Podcast appearances and mentions of sandy shore

July 30, 2024 - We've got Executive Chef Larry and Sandy Shore on board to tell us all about their new restaurant, Red Cedar Bistro, that's opening up soon in Longmont! Listen in as they walk us through the process that led them to this place, and secure a few high quality restaurant recs as well!   As always, we're sharing our favorite upcoming cultural events, art openings, concerts, and all of the things that make Denver the city we're proud to call home.   Follow WDG: YouTube: https://www.youtube.com/channel/UC8u8GmvBi6th6LOOMCuwJKw Instagram: https://www.instagram.com/whats_good_denver/ TikTok: https://www.tiktok.com/@whatsgooddenver   Do you have a Denver event, cause, opening, or recommendation that you want to share with us? We want to hear from you! Tell us what's good at tom@kitcaster.com.     The Goods:   Top Taco Denver @ Westminster City Park   All Day I Dream @ Sculpture Park   Thursday Dinner w/ Todo @ Bao Brewhouse   Red Rocks Schedule   Chats on Colfax   Lincoln County Free Fair & Rodeo   60 Minutes in Space @ Denver Museum of Nature & Science     Our Sponsor:   Kitcaster Podcast Agency     Music produced by Troy Higgins  

We review WOW's episode introducing the new group in the show Top Tier. We also talk Princess Aussie getting jumped and a new chapter for her in WOW begins, Reina Del Rey's path in WOW so far, Sweet Heat and their match with the New Heavy Metal Sisters, Tormenta (Mexican Champion) tries to take out Tiki Charmorro and the main event with Penelope Pink taking on the new, fan-friendly G.I. Jane. Tune in and listen!!!   CHAPTERS: 0:00:00 - Show Intro 0:02:05- News, Views and Reviews (including info on Becky Lynch & Ronda Rousey) 0:28:51 - WOW Review Start/Top Tier Promo (WOW Show opener) 0:42:25 - Princess Aussie vs Katarina Jinx  0:47:28 - The Incomplete path of Reina Del Rey (including un-aired match with Sandy Shore) 0:53:48 - Miami Sweet Heat vs Heavy Metal Sisters 2.0 (including Sweet Heat Promo) 1:11:05 - Why does WOW talent keep involving David McLane in promos?? 1:13:55 - Tormenta defends honor of Sophia Lopez against Tiki Charmorro ...kinda 1:27:51 - Reina Del Rey Segment, The Ariel Sky promo and WOW exclusive IG Clips 1:48:07 - Penelope Pink takes on G.I. Jane (Main Event) 2:00:17 - Next episode preview thoughts (Press Release) 2:04:39 - Show Close  Becky Lynch: The Man: Not Your Average Average Girl  https://www.amazon.com/Becky-Lynch-Your-Average-Girl/dp/1982157259 Rousey: Our Fight: A Memoir https://www.amazon.com/Audible-Our-Fight-A-Memoir/ Want your own custom championship belt? Visit Trophy Smack  trophysmack.com/wpn Theme Song: "Unstoppable" - CFM Production  https://www.youtube.com/watch?v=m7sPDQ9QT2U provided by CFM: https://cfmfreemusic.com Be sure to watch our 24/7 live stream at www.wpnwrestling.com All our videos from 2013 until now are there FREE for you to watch!! BE SURE TO SUPPORT THE CHANNEL!! Use the link and purchase a shirt! (Purchases support new matches and content!)  FOLLOW US ON SOCIAL MEDIA:  https://www.wpnwrestling.com https://twitter.com/WPNwrestling https://www.facebook.com/womensprowrestlingnetwork/ Like & Share!!!

The VIP Abilene Maverick is firmly in The Beast's crosshairs as The Beast finally gets the rematch she's been waiting on for weeks, and a chance to reclaim the WOW World Championship that she never lost. Adriana Gambino faces Sandy Shore and The Classmaster takes on Stephy Slays. And, with Penelope Pink and Vickie Lynn McCoy having been dealt with, The Mother Truckers turn their attention to the members of The Fab Four who have the tag team gold, Miami's Sweet Heat, in a Hardcore Championship Match. CONNECT WITH TK & CHRISTINA ON SOCIAL MEDIA! Twitter:   / tktrinidad   Instagram:   / tktrinidad   Twitter:   / ch_arzate   Instagram:   / charzate   HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [  / wwtalkpod  ] Like us on Facebook - [  / wwtalkpod  ] Follow us on Instagram - [  / wwtalkpod  ] Check Out Our Merch! : https://forurwear.com/womens-wrestlin... ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

This is the review of WOW's second (new) season and here's the press release describing the episode: SEASON 2 EPISODE 1: “The Beast Returns!” It's a new day in WOW - Women Of Wrestling! The Fabulous Lana Star's WOW World Champion Penelope Pink, formerly on the hunt for the coveted WOW title, finds that the tables have turned as the whole roster is in pursuit of her championship - including The Beast, who's returned after 10 months of injury, and is now looking not only to reclaim her championship, but solve the mystery of who attacked her and broke her leg in an alleyway. But that's not the only mystery in WOW, as two unexpected Superheroes are spotted arriving at the venue together. Also in action is Mexico's sensation Tormenta, Heavy Metal Sister Fury, New Jersey's own Adriana Gambino, Jennifer “Jen Z” Florez, The Dancing Queen Chantilly Chella, and Miami's Sweet Heat Lovely Laurie and Luscious Lindsey who aim to cut Spring Break's 24/7 party short as they take on Sandy Shore and Crystal Waters. Theme Song: "Unstoppable" - CFM Production  https://www.youtube.com/watch?v=m7sPDQ9QT2U provided by CFM: https://cfmfreemusic.com Be sure to watch our 24/7 live stream at www.wpnwrestling.com All our videos from 2013 until now are there FREE for you to watch!! BE SURE TO SUPPORT THE CHANNEL!! Use the link and purchase a shirt! (Purchases support new matches and content!)  VISIT US AT PATREON:  https://www.patreon.com/wpnwrestling FOLLOW US ON SOCIAL MEDIA:  https://www.wpnwrestling.com https://twitter.com/WPNwrestling https://www.facebook.com/womensprowrestlingnetwork/ Like & Share!!!

Falls Count Anywhere Championship This weekend's hour of power kicks off with 3 on 3 action. Fury will be teaming up with her mortal enemies—Siren the Voodoo Doll and Holidead to face Americana and Spring Break 24/7, Sandy Shore and Crystal Waters? This one should be a tidal wave of action! In the Main Event it's the volcanic Tonga Twins, Kaus and Kona challenging the WOW Tag Team Champions, Miami's Sweet Heat, Laurie and Lindsey Carlson in a Falls Count Anywhere Championship Match. Hosts: https://twitter.com/InKatW3Trust https://twitter.com/QueenStephHardy https://twitter.com/emilymaeheller HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [https://twitter.com/wwtalkpod] Like us on Facebook - [https://www.facebook.com/wwtalkpod] Follow us on Instagram - [http://instagram.com/wwtalkpod] Check Out Our Merch: https://forurwear.com/womens-wrestlin... ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

Our review of WOW's tag team only night. Did anything, angle or storyline actually go anywhere? Did it make sense this week? How exactly does a favor from Sophia Lopez work? Below is WOW's explanation of the show:   EPISODE 43: “Tag Team's Only!” It's an episode of all tag team matches! Will Spring Break 24/7's Crystal Waters and Sandy Shore overcome the hard hitting duo of Reina Del Rey and Wrecking Ball? Things continue to heat up as Team Exile and Ice Cold go head to head with Coach Campanelli and Team Spirit, Ariel Sky and Randi Rah Rah. Americana and Gen Z, Jennifer Florez' partner up against The Disciplinarian and GI Jane. Will this new team be able to overcome the experience of their opponents and, of course, Samantha Smart? And our main event is a grudge match orchestrated by Sophia Lopez! Fan Favorites Big Rig Betty & Holly Swag face off against Tag Team Champions, Miami's Sweet Heat, Laurie and Lindsey Carlson.   Theme Song: "Unstoppable" - CFM Production  https://www.youtube.com/watch?v=m7sPDQ9QT2U provided by CFM: https://cfmfreemusic.com Be sure to watch our 24/7 live stream at www.wpnwrestling.com All our videos from 2013 until now are there FREE for you to watch!! BE SURE TO SUPPORT THE CHANNEL!! Use the link and purchase a shirt! (Purchases support new matches and content!)  VISIT US AT PATREON:  https://www.patreon.com/wpnwrestling FOLLOW US ON SOCIAL MEDIA:  https://www.wpnwrestling.com https://twitter.com/WPNwrestling https://www.facebook.com/womensprowrestlingnetwork/ Like & Share!!!

#WOWSuperheroes #Wrestling #WOW This weekend WOW – Women Of Wrestling kicks off with power versus agility as Reina Del Rey and Wrecking Ball take on Stephy Slays and Jennifer Florez. Then, see what led to the unexpected match up of Coach Campanelli and GI Jane. Plus, we will see if Sandy Shore can be the one to finally stop Fury in her tracks, or if the Heavy Metal Sisters continue to prove to be the Queens of Mean? In the Main Event, the WOW World Champion Penelope Pink joins her Fabulous Four teammate Vickie Lynn McCoy to face the ferocious duo of Kandi Krush and Princess Aussie in tag team action. Can the underdogs get the upset against the Fabulous Two? Hosts: https://twitter.com/InKatW3Trust https://twitter.com/QueenStephHardy https://twitter.com/emilymaeheller HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [https://twitter.com/wwtalkpod] Like us on Facebook - [https://www.facebook.com/wwtalkpod] Follow us on Instagram - [http://instagram.com/wwtalkpod] Check Out Our Merch: https://forurwear.com/womens-wrestling-talk/ ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

This week Mr. Green reviews a pretty basic episode of WOW... not much happening here. Why is this show dragging along so slowly?? WOW's episode description reads as follows: EPISODE 41 Description: “Newcomers” Power versus Speed kicks off WOW as Reina Del Rey and Wrecking Ball take on Chantilly Chella and Foxxy Fierce in Tag Team action. Then, newcomer Crystal Waters who is one half of the freshest tag team in WOW: Spring Break 24/7 tries her hand at singles competition against BK Rhythm. The newly formed Team Spirit squad will take on Ice Cold and Genesis of Exile. And in The Main Event, Lana Star's enforcer, Vickie Lynn McCoy faces new Superhero, and Spring Break 24/7 member Sandy Shore. Will Sandy get one step closer to the WOW Championship? Theme Song: "Unstoppable" - CFM Production  https://www.youtube.com/watch?v=m7sPDQ9QT2U provided by CFM: https://cfmfreemusic.com Be sure to watch our 24/7 live stream at www.wpnwrestling.com All our videos from 2013 until now are there FREE for you to watch!! BE SURE TO SUPPORT THE CHANNEL!! Use the link and purchase a shirt! (Purchases support new matches and content!)  VISIT US AT PATREON:  https://www.patreon.com/wpnwrestling FOLLOW US ON SOCIAL MEDIA:  https://www.wpnwrestling.com https://twitter.com/WPNwrestling https://www.facebook.com/womensprowrestlingnetwork/ Like & Share!!!

A new episode for review! EPISODE 38: “No More Running” features the debut of new Superhero, Sandy Shore (even though she's been on the website for months). GI Jane shows back up (from nowhere) to face Chantilly Chella in singles combat. Stephy Slays faces a sinister monster, Chainsaw with Angelica Dante' in her corner and in the main event, The Tonga Twins finally get to challenge Miami's Sweet Heat for the WOW Tag Team Championship. How were these matches? Did WOW make sense and complete continuity? Tune in and listen! Theme Song: "Unstoppable" - CFM Production  https://www.youtube.com/watch?v=m7sPDQ9QT2U provided by CFM: https://cfmfreemusic.com Be sure to watch our 24/7 live stream at www.wpnwrestling.com All our videos from 2013 until now are there FREE for you to watch!! BE SURE TO SUPPORT THE CHANNEL!! Use the link and purchase a shirt! (Purchases support new matches and content!)  VISIT US AT PATREON:  https://www.patreon.com/wpnwrestling FOLLOW US ON SOCIAL MEDIA:  https://www.wpnwrestling.com https://twitter.com/WPNwrestling https://www.facebook.com/womensprowrestlingnetwork/ Like & Share!!!

#WOWSuperheroes #WomensWrestlingTalk #Wrestling Hosts: https://twitter.com/InKatW3Trust https://twitter.com/QueenStephHardy https://twitter.com/emilymaeheller Episode Blurb: This weekend's action kicks off with the debut of new Superhero, Sandy Shore. And after disappearing mysteriously for weeks, GI Jane has returned to face the energetic Chantilly Chella in singles combat. Can the power of positivity and high flying kicks drop the drill sergeant? Plus Stephy Slays faces a sinister monster, Chainsaw. Has Angelica gotten Chainsaw under control? Or will Chainsaw get herself DQed again? And in our main event, we'll see the long awaited rematch when the volcanic Tonga Twins challenge Miami's Sweet Heat for the WOW Tag Team Championship. Will the Fabulous Four finally lose their chokehold over the WOW championships? HELPFUL LINKS: Website - [https://wwtalkpod.com] DONATE: [https://cash.app/$WWTalkPod/] [https://ko-fi.com/wwtalk] LISTEN: Apple Podcasts: [https://apple.co/3hIUnlx] Spotify: [https://spoti.fi/32CGbGL] LIKE AND FOLLOW: Follow us on Twitter - [https://twitter.com/wwtalkpod] Like us on Facebook - [https://www.facebook.com/wwtalkpod] Follow us on Instagram - [http://instagram.com/wwtalkpod] Check Out Our Merch: https://forurwear.com/womens-wrestling-talk/ ABOUT WOMEN'S WRESTLING TALK : The #1 Women's Wrestling Show on the Planet, showcases news and interviews with top female wrestlers and professionals throughout the industry. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for use & for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. --- Send in a voice message: https://podcasters.spotify.com/pod/show/womens-wrestling-talk/message

Two superheroes with identical powers must save Salty Cove and Sandy Shore from the evil Dr Lobster! Written especially for this podcast by Alice. If you enjoyed this story, please do leave us a review. And, if you'd like to suggest an animal for a future Animal Tales story, you can do so by emailing podcast@animaltales.uk. We would love to hear from you. Become a PREMIUM SubscriberYou can now enjoy Animal Tales by becoming a Premium Subscriber. This gets you: All episodes in our catalogue advert freeBonus Premium-only episodes (minimum of one per month) which will never be used on the main podcastWe guarantee to use one of your animal suggestions in a storyYou can sign up through Apple Podcasts or through Supercast and there are both monthly and yearly plans available. Discover a brand new story every Monday, Wednesday and Friday – just for you! You can find more Animal Tales at https://www.spreaker.com/show/animal-tales-the-kids-story-podcast

Taylor's Website: https://taylorwilliamson.comTaylor's Instagram: https://www.instagram.com/taylorcomedy/Taylor on IMDB: https://www.imdb.com/name/nm2743976/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptsTaylor Williamson (00:00:00):They could have gone way harder on me. These real, these reality show contracts are insane. Like lawyers tell you, don't sign them like they have the rights to like, own your soul forever and things you make for the future and stuff. You can find the contracts online. It's really, really bad.Michael Jamin (00:00:13):You're listening to Screenwriters. Need to Hear This with Michael Jamin.Hey everyone. It's Michael Jamin and you're listening to Screenwriters. Need to Hear This. I got a special guest today. I always say that when I have a special guest, but this time we have a world famous comedian. And now what does comedians have to do with screenwriters? Well, comedy writing, it's a form, it's a form of writing. Taylor. So we're here with Taylor, Taylor Williamson, who was, let me get you, lemme make sure I get this right. You runner up on America's Got Talent. What, what, how long, what, what year was that? BecauseTaylor Williamson (00:00:48):We, we just say recently, fairly recently. Recently in the spectrum of time, you know,Michael Jamin (00:00:52):Yesterday. And the how I met you was because, so we've been friends Taylor, we've been friends for a long time, but which means I'm probably not gonna be as nice to you as on this podcast as if we weren't friends. So you're just be far warned.Taylor Williamson (00:01:08):No,Michael Jamin (00:01:09):No,Taylor Williamson (00:01:10):, you're not gonna be as ni you're gonna be less nice to me cause we're friends.Michael Jamin (00:01:14):Yeah, it's the chat. It's all cordial. You're on our podcast. So that's how, I mean, it'sTaylor Williamson (00:01:18):Not cordial,Michael Jamin (00:01:20):But I wanna tell everyone how we met. So we, we met, I guess a few years back. It was, it was a w it was a little bit.Taylor Williamson (00:01:27):Sure, sure.Michael Jamin (00:01:28):And you had, you had just, I guess you had just won or, you know, runner up to America's Got Talent and comedian and you were, you were poppin. And so I don't remember exactly how, but you, our manager's teamed us up and you had an idea for a TV show based on your life. You were looking for writers. My partner and I met, we met our managers, teamed us up. We we met in kind of conversation. We liked what you had to say. And we thought, yeah, let's, let's try to develop a show and see if we can get it off the ground. And that's kind of how it works, is like, some people say like, well, I'm a comedian. Make a show about me. No, no, no. You don't understand. You were having this moment. You were, you know, you were, you were meaningful to the network because of your appearance on the, your, your success on that show. And that's how we went about it.Taylor Williamson (00:02:13):Right? No one else even wanted to meet with us. And then you guys seem so excited. I was like, are they playing a trick on us or are they terrible? , why? No, I'm, I'm have, I'm slightly, I mean, I'm joking about the mean part. Unlike you being serious about the mean part. Yeah, , there was one other fancy showrunner guy who was attached, I think, while you were also attached. And I was confused. What was hap like, why we have,Michael Jamin (00:02:37):We, we couldn't have both been attached. That's not possible.Taylor Williamson (00:02:40):I don't know. There was a guy, I'm just, I'll, I mean, obviously I'll tell you, we, you already know this stuff from years ago just to remind you. But like, there was another like, executive producer guy who was attached and then you guys, when we met with you guys as well, and everyone was gonna be a part of it in different ways. And I guess you would've been theMichael Jamin (00:02:59):Sure.Taylor Williamson (00:03:00):I guess. But then I thought he was, I didn't, I don't know what's going on. I, you know, I'm the, I'm the dumb comedian who's just all these, these, these Jewish people are telling me what to do. And I'm Jewish, by the way. I don't wanna sound like the new Kanye West. I was making a, I was playing along with Kanye. Wait, I playing against You're Jewish. Can you say me Hebrew Happy Hanukkah ,Michael Jamin (00:03:20):Hebrew . Dude, I wanna know, I wanna know. So Taylor's a, you know, com touring comedian. You work all the time. You tore the country. But I wanna know, I guess I wanna know how you broke into the business. Like how did you go from open mics to getting paid to do this?Taylor Williamson (00:03:38):We'll, we'll cut out the last 12 minutes. That I said so far, right?Michael Jamin (00:03:42):If you No, I, that's we're gonna lead with that. Taylor Williamson (00:03:45):. I feel like you have like real writers, those people that say, let me just say that. Well, are we just gonna talk more about that? I think that's interesting. WeMichael Jamin (00:03:52):Could talk about anything you wanna talk about.Taylor Williamson (00:03:54):I don't mean I, like, I made jokey answers to whatever, but yeah, we, I, it was, I think it's important to share this stuff. And I, I came up, I had to show idea that I liked and then my, my friend is I'm taking over the show.Michael Jamin (00:04:08):No, no. Okay. I'll get back to what we have. We got some time to fill here, so we'll get back to my questions.Taylor Williamson (00:04:13):Well, so no, I'm taking over, I'm answering your question, buddy. Yeah,Michael Jamin (00:04:16):I know, but I was steering the conversation away from your answer.Taylor Williamson (00:04:19):So then Jillian Bell, who's a great comedian, actress, writer person and mm-hmm. , she was interested in the show and and then she wanted to produce the show. That's right. Signed. It's a fun facts show business. I used to be with the management company that, that she was with, and I was no longer with them. And I brought this idea to them and my reps were not enthusiastic about it. Yeah. But then, so I, and I stopped working with them, but then a year later, Jillian Bell was interested in the idea, same show, then me go into their office with Jillian and then they're like, Jillian, this is a great idea. , I'm like, the show. ThisMichael Jamin (00:04:55):Is funny. She, I totally forgot that she was involved in it, but that's an, but that's right. Cuz she brought another piece to the puzzle. It was like, yeah. And you did, which was like, it's all about how many pieces of this puzzle can you, like, how much more can you bring to the table? And her involvement, the fact that you had this other, you know, she was a, she's an actress, actor, producer she's trying to get into the producing field and that was another piece of the puzzle, which made it more meaningful. So that's how Yeah. You weren't just like some random dude, you know, you kind of put these pieces together.Taylor Williamson (00:05:24):Yeah. And then obvi, I mean, she helped tremendously and I wouldn't have gotten to you and Siever if if it was not for her. And then we met with you guys and it was such a joy and we could talk about it as much as you want. But but anyways, but how did I start comedy? I, I was 17. I was like, I got into STEM comedy in high school. I never liked comedy as a kid. I remember being at the airport and the, as a child and some guy was like, I'm a comedian. Ugh. And he is like so obnoxious. And I've always hated that kind of comedy. Like, people are like, look at me, I'm a comedian. I got some jokes. You know? So I think that that scarred me for life. So I was like, I don't like, and my brother liked comedy stand up comedy, so I said, I don't like stand up comedy cause like dumb sibling ri sibling rivalry stuff. And it makes no, I'm not proud of anything. So I'm saying I still stand by hating those obnoxious comedians who like, tell it when the com Hey, I'm a comedian, nice to meet you. Like, you know. Yeah. I don't need that. And then then,Michael Jamin (00:06:19):But that's funny cause I always say like, people who have to advertise that they're funny, not be funny. You know what I'm saying? They have to put it on their business card, you know? Funny guy.Taylor Williamson (00:06:28):Yeah.Michael Jamin (00:06:29):But, okay,Taylor Williamson (00:06:30):Go ahead. And for the record, I've been saying I'm not funny. This entire, I've this entire convers we believe, I believe you . Fair. Good. I'm glad that's clear. Yeah. And then in high school I got into standup a lot as a being a fan of it. And then and then I'm from San Diego and rest in Peace. Her name is Sandy Seashore, Mitzi's daughter from the comedy store. Polly's sister had a comedy workshop in San Diego. And I'm, I'm 17. And I'm like, oh, that seems like a way to start, you know? Mm-Hmm. , I don't necessarily encourage comedy classes.Michael Jamin (00:07:08):Why not?Taylor Williamson (00:07:10):At first standup comedy, improv sketch. Yeah, standup fine. It helps you get your feet wet and you learn structure and stuff. But generally you're learn. I learned what not to do really. I don't, you kinda, there'sMichael Jamin (00:07:24):No structure though. What do they teach you there? You get comfortable learn on the funny, on the funny word.Taylor Williamson (00:07:29):Yeah. It's just like helping dissect. I don't know. Everyone has, there's no curriculum for comedy classes, but I learned a lot of things, what not to do. And I watched things being rewarded. Everyone should be like, this is not what I want to do. This is not right. And you're in the class with a bunch of crazy people too, honestly. You know? AndMichael Jamin (00:07:47):What kind of things do you learn that you, you're not supposed toTaylor Williamson (00:07:50):Do? I, as I was saying that I was like, that's gonna be a, a follow up question. I can't think of one, but like, rule of threes all this, I don't, I don't like the, I don't like these. It's just like, yes, those are things, right? But then also it doesn't have to be as such, you know? Mm-Hmm. I'm trying to think of like better examples of that. But here's the positive that I got out of it is if you're fat, talk about it. If you're skinny, talk about it. Mm-Hmm. and the, this is what I got out of the class that's invaluable, is that everything I got picked on in school was things that were like my superpower as a comedian or a writer. So like, all the bullies were like, Hey, you talk weird or you walk weird or you're a dork. And I, and I, I was able to spin all of those into, I go on stage, hey, so I'm weird and I, I talk weird and I walk and then people are like, we like you. And it's just kind of a beautiful thing to do comedy writing. It'sMichael Jamin (00:08:45):So funny. Yeah. This is what I say all the time to people, which is talk to talk about your vulnerabilities. That's what you want to talk about. And, you know, in screenwriting. But it's the same thing with standup. You know,Taylor Williamson (00:08:55):If that's, yeah. And I guess it's a standup that I, I, and I, I don't have better answers than this at the, off the top of my head cuz it was so long ago. But I remember like, it's like you learn to go like, oh, I'm half Jewish and I'm half Italians, so that means I like pizza that's on sale. You know? And then they go, right, great. Like, no thanks, come on. So it teaches you that kind of, but it, it does teach you what a joke is and it teaches you to get comfortable on stage and it teaches you what's out there. But I don't know, it can make a hacky hack comedian, you know?Michael Jamin (00:09:32):And then what came next? So it open mics after that you put together a five minute act orTaylor Williamson (00:09:36):Something. So I was k very tenacious and ridiculous. And I knew I was very, I did very, I was very good for my age. And this is also the time when not everyone's on Instagram and TikTok and all this stuff. So like, I was maybe one of the three 17 year old standup comedians out there, Uhhuh , like, you know what I mean? So I was probably the best music quotation of fingers. 17 year old com, I don't know. So I got all, I got attention and I was really good, especially in front of that supportive body. It's represented by their friends and stuff, you know? Mm-Hmm. , I didn't invite anybody, but like in that safe space, I, I don't know, I was very good at my age. I don't know, this probably sounds douchy, but, so I moved to LA to for college, but really for comedy. And it was very humbling doing an open mic that was not that safe space. And then the crowd wasn't so supportive. I'm like, what, what's wrong with you people? Oh wait, that's not real. This is real. You know? Yeah. But I got really good video footage, videotape, footage b you know, BCRs, those things. And who,Michael Jamin (00:10:42):Who brought the camera?Taylor Williamson (00:10:43):So the comedy workshop, you pay like four, 4 billion and then you get to do the eight weeks, then you get a tape at the end. So I got a killer tape. So I sent that to the, the producers of the Tonight Show, . I sent it to the last comic standing producers. I sent it to Eddie Brill, who booked David Letterman. So like, I was 18, I was, gosh, was it before I was 18. And didMichael Jamin (00:11:08):They they write back? Yeah. Did they reach out? What'dTaylor Williamson (00:11:10):They say? Yeah. Every time.Michael Jamin (00:11:12):, what'd theyTaylor Williamson (00:11:12):Say? These guys, every time I remember I never got, I don't believe I ever got them on the phone. Eddie Bri Letterman guy called me. I remember, I remember being in college 18 in the hallway. I had a voicemail from the booker for Letterman. Nowadays I would've recorded it and saved it. You know, this is like flip from time. So, and he was like, thanks for the tape. Funny jokes. Cause I remember reading somewhere that he responds to every bird, everyone who submits. And I remember he said, yeah, you can't do the AIDS joke on the show, the aids. It was like, you g it wasn't a AIDS joke, but it was like, the joke was, I was trying to be Bitch Hedberg at the time, you know, like brilliant one-liner guy. I'll show me one of those guys. So like, I remember being like, all these people are walking for aids, so I'm against aids.(00:11:59):I don't know. You know what I mean? Right. Some dumb joke like that. And he's like, you can't say that. You can't say that, but keep working at it. Whatever. And the Bob Reedit Tonight Show was so sweet and he seemed accessible to me cuz he was a judge on last comic standing, the first few, few seasons. Uhhuh . So he would send me the tape back, say, thanks for the tape, keep working at it. They would literally return this sender, but with a note and Thank you. And, and then the last time he called me or sent me like the third time, he was like, you don't have to keep sending me tapes . But he is still supportive though. You know, like, it was like, Hey, you don't have to keep doing, it wasn't like, leave me alone. But like, it was like, I think, I think he called me to tell me to stop chill, chill a little bit, you know,Michael Jamin (00:12:39):Give some, give some time. But then like you would, do you know if other comics who do this, like reach out? Is that how you Well,Taylor Williamson (00:12:46):I think funny shows, I think crazy 40 year olds do it now. I think. Like, I was cute cause I was young. Oh, I, I can't imagine what their emails are like now. You know? Now it's much of insane. Not well,Michael Jamin (00:12:56):But you wouldn't, you don't know anybody. Like, you wouldn't do this to get booked on any of these shows. Now that's not, ITaylor Williamson (00:13:00):Mean, I mean now I, I do, but I know the people Uhhuh, , you know what I'm saying? Now I'm like, I've done all these things. Would you please take a look at my, I ha I nowadays, if I wanna get on like James Cordon and I have the guy's email and I make a five minute tape and I send them a nice email, hi, I'm Taylor, I've done these things. Or how you been? We had coffee one time, whatever. But I DoesMichael Jamin (00:13:22):That work? Does that stuff work?Taylor Williamson (00:13:24):Yeah. I mean, I haven't been on James Cordon, so maybe not. But yeah, they, I mean, if you're professional in this business, like Uhhuh , I've a mistake that I've made, and I'm even sure my reps would agree, like, don't go through them for everything. Like I, I used to think you have to go through representation and get shit done. Can I curse on this show? Yeah. A a big mistake I made in this business is not using my personal relationships that I have and just reaching out myself.Michael Jamin (00:13:48):That's so, man, dude, it's so interesting. Cause I say the same exact things, but for screenwriter, like I say, people think that I get, I need an agent, I need a manager. Like, that's gonna change your life. And the truth is, it's not, you still gotta do 99% of the work yourself.Taylor Williamson (00:14:04):. I honest, I'm grateful to any of my reps who are listening to this. They're not listening. And I mean it sincerely, like I've been news for 19 years. So like, I have like old men wisdom, even though I'm not like a thousand years old yet. But like almost everything that I've gotten that was like monumental or big, big deal was without representation. Mm-Hmm. like respect to them for making the deals way better than it would've been at them itself or to, to them for making something. Mm-Hmm. taken to the next level. You know, that's their jobs. You know, I think most honest and classy agents and managers would agree that Yeah. Like they, they pour gasoline on fires, but you have to start the fire yourself. Yeah. And like, you gotta do it. And I thought it was unprofessional to reach out without them.(00:14:55):Now do, like, I'm, I'm selling unscripted shows right now. That's kinda what I'm hustling on. And I just say, Hey, Jillian told me this, or her sister told me this. She was a producing partner who's brilliant too. Like, yeah. She just goes, Hey, I had a meeting with, I'm making up, I had a meeting with paramount today. Oh cool. How was it? You know? Mm-Hmm. . So I, I call my agent agent and go, I said, I have these three pitch meetings today. Can you please reach out to some of these places I don't have? And sometimes I just go, can you gimme their email? Cause they have Rolodex.Michael Jamin (00:15:28):Interesting.Taylor Williamson (00:15:29):Interesting. Do I sound like a crazy person rightMichael Jamin (00:15:30):Now? No. And so you set up the meeting yourself? Is that what you're saying?Taylor Williamson (00:15:34):Honestly, I set up a, like I try to do it myself and then I reach out to them if I need help, even for comedy club bookings.Michael Jamin (00:15:40):Whoa. Let's talk about that. What do you mean for comedy book? So you have a, you don't have a separate booker forTaylor Williamson (00:15:45):Comedy clubs? I have a booking agent who's awesome and, but like, I just got a gig in Atlanta at the com, at the Punchline comedy club out there. And the guy texted me cause he knows me, right. I'm just long enough before I know the pe I know them. So I can just like some, some of these owners of comedy clubs, I can just text and say, Hey, I've done your, you know, I've done the club 10 times, you know? Mm-Hmm. So like, I've been there the 30 days of my life. I've hung out with these people. Hey, can I I'd love to come. I'd love to do a weekend with you guys. You have anythingMichael Jamin (00:16:15):Coming up? Is that, and is that what you do? I mean, you'll fly to Atlanta and you'll do a couple of shows at this one club? Or do you go on tour? Like, do you go from Atlanta to the next city, whatever the next city, Raleigh. I mean, we used to, you might make a tour of it or do you just keep flying back and forth to laTaylor Williamson (00:16:30):That's kind of, a lot of people are doing that now. Like, I mean, that's always been kind of, if you're like gym Gaffigan level or like mm-hmm. , whatever. Like if you're a superstar, you're, you're doing like theater, theater, theater, you know? Mm-Hmm. . I'm still comedy club level guy. Mm-Hmm. . So I do weekends. But a lot of these TikTok stars, like people who are getting like independently famous just from their social media, like yourself, honestly, they're, they're doing off nights at comedy clubs. So like, they're doing like Tuesday, Wednesday, Thursday, they'll be in Cincinnati one night. They'll go to date in the next night. They'll go to Toledo the next night.Michael Jamin (00:17:08):Why Off nights though? What's that about?Taylor Williamson (00:17:10):Because the weekends are tradition. The business is changing so much. But in comedy clubs, the weekends are traditionally held for quote, established comedians. Uhhuh, the idea being that if some randoms walk in, they're gonna have a good time. Like, I'm Taylor, I'm a comedian, I've been on America Set Talent, I've done Economy Central, all these things. But like, if people just walking, cause they wanna see a comedy show, they're probably gonna be fine, you know? But like on a Tuesday they would book a TikTok dancer or they'll book someone who just got famous cuz they're really funny and people are connected to their jokes, but they haven't been around that much.Michael Jamin (00:17:52):But they can still put Get Asses and Cs.Taylor Williamson (00:17:55):Right. But also the other side of it, the business side of it too is if I do a weekend, I can get a guaranteed deal. Uhhuh. , that's enough for me to come out no matter what. If we sell lots of tickets or not, but the people going on a Tuesday, they could make more money than I if they sell every ticket. The venue is more willing to give up equity in ticket sales on an off night than on a weekend.Michael Jamin (00:18:18):And so what does equity ha like splitting the door?Taylor Williamson (00:18:20):Yeah. So like if, so a a comic who, if you can sell out 300, 400 seats or whatever the venue seats on a Tuesday night, you can say the venue give me 80% ticket sales, I'll, I'll fly on 80%. Yeah. Or more, you know, I'll come in on Wednesday, you get drink sales, I'll get the ticket sales And the clubs. HaveMichael Jamin (00:18:40):These venues have 300 seats or is it some ofTaylor Williamson (00:18:42):ThemMichael Jamin (00:18:43):A lot? Or is that just like the number of shows? Because I thought they're like, I thought most of these clubs are smaller.Taylor Williamson (00:18:48):A lot of comedy clubs now are switching to bigger venues because they're trying to compete with theaters. Okay. Because thanks to Netflix and social media, comedians are selling more tickets than they've ever sold. Ever. Like, like there was just, there's a poll star that just came out. This is public information. Like Burt Chrysler made 25 million touring last year. This year.Michael Jamin (00:19:11):Like we almost, we almost did a show with Bert . Yeah, we talked about it. Now he's 25 million. That's a lot of money. His house wasn't that nice. .Taylor Williamson (00:19:19):Well that no,Michael Jamin (00:19:20):It's wasn't 25 million.Taylor Williamson (00:19:22):Well now he has three houses. Neil Brennan just did a podcast with David Letterman bragging about how Burt er is killing it and let him in like was like laughing, rubbing his eyes like 25 million . That's probably more, that's legit. Probably more than he made doing his show. Legit, you know, andMichael Jamin (00:19:39):Just touring.Taylor Williamson (00:19:40):Yeah, just touring. And I mean, to be fair, that's gross sales before commission, right? I mean, as we all know, like that's before 30, 30% commission. You know, you're aging 30% commission.Michael Jamin (00:19:50):OhTaylor Williamson (00:19:50):Man. Tour manager, lawyer, maybe no lawyer for touringMichael Jamin (00:19:54):Your tour manager. They take 10%.Taylor Williamson (00:19:57):I'm, I said business man. So your manager takes 10%, your agent takes 10%, your business manager takes 5%.Michael Jamin (00:20:04):Well you don't need a business manager, but you need touring manager.Taylor Williamson (00:20:08):I, so I don't know how he does tour manager. I'm just thinking like, normal manager. Wow,Michael Jamin (00:20:13):This is so interesting. I didn't know this talk was gonna be as interesting as it is.Taylor Williamson (00:20:16):Oh, you know what Mr. But last thing I say is Bert said on a podcast that he said that just talk to him. You actually, you don't have to talk to him. Just talk to me. I'll tell you about him. He said he wouldn't take a movie or TV show right now. The wildest thing to hear a comedian say I get it. But like that's so not how we all started. Because he's making so much touring and he has, he has gigs booked and he, his fans, he has such connection with his fans.Michael Jamin (00:20:40):That's so interesting. Cause I've never ied to develop a show and it was his idea. And then he kind of, I think he lost interest of his own idea probably because he is like, I don't need to do this. I can make more money on, on the road.Taylor Williamson (00:20:50):Wow. Yeah. And it just, the dream is just different now. Like I started in 2003 and like I, my dream at that time, I'm sure we talked about this during one of our writing sessions slash therapy sessions for me. Yeah. But like, I wanted to do like Timal and Drew Carey, Ray Romano, all that, that you become a really funny comedian. You work hard and then you pair up with brilliant comedy writer like yourself and then you get a sitcom. And that's not how it goes anymore. Most people don't want to bolt at Cam sitcom even like Yeah. You know what's kind of interesting too? My girlfriend is an actress, so she's brilliant and then comedian and all the things. She's absolutely brilliant. And she's Filipino and she's, I said to her like, I had all these people I wanted to be like, and I don't know what to do anymore. You know, one of those things. And she's like, that's cool that you had people that you watched on TV that you wanted, that had a blueprint for you. Cuz I never had that. I was able Oh,Michael Jamin (00:21:51):So you're saying because she's Phillips there weren't any role models forTaylor Williamson (00:21:53):Her. There was no like, oh, I wanna be like that. I wanna be like that. It was just kind of like rufi respect. But like the guy who played Rufio and Hook and Tia Carre Respect, you know, I think she'sMichael Jamin (00:22:01):Yeah. Yeah. ButTaylor Williamson (00:22:02):Like, yeah. It's justMichael Jamin (00:22:04):Interesting. But she's an actor comedian.Taylor Williamson (00:22:05):Yeah.Michael Jamin (00:22:07):And does she, so she, do you, do you work a lot with her then?Taylor Williamson (00:22:11):We are pitch show together, actually, but no, no, she's not really standup. She's more of a Oh, she's a standup, but she's, she's an actor and stuff.Michael Jamin (00:22:17):So how did you meet her then?Taylor Williamson (00:22:19):We met doing standup like a million years ago. We, but we reconnected recently. Wow.Michael Jamin (00:22:25):Yeah. Interesting. Yeah. And so you, and so I, so when you, when you talk about reality show or or unscripted, what, like, what are you, you don't have to tell me your ideas, but is that your, for you to star in some kind of unscripted show that you'reTaylor Williamson (00:22:37):Saying, yeah, please don't steal my ideas.Michael Jamin (00:22:39):I, you, I don't, I don't, I don't know anything about scripted. People ask me about scripted all the time. Like, I don't know how itTaylor Williamson (00:22:45):Works. I don't know how it works either, honestly. But it's what you said though. It's, you have an idea and then you get people, people go, I don't know. And then you get someone attached to people trust and they go, oh, that's a great idea. ,(00:22:57):You convinced the person who people res have, who has the equity in that field and status or whatever you wanna use whatever word you wanna use. And then and that's, that's what I've done. So like, I, the, the success I've had in unscripted TV is I had a travel show on Spike tv or a pilot a few years ago mm-hmm. . And I knew this guy Tom Beers, who's like a genius. He's like a mad scientist for unscripted television. And he's, he's got a really inspiring story. Like he became a superstar, like in his fifties. Mm-Hmm. . And like, he wasn't a millionaire to his fifties, but then he became like super millionaire. He created Deadliest Catch and Ice Road Truckers and Oh and a Thousand Ways to Die in Storage Wars and stuff. And he won the Emmy every year for Deadliest Catch. Yeah.Michael Jamin (00:23:42):I loved Deadliest Catch.Taylor Williamson (00:23:43):Yeah. And and so I, I knew him through cuz he was the c e O of Freemantle after he's sold his company to Freemantle, which produced a G T. So, and I had a holding deal with Freemantle and N B C. So I just reached out to him after I had some bummer business stuff happen. And I just reached out to him. Cause there was a nice guy who I know he saw me perform and he liked me and he was nice to me. And then and then he started his, I messaged him on Facebook. Like, I, like I don't have his phone number, you know? Right. And this is a few years ago. And then he, we met up and we brainstormed a lot and him and his partners and at his company and we got a pilot with Spike TV after. And it was like, this is like a two year process by the way. Like Yeah. It takes forever. It was a whole thing. And then you selling a pilot, I didn't get any money, you know what I mean? , I making a, I didn't get any money.Michael Jamin (00:24:41):Didn't make any, you didn't make any money at all. Went the budget of the show. Tell me what your, so tell me what a holding deal for the ever loved one. Listen, what exactly is a holding deal?Taylor Williamson (00:24:50):So I got the janky kind of holding deal you get nowadays, like I hear comedians from the nineties talk about their holding deals. They would get paid hundreds of thousands of dollars a year to be exclusive to networks.Michael Jamin (00:25:03):Yeah. And never actually get anything made. But they would hear pitches or sometimes they would pitch. Right.Taylor Williamson (00:25:08):Yeah. So it's like you just, you they'd get pilots or they have shows built around. I mean, I'm telling you, I'm telling you know about the audience. You know, you tell the audienceMichael Jamin (00:25:15):No, but you tell me what, what your, what your jankyTaylor Williamson (00:25:17):Holding was. So I got the Janky Reality show holding deal where, and they didn't force it upon me. Like I was flat grateful for it, but I think it was $10,000. So from being America's Got Talent, they had the option, they could have gone way harder on me. These real, these reality show contracts are insane. Like lawyers tell you don't sign them. Like they have the rights to like own your soul forever and things you make for the future and stuff. You can find the contracts online, it's really, really bad. But they didn'tMichael Jamin (00:25:44):You don't sign those, you don't sign those contractsTaylor Williamson (00:25:46):Or Well, I did it when I was a contestant cause I was desperate.Michael Jamin (00:25:50):Well, that, well that's another thing. Okay. So you did sign one of those contracts, the A G T, but they don't own you now?Taylor Williamson (00:25:55):No, no, no. And it was for a couple years. And it's confusing cause I was on the show last week, but the contract ended after a couple of years. It's confusing. But yeah, theyMichael Jamin (00:26:04):They keep on calling you to back into,Taylor Williamson (00:26:07):Yeah. Yeah. Yeah. SoMichael Jamin (00:26:08):Heidi, I know Heidi loves you.Taylor Williamson (00:26:09):Yeah. she says hi by the way,Michael Jamin (00:26:13):. I know she does.Taylor Williamson (00:26:15):But so the, there's a contract that I signed that I'm sure is similar. It's probably worse now honestly. But they have the rights to like specials and ticket sales and all these things they could have claimed because like One Direction, Simon Cal owned one sixth of One Direction, I believe. Interesting. Cause they were an X Factor show.Michael Jamin (00:26:35):Right.Taylor Williamson (00:26:36):Right. So he, he put them together and he owned them. So they, but they didn't take a penny from me. But the holding deal was, they had the option for a holding deal and I could have fought it and they, I don't think they would've enforced it upon me. Right, right. But and I heard that kids can get out of this stuff. The crazy, if you're under 18, you can just be like, I'm 16, leave me alone. Whatever you sign. I think there's a thing I heard that's if you're a teenager that wants to be in a reality show. But so I, I had like a $10,000 holding deal, which my reps thought it was a good idea to go with it because I would be touring so much that whole year and then we could develop something. It was the NBC and Fremantle. Mm-Hmm. . I was frustrated by it because I wasn't supposed to audition for things outside of that. So I felt restrained while it didn't go the way I hoped it would. But because Do youMichael Jamin (00:27:25):Do a lot of auditions for acting parts?Taylor Williamson (00:27:27):Not as much as I like, but I do. Oh really? Yeah. I just auditioned for Caribbean Enthusiasm and I was so excited cuz I've al I've never been able to get that even on audition. And that's my dream to be on that.Michael Jamin (00:27:36):And so was that for casting or did you go directly to Larry?Taylor Williamson (00:27:39):It's all online now. Oh. So from my understanding, when you audition for Kir, you go, you go to Larry. Like you're, you play, you play with him. Right. But Right. Even like my cousin's an actress, my girlfriend, like the most successful p people, it's still on tape.Michael Jamin (00:27:55):Yeah, right, right. I forgot about that. It's been so long.Taylor Williamson (00:27:58):. Yeah. But, but even, even like an improv. So, but I'm saying that even like an improv audition, which is curb. Yeah. Like you just ramble with your friend that you're filming it with.Michael Jamin (00:28:07):See that's, that's hard, especially for improv cuz your friend, you have to play with your friend. Mm-Hmm. . Wow. And so, yeah. So, so how did you go from, I have so many questions, but how did you go from that first standup you're doing open mics to actually someone paying you?Taylor Williamson (00:28:24):I got my first paid gig about a year in like, I got a lot of, so I sent my tape to like, everyone you should never send your tape to like, like just cuz I had a, I was, I mean, looking back, I was very, if you go online you can find some clips. Thankfully that took out the problematic stuff. It was different time period. . Yeah. Yeah. But like, I'm not, but like but like I was very good for my age and like, so I sent my tape to people and then I got booked at the improv in Ontario when I was 18. That was my first paycheck.Michael Jamin (00:28:54):You to tape when you, okay, you say you're taped to Booker, to the owners of comedyTaylor Williamson (00:28:57):Stores. Man managers and agents. I contacted manager agency. Yeah.Michael Jamin (00:29:01):But is that okay?Taylor Williamson (00:29:03):You should not do that. It's not the move to do. It's insanity. And it's a different time now where you don't need toMichael Jamin (00:29:08):Do that. So how would, so how would you, if you're trying to break in, so how, if you, how are you today? Go get, if you're doing open mics for, I don't know if you're ready after doing,Taylor Williamson (00:29:16):I can tell you exact what someone should do today. Yeah. To post their clips on in my day. You don't post your clips. I remember when I, when I, I was submitting for, I made a tape. I'm trying to remember exactly why I made a tape. I uploaded it to YouTube at private YouTube. I don't even think private was an option or I didn't know how to do it. I don't know. But I uploaded a clip on YouTube and this is 2007 mm-hmm. . And I wanted it anyway, I got on Craig Ferguson when I was 20 in 2007. And I rushed to get the tape off of YouTube. Cause I didn't wanna have my jokes on YouTube. Cuz the, the thought back then was, and I still did fix this in my, myself, my head. I, I started like two a couple years too early.(00:30:01):Cuz the ti the, the business and rule the rules in our brain just changed so much. I don't know if you, if you, if you ever feel like that, but you, you're such an amazing job doing things the way you things are done now. But anyways, but we didn't want our ec clips online because we thought people are gonna come see us perform. They're gonna hear the jokes again. And comedy doesn't work the way music does. Where you want to hear the, the repeat of like, I could hear a Foo Fighters sing Everlong 12 times in a row. Be like, this is great. You know? Right. But stand up. You don't wanna hear the same joke 12 times, you know, so, but now, like, you want, you want your clips online and I struggle with that causeMichael Jamin (00:30:37):So Well why do you want your clips online? Do don't, I mean, don't you still feel like they don't want to hear your jokes again?Taylor Williamson (00:30:43):Yeah, but that's not, it's not how younger people are or anyone is. The consumers aren't like that now. I think they want,Michael Jamin (00:30:49):If you act online, will they go see it at a club even though they've already heard it? Yeah, they will. They will see it. They'll hear itTaylor Williamson (00:30:54):Twice. I don't think people hold on to joke memory like that.Michael Jamin (00:30:58):Really.Taylor Williamson (00:30:58):Yeah. And, and enough people, I think the idea is that listen, say best case scenario, even if you're famous, 40% of the people saw that clip you posted. They bring a date, they bring their friends. Right. There's gonna be enough people laughing where everyone's okay and their friends says, I love that joke. Oh yeah, I saw 'em on Instagram. That's why people be excited that they knew about it. And now people are into like, I'm old and I always liked if music was on mtv, I liked it. But if they're indie, I didn't listen to it. Which is so stupid and ignorant and not thank God as an artist. Other people don't feel like that, you know. But like, people want him, people like loving some Instagram comic now. And like I have a buddy, Ralph Barbosa, he's a really special young comedian. He's like 26 or 27 out of Dallas. He's been posting clips on Instagram and TikTok. He went from like 4,000 followers in April to like 160,000. Now in December when we're taping this and on TikTok, he has way more,Michael Jamin (00:31:57):He's posting clips that he records at a club.Taylor Williamson (00:32:00):Yeah. He's po he's selling out more tickets than like, I think than I sold. I don't know, I don't know all his numbers, but I think he's selling you more than I sold after being on America's Got Talent for a Year. You know what I'm saying? Interesting. He just sold out eight shows at the Hollywood Improv in, in February.Michael Jamin (00:32:19):And how many seats is that?Taylor Williamson (00:32:21):I don't know. 200 something really. But he sold them out months in, in advance. It's wild. It's wild. It's wild. And they gave him the Wednesday night cuz he's a young comic who's new and whatever. Then they gave him a slate, show ends it, then they gave him a Tuesday, they gave him LA show Tuesday. Then they're like, okay, you want the whole week . I haven't seen that since. Wow. Maybe Joe Coy or Gabriel Glacia. You know, that'sMichael Jamin (00:32:43):So interesting because, because you really are, you're, it's hard to get people outta their house on a week weekend, a weeknight. And yet they'll come out to seeTaylor Williamson (00:32:50):Him. I commented on one of his posts, he's this kid open for me. He's like my little opener. I say Little is younger than me, like, but like, he's like, he's a kid who, when I went to Dallas, he'd be like, can I open for you again? And like, you have any other gigs? And I'm like, you know what? He's funny. He's nice. I would take him to lunch and like, I treated him the way I wish people would've treated me when I was that age, you know, and younger or whatever. And and some people did. And it meant a lot to me, you know? And like I knew he's special. I knew he is gonna do something, but how do you know he's gonna be like in two years? You know? Wow. And but he opened, he was my opener in Dallas like seven months ago. And now he's like, he's gonna be in la I'm like, can I, can I open for you on your showsMichael Jamin (00:33:33):? IsTaylor Williamson (00:33:33):That right? No joke. You know. Wow. Like, and and I'm actually coming, I'm working on a, what's kind of special too is like me and Chip Pope, you know our friendship. Yeah, yeah. We, we were, I said to Chip cuz I, I talked to my friend who was producing a thing for Netflix, like a new faces type thing for standups in like February. And I was like, you gotta get this guy Ralph and audition. And so we came out for that and I was like, Ralph is so special, we gotta come up with an A show for him. And like, so we've been talking about it for a while and now serendipitously he's become like this little superstar. He's in Dallas and he's, he got represent, he's got the biggest agent and biggest manager. He didn't have to move to la he didn't have to move to New York.(00:34:13):He's staying in Dallas. It's, I'm posting on social media being funny and working hard. He was seen the, the Alleg. So anyways, but so we're, we're working on a show with him now, which I'm really excited about a scripted show. And wow. But the last thing I'll say on that is the confusing thing for me is it used to be you tap dance for like a, a, a gatekeeper. Like trying to get some kind of producer to like, I hope they were your email, they booked me or whatever, whatever. Now you're, you're trying to make an algorithm like youMichael Jamin (00:34:44):Well, but I, but I think it's more about, cuz I say something like this as well as people are saying, well how do I break into Hollywood? How will you read my script? Will, like how do I get a manager or agent? It's like, dude, all of this stuff you could do on your own. Yeah. You, you don't have to beg for permission. You just do it. Yeah. They do it and make it great and people will come to you.Michael Jamin (00:35:07):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Taylor Williamson (00:35:31):You know what's funny? It, it sounds k like easy for you to say or it sounds kind of like, like bullshit advice on mm-hmm. at first. Like, like how I used to, I remember they, how do, like an agent will they find you? How do they find you will get it seen by them? Well, we gotta get booked. It, it was just like, but what comes first? Chicken and their egg kind of thing. Whatever. And what you just said sounds the same, but now is like, someone's been around a long time. You're right. And it sounds not fair and it sounds ridiculous. I'm seeing it all day and like, can I tell you my agent, I, I'm with a great agent at a great agency and like they rep Dave Chappelle and stuff. He's not, I, I don't think I'm speaking out of turn for, I don't know. But like, I mean, he would come on and say the same thing. He would say, it's the somebody he told me a few months ago, if you're on tonight's show, it's not going to, it's not what it used to be. Right. My, I he didn't say this, I'm saying this, but I bet my agent would rather represent somebody who has a million Instagram followers than someone who was just on this Tonight show.Michael Jamin (00:36:32):Right.Taylor Williamson (00:36:33):And has no followers and but has potential and like they, you something special. It's not the current, it's a more valuable currency to have a big social media following than to have been on Jimmy Fallon.Michael Jamin (00:36:46):Interesting man. It's changing so much. It's, but see, to me, I, I would think that gives people hope because it's like you, you're more in control of your destiny than you think you are. You meets empowering, you know,Taylor Williamson (00:36:59):It's, to me, it's stressful for me. It's stressful because like, I was like climbing this ladder for so many years and then the the then like game changed. Everyone's on this other ladder. I'm like, what about this one? But this one, everyone's like, Hey, have fun over there, but we're over here. So beat them or beat them or join them. What is it? Join them or, IMichael Jamin (00:37:16):Don't know. Well, what is your, like what, what is your goal? What at this point you're traveling, you work all the time, every you work every week that you wanna work.Taylor Williamson (00:37:25):Yeah. You know, it's confusing coming outta Covid. It's confusing. I've had, I had like some almost things that went to shit cuz of Covid. I had like a thing that was supposed to happen. Like I was gonna start working for Fox. I always liked wrestling. You know, we talked about that and like, yeah. And I was gonna start being a correspondent on Fox primetime being like a daily show type correspondent. But for wrestling stuff, like talking to fans and wrestlers and celebrities and like that kind of thing. So I was gonna be on Saturday night primetime Fox WrestleMania 2020. And like, and then if that went well, it'd be, I'd be on the weekly Fox Sports show after that.Michael Jamin (00:37:59):But why is that? WhyTaylor Williamson (00:38:01):Is that Covid Covid shut down Covid? No, no audiences, you know, so then, right, that was on Fox. And then since, by the time then Fox canceled the show I was gonna be on before Covid stopped being closing down everything. And then by the time fans came back last year, w b kind of transitioned to n b nbc. So Fox is kind of like, we're not gonna keep making this kind of stuff cuz you're withMichael Jamin (00:38:26):Nbc. Well, why do you care? The, because is it more about the exposure about the moneys about the lifestyle or, you know, cause that's, it would've Fox comedy,Taylor Williamson (00:38:33):But I would've gotten to be a, a comedian. I would've gotten to be Taylor being silly. I wouldn't be work. That wasn't a job working for ww it would've been a job with Fox Uhhuh . So I would've been same as Frank Callo and Rob Riggle do for NFL's Sunday, you know.Michael Jamin (00:38:48):Oh, I didn't know that. Frank Callo isTaylor Williamson (00:38:49):That? Yeah, he's, I mean, Frank's been doing that for a year, for 15 years, probably. Like, oh, John Madden impression got like, blew him up. Yeah. That's probably, that's probably bigger for him than Matt TV maybe.Michael Jamin (00:38:59):Right? ThatTaylor Williamson (00:39:00):Sounds interesting. So, so that would've been a thing that led to more hosting opportunities and just like, I'm so grateful for America's Got Talent, but my struggle has been I, I'm always confused on these things. Am I supposed to talk about how great I am and how great perfect things.Michael Jamin (00:39:14):We, we talked, we're honest here on this podcast,Taylor Williamson (00:39:17):. Yeah, yeah, yeah. No, I think, I think it's important to share stuff. And that's a, that's honestly another confusing thing in this business too, is it used to be, I remember talking to Tommy John again about this. Do you know Tommy?Michael Jamin (00:39:28):No.Taylor Williamson (00:39:29):He's a brilliant standup who's just become a superstar TV writer, producer, Uhhuh . And but he's like this killer stand up. And but I remember talking to him, we did Last Comic Standing in TW 2010, and I remember him saying, I don't respond to fan mail. You gotta pretend Brian Regan doesn't turn to fan mail. You gotta be like, you're Mick Jagger. You know, you gotta make the crowd think that you're famous. Like that's the, that's the attitude that people had. You know, like,Michael Jamin (00:39:54):But now it's not that.Taylor Williamson (00:39:55):Now it's like if you don't return an email, like, or a DM or don't resp, people think you're a jerk sometimes, you know? IsMichael Jamin (00:40:01):That right? You're supposed to respond.Taylor Williamson (00:40:03):It's confusing, especially during Covid, everyone's doing Instagram lives and interacting and stuff and like mm-hmm. , I don't know. I I need you. I don't know, people, people wanna be friends with you now or feel like they're friends with you. Yeah. I don't know if there's a point to this, but oh yeah. So now, but then now also people want to hear artists be vulnerable and talk about like, yeah, things are hard right now. Like yeah, like Covid shut down my career. I couldn't work for a year. Like, right. Some people, I don't know. They, they leaned into the TikTok and all that stuff. And for me, that wasn't healthy for me, for my brain to just go hard on that. And, but anyways, it is a confusing business and but I have a lot of cool things going on too, and a lot of potential things. AndMichael Jamin (00:40:48):So why did you, because you're from San Diego, so why did you move to LA then for that reason to be more connected to other opportunities?Taylor Williamson (00:40:55):I moved when I was 18 and I had to go to college. Oh. And I got into Cal State Northridge one of the greatest schools in the country. It's like Harvard. It's like Harvard and HarvardMichael Jamin (00:41:05):On the highway.Taylor Williamson (00:41:07):.Michael Jamin (00:41:08):,Taylor Williamson (00:41:08):Is that what they call it?Michael Jamin (00:41:10):? Maybe. I, they call the school that they don't call thatTaylor Williamson (00:41:13):I've never heard of. That's funny. But yeah. So I got, but it was my excuse to move to LA and I, I wanted to be, well, I thought that the owner of the comedy store's daughter likes me. I thought I was gonna be like, I was so a little bit too tenacious, like cringeworthy going for it, you know, like I remember calling the comedy store saying, I took Sandy's comedy workshop. Michael Jamin (00:41:33):.Taylor Williamson (00:41:34):Yeah. And you get it. But just knowing,Michael Jamin (00:41:35):But you're a kid.Taylor Williamson (00:41:36):I'm a kid. But like, just knowing who is answering out the fucking bitter door like phone guy, like, yeah, thanks buddy. You know what I mean? Like, they were nice to me. Actually, I remember I talked to the guy who, I think it was Duncan Trussel, who's a great comic. I think he was the talent booker at the time. Anyways. But I moved to LA and then I went to New York for a couple years. But now you don't have to live anywhere really. It's really Right. My, my girlfriend's an actress. She's living in Atlanta now. And she's on big shows. She's on huge shows. But like, that's where you don't because they they film in Atlanta. Right. You don't have to, you don't have to. It's really weird cuz everything I've , I'm talking like I'm 70, but like everything, the rules, it's completely like, like, like an, it's like a, like an earthquake and everything is all different now.Michael Jamin (00:42:27):Yeah, no,Taylor Williamson (00:42:28):I can, and it's not bad at all. It's, it's good in many ways, but it's confusing for like an old man like me. Like, wait, this is how it is. This must be how racist people feel. You know, like, yeah,Michael Jamin (00:42:39):Right.Taylor Williamson (00:42:39):We like diverse, we like minorities. Now what?Michael Jamin (00:42:44):But what I want have other things. I wanna men get to you cuz I, you know, so much to,Taylor Williamson (00:42:49):I don't sound sad, do I? I'm, I I think it's information to share with a fellow artist,Michael Jamin (00:42:54):Listeners. I, I think this is super interesting. Maybe I, I love this conversation.Taylor Williamson (00:42:58):I got a puppy for the people watching. It was a cute puppy.Michael Jamin (00:43:00):I don't think that's a dog though,Taylor Williamson (00:43:02):Sir.Michael Jamin (00:43:03):How dare you?Taylor Williamson (00:43:04):I enjoy your humor most of the time. But when you talk about the love of my life is beautiful. She's Jewish by the way. She says happy Hanukkah. WhatMichael Jamin (00:43:12):Is your name again? Your dog?Taylor Williamson (00:43:13):This is Betty.Michael Jamin (00:43:14):Betty. I didn't know that. I didn't know that was her name.Taylor Williamson (00:43:17):Well,Michael Jamin (00:43:18):You don't know why is she squint? Why is she why is she squinting like that? Why is she eye fucking me like thatTaylor Williamson (00:43:22):Sir? How dare you? She's, she's falling asleep cuz she's comfortable looking in your eyes.Michael Jamin (00:43:28):Oh, she's, ah, she's in transplant my eyes. I wanna talk because I wanna talk about how you transitioned from writing just jokes. Like you're saying you wanna be like, do a Mitch Headberg head.Taylor Williamson (00:43:38):Oh, that transition.Michael Jamin (00:43:39):Yes. But then not the other one. Not the yeah, not the other one, but you kind of, how you found your voice.Taylor Williamson (00:43:46):Yeah. That's one of those other things that people go, like, when people say how long does it take? There's no rules, but like how long does it takes you to find your voice? I think Pan, I could be making up a complete story, but I feel like he said it took 20 years for him to become like, to really find his thing, whatever, while people say 10 years, whatever, there's no rules for anything. Like you could have a car that's 10 years old, but you can drive it three times. That's not the same as someone who does 500 shows a year and hustles whatever. But like, and some people have, we've all, I started comedy when I was 17 and I was, wasn't a full human. So like I, I didn't know have things to ex life experience to talk about things. Everyone's and everyone's lives are different.(00:44:23):Whatever. There's people who start, there's this special guy who's he just passed away, but he was in his eighties shoot, I'm gonna find his name before we hang up on this cuz he's so special. He is worth mentioning. But he was 80 in his eighties doing standup comedy and he started, and he had all this to talk about and it was really cool. And I'm gonna talk to you while looking his name, but how did I find my voice? Is that the question? Yeah, yeah. I dunno. You just live your life and you keep doing it. And like the, my favorite compliment I get, and the first time I got this was really made me happy. Someone said, you're the same onstage as offstage. Like, well,Michael Jamin (00:45:02):But I would say though, from watching you, I would say you're onstage, you're 10% more thanTaylor Williamson (00:45:07):Yes, you are off stage. I mean, the way you're,(00:45:11):You're an observant Jewish comedy writer. So you can see, you can see that. Yeah. Ideally it's you with the volume turned up, you know? Right, right. So yeah, like, but I used to be, if someone's bored and wants to see it, like my first Craig Ferguson appearances on YouTube. So if you'd having Taylor Williamson, Craig Ferguson in 2007, I tried not to smile. That was my shtick. And like, that's the problem, like, cool problem. Like, it's not good or bad, but being seen early, you're being seen while before you know who you are. But then, as you know, as a writer or artist, this is always so frustrating to me. But now I try to look, I I have to remind myself that it's a positive thing. This is what, this is what I got from the comedy workshop. Sandy Shore said to me, rest in peace, Sandy.(00:45:58):She said, after my set, I destroyed my, my first set I demolished like, like it was ridiculous. But I'm saying that not to practice sound like an asshole. But my point being, it went so well. And then I walked up stage and she said to me, in six months, you'll be embarrassed by that. And I was like, fuck you lady. That's my head in my head, you know? Right. I didn't know what she's talking about, but I've learned, and I still feel like that when I listen to a tape of my, I record all my stats on the audio. I look, I, if I listen to some of them from a year ago, I used to go, Ooh. But that's good. That means you're getting better. You know, you'reMichael Jamin (00:46:28):Growing. How often, how do, how often do you write new material and how do you go about writing the material?Taylor Williamson (00:46:34):I used to be really good writer, like writing every day and all that stuff. And then cause I'm more, I really see myself as a joke teller, you know? And oh, by the way, answer your question is, you'll see how I evolve the second time's on Craig first, and I'm smile. I'm trying to smile, I'm trying on purpose to smile, and then I still remind myself to smile on stage. Right. And I remind WhyMichael Jamin (00:46:56):Do you feel like you have to, why do you feel like you're not smiling?Taylor Williamson (00:46:59):By the way, Marty Ross is the guy in his eighties who's really special. Look up m a r t y, Marty Ross. He's an 80 year old comedian. Anyways. But and and I, I think it's my, I was always just appalled by, I had such extreme judgment for comedians who walk on stage, like, whoa, I'm a comedian. You know? Like, I love Robin William. Like, like I love the legendary guys like that. But like, like I would do open mics and I would watch a guy go on stage and just b like give it his all. And there's two people in the crowd. And like, it just made me so uncomfortable. Mm-Hmm. , this is clearly my problem, not theirs, you know? But I think I have a, I don't know, I, one of my struggles as a performer is I, I don't know, I don't know how to articulate it. Like, I feed off the audience. Like, if the audience likes me, I work harder and I do better. Yeah. But if they don't like me, I kind of have like a Fuck you. I don't, I don't care. You know? Right. well,Michael Jamin (00:47:57):How do you go about writing your material then?Taylor Williamson (00:47:59):Yeah. I don't, I, I've gone kind of lazy lately in the last 15 years, . But like, I kind of work out on stage. I have ideas. I mean, it used to be even beginning of my lazy face, Twitter, remember Twitter used to be for jokes and stuff. Yeah. I was just like, oh, that tweet did good. I'm gonna try to turn that into a bit. But the problem with tweets, from my experience, for me, it was more premises than punchlines. Mm-Hmm. , like, I remember I had some joke, some tweet, they got a lot of traction. I forgot what it was, but something about like,(00:48:36):This cop keeps following me. He must really like me. Or I don't know what the joke was, whatever. But I remember just saying it on stage and it bombed. Mm-Hmm. . But I re I realized, oh, it's a premise. Right. It's not the funny part. Right. So that was confusing to me. But now I, I write ideas in my notepad just randomly. Then I go on stage and I fuck around and I kind of sandwich new ideas between between jokes that work already. So I have a, I go, I have a good opener. I open strong and then I might do two, two jokes. I know work, and then I'll just ramble on something new. Cause I'm also trying to become less jokey. I'm trying to become story storyteller guy, which is very, very terrifying to me. And I still haven't figured it out.Michael Jamin (00:49:18):That's interesting. So, because you don't wanna just constantly be testing out material because you wanna people, you also wanna show people your best stuff cuzTaylor Williamson (00:49:26):The Yeah. Like when people comes, and that's something I, I blows me away that like, there's comedians that don't do, like I work out the comedy store in LA mm-hmm. and like, we still have to bring it. Like, you can't go, it's not open mic night for me, but it is for, I don't know, George Wallace if he comes in, you know what I mean? Like it can be, but he's still gonna be funny cuz he's George Wallace, you know, but who I don't, I think I've seen there once in my life. I don't know why I'm using his name because I don't think he was gonna la but like but there's like, in LA you work out and then when, when I go on the road mm-hmm. , it's 93% ready to go. Right. And if the crowd's with me, I mean, I'll, I'll do something else. But I think as you get better and do this long, you don't bomb anymore.Michael Jamin (00:50:13):Right.Taylor Williamson (00:50:14):You kind of know how to, like, I know how to recover from a joke not working. Like I, I can bomb have a joke bomb, and then I can say something and then the crowd's with me and then I can move on. Like, like it never happened, you know? Right, right. Like, I don't let it, it destroy me or the performance.Michael Jamin (00:50:28):Yeah. I remember we, we saw you. I don't remember where we but club we saw you at, butTaylor Williamson (00:50:32):You probably the improv,Michael Jamin (00:50:34):I always forget. No, no, that's not Melrose. I don't think, I don't think it was that one. I thought it was like, maybe the comedy story. Is that possible? OrTaylor Williamson (00:50:41):Maybe,Michael Jamin (00:50:43):But you were so comfortable on stage, it really was like, wow, this guy's really, he knows w

Fighting negative self-talk is a common issue. The big lie for me is, if my faith in God was strong enough, then I wouldn't be sad or angry or depressed. But these thoughts don't line up with what the Bible says about lamenting. This episode is also available as a blog post: https://regulargirldevos.com/2022/11/09/reaching-the-sandy-shore/ --- Support this podcast: https://anchor.fm/regular-girl-devos/support

Building organic matter, soil health, 4R nutrient management, and profitability are all part of the crop production puzzle Bill Ungar and the team at Sandy Shore Farms is piecing together on the sandy north shore of Lake Erie. On this episode of RealAgriculture’s Soil School, Ungar, Sandy Shore’s agronomy manager, shares how the family-owned farm and vegetable... Read More

June 25th, 2022 our friends at Blue Prints Records had an outdoor event @ Sandy Shores Park in San Diego, CA. I had an early set, but I prepared a fantastic set covering everything from deeper house, Melodic House, House and deeper tech house. Big thanks to Teluryde for the invitation and can't wait to do it again! 1) Dusky - Careless (Original Mix) 2) Dusky - Skin Deep (Original Mix) 3) Francis Mercier, Tom & Collins - No Me Importa (Extended Mix) 4) Dee Montero - Bahama (Hoten Remix) 5) Audiojack - 6EQUJ5 (Original Mix) 6) EDX - Vommuli (Extended Mix) 7) Bob Sinclar - Feel The Vibe (Christian Vlad Edit) 8) Steve Minds - Second Part 9) Simon Doty - Party With A Purpose (Extended Mix) 10) John Summit, Echoes (UK) - Human (feat. Echoes) (Extended) 11) Azzecca - I've Been Waiting (Extended) 12) Kaskade, deadmau5, Kx5 - Escape (John Summit Remix) feat. Hayla (Extended Mix) 13) Noizu - Moon Groove (Extended Mix) 14) Timo Tapani - Showtime (Original Mix) 15) Bryan Softwell - La Difícil (Original Mix) 15) Kofla - Machino (Damian Martin Remix) 16) Noble North (Timo Tapani) - Bora (Original Mix) 17) Yousef - And Jus Clap (Extended Mix) 18) Tomas Bisquierra - Trip To The After Hour (Original Mix)

Episode 103 The Lunar Saloon Every Friday from 10P - 12A PST 99.1 FM Long Beach Streaming at KLBP.org Air date : March 19, 2021 -=-=-=-=-=-=-=-=-=- "Francis Monkman, Stargazing, Tempus Fugit Hap Palmer, Midnight Moon, Movin' The Gentle Rain, Lonely Jelly, Moody Alan Hawkshaw, High Driver, New Blood Bruno Nicolai, Allora Il Treno, Allora, Il Treno Joe ""Nat"" Palele Orchestra, Love Me Love, Luna Caprese / Love Me Love Gryningen, Från Andra Hand Till Stränderna I Nice (Mike Salta Edit), EP Starving Daughters, Raw Deal, Strange Valleys Claude Denjean, Venus, Moog! Claude Denjean And The Moog Synthesizer King Zérand Orchestra, Night Song, King Zérand Orchestra Walter Rizzati, Comanche Rock, Park Avenue Robert Charlebois, Discobol, Je Reviendrai A Montreal / Discobol Arp-Life, Apolobamba, Jumbo Jet Pinto Varez, Barbabietola, Motivi Al Volante Enterprise, Cuando, Cuando, Cuando, Enterprise Misha Panfilov & Shawn Lee, Aquaria, Paradise Cove Braen's Machine, Gara, Temi Ritmici E Dinamici Michael Bundt & Peter Seiler, Funky Phill, Dreamdancer (Original Motion Picture Soundtrack) aka Carl Ludwig, Der Traumtänzer By The Savers, Space Police (Long Version), Help Me Christian Poulet, Fafafa Fadida, Evasion Eddie Suzuki, High Tide, From These Shores Stringtronics, Tropicola, Mindbender Martin Denny, Let Go (Canto de Ossanha), Exotic Moog Mladen Franko, Yellow Balloon, Amazing Space Vol. 1 The Milan Pilar Group, Boat To The Dreamland, Sailing-Gliding-Floating John Keating, Upon Another Earth, Space Experience Sirarcusa, Streap-Tease In The Stars (The Way I Do), Psychemagik Presents Magik Cyrkles Jack Mayborn, Start Signal, Release No. 15 - Video Concepts Dea, Luna Arabika, Heavy Rotation II Fabio Fabor, Pompadour, Aquarium Oscar Rocchi E Il Suo Modern Sound, Genziana, Erbe Selvatiche More, Jutro, More The Black Fire, Misgiving, Cream Jacques Siroul, See, Midway Claude Larson, Sandy Shore, Surroundings Sven Libaek And His Orchestra, ...And Beyond, Solar Flares"

Robert's guest in this episode is Sandy Shore, the Founder/CEO of Smooth Jazz Global, one of the leading Internet music sites. She is an incredible entrepreneur who has not only developed a worldwide leading Internet music site, but has also branched out into festivals and other events.Robert's song in this episode: "Ride 'em High" from Trippin', Project Grand Slam's Billboard #1 album. Robert promoted this song on Smooth Jazz Global and saw it get tremendous listens, which then extended to a run on Spotify that garnered over 500,000 streams.! Sandy Shore is the Founder and CEO of Smooth Jazz Global. She's created a worldwide empire around smooth jazz music, including internet broadcasting events and festivals. She's opened up this genre to millions of people all around the world. Robert has known Sandy and Smooth Jazz Global for years. Some of Robert's songs like Ride ‘Em High have done very well with the smooth jazz audience, and Robert has marveled at the way that Sandy has grown and developed her audience, her business, and her brand.In this episode, Robert and Sandy discuss:The evolution of radio and radio broadcasting. (3:52)Sharing your dreams with others. (14:14)Following your dreams while sacrificing in other areas of your life. (15:38)The global expression of music. (21:54)The struggle that comes with chasing and achieving your dream. (24:54)Keep chasing your dreams until you achieve them, but don't forget to enjoy the road along the way. (31:43)"The universe is on record, it's always listening." —  Sandy Shore  If you enjoyed the show, please subscribe, rate, and review at Apple Podcast, Spotify, or wherever you get your podcasts.   Get your Complimentary DREAM ROADMAP with Robert's 5 steps to pursue and succeed at YOUR dream. Just click here:https://www.followyourdreampodcast.com/DreamRoadmap Connect with Sandy Shore:  Website: https://www.smoothjazz.com/  Twitter: https://twitter.com/sandyshoreInstagram: https://www.instagram.com/sandyshore/  Facebook: https://www.facebook.com/SandyShoreMusicApp: Smooth Global https://apps.apple.com/us/app/smooth-global/id512005407   Connect with the Follow Your Dream Podcast:Website: www.followyourdreampodcast.comInstagram: https://www.instagram.com/followyourdreampodcast/Facebook: www.facebook.com/FollowYourDreamPodcastEmail Robert: robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website: https://www.projectgrandslam.comStore: https://www.thepgsstore.com/  YouTube: https://www.youtube.com/user/PGSjazzFacebook: https://www.facebook.com/projectgrandslam/Spotify: https://open.spotify.com/artist/04BdGdJszDD8WtAFXc9skWApple Music: https://music.apple.com/us/artist/project-grand-slam/274548453Email: pgs@projectgrandslam.comIntro/Outro song in this episode- “Ride ‘Em High” from the Project Grand Slam album “Trippin'”, a Billboard #1 album.Spotify link- https://open.spotify.com/track/2P2KWILS5SWfiGjFma2CHf?si=06fed77520b74708 Show notes by Podcastologist: Kristen Braun  Audio production by Turnkey Podcast Productions. You're the expert. Your podcast will prove it. 

She thought she could and so she did. This California radio personality, concert event producer and global music innovator has been on the radio since she was 15 years old, starting her career on John Steinbeck's Cannery Row in Monterey, California in 1979. She has worked her way up and down the Coast to broadcast on many respected FM frequencies including The Wave in Los Angeles and KKSF in San Francisco.Known in the music industry as a visionary in regards to Internet Broadcasting and music programming, Sandy has dedicated her talent to introducing the lifestyle vibe of contemporary jazz to millions around the world by keeping the sound fresh and warm. She believes that the genre is evolving and appealing to a new breed of listener who enjoys a diverse music mix. Shore describes it as a modern and robust blend that includes both the "relevance of pop and the depth of jazz."Music is her life. Shore works personally with today's hottest jazz artists and recording labels, building successful branding by integrating marketing and social media. She also works closely with music producers consulting on radio singles and developing new artists, all the while spearheading SmoothJazz.com's event partnerships with jazz festivals all over the world.LINKS:http://smoothjazz.comhttps://www.facebook.com/sandyshore4Uhttps://www.jazzweekender.com

What up everyone!! Welcome to another episode of LEMeKNOW My guest on today's episode is Daisy Gonzalez Daisy is a comedian from Gradina, she has been all over the art world found at home in stand up. She took a stand up class thought by the great Sandy Shore and has never looked back. On this episode we talk about her love of comedy, SnapChat, and she gives me advice to keep going in the comedy world. Don't forget to follow him on IG/FB @itscomediandaizy Keep the questions coming!!! You can also leave a voicemail (424)2619005 Like the podcast! Leave a review of 5 stars, please!!! We are on iTunes/ SoundCloud/ Google Play/ Stitcher/ Spotify I hope you guys enjoy!!! As Always… Thank You for listening and letting me be part of your day. Insta/Face @lemeknowpod Email lemeknowpod@gmail.com CLICK ON THE LINK ON BIO TO LISTEN Track Title: Money Artist: Leikeli47

What up everyone!! Welcome to another episode of LEMeKNOW My guest on today's episode is Daisy Gonzalez Daisy is a comedian from Gradina, she has been all over the art world found at home in stand up. She took a stand up class thought by the great Sandy Shore and has never looked back. On this episode we talk about her love of comedy, SnapChat, and she gives me advice to keep going in the comedy world. Don't forget to follow him on IG/FB @itscomediandaizy Keep the questions coming!!! You can also leave a voicemail (424)2619005 Like the podcast! Leave a review of 5 stars, please!!! We are on iTunes/ SoundCloud/ Google Play/ Stitcher/ Spotify I hope you guys enjoy!!! As Always… Thank You for listening and letting me be part of your day. Insta/Face @lemeknowpod Email lemeknowpod@gmail.com CLICK ON THE LINK ON BIO TO LISTEN Track Title: Money Artist: Leikeli47

*Another day in the Smooth Jazz paradise You have tuned the Follow Me 87.6 FM show on your dial, in its 146 edition. Are you ready? Well, let's start: Wedge of Sandy Shore presentation 8th Festival Mallorca Smooth Jazz, in Protur Biomar Rocco ventrella: With his new single released on April 22. Magic in Your Eyes (magic in your eyes)  Discover the new generation of Brazilian jazz. Brazilian music of high quality. GUAI brings all the Brazilian rhythm, swing in their music, between a glamorous voice, full of passion, strength and tenderness. "World Jazz News GUAI is a finalist for several awards in Brazil and even in Portugal. Roberto Menescal, Ivan Lins, Carlos Lyra and many great names in the industry recommend the album DAMA DE PAUS We continue with: Chat between friends with Roberto Tola and his album "Bein Green" Stuart red- Impeccable guitarist The Smooth Jazz Alley - Likes ride and subway - awesome sweetness in their songs U-Nam Greeting from Luis Nascimiento with his new work Manzana, which will be released in conjunction with Follow me 87.6fm next May 10th We will finish with the great Cristian de Mesones and his Spirit single PS: We continue to use our google translator https://followme876.blogspot.com/*

Another day in the Smooth Jazz paradise You have tuned the Follow Me 87.6 FM show on your dial, in its 146 edition. Are you ready? Well, let's start: Wedge of Sandy Shore presentation 8th Festival Mallorca Smooth Jazz, in Protur Biomar Rocco ventrella: With his new single released on April 22. Magic in Your Eyes (magic in your eyes)  Discover the new generation of Brazilian jazz. Brazilian music of high quality. GUAI brings all the Brazilian rhythm, swing in their music, between a glamorous voice, full of passion, strength and tenderness. "World Jazz News GUAI is a finalist for several awards in Brazil and even in Portugal. Roberto Menescal, Ivan Lins, Carlos Lyra and many great names in the industry recommend the album DAMA DE PAUS We continue with: Chat between friends with Roberto Tola and his album "Bein Green" Stuart red- Impeccable guitarist The Smooth Jazz Alley - Likes ride and subway - awesome sweetness in their songs U-Nam Greeting from Luis Nascimiento with his new work Manzana, which will be released in conjunction with Follow me 87.6fm next May 10th We will finish with the great Cristian de Mesones and his Spirit single PS: We continue to use our google translator

*Another day in the Smooth Jazz paradise You have tuned the Follow Me 87.6 FM show on your dial, in its 146 edition. Are you ready? Well, let's start: Wedge of Sandy Shore presentation 8th Festival Mallorca Smooth Jazz, in Protur Biomar Rocco ventrella: With his new single released on April 22. Magic in Your Eyes (magic in your eyes)  Discover the new generation of Brazilian jazz. Brazilian music of high quality. GUAI brings all the Brazilian rhythm, swing in their music, between a glamorous voice, full of passion, strength and tenderness. "World Jazz News GUAI is a finalist for several awards in Brazil and even in Portugal. Roberto Menescal, Ivan Lins, Carlos Lyra and many great names in the industry recommend the album DAMA DE PAUS We continue with: Chat between friends with Roberto Tola and his album "Bein Green" Stuart red- Impeccable guitarist The Smooth Jazz Alley - Likes ride and subway - awesome sweetness in their songs U-Nam Greeting from Luis Nascimiento with his new work Manzana, which will be released in conjunction with Follow me 87.6fm next May 10th We will finish with the great Cristian de Mesones and his Spirit single PS: We continue to use our google translator https://followme876.blogspot.com/*

*Another day in the Smooth Jazz paradise You have tuned the Follow Me 87.6 FM show on your dial, in its 146 edition. Are you ready? Well, let's start: Wedge of Sandy Shore presentation 8th Festival Mallorca Smooth Jazz, in Protur Biomar Rocco ventrella: With his new single released on April 22. Magic in Your Eyes (magic in your eyes)  Discover the new generation of Brazilian jazz. Brazilian music of high quality. GUAI brings all the Brazilian rhythm, swing in their music, between a glamorous voice, full of passion, strength and tenderness. "World Jazz News GUAI is a finalist for several awards in Brazil and even in Portugal. Roberto Menescal, Ivan Lins, Carlos Lyra and many great names in the industry recommend the album DAMA DE PAUS We continue with: Chat between friends with Roberto Tola and his album "Bein Green" Stuart red- Impeccable guitarist The Smooth Jazz Alley - Likes ride and subway - awesome sweetness in their songs U-Nam Greeting from Luis Nascimiento with his new work Manzana, which will be released in conjunction with Follow me 87.6fm next May 10th We will finish with the great Cristian de Mesones and his Spirit single PS: We continue to use our google translator https://followme876.blogspot.com/*

Our thanks to Paul Taylor, Daniel Domengue and Amigas Our Nuria and Sandy Shore, CEO of Global Smooth Jazz Thank you for your greetings to our program. We dedicate our time Smooth Jazz. Paul Taylor, Daniel Domengue U-nam, with George Duke-Marcus Miller-Phil Perry-Jeff Lacey Spain Nuestro agradecimiento a Paul Taylor , Daniel Domengue y Nuestras Amigas Nuria y Sandy Shore, Directora General de Smooth Jazz Global Gracias por vuestros saludos a nuestro programa. Os dedicamos nuestra hora de Smooth Jazz. Paul Taylor, Daniel Domengue U-nam, con George Duke-Marcus Miller-Phil Perry-Jeff Lacey

Sandy Shore is the founder and president of Smoothjazz.com, the leading smooth and contemporary internet jazz radio station and website. Ken and Sandy have known each other for 20 years and talk about the past and future of contemporary jazz and radio - Monday Podcast Series, episode 5

John Siino reviews this week's editions of AEW Rampage, IMPACT Wrestling, ROH On HonorClub, WOW Superheroes, MLW Fusion, NXT Level Up, NWA USA, NWA Powerrr, and WWE Main Event in under 15 minutes on Shot In The Dark.This week AEW Rampage is ‘Championship Friday' with four title matches as El Hijo del Vikingo defends the AAA Mega Title against Komander & Dralistico, NJPW World Television Champion Zack Sabre Jr. vs. Action Andretti, Willow Nightingale defends the NJPW STRONG Women's Title against Emi Sakura and ROH Pure Champion Katsuyori Shibata goes one-on-one against Lee Moriarty before being approached by his next challenger. Aubrey Edwards also gets into it with Karen Jarrett.On IMPACT Wrestling, Subculture is in action as Dani Luna debuts against Jody Threat and Flash Morgan Webster & Mark Andrews take on The Motor City Machine Guns.ROH on HonorClub has Athena defending the ROH Women's World Championship against Kiera Hogan, Katsuyori Shibata defending the ROH Pure Championship against Alex Coughlin, and NJPW World Television Champion Zack Sabre Jr. vs. Rocky Romero.Also, El Hijo del Vikingo, Psycho Clown & Rey Horus vs. John Hennigan, Sam Adonis & Gringo Loco on MLW Fusion, a recap of night one of the Crockett Cup on NWA Powerrr, Candice LeRae vs. Tegan Nox on WWE Main Event, Hank Walker & Tank Ledger vs. Bronco Nima & Lucien Price on NXT Level Up, Sandy Shore debuts on WOW Superheroes, and more!Get your Shot in the Dark T-Shirt at Pro Wrestling Tees!Join our live NXT POST Shows every Tuesday night at YouTube.com/POSTWrestlingFollow more of Davie and Braden's work at Poisonrana.ca, with a weekly show covering everything in the world of wrestling, Shot in the Dark, and more!Tuesday: upNXT – NXT Review (POST Wrestling Feed)Thursday: Shot in the Dark w/ John Siino (Poisonrana Podcast Feed)Friday: upYOURS w/ Emmy Award-Winning Rob McDonald: Suicide Squad (2016) (Poisonrana PatreonSunday: POISONRANA LIVE – Weekly News Show (Poisonrana Podcast Feed)Last week's shows included Best Match Ever: Sabu, Succession Finale Review, Wattup Doe? w/ B Detroit and Cno Evil…and more!Only $5 for the “Friend” tier to access all these shows and everything in the back catalog! Movie reviews, PPV reviews and so much more!!! Photo Courtesy: AEW, IMPACTShot in the Dark Theme by: Cno EvilSubscribe: https://www.postwrestling.com/subscribeFacebook: https://www.facebook.com/groups/702343790308154Twitch: https://twitch.tv/PoisonranaPodPatreon: http://www.patreon.com/PoisonranaYouTube: https://www.youtube.com/@PoisonranaPodT-Shirts: https://www.prowrestlingtees.com/upnxtDiscuss: https://forum.postwrestling.com