowledged their sin. "Did I not tell you not to sin against the boy?" They've sinned against him. He hears their acknowledgement that he hears that they know they deserve a reckoning. They know they deserve to pay for their sins. And Joseph's so moved by this confession, this is all he wanted to see. He's been begging for this moment where these brothers finally understand the egregious sin that they committed against him.He's so moved by their confession that he goes into a side room and he weeps. He couldn't contain his emotion anymore. He weeps. Although they did not weep the moment that they sold him, they sold him to captivity. They put him in that pit before they sold him to captivity. And as he's crying out in that pit, "Brothers, don't do this to me, don't kill me." They sat down for a meal. They sat down to enjoy a meal that he had brought them from Jacob. Incredible callousness, just indifference. At that moment, they were dead to God. God was dead to them. God's law to not murder my ... No, no. Their jealousy and their hatred were God at that moment. And now, these same men, two decades later, are repenting, seemingly remorseful. Joseph weeps here and there would be more tears when he first saw Benjamin in chapter 43. And when Judah offers to take Benjamin's place, in chapter 45, and finally when he meets his father in chapter 46, he weeps on his father's neck.The first great revelation of his tears here was that Joseph knew that these brothers were changing. The last thing that they see, what they see before they leave, they see Simeon bound before them probably in chains. Why? This is all part of the test. Is their repentance over having sold Joseph into slavery true? Will they come back for Simeon? Will they come back for their brother? Will they show him sympathy? Genesis 42:25. "And Joseph gave orders to fill their bags with grain and to replace every man's money in his sack and gave them provisions for the journey. And this was done for them." And this here is an indication of his true feelings toward them. He had all the reason the world to bring down vengeance upon them, to have revenge upon them, just like he could have brought revenge upon Potiphar or Mrs. Potiphar or even the cup bearer for forgetting Joseph.But you see none of that, you see no desire for vengeance or revenge in his actions in his heart. And yet he still does probe them. He does test. He puts the money in their sacks. Why? Because he wants to know, will they be happy with the money instead of Simeon? Not only did he return one of them individually, but he returned all of their money. Will they be fine keeping the money and leaving their brother? Verse 26, "Then they loaded their donkeys with their grain and departed as one of them opened his sack and gave his donkey fodder at the lodging place, he saw his money in the mouth of the sack. Then he said to his brothers, 'My money has been put back. Here it is in the mouth of the sack.' At this, their hearts failed them. They turned trembling to one another saying, 'What is this that God has done to us?'" Not what is this that the second in command in Egypt has done? No, they understand that it's God in control of every single detail that has transpired in this narrative.They understand that God's arresting hand is upon them. For the first time in the narrative, they mention God. Their guilt leads them to God. That's the goal. Their awareness of God and their awareness of his holiness, their awareness that they've sinned against the holy God, that is what is awakened in them. They have a terrifying awareness of the divine and they're reading providence correctly. Yes, we are guilty before God. Initially, they realized they had sinned against Joseph. Now, they realize they've sinned against the living holy God of the universe.If you fear God over the penalty that your sin deserves, which you should, well, friend, the very second you begin to feel that fear of God, that I am guilty, not just guilt, I'm guilty because I've transgressed the law of God. I've sinned against God. The very moment you begin to feel that, that is God's grace. God does not give that to every single human being. To awaken you from your spiritual death, to give you spiritual life, and we were dead in our sins and trespasses, He made us alive. That's a miracle of the Holy Spirit. Godly fear and godly grief over our sin should lead us to repentance before God.Second Corinthians 7:8 through 13. St. Paul writes, "For even if I made you grieve with my letter, I do not regret it. Though I did regret it, for I see that the letter grieved you, though only for a while. As it is, I rejoice, not because you were grieved, but because you were grieved into repenting. For you felt a godly grief, so that you suffered no loss through us. For godly grief produces a repentance that leads to salvation without regret, whereas worldly grief produces death. For see what earnestness this godly grief has produced in you, but also what eagerness to clear yourselves, what indignation, what fear, what longing, what zeal, what punishment. At every point, you have proved yourselves innocent in the matter. So although I wrote to you, it's not for the sake of the one who did the wrong, nor for the sake of the one who suffered the wrong, but in order that your earnestness for us might be revealed to you in the sight of God. Therefore, we are comforted."Friends, perhaps you're in a situation, circumstances in your life where you clearly feel the arresting hand of God's spirit convicting you of sin, where things begin to happen in your life where you say, yes, I deserve this. I deserve this for the sins I have committed. Well friend, that's God's gift. And let this awesome awareness lead you to repentance. That's the whole goal. God wants to you to come to Him in contrition of heart, beg for forgiveness, and ask for grace. Fear alone, like guilt alone is of little use. In fact, it can be debilitating. But godly fear is a fear that God blesses, for He comes to those who fear Him. To understand that you deserve eternal condemnation for your sins, for having transgressed the perfect law of a holy God. And when you feel that fear, friend, that's grace.We sing this in the great hymn, Amazing Grace by John Newton. It goes like this, "Twas grace that taught my heart to fear, and grace my fears relieved. How precious did that grace appear the hour I first believed." Look, Joseph Joseph could have forgiven his brothers the very second they showed up. He could have said, "Fellas, it's been too long. Come on in. Let's enjoy, party, grain. Forget the grain. We're going to have cows, fat, sumptuous, pleasant looking cows." No, he allows them to feel to awaken their consciences so that they repent. It's God's gift. A lot of people, they want the grace to relieve the guilt before you've actually experienced the grace that leads us to fear God and tremble at His holiness. Grace teaches us to fear and grace relieves that guilt.Point four is the Father who won't sacrifice His beloved son. Genesis 42:29, "When they came to Jacob, their father in the land of Canaan, they told him all that had happened to them saying, 'The man, the lord of the land, spoke roughly to us and took us to be spies of the land. But we said to him, 'We are honest men. We have never been spies. We are 12 brothers, sons of our father. One is no more and the youngest is this day with our father in the land of Canaan. Then the man, the lord of the land said to us, 'By this, I shall know that you are honest men. Leave one of your brothers with me and take grain for the famine of your households and go your way and bring your youngest brother to me then I shall know that you are not spies but honest men and I will deliver your brother to you and you shall trade in the land.'.As they emptied their sacks, behold, every man's bundle of money was in his sack. And when they and their father saw their bundles of money, they were afraid. And Jacob, their father, said to them, 'You have bereaved me of my children. Joseph is no more and Simeon is no more. And now, you would take Benjamin, all this has come against me.' Then Reuben said to his father, 'Kill my sons if I do not bring him back to you. Put him in my hands and I will bring him back to you.' But he said, 'My son shall not go down with you, for his brother is dead and he's the only one left. If harm should happen to him on the journey that you are to make, you would bring down my gray hairs with sorrow to Sheol.'"The gray hairs are an indication of the toll that Jacob's grief and sorrow had taken upon him at the loss of Joseph. And he says that if Benjamin dies, that's it. I'm dead. And here we also see that Jacob has blamed the brothers for the death of Joseph. "You have bereaved me of my children. You are responsible for Joseph's death as much as Simeon's imprisonment." Did he believe their story over these decades? No, he did not. He watched them. He listened to them. No, he knew exactly what happened. You did it. You sinful, wicked men. You killed my son. And here, the oldest, Reuben, felt his father's pain and made an absurd promise. "Kill my sons if I don't bring your son back." But nothing could lessen the pain of losing a son. Jacob says, 'All this has come against me." Jacob is wracked with sorrow and he's so wracked with sorrow, he's become self-centered.He suffers from main character syndrome, as it's known, where everything that's happening around him, he says, how is it impacting me? And everything going wrong in the world is going wrong against me. He's stuck in his selfish pity party. And he couldn't even imagine that, God, yes, despite the suffering, he has been working behind the scenes to provide salvation for the family. And finally he says, "My son shall not go down with you." Jacob had loved his son, Joseph, above all the others. And then with Joseph gone, most likely he just poured out all of that love on his son, Benjamin. Would he risk the life of his beloved son, Benjamin, in order to save Simeon, in order to save the other nine? Would he give up his son to save the family? For whom? Who's asking this? The wicked, sinful brothers, selfish, proud, self-absorbed, violent murderer, sexually deviant.You want me to give up Benjamin for one of you? Of course, he wouldn't. As he looked at them, "Judah, would I give up my son, Benjamin, for you? Reuben, would I give up my son, Benjamin, for you? No, of course not. I love him more than I love any of you." Of course, he wouldn't. They don't deserve it. They're sinners. They're wicked sinners. And then, friends, this is what makes the gospel so powerful. It makes the gospel so awesome, so amazing, so shocking, so provocative, so scandalous that the God of the universe, the perfect loving Father, there's never been a greater father than Him. He gave up His perfect son, beloved son, who had never sinned. He said, "You go, I'm not just going to protect you from them, I'm going give you up." And that's what happened on the cross. On the cross, whose wrath is Jesus Christ bearing? The son of God, in whom the Father delights.Well, at that moment, Jesus Christ was bearing our sin, our guilt, our condemnation was upon Him. That's all the Father saw as He was pouring out His wrath upon the son. Romans 8:31 through 32. "What then shall we say to these things? If God is for us, who can be against us? He who did not spare His own son, but gave Him up for us all, how will He now also with Him graciously give us all things?" Not only did God the Father, not spare God the Son, but it says that He gave him up for us all. God the Father gave up God the Son, to save us from our sins and to cleanse our guilty conscience. So this is why grace is to teach us to fear. Because when you see the cross and you say, "Oh, this is what it takes for my sin to be forgiven, this is what it takes for my guilty conscience to be cleansed." It takes the death of the beloved Son of the Father. And the Father did that for us.So friends, this is the great news. If you're not a believer, if you're new to the faith, you don't know where you stand before God, this is the great news. Whatever guilt you feel right now, that's God's grace. Whatever conviction you feel, that's God's grace for whatever sins you've ever committed. And if you are a believer and you're still carrying around your guilt of past sins, today, receive grace. Let that grace not just relieve you of the guilt, but let that grace completely remove it. Look to the cross of Jesus Christ today. See the love of God the Father for you, and see the hatred, the wrath of God for sin. And thank God that He had made a way for us to be saved.A lot of people ask, well, how do I pray? How do I receive Christ? How do I become a Christian? And usually, people come up with some kind of manmade prayer, pray this. Jesus, I repent of my sins, forgive me, et cetera, et cetera. I think one of the greatest prayers of repentance in all of scripture is Psalm 51. In Psalm 51, we see the psalm of a man who knew God's will. It was a man after God's own heart. It was a man who actually committed murder to cover up the adultery that he had committed. And then he was brought to reckon with his sin when the prophet Nathan comes to him and calls him out. And by God's grace, David does repent. He bears the consequences of his sin, but he does repent. And this is his prayer of repentance. And if you're not a believer, even if you are, meditate on this text and pray often.And I'll close with this Psalm 51. "To the choir master: a Psalm of David. When Nathan, the prophet, went to him after he had gone into Bathsheba. Have mercy on me, O God, according to your steadfast love, according to your abundant mercy, blot out my transgressions. Wash me thoroughly for my iniquity, and cleanse me from my sin. For I know my transgressions and my sin is ever before me. Against you, you only have I sinned and done what is evil in your sight, so that you may be justified in your words and blameless in your judgments. Behold, I was brought forth in iniquity and in sin did my mother conceive me. Behold, you delight in truth in the inward being, and you teach me wisdom in the secret heart. Purge me with hyssop, and I shall be clean. Wash me, and I shall be whiter than snow. Let me hear joy and gladness. Let the bones that you have broken, rejoice.Hide your face from my sins and blot out all my iniquities. Create in me a clean heart, O God, and renew a right spirit within me. Cast me not away from your presence. And take not your Holy Spirit from me. Restore to me the joy of your salvation and uphold me with a willing spirit. Then I will teach transgresses your way and sinners will return to you. Deliver me from blood guiltiness, O God, O God of my salvation and my tongue will sing aloud of your righteousness. O Lord, open my lips and my mouth will declare your praise. For you will not delight in sacrifice or I would give it. You will not be pleased with a burnt offering. The sacrifices of God are a broken heart, a broken and contrite heart. O God, you will not despise. Do good in Zion in your good pleasure build up the walls of Jerusalem; then will you delight in right sacrifices and burnt offerings and whole burnt offerings; then bulls will be offered up on your altar."Let us pray. Lord God, we thank you that you, a holy God, a just God are also a merciful God. We thank you for your long suffering and your loving kindness. Lord, we thank you that you have provided a way for each one of us to be reconciled with you. And Lord, we thank you for the grace that you offer us the very moment that we repent. And we thank you for the grace you offer us on a daily basis as you tell us to follow you. Lord, if there's anyone here who is not yet reconciled with you, I pray, Lord, convict their hearts and draw them to yourself. And I pray for us as believers, I pray, continue to make us people who are sensitive to your spirit and sensitive to your guidance. Continue to inform our consciences with your word and continue to make us a people who serve you from a good conscience. And we pray all this in Christ's holy name, amen.

Today on Too Opinionated we chat with singer/songwriter Sheva Elliot about her new single, Lost and Found. Sheva Elliot is a Los Angeles born-and-based singer, songwriter, composer, & occasional poet. Her work is rooted in blues, soul, & rock and roll.  Think LGBTQ love child of Janis Joplin, Aretha Franklin, Elton John, Patti Smith, an ancient high-priestess hymnals of the Nile Valley with some inherent Jewish mysticism thrown in. 'Lost and Found' is about surrendering to what you have no control over. As a former addict in recovery, Sheva wrote this during an excruciating time in her life, trying to intervene two loved one in the grips of addiction and surrendering to the reality that you can only help those who want to be helped.   Sheva states, “Lost & Found" is a love letter to being loved - not in the romantic sense. It's written to those who have carried me through choppy waters with deep friendship, mentoring, and simply relaxation. It's for those who loved me until I learned to love myself.”   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

'Why Nile Valley Civilization History Matters, African Queens, Cleopatra VII' with Historian & Archaeologist Tony Browder, author of 'Nile Valley Contributions To Civilization'. Tony joined Michael Imhotep host of 'The African History Network', Sunday, 4-23-23, for a very powerful conversation. If you saw Michael Imhotep discuss this topic on 'Roland Martin Unfiltered', you don't want to miss this interview. Stay Tuned for details. #cleopatra #TonyBrowder #RolandMartinUnfiltered   REGISTER NOW: Did you miss Class Sat. 4-29-23, 2pm EST ‘Ancient Kemet, Moors, Understanding The Trans-Atlantic Slave Trade' 12 Wk Online Course? https://theafricanhistorynetwork.com/

Welcome to Episode #78 of the Wild Yoga Tribe Podcast! My conversation with Heran Tadesse, a yoga teacher from Ethiopia, was so fascinating as we took a deep dive into African yoga and Kemetic yoga. I hope that this conversation made you curious about how yoga can help transform you into a vessel for peace, acceptance, and love. If you're looking to tune into a podcast episode that is all about yoga in Ethiopia, then this is the conversation for you. Support the podcast: https://www.patreon.com/wildyogatribe Tell me more about Heran Tadesse Heran Tadesse is a yoga teacher from Ethiopia who has been teaching yoga for 9 years in several studios in the capital city of Addis Ababa. She teaches prenatal/postnatal yoga, and is a mother herself. As a student, she started off with Hatha Yoga. She was trained in Kemetic Yoga in Egypt and Afrikan Yoga in Kenya.  What to expect in the Yoga In Ethiopia episode of the Wild Yoga Tribe Podcast Heran was adopted from Ethiopia as a baby, and was raised in the Netherlands. She studied tropical forestry in University, and first came to yoga at that time in her life. She practiced and attended classes for 10 years before attending a yoga teacher training in Belgium. After receiving a job offer in Addis Ababa, she returned to Ethiopia. She works in the educational sector and teaches yoga in multiple studios.  Heran then took us on a deep dive of what Kemetic Yoga, which has it's roots in ancient Egypt which pre-dates yoga in India, though it is no longer a living part of Egyptian culture. It's about reconnecting with the ancestors, and is modeled after the hieroglyphics. It's akin to Iyengar yoga, with strict, static poses. Afrikan yoga was founded by a man from Jamaica who is based out of Kenya. This style draws upon movements that people make, in the whole Nile Valley. This could be movements that fishermen make, or women who are grinding wheat. There are series of movements, with a lot more flow and, in fact, dance. There is a huge focus on relating to the elements. Heran also walked us through all the diversity and beauty of her country, and about the history of yoga in Ethiopia and where she sees yoga going into the future. As there are only 20 yoga teachers, approximately, in her country— and as she is the most experienced practitioner in her country, she is often stopped on the street and people shout “yoga!” At her. The whole city knows her as the yoga teacher. For the skimmers - What's in the yoga in Ethiopia episode? The institutions of Afrikan yoga and Kemetic yoga Kemetic yoga is based on hieroglyphics  Afrikan yoga is based on the natural movements of people in the Nile Valley and the elements Gatekeeping and the inaccessibility of yoga Being a vessel for more peace, acceptance, and love The growing scene of yoga in Ethiopia Connect with Heran Tadesse https://www.facebook.com/heran.tadesse https://ethioyogaqueen.wordpress.com https://www.facebook.com/EthiopianYogaQueen https://www.instagram.com/HeransYoga Want more? Head on over to my website  https://wildyogatribe.com/thepodcast/ Everything you need is just one click away! Check out all the resources here: https://linktr.ee/wildyogatribe --- Send in a voice message: https://podcasters.spotify.com/pod/show/wildyogatribe/message

What you'll learn in this episode: Why ancient Nubian jewelry is still significant today How the Kingdom of Kush rose and fell How ancient jewelry motifs, techniques and materials were shared and adapted between cultures Why the Museum of Fine Arts Boston has a significant collection of ancient Nubian art, and why it's being exhibited at the Getty Villa Why jewelry is often one of the only pathways to understand ancient cultures About Dr. Sara E. Cole Sara E. Cole is Assistant Curator of Antiquities at the J. Paul Getty Museum (Villa). She holds a PhD in Ancient History from Yale University. At the Getty, she is part of the Classical World in Context initiative, which seeks to highlight cross-cultural interactions in antiquity and explore the diversity and interconnectedness of the ancient Mediterranean and Near East through a series of special exhibitions and related publications and public programs. She has curated or assisted with exhibitions of Egyptian, Mesopotamian, Neo-Assyrian, Persian, and Nubian art. About “Nubia: Jewels of Ancient Sudan” from the Museum of Fine Arts, Boston October 12, 2022 - April 3, 2023 Getty Villa Museum For nearly 3,000 years a series of kingdoms - collectively known as the Kingdom of Kush - flourished in ancient Nubia (present-day southern Egypt and northern Sudan). The region was rich in sought-after resources such as gold and ivory and its trade networks reached Egypt, Greece, Rome, and central Africa. This exhibition presents highlights from the Museum of Fine Arts, Boston's extensive collection of Nubian objects and features superbly crafted jewelry, metalwork, and sculpture exhibiting the wealth and splendor of Nubian society. Learn more about the exhibit at https://www.getty.edu/art/exhibitions/nubian_jewelry/ Photos available on TheJewelryJourney.com Transcript: Nubian jewelry is often overshadowed by Egyptian and Greco-Roman jewelry, but the ancient Nubians were the world's first jewelry pioneers. Their influential work is currently on display at “Nubia: Jewels of Ancient Sudan,” an exhibit at the Getty Villa featuring pieces from the collection of the Museum of Fine Arts in Boston. Dr. Sara E. Cole, assistant curator of the exhibit, joined the Jewelry Journey Podcast to talk about how Nubians developed their own enameling techniques; why jewelry is the key to understanding ancient cultures; and how iconography was shared and adapted throughout the ancient world. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. Today, my guest is Sara Cole, who's the Assistant Curator of Antiquities at the Getty Villa in Malibu, California. She's the curator of “Nubia: Jewels of Ancient Sudan,” an exhibit at the Museum of Fine Arts in Boston which showcases Nubian material. These finds were jointly executed early in the last century by Harvard and the Museum of Fine Arts. The exhibit is now open until April 3. Sara received her Ph.D. from Yale, which is amazing. She's an expert in ancient history and a specialist in material culture of Greco-Roman Egypt. She has studied the cross-pollination of cultures, and we'll hear a lot more about it today. Sara, welcome to the program. Sara: Thank you for having me. Sharon: So glad to have you. Tell us about your own journey. Did you come to jewelry through antiquities or archaeology, or the other way around? Sara: Yes, through my study of archaeology and Egyptology as a graduate student. That was primarily my introduction to this material. I became familiar with Nubia primarily through the MFA Boston's tremendous archaeological collection of Nubian material. When I was a graduate student at Yale back in, I think, 2011, I took a graduate seminar on Nubian archaeology with a Nubian specialist named Maria Gatto. In one of our classes, we took the train to Boston and got to spend a day going through the storerooms of the MFA looking at Nubian material. We were primarily looking at pottery that day, but we did get to see some other objects as well. In 2014, MFA put on its own small exhibition featuring their Nubian jewelry collection, so that brought that material a little bit more into public view. Then in 2019, the MFA did a big exhibition bringing out highlights of their full Nubian collection that was called “Ancient Nubia Now.” Since 2019, they very generously sent parts of this collection to different museums for exhibitions around the world. We're very fortunate at the Getty Villa that we were able to borrow some of these stunning pieces of jewelry and personal adornment from that collection for this current exhibition. Sharon: I have to ask you. When you were younger, you say you were interested in Egypt and ancient periods, but very few people go into archaeology. How is it that you stuck with it? Sara: Museums were really my entry point to the ancient world as a child, which I think is true for a lot of us. I grew up in a small town in Virginia and wasn't exposed to major museum collections as kid, but we had a small, local museum. It featured mostly local contemporary artists, but one summer they put on view a small touring exhibition of Egyptian material from the Virginia Museum of Fine Arts in Richmond. I was probably 11 or 12 years old. That was my first exposure to ancient Egyptian material, and I just found it incredibly captivating and compelling, and I stuck with that interest. I ended up doing a bachelor's degree in classics and then my Ph.D. in ancient history, where I studied a combination of Egyptology, classics and art history. But I've always had a great passion for museums in particular because it was my personal entry point to the ancient world. We do have the opportunity, through putting on exhibitions like this, to reach such wide audiences and to bring this material to their attention, things they've maybe never seen or considered before. It's a really wonderful opportunity. Sharon: It really is. When you say Nubia, a lot of us haven't really thought about Nubia or Nubian jewels. That's the entry point or the foundation. What is Nubia? What do you mean by Nubian? Sara: That's a great question, because I think a lot of people have heard of Nubia but they're not quite sure what it is. Traditionally it has received a lot less attention than ancient Egypt, which is this huge, looming civilization. When we talk about ancient Nubia, we're really talking about a geographical region that was located immediately south of ancient Egypt. They were neighbors. In terms of modern-day geography, it reached essentially from Aswan in what is now southern Egypt down to about Khartoum in present-day Sudan. The contemporary political border between Egypt and Sudan cuts across part of what was ancient Nubia, when the border was located further north between Nubia and Egypt. So, it's essentially this geographical region going across part of what is today southern Egypt and northern Sudan. For parts of its ancient history, Nubia as a region was actually home to several different cultural groups. It wasn't always a single, unified culture. So, when we talk about Nubia, we're talking about the geographical area, and then there were different cultures that lived within Nubia. Around the third millennium B.C., a political institute called the Kingdom of Kush—because the region was known as Kush in antiquity—arose at the city of Karma in what is today Sudan. It eventually came to conquer essentially all of the region of Nubia. The Kingdom of Kush lasted on and off for a period of almost 3,000 years, and it moved to different capital cities in different phases. It first arose at Kerma in the third millennium B.C., then moved further south to a capital called Napata, which was also along the Nile River, around 750 B.C. Then in its final phase, starting around 350 B.C., it was centered at a city even further south on the Nile River called Meroë. So, when we talk about ancient Nubia, we're talking about that region, but for this exhibition, we're really focusing on items of jewelry that were worn by royalty and the elite of the Kingdom of Kush that were found at these three successive capital cities. Sharon: I was going to ask you if Napata and—is it Morocco? Sara: Meroë. Sharon: Meroë. I've heard so much about it, but did they all have jewelry? Did the royalty all have jewelry at all three of these sites? Sara: Yes, absolutely. Throughout human history, I think in all cultures we see personal adornment as a universal means of self-expression. It's a means of expressing status and power. But also in antiquity, much of this jewelry, either the materials themselves or the iconography incorporated into it, had symbolic religious significance. Items of jewelry were often amuletic and protective, or they could signify one's status in society, one's role. They reflect a lot about an ancient culture's social organization, religious beliefs, communities, etc. These items of jewelry speak to so much more than being aesthetically beautiful status items. So, yes, even very early in Kerma and even in pre-Kerma archaeology, we find items of jewelry in the archaeological record. Jewelry was very essential, especially for rulers and for individuals of high status, to express themselves in ancient Nubia. Sharon: Did both men and women have jewelry? Sara: Yes, they did. Men, women, children, and sometimes even very prized royal animals were adorned with jewelry. Sharon: Were these from tombs or graves? Sara: Yes, essentially all of the items in this exhibition were excavated from royal and wealthy burials. This was material that people valued in life but also chose to take with them to the grave. As a I mentioned, a lot of these pieces have iconography that is protective or amuletic, which would have particular significance in the context of the tomb. These are images that are going to protect you as you are making your transition to the afterlife. So, all of the material was excavated from burials. That is primarily where we find these high-status jewelry items still surviving. They survive because they were buried, and people didn't have the opportunity to reuse them or repurpose the materials. Sharon: First of all, I think I forgot to say that this exhibit is only on until April 3, which comes up quickly. I can't remember if I said that or not. Sara: Yes, two more months to go see it at the Villa. Sharon: When you say it's like a dynasty or the Kingdom of Kush lasted 3,000 years, I have this idea that it rose high and then it was—I don't want to say nothing, but they weren't reading. It was like the Dark Ages in a sense, really dark, and then it rose again in a different place. How did that work? Sara: The Kingdom of Kush went through fluctuations over that 3,000-year period. I wouldn't necessarily call it dark ages. The Nubians simply never developed the same tradition of extensive written records like we get from Egypt, so much of our knowledge of Nubia comes from the archaeological material. We just don't have extensive written historical documentation from this region. It wasn't part of the culture. They had a very complicated relationship with their neighbor to the north, Egypt, which is largely the reason for these periods of rise and fall. The Kingdom of Kush arose, like I mentioned, at Kerma in Sudan, during which time in northern Nubia, there were other cultural groups inhabiting that region who were in conflict with Egypt. The Kingdom of Kush eventually was able to take that region and unify Nubia under its rule. Kerma flourished for almost 1,000 years, from about 2,400 B.C. until roughly 1,550 B.C. But what happened around 1,550 was that Egypt entered into a very powerful period in its history, the New Kingdom, the rise of the Eighteenth Dynasty, and those kings invaded Nubia and took over. They occupied Nubia for about 500 years, during which time we don't have a tremendous amount of archaeological evidence for what was going on. But it seems like Nubians and Egyptians were essentially coexisting in Nubia during this period. As you can imagine, over 500 years, there's a huge amount of cross-cultural exchange as a result of the Egyptian presence in Nubia. Some Egyptian religious ideas get incorporated into local Nubian tradition, as does a lot of iconography. There are a lot of ways in which the Nubians start adapting some Egyptian concepts to their own local practices. Then the Egyptians get pushed out of Nubia around 1,000 B.C. approximately. The Kingdom of Kush starts to regroup and rebuild itself, and it reappears fully around 750 B.C., now at the capital city of Napata. What's interesting at the beginning of the Napatan phase is that the Nubians turn the tables on Egypt and invade them. They take over Egypt and rule for about 80 years. For that 80-year period, staring around 725 B.C., the Kingdom of Kush is at its greatest extent, going all the way from what is today Sudan up to the Mediterranean coast, ruling over both Nubia and Egypt. After that 80-year period, they get pushed out of Egypt but are still ruling the Kingdom of Kush from Napata. We see some really interesting ways in which the rulers of that 80-year period adapted an Egyptian mode of self-presentation. They're trying to present themselves as legitimate pharaohs in Egypt. They start presenting themselves in a way that is adapted from earlier pharaonic styles of self-presentation. Even though the Nubian kings are spending some time in Egypt, they choose to be sent back to Napata for their royal burials, and they start using pyramid tombs during this period. They start practicing mummification and incorporating some Egyptian-style object assemblages into their burials. We see some of those practices get adapted during this 80-year period, including the incorporation of a lot of Egyptian religious iconography into their jewelry. We see those trends continue later, even when they're no longer ruling in Egypt. Then during this Napatan phase, which lasts roughly 400 years, they start to gradually shift the capital further south to this third city of Meroë. By around 350 B.C., both the administrative capital and the royal cemetery have moved to Meroë, and this is the final phase of the Kingdom of Kush. This is a phase that lasts from roughly 350 B.C. to 350 A.D., when the Kingdom of Kush falls. It corresponds with the conquests of Alexander the Great throughout the eastern Mediterranean and ancient Near East, the rise of his successor kingdoms and then the rise of the Roman Empire. But throughout all of this, the Kingdom of Kush maintained its political independence. It never became part of Alexander's territories; it never became part of the Roman Empire, unlike Egypt, which did. They had a complex relationship with Rome, who at times tried to take Nubia unsuccessfully, but they were also connected to these vast trade networks that connected the Mediterranean and the Near East throughout the Roman Empire. It was a very cosmopolitan place, ancient Meroë. They were very closely connected through trade networks to the rest of the world. They were also producing some incredibly high-status pieces of jewelry with really exquisite craftsmanship. Then the Kingdom of Kush falls around 350 A.D. That's the big picture of what we're looking at here, with the history of the Kingdom of Kush and its different phases. Sharon: When you say Nubia, is that the same as the Kingdom of Kush? Do you mean the Kingdom of Kush or Nubia are one in the same, I guess? Sara: Nubia in antiquity was known as Kush, and then the Kingdom of Kush is the political entity ruling over that region. Sharon: Did the jewelry change over the years? Sara: It did, yes. We do see that even across these different phases, each one has a distinctive aesthetic. There is no single, unified Nubian look to the jewelry. Different fashions change over time. Different popular materials come in and out of fashion. In Kerma, in the earliest phases, we see jewelers making items out of locally available and imported organic materials. They're making use of things like hippo and elephant ivory to create cuff bracelets. They're making use of shells they imported from the Red Sea coast and fashioned into different items. They were also importing faience from Egypt. Ancient faience was a man-made, blue-green, glazed, quartz-based ceramic material that was very popular in Egypt. The Kermans were importing it initially, but then they developed their own faience-making technology and were able to produce their own. So, we start to see the use of this man-made material. They're using gold. Nubia in antiquity is known primarily as a land of gold because of their rich gold resources in the Eastern Desert. That was their main coveted natural resource. They had incredibly skillful techniques in working with gold. We see them using locally available semiprecious stones, things like carnelian and amethyst. They work with quartz in some really interesting ways. Quartz is found alongside gold, so it was probably symbolically associated with gold. Gold was valued not only because it was this very prized economic resource, but it was also an imperishable material. It was associated with immortality and the sun, and it was very highly symbolically valued. They would take quartz and do an interesting treatment that, as far as I am aware, is distinctive to ancient Kerma. They would take the quartz, either shaping it into spherical beads or taking chunks of it in its raw form to use as pendants, and they would put a blue-green glaze over it and fire it in a kiln to create a hard, shiny, translucent blue surface that creates this stunning, glass-like appearance when it's done successfully. It was a delicate technique. You had to be very careful, because if you raised the temperature in the kiln too quickly, the quartz would fracture and burst, and you would lose your item of jewelry you were making. They had to be very careful in this process, but again, as far as I know, this is a distinctive Kerman technique, a distinctive way of working with quartz. Those were the types of materials they were utilizing to make items of jewelry. There's also a particular ornament we start to see in Kerma that is really interesting and later gets adopted by the Egyptians, which is the fly pendant. They are these large pendants that were often worn in pairs strung around the neck, and they represent flies. We have an example in the exhibition where the head is made of gilded bronze and the wings are carved out of ivory. These are found in soldiers' tombs. They appear to have been given as a medal of honor to high-status members of the Nubian military. We can ask why they would choose a fly of all things to honor a member of the military, and we believe it's because if you go to Egypt, if you go to the Nile Valley, you will experience that the flies are very big and mean and aggressive. So, we think these fly pendants are a way of associating the aggression and the tenacity of the Nilotic flies with the aggression and the tenacity of Nubian warriors. Later these fly pendants actually get adopted in Egypt as well as a military medal of honor. So, those were the kinds of things we find at Kerma. As I mentioned, that period comes to an end with this big invasion of the Egyptians around 1,500 B.C. Then when the Kingdom of Kush rearises at Napata around 750 B.C., they invade Egypt. They take over, and we start to see how this 500-year period of intense cross-cultural interaction has resulted in the introduction of a lot of Egyptian iconography into the royal jewelry. We start to see a lot of images of goddesses like Hathor and Isis, who became very important in the Nubian pantheon. There is an Egyptian god called Amun who becomes introduced as the supreme god of ancient Nubia, but in his Nubian form specifically, he takes the form of a ram or a man with a ram's head. We believe that before this period, there was probably an indigenous ram god who Amun became assimilated with. So, we see a lot of ram iconography in the jewelry. There's a lot of iconography associated with the goddess Hathor, who was this Egyptian goddess of love, fertility, beauty and motherhood with whom Nubian queens and royal women became particularly associated. We see a lot of that kind of iconography. We see protective icons that have been introduced from Egypt, things like the Eye of Floridus, the scarab beetle, that kind of thing. They're working a lot in faience still. There are some queens' tombs from this period where these large faience plaques are very popular, again in the shapes of religious protective imagery, amuletic icons, gods and goddesses. They were big plaques that were strung on strings of beads and worn around the neck, essentially meant to sit over the chest to protect the pectorals. We see a lot of that kind of thing, this incorporation of new iconography, new religious ideas, sometimes a very Egyptian mode of self-presentation that they've adopted from the Egyptians. They're working in faience; they're working in gold. We do see some silver during this period. Silver was not locally available; it was an imported material, but we do see a lot of skilled gold work during this phase. They are developing some very sophisticated techniques for how to fashion items of jewelry, but also things like golden vessels. This is a phase where we start to see that Egyptian influence and some increasing sophistication in the techniques with which they're working, with both these man-made and locally available resources. In the Meroitic Period, we see those gold working techniques really hit their stride. There is some tremendously sophisticated gold work made during the Meroitic Period, where they're using techniques like granulation and filigree and very delicate wirework. At Meroë, they also start producing glass. Glass beads start to appear in the jewelry. Something that Meroë distinctively is also known for is the use of a wide range of enameling techniques. They would take powdered glass and apply it to the surface of items of jewelry, and then heat it to fuse it and create it a hard, shiny, colorful surface. There were multiple enameling techniques they developed at Meroë, some of which, prior to their discovery at Meroë, were thought to have not been invented until the modern era. There were techniques they developed at Meroë, and the knowledge of that technology was lost and rediscovered in modern times. This is also a phase during which we see, as I mentioned, a kind of cosmopolitan international style developing. We do see some Greco-Roman influences coming into play in the form of large, dangly pendant earrings and the development of new color schemes, for instance. There was a color scheme at Meroë that was especially popular, which was red, white and black. They would use cornelian, which was a popular material, to achieve the red and then import obsidian for black and travertine for white. Each phase has its own distinctive repertoire of objects and iconography and manufacturing techniques that were being used. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. END OF PART ONE

Egyptologist Dr. Charles Finch MD returns to our classroom to discuss his new book on the Nile Valley and explain the importance of the history of the Nile Valley. Before we hear from Dr. Finch, Brother Sadiki Kambon will preview this weekend's National Black leadership Circle meeting. Before hearing from Brother Sadiki, Black Women For Positive Changes, Dr. Stephanie Myers will address the spate of Mass Shootings that have occurred since the start of the year. Baltimore Activist Bill Godin will open the program. Text "DCnews" to 52140 For Local & Exclusive News Sent Directly To You! The Big Show starts on WOL 95.9 FM & 1450 AM, 1010 AM WOLB and woldcnews.com at 6 am ET., 5 am CT., 3 am PT., and 11 am BST. Call in # 800 450 7876 to participate & listen liveSee omnystudio.com/listener for privacy information.

Historian & Researcher Dr. Manu Ampin takes over our classroom on Tuesday morning. Dr. Ampin will discuss his recent trips to the Omo Valley & the Nile Valley. Dr. Ampin will also talk about his work in Africana Studies & his latest book. Dr. Ampin is the person who discovered that The Willie Lynch Letter was a fake. Before Professor Ampin, we'll get an update on Mumia Abu Jammal's fight for freedom. DC-based Journalist, Brother Obie starts us off with a book review. Text "DCnews" to 52140 For Local & Exclusive News Sent Directly To You! The Big Show starts on WOLB 1010 AM, WOL 95.9 FM & 1450 AM & woldcnews.com at 6 am ET., 5 am CT., 3 am PT., and 11 am BST. Call-in # 800 450 7876 to participate, & listen liveSee omnystudio.com/listener for privacy information.

https://abdjuwear.com/

Episode: 2396 The Indus Valley: a third great ancient civilization coming to light.  Today, the Indus Valley.

Elsy Wameyo - "River Nile" from the 2022 Nilotic EP on Music in Exile. Over the past few years, Nairobi-born, Adelaide-based artist Elsy Wameyo has made a name for herself in hip-hop, garnering both the Young Kenyan of the Year award in 2018, and the People's Choice Best Hip Hop Award at the annual South Australian Music Awards in 2019. Her debut EP, titled Nilotic, is a tribute to her indigenous roots to the people of the Nile Valley who speak Nilotic languages. In a press release, she explains that today's Song of the Day is an exploration of her newfound strength. “‘River Nile' was a revelation, a turning point that led me to understand who I truly am. I had been so weak, fighting a battle that was never mine. This song came about after I learnt how to strategically use the power within. I journeyed with this song to find a place of rest. I reached a level where I no longer had to work. Instead, I used the forces around me to gain altitude. The moment I found it, it was game over for everyone else.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

We start off with invitations to intro to Sacred Geometry VoD, upcoming Scablands trips, and the challenge to push thru psy-ops and dividing conspiracy rhetoric. Victor Baker's long-term involvement with studies of megafloods has inspired the guys to “think big” and consider the “planetary-scale movement of water” that has shaped the landscapes across the Earth. The Georgia Guidestones, Civil War, Political division, Flat Earth theory, Sahara/Savannah alterations, Nile Valley and Sphinx flooding are all touched on, as we attempt to discern the controlled climate propaganda from the actual published science on Global Change - pushing the boundaries as we progress deeper… Kosmographia Ep087 The Randall Carlson Podcast with Brothers of the Serpent – Kyle and Russ, Normal Guy Mike, and GeocosmicREX admin Bradley, from 7/20/22. LINKS:  In the name of liberty and freedom, we are moving this podcast to our new partner platform! Please join us here: https://www.howtube.com/channels/RandallCarlson Sacred Geometry introductory workshop Video on Demand: https://howtube.com/SGwithRC Plato's Atlantis – 7 hours deep-dive with RC for $33: https://www.howtube.com/12513  Cool and fun Kosmographia and RC gear:  https://randallcarlson.com/shop Announcements about events, tours and more: https://randallcarlson.com/newsletter  (Monthly) New university/village “Sanctuary Project” : https://project.randallcarlson.com  Contact at the Cataracts Sept. '22 https://contactatthecabin.com/scablands-with-randall-carlson/ Randall with Rogan ep1772  https://open.spotify.com/episode/190slemJsUXH5pEYR6DUbf Full listing of scientific papers about the Younger Dryas Impact Hypothesis: https://cosmictusk.com CBD RECOMMENDED - Listen to Randall's experience with “CBD from the gods” after the mid-break at 52:02. They have some special deals going on right now, and in addition, for the Kosmographia audience - you can also get FREE shipping on your order!  Use code: “RCshipsFREE” (not case sensitive) when you check out at https://www.cbdfromthegods.com  Support Randall Carlson's efforts to discover and share pivotal paradigm-shifting information! Improve the quality of the podcast and future videos. Allow him more time for his research into the many scientific journals, books, and his expeditions into the field, as he continues to decipher the clues that explain the mysteries of our past, and prepare us for the future... Make a one-time donation thru PayPal, credit/debit card or other account here: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=8YVDREQ9SMKL6&source=url http://www.RandallCarlson.com has the podcast, RC's blog, galleries, and products to purchase! T-shirts and many new products and styles here: https://randallcarlson.com/shop/    Podcast crew email: Kosmographia1618@gmail.com Info on upcoming trips with Randall and the crew: TOURS@RandallCarlson.com Offer your time/services/accommodations here: VOLUNTEER@RandallCarlson.com Add to the expanding library of evidence here: RESEARCH@RandallCarlson.com   Small class lectures "Cosmography 101" from '06-'09 on Brad's original channel: https://youtube.com/geocosmicrex     Kosmographia logo and design animation by Brothers of the Serpent. Check out their podcast: http://www.BrothersoftheSerpent.com/ Theme “Deos” and bumper music by Fifty Dollar Dynasty: http://www.FiftyDollarDynasty.net/ Video recording, editing and publishing by Bradley Young with YSI Productions LLC (copyrights), with audio mastered by Kyle Allen and Chris James. CBD FROM THE GODS LINK:  http://www.cbdfromthegods.com          COUPON CODE: RCshipsFREE #Guidestones #Megafloods #VictorBaker #Mars #PlainsIndians #Sheridan #Controversy #ClimateChange #Howarth #Catastrophe #AltaiMountains #CurrentRipples #psy-ops #Freemasons #Conspiracy #MentalHealth #FlatEarth #Opinion #EarthChange #GlobalChange #Evolution #Extinction