Podcasts about Abu Simbel

Eigentlich will der Schweizer Orientreisende J.L. Burckhardt den Weg nach Timbuktu erkunden und von dort aus Zentralafrika erforschen. Doch dabei entdeckt er die Felsenstadt Petra wieder und den großen Felsentempel von Abu Simbel. Von Johannes Marchl

Welcome back, Alchemists!! In this week's episode, we chat more about our recent experiences in Egypt, discussing the spiritual significance of various locations, including Abu Simbel and Karnak. We cover astrological influences, personal transformations, and encounters with deities like Sekhmet and Opet, and the divine feminine energy present in these sacred spaces.Episode links:Our Trova Trip pageEmily's YouTubeConnect with us across the internet + IRL!

Walaa Badour, cruise director, Egyptologist and tour director on AmaLilia, talks with Alan Fine of Insider Travel Report about AmaWaterways' Nile River itineraries. Badour describes the full 12-day itinerary, including stops in Cairo, Luxor, Aswan and Abu Simbel, featuring guided tours of historic sites, museum visits, cultural experiences and Nile River cruising. Badour also explains AmaWaterways' approach to accessibility, service, exclusive excursions and the Egyptian government's safety measures for travelers. For more information, visit www.amawaterways.com. All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox.  

Nachdem die Felsenstadt Petra im frühen Mittelalter von ihren Bewohnern aufgegeben worden war, blieb sie jahrhundertelang sich selbst überlassen. Komplett verstummten die Gerüchte über die sagenhafte Stadt der Weihrauchhändler jedoch nie. Als der Forschungsreisende Johann Ludwig Burckhardt von Einheimischen von wundersamen Ruinen im „Tal des Moses“ hörte, machte er sich im Jahr 1812 auf dem Weg dorthin…

In this episode of Global Treasures, we cover the Nubian Monuments from Abu Simbel to Philae, located in Egypt. Established as a world heritage site in 1979, it famously contains the Temples of Ramses II at Abu Simbel and the Sanctuary of Isis at Philae. Join us as we discuss the rich history, travel tips for visitors and more.

Uncover timeless displays of romantic affection or "true love" that were intended to endure long after death. We'll explore some remarkable examples, starting with the gold foil figures found at pre-Christian sites across Scandinavia that depict both mortal couples and the wedding of the Norse god Freyr to the jötunn Gerd. Then we'll examine a pre-Columbian stone pendant found on the ancestral lands of the Timbisha Shoshone (now known as Death Valley, California) that immortalized one couple's journey together. We'll discover the shared brass memorial over the adjacent graves of Elizabeth Etchingham and Agnes Oxenbridge, two English noblewomen who lived during the Tudor period, and the popular uprising in the previous century that helped pave the way for their public declaration of devotion.We'll visit the Etruscan necropolises once again for examples of masterwork sarcophagi depicting affectionate couples lounging on couches called Klinai or lying in bed and facing one another. After that we'll delve into Ancient Egyptian tomb art and monuments like the tomb of Khnumhotep and Niankhkhnum, two elite men from the 5th dynasty of Ancient Egypt who's tomb art depicts them in ways typically seen in heterosexual couples to show they were married. And we'll learn about the intricate art from the tomb of King Tutankhamun that show him and his wife Ankesenamun in affectionate moments during their brief reign from 1332 – 1323 BCE. Last but not least, we'll explore the monuments Ramses the Great built during his reign in 1279-1213 BCE that display his devotion to his Great Royal Wife Nefertari, like her beautifully decorated tomb in the Valley of Queens or the temple dedicated to her at Abu Simbel.Transcripts For transcripts of this episode head over to: https://archpodnet.com/tpm/11Links See photos related to episode topics on Instagram Loving the macabre lore? Treat your host to a coffee!ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet Tee Public Store: https://www.teepublic.com/stores/archaeology-podcast-network?ref_id=5724Affiliates Motion

In this special solo episode, I dive deep into the transformative magic of Egypt and how it facilitates profound healing, awakening, and the integration of feminine wisdom. I share my personal experiences, the energetic shifts I've witnessed, and why sacred travel with intention holds such transformative power. We'll explore: How traveling to Egypt on a spiritual pilgrimage differs from traditional tourism. The sacred role of the Nile and its feminine energy as a void that holds star codes and temple consciousness. The importance of intention, energetic preparation, and openness for profound transformation. How the guidance of ancient Queens—Nefertari, Hatshepsut, Cleopatra, and Nefertiti—infuses the journey with embodied wisdom. What it's like to travel through Egypt's energetic chakra system, from the root at Abu Simbel to the star codes of the Great Pyramid Complex. How this sacred journey unlocks emotions, intuition, and remembrance of your sovereign feminine power. I also share details about my upcoming Sailing with the Queens journey in April 2025, including a special 4-week integration bonus for those who join by December 31, 2024. Resources Mentioned: Learn more about the Sailing with the Queens journey: Sailing with the Queens 2025 Journey Special Bonus Offer: Join the Egypt pilgrimage by December 31, 2024 to receive 4 weeks of one-on-one integration support post-journey. Email me with questions at hello@heartpoweredliving.com. DM me on Instagram: @heartpoweredliving. Schedule a call via this link. Apply here if you're ready to move forward with this transformational experience. Read about my past pilgrimage on Substack. Support This Podcast: If you enjoyed this episode, please subscribe, rate, and leave a review—it helps this podcast reach more people who are seeking heart-powered transformation. Join the Journey: If this episode resonated with you, I invite you to join me on this life-changing pilgrimage. Sailing with the Queens runs from April 10–19, 2025, and includes private sunrise ceremonies at the Sphinx, nightly meditations, creative workshops, and so much more. Let's walk the beauty way together.

Le temple d'Abu Simbel, l'un des trésors architecturaux de l'Égypte ancienne, a été déplacé dans les années 1960 pour une raison unique et urgente : la construction du haut barrage d'Assouan. Ce projet ambitieux du gouvernement égyptien visait à contrôler les crues du Nil, produire de l'électricité et permettre l'irrigation, mais il allait aussi entraîner la submersion d'une vaste région de la Nubie, engloutissant de nombreux sites historiques sous les eaux du lac Nasser. Parmi ces sites, Abu Simbel occupait une place particulière. Construit il y a plus de 3 000 ans par le pharaon Ramsès II, ce temple est un symbole de puissance et de dévotion. Il se compose de deux temples, l'un dédié à Ramsès II lui-même et l'autre à son épouse Néfertari. Les façades massives, ornées de colosses de Ramsès, et les salles intérieures finement sculptées témoignent de l'ingéniosité des anciens Égyptiens. Pour l'Égypte, la perte de ce monument serait une catastrophe culturelle et historique. Face à cette menace, l'UNESCO lance un appel international en 1959 pour sauver Abu Simbel et plusieurs autres monuments de la Nubie. Ce fut l'une des premières campagnes de préservation du patrimoine mondial et a rassemblé des fonds et des experts de nombreux pays. Les ingénieurs et archéologues décidèrent d'une solution inédite et audacieuse : découper le temple et le déplacer pièce par pièce. L'opération débute en 1964. Le temple est soigneusement découpé en blocs de 20 à 30 tonnes, marqués pour être réassemblés précisément. Au total, 1 000 blocs sont déplacés, une entreprise qui prend plusieurs années et mobilise des équipes de scientifiques et d'ouvriers venus du monde entier. Le temple est transporté à 65 mètres plus haut et 200 mètres plus loin, sur une colline artificielle construite pour recréer le site d'origine. L'objectif était de respecter l'alignement original du temple pour que le phénomène unique se produise : deux fois par an, les rayons du soleil pénètrent le sanctuaire et illuminent les statues de Ramsès et des dieux, comme cela se produisait depuis des millénaires. En 1968, le temple d'Abu Simbel est enfin reconstruit et ouvert au public dans son nouvel emplacement. Ce sauvetage est devenu un symbole de coopération internationale pour la préservation du patrimoine culturel mondial. Aujourd'hui, le temple d'Abu Simbel attire des visiteurs du monde entier, qui viennent admirer cette prouesse d'ingénierie et ce témoignage du respect des hommes pour les trésors du passé. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to the 'Bakery Bears Radio Show' Episode 116 So what would be our perfect weekend if travel was no obstacle? Where would we go and what would we do? That's what we reveal to each other and to you in today's show. Join Kay & Dan as they: Welcome you to a lovely autumnal walk to the Post Office Discusses Kay's new shoes and how they are taking a little while to break in Mentions her a recent wonderful experience with the postal service Discuss their perfect weekends. We mentioned Airlie Beach, Australia https://www.australia.com/en-gb/places/whitsundays-and-surrounds/guide-to-airlie-beach.html  Old Cataract Hotel https://en.wikipedia.org/wiki/Old_Cataract_Hotel  SS Karnak (aka SS Sudan) https://www.steam-ship-sudan.com/en/  Les Hirondelles https://leshirondelles.co.uk  Domme https://www.visit-dordogne-valley.co.uk/discover/cultural-heritage/villages-to-visit-in-2018/domme  Abu Simbel https://en.wikipedia.org/wiki/Abu_Simbel  The Forum Hotel in Rome https://www.hotelforum.com/en/  The Pyramids https://en.wikipedia.org/wiki/Egyptian_pyramids  Karnak Temple https://en.wikipedia.org/wiki/Karnak  The Roman Forum https://en.wikipedia.org/wiki/Roman_Forum  L'Escala https://en.wikipedia.org/wiki/L%27Escala  Empúries https://en.wikipedia.org/wiki/Empúries  Bay of Roses https://www.visitlescala.com/en/lescala-and-the-most-beautiful-bays-in-the-world  The Pantheon https://en.wikipedia.org/wiki/Pantheon,_Rome  Pompeys Temple https://en.wikipedia.org/wiki/Theatre_of_Pompey  We'll see you soon with our next Radio Show! You can find past episodes of the Radio Show here: On Podbean : https://bakerybearsradioshow.podbean.com On Apple Podcasts : https://podcasts.apple.com/gb/podcast/the-bakery-bears-radio-show/id1474815454 Follow the Bakery Bears on Facebook https://www.facebook.com/bakerybears/

Uncovering the Ancestral Root of Betrayal: Lessons From Egypt Lora's recent trip to Egypt serves as the backdrop for this episode, where she delves into the spiritual and energetic dimensions of healing. The journey was not only a physical expedition but also an inward voyage, as Lora explored sacred sites and sought to reconnect with ancestral wisdom. The dual-purpose trip aimed at both personal transformation and the creation of a documentary, promising to share these powerful experiences with a broader audience. A pivotal part of Lora's journey involved the exploration of ZepTepi, a concept signifying the origin point. By reflecting on ZepTepi, she encourages listeners to consider their own origin points in life and betrayal. This reflective practice allows for a deeper understanding of personal histories and the steps needed for healing. Top Takeaways The Temple of Isis: Unveiling the Feminine Archetypes A visit to the Temple of Isis provided rich reflections on womanhood and the Divine Feminine. Lora described the roles of maiden, mother, and crone, underscoring how societal pressures often confine women to nurturing roles. Such roles, while valuable, can become limiting if women are prevented from evolving into their full potential. Emphasizing the crone phase, Lora encourages women to step into their wisdom and power, breaking free from the confines of perpetual service. This transition marks a reclamation of sovereignty, allowing women to embody their full, multifaceted selves. A Newborn Puppy: A Reflection on Life and Death, Trust and Betrayal One of the most poignant segments in this episode is Lora's recounting of an experience involving a newborn puppy. Initially thought to be dead, the puppy was revived, prompting reflections on the balance of life and death. This incident served as a metaphor for the delicate negotiations of trust and betrayal. Rediscovering Trust and Healing Past Wounds During meditation, Lora revisited a past life memory or allegorical story, where betrayal played a central role. She envisioned herself as a young healer, entrusted with a precious vial containing life force. A man from her village, under the guise of assistance, betrayed her by taking the vial for personal gain. This experience of trust and subsequent betrayal mirrors many of the listeners' experiences and serves as a powerful illustration of vulnerability. Balancing Masculine and Feminine Energies: Imbalances and Integration Lora's exploration of the temples in Egypt also brought forward the theme of balancing masculine and feminine energies. At the Kombo temple, known for its dual-sided design, she delved into the importance of integrating these energies for holistic healing. The interplay of divine masculine and feminine, as experienced in the symbology of the temples underscores the necessity for both balance and harmony in personal growth. Lora's reflections at Abu Simbel further highlight her observations of divine masculine energy characterized by compassion and support. By recognizing these qualities within herself, she underlines the significance of embracing both strength and nurturance. Embracing Authenticity and Self-Compassion Beyond the spiritual and symbolic, Lora shares personal insights on authenticity and acceptance. She reveals moments of vulnerability and the realization that appearance is not crucial for meaningful connection. This message resonates deeply with many women who may feel pressured to uphold certain facades. The Edfu Temple: Symbol of Balance and Immediate Healing Lora discusses her visit to the Edfu Temple, a symbol of complete balance and healing. Although time-constrained, the experience reinforced her realization that understanding and reclaiming one's power can propel immediate healing and harmony without dwelling in the past. This serves as a metaphor for listeners to cherish the present moment while embracing their deep-seated power. Conclusion: A Call to Rediscover and Heal Lora Cheadle's powerful recount of her Egyptian odyssey invites listeners to reflect on their personal journeys of healing, encouraging them to reclaim their power through self-awareness and energy work. By drawing from ancient wisdom and personal reflection, she provides a roadmap for women to reclaim their power and rediscover their sovereignty. Whether through guided meditations, energy healing sessions, or personal contemplations, Lora's insights offer valuable tools for transformation and growth. Join Lora for an Energetic Healing Session on November 15th at 11 AM PST, noon MST, 1 PM CST, 2:00PM EST designed specifically to explore and heal the roots of betrayal. Via Zoom for only $7! Learn more and sign up at www.stopselfbetrayal.com  If you're ready to Rise Up & Reign as the creator and queen of your life, let's talk. I will walk by your side and give you the perspective, permission, and wisdom needed to turn your betrayal experience into something constructive, empowering, and transformative in all the right ways.  Learn more at www.loracheadle.com and follow me across all social! Download your Sparkle After Betrayal Recovery Guide at www.BetrayalRecoveryGuide.com, a guide designed to help you take the first steps in feeling better, so you can reclaim your power, own your worth, and start putting yourself, and your life, back together again. About Lora: Lora Cheadle is an attorney, TEDx speaker, and betrayal recovery coach who helps women turn their devastation into an invitation to rise up and reign. Whether reclaiming what they let go of along the way, rebuilding their identity, or stepping into a stronger sense of self-trust and self-worth, Lora's expert guidance empowers women to uncover the truth™ of what they are capable of and deserve. After being shattered by her husband's fifteen years of infidelity, Lora knows firsthand the skills and strategies necessary to stop feeling broken and start living fully and freely. She is licensed to practice law in California and Colorado, is a trauma-aware coach, clinical hypnotherapist, somatic attachment therapist, advanced integrated energy practitioner, and is certified to teach yoga, mindfulness, group fitness, and personal train. She is the author of the International Book Awards Finalist and Tattered Cover Bestseller, FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy, & Spiritual Self and host of the podcast FLAUNT! Create a Life You Love After Infidelity and Betrayal. She lives in Colorado and loves travel, adventure, and a good book. Get the support you need to find your footing, begin making sense of it all, and feel better fast. As an attorney, betrayal recovery expert, and survivor of infidelity I can help you find the clarity and confidence to create a life that you love on the other side of betrayal. Book Your Session Here: https://calendly.com/loras-schedule/coaching-session Thank you to BetterHelp for sponsoring this podcast! Take charge of your mental health and get 10% off your first month of therapy at https://BetterHelp.com/FLAUNT  READY TO START A BETTER CHAPTER? Step into the future you've always dreamed of with the power of transformative rituals with the Mindful Subscription Box. Get a monthly box full of crystals, aromatherapy, and other spiritual tools worth $120. You deserve high-quality gems, crystals, oils, and mindfulness tools for self-care that truly work. It's a monthly dose of self-love delivered right to your door! Go to www.Mindfulsouls.com  and use Discount Code LORA25 for 25% off your order!

Lora's recent trip to Egypt serves as the backdrop for this episode, where she delves into the spiritual and energetic dimensions of healing. The journey was not only a physical expedition but also an inward voyage, as Lora explored sacred sites and sought to reconnect with ancestral wisdom. The dual-purpose trip aimed at both personal transformation and the creation of a documentary, promising to share these powerful experiences with a broader audience. A pivotal part of Lora's journey involved the exploration of ZepTepi, a concept signifying the origin point. By reflecting on ZepTepi, she encourages listeners to consider their own origin points in life and betrayal. This reflective practice allows for a deeper understanding of personal histories and the steps needed for healing. Top Takeaways The Temple of Isis: Unveiling the Feminine Archetypes A visit to the Temple of Isis provided rich reflections on womanhood and the Divine Feminine. Lora described the roles of maiden, mother, and crone, underscoring how societal pressures often confine women to nurturing roles. Such roles, while valuable, can become limiting if women are prevented from evolving into their full potential. Emphasizing the crone phase, Lora encourages women to step into their wisdom and power, breaking free from the confines of perpetual service. This transition marks a reclamation of sovereignty, allowing women to embody their full, multifaceted selves. A Newborn Puppy: A Reflection on Life and Death, Trust and Betrayal One of the most poignant segments in this episode is Lora's recounting of an experience involving a newborn puppy. Initially thought to be dead, the puppy was revived, prompting reflections on the balance of life and death. This incident served as a metaphor for the delicate negotiations of trust and betrayal. Rediscovering Trust and Healing Past Wounds During meditation, Lora revisited a past life memory or allegorical story, where betrayal played a central role. She envisioned herself as a young healer, entrusted with a precious vial containing life force. A man from her village, under the guise of assistance, betrayed her by taking the vial for personal gain. This experience of trust and subsequent betrayal mirrors many of the listeners' experiences and serves as a powerful illustration of vulnerability. Balancing Masculine and Feminine Energies: Imbalances and Integration Lora's exploration of the temples in Egypt also brought forward the theme of balancing masculine and feminine energies. At the Kombo temple, known for its dual-sided design, she delved into the importance of integrating these energies for holistic healing. The interplay of divine masculine and feminine, as experienced in the symbology of the temples underscores the necessity for both balance and harmony in personal growth. Lora's reflections at Abu Simbel further highlight her observations of divine masculine energy characterized by compassion and support. By recognizing these qualities within herself, she underlines the significance of embracing both strength and nurturance. Embracing Authenticity and Self-Compassion Beyond the spiritual and symbolic, Lora shares personal insights on authenticity and acceptance. She reveals moments of vulnerability and the realization that appearance is not crucial for meaningful connection. This message resonates deeply with many women who may feel pressured to uphold certain facades. The Edfu Temple: Symbol of Balance and Immediate Healing Lora discusses her visit to the Edfu Temple, a symbol of complete balance and healing. Although time-constrained, the experience reinforced her realization that understanding and reclaiming one's power can propel immediate healing and harmony without dwelling in the past. This serves as a metaphor for listeners to cherish the present moment while embracing their deep-seated power. Conclusion: A Call to Rediscover and Heal Lora Cheadle's powerful recount of her Egyptian odyssey invites listeners to reflect on their personal journeys of healing, encouraging them to reclaim their power through self-awareness and energy work. By drawing from ancient wisdom and personal reflection, she provides a roadmap for women to reclaim their power and rediscover their sovereignty. Whether through guided meditations, energy healing sessions, or personal contemplations, Lora's insights offer valuable tools for transformation and growth. Join Lora for an Energetic Healing Session on November 15th at 11 AM PST, noon MST, 1 PM CST, 2:00PM EST designed specifically to explore and heal the roots of betrayal via Zoom for only $7! Learn more and sign up at www.stopselfbetrayal.com Are you ready to Rise Up & Reign as the creator and queen of your life, let's talk. I will walk by your side and give you the perspective, permission, and wisdom needed to turn your betrayal experience into something constructive, empowering, and transformative in all the right ways. Work individually with Lora or complete her online Rise Up & Reign Affair Recovery Program in the privacy of your own home. Learn more at www.AffairRecoveryForWomen.com About Lora: Lora Cheadle is an attorney, TEDx speaker, and betrayal recovery coach who helps women turn their devastation into an invitation to rise up and reign. Whether reclaiming what they let go of along the way, rebuilding their identity, or stepping into a stronger sense of self-trust and self-worth, Lora's expert guidance empowers women to uncover the truth™ of what they are capable of and deserve. After being shattered by her husband's fifteen years of infidelity, Lora knows firsthand the skills and strategies necessary to stop feeling broken and start living fully and freely. She is licensed to practice law in California and Colorado, is a trauma-aware coach, clinical hypnotherapist, somatic attachment therapist, advanced integrated energy practitioner, and is certified to teach yoga, mindfulness, group fitness, and personal train. She is the author of the International Book Awards Finalist and Tattered Cover Bestseller, FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy, & Spiritual Self and host of the podcast FLAUNT! Create a Life You Love After Infidelity and Betrayal. She lives in Colorado and loves travel, adventure, and a good book. Learn more at www.loracheadle.com Get Relief Now! Download your Sparkle After Betrayal Recovery Guide at www.BetrayalRecoveryGuide.com and start reclaiming yourself and your life today!   Thank you to BetterHelp for sponsoring this podcast! Take charge of your mental health and get 10% off your first month of therapy at https://BetterHelp.com/FLAUNT   Untangle yourself from the past, reclaim your power, and own your worth so you can create a future you love on your own terms. All with a wink and a smile! Learn more at www.loracheadle.com and follow me across all social!   READY TO START A BETTER CHAPTER? Step into the future you've always dreamed of with the power of transformative rituals with the Mindful Subscription Box. Get a monthly box full of crystals, aromatherapy, and other spiritual tools worth $120. You deserve high-quality gems, crystals, oils, and mindfulness tools for self-care that truly work. It's a monthly dose of self-love delivered right to your door!  Go to www.Mindfulsouls.com  and use Discount Code LORA30 for 30% off your order!       Purchase Lora's book, FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy & Spiritual Self on Amazon, IndieBound or wherever books are sold.  

En la lejana región de Nubia, al sur de Egipto, Ramses II mandó construir dos templos excavados en la montaña. Uno de ellos, Abu Simbel, dedicado a él mismo y el otro a su esposa Nefertari. Las razones para construirlos, su significado y los misterios que incluyen, son evidentes cuando describimos su contenido. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/el-gran-reemplazo-zz-podcast-06x06/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X: https://x.com/LuisBermejo y https://x.com/zz_podcast Instagram: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0

Candyman and Cultural Contradictions: Grateful Dead's Egypt AdventureIn this episode of the Deadhead Cannabis Show, host Larry Mishkin highlights two key topics: a favorite Grateful Dead show and his recent experiences at Goose concerts. First, Larry talks about an iconic Grateful Dead concert that took place on September 16, 1978, at the Sun et Lumiere Theater in Giza, Egypt, near the pyramids and the Sphinx. This event is special not just for its unique location but also for featuring collaborations with Egyptian musician Hamza El Din, who joined the Dead for a jam session. The Egypt shows are remembered for their blend of American rock and ancient Egyptian culture, marking a historic moment in music history.Larry also reflects on the song "Candyman" by the Grateful Dead, exploring its themes of melancholy and contradiction within the counterculture of the 1960s. He discusses how the song portrays a sympathetic yet flawed character, and how it resonates with the complex dynamics of that era, blending elements of peace, revolution, and criminality.Switching gears, Larry shares his recent experiences attending two Goose concerts in Chicago. He highlights Goose's cover of Bob Seger's "Hollywood Nights" and talks about the band's growing popularity. Larry attended the concerts with family and friends and praises the outdoor venue in Chicago, noting its impressive atmosphere and the city's skyline as a backdrop. He fondly recalls his connections to Bob Seger's music from his youth and marvels at how younger bands like Goose continue to bring classic rock into their performances.   Grateful DeadSeptember 16, 1978  (46 years ago)Son Et Lumiere Theater (aka Sphinx Theatre)Giza, EgyptGrateful Dead Live at Sphinx Theatre on 1978-09-16 : Free Borrow & Streaming : Internet Archive Giza (/ˈɡiːzə/; sometimes spelled Gizah, Gizeh, Geeza, Jiza; Arabic: الجيزة, romanized: al-Jīzah, pronounced [ald͡ʒiːzah], Egyptian Arabic: الجيزةel-Gīza[elˈgiːzæ])[3] is the third-largest city in Egypt by area after Cairo and Alexandria; and fourth-largest city in Africa by population after Kinshasa, Lagos, and Cairo. It is the capital of Giza Governorate with a total population of 4,872,448 in the 2017 census.[4] It is located on the west bank of the Nile opposite central Cairo, and is a part of the Greater Cairo metropolis. Giza lies less than 30 km (18.64 mi) north of Memphis (Men-nefer, today the village of Mit Rahina), which was the capital city of the unified Egyptian state during the reign of pharaoh Narmer, roughly 3100 BC. Giza is most famous as the location of the Giza Plateau, the site of some of the most impressive ancient monuments in the world, including a complex of ancient Egyptian royal mortuary and sacred structures, among which are the Great Sphinx, the Great Pyramid of Giza, and a number of other large pyramids and temples. Giza has always been a focal point in Egypt's history due to its location close to Memphis, the ancient pharaonic capital of the Old Kingdom. Son et lumière (French pronunciation: [sɔ̃n e lymjɛʁ] (French, lit. "sound and light")), or a sound and light show, is a form of nighttime entertainment that is usually presented in an outdoor venue of historic significance.[1] Special lighting effects are projected onto the façade of a building or ruin and synchronized with recorded or live narration and music to dramatize the history of the place.[1] The invention of the concept is credited to Paul Robert-Houdin, who was the curator of the Château de Chambord in France, which hosted the world's first son et lumière in 1952.[1] Another was established in the early 1960s at the site of the Great Pyramid of Giza in Egypt. One of the Seven Wonders of the Ancient World and a star attraction in Egypt, the pyramids of Giza offer a completely different experience at night, when lasers, lights, and visual projections bring their history to life. Here's how to visit the pyramids after dark. The sound and light show at Giza takes place every night for 55 minutes by the Great Sphinx of king Kephren, it is a laser show with history narration of your own language.  Kyle FitzgeraldThe National Standing under a total lunar eclipse at the foot of ancient power by the Great Pyramid, the Grateful Dead were concluding the final show of their three-night run at the Sound and Light Theatre in Giza in 1978.His hair in pigtails, guitarist Jerry Garcia wove the outro of the percussive Nubian composition Olin Arageed into an extended opening of Fire on the Mountain. “There were Bedouins out on the desert dancing … It was amazing, it really was amazing,” Garcia said in a 1979 radio interview. The September 14-16 shows in Giza were the ultimate experiment for the American band – the first to play at the pyramids – known for pushing music beyond the realms of imagination. And just as the Grateful Dead were playing in the centre of ancient Egypt, a landmark peace treaty was being brokered in the US that would reshape geopolitics in the Middle East. For as the Grateful Dead arrived in Egypt as cultural ambassadors, on the other side of the world US president Jimmy Carter had gathered his Egyptian counterpart Anwar Sadat and Israeli prime minister Menachem Begin to broker the Camp David Accords that led to an Egyptian-Israeli peace settlement. “No show that they have ever done has the international significance of their three performances in Egypt,” said Richard Loren, the Grateful Dead's manager from 1974-1981. “When we left the stage on the last show, everybody was high on acid, and the first news that came on: They signed the Camp David agreement. Sadat, Begin and Carter signed the agreement in Camp David. This happened during those three days.” Loren, who produced the shows, credited his friendship with Jefferson Airplane vocalist Marty Balin, who had a keen interest in Egypt, for developing his own fascination with the country. “The lead singer for Jefferson Airplane is the seed that resulted in the Grateful Dead playing in Egypt,” he said. Loren recalled riding a camel around the pyramid site during a three-week visit in 1975. To his right were the pyramids. In front of him, the Sphinx. “And I look down and I see a stage, and a light bulb went off in my head immediately. The Grateful Dead ought to play in Egypt,” he said. Loren, associate Alan Trist and Grateful Dead bass player Phil Lesh formed a scouting committee that would be responsible for liaising with American and Egyptian officials, Secret Service members and Egyptian first lady Jehan Sadat to allow the Grateful Dead to play in front of the pyramids. After the mission to the proposed site, meetings in Washington and Egypt, discussions with government officials and a party for the consulate, the band still needed to convince officials the purpose of the show was to make music – not money. And so the Dead paid their own expenses and offered to donate all the proceeds.Half would be donated to the Faith and Hope Society – the Sadats' favourite charity – and the other to Egypt's Department of Antiquities. “It was a sales pitch by the three of us – Alan, Richard and Phil,” Loren said. A telegram was sent on March 21, 1978, confirming the Grateful Dead would perform two open-air shows at the Sound and Light in front of the Great Pyramid and Sphinx. They would go on to play three shows. Describing the planning, bassist Phil Lesh said, "It sort of became my project because I was one of the first people in the band who was on the trip of playing at places of power. You know, power that's been preserved from the ancient world. The pyramids are like the obvious number one choice because no matter what anyone thinks they might be, there is definitely some kind of mojo about the pyramids."[11]Rather than ship all of the required sound reinforcement equipment from the United States, the PA and a 24-track, mobile studio recording truck were borrowed from the Who, in the UK. The Dead crew set up their gear at the open-air theater on the east side of the Great Sphinx, for three nights of concerts. The final two, September 15 & 16, 1978, are excerpted for the album. The band referred to their stage set-up as "The Gizah Sound and Light Theater". The final night's performance coincided with a total lunar eclipse. Drummer Bill Kreutzmann played with a cast, having broken his wrist while horseback riding. The King's Chamber of the nearby Great Pyramid of Giza was rigged with a speaker and microphone in a failed attempt to live-mix acoustical echo.[12] Lesh recalled that through the shows he observed "an increasing number of shadowy figures gathering just at the edge of the illuminated area surrounding the stage and audience – not locals, as they all seem to be wearing the same garment, a dark, hooded robe. These, it turns out, are the Bedouin, the nomadic horsemen of the desert: drawn in by the music and lights... each night they have remained to dance and sway rhythmically for the duration of the show."[13] Kreutzmann recalls "Egypt instantly became the biggest, baddest, and most legendary field trip that we took during our entire thirty years as a band... It was priceless and perfect and, at half a million dollars, a bargain in the end. Albeit, a very expensive bargain."[14] The concerts weren't expected to be profitable (proceeds were donated to the Department of Antiquities and a charity chosen by Jehan Sadat). Costs were to be offset by the production of a triple-live album; however, performances did not turn out as proficient as planned, musically, and technical problems plagued the recordings.[10] The results were shelved as the band focused instead on a new studio album, Shakedown Street.   INTRO:                     Candyman                                    Track #3                                    2:54 – 4:50 From Songfacts:  the American Beauty album is infused with sadness. Jerry Garcia's mother was still seriously injured and her still fate uncertain following an automotive accident, while Phil Lesh was still grieving his father's passing. The melancholic aura comes through in "Candyman" as much as any other song on the album.The effect of the melodic sadness on the song's context is interesting, to say the least. It makes everything about the candyman character in the song seem sympathetic, when the lyrics suggest that he is anything but. Dead lyricist Robert Hunter said he certainly didn't resonate with the character's penchant for violence (more on that below).The Random House Historical Dictionary of American Slang defines the term "candyman" primarily as a drug dealer and secondarily as a man who is lucky in general and lucky with women in particular. The latter version seems to fit better with the song, as the character announces his arrival to all the women in town and tells them they ought to open their windows (presumably to let him in). While there's no evidence to suggest that Hunter was getting at anything too deep with the song, "Candyman" does provide an interesting perspective on the contradictions of the 1960s counterculture. Mixed in with all the peaceniks and flowers were hard-drug pushers, violent revolutionaries, and common criminals. By 1970, this stew had long since become so mixed-up that its attendant parts could no longer be cleanly extracted from each other. The fact that American Beauty came out in the midst of the Manson Family "hippie cult killings" trial says just about all that needs to be said about the complicated reality that had arisen out of the 1960s counterculture.Beyond all that, though, the outlaw song that romanticizes criminality is a long-held and cherished tradition in American music. With American Beauty, Jerry Garcia wanted the Dead to do something like "California country western," where they focused more on the singing than on the instrumentation.  So the sang Hunter's lyrics: Good mornin', Mr. BensonI see you're doin' wellIf I had me a shotgunI'd blow you straight to HellThis is an oddly violent line for a song by the Grateful Dead, who sought to embody the '60s peace-and-love ethos about as sincerely and stubbornly as any act to come out of the era. It always got a raucous applause from the audience, too, which seems equally incongruous with the Deadhead culture.Hunter was bothered by the cheers. In an interview published in Goin' Down the Road by Blair Jackson (p. 119), he brings this phenomenon up when asked if any of his songs has been widely misinterpreted. He mentions that he had first witnessed an audience's enthusiastic response to violence while watching the 1975 dystopian film Rollerball and "couldn't believe" the cheers.Hunter tells Jackson that he hopes fans know that the perspective in "Candyman" is from a character and not from himself. He stresses the same separation between himself and the womanizer in "Jack Straw." As far as the Mr. Benson in "Candyman," David Dodd in the Annotated Grateful Dead Lyrics makes a great case for that being Sheriff Benson from Leadbelly's "Midnight Special" (who may very well have been based on a real sheriff). If true, this might place "Candyman" in Houston, Texas (though Hunter might not have had anything so specific in mind). Almost always a first set song.  Often featured in acoustic sets, back in the day. This version features this awesome Garcia solo that we were listing to.  Maybe he was inspired by the pyramids or whatever magical spirits might have come out from within to see this American band the Grateful Dead.  Hopefully, it made those spirits grateful themselves. Played:  273First:  April 3, 1970 at Armory Fieldhouse, Cincinnati, OH, USALast:  June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA  SHOW No. 1:         Hamza El Din                                    Track #10                                    7:30 – 9:00 Hamza El Din (Arabicحمزة علاء الدين) (July 10, 1929 – May 22, 2006) was an Egyptian Nubian composer, oudplayer, tar player, and vocalist. He was born in southern Egypt and was an internationally known musician of his native region Nubia, situated on both sides of the Egypt–Sudan border. After musical studies in Cairo, he lived and studied in Italy, Japan and the United States. El Din collaborated with a wide variety of musical performers, including Sandy Bull, the Kronos Quartet and the Grateful Dead. His performances attracted the attention of the Grateful Dead, Joan Baez, and Bob Dylan in the 1960s, which led to a recording contract and to his eventual emigration to the United States. In 1963, El Din shared an apartment in the San Francisco Bay Area with folk musician Sandy Bull. Following his appearance at the Newport Folk Festival in 1964, he recorded two albums for Vanguard Records, released 1964–65. His 1971 recording Escalay: The Water Wheel, published by Nonesuch Records and produced by Mickey Hart, has been recognized as one of the first world music recordings to gain wide release in the West, and was claimed as an influence by some American minimalist composers, such as Steve Reich and Terry Riley, as well as by Grateful Dead percussionist Mickey Hart.[1] He also performed with the Grateful Dead, most famously during their Egypt concerts of 1978. During these three shows, Hamza El Din, performed as a guest and played his composition "Ollin Arageed" He was backed by the students of his Abu Simbel school and accompanied by the Grateful Dead.  After Egypt, hamza el din played with the dead in the U.S. On October 21st, back in 1978, the Grateful Dead were in the midst of wrapping up a fiery five-night run at San Francisco's Winterland Ballroom. This string of shows was particularly special for the band, as they marked the first shows played by the Dead following their now-legendary performances near the Great Pyramid of Giza in Egypt a month prior. n an effort to bring their experiences in Northern Africa home with them to share with their fans, the Dead's '78 Winterland run saw sit-ins by Egyptian percussionist, singer, and oud player Hamza El Din. On October 21st, El Din opened the show solo, offering his divine percussion before the Grateful Dead slowly emerged to join him for an ecstatic rendition of “Ollin Arageed”, a number based off a Nubian wedding tune, before embarking on a soaring half-acoustic, half-electric jam, that we will get to on the other side of Music News: MUSIC NEWS: Lead in music:                  Goose — "Hollywood Nights" (Bob Seger) — Fiddler's Green — 6/8/24 (youtube.com)                  0:00 – 1:10             Goose covering Bob Seeger and the Silver Bullet Band's Hollywood Nights, this version from earlier this year but Goose did play it Friday night in Chicago at the Salt Shed's Festival stage outside along the Chicago river with the Skyline in the background. Very impressive. "Hollywood Nights" is a song written and recorded by American rock artist Bob Seger. It was released in 1978 as the second single from his album, Stranger in Town. Seger said "The chorus just came into my head; I was driving around in the Hollywood Hills, and I started singing 'Hollywood nights/Hollywood hills/Above all the lights/Hollywood nights.' I went back to my rented house, and there was a Time with Cheryl Tiegs on the cover...I said 'Let's write a song about a guy from the Midwest who runs into someone like this and gets caught up in the whole bizarro thing.'" [1] Seger also said that "Hollywood Nights" was the closest he has had to a song coming to him in a dream, similar to how Keith Richards described the riff to "(I Can't Get No) Satisfaction" coming to him in a dream. Robert Clark Seger (/ˈsiːɡər/SEE-gər; born May 6, 1945) is a retired American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums. A roots rock musician with a classic raspy, powerful voice, Seger is known for his songs concerning love, women, and blue-collar themes, and is one of the best-known artists of the heartland rock genre. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001. Which leads us to: Goose plays three nights in Chicago: Wednesday, Thursday and Friday night at the Salt Shed.  I caught the Thursday and Friday show.  Went with my wife on Thursday and hung out with good friends John and Marnie, her brothers Rick and Joel, Stephan and others.  Friday with my son Daniel and good buddy Kevin who got us rock star parking and even more impressively killer seats dead center at the bottom of the grandstands in the back of the floor, a few feet off the floor and dead center so we could see everything, hear everything and have a place to sit and rest for a few minutes when needed. I have to say, I've now seen Goose five times and enjoy them more and more.  Great musical jams, great light show, lots of good energy from the band and the fans.  Rick Mitoratando is a first class guitartist and singer, Peter Anspach on keyboard and guitar and vocals, Jeff Arevalo, percussionist, Trevor Weekz on bass and newcomer, Cotter Ellis on drums, replacing original drummer, Ben Askind. Began playing in 2014 in Wilton Connecticut so this is their 10 year and they are just getting stronger.  They really love what they do and its shows in their live performances. Great set lists in Chicago: Thursday night they were joined on stage by Julian Lage, a jazz composer and guitarist for the last two songs of the first set, A Western Sun and Turned Clouds. If you have not yet seen Goose you need to see Goose.  Soon.  Jane's Addiction Concert Ends Abruptly After Perry Farrell Punches Dave Navarro Onstage 3.     Jane's Addiction Offer ‘Heartfelt Apology' for Fight, Cancel Sunday's Show Phish announce 3 night run in Albany Oct. 25 – 27 to benefit Divided Sky Foundation A residential program for people recovering from drug and alcohol abuse. The Divided Sky Foundation, a 46-bed nonprofit recovery center spearheaded by Phish frontman Trey Anastasio, will be an abstinence-based, nonmedical residence, one of the first ofits kind in Vermont. The Divided Sky Foundation is a charitable nonprofit founded by Anastasio; it purchased the Ludlow location to create a substance-use disorder treatment center back in 2021.  Anastasio, Phish's lead guitarist and vocalist, has dealt publicly with his own drug and alcohol use and later sobriety, a journey that brought him under the supervision of drug court in Washington County, New York, in the mid-2000s. There, he met Gulde, who worked in the court system at the time, and the two have stayed friends since.  Together, Gulde and Anastasio used their personal experiences with treatment facilities to implement a vision for the Ludlow space, she said.   Very cool organization, deserves everyone's support.  Trey turned it around which is why he is now 5 years older than Jerry was when he died in 1995 and Trey and Phish are just getting stronger and stronger. SHOW No. 2:         Ollin Arageed                                    Track #11                                    13:10 – 14:42 Musical composition written by Hamza El-Din.  He and members of the Abu Simbel School of Luxor choir opened the shows with his composition Olin Arageed on nights one and two, and opened set two of night three with the song as well.  Joined on stage by the band.  Fun, different and a shout out to the locals. The Dead played it a few more times with Hamza and then retired it for good.  SHOW No. 3:         Fire On The Mountain                                    Track #12                                    13:00 – end                                     INTO                                     Iko Iko                                    Track #13                                    0:00 – 1:37 This transition is one of my all time Dead favorites.  Out of a stand alone Fire (no Scarlet lead in) into a sublime and spacey Iko Iko.  Another perfect combination for the pyramids, sphinx and full lunar eclipse.A great reason to listen to this show and these two tunes. MJ NEWS: MJ Lead in Song            Still Blazin by Wiz Khalifa:  Still Blazin (feat. Alborosie) (youtube.com)                                                                        0:00 – 0:45 We talked all about Wiz Khalifa on last week's episode after I saw him headline the Miracle in Mundelein a week ago.  But did not have a chance to feature any of his tunes last week.  This one is a natural for our show. This song is from Kush & Orange Juice (stylized as Kush and OJ) is the eighth mixtape by American rapper Wiz Khalifa. It was released on April 14, 2010, by Taylor Gang Records and Rostrum Records. Kush & Orange Juice gained notoriety after its official release by making it the number-one trending topic on both Google and Twitter.[1] On the same day, a link to the mixtape was posted for download on Wiz's Twitter.[2] The hashtag#kushandorangejuice became the number-six trending topic on the microblogging service after its release and remained on the top trending items on Twitter for three days.[  1.                   Nixon Admitted Marijuana Is ‘Not Particularly Dangerous' In Newly Discovered Recording2.                  Marijuana Use By Older Americans Has Nearly Doubled In The Last Three Years, AARP-Backed Study Shows3.                  Medical Marijuana Helps People With Arthritis And Other Rheumatic Conditions Reduce Use Of Opioids And Other Medications, Study Shows4.                  U.S. Marijuana Consumers Have Spent More Than $4.1 Billion On Pre-Rolled Joints In The Past Year And A Half, Industry Report Finds   SHOW No. 4:         Sunrise                                    Track #162:08 – 3:37             Grateful dead song written, music and lyrics by Donna Jean Godchaux.  Released on Terrapin Station album, July 27, 1977             There are two accounts of the origins of this song, both of which may be true. One is that it is about Rolling Thunder, the Indian Shaman, conducting a ceremony (which certainly fits with many of the lyrics). The other is that it was written by Donna in memory of Rex Jackson, one of the Grateful Dead's crew (after whom the Rex Foundation is named). The song is about a Native American medicine man named Rolling Thunder, who spent a lot of time with the Dead."'Sunrise' is about sunrise services we attended and what Rolling Thunder would do," Godchaux said on the Songfacts Podcast. "It's very literal actually. Rolling Thunder would conduct a sunrise service, so that's how that came about."Donna Jean Godchaux wrote this song on piano after Jerry Garcia asked her to write a song for the Terrapin Station album. She said it just flowed out of her - music and lyrics - and was one of the easiest songs she ever wrote.The drumming at the end of the song was played by a real medicine man. "We cut it in Los Angeles, and he came and brought the medicine drum, so what you hear on the end is the real deal," Godchaux told Songfacts. "It was like a sanctuary in that studio when he was playing that. It was very heavy." It was played regularly by the Grateful Dead in 1977 and 1978 (Donna left the band in early 1979).This version is the last time the band ever played it. Played:  30 timesFirst:  May 1, 1977 at The Palladium, New York, NY, USALast:  September 16, 1978 at the Pyramids, Giza Egypt                                   OUTRO:                   Shakedown Street                                    Track #17                                    3:07 – 4:35                                   Title track from Shakedown Street album November 8, 1978 One of Jerry's best numbers.  A great tune that can open a show, open the second set, occasionally played as an encore, but not here.  It is dropped into the middle of the second set as the lead in to Drums.  This is only the second time the song is played by the band. Played:  164 timesFirst:  August 31, 1978 at Red Rocks Amphitheatre, Morrison, CO, USALast:  July 9, 1995 at Soldier Field, Chicago, IL – opened the second set, the final set of music ever performed by the band.  Shout outs:             Karen Shmerling's birthday                       This week my beautiful granddaughter, Ruby, is coming to town to visit.  Can't wait to see her and her parents.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Daily Quiz - Geography Today's Questions: Question 1: In which country would you find the Abu Simbel temples? Question 2: What is the capital of Belgium? Question 3: Nairobi is a city in which country? Question 4: What is the world's highest waterfall? Question 5: What does the flag of South Korea look like? Question 6: Which of these countries borders Monaco? Question 7: The country of Saint Kitts and Nevis is on which continent? Question 8: Which of these countries is part of the Arab League? Question 9: Kuala Lumpur is the capital city of which country? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Julia and guest Katie Holland journey along India, Bali, Bulgaria and Egypt to reveal the intricate connection between dance and the medicine of the blue lotus across various cultures. Join us for an enlightening conversation celebrating the alchemy of embodied wisdom as the sacred journey back to ourselves. Explore with us:Dance as Path of Initiation: Storytelling to remember your lineage, connection to your innate wisdom and expressing your soul's truthThe Blue Lotus Medicine - expect multilayered transformation, from burnout and insomnia to deep rest, embracing feminine wisdom and the opening of psychic abilitiesYour body as a treasure chest -  unlocking cell remembrance and inner wisdom through The Blue Lotus and BellydanceNefertum's Gift: the significance of the Blue Lotus in Egyptian history and what takeaways for your own personal journey of self-discoveryKatie's insights from a life-long journey as a Bellydancer through multiple cultures and countries around the world - Be inspired! About Katie:Award winning Katie Holland is the creator of Awakened Bellydance. She is a sacred dance therapist, dance artist, energy whisperer and PADI mermaid instructor. A lifelong dancer Katie has performed for Bollywood celebrities and high society, whilst studying with Masters of Sacred Cultural Dances, Tantra, Shamanism and Energy healing techniques.Since 2006 Katie has lived in India, Bali, Bulgaria and is currently residing in Egypt on the path of the blue lotus.Her natural intuitive ability to hold space is testament to her commitment and a wealth of experience facilitating dance and energy based workshops, retreats and trainings globally. Her aim? To enthuse, empower, cultivate and share this inspirational, alchemical energy to all she meets.  Connect with Katie:Website: www.awbdance.comInstagram: awakenedbellydanceFacebook: Katie HollandawakenedbellydancetribalsistersYoutube: @katiehollandJoin The Sun Festival at Abu Simbel, Aswan, Egypt with Katie, 18 October 2024https://awbdance.com/awbd-training-and-events-calendar/  If you like the show, please do me a favor and like, follow and leave me a review or tag me on your socials #thesacredtravelpodcast. Thank you so much!  Ready to embark on your own expansion journey?Check out upcoming Conscious Travel and Sacred Site Pilgrimages with me. Connect with me on Instagram: @soul_wisdom_by_julia  For more information and to subscribe to my newsletter, visit www.soulwisdom.ch.SOCIAL COPY:

Nubia has a long history of theatre, both before and after the displacement of the 1960s. In this episode, hosts Marina Johnson and Nabra Nelson highlight Nubian theatre, including the only Nubian opera, Opera El Aml by Mohy El Din Sherif. With special guest Mazen Alaa from Nubian Geographic, this episode focus on Nubian theatre in Abu Simbel and the effect that the displacement had and continues to have on theatre in Nubia and the Nubian diaspora today.

Explore the ancient wonders of Egypt in this week's podcast episode as we delve into the historical marvels of this captivating country. Join us as we follow a passionate family of avid readers turned intrepid travellers on their journey through the sands of time. Embark on a mesmerizing adventure with our guests, Devika and Nikhil (a couple accompanied by their son on the trip), who have long been enchanted by the mystique of Egypt through the pages of fiction and historical novels. Their anticipation peaks as they set foot in the land of pharaohs, ready to unravel its secrets and immerse themselves in its rich tapestry of history. Their odyssey begins amidst the iconic pyramids of Giza, Saqqara, and Dahshur, standing as timeless monuments to Egypt's ancient civilization. From there, they venture to the coastal city of Alexandria, where Roman ruins whisper tales of bygone eras, adding another layer to Egypt's storied past. But the true essence of their journey unfolds as they embark on a train voyage across the Nile, traversing the heartland of ancient Egypt. Each stop along the way unveils a new chapter in history—the grand temples of Abu Simbel, Karnak, Edfu, and Kom Ombo bear witness to the grandeur of Egypt's pharaonic dynasties. The Valley of the Kings beckons with its labyrinthine tombs, while Luxor and Hatshepsut's temple stand as testaments to the enduring legacy of Egypt's rulers. As they trace the footsteps of pharaohs and gaze upon the enigmatic mummies and sacred tombs, our travellers are left spellbound by the magnitude of Egypt's historical heritage. And now, fuelled by their insatiable thirst for adventure, they ponder their next destination—one that promises to ignite their passion for history once more. Join us as we relive their extraordinary journey through the annals of time. Don't miss our newsletter for this episode, where we delve into the captivating historical tales from Egypt, inspired by the places discussed with Devika and Nikhil! Subscribe now and embark on this immersive adventure with us. & don't forget to follow our Instagram page as well – we put out lots of travel hacks, tips, reels and videos just for you.    To support our team and donate generously, please click here .   Like our work? Follow, Like & Subscribe to our podcast from wherever you are listening in. We would also love to hear from you, so do write to us at: Email: misadventuresofasneaker@gmail.com Instagram: @misadventuresofasneaker Blog: misadventuresofasneaker.substack.com --------------------------------------------------- Connect with Nikhil: Twitter || LinkedIn Connect with Devika: Twitter || LinkedIn ----------------------------------------- Recommendations through the episode Amelia Peabody Series by Elizabeth Peters on Amazon (20 part series) Kane Cronicles by Rick Riordan on Amazon Horrible History series by Terry Deary on Amazon Death on the Nile - Agatha Christie on Amazon

Twice a year, sunlight sweeps into the chambers of The Great Temple at Abu Simbel, illuminating the face of Ramses II and marking the beginning of the flood and growing seasons. Temples were monuments to the pharaohs and the gods, reminding all of Egypt's wealth and prosperity. For modern visitors, these temples stand as examples of the ingenuity and scope of human endeavour. In the fourth instalment of our Saturday Lecture Series, we explore some of these monuments' key architectural features; how kings, such as Ramses II used them to define and portray power and - in the case of Abu Simbel – as a means to harness the sun. Following the lecture, join in the conversation with a Q&A hosted by Professor of Architecture, Restoration Australia's Anthony Burke.

En el PostPodcast de esta semana: - Mojon Concurso Memorial Luis Romera - ¿Bruce Lee? ¡Alien Storm! - El motor perfecto para portar juegos de ZX - 800 y pico bytes de código - De piso franco del IRA a escuela St. Bride - Varita de azotar en mano. Varita en mano, azotar culos - Vuestros comentarios Nuestra web: https://www.cepeceros.com Ven a charlar con nosotros: https://bit.ly/Cepecerostelegran Ko-fi: https://ko-fi.com/cepecerospodcast

Bienvenidos a Cepeceros, un podcast en Mode 0 para amantes del píxel ladrillo. En esta ocasión nos acompaña Zilog Z80, con quien repasamos dos clasicazos como Bruce Lee y Abu Simbel Profanation. Conoceremos la relación personal de nuestro invitado con ambos juegos y que recuerdos y sensaciones le despierta. Toda la info sobre los juegos y nuestro invitado en nuestra web: https://www.cepeceros.com Ven a charlar con nosotros: https://bit.ly/Cepecerostelegran Ko-fi: https://ko-fi.com/cepecerospodcast

Nossa jornada pelo Egito Antigo nos levará a desvendar os segredos que envolvem duas das mais impressionantes construções da humanidade: as Pirâmides de Gizé e o Templo de Abu Simbel. Esses monumentos não apenas representam o ápice da engenharia e arquitetura do Antigo Egito, mas também guardam mistérios que desafiam a compreensão moderna. Ao explorar essas maravilhas antigas, mergulharemos em uma era de esplendor e mistério, buscando compreender as motivações por trás de sua construção e os enigmas que ainda persistem até os dias de hoje. AJUDE A MANTER O ESPAÇO INDECIFRÁVEL VIVO! www.apoia.se/espacoindecifravel Citamos no Episódio: www.espacoindecifravel.com.br/misteriosdoegito Acompanhe a gente no: ⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠ Nossos outros links: www.linktr.ee/espacoindecifravel Hosts: ⁠⁠⁠⁠⁠⁠Karim Matos⁠⁠⁠⁠⁠⁠ e ⁠⁠⁠⁠⁠⁠Sergio Lucas⁠⁠⁠⁠⁠⁠ Produção: uncodedprod.com

Electronic Motion - showcasing the sounds of melodic & Afro House.  With melodic tones Rhythmic Drums & deep bass lines explains why the show has gained the following it has.  With collaborations with some of the hottest names in the scene,  the show is at the forefront of the of the sound.1.Paso Doble Carpe Diem 2.Who made who Abu Simbel 3.Stone & bones Ft Tonicba Amathongo 4.Marten Lou My love for you (yebbas heartbreak ) 5.Yamil yesterday Lovers 6.Black coffee &Me The rapture 3 7.Dj Merlon Enoo Napa brocode 8.Dj Chus the Akan work edit 9.Guy Gerber What to do &Me remix 10.Sparrow & Barbossa Senin Ic ( Sasson FR ) remix 11.Stones & bones native P prisoner 12.Shimza Everyday 

Hur flyttar man ett fornegyptiskt klipptempel? Och varför? Jo, till exempel för att det inte ska dränkas. När Assuandammen i Egypten skulle byggas på 1960-talet riskerade många viktiga arkeologiska tempel och platser att dränkas och gå förlorade. Då vände sig Egypten och Sudan till UNESCO och en enorm räddningsaktion drog igång. Inte minst skulle Ramses II:s klipptempel i Abu Simbel flyttas. Så hur gör man egentligen när ett helt tempelkomplex, med 20 meter höga statyer ska flyttas från ett berg till en ny plats? Det får ni veta i det här avsnittet. Hosted on Acast. See acast.com/privacy for more information.

Los templos de File fueron el último baluarte de la antigua religión egipcia y son una de las atracciones más emblemáticas de la época ptolemaica. Originalmente se hallaban situados en la isla del mismo nombre, también conocida como «la isla sagrada», pero ahora está bajo el agua. Al igual que Abu Simbel, File fue objeto de una inusual operación de rescate arqueológico: en la década de 1970, los mejores científicos, arquitectos y egiptólogos del mundo se embarcaron en la titánica tarea de desmantelar, pieza por pieza, las 50.000 toneladas de piedra que componían los templos y reconstruirlos, exactamente igual que antes, en la isla vecina de Agilkia. Este especial combina historia, mitología, arquitectura y salvaguardia de un patrimonio cultural con un hilo conductor: los increíbles retos tecnológicos superados en el pasado para construir File, y de nuevo en el siglo XX para reubicarlo y protegerlo de las aguas.

Šoreiz raidījumā Diplomātiskās pusdienas aplūkojam Ziemeļmaķedonijas Republiku, valsti, kas atrodas tepat Eiropā, Rietumbalkānos. Nedaudz mazāk nekā divu miljonu nelielā valsts izveidojās 1991. gadā pēc Dienvidslāvijas sabrukuma. Vienlaicīgi Ziemeļmaķedonijas teritorija tiek uzskatīta par vienu no vissenāk nepārtraukti apdzīvotajiem reģioniem Eiropā. Mūsdienu Ziemeļmaķedonijas teritorija ir bijusi vairāku – tostarp gan Maķedonijas Aleksandra, gan Romas impērijas, gan Osmaņu impērijas sastāvā. Kā politiska vienība ar nosaukumu  Maķedonijas Tautas Republika tā tika izveidota 1946. gadā, kad tā ietilpa Dienvidslāvijas Sociālistiskās Federatīvās Republikas sastāvā. Ar nosaukumu Bijusī Dienvidslāvijas Republika Maķedonija, valsts 1993. gadā tika uzņemta ANO. Valstī ir virkne UNESCO sarakstos iekļautu un neiekļautu kultūras mantojuma objektu. Vispirms jau Ohrida ezers, kurš skaitās viens no pasaulē vecākajiem un dziļākajiem ezeriem. Ezera vecums ir vairāk nekā cetri miljoni gadu. Un dziļums šobrīd 277 metri. Ņemot vērā, ka vairāk nekā 80 procenti Ziemeļmaķedonijas teritorijas ir kalni, šis pat neizbrīna. Par kalniem runājot – Ziemeļmaķedonijā Matkas kanjonā atrodama Vrelo zemūdens ala. Tā ir viena no pasaulē dziļākajām alām, ja ne pati dziļākā, bet neviens nezina tās patieso dziļumu. Izpētīti ir tikai 77 metri. Savukārt Kokino ir atrodama viena no senākajām astronomiskajām observatorijām pasaulē. Tās vecums ir apmēram 4000 gadu un tā ir vienā ierindojama vienā zinātnes vēstures stāstījumā līdzās Ēģiptē atrodamajai Abu Simbel, Anglijā atrodamajai Stonhendžai un Kambodžā atrodamajai Angkor Vat. Vēl viens interesants fakts par Ziemeļmaķedonijas Republiku – šajā pareizticīgo valstī ir vairāk nekā 1000 baznīcas. Un divas lietas – trijās no tām ir atrodamas daļas no Jēzus krusta, un trešā daļa no tām atrodas vienā pilsētā. Ohridas pilsētā ir 365 baznīcas. Daudzas no tām ir pamestas, bet tas netraucē pieņemt, ka šī varētu būt vieta, kur pasaulē ir visblīvākā baznīcu pārstāvība. Katru dienu gadā var iet uz citu baznīcu. Stāstot par Ziemeļmaķedonijas Republiku, noteikti ir jārunā par vienu no īpatnējākajiem starpvalstu incidentiem pasaules vēsturē. Vietu nosaukumu strīdi nav nekas pārāk nepieredzēts, pat situācijās, ja runa ir par valstu nosaukumiem. Bet parasti nosaukumu maiņas neizraisa tādus diplomātiskos strīdus, kā notika Maķedonijas Republikas un Grieķijas gadījumā. ANO jaunizveidotā slāvu cilšu pēcteču izcelsmes maķedoniešu valsts tika reģistrēta ar nosaukumu Bijusī Dienvidslāvijas Republika Maķedonija. Bet arī šis bija kompromiss, jo Grieķija nekādi nevēlējās jaunajai valstij atļaut lietot nosaukumu “Maķedonija.” Grieķu arguments, ka šāds nosaukums rada aizdomas par Maķedonijas jaunās valsts pretenzijām uz Grieķijas ziemeļos atrodamo Maķedonijas reģionu, faktisko vēsturisko Maķedoniju. Vēsturiskā Maķedonija, jeb Mecedonas grieķu karaliste pastāvēja no 7. līdz 2. gadsimtam pirms mūsu ēras. Tās pilsētā Pellā arī piedzima Maķedonijas Aleksandrs jeb Aleksandrs Lielais un arī viņa Tēvs Filips Otrais. Teritoriāli tikai neliela daļa no mūsdienu Ziemeļmaķedonijas Republikas ietilpa senās Mecedonas sastāvā. Tādēļ Grieķijas iebildumi pret šī termina attiecināšanu uz negrieķu teritorijām un cilvēkiem daudzu acīs ir pamatoti. Un Grieķijas pozīcijas atbalstītāji norādīja, ka Maķedonija mēģina piesavināties nosaukumu un simboliku no senās Maķedonijas, ar kuru tiem faktiski nav nekāda liela saistība. Rezultātā, Grieķija bloķēja valsts dalību ANO līdz kompromisam tika panākts pagaidu nosaukums Bijusī Dienvidslāvijas Republika Maķedonija, kas bija gan grūti izrunājams, gan politiski jūtīgs. Maķedoniešu cīņa par valsts nosaukumu gan nemazinājās, tāpat kā nemazinājās arī Grieķijas pretestība. Tik ļoti liela bija pretestība, ka Grieķija nosaukuma maiņu sasaistīja ar jaunās valsts centieniem pievienoties gan NATO, gan Eiropas Savienībai. Ilgus gadus Ziemeļmaķedonijas Republikas attīstība un investīcijas kavējās. Līdz pat 1995. gadam Grieķija bija pat noteikusi tirdzniecības embargo pret FYROM. Grieķija ceturtdaļgadsimtu bloķēja maķedoniešu virzību uz NATO un Eiropas Savienību. Risinājums nosaukumam tika atrasts un īstenots tikai 2018. gada jūnijā, kad tika parakstīta Prespas vienošanās starp Grieķijas un maķedoniešu pusēm. Līgums stājās spēkā 2019. gada 12. februārī, kad arī valsts ieguva oficiālo nosaukumu Ziemeļmaķedonijas Republika. Nepilnu gadu vēlāk valsts iestājās NATO un 2022. gadā ES uzsāka iestāšanās sarunas ar Ziemeļmaķedonijas Republiku. Te gan ir vēl viena lieta, ko jāpiemin. Par valsts nosaukuma maiņu 2019. gada septembrī notika konsultatīvs referendums. Tajā burtiski iedzīvotājiem bija jāpiekrīt vai jānoraida priekšlikums, ka valstij tiek mainīts nosaukums, lai tā varētu iestāties Eiropas Savienībā un NATO. Referendums nebija juridiski saistošs, bet tajā 94 procenti nobalsoja par. Problēma gan, ka tikai nepilni 37 procenti balstiesīgo piedalījās. Šis referendums ES integrācijas vārdā atgādināja 1998. gadā Latvijā notikušo referendumu par Pilsonības likuma grozījumiem, kas arī tika uztverts kā neoficiāls referendums tieši par dalību Eiropas Savienībā. Par to, kā 25 gadus vēlāk vērtēt šī referenduma nozīmīgumu no Latvijas Eiroatlantiskās integrācijas viedokļa, vaicājām tā laika Latvijas valsts prezidentam Guntim Ulmanim.

Did you know some kings in Africa were seen as divine in some form? In this episode we discuss the upsides and downsides of kings being regarded as divine in some cultures in Africa and add some very interesting examples. YouTube: https://www.youtube.com/channel/UCFuTYzTqseXvH1RkmxV-1XA Follow us: Twitter (apparently now X): https://twitter.com/Africas_UntoldS Instagram: https://www.instagram.com/africasuntoldstories/YouTube: Outro music provided by DCQ BEATZ: https://player.beatstars.com/?storeId=97074&trackId=2559403 REFERENCES: 1. General History of Africa, Volume 4. Africa from the Twelfth to the Sixteenth Century-UNESCO (1984) 2. General History of Africa, Volume 5. Africa from the Sixteenth to the Eighteenth Century-UNESCO (1992) 3. Shank, M. K. (2010). The meaning of the reliefs at the temple of Abu Simbel. --- Send in a voice message: https://podcasters.spotify.com/pod/show/africas-untold-stories/message

Gemeinsam mit einem Baukonzern aus NRW rettet die UNESCO den gigantischen Tempel von Ramses II., bevor der in den Fluten des Assuan-Stausees in Ägypten versinkt. Es ist der Beginn der Idee des Weltkulturerbes...

Gemeinsam mit einem Baukonzern aus NRW rettet die UNESCO den gigantischen Tempel von Ramses II., bevor der in den Fluten des Assuan-Stausees in Ägypten versinkt. Es ist der Beginn der Idee des Weltkulturerbes... Von Martina Meißner.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 13.07.2017 1. Sara Ortega: “Sara Alma” El paso al otro lado 2. Limpieza energética de espacios a través de símbolos de Reiki” 3. “La hora del Dragón”: “La esclavitud por contrato” 4. El relato de la noche es narrado por Alberto Jesús Laiseca y lleva por título “El derrochador y el alquimista” 5. “El Rincón de la magia”: Concha Vara “La bruja” “Las Runas” 6. “La canción del poeta” Víctor y Toñín nos deleitarán con el poema “Cuestión de fe” y la música “Espagnoleta” La semana que viene iniciamos una nueva sección “Enigmas de la historia” con Rafael Alfonso Alfaro García y estrenaremos la sección hablando de Abu Simbel. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 20.07.2017 MENÚ DEL PROGRAMA DE HOY 1. “Tiempo Místico”: “Maestros ascendidos y seres de luz” 2. “Enigmas de la historia” “Abu Simbel” 3. “La hora del Dragón”: Francisco Mateos Silva “La carta Motu proprio del Papa” 4. José Luis Carretero Rosales: “El fantasma de la Diputación de Granada” 5. El relato de la noche es narrado por Alberto Jesús Laiseca “El extraño de Lovecraft” 6. “El Rincón de la magia”: Concha Vara “La bruja” “Los vampiros energéticos” 7. “La canción del poeta” Víctor y Toñín nos deleitarán con el poema “Álvaro” y la música “Piano” Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

With its entrance blocked by an impassable barrier of sand, the temple complex Abu Simbel was left untouched for several thousand years until Italian engineer Giovanni Belzoni arrived in 1817

With its entrance blocked by an impassable barrier of sand, the temple complex Abu Simbel was left untouched for several thousand years until Italian engineer Giovanni Belzoni arrived in 1817

En 1828 Champollion llegó a Egipto y, en el templo de Abu Simbel, conoció al más ilustre de los faraones del antiguo Egipto, Ramsés II. En los jeroglíficos, descifró su vida y ahora, 200 años después, la momia de Ramsés II marcará otro hito en esta aventura: mostrará al mundo su verdadero rostro.

With a break from the normal, Dr. Susan and DSr. Jolle made an audio diary of their trip to Egypt. From the depth of the pyramid to the impressive temples of Abu Simbel, they are trying to spot cats. And the result is..... cat mummies!

今回のテーマはエピソード43でも話に出てきた「広告」について。 ポッドキャストの広告についてのニュースや話題が増えてきて、自分も含めて広告について話すポッドキャストも耳にします。 しかし、広告ってポッドキャストにとって必要でしょうか？ 広告モデルってあったほうがいいんでしょうか？ そんな話題です。 (00:00) - ポッドキャストと広告 (07:11) - Human Light / JOHN DADA & THE WEATHERMEN (11:35) - 広告媒体として価値はあるか (24:37) - 情報か邪魔な存在か (36:51) - 広告の効果が出るか (1:00:05) - 広告は必要か？ (1:08:23) - stand.fmとnote (1:21:54) - Domo y resolana / ABU SIMBEL (1:26:55) - LISTENで話題からポッドキャストを検索 (1:37:36) - エンディング ウェブサイトhttps://podcasting.jp/mycupoftea/podcast/s3/ep44/ リンクhttps://linktr.ee/potaufeu 文字起こしhttps://listen.style/p/mycupoftea

Conoce la cadena de acontecimientos en la vida del sabio inglés Isaac Newton, para que se publicaran sus leyes de la gravedad y el movimiento. Escucha además la anécdota de Churchill, la cultura espacial de Abu Simbel, y el desafío de este episodio. Visita mi nuevo espacio para mecenas en: Patreon.com/juanmaparrondo Escríbeme a laika.podcast@gmail.com / sígueme en instagram @laika.podcast

Oli nimmt dich in dieser Folge mit ins alte Ägypten. Dabei geht es zum Beispiel um den ersten Friedensvertrag zweier Großmächte, Abu Simbel und um den Reisepass für einen Toten. Es geht um Ramses den Großen, der immerhin um die 66 Jahre an der Macht in Ägypten war.

Massive 250 ft plus statues carved into the mountainside. God bless you and thank for listening! Please share and subscribe, leave a five star review!

Ramses the Great ruled Egypt more than 3,200 years ago, but he made sure we would still be talking about him today. He ruled for 67 years, probably starting on May 31st (III Season of the Harvest, day 27 to ancient Egyptians) in 1279 BC. He soon set about creating a new capital city in the Nile delta, where he had chariot, weapon and shield factories built. Not long thereafter he defeated the Sherden pirates who were seriously harassing sea traders in the Mediterranean, and “won” the Battle of Kadesh against the Hittites in the largest chariot battle ever fought. He also had enormous temples, obelisks and statues erected all over the New Kingdom, and ordered lots of gold objects. Dozens of those objects are on display until February 12 at the de Young Museum in a state-of-the-art exhibit featuring the greatest collection of Ramses objects and Egyptian jewelry ever to travel to the United States. Along with colossal royal sculpture, the exhibit highlights recently discovered animal mummies and treasures from the royal tombs of Dahshur and Tanis. Visitors can also immerse themselves in multimedia productions that re-create moments from Ramses's life or take a virtual tour of Abu Simbel and Nefertari's tomb. The de Young's ancient art curator, Renée Dreyfus, will share with us the stories of some of these art objects and how the de Young organized this outstanding and rare exhibit. Egyptologist Rita Lucarelli will explain the evolution of the funerary beliefs of ancient Egyptian society from their origins in prehistory to the time of Ramses. She will draw on her scholarly work on the Book of the Dead to discuss the magical texts found in royal and elite tombs and how they compare to the "personal piety" or "popular religion" of the Ramesside period, about which there are many sources to draw upon from that well-documented society. Among those documents is the earliest known peace treaty in world history—between Ramses II and Hattušili III, the Hittite king. It was recorded in two versions―one in Egyptian hieroglyphs and the other in Hittite using a cuneiform script. The two versions are nearly identical, but in the Hittite version the Egyptians are the ones who sue for peace, while in the Egyptian version the Hittites are the ones who sue for peace. Some things never change. SPEAKERS Renée Dreyfus George and Judy Marcus Distinguished Curator, Curator in Charge, Ancient Art, Fine Arts Museums of San Francisco, de Young / Legion of Honor Rita Lucarelli Associate Professor of Egyptology, Department of Middle Eastern Languages and Cultures, University of California, Berkeley; Faculty Curator of Egyptology, Phoebe A. Hearst Museum of Anthropology, University of California, Berkeley; Fellow, Digital Humanities in Berkeley George Hammond Author, Conversations With Socrates—Moderator In response to the COVID-19 pandemic, we are currently hosting all of our live programming via YouTube live stream. This program was recorded via video conference on November 4th, 2022 by the Commonwealth Club of California. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zweimal im Jahr leuchtet die Sonne kurz nach dem Aufgang so auf den Tempel in Abu Simbel, dass die Strahlen für einige Minuten das Gesicht der Statue von Ramses II. treffen Von Dirk Lorenzenwww.deutschlandfunk.de, SternzeitDirekter Link zur Audiodatei

In this podcast we cover: Why it takes time to re-build an identity. How does one start? How to be kind to yourself. The analogy of Abu Simbel. If you like the Elevate Construction podcast, please subscribe for free and you'll never miss an episode.  And if you really like the Elevate Construction podcast, I'd appreciate you telling a friend (Maybe even two 

Mis querid@s Nakamas! En este episodio nos adentramos a conocer el sitio arqueológico famoso del sur de Egipto, "Abu Simbel", una obra maestra mandada a construir por Ramsés II en honor a su esposa predilecta, Nefertari.  Conoceremos su historia, sus antecedentes, su descurbimiento y mi experiencia.  Bienvenidos a ABU SIMBEL, Recuerden suscribirse a nuestro canal.  https://www.youtube.com/channel/UCBvpcwc7qUmq5buEfzGVxjQ  

En este episodio les explicamos lugares que visitar en la capital del país egipcio, El Cairo, para que puedan conocerlo un poco mejor y se enriquezcan más de esta cultura.  Recuerden suscribirse a nuestro canal.  https://www.youtube.com/channel/UCBvpcwc7qUmq5buEfzGVxjQ    

Five lives were lost in an unfortunate accident near Abu Simbel, the Egyptian Medical Community meets up in London, and Actor Tamer Hagras opens up in an exclusive interview with Mark on the industry, being shot to fame, and dancing with his demons.

Plan a rowing adventure and row the Nile in Egypt with expert guides Hatem Kandeel and Ayman Kamal. Timestamps 01:00 Hateem Kandeel's rowing background with the Arab Contractors Rowing Team I wanted to row from Aswan to the Mediterranean 04:00 I have no problem rowing for hours on the erg for 4-5 hours. People told me I couldn't do a long row like this. 06:00 2021 was my planned date for the row. The Nile can be very rough so I planned to use a coastal boat. I started on 1 June 2021 and it took 23 days and 5 stops to get to Cairo. Then 9 days from there to the sea. 08:00 The Environment Minister asked me to be an ambassador for the environment around the Nile. I got on TV and the news. The goal was awareness of the care of the river and the health of the people. 09:30 The theme for 2022 is Social Responsibility for the Nile Row. Three goals 1 - Never pollute the Nile. Take the oath. Change the mindset of people 2 - Help Egyptians understand their history using NFTs technology. With a revenue share with the Tourism industry via government. 3 - Spread rowing around the country. Rowing is the official sport for Aswan Province now. We are also talking to UN Women to support women and rowing. 14:00 We plan to make Row the Nile an annual event around new year's time During 2022 it will be done twice - once in May and once in December - January 2023. Hatem is inviting masters to join him on the May event. The section from Aswan to Luxor focuses on ancient Egyptian history with stops at historic monuments. 20:00 Ayman Kamal is the organiser of the event. MAp of Upper Egypt - you will row past monuments 23:30 Start at Abu Simbel upstream of the Aswan High Dam. 27:00 Find out more on the website https://www.facebook.com/rowing.the.nile.event We plan to do 30-50 km of rowing with stopes every 4-5 days. Using coastal sculling boats. 31:00 We want to use rowing to connect people worldwide.

Plusieurs noms évoquent au public la grandeur et la richesse de la civilisation égyptienne. Que l'on nomme Toutankhamon, Néfertiti ou Cléopâtre, tous nous avons en tête une image traduisant la gloire passée de cette civilisation. Cependant, s'il existe un pharaon célèbre, qui le fut autant de son vivant, qu'encore aujourd'hui, dans notre culture populaire, c'est bien Ramsès II. Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Script: Perrine Poiron Montage: DeadWill  https://www.youtube.com/channel/UCtLkNuzB2_j2z7SFdvkiCww Pour soutenir financièrement la chaîne, trois choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 3. UTip: https://utip.io/lhistoirenousledira Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada 00:00 : Un pharaon 01:49 : Règne et famille 07:45 : Culture populaire et Histoire 14:27 : Monuments 16:55 : Ramsès II, la malédiction de la momie Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use.   Pour aller plus loin: Allam, Schafik 2018. The treaty of peace and alliance between Ramses II and Khattushili III, king of the Hittites. Translated by Ola el-Aguizy. Cairo: Dar el Hilal. Brand, Peter J. 2020. Rameses II redux: of colossi, cartouches & chronology. KMT 31 (2), 60-68 Brand, Peter J. 2016. Reconstructing the royal family of Ramesses II and its hierarchical structure. Journal of Ancient Civilizations 31, 7-44 Charron, Alain and Christophe Barbotin (eds) 2016. Khâemouaset, le prince archéologue: savoir et pouvoir à l'époque de Ramsès II. Arles; Gand: Musée départemental Arles antique; Snoeck. Chevallier, Franck 2016. Khâemouaset, fils de Ramsès II et premier archéologue de l'histoire. Les dossiers d'archéologie378, 78-79. Farout, Dominique 2019. Le vaincu vainqueur: Qadech-Fornoue même combat? Égypte, Afrique & Orient 93, 49-52 Fletcher-Jones, Nigel 2020. Abu Simbel and the Nubian temples. Cairo; New York: American University in Cairo Press Liesegang, Diana 2013. The battle of Qadesh: historical truth or royal propaganda? Ancient Egypt: the history, people and culture of the Nile valley 77 (13/5), 10-13. Obsomer, Claude 2012. Ramsès II: [Abou Simbel, Louxor, Néfertary, Qadech]. Les grands pharaons. Paris: Pygmalion. Servajean Frédéric, Quatre études sur la bataille de Qadech, CENiM 6, Montpellier, 2012 Sourouzian, Hourig 2020. La fascination de Ramsès II pour Amenhotep III. Égypte, Afrique & Orient 97, 13-22 #histoire #documentaire #egypte

En este episodio hablaremos del faraón más importante de Egipto: Ramses II. Este reinó durante 67 años y llevó a cabo una intensa labor propagandística en torno a su persona, construyó numerosos templos y dejó su impronta en otros tantos. Destaca la imagen que trasmitió de la batalla de Qadesh, batalla que sin llegar a ganar, vendió como una gran victoria. Destaca también su relación con su esposa Nefertari a la cual llega a construir un gran templo junto al suyo de Abu Simbel.